Zoya Ali | Architecture Portfolio 2024

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// ZOYA ALI Selected Works 2021-2024
port folio

Hello!

I'm Zoya Ali, a 3rd year undergraduate architecture student, with a passion for crafting spaces that bring people together. My enthusiasm lies in exploring and learning about diverse design approaches and contributing to meaningful designs that would enhance the vitality and usability of spaces.

I am a quick learner, driven and dedicated to the projects that I work on. I am eager to embark on an internship opportunity where I can make substantive contributions to real-world architectural endeavors, collaborate with seasoned professionals, and expand my horizons within the field. I look forward to taking up roles that would allow me to gain experience as an architect.

Zoya Ali
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Personal Information

Zoya Ali

DOB: 10-04-2003

Residence: Bangalore, Vijayawada

Email: zoyaali.0410@gmail.com | 1210101089@spav.edu.in

Phone no.: 9900657621

Instagram: zoyaaa.alii

Linkedin: linkedin.com/in/zoya-ali

Workshops

Hands on Workshop on Natural Building Techniques 
 by Urvi Foundation

Surveying Workshop 
 under Dr. Srinivas Daketi and Dr. Kranti Kumar

Dessynth Vertical Design Studio 
 under Ar. Madhava Rao T

Bachelors in Architecture: 2021- present

School of Planning and Architecture, Vijayawada

Senior Secondary: 2019 - 2021

Christ Junior College, Bangalore

Nursery to Higher Secondary: 2006 - 2019

Delhi Public School Bangalore South

English, Hindi, Urdu, French (A Level)

Education Skills Languages

2D and 3D

Software:

Presentation:

AutoCad 
 Sketchup

Revit

Blender

Figma

Photoshop

InDesign

Adobe Lightroom

Canva

Microsoft Office

Visualization:

Enscape

Twinmotion

Fabrication:

Conceptual sketching

Hand drafting and rendering

Model making

Universal Accessibility Workshop 
 by Ekansh Trust

Competitions

2023:

Louis I Kahn Trophy

Writing Architecture Trophy

Annual NASA Design competition

2022:

Zonal NASA- Fashion Trophy

Extracurriculars

Editor of Chhaya Magazine (Annual College Magazine ) 2023

Active member of Avant-Garde (College Fashion Club)

Active member of Aaira (College Literary and Editorial Club)

Interests

Poetry- Published 1 AM (a collection of poems )

Reading

Travelling

Manga and Anime

Sketching

Painting

Jewelry Design

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01 02 Contents Memorial Complex and Riverfront Sem V Chantha 03
04 Sem IV Sem V 04 35-42 43-46 47-48

Memorial Complex and Riverfront 01

Semester V

Location: Vijayawada, Andhra Pradesh Riverfront, Memorial complex and Mix-use Design

Resting along the banks of the Krishna River, the project aims to revive the riverfront by providing public spaces and ultimately a mix use complex that incorporates various functions. Additionally, a memorial for a famous freedom fighter, Potti Shriramulu has also been designed to honor his sacrifice .

Autocad | Revit | SketchUp | Enscape | Photoshop | Procreate

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06

The site is located in Vijayawada, near the Punami Ghat. The site holds access to the Krishna river and its beautiful views towards the east. Additionally, there is a ferry point on the site to access Bhavani Island that is located in the middle of the river. The main entry to the site is via a 9m wide service road.

Total Site Area: 21,550 sqm.

Total Built Up area: 6100 sqm.

Riverfront Area: 9880 sqm.

Percentage of Built up area: 28% of the permissible 30% Setbacks: 6m from the roads

AP Tourism office and Exhibition Block: 1800 sqm.

Tranquility Block: 900 sqm.

Commercial Block: 3000 sqm.

The design consists of three major blocks, that is, a block for exhibition spaces, a dynamic workshop area and a craft baazar. The AP tourism office has also been incorporated into this exhibition block with the private spaces being above the exhibitions and having a separate entry. The second block, namely a tranquility block, consists of a Hall of Remembrance, meditation spaces and a library. The third block is a commercial block.

Site Analysis Vehicular Circulation Pedestrian Circulation Green
Ghat Area Retaining trees
Spaces
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Sculptures placed in walkways and high traffic areas to create an element of interest.

Concepts for Individual Spaces Site

Meditation space: Is a semi open space that looks out into garden that has a mix of hardscape and landscape. The retaining trees have been incorporated here.

Climate response

Walls with murals across the site that local artisans could paint, particularly along the riverfront. They could be used as selfie points to attract more crowd.

Exhibition space: Double heighted space with hanging exhibits.

Wooden mullions have been added to the facade to regulate the amount of sunlight entering.

Trees have been planted towards the west to reduce sun exposure.

Direct visual access to the memorial as the built forms next to it provide an enclosure.

Exhibition space: Mix of indoor and outdoor exhibits.

The placement of some of the mullions on the facade have been made to represent the art of blockprinting in an abstract way.

Concepts
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N P r i Comm rci B oc : G Exhibitio a d AP ourism O ic b oc : G 3 H r m mbr c a d m dit tio b oc : g Food court p y ar M mori iv r ro t a d f o ti p t orm .
Legend
Site Section B-B’ Site Section A-A’ Site Section C-C’ Site Section D-D’ 10

Memorial for Potti Sreeramulu

Potti Sreeramulu, was an Indian freedom fighter and revolutionary. Sreeramulu is revered in the Andhra region for his self-sacrifice for the formation of a separate state, that is, Andhra Pradesh.

The memorial would essentially be a sculpture of a man

The sculpture would sit atop a cascading pond which is at two levels. Visitors would be able to place flowers in

alongside the memorial.

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Section of Memorial

Hall of Remembrance and Meditation Block

The idea behind the hall of remembrance was to have an area with light and sound effects that would represent the life of Potti Sreeramulu and imbibe a sense hope, togetherness and sacrifice to the visitors as they enter the space.

Legend

Path of hope ha with light and shado effe t and audio: sqm

Exhibits and igita isp ays: 72 sqm

Exhibits: 7 sqm

Externa exhibit S u pture: 2 sqm

Re eption for Meditation ha

Lo er room: 15 sqm

Storage room: 15 sqm

Meditation ha : 1 sqm

Outdoor meditation ha : 5 sqm

Additionally, all the areas that are quieter have been places together in the same block. The meditation areas have a separate entry from the other public spaces so as to not disturb the people meditating.

Re eption for library: 2 sqm

Boo she e

Seating Area: 2 7 sqm

Pri ate reading booths

storage and brea room: 2 sqm

cu tura centre

N Ground Floor Plan 1 4 5 7 8 9 6 2 3 1 2 3 4 5 6 12

The design segregates the more public spaces to be on the lower floors while the offices are on the upper floor. Separate entries have also been provided for the exhibition spaces and the office area. Ground Floor Plan First Floor Plan

Tourism Office and Exhibition Block N
coun
ion s a e
exhi i
cra baazar
er
AP
Legend Legend Legend Legend AP i e re e ion s ora mee in room mee in room en layou works a e Ca ins firs ai room oile s bal ony area con eren e hall Ca e eria Re e ion for gues hous lo y rooms sea in area erra e area Re e io i ke
e exhi i
u oor
S Cour yar Dynami worksho em xhi i ion an
xhi i ion Cul ural Cen
Floor Plan Third Floor Plan
Second
Section G-G’ of Meditation Block Section E-E’ of AP Tourism and Exhibition Block
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Section F-F’ of AP Tourism and Exhibition Block

Chantha 02

Semester IV

Location: Mararikulam, Kerala Bus Shelter and Haat Design

Nestled in the serene village of Mararikulam, Chantha is a convenient mix of a bus stop as well as a local haat to provide the villagers with their daily essentials. The space is designed keeping vernacular architecture and techniques in mind.

Autocad | SketchUp | Enscape | Procreate

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Mararikulam is a small fishing village in the Allephuzha district of Kerala. The site is located beside the St. Augustine Church

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Courtyard Concept

Built Form Concept and Climate Response

Final Courtyard design

Traditional Mantrashalas

Ventilators to promote airflow

the sun and rain

Sloping roofs to prevent accumulation of rainwater

Position of the courtyard promotes the windflow

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L g nd

u Sh t

ak and T a ho Pha mac

Pum a a o at ain ho

D to ag a ic hadi oth ho

Wo n good ho

V g tab ho

Fi h ho

W t to ag a Toi t Snack ho

A
Plan
Plan
Floor
with Site
0 m 0.6 m 0.45 m 0.6 m N 1 7 8 9 10 11 12 14 13 2 3 4 5 6 21
Section A-A’ Section B-B’ Detail at B
B D C 10-12
Detail at D: Perforated brick
mm 80-100 mm 50-60 mm
Bamboo Thatch
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Bamboo Lime mortar and Aggregate

Thatch Roof

Columns made from coconut trunk

Bamboo walls for shops

Central Courtyard

Exploded View
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Roof Details

Larger Thatch

Thin Reeds

Woven Bamboo

Bamboo Framework

Sectional Isometric of roof

Bamboo Tying Details

Bamboo Framework

Sheer Lashing

Diagonal Lashing Square Lashing

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ArchSculpt 03

Semester III

Location: Virtual Site

Pedestal and Context Design

The design brief was to create a pedestal using additive and subtractive massing techniques. Additionally, a context must also be designed where one could place the pedestal and this context should be harmonious with the designed pedestal.

Autocad | SketchUp | Enscape | Procreate

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Massing Development

3m x 3m x 6m cuboid

Pedestal: Concept

Arches, being curved vertical structures, provide a sense of strength and dominance but at the same time invite an observer in. The pedestal is made using the addition and subtraction of masses inspired from arches.

Subtracting Mass

Each elevation is different to provide an element of surprise to the observer when they walk. The various openings are sized differently to provide a play of light and shadow inside the structure.

Creating Voids

East Elevation

West Elevation

Addition of arch like mass

Plan
South Elevation North Elevation
N 29

Context: Concept

The context follows the same design language as the pedestal. Situated in a contoured landscape, the pedestal is raised off the ground with a series of stepped platforms. The space underneath this is utilized as an exhibition space for sculptures

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Legend 1 2 3 4 Pedestal Ent y o exhibitio exit o exhibitio Mini scul tu es 3
Plan of Context

Section B-B’

Section A-A’
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Neyyuka 04

Semester IV

Location: Balaramapuram, Kerala Exhibition Design

Neyyuka is an exhibition to celebrate, as well as, bring awareness about the weaving community of Balaramapuram. The built form is a combination of modern and vernacular styles.

Autocad | SketchUp | Enscape | Procreate

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36

Balaramapuram is the centre for production for traditional varieties of handloom worn in contemporary styles throughout Kerala. Balaramapuram's weavers use a traditional type of throw-shuttle pit looms for the production of cotton fabrics. Due to the industrialization of the hand loom industry, the weavers of this community have found it hard to preserve their craft. The main purpose of this exhibition space is to bring awareness about this community to the public.

The exhibition has 3 core spaces: first, a history space where the story of the weavers is showcased. Next is an interaction space where there would be a live demo by the weavers. Lastly, an exploration space where there would be interactive exhibits.

The first exhibit that the visitors enter, the history exhibit, would have an installation

Bamboo screens present in the space allow for natural ventilation.

Tactile exhibits made from the cloth woven by the weavers so that visitors could experience their craft by the

Exploring Transition Space Transition Space Interaction History
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Exploded View

Terracotta tiles for roofing Corten steel trusses Brick walls Bamboo screens
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Concrete columns
Plan Lege d E t a ce Exhibiti Weavi g Dem Ha gi g Cl th i stallati te active Exhibits N 1 2 3 4 E t y Exit 39
Section A-A’
40
Section B-B’

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Working Drawings

Semester V

The following working drawings have been developed for a residence design done in my 1st year. The drawings shown here are not to scale, to view the scaled working drawings and the full version, please click on the link below:

https://issuu.com/zoya_ali/docs/wd_trial

AutoCad

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Miscellaneous
06 A compilation of sketches, artworks and models
Paper model of the Guggenheim Museum Clay Mural Artworks instagram: zoyaaa.alii
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LIK Trophy
Thank you. Zoya Ali +91 9900657621 zoyaali.0410@gmail.com

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Zoya Ali | Architecture Portfolio 2024 by Zoya Ali - Issuu