S.M.C.T-Encoded Matter

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SMCT Square&Moire Circle&Twisted GSAPP Arch A4801 Encoded Matter Fall 2016 Columbia University instructor: Ezio Blasetti student group: Huai-kuan Chung Zichang Yan Wanpeng Zu

Video: https://vimeo.com/196047065

Square is the fundamental, and circle is the means Square is the principle, and circle is potential Square is solid, and circle is soft Square encounters changes with consistency, while circle encounters consistency with changes The unity of square and circle means endless opportunities Our initial idea is to explore the moi¡re intervention between rotated basic prototype including squares and circles. We explore the intervention from two dimension to three dimension, from points to lines to surfaces, from inflexible viewing angle to flexible viewing angle, from mono-color to gradient color.


project S M C title T Square&Moire project subtitle Circle&Twisted GSAPP Arch A4801 Encoded Matter Fall 2016 Columbia University instructor: Ezio Blasetti student group: Name Huai-kuan Chung Name Zichang Yan Name Wanpeng Zu

Da nos nias aut lacestioreri Square is theexeribus fundamental, and circleblaboruntus. is the means Dolesto isblabo. Pitaspel and is nonserc aborem dolupienet ulpa nus Square the principle, circle isiisitatur potential doluptaquo et aceatum vollect Square is solid, and circle is softestotatur animustia quatemquas eici nihicipis magniasencounters pelissum aut intem qui vendit est optur solestrum nate Square changes withvolest, consistency, while circle encounters serorias nost,with estruntios aut is modit, cum est que sum nam qui aut omnimo consistency changes blamunity ne parum estias vendis explaccus voluptatus res The of square and circlevelique meansdolore endless opportunities eumquo quos eat. To blam re optat repudam Our initialsin idea is to explore therempernamus. moi¡re intervention between rotated basic Ut qui dit, venim esteni blatem faccusa reperum peribus, prototype including squares and circles.nimillo We explore therempore intervention fromcon pa sundusa epeliss itatiuria cust rem. Ist points mi, officipsae reicia from sundus. two dimension to three dimension, from to linesporem to surfaces, Omnisquiviewing nihiliquist, coreictatur? inflexible angle to flexible viewing angle, from mono-color to gradient Ximus quat. Lor alibusci ommolup tibus. color. Hictas mi, si ullatur sitiore sseniatisque ma quo beaquam elluptatia

0.0.CONCEPT 0.0. computational drawing 0.1. of model 0.1.SQUAREphotograph & MOIRE 0.2. automaton pattern 0.2.CIRCLEcellular & TWISTED 0.3. wave diagram 0.3.INTERVENTION

Video: https://vimeo.com/196047065

SMCT

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方是以不变应万变 圆是以万变应不变

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方方方方方方方方


SQUARE - EHCOUNTER CHANGES WITH CONSISTENCY

CONCEPT CIRCLE - ENCOUNTER CONSISTENCY WITH CHANGES

SQUARE - EHCOUNTER CHANGES WITH CONSISTENCY

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CONCEPT


SQUARE & MOIRE

SQUARE & MOIRE

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SQUARE & MOIRE


SQUARE & MOIRE

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SQUARE & MOIRE


SQUARE & MOIRE

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SQUARE & MOIRE


SQUARE & MOIRE

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SQUARE & MOIRE


SQUARE & MOIRE

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SQUARE & MOIRE


SQUARE & MOIRE

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SQUARE & MOIRE


SQUARE & MOIRE

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SQUARE & MOIRE


SQUARE & MOIRE

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Square-2D Rotation

Square-3D Rotation

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Square-2D Rotation


Square-2D Rotation

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Square-2D Rotation


Square-2D Rotation

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Square-2D Rotation


CIRCLE & TWIST

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CIRCLE & TWIST


CIRCLE & TWIST

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CIRCLE & TWIST


CIRCLE & TWIST

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CIRCLE & TWIST


CIRCLE & TWIST

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CIRCLE & TWIST


CIRCLE & TWIST

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CIRCLE & TWIST


CIRCLE & TWIST

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CIRCLE & TWIST


CIRCLE & TWIST

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CIRCLE & TWIST


CIRCLE & TWIST

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CIRCLE & TWIST


CIRCLE & TWIST

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CIRCLE & TWIST


CIRCLE & TWIST

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CIRCLE & TWIST


INTERSECTION

INTERSECTION

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INTERSECTION


INTERSECTION

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INTERSECTION


INTERSECTION

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INTERSECTION


INTERSECTION

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INTERSECTION


INTERSECTION

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Square is the fundamental, and circle is the means Square is the principle, and circle is potential Square is solid, and circle is soft Square encounters changes with consistency, while circle encounters consistency with changes The unity of square and circle means endless opportunities Our initial idea is to explore the moi¡re intervention between rotated basic prototype including squares and circles. We explore the intervention from two dimension to three dimension, from points to lines to surfaces, from inflexible viewing angle to flexible viewing angle, from mono-color to gradient color.


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