A Building Rooted in Community

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A Building Rooted in Community

THE CHAMPION BUILDING, the permanent home of the Albuquerque Community Foundation since 2012 at 624 Tijeras NW, demonstrates the hardworking nature of immigrants to the United States who endured hardships to provide livelihoods for their families. The enduring structure, today more than 120 years old, also exemplifies the value to a community of preserving its architectural legacy while anchoring a more than 40-year-old organization within a historic downtown neighborhood.

The Neighborhood Store

Alessandro Matteucci first came to America in 1899 from Luca, Italy, as part of a wave of Italian immigrants brought to the expanding West by the arrival of the Atchison, Topeka and Santa Fe Railroad. When he arrived, Albuquerque had only about 6,200 residents. As with many new arrivals Matteucci counted on family connections to establish himself. He worked as a clerk at his uncle’s Porto Rico Saloon and Grocery Store located near the present site of the Albuquerque Little Theater. The store, in what was called “New Town” Albuquerque to differentiate the city’s expansion eastward from Old Town, sold the community Italian wine and olive oil and other imported goods as well as staples like coffee, sugar and flour. The Porto Rico also acted as a proto-travel agency, selling steamship tickets back to Italy. Soon after his arrival, the industrious Matteucci took over the business.

Matteucci’s achievements and ambitions could not be satisfied with one store. The Porto Rico simply wasn’t enough. As one of the first Italian immigrants to find success in the Albuquerque grocery and saloon

business, he decided to expand his existing ventures by partnering with another Italian immigrant, Pio Lommori. The men started building the two-story, red brick and stone foundation, Lommori and Matteucci Grocery and Meat Market, in 1902-3. Upon its opening in 1904, the market was within close walking distance of Immaculate Conception Church and the devout Catholic ladies who needed groceries (and gossip time) after mass. With entry doors facing the southeast corner of Tijeras and Seventh Street, the store’s large windows fronted Tijeras with displays of the variety of goods for sale. The stand-up basement, a rare feature of Albuquerque buildings even today, provided cool space for wine making and storage before air conditioning.

Like most of the other grocery stores in the city, door-to-door delivery was the norm, with customers calling in by telephone or sending children with their daily and weekly orders. The horsedrawn delivery wagons, laden with fruits, vegetables, meats and dry goods, many imported from Italy, would make the rounds of neighborhoods throughout the city. The wagons (and later, trucks) were loaded through large double doors (today preserved in forest green but no longer functional) on the Seventh Street side.

Though the hitching posts to which horses would be tied are long gone, metal rings in the sidewalk remain a reminder of the original mode of delivery transportation.

In the book “Italians in Albuquerque,” a caption on a 1910 photograph describes the delivery process, as told by Mario Menicucci. “Nobody ever went to the grocery store. The grocery stores all delivered. The telephone was it. My mother called up, in Italian, and put the order in. The store clerk would make up a bill and keep the bill there until the end of the month. Anything she needed, she would just call up the store. She’d give them the order, and they would deliver in a wagon, on a bicycle, or, in later years, in a truck.”

The Foundation still has one of the store’s account ledgers, a fragile book filled with yellowing pages with Italian notations of who ordered what, when and the tallied amount, donated by the Marianetti family. These stores, and certainly the Lommori and Matteucci Grocery, were more than retail outlets. They were community hubs, where neighbors gathered to socialize. Often, relatives of the owners would find their first employment behind the counters, like Matteucci, or as delivery drivers. That was indeed the case in 1907, when Lommori exited

Albuquerque Community Foundation Champion Building, 2024

the partnership. Matteucci brought his brother Amadeo on board, renaming the enterprise the Champion Grocery and Meat Market. At this point, signage (as noted in photographs) was written in both Spanish and English to appeal to the city’s Hispanic community. The store became one of the most popular in the city, which now counted about 10,000 inhabitants.

When the Champion building was first built, the ground floor was designed as retail space, while the second story was configured as living quarters. This common practice at the time has all but disappeared in the city. Four handsome bay windows on the west side provided upstairs residents with bird’s eye views of the neighborhood, while a diamond shaped, multi-colored stained glass window allowed the setting sun to cast rainbow hues into the parlor room. Cast stone decorative courses and mosaic tile work above and below the first floor display windows added attractive touches. Based on photographs dated between 1906 and 1907, the Matteucci brothers expanded the building, adding a two-story east wing that increased both the retail and residential space. Shortly afterwards, a fire destroyed the new wing, which was promptly rebuilt.

While the east wing added space and continued the ground floor’s large display windows, only one more bay window was added to the eastern end of the second

story’s north facing façade. As before, the second story of this new wing was designed to be residential apartments, and a garage and apartment to the south were added between 1919 and 1924.

Alessandro and his family lived in the original west wing second floor quarters until about 1910, when they purchased a two-story house across the street. Alessandro’s success as a business owner also allowed him to purchase an automobile in the 1920s, a luxury for most people at the time.

In 1914, the fraternal Matteucci partnership dissolved when Amadeo left to go into business with another immigrant store owner, Michael Palladino. They opened the rival Matteucci and Palladino, just one block away (now the former First Financial Credit Union building). The presence of competition did not deter the larger Champion’s prosperity, though, and Alessandro continued to operate the store until his retirement in 1938.

Building of Many Uses

In the more than 120 years since the Champion Building’s construction, it housed grocery stores and meat markets on the ground floor until the 1960s. After that, a succession of retail and service establishments, including the Gypsy Beauty Salon, Orr Refrigerator Service, Holland and Globe Tailors, the Korea Karate Institute, and architects’ offices, among

other businesses, found homes in the structure.

A notable business from 1978 to the early 1990s was The Uniform Store, provider of parochial school clothing and fabric. Today, nostalgic individuals still visit the Foundation’s lobby, sharing that they would buy their uniforms there for next door’s St. Mary’s Catholic School. Douglas Wright-Meyer, son of the original owner Patrica Meyer, wrote on a Facebook post in 2023,”If you wore school uniforms from 1977 to 1995 in Albuquerque, you surely purchased them from her business…”

One of the architects who called the Champion Building home was Isaac Benton, who also served as an Albuquerque City Councilor representing Downtown. He described school children lining the sidewalk as they waited to enter St. Mary’s, sometimes taping on the windows to gain his attention. Though he often talked with owners Paul and Patti Marianetti about purchasing the building, added to the New Mexico State Register of Cultural Properties in 1977 as significant historically and culturally, and part of the Historic Landmarks Survey Register for the City of Albuquerque, it was not to be.

“I was surprised that Paul [Marianetti] was going to donate it. But if it had to go somewhere, I was pleased that the Albuquerque Community Foundation got it and that it was not going to be sold for speculative purposes. It could have been torn down, or used neglectfully until no more use was left. As an architect, and someone who worked in the building for years, I had a keen, critical eye towards what was being done in the renovation. I think they did a beautiful job keeping the sense of the building,” Benton says.

The building remained in use and in the family, through Alessandro Matteucci’s daughter Yolanda Marianetti and her son Paul, until 2010. With offices on the street level and residential units above, the upper story saw a rotation of residents

Original Champion Building, 1906
Champion Building, 2009

The Senator and the Stained Glass

The beautiful western facing multi-colored, diamond shaped stained glass window that created rainbow beams in the second story parlor room was at one time covered over, as it was prone to leaking and breakage. Thelma Domenici, godmother of Albuquerque Community Foundation CEO Randy Royster, recounted to him that her parents, Cherubino “Chope” and Alda Domenici, both immigrants from Italy who ran their own grocery store, raised their family in the neighborhood. Apparently, the window was an attractive target for the baseball of her brother to get the attention of the children who lived there.

“When the Foundation got the building, I brought Thelma for a tour. She had fabulous stories about the building, as the Domenicis lived close by when she was growing up. I had showed her pictures of the building, and she said there used to be a window that didn’t exist in the photos. Maria Matteucci, wife of Alessandro, had commissioned the window in colors to match the furniture and décor of the room, the family parlor.

“As a boy, Thelma’s brother Pete liked to play with the children who lived in the building. In fact, Pete’s nickname was Bocce (both because of his love of “ball” and for the shape of his head). One day Pete tossed his baseball up at the window to alert his friends and broke it,” said Royster.

During the building’s renovation in 2010-12, this stained glass window was commissioned and donated by SMPC Architects in similar colors and replaced as an homage to the building’s original charm and the mischief of the little boy who would become United States Senator Pete Domenici, who served New Mexico for a record six terms from 1973 to 2009.

who valued the location and walkability to downtown Albuquerque’s business scene, restaurants and artistic offerings, and public transit to take them throughout the city. For many years, the University of New Mexico housed scholarship architecture graduate students there, including the eventual husband of the interior designer charged with bringing the Champion back to life.

Serendipity Four Times Over

In 2010, the Champion Building’s aging owners Paul and Patti Marianetti decided to donate the property to the Albuquerque Community Foundation. The Marianettis still lived across the street in a house that his grandparents, Alessandro and Maria Matteucci, had purchased. The gift came with one stipulation: that it be renovated and used as a permanent home for the Foundation.

“My grandfather got his start here, made his living here and lived most of his life here,” said Paul Marianetti in an interview published in the Albuquerque Journal. “We really wanted to pay back the city that has been very good to us.” The Marianettis also found the tenants of the Champion’s apartments new homes before the official transfer to the Foundation.

But the story of how the Champion became the permanent home of the Foundation can only be told as a series of serendipitous events. Two contemporaneous conversations occurred in 2010. The first was between engineer and then Albuquerque Community Foundation Trustee and Chair of the Board, Vic Chavez, and the Marianettis.

“I got a call from Paul, who is the cousin of a good friend, about him possibly donating the building. He and Patti and I toured the building,” says Chavez, who also happened to be a structural engineer and founder of Chavez-Grieves

Consulting Engineers. “The first floor was in good shape, but the four second floor apartments and the basement were rough. We saw water damage, rotten wood and structural challenges. There’s a thing called dead-load deflection. For example, when you put weight on the floor, it’ll deflect half an inch. Over the years, due to dead load deflection, it becomes three quarters of an inch. During my first visit with Paul, we discovered excessive loads and uncomfortable deflections. As we talked, I said that the Foundation would also need a donation of cash to help with the needed structural renovation. They agreed.”

The second discussion happened at the same time between Randy Royster, Foundation CEO, and the Matteucci’s attorney Tom Blueher, a former Foundation Trustee, whose wife Francesca Matteucci Blueher, was a cousin of Paul’s. The two had discussed the possibility of the building’s donation to the Foundation. “I called him [Vic] about hearing from the Marianetti’s attorney out of the blue and he laughed his big laugh. I said, what are you laughing about? He said, yeah, I was just over there with Paul and Patti. It was one of those very Albuquerque and New Mexico coincidences that often mean that something was meant to be.”

In a third instance of serendipity, when Royster had interviewed for the Foundation’s CEO position five years earlier, one of his stipulations in taking the job was that the Foundation commit to finding a permanent home. The organization had been leasing strip mall office space, which had been generously provided by the Blaugrund family, long term significant donors to the Foundation. Royster’s concern was that a strip mall, with its constantly changing tenants, did not appropriately reflect the Foundation’s mission of legacy in perpetuity. How could they profess their intention to stick around when their office space was temporary? Another of Royster’s conditions was that

the Foundation’s permanent residence be in the Downtown city center, and, if possible, in a historic building.

“When this opportunity [to receive the Champion building as a donation] arose, it was right in line with what I had envisioned,” he says. “The opportunity to own, occupy, and be stewards of a historic property in downtown Albuquerque directly aligned with the vision and mission of the Foundation.”

The cherry on the serendipity cake was three-fold, revealing the depth and diversity of the Foundation’s Board of Trustees. First, Vic Chavez, donated his time and engineering expertise to provide construction oversight of the project while serving as Foundation Board President at the time. Second, Kevin Yearout, owner of Yearout Mechanical and also a Board Trustee during this period, also provided his services at no cost. Finally, Royster’s own background included not only his

profession as an attorney, but his former background in real estate development and construction management. His experience perfectly positioned him to become the owner’s project manager for the extensive renovation project. He spoke and understood the language of contractors and builders.

Renovations, Surprises and Community Support

As might be expected from a century-old, 6,000 sq. ft. structure, the Champion Building needed extensive renovation to create the Foundation’s permanent home with office space, conference rooms, a kitchen and other requirements. An initial estimate of $975,000 would include abatement of hazardous materials and the desire to provide better access to the entire building. Selective demolition of the plaster ceilings

Whad revealed serious stress issues with the roof and second floor framing. At every turn, another issue was uncovered, and additional costs added to the total.

The building donors had provided $150,000 as seed money for a capital campaign to complete the extensive structural stabilization and reconfiguration of the space. The Foundation planned to raise an additional million dollars by seeking sponsorships for everything from conference rooms to offices to the new elevator. Though the building was listed on the state register for historic properties, there were no tax credits available to offset the cost.

Fortunately, donors and sponsors began to step up, as they recognized the value of the Foundation’s opportunity to own, occupy and be stewards of an historic property in downtown Albuquerque. SMPC Architects, led by architect and Foundation Trustee Glenn Fellows and interior designer

A Community Store

hen Patricia Meyer retired in 1997, she turned over the keys to The Uniform Store to her son, Douglas Wright-Meyer. He had grown up working in the establishment that outfitted thousands of private and parochial school children for two decades from its location in the Champion Building. The store started with six schools, and moved in the early 1990s because it became so successful, eventually supplying some 40 schools.

“When my older sister was in 6th grade in 1977, my mom was frustrated that she couldn’t get our school uniforms locally. Mom wrote to DENNIS Uniform in Oregon and told them that she could do a better job than the one local store that couldn’t seem to stock what we needed. So they told her she could do it. My mom chose the Tijeras location because St. Mary’s was her anchor school.

“As you get older, you appreciate old buildings more. Everything down there was unique –the tile on the front of the building, the neat angled front door. I easily remember what it felt like to open the door in the winter and feel the heat of the gas heater above the door entry. It would be freezing outside and the heater blew warm air. I would sit in front of the heater and warm up before the store opened. And though we never heard anyone up on the second floor, I do remember people going up and down the stairwell behind the store’s warehouse. The light in the store was always bright, too. Even back in the warehouse it was never dark.

“The bathroom was wonky. It was clearly built out by someone who would not have been a contractor. It was framed out in a strange way and the pipes wrapped around the toilet. It was a tight squeeze, but it worked,” said Wright-Meyer.

Wright-Meyer’s memories of spending time in the building include that his mother delivered her monthly rent payments to Paul Marianetti in person at their house across the street. One point of contention between Marianetti and Meyer was the limited parking for the store. “My mom would get frustrated because she needed space for customers. There was temporary parking only,” he says. “The building was a special place – and the renovation looks wonderful.”

Peggy Favour, contractors Jim Trump of Build New Mexico and Jaynes Corporation, and other construction team members and subcontractors all agreed to donate or significantly discount their contributions to the project.

In a final instance of serendipity, a surprise, unrestricted bequest arrived. This donation of more than $1 million from a donor with no previous affiliation with the Foundation, covered the ultimate total renovation cost of $1.4 million. Later, the donor was revealed to be Hank Dennis, who turned out to be one of Royster’s high school teachers! At final tally, some 65 percent of construction costs were contributed by donors either in cash gifts or in-kind services and materials, demonstrating the incredible community confidence in the Foundation’s mission.

Everyone involved in the renovation planning agreed that historic interior and exterior details and architectural features should be preserved if possible, including keeping the exterior of the building its existing white instead of reverting back to the earliest red brick color. “Truth” windows were designed to show glimpses of the original life and construction of the building. Many existing openings were preserved – like the double delivery doors and the corner entry into the new lobby. The entry door to what is now the Foundation’s conference room could

not be saved. Fortunately, it was rebuilt to look like the original, and the salvaged hardware and frame from the 1890s were reused. The black and white tiles in the downstairs bathrooms replicate the original tile designs of the early 1900s.

Sustainability was part of the discussion, too. Exterior windows and doors were replaced with energy efficient ones reminiscent of the existing singlepaned ones, thanks to a grant from local utility Public Service Company of New Mexico. A new HVAC system brought refrigerated air and more effective heating. Renewable bamboo flooring was installed throughout, replacing the original oak floors with a similar color. A light well was constructed to replace a skylight between the east and west wing to allow natural light into the hallway – the same place that the Marianetti family would hang their laundry to dry before the east wing of the building was constructed.

Through it all, the renovation respected and strengthened the bones of the building and to make it functional as offices of the Foundation, and for the entire community as a gathering space. As noted in the 2012 NAIOP Awards of Excellence nomination prepared by SMPC Architects, “One of the primary design concepts was to give importance to the central and dividing brick wall that was the original exterior wall of the 1904 building. Utilizing the existing

wall openings as passageways or windows, the exterior brick on one side is exposed in areas on both first and second floors and the soft brick of the interior side of the first floor is plastered with a warm burnt sienna color.” Photos telling the history of philanthropy in Albuquerque now hang on the brick wall of the first floor conference room.

Says Peggy Favour, the interior designer with SMPC Architects who worked on the project and who lived for a time in the 1990s with her future husband in one of the building’s upstairs apartments, “The project left a lasting impression on the firm. So much time and effort was put into this historic renovation that it gave [the firm] the courage to come into their current building [the historic Banque Lofts on Central Avenue].”

The building’s renovation was completed in 2012, and celebrated with a July ribbon cutting and community open house that drew hundreds of neighbors, community members, contractors, contributors and others – all eager for both a glimpse into the past and a look toward the future. Tours of the building stopped at the “Giving and Growing” exhibit of photographs of early area philanthropy, plus a 31-year retrospective of the Foundation to date. A “family philanthropy parlor” with original furniture from the Matteucci family and a photo exhibition courtesy of the Marianetti family included interior and exterior images from the early 1900s. Proudly, a formal plaque in the building’s lobby acknowledges and honors the many individuals, companies and organizations that supported the project.

A Home Rooted in Community

The State of New Mexico recognized the significance of the Champion Building in 1997, when it added it to the registry of cultural properties. A

plaque near the entrance of the building reads in part, “…The Champion Building is one of the best remaining examples of Albuquerque’s historic corner groceries, and its tile details and mosaics give it a a decorative quality unlike other early groceries...”

When Mo Palmer, local historian and curator of photography at the Albuquerque Museum from 1992 to 2002, researched the Champion Building in preparation for the renovation and eventual re-opening, she wrote, “It symbolizes the courageous pioneer spirit of Italian immigrants to Albuquerque, who worked hard to establish themselves and become Americans while preserving their unique culture and traditions. It also represents Albuquerque’s roots as neighborhood clusters, each with their own stores. It is a monument to our beginnings, and to the mom and pop operations that helped tiny new neighborhoods sustain themselves on a high and dusty desert. It is appropriate that it will now serve its second century as home to the Albuquerque Community Foundation.”

In the 2012 NAIOP Awards of Excellence nomination, the building was noted as praiseworthy for its investment in Downtown Albuquerque, the historical and contextual nature of the structure, as a gift from the Marianetti family that recognized the important service the Foundation provides to the community, and the team effort of those directly involved in the renovation and who supported it financially.

“Without extraordinary generosity, the Champion Building would not be what it is today…Giving was, and continues to be, one of the community’s greatest strengths.” The project was awarded the 2012 NAIOP Eagle Award for Historic Renovation, the 2012 Associated General Contractors Best Building Award for Long Lasting Community Impact, and the 2013 Associated General Contractors 2013 Best Buildings Under $2.5M award.

The legacy of community giving and support will live on in perpetuity. And without drain on the Foundation’s community-focused resources, either. With part of the donations received to renovate the building, the Foundation created a permanent endowment to maintain the structure, including possible future renovations.

In the book Imagine a City That Remembers: The Albuquerque Rephotography Project, co-author Mark C. Childs notes that, “Despite decades of use and several incarnations, the Champion Building retained its identity and usefulness and remains a good model for city buildings.” Childs praises its mixeduse nature, siting next to the sidewalk and integration into the neighborhood.

“The Champion could not easily be built today. Typical zoning regulations prohibit a mix of uses within a building or even within a neighborhood. The original intention of such uniform zoning was to protect residential neighborhoods from invasion by noxious factories and the like. Zoning evolved, however, to exceed this sensible function and eliminated many types of buildings and districts that make a city a delightful and economic place,” he wrote.

As the permanent home of the Albuquerque Community Foundation, the Champion Building opened its doors in July 2012 once again to the community. It has become a place where other organizations, especially not-for-profit groups focused on positive community impact, can meet in large and small groups. Because the story of the Champion Building is one of legacy and continued utility, says Randy Royster, who will retire as Foundation CEO in 2025.

“By providing the Foundation a permanent home, the Marianettis also preserved the legacy of their family. At the same time they gave us a place to secure the legacy of the Foundation’s donors from the historic city center.”

Honoring A Community Leader

The east wall of the Champion Building faces the playground of neighboring St. Mary’s Catholic School. The wall features a 32-foot mural honoring Albuquerque community leader Jennifer Riordan, who was known for her kindness and charitable contributions. She died in a tragic airplane accident in 2018. Jennifer and her husband, Michael, were donors to the Foundation and members of the Future Fund.

“In the Garden of Sharing,” created in 2019 by acclaimed artist PAZ and Working Classroom, and funded by the Jennifer Riordan Sparkle Fund, the Albuquerque Community Foundation and Working Classroom, spans the length of the building and can be seen from Tijeras Avenue. The vibrant colors and imagery of flora and fauna are representative of Riordan’s core values of how to live one’s life: be kind, loving, caring and sharing. The organizers hope the mural, illuminated at night by a solar powered spotlight, inspires the city’s youth to carry forward Riordan’s values.

“We had thought for a number of years about having a mural on this wall. We never imagined we’d have something of this amazing beauty, a true piece of art, that also commemorates a kind, community-minded woman and friend like Jennifer,” says Randy Royster.

About the Author

Kelly Koepke is an award-winning, New Mexico-based freelance writer who knows a lot of words and asks a lot of questions. Having earned her degree in Liberal Arts from St. John’s College in Santa Fe, she loves the Land of Enchantment for its extraordinary light, history, arts, culture and food. Green chile, please.

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