Portfolio 231011

Portfolio

黃宣堯 Huang,

Hshuan-Yao

Email: arthur12212000@gmail.com

Phone: +886-925-120-286

國立陽明交通大學土木工程學系

暨跨領域設計與創新科技跨域學程

National Yang Ming Chiao Tung

University

Civil Engineering

2019-2023

經歷 Experience

東協十加三資優生競賽銅獎 2015/1

NPSC全國程式競賽全國第六 2015/11

APCS程式語言檢定4/4級 2017/10

專題研究：

1.用實體手套取代VR VIVE Controller

2.設計水災預防感測器與使用者介面 (LINEBot)

3.構思及設計Cable-Stayed Bridge

並探討其結構可行性

AI Design Project

001 golden horse poster in past

Preface

In recent years, the primary visual design and the overall aesthetics of the Golden Horse Awards have been a focal point of discussion. Consequently, I aim to employ artificial intelligence for data collection and analysis, simplifying the pre-production process significantly. This will enable users to recreate the iconic Golden Horse style poster design and format with ease.

In the front-end, we utilize the relatively basic neural network plugins from LunchBox for block classification operations. On the back-end, we employ Pug to summarize and regressively analyze the color schemes and tones used in posters. This process generates the AI-derived poster color palettes and design forms and assists users in reappearing the visual and surrounding design of the Golden Horse Awards with utmost simplicity.

002 Pre-Production 003 Example for Classification

Procedure

To begin with, I classify the past Golden Horse posters into blocks within Rhino and predefine the desired poster format. The segmented poster areas will be calculated using ReLU and genetic algorithms, considering factors such as area, aspect ratio, and relative positioning. In the color regression analysis segment, I utilize the SL Agent in Pug to systematically dissect and analyze it.

From Kelvin to RGB

As AI operations involve estimating and predicting a single output using one or multiple inputs, and since colors in Grasshopper are typically represented in RGB or hue, obtaining a suitable set of values for effective regression analysis through these operations has posed a significant challenge. I considered using the concept of color temperature to convert colors into numerical values within the visible light frequency range for this purpose.

Following the sequence of operations and analytical calculations described above, a value ranging from 0 to 1 will be generated. This value can then be transformed back to the RGB format either by adjusting the Gradient component's Preset in Grasshopper to display color temperature or by applying a formula solution. Discrepancies may occur between the two calculation methods primarily because the conversion of color temperature to RGB through the formula lacks precision and relies on extensive data regression analysis. As color temperature only encompasses the visible light spectrum, subsequent human interventions can provide a more effective representation of the prediction for the Golden Horse's aesthetic design.

004 Preparations for productions

005 Sequential model for Pug

006 Employ the colors of posters

007 Python code for Color temperature

006 007

Posture analysis

Project Information

This project aims to encourage the observation of the human body and reimagine postures and gestures to stimulate creativity within spatial design. Following these guidelines, I found inspiration in my recollection of "Naruto," a popular ninja-themed anime. In the series, there are a set of gestures used to harness the power of nature, each named after the twelve earthly branches in Chinese culture. Thus, I envisioned a space where people could interact with.

Interactions

Fully immersing in the process of gesture observation, I discover that there has different temperature on different part of hands. In the result, I combine the temperature difference and the earthly branches to create a different angle for twelve gesture that can make sunshine or lighting interact with the space according to different time defined by earthly branches.

006 Interact with lighting

005 Top views of the model

by Piet Mondrian

Introductions

I want to transfer the painting “ New York City I ” from 2D to 3D sculpture. When translating into 3D sculpture, I want to keep the scene of the original painting.

So I transferred the three colors into my impression of New York City: yellow to taxis, red to phone booths, and blue to the mirror reflections of skyscrapers.

At the same time, with the last phonebooth in New York City being demolished, these threes also represent the past, present, and future of New York City.

001 Original painting of New York City I

For the three representations of New York City I, I make the red one a rigid frame for phone booths, and the blue one a glass window. For the yellow one, I want to emphasize the dynamic sense of taxis, so I make it from lines to circles, which can keep the scene from the top view and present the dynamic of taxis simultaneously.

003 Model preview in Render

002 Development of the concepts

004 Interaction with Light and Shading

005 Different angle of model with shadow

9-Square Grid

Project Information

This project hopes that we will extend our imagination using a flat nine-square grid as the initial, and gradually develop from graphic design to three-dimensional space interaction. For this, I started from the point view of points, lines, and planes, and first split the nine-square grid into 16 points. Then, combined with my knowledge with the computer science, I used the way of computer interpretation and calculation of two-dimensional arrays to rebuild the plane. In the process, I connected the points with lines in a similar way to the circuit diagram switch concept, starting from the upper left corner of the nine-square grid and deducing all the way to the lower right corner through the calculation method of the logic gate.

003 Sketch of 9-square grid extension

004 Different design for the switch

When transferring into a 3D model, I want to keep the variability and mobility in the 2D sketch. Therefore, I made one of the support walls on the first floor a sliding door and made other walls can be move so that people could change the space to what they like.

005 Closed sliding door can be a pillar for structure

006 First floor will be open space when sliding door open

Modifications

Fully engage the parametric design, using Bezier curve, Gaussian Function, and Sine Function summation to present different kinds of shape. Lastly, make sure the loft can build in real life with KUKA robot and 3D printer.

002 Render preview: Sine function summation V.S. Bezier curve

Wear Folder

In today's landscape, renters often reside in apartments, or family-style houses. They seek to maximize the square footage of their rental spaces and enhance the cost-effectiveness of their accommodations by minimizing unnecessary space usage.

To alleviate the sense of spatial congestion caused by opening and closing wardrobe doors, we use sliding doors. The internal storage space is comprised of modular cabinets that can be easily detached. Users have the flexibility to choose and arrange these cabinets according to their specific needs. This approach eliminates the inconvenience of a one-sizefits-all wardrobe design during production. The space beneath the wardrobe is left open for users to utilize according to their preferences, unconstrained by the wardrobe's structure. Here, individuals can place plastic storage boxes, laundry baskets, and other items as they see fit.

In conclusion, our furniture design aims to meet the evolving needs of individuals living in limited spaces. By offering a modular, customizable solution that maximizes both storage and usability, we provide users with the tools they need to optimize their living environments and enhance the value of their rented spaces.

Product

"Allow users to determine the method of utilization of the wardrobe."

In an era marked by persistently high housing prices and the trend of young individuals relocating to rent homes away from their hometowns, optimizing space utilization has emerged as a paramount concern.

We aim to redefine the conventional furniture concept, making it highly adaptable to individual user preferences and habits.

The Saturn

Introducing 'The Saturn,' a contemporary lighting design. This innovative ball-light seamlessly merges modern aesthetics with a lightweight steel structure, making it a compelling choice for creative spaces alike. 'The Saturn' represents the harmonious fusion of form and function, striking a balance between sleek design and enduring durability.

001 The Saturn

002 Hanging in the air

003 The Saturn can be a lamp on the ground

004 Also can be used in two parts

005 The main structure in the light

In my daily life, I engage in creative problem-solving by conceiving and designing solutions for the challenges I encounter. For instance, I've designed a mobile phone case, featured on the right, which incorporates a dual functionality for the phone's flashlight. While mobile phone flashlights are primarily used for photography, they can be unreliable sources of emergency lighting. To address this issue, I've developed a phone case that allows users to easily switch between flash and flashlight modes via a simple buckle mechanism, enhancing the flashlight's usability. Additionally, I've designed a handheld lamp, depicted above, that seamlessly integrates into daily life with its elegant and functional design. This lamp offers an intuitive and convenient handle, facilitating easy illumination in various settings. Furthermore, it harnesses the interplay between light and temperature, enabling users to adjust their ambient temperature to suit their mood and comfort requirements at any given moment

007 Phone case for Extra Flashlight

006 “Accordion,” the portable smart lamp

Campus Curation

Others

In this proposal, I am responsible for the conceptual design of the curation. I believe that many students at NCTU struggle to effectively communicate or engage in face-to-face discussions. Therefore, I have conceived the idea of creating a mobile projection exhibition hall. In this hall, individuals can submit their ideas both online and on-site, enabling exhibitors to engage in discussions. This approach allows for the prompt collection of the school's votes and opinions on campus issues, significantly enhancing administrative efficiency

Work Type Academic, Team with Chung-Hsuan, Cheng & Hsuan, Peng Course Fundamentals of Design I / NYCU Spring 2022 / Pei-Hsien, Hsu

001 Interactive Projection Design

003 Media card & Work Permit Design

002 Poster Design

Introduction

I have a strong passion for 3D modeling, rendering, and computer graphics scene design. During my free time, I engage in self-study by enrolling in courses related to my interests, including UE5 workshops, as well as self-paced online courses in Blender and Grasshopper design. Above are scenarios where I develop designs in my spare time.

004 Spaceship flies in the canyon

005 Stormy sea

006 Photoshop skill and painting deconstruction