Air Namibia In-Flight

Page 41

Q

we had to choose between playing

Did you have any mentors? What was your greatest inspiration?

in

home

My father was my first mentor. Also, I

thought

feel a strong connection with Japanese

home economics would serve me

culture and design, and was greatly

better than playing an instrument,

influenced as a kid by my Japanese

which I really resented. Anyway,

great-grandmother, who taught me to

I was pretty creative in my sewing

hand-sew little pouch bags as well as the

class and did well.

art of origami. My paternal grandmother,

by the Girl Scouts. In high school, a

band

economics.

and My

studying parents

Q

who sewed dresses and wedding gowns,

When did you decide to become an artist? Did you study? What other media do you work in, if any?

was a big influence, too. In my work,

I studied architecture and fine arts

every day. My travels, too, are an endless

for four years, but leaned more

source of inspiration.

I’m continuously inspired by nature, and by the people and artifacts I observe were discussing all these possibilities

Q

when I came up with the idea of the

toward fine arts than to the technical

used tea bag as a canvas. It sounded

While I didn’t actually attend a

How did you begin this form of artwork? Tell us the story.

formal art school, I took life drawing

I often reflect on how it all began.

opened the soggy tea bag and left

classes at the Art Students League of

The theme of my very first exhibit in

some tea leaves on the tea bag paper,

New York in the early ’80s. At that

New York City in 2014 was inspired

forming something abstract on it. But

time, I worked primarily in pastels,

by salvaged materials, found and

when it dried and some of the tea

graphite, and charcoal.

recycled

experimented

leaves didn’t stay in place, we knew we

In the early 90s, I tried my hand

with painting on whatever I had

had to continue with our experiment.

at watercolour but always felt that

available in the house, including

I started to love the sepia stains of the

the medium was very unforgiving.

pistachio shells, eggshell shards,

used tea bags, and immediately knew

I probably have the least amount

and origami-folded crumb wrappers,

I would later use them in my designs.

of work in this medium. Ironically,

paper bags … you name it!

My sister was also inspired—she went

nature

of

architectural

studies.

this is mostly what I use now with the tea bag art.

objects. I

preposterous at first. We carefully

Then one day, I was having tea with

back home to Maui and incorporated

my sister, who is also an artist. We

used tea bags in some of her collages.

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