Absolutely Kensington & Chelsea Magazine June 2025

Kensington & Chelsea

JUNE 2025 / £3.95

SP ECIA L More than 60 pages of inspiration and insight

PLUS PEDRO ALMODOVAR Colour on set – and at home

JUNE 2025

• WILLOW KEMP

A perfectly formed apartment

• BRITISH DESIGN 40 years of SCP

True COLOURS AT THE RACES IN STYLE

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ABSOLUTELY

Contents JUNE 2025

142 56

16

C U LT U R E ABSOLUTELY LOVES

10 things we’re coveting this month

H E A LT H & B E AU T Y 73 BEAUTY NOTES News and views

20 WHAT'S ON

75 FITNESS FOCUS

24 YOSHIMOTO NARA

HOME 82 TOP TEN

Your diary for June

A solo show at the Hayward Gallery

FOOD & DRINK 40 KITCHEN CONFIDENTIAL News from the industry

46 RECIPES

Leticia Clark's lemons

FA S H I O N 56 THE SHOOT

Royal Ascot dress code inspiration

63 POOL PARTY One piece or two?

Lagree - the new Reformer

46

All the best lights

88 ALMODOVAR AT HOME The film director's colourful aesthetic

94

WILLOW KEMP

Her characterful Chelsea apartment

104 SCP AT 40

A B S O L U T E LY. L O N D O N The online guide to inspirational London living that helps you stay one step ahead of the crowd and gives you the chance to win exclusive prizes.

Happy Birthday to the design destination

T R AV E L 142 SPANISH BEAUTY

O N T H E C OV E R ascot.com

The enduring appeal of Granada A B S O L U T E LY m a g a z i n e s

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EDITOR IN CHIEF PENDLE HARTE MAMA EDITOR CARLY GLENDINNING ART DIRECTOR PAWEL KUBA SENIOR DESIGNER SUZETTE SCOBLE MIDWEIGHT DESIGNER CARMEN GRAHAM DESIGNER MARIANA SUZUKI PRODUCTION MANAGER DANICA BRODIE PORTFOLIO MANAGER GEMMA GRAY SENIOR MEDIA CONSULTANT STELLA ADAMS FINANCIAL DIRECTOR JERRIE KOLECI CREDIT CONTROL MANAGER ALEXANDRA HVID

Window shopping

DIRECTORS CRAIG DAVIES, JAMES FUSCHILLO MANAGING DIRECTOR SHERIF SHALTOUT

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Editor’s

LETTER

5 Sun shade

All we want is a colourful parasol

ABSOLUTELY’S June issue highlights

A

nyone planning a trip to Ascot will be paying close attention to the dress code. Each year, sartorial requirements for the various enclosures are updated – and it's a serious business.

Entry to the Royal Enclosure is conditional upon shoulder strap width, skirt length and fascinator diameter, and we're talking millimetres. So if you're stuck for ideas, have a look at our outfit inspirations in this month's fashion section.

Also in this issue are lots of inspirations for your home in our extended interiors section.

We're looking at colour in a fascinating look at film director Pedro Almodovar's first foray into furniture design. His collection for Roche Bobois is full of bright, unapologetic shades and bold shapes, just as fans of his films might expect. And as summer continues, colourful homes, gardens and drinks are everywhere this month. Enjoy June.

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4 Glow up

New lights for inside and out

PENDLE HARTE EDITOR

Cane it

Why cane furniture is fabulous right now

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The future's bright Are you ready for Pedro Almodovar's interiors?

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Slush pile

Slushie season is back at Pastaio

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BASKET CASE

Wish LIST 10 things we Absolutely love COMPILED BY

PENDLE HARTE

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Our pick of Roger Vivier's new summer bag collection is this striped raffia shopper with its flamboyant ruffle and stylish monogramming. Leather handles and a drawstring closure give it strength and practicality. rogervivier.com

SEA BLUE We're currently coveting Wiggy Kit's Esti top for its antique linen vibe. It has the perfect proportions, with a squared keyhole at the neck and tie at the back, a loose blouson sleeve and a lovely swing shape. wiggykit.com

M I F F Y I S 70 Everybody's favourite Dutch rabbit Miff y is 70 years old this year and to celebrate, Cambridge Satchels have launched an adorable Miff y collection. We love this Hiding Miff y satchel, with the bunny taking a sneaky peek. cambridgesatchel.com

SUMMER DINING Scalloped shape? Tick. Stripes? Tick. This cheerful plate has it all, and it's part of a joyful collection of summer homewares from Dutch brand Anna + Nina. Look out for their lovely lampshades too. domesticsciencehome.co.uk

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ABSOLTUTELY • LOVES

STO N E F R E E LÖF creates bold, architectural fine jewellery that makes an impact. Their distinctive pieces merge striking design with conscious luxury—crafted from recycled 18k gold, lab-grown stones from solar-powered facilities, and ethically sourced diamonds and gemstones. lofjewellery.com

EDIT PI

TIE ME UP FA N G I R L Carnaby Street's RS No9 sells wearable Rolling Stones merch that's stylish rather than cheesy. We love the slim fit tees, the oversized hoodies and the fun kids' collection too. rsno9.co.uk

BLUE JEAN Californian brand Mother has collaborated with Milanese fashion and homeware brand La DoubleJ to bring the vibrant ‘Ciao Mamma!’

Collection to life in a fabulous capsule collection. motherdenim.com

Graphic artist Zoë Zimmer founded The 87 to create beachwear that you'll want to wear everywhere.

The two-piece scarfs and sarongs are one size, and are designed to be tied in multiple ways to create different looks. the87london.com

BLUE GLASS SUITS YO U London's best collection of swimwear can be found in Battersea, where Amelie's Follies offers oneto-one fittings to make sure that you take home the perfect piece. ameliesfollies. co.uk

Glass mugs are having a moment. Whether it's a matcha latte (hot or iced), a flat white or a cup of tea, serve it in glass, we say.

Especially this Habitat one. habitat.co.uk

A B S O L U T E LY m a g a z i n e s

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C U LT U R E

PLAYING WITH FIRE BY AARON KASMIN OPENS AT SIMS REED GALLERY FROM 29 MAY TO 14 JUNE; GALLERY.SIMSREED.COM

What's On 20 • Yoshimoto Nara at the Hayward 24 • London Design Biennale 28 A B S O L U T E LY m a g a z i n e s

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The Agenda

EV E N TS N OT TO M I S S I N LO N D O N

MU S I C

Little Simz & Chineke! Orchestra 22 June R OYA L F E S T I VA L H A L L This year's Meltdown, in its 30th yeat and curated by North London rapper Little Simz, culminates in a special one-off performance by Little Simz alongside the Southbank Centre’s Resident Orchestra, Chineke! Orchestra. southbankcentre.co.uk

A RT

Pub in the Park 30 May - 1 June G U N N E R S B U R Y PA R K Tom Kerridge’s Pub in the Park Festival is a celebration of chefs, pubs and restaurants, hosting renowned, industry leading names including Yotam Ottolenghi and Thomas Straker, accompanied by music, and entertainment acts such as Dizzee Rascal and Sophie Ellis-Bextor. pubintheparkuk.com

T H E AT R E

Empire Strips Back U NTI L 17 AU GUST, R I V E R SIDE STUDIOS

Featuring parodies of all the classic characters, The Empire Strips Back: A Burlesque Parody takes audiences to a surreal galaxy far, far away, creating one of the most unforgettable (and entirely unauthorised) theatrical interpretations of the beloved franchise. theempirestripsback.com

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CULTURE • DIARY

ART

Kiefer/ Van Gogh 28 June - 26 October R OYA L AC A D E M Y This focused exhibition is the first to consider the lasting influence that Van Gogh has on Kiefer. In 1962, an 18-year-old Anselm Kiefer received a travel grant to follow in the footsteps of Van Gogh, starting in the Netherlands, through to Belgium, Paris and Arles in the south of France.

Kiefer has been inspired by Van Gogh’s work throughout his nearly 60-year career. royalacademy.org.uk

P H OTO G R A P H Y

WORLD FOOD PHOTOGRAPHY

This Month’s Must See

3 June - 7 September MUSEUM OF THE HOME Museum of the Home celebrates the intimate connection between dwelling and dining in a special exhibition dedicated to the World Food Photography Awards 2025. Part of the museum’s ongoing photography season, which foregrounds the power of the photograph as a window into everyday lives, the exhibition will showcase finalist images from both professional and amateur photographers, hailing from all over the world. museumofthehome.org.uk

Flamenco

27 MAY - 8 JU NE , SA D L E R S W ELLS

T

his year marks the 20th anniversary of the Flamenco estival, and it is celebrating the occasion with its biggest ever programme of dance and music across two weeks at Sadler’s Wells Theatre and the Lilian Baylis Studio in Islington and Sadler’s Wells East in Stratford. Ballet Flamenco Sara Baras opens the Festival, performed by the Olivier-Award winning Baras together with 12 exceptional musicians and dancers, it takes audiences on a choreographic journey of 15 unique pieces across four acts. sadlerswells.com

ART

TO WATCH Recommended

by Lisa Baker

T

he inaugural Hackney Art Week is a community celebration of art and culture across one of London’s most creatively charged neighbourhoods. Open to all and completely free, local galleries, retailers, cafes, pubs and venues will spotlight local artists, guest exhibitions, screenings, performances, talks, and community-led events, cohosted by Wilton Way Gallery. 12-20 June. @hackneyartweek Once an Olympic snowboarding champion, Norwegian artist Danny Larsen’s path to painting has been anything but conventional. After surviving a near-death accident Larsen turned away from the highadrenaline world of sports and began his introspective journey into art.

Twilight of a Day, opening at Gallery8, is his most ambitious body of work to date –atmospheric, meditative landscapes in his signature “neopointillist” style. Infused with extraordinary detail, the paintings capture the fragile beauty of spring emerging across Norway, China, and Uganda. 11-17 June. Gallery8, Duke Street St James’s.

Woolwich Contemporary Print Fair is hosting a Summer Edition. Enjoy live music, food and beverage stands, interactive and family-friendly demonstrations and workshops throughout a beautifully curated exhibition of satellite stands. Take home the best in contemporary original print directly from some of the Fair’s leading galleries and studios including Rhodes Editions, Soho Review and Jealous Gallery. 27-29 June. Woolwich Works. woolwichprintfair.com

A B S O L U T E LY m a g a z i n e s

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23/05/2025 18:02

CULTURE • BALLET

JANE

EYRE Northern Ballet's production of Charlotte Bronte's novel at Sadlers Wells

J

ane Eyre isn't immediately an obvious candidate for adaptation into ballet. The novel is concerned for the most part with Jane's interior monologue, her feelings of unworthiness and alienation, her social awkwardness and her observation of those around her – and how can you convey that in dance?

Cathy Marsden is an expert in literary adaptations and her past projects have included Atonement, Of Mice and Men and My Brilliant Career. Her talent for narrative ballet is striking. This production with Northern Ballet’s is a hauntingly beautiful adaptation that captures the brooding intensity of Charlotte Brontë’s novel through striking choreography and evocative staging.

Marston’s choreography is expressive and emotionally rich, distilling Jane’s inner turmoil and resilience with elegant clarity.

The score, composed by Philip Feeney, adds a sweeping and atmospheric layer to the narrative, heightening tension and romance alike. The minimalist set design uses shadow and light to echo the story’s gothic tone, while the clever use of ensemble dancers as both characters and symbolic forces adds a layer of psychological depth. Sarah Chun

(as Jane) delivers a performance of quiet strength and emotional nuance, embodying the character’s growth from a defiant orphan to an independent woman. Northern Ballet succeeds in turning a literary classic into a deeply moving dance drama that is both faithful to the spirit of the novel and uniquely powerful in its own right.

While Jane's inner thoughts might not lend themselves obviously to spectacle, the existence of Mrs Rochester certainly does. She appears barefoot, with wild hair and ripped red clothes, in start contrast to Jane's tight bun and classic pointe shoes.

Setting fire to the house and spreading an orange glow across the stage that matches her fiery energy, her movements are untethered, chaotic and furious.

As spectacle, it's exciting and marks a striking visual contrast to the controlled, precise movements of classical ballet.

Cathy Marsden (named after Wuthering Heights' Cathy, interestingly) is a huge fan of the Brontes (she has also adapted Wuthering Heights for ballet) says that Jane Eyre is "full of repressed emotions that burn beneath the skin – which is perfect for dance." Those repressed emotions shine through in this stylish production, now touring the UK. northernballet.com A B S O L U T E LY m a g a z i n e s

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FACING PAGE: Nara, Missing in Action, 1999. Courtesy of Sally and Ralph Tawil and Yoshitomo Nara Founda Yoshitomo tion. © Yoshitomo Nara.

BELOW: Yoshitomo Nara, Dead of Night, 2016. Acrylic on canvas, 100.5 x 91cm.

Courtesy of the artist and private collection.

face

BABY 24

Yoshitomo Nara at the Hayward Gallery: A Major UK Retrospective

A B S O L U T E LY m a g a z i n e s

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CULTURE • EXHIBITION

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he Hayward Gallery presents the first UK solo exhibition in a public art gallery by renowned Japanese artist Yoshitomo Nara. This expansive retrospective spans over four decades of Nara’s career, showcasing recent paintings, drawings, sculptures, and iconic portraits rendered in his signature layered colors.

Evolving from previous exhibitions at the Guggenheim Museum Bilbao and Museum Frieder Burda in Germany, this show delves deeply into Nara’s life, illuminating the personal experiences that shape his art.

Nara captivates audiences worldwide with his distinctive images of childlike figures and animals, defined by their oversized heads, expressive eyes, and often defiant postures. Both charming and unsettling, these characters reflect a unique blend of innocence and rebellion. Although Nara is primarily known as a painter, he works across various media including sculpture, collage, installation, and drawing. His themes—ranging from isolation and memory to resistance, peace, and freedom—speak to a profound engagement with the human condition.

Organised thematically, the exhibition traces the evolution of Nara’s practice, revealing the emotional and political currents running through his work. Early experiences in Japan’s rural Tohoku region play a foundational role. As a child, Nara spends time drawing and listening to the A B S O L U T E LY m a g a z i n e s

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CULTURE • EXHIBITION

Far East Network (FEN), a radio station for American soldiers during the Vietnam War. This early exposure to American folk, blues, and later punk music profoundly influences his sensibilities. His artworks often carry a musical undercurrent, channeling the spirit of antiwar protest and melancholic longing.

Nara’s move to Germany in the 1980s marks a turning point. While studying at Kunstakademie Düsseldorf, he navigates language barriers through visual expression, absorbing the influences of European modernism and artists such as A.R. Penck.

During this period, he creates some of his earliest signature works, including Ships in Girl (1992), which subverts the prevailing “kawaii” (cute) aesthetic in Japan through mysterious, assertive characters.

The exhibition also foregrounds the political depth of Nara’s art. Events such as the 2011 Tohoku earthquake, tsunami, and Fukushima nuclear disaster catalyze a shift in tone. His work becomes more introspective and emotionally raw, exploring themes of vulnerability and resilience. From the Bomb Shelter (2017), for example, depicts a cautious child emerging from a bunker, while Midnight Tears (2023) captures grief and uncertainty with its ghostly brushstrokes and tear-streaked face.

Nara’s art bridges personal narrative and global resonance. His child figures— simultaneously fragile and confrontational— speak to universal feelings of alienation, longing, and resistance. The Hayward exhibition aligns with the Southbank Centre’s mission to present bold and accessible cultural experiences, extending

Nara’s reach to new audiences.

Yung Ma, Senior Curator at the Hayward Gallery, describes Nara’s work as emotionally powerful and instantly recognizable. “We often overuse the word ‘iconic,’ but in Nara’s case, it truly fits,” says Ma. “His wide-eyed figures connect with people around the world, demonstrating the emotional force of contemporary art.”

Ralph Rugoff, Director of the Hayward Gallery, emphasizes how Nara transcends artistic boundaries. “His deceptively simple style carries a psychological depth that resonates with both popular and high art audiences,” Rugoff explains.

10 June - 31 August 2025, Hayward Gallery southbankcentre.co.uk

“His child figures speak to universal feelings of alienation, longing, and resistance”

LEFT: Yoshitomo Nara, Harmless Kitty, 1994. Acrylic on canvas, 150 x 140cm.

Courtesy the artist and The National Museum of Modern Art, Tokyo.

ABOVE: Yoshitomo Nara, After the Acid Rain, 2006.

Acrylic on canvas, 227 x 182cm. Courtesy of the artist and private collection.

TOP: Yoshitomo Nara, Fountain of Life, 2001. © Yoshitomo Nara, courtesy Yoshitomo Nara Foundation.

RIGHT: CYoshitomo Nara, My Drawing Room, 2008, © Yoshitomo Nara, courtesy Yoshitomo Nara Foundation.

Photo: Mie Morimoto.

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International

SOLIDARITY London Design Biennale returns with a new theme, ‘Surface Reflections’

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CULTURE • EXHIBITION

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ver 40 designers and changemakers from around the world will showcase world-leading design, confronting global challenges and inspiring audiences with thoughtprovoking installations.

The theme of this edition ‘Surface Reflections’, explores how ideas are fuelled by both our internal experiences and external influences.

The fifth edition continues the Biennale’s mission to demonstrate how design can better the world we inhabit whilst broadening our understanding of design’s role in addressing challenges and identifying solutions. Exhibitors will share perspectives and solutions to some of the global issues that face humanity today, exploring areas from the urban environment to preservation of cultural heritage, environmental sustainability to post-conflict recovery.

Director of London Design Biennale Victoria Broackes, said: “Since the last Biennale the global context has drastically changed and the need for collaboration and exchange in a peaceful context feels more important than ever. International design teams continue to demonstrate the possibilities of and their faith in, what can be achieved through design and design thinking. The Biennale reveals what is on people’s minds, across the world, right now.

We will see exhibitors presenting design in all its forms - from futuristic urban planning to

collaborative efforts to preserve environments.”

The first exhibitors to be announced are Argentina, Hong Kong, Poland, Malta, Nigeria, Oman, Peru, Japan, Saudi Arabia, Uzbekistan, Lebanon and Romania. Argentina in the West Wing of Somerset House will take visitors on an immersive sensory journey exploring the vibrant cultural and material legacy of the Argentinian Andes, bringing ancestral narratives to life through an exploration of textile and light. On the embankment, Hong Kong highlights the complex relationships between emotions and the environment, spatial design and psychology, to help visitors understand the socio-psychological effects of living in continuously evolving urban environments. Poland, the 2023 London Design

FACING PAGE: Malta - URNA TOP: Peru - Haeirloom Ollantaytambo’s (post) modern weavers ABOVE: Saudi Arabia - Good Water LEFT: Northumbria University and UCL - Living Assembly_ Building With Biology

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CULTURE • EXHIBITION

Biennale Medal winner, returns this year with an installation exploring the politics of waiting and the tension of suspended time, by transforming the intangible state into tangible form. Drawing from the Polish Highland tradition of woodcarving while waiting, the project reinterprets this ornamental practice as a visual record of passing time. In the East Wing, Malta reimagines rituals for death and memorialising, anticipating the future role of cremation in Malta through a striking 2.4-meter limestone sphere.

Nigerian designers challenge the idea of singular monolithic African identity, using materials native to the Lejja community in South-East Nigeria and envisage this overlooked region as Nigeria’s social capital.

Oman draws on traditional Omani pottery to explore the balance between heritage and the digital age, with an immersive installation referencing ancient water vessels for data storage, prompting reflections on memory and value in a hyper-connected world.

ABOVE: Nigeria - Hopes and Impediments RIGHT: Eco-Vision Plan - Rainforest Succession - Lamiam BELOW: Rachel Botsman - Roots of Trust BELOW RIGHT: Oman - Memory Grid

Romania explores the tension between rapid technological advances and rich cultural heritage through a portal of reflection using obsolete and recycled materials animated with AI. Peru showcases the work of Andean women crafting wigs from their own hair using ancestral techniques, through an exhibition of photography and a narrative that demonstrates how artisans can invert tradition to support contemporary livelihoods and economic independence. Japan takes over the Nelson Stairs in Somerset House, presenting a material, music and costume experiment exploring the durability of Washi paper, with live performances and workshops.

Saudi Arabia introduces an exciting expansive design approach that questions, disrupts, and reimagines systems of access and distribution of water and our relationship with it. Uzbekistan draws inspiration from the lost gardens of Samarkand, with tradition uniting the individual producers working at the intersection of art, craft and contemporary design. The Romanian Pavilion presents ‘Inner Reflections, Outer Worlds’, an interactive installation that explores the interplay between introspection and external environments. Made of recycled and obsolete materials, CDs, paper, plastic from EKG electrodes and plants, it tells the stories of contemporary Romanian personalities building a better society and encourages visitors to reflect on dialogues about the inner self and the outside world.

Returning to the London Design Biennale this year, the Eureka pavilions spotlight groundbreaking creative thinking from leading research departments and showcase a selection of interdisciplinary projects demonstrating the breadth and role of design and innovation in creating better futures. A collaboration between Northumbria University and UCL envisions a future where buildings are grown, not constructed.

6 – 29 June londondesignbiennale.com somersethouse.org.uk

“Reflections on memory and value in a hyperconnected world”

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8–13 JULY

SUMMERTIME EVENINGS IN A RELAXED PICNIC SETTING

plus GUESTS

plus Blancmange

plus guests

plus guests including Daniel Bedingfield, So Solid Crew, Heartless Crew & more

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TY LOCK, HORNY CHAIRS AT ROYAL SOCIETY OF SCULPTORS OPERATICS SASHA BOWLES AT DAISY GREEN HOLLAND PARK CAFE

BOLD, RAW

ART

unfiltered

FRINGE WEEK takes over Kensington & Chelsea 32

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CULTURE • PROMOTION LEARN TO MAKE FIRE WITH ED STAFFORD

JUNE MINEYAMA, CULT VISION FOCUS 2 BY ELAINE POTTER AT KENSINGTON STREET TAKEOVER, SUPPORTED BY OK

G

et ready for the wild side of KCAW, where creativity breaks free from the mainstream.

Returning from 23 to 29 June, FRINGE WEEK is a celebration of creativity in all its unfiltered forms. Led by the innovative local creatives and supported by the team behind K&C Art Week (KCAW), the Royal Borough Of Kensington and Chelsea and Opportunity Kensington, the FRINGE invites everyone to explore art outside the traditional confines of art spaces and studios. Expect spontaneous performances, bold installations, and a genuine connection to the artists.

What’s On

A Headline Moment: MAMIMU’s Groovy High Street Kensington At the heart of FRINGE WEEK, June Mineyama-Smithson (MAMIMU) plans to deliver a headline moment with a giant 15-meter artwork. Celebrating the joy of making, MAMIMU’s optimistic patterns and geometric designs will brighten up High Street Kensington. Her work, influenced by both the geometric beauty of Japanese culture and the vibrant colours of the 1920s Art Deco era’s architecture and heritage of Kensington High Street, will turn a local street into a canvas to celebrate its patterns and fashion.

THE ART BUS ON THE ART TRAIL

ANANAS BY ANNIE TREVORAH, LIZ ISLES PHOTOGRAPHY, KCAW TRAIL 2024

The Pink Flamingos Opening Event: Launching FRINGE WEEK The theme for this year’s celebration blends 1920s Art Deco influences with contemporary street style, reimagining a street as an artistic runway that fuses cultural heritage with fashion which transform this street into a colourful, immersive experience to kick off FRINGE WEEK. With a touch of The Pink Flamingos theme the event will add a whimsical touch to the opening event held near High Street Kensington, celebrating fun, freedom, and the iconic private member’s club The Kensington Roof Gardens, famous for pink flamingos.

Iconic Red Routemaster Bus Tour returns for the 7th time: On 28 June the bus will take visitors on a full tour through the cultural heart of Kensington + Chelsea, showcasing iconic sculptures and cultural landmarks, while performances enliven the journey. As part of this lively experience, expect live performances at various locations along the route, including street dance and tango.

Art Map: Discover Public Art Across Kensington & Chelsea The Art Map is a guide to some of the most stunning outdoor artworks and architectural gems across Kensington + Chelsea. Curated by an expert Advisory Board, this self-guided tour highlights sculptures, unique moments, and unusual architectural elements that define the area’s public art.

The downloadable printed Art Map connects FRINGE WEEK through the borough’s vibrant public art, offering visitors a chance to explore both iconic pieces and hidden treasures while discovering participating venues.

Electric Dreams by Dan Taylor at FRINGE HQ PARTY: The Exhibitionist Hotel, the headquarters of FRINGE WEEK, will once again throw open its doors, presenting Dan Taylor's Electric Dreams. Taylor, a visionary

whose work draws inspiration from the pop art dynamism of figures like Jean-Michel Basquiat, will captivate audiences with his bold, colour-filled works. Taylor's art combines fine art intricacy with pop culture energy, crafting pieces that both arrest the eye and evoke deep emotional responses. The Advisory Group Party to which everyone is welcome will be held at The Exhibitionist Hotel – look out for the announcement on kcaw.co.uk.

Holland Park Café by Daisy Green Daisy Green at Holland Park will host a special FRINGE WEEK exhibition. The café welcomes Sasha Bowles' exhibition "Operatics", a site-specific commission running alongside the new season of the Holland Park Opera.

The exhibition explores contemporary themes in parallel with the opera. During this period, also check out the Sunday ‘Sensing Earth workshops’ 10am-12noon by the artist in residence Alan McFetridge.

These workshops invite attendees to walk, reflect and share ideas with an introduction to the parks spaces and ecology by Alan.

About FRINGE WEEK by KCAW

FRINGE WEEK 23-29 June is a celebration of creativity in all its forms, it showcases the untamed spirit of artists, performers, and creatives who are pushing boundaries and doing things differently. Deputy Leader of the Royal Borough of Kensington and Chelsea, Cllr Kim TaylorSmith, said: “We’re proud to champion initiatives like this years’ Art Fringe that reflect the borough’s dynamic spirit and ensure that culture remains at the heart of our communities and economy.”

Sign up for updates on kcaw.co.uk, or follow the festival on Instagram @kcawlondon for all the latest updates and programme details.

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CULTURE • PROMOTION

“The hall retains its late-17thcentury carving and character”

THE BOARDROOM

THE DRAWING ROOM

THE LIVERY HALL

GRAND SCALE Why Vintners Hall could be the perfect venue for your next event

T

The Vintners' Company, with its first Charter in 1363, is one of the Twelve Great Livery Companies of the City of London. It is still known as the spiritual home of the wine trade, and the magnificent Vintners’ Hall and its ancillary rooms are available to hire for special events of all kinds.

This Livery Hall is the perfect location for the larger group sized commercial lunch, Gala dinner, conference, charity fundraiser, large wine tasting event and other large scale events including other Livery Companies. The Hall offers flexibility in seating and layout options ensuring a seamless experience for events

up to 250 guest standing or 158 seated.

Historically important, the Livery Hall was rebuilt in 1671 following the Great Fire of London and still retains the majority of its late-17th-century carving and character. The on-site catering team delivers a highly professional service with outstanding fine cuisine.

With the Hall comes a number of additional rooms inclusive of the hall hire.

The Drawing Room is perfect for predinner or standing receptions as well as a catering area for conferences. Paired with the Swan conservatory, it offers a superb spot for photographs, musicians and other entertainment, all surrounded by historical artefacts. The Gassiot Room, while usually not available for separate hire outside of the main Livery Hall hire,

is perfect for the Senior Outmess.

The Boardroom is a superb separate meeting room. Ideal for meetings, private lunches or dinners and perfect for the smaller wine tasting venue. Tied in with the roof terrace, which offers a superb spot for a pre drink before food is served, the Boardroom is situated on the third floor of what is now Five Kings House, adjacent to the Hall. It was built in 1911 as Thames House for the Liebig Extract of Meat Co. Ltd, the makers of Fray Bentos Corned Beef (Uruguay) and, later, Oxo. The Boardroom was designed as a meeting room in the neoclassical style and can seat 24 people. thegeneralmanager@vintnershall.co.uk 020 7651 0748 A B S O L U T E LY m a g a z i n e s

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THE ART WEEK FRINGE IS HERE RAW, BOLD, AND UNFILTERED

THE ART WEEK FRINGE IS HERE RAW, BOLD, AND UNFILTERED Web Listings Open: 20 April 2025 Web Listings Deadline: 20 June 2025 FRINGE WEEK: 23–29 June 2025 Please note: Listings will only be accepted for events happening during FRINGE WEEK. Photo: ‘Tutti Frutti’ by Charlotte Colbert, KCAW 2024 Public Art Trail, photo Liz Isles

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CULTURE • PROMOTION

SCREEN

TIME Find the perfect cinema experience at Nova Cinema in Woking

L

ooking for the perfect cinema experience? Look no further than Nova Cinema in Woking.

Nova offers a rich tapestry of cinematic experiences, ensuring every visit becomes a cherished memory.

Whether you're captivated by the latest blockbusters or transported by timeless classics, Nova Cinema is where the magic of film truly comes to life.

Nova boasts seven stylish screens, each designed to enhance your moviegoing experience. Screen One features state-of-the-art 4K laser projection with crystal-clear images and top-of-the-range Dolby ATMOS surround sound for an immersive experience. Screen Seven offers reclining leather armchairs with moveable table trays, and each ticket comes with a complementary drink (exclusions do apply).

Across all screens, spacious, comfortable seats with ample legroom allow you to sit back and enjoy the show. Opt for a premium ticket to elevate your experience

with luxurious leather upholstery.

Before or after your movie, unwind at Nova's elegant full-service bar, or grab a snack at the kiosk, which offers classic cinema treats like popcorn, Pepsi, and the ever-popular Ice Blast. If you're in the mood for something more substantial, try the new Chicago Town pizza including Pepperoni, Meat Feast and the vegan Pepper-No-Ni. Plus there's a selection of bottled beers and wines, prosecco and champagne.

Nova strives to cater for everyone, so Screen 2 is a dedicated accessible screen, with every film accompanied by subtitles. For those with need of a more toned-down experience there are weekly

“NOVA OFFERS A RICH TAPESTRY OF CINEMATIC EXPERIENCES”

relaxed screenings of the latest releases, and tots screenings for mothers with young children. Audio description is also available wherever possible.

Loyal customers are rewarded with special perks through the Nova Now membership, including personalised movie recommendations and a speedy online checkout. For even more value, the Super Nova membership offers five free tickets, exclusive members-only pricing, 10% off food and drinks, 10% off hire fees, and access to members-only events and screenings—all for just £60 per year.

Nova Cinema also caters to those looking to host events, with a cutting-edge media suite available for community and business hire, while the screens make the perfect place for business presentations.

Conveniently located in the heart of Woking on Level One of the Peacocks Shopping Centre, Nova Cinema is easily accessible by bus, car, or train, making it the ideal destination for movie lovers. novacinema.com A B S O L U T E LY m a g a z i n e s

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Welcome Welcome to to Vintners’ Vintners’ Hall Hall Vintners' Hall, situated in the heart of the City, is a stunning venue for conferences, dinners and Vintners' Hall, situated in the heart of the City, is a stunning venue for conferences, dinners and drinks receptions. Available for exclusive hire and set over two floors we can accommodate events of drinks receptions. Available for exclusive hire and set over two floors we can accommodate events of up to 158 guests for dinner. We also have a sumptuous board room available for private dining and up to 158 guests for dinner. We also have a sumptuous board room available for private dining and meeting for up to 24 guests, accompanied by a roof terrace affording unrivalled views of the city. meeting for up to 24 guests, accompanied by a roof terrace affording unrivalled views of the city.

Exclusive offer 10% off venue hire for all new events taking place in 2025.

Exclusive offer 10% off venue hire for all new events taking place in 2025.

Please quote VH202510 when enquiring.

Please quote VH202510 when enquiring.

Get in touch to discuss your next event today.

Get in touch to discuss your next event today.

+44 (0) 20 7248 4704 +44 (0) 20 7248 4704 searcys@vintnershall.co.uk searcys@vintnershall.co.uk www.vintnershall.co.uk www.vintnershall.co.uk The Vintners Com.indd 38

@SearcysLondon @SearcysLondon 23/05/2025 14:51

FOOD & DRINK

WES ANDERSON'S WORLD BOB BOB RICARD

Bob Bob Ricard is celebrating the release of Wes Anderson’s new film, The Phoenician Scheme, by transforming into Marseille Bob’s – a lavish pop-up bar inspired by the film’s cinematic world. Think bespoke cocktails, theatrical bar snacks and immersive Anderson-inspired design touches.

It continues until 22 June. bobbobricard.com

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WHAT TO DRINK

GRAPE news

TASTING NOTES

London’s food news and most exciting openings this month

By PENDLE HARTE

Wine recommendations for the month

By THE WINE SOCIETY

The Society's Exhibition Spätburgunder 2022  £13.95 This Spätburgunder is fruit forward, wonderfully expressive and juicy in style. Expect wild strawberries, cherries and plum notes combined with smoky hints that add additional layers.

Sauvignon Blanc 'Pure Vallée' Vin de France, Famille Bougrier 2024  £7.95 This wine combines Loire and southern French fruit for a delicate, slightly tropical aroma, and easy, creamy finish.

Beaujolais Villages Vieilles Vignes d’Emeriniges  2022 £9.50 Made from a blend of grenache, cinsault and syrah, this is a dry, fruity rosé from the south of France that is pale, refreshing and charming.

Since it was founded back in 1874, The Wine Society has dared to do business a little differently. Bringing together a community united by a shared love of wine, The Society is a co-operative and owned by its members. This means there is no requirement to pump profit into annual dividends or bonuses for shareholders – all profits go back into the business.

The Wine Society welcomes all wine lovers.

Become a member today and receive £20 off toward your first order. thewinesociety.com

40

New York, New York TWENTY8 NOMAD

Just opened, Twenty8 NoMad offers a unique take on authentic New York cuisine, inside the 91-room hotel opposite The Royal Opera House. On the menu will are moments of New York nostalgia, brought to life with inspiration from the classic French Brasserie, showcasing familiair dishes reimagined through NoMad’s distinctive lens. So think lobster pasta, steak frites, oysters, razor clams and impressive seafood towers. hilton.com

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FOOD & DRINK • NOTES

TOP THREE Dubai chocolate treats

ROTI HEAVEN ADOH!

Japanese garden In Shoreditch, the Nobu N Bar &UTerrace has transformed OB into a serene Japanese Garden Escape. The outdoor space is now a natural oasis adorned with Japanese heritage plants, cascading Star Jasmines and a stunning Maple Tree. Nobu signature dishes include Black Cod Miso, Rock Shrimp Tempura, Salmon Dry Miso, Grilled Beef Balsamic Teriyaki, Umami Chicken and more. nobuhotels.com

FA R H I Farhi's Dubai Chocolate with Pistachio Knafeh is a refined fusion of Middle Eastern tradition and indulgence. These truffles feature a creamy pistachio Knafeh centre enveloped in smooth milk chocolate. farhi.co.uk

Named after a popular Sri Lankan exclamation, the menu at Covent Garden's new Sri Lankan streetfood eaterie Adoh! includes a selection of the island's street food favourites.

Central to the offering is kothu (kotthu): a dish of chopped roti, vegetables, and eggs, tossed together on a grill and finished with curry sauce. adoh.ldn

I TA L I A N S T Y L E Il Gattopardo has added Dubai Tavoleta to its menu. The dessert is an exclusive take on Dubai Chocolate, with an Italian twist. gattoparto.restaurant

R E A D Y, S T E A D Y

COOK BOX TAPAS

Veggy delight MILDRED'S

The new Taste of Mildreds sharing menu for two or more offers a crowd-pleasing eight-strong selection of small plates inspired by diverse global cuisines. The menu, for £25 at lunch, includes Red Pepper Romesco, a rich Catalan-style dip; Kimchi Gyoza; Kiri Hodi, a Sri Lankan coconut curry and Charred Aubergine Bharta. mildreds.com

W H I T TA R D Whittard of Chelsea’s Pistachio Hot Chocolate is a creamy, sweet white hot chocolate coupled with the flavours of nutty, roasted pistachio, inspired by the unstoppable Dubai chocolate trend. whittard.co.uk

Imagine opening your door to a delivery of all your favourite Spanish deli ingredients at once. That's the idea behind Boxtapas, a new range of Tapas Boxes with specialities carefully sourced from small and heritage producers from across Spain. Our Classic Box came filled with treats including tinned mackerel, olive tapenade, Iberico pate, herby almonds, salsa brava and more. Deliciousness. boxtapas.co.uk A B S O L U T E LY m a g a z i n e s

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FREE QUOOKER FLEX worth £1,400 T&C’S apply

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FOOD & DRINK • REVIEW

ABSOLUTELY eats out…

“The set menu ‘Bubala knows best’ is a three-act feast”

BUBALA A King’s Cross sister to the Soho and Spitalfields eateries

B

FOOD Creative Middle Eastern vegetarian

B y PENDLE HARTE

ubala’s newest outpost is around the back of Kings Cross, off York Way, in an area that has been totally transformed in recent years and now feels too modern, too shiny to even be London. Bubala started as a popup and now has restaurants in Soho and Spitalfields, with a vegetarian menu that takes inspiration from all over the Middle East.

But here in King’s Cross it’s a busy evening, though staff admit they’re not feeling totally ready, having only opened a few days ago.

Not that you’d notice – the smiling young staff are super friendly and efficient. There is an a la carte, but we’re recommended the set menu – named ‘Bubala knows best’– which is a three-act feast at £46 per person, with a vegan option.

Everything sounds intriguing and has an element of the unexpected to it, making it a clever and wellconsidered meal with entertainment built in.

First off there are pickles: daikon, mushroom and cucumber, all unusual and carefully considered, with excellent, slightly blackened Laffa bread, fluffy labneh with sweet confit garlic and a delicious hummus with burnt butter oozing

DECOR Breezy, contemporary, global

PRICE Set meal £46 per head

VERDICT Creative food with unexpected twists

rich and sweet deliciousness.

Next up is an impressive oyster mushroom skewer with tamari and coriander seed, a meaty textured, almost burnt umamifilled treat. Smacked cucumbers with tahini and chill crunch are delicious, crunchy and creamy, and halloumi with poppyseed marmalade and rosemary has a great soft yet solid texture, though the marmalade is possibly a bit too sweet. The third act features lemmon pepper cauliflower with yoghurt, zhoug and amba onions, a flawless spicy curried affair, along with a crisp and clean salad of oak and mustard leaf, onion, pomegranate molasses and mint, and confit potato latkes with toum and Aleppo chilli. These are crispy potato cakes that we’re not quite hungry enough for, but since they’re the least exciting thing on the table, that’s no bad thing. Pudding makes up for it: Basbousa is a wonderful baked dish of coconut, semolina, custard and pineapple with a burnt caramelised top. What a feast.

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RAYMOND GUBBAY PRESENTS

IN 2025 Saturday 20 September at 7.30pm

Beethoven’s Ninth An unmissable all-Beethoven concert culminates with the climactic ‘Ode to Joy’ Piano Concerto No.5 ‘Emperor’ Symphony No.9 ‘Choral’ Royal Philharmonic Orchestra Brighton Festival Chorus Lee Reynolds conductor

Sunday 23 November at 3.00pm

Carmina Burana Returns by popular demand – seen by over 50,000 people!

Glinka Ruslan and Lyudmilla Overture Saint-Saëns Symphony No.3 ‘Organ’ Orff Carmina Burana Philharmonia Orchestra The Bach Choir The London Chorus Highgate Choral Society

020 7589 8212

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Wimbledon Choral Society The Southend Boys’ Choir David Hill conductor

ROYALALBERTHALL.COM

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FOOD & DRINK • NOTES

DRINKS CABINET What to drink this month

By PENDLE HARTE

ICE CRUSH PA STA I O It's slushy season again at Pastaio. June, July and August will each feature an alcoholic slushy, celebrating a seasonal Italian stone fruit, that will be available on Pastaio's menu for the whole month.

First in the series is Christina Soteriou's Sumac and pomegranate stewed cherry slushy which will be available for June.

pastaio.co.uk

ON TAP

SPOTLIGHT

Espolon tequila

Two Paloma recipes: one spicy, one not

E

spolòn, born in the highlands of Jalisco, is all about rebellion, craft, and bold expression. Its distinctive bottle, wrapped in Day of the Dead-style artwork by José Guadalupe Posada, nods to Mexico’s revolutionary spirit - and the Espolòn Paloma packs the same energy.

Espolòn Spicy Paloma INGREDIENDS: • 35ml Espolon Blanco • 15ml Ancho Reyes Verde • 15ml Fresh Lime Juice • 120ml Grapefruit soda

F O R Z A TA P S The alfresco spot beneath Forza Wine at the National Theatre is back, pouring drinks on tap and serving the finest of picky bits for long days in the sun.

Bringing the ultimate summer setup to the iconic South Bank building, Forza Taps is the place to eat, drink, and pretend you’re in Italy. forzawine.com

METHOD: Blend in a tall glass with plenty of ice. Adding grapefruit soda last, and stirring to incorporate the ingredients.

Garnish with a lime wedge.

To serve: Timmed highball glass, with Chilli-Salt or Tajin rim

Espolòn Paloma

KING OF GINS CYG N E T 7 7 Just launched at Harrods is Cygnet 77, a bold new gin aged for over 12 months in Welsh whisky casks with the brand’s signature Manuka honey.

Designed to be sipped neat or served in an elevated martini, Cygnet 77 offers a refined, complex profile that’s smooth, layered, and unmistakably distinctive.

cygnet-distillery.com

A great recipe for discovering fresh tasting flavors:

INGREDIENDS: • 60 ml Espolòn® Blanco • 15 ml Fresh lime juice • 120 ml Pink grapefruit soda METHOD: Blend in a tall glass with plenty of ice. Adding grapefruit soda last, and stirring to incorporate the ingredients.

Garnish with a lime wedge.

To serve: Tall collins / highball glass, lime wedge, grapefruit peel (optional), salt rim (optional). espolontequila.com

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Zest life

for

Italian inspired sweet and savoury dishes, all featuring lemons Wo r d s L E T I T I A C L A R K

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FOOD & DRINK • RECIPES

Saffron tagliatelle with fresh tomato and lemon Serves 6

This is a zingier, fresher take on the beloved and classic pasta al sugo. It’s important to use the sweetest tomatoes (datterini) to counteract the sharpness of the lemon. A few anchovies melted in at the beginning are also very welcome. Olives are a good addition, as are capers, parsley, tuna, rocket... I could go on. Making your own tagliatelle is easy and satisfying, and allows you to flavour and colour it with saffron, but if you’re short on time add a pinch of saffron to the sauce and use ready-made tagliatelle.

INGREDIENTS For the tagliatelle

• 2 eggs • 200 g (7 oz/11/3 cups) semola or 00 flour, plus extra for dusting • 1/2 teaspoon ground saffron

For the French sauce

• 2 tablespoons best-quality extra virgin olive oil • 1/2 small white onion • 200 g (7 oz) Datterini tomatoes • 1 lemon, a few strips of peeled zest and a squeeze of juice • a good pinch of sea salt • 1 teaspoon sugar or light honey • marjoram, basil or parsley leaves, to serve

METHOD 1 First, make the pasta. Using either a stand mixer with a dough hook or your hands, mix the eggs into the semola, then add the saffron and then knead it into the dough until smooth. Leave to rest wrapped in cling film (plastic wrap) for about 20 minutes.

2 Roll out the dough until just thin enough to see through (about the thickness of a penny). Cut into 1 cm (1/2 in) wide strips by hand or using your pasta machine and set aside, well dusted with extra semola to stop it sticking.

3 To make the sauce, heat the oil in a deep frying pan over a low heat and grate the onion into it. Sauté until soft and translucent. Halve the tomatoes, throw them in and turn the heat up (it will spit and hiss a bit, but not to worry). Cook until the tomatoes begin to collapse, then add the strips of lemon zest and continue cooking for a few minutes. Add the salt, sugar or honey and taste for seasoning. Add a squeeze of the lemon juice.

4 Cook the pasta in a large saucepan of well-salted boiling water until al dente.

Drain the pasta and stir through the sauce, adjust the seasoning and serve with plenty of marjoram, basil or parsley scattered over, an extra drizzle of oil and a grating of fresh lemon zest.

Fried cheese with lemon Serves 2 Are there any two sweeter words than fried cheese? Saganaki, that classic Greek taverna staple, is one of my favourite things on earth, and one of the many Greek dishes that make me shiny-eyed about emigrating (I adore Greek food). Luckily for me, the young pecorino I am able to get here in Sardinia can be treated in the same way. There are many similarities between Greek and Sardinian food – the numerous sheep’s cheeses of different consistency and flavour being one example.

While cheese is often roasted here in Sardinia, it is not usually fried in this way, yet the Greek technique of a hefty squeeze of lemon to cut through the fat is pure, lip-smacking heaven.

INGREDIENTS • 2 thick slabs of pecorino fresco (or provolone, young Gouda, feta or halloumi, based on what you have available) • a little flour • olive oil, for frying • sea salt • lemon wedges

METHOD 1 Coat the cheese evenly in flour. Heat a good drizzle of olive oil in a heavybased saucepan over a medium heat.

2 Fry the cheese for a minute or two on each side until golden brown.

3 Drain briefly on paper towels, sprinkle with salt (necessary if using a young pecorino but not with the very salty halloumi) and then serve immediately with fat wedges of lemon to squeeze over.

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FOOD & DRINK • RECIPES

LETITIA CLARK

Pavlova with lemonolive oil curd Serves 8–10 A perfect late spring/early summer pudding, which plays on quintessential Italian flavours. Unlike the traditional (and often overly sweet) pavlova, I prefer a tangy yoghurt cream and velvety curd with just the slight background note of olive oil, which chimes beautifully with the fragrant basil. Decorate with your favourite edible flowers (such as jasmine) and strawberries, or your favourite summer berries. I make double my usual pavlova recipe as it deserves to be mighty and magnificent for a festa, but if you are making for a smaller more subdued setting, by all means halve the recipe.

INGREDIENTS For the pavlova

• 6 egg whites • 350 g (12 oz/13/4 cups) sugar • zest of 3 lemons plus • 1 tablespoon juice • 10 g (2 teaspoons) cornflour (cornstarch)

For the yoghurt cream

• 250 ml (8 fl oz/1 cup) double (heavy) cream • 200 g (7 fl oz/scant 1 cup) Greek yoghurt • 3 tablespoons icing (confectioner’s) sugar

For the lemon-olive oil curd

• 5 g (1 scant tablespoon) cornflour (cornstarch) • juice of 2 lemons • 1 egg plus 2 egg yolks • 140 g (51/4 oz/2/3 cup) sugar • 40 g (11/2 oz) butter • 30 ml (2 tablespoons) extra virgin olive oil • a pinch of salt

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To finish (optional)

• 200 g (7 oz) strawberries, halved • edible flowers • basil leaves • lemon zest squiggles

METHOD 1 Preheat the oven to 130oC fan (150oC/300oF). Line a baking tray with baking parchment.

2 Whisk the egg whites with the lemon juice until they form stiff, satin-like peaks. Add the sugar a spoonful at a time, whisking all the time. Once all of the sugar has been incorporated and the meringue is once again in stiff and silky peaks, whisk in the lemon zest and cornflour.

3 Spread the meringue out into a large circle on the lined baking tray, making the edges a little higher than the middle to allow for the filling (I aim for pizza size, i.e. about 25 cm/10 in). Bake in the oven for around 1 hour until crisp (gently check the underside), then turn off the oven, open the door and leave to cool completely before topping.

4 To make the yoghurt cream, whip the cream in a bowl until you have soft peaks, then stir in the yoghurt and icing sugar.

5 To make the curd, whisk the cornflour into the lemon juice until dissolved, then pour into a small saucepan, add all the remaining ingredients and place over a medium-low heat. This will take around 10 minutes. Cook, whisking continuously, until it becomes thick and velvety. Set aside to cool until ready to use.

6 To finish, spread the cream over the top of the pavlova and then dot over the curd.

Scatter over edible flowers, strawberries, basil leaves and lemon zest squiggles to your liking, and serve.

Extracted from For the Love of Lemons

by Letitia Clark (Quadrille, £28), Photography by Charlotte Bland

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H O M E | AFTERNOON TEAS

T I M E

F O R T E A

OUR TOP FIVE AFTERNOON TEAS

1

S E T T H E S TAG E THE LANE

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Theatre Royal Drury Lane is the only West End theatre to serve Afternoon Tea and the new Showstopping menu is full of the drama and magic of theatre. It comes in in two acts and an encore – with plentiful tea, champagne and more. lwtheatres.co.uk

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ASIAN EXPRESS

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THE CURCHILL

The Asian themed afternoon tea at The Churchill features savoury options such as Pork Belly and Kimchi Bao Bun, Duck Bahn Mi and Prawn Paniyaram alongside Chocolate and Miso Lucky Cat, Sakura and Cherry Flower Cake and a Masala Tea Pot. hyatt.com

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I N B LO O M SKETCH

Sketch in Bloom is a floral-themed afternoon tea designed to celebrate Jane Austen's 250th birthday. The tea is served in a grand neoclassical space transformed into a blooming homage to Austen and her works. sketch.com

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F R E N C H FA N C Y R OYA L A S C O T

Master Pâtissier Benoit Blin brings his culinary finesse to Royal Ascot with an afternoon tea that features a pistachio, raspberry and lychee teacake alongside a menu focusing on British produce. ascot.com

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SW E E T T R E AT

DA L L O WAY T E R R A C E

Highlights of Afternoon Tea at the Bloomsbury Hotel's Dalloway Terrace include blueberry and vanilla choux buns, rum punch baba and blackcurrant Madeleines – and they do a great Coronation chicken too. dallowayterrace.com A B S O L U T E LY m a g a z i n e s

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RELAX Coworth Park: the countryside hotel where comfort reigns supreme

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oworth Park is Dorchester Collection’s luxury country house hotel and spa. As you emerge from the tree-lined driveway, you’ll be greeted by a glorious wildflower meadow and the fresh scent of lavender.

Feel yourself begin to unwind the moment you arrive at Coworth Park’s idyllic parkland, nestled on the edge of Windsor Great Park, just 45-minutes from central London. This luxurious escape

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offers high-end style without the formality.

A romantic retreat for couples and a beloved destination for families seeking relaxation with a dash of adventure.

STAY IN STYLE Graceful rooms that feel as fresh and bright as a new spring morning. A muted palette of soft, natural tones creates a calming atmosphere across the spacious rooms and suites. For Georgian elegance with a touch of eccentric flair, choose the Mansion House. For more privacy, the converted Stables and Cottages offer a tranquil

hideaway. For the ultimate seclusion, retreat to the Grade II listed Dower House, complete with private kitchen, dining room and three exquisite bedrooms.

BEST OF BRITISH The Michelin-starred Woven by Adam Smith showcases a passion for the finest seasonal ingredients, all locally sourced and served in a contemporary setting. If the fresh air has you craving comfort food, The Barn’s rustic charm welcomes muddy boots for laid-back dining. Or, take time out in the elegant Drawing Room as morning stretches into early afternoon, where soups, snacks and salads are the order of the day. Step out to the terrace to soak up sunny views and the sky’s colourful hues.

GARDEN AFTERNOON TE A Berkshire’s hidden gem, afternoon tea at Coworth Park is a cherished tradition served with refined charm and countryside elegance. Indulge in a delightful selection of beautifully crafted, freshly prepared pastries, delicate finger sandwiches, and warm scones with clotted cream and jam.

Served in the Drawing Room, with its panoramic views over the grounds and wildflower meadow, this serene setting provides the perfect backdrop for a leisurely afternoon. Whether celebrating a special occasion or simply savouring the moment, it is a tradition to treasure.

COUNTRY PURSUITS For the more active guest, Coworth Park offers a range of classic English pastimes: tennis, croquet, equestrian, or bicycle

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CULTURE • PARTNERSHIP

“It's a beloved destination for those seeking relaxation with a dash of adventure”

rides around the estate. Take polo lessons with the Guards Polo Academy on one of the hotel’s two professional polo fields.

Golf lovers can enjoy privileged access to the renowned Wentworth Club nearby.

The little ones are well looked after, with pony rides, treasure hunts and creative workshops at the kids’ club so they can let their imaginations run wild.

For those who prefer a slower pace, simply settle into the rhythm of countryside life.

SPA INDULGENCE Discover the newly refurbished spa at Coworth Park – a tranquil haven inspired by the natural beauty of the surrounding grounds, designed to help you reconnect with the landscape and restore inner calm.

Take a refreshing dip in the serene indoor pool, energise in the modern gym or indulge in a soothing personalised treatment. Unwind fully with the RLX Satori deep relaxation loungers and invigorate your senses with their state-of-the-art sensory snow shower, citrine steam room and meadow sauna – perfect for balancing mind and body.

Spa days offer a complete holistic experience, carefully curated to nurture both wellbeing and serenity. For those seeking ongoing care, spa membership is available and includes full access to luxurious facilities, a complimentary treatment, personal training sessions, exclusive member discounts and more. You can also enjoy complimentary use of the outdoor tennis court and use of the 240-acre grounds for walking, cycling and other leisurely pursuits.

SPECIAL OCCASIONS Coworth Park is a truly memorable venue for weddings, milestone celebrations, or corporate events. A refreshing change of scenery for business, the hotel offers four elegant event spaces for up to 100 guests. Choose from the light-filled Garden and Oval Rooms with their private

terraces, the breathtaking views of the Oak Room, or the castle-like charm of the Tower House overlooking the lake.

EQUESTRIAN ELEGANCE As the only UK hotel with its own polo fields and equestrian centre, Coworth Park is a premier destination for equestrian enthusiasts of all levels. The stables offer exceptional facilities, expert tuition and unforgettable riding experiences.

Guests can enjoy leisurely hacks, private riding lessons or tailored experiences for children and beginners. For those with a passion for polo, the prestigious Guards Polo Academy offers coaching for all abilities on two world-class fields.

Whether you’re saddling up for the first time or refining your skills, Coworth Park’s equestrian experiences are a rare blend of luxury, heritage and countryside adventure.

C OWO R T H PA R K Blacknest Road, Ascot, Berkshire SL5 7SE 0344 876 600 dorchestercollection.com reservations.CPA@dorchestercollection.com

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FA S H I O N

Swim in style

ERES

Taking a trip back to the 1970s, Eres gives holiday wear a vintage spin this season. Sand beige, aquatic blues, and spotted shell-like patterns evoked from nature combine perfectly with era hallmarks of deckchair stripes, nautical motifs and retro colours. eresparis.com

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Dress CODE What to wear to the races, as imagined

by Royal Ascot creative director Daniel Fletcher A S C O T. C O M

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Find us a t L ib er t y London Regent St ree t London W1B 5A H Ground f lo or AT EL I ER V M .COM

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FASHION • SWIMWEAR

EDITOR’S PICK

MARYAN MEHLHORN Mystic rouched underwired swimsuit, £249 ameliesfollies.co.uk

TRIANGL Aster Turch bikini, £95 triangl.com

LES WAVES Starfish swimsuit, £115 leswaves.com

ERES Mouna bikini top, £170 eresparis.com

SWIM TEAM

BOUX AVENUE Miranda crinkle bikini top, £36 and bottom, £20 bouxavenue.com

Take a dip in these stylish suits

FATFACE Maci triangle bikini top, £29.50 and tie-side bottom, £25 fatface.com

MARKS & SPENCER Macrame detail swimsuit, £35 marksandspencer.com

B y PENDLE HARTE

LES WAVES This Mermaid is Real swimsuit, £110 leswaves.com

WHISTLES Swirl print swimsuit, £99 whistles.com

NAIA RIVER ISLAND Del Maar bikini top, £36 and bottom, £26 riverisland.com

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ROXY Atlas one-piece, £80 roxy-uk.co.uk

Dolce Vita print bikini set, £150 naiabeach.com

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CAROLINE GROVES BY DAN LOWE

Sole auth o F rom the first precision cut to the final polish, cordwaining – the heritage craft of handsewn shoemaking – demands a courageous heart and strong hands. As shoemakers or (to be more accurate) cordwainers, we are the modern guardians of this extraordinary craft, creating masterpieces tailored to each individual's feet.

In our world, shoemaking is also known as the ‘gentle craft’, because it is quiet, steady work at a bench, using hand tools.

The only sounds you might hear are the tap of a hammer, the thrum of thread making a stitch or the rasp of a knife being sharpened.

The name ‘gentle craft’ always makes me smile. It’s misleading; handsewn shoemaking is actually intensely physical work and for that reason has traditionally been a man’s world.

But like many heritage crafts, the number of makers has shrunk over the past century,

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impacted by globalisation and mechanisation.

Our craft must evolve and adapt to attract fresh talent and new customers keen to invest in beautiful footwear, which is why a new maker award will be presented next month at the Cordwainers’ Footwear Awards.

The Worshipful Company of Cordwainers, a historic City of London livery company, has been dedicated to the craft of shoemaking for more than 750 years and today, the focus of their charitable giving is in support of the British footwear trade in all its guises.

FOUR WOMEN, ONE PASSION I sat down with three fellow cordwainers – Caroline Groves, Emiko Matsuda and Adele Williamson of Trickers – to chat about how we became shoemakers. Although we are different ages and have pursued our own distinct paths, what resonated most with each of us was how welcomed we were made to feel by the trade and the generosity of the people in it.

For Caroline, her passion for leather came

first. “When I left school at 16, I learned handsewing skills from a local saddler and then spent time with leather artisans MacGregor Michael who were my mentors and are now dear friends. Shoemaking came later, and it was shoemaker Jim McCormack who really gave me an insight into the world of the handsewn craft”.

As a fashion design student, a glimpse inside the world of Trickers in Northampton in 1992 first set me on my course, as it did for Adele some 24 years later. “I’d never been in a factory before and I loved it; the smells and sounds, the heritage, the contrast of the fastpaced factory and the steady rhythm of the bespoke room, I knew it was where I wanted to be.” After she graduated from De Montfort University, Adele apprenticed with Trickers under renowned shoemaker Scott McKee and now heads up their bespoke team.

In 1997, Emiko knocked on the door of one of London’s oldest shoemaking firms, Foster & Son, “The idea of making

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FASHION • SHOEMAKING

EMIKO MATSUDA

h ority DEBORAH CARRE BY JONATHAN STEWART

Four women blazing a trail in handsewn shoemaking By cordwainer DEBORAH CARRÉ

ADELE WILLIAMSON BY GAVIN WALLACE

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something entirely by hand attracted me.

It was a truly special experience being apprenticed with Terry Moore who was passionate about the craft, kind, gentle, generous with his time and knowledge and with a wonderful sense of humour.”

Paul Wilson, who I trained with, had that in spades too - fun to learn alongside, incredibly knowledgeable and patient. I retrained in my early 30s as a QEST scholar with no prior experience, but plenty of determination, even learning to ride a motorbike so I could commute to north London to train with him.

MENTORSHIP AND COMMUNITY Just as a master shoemaker would have guided a journeyman or apprentice shoemaker 200 years ago, these amazing mentors not only honed our skills but helped to shape our approach to the craft and to the business of handsewn shoemaking.

We’re mindful to pay that generosity back, and support and encourage aspiring makers where we can, and alongside our shoemaking school, we devised and are sponsoring the new Craft of Shoemaking Award with the Cordwainers, the first award to recognise makers.

We all now run our own studios. James Ducker and I founded Carréducker over 20 years ago and have a workshop in Oxo Tower Wharf on the South Bank; after 20

years with Fosters, Emiko founded her eponymous bespoke label, based just outside London; as Tricker’s head of bespoke, Adele spends much of her week at the bench in her Cotswold’s workshop; and Caroline has settled her business into a light-filled studio in her Cotswolds garden.

Geographically we might be a small community of makers here in the UK, often sharing the same network of suppliers and highly skilled outworkers in this niche of niche crafts, but thanks to the internet our actual shoemaking community is global with friends and fellow shoemakers around the world.

CRAFT EVOLUTION I think that it’s fair to say that we love the craft for itself, the rhythm of making, its creativity and complexity (200 steps in the making process alone). It’s a living heritage that gradually evolves and adapts to the world around it and as women shoemakers, we’re taking steps to see it continues to flourish.

At Carréducker, we’ve launched bespoke leather sneakers that are fully repairable and where appropriate, we encourage clients to choose vegetable tanned leathers for their bespoke shoes – a leather that is more environmentally friendly and develops a beautiful patina over time; as well as expanding our shoemaking courses to include shoe renovation and re-make classes.

Adele has enhanced Trickers’ bespoke DEBORAH CARRE BESPOKE HANDSEWN FRENCH NAVY CROCODILE SHOES ADELE WILLIAMSON EMBROIDERED GOLD BOOT DETAIL PHOTO GAVIN WALLACE

EMIKO MATSUDA TWO-TONE BROGUE OXFORDS

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FASHION • SHOEMAKING

“It’s a living heritage that gradually evolves and adapts to the world around it” CAROLINE GROVES BOOTS PHOTO BY DAN LOWE

Quickfire Q&A service by being hands-on throughout the process from seeing the client at their Jermyn Street store to conducting fittings and delivering the finished footwear. Gently managing clients' expectations is part of that service, as unfortunately the elegant, narrow shoes that fill our Instagram feeds aren’t a style that suits everyone.

Emiko is skilled in all aspects of handsewn shoemaking, from carving lasts and making patterns to shoemaking; she enjoys the variety that brings her. She also enjoys the autonomy of working for herself and to her own schedule, finding mornings best for pattern cutting and afternoons for last making or shoe making.

Uniquely among us, Caroline makes almost exclusively for women. It’s a specialist area, particularly complex when considering heel heights and pitch. She has honed her technique inspired by the handsewn heels and decorative uppers of the late 19th and early 20th centuries, allowing her to focus on what she and her clients love most, her artistry.

With attention to detail and craftsmanship undiminished, perhaps it’s our creativity, energy and dynamism that may be the biggest draw for a new generation of client, ushering the ‘gentle craft’ into an exciting future.

Q Shoemaking is physically demanding, what do you do to stay fit?

Adele – I go to the gym for strength training and balance work and blow the cobwebs away on long distance bike rides Caroline – I’ve had operations on both shoulders so I’m much more careful about my posture and how I work now, especially the repetitive jobs Deborah – I combine pilates for flexibility with rowing for strength training and miles of dog walking for decompressing!

Emiko – When I was young, I thought it would keep me strong, but I’ve adjusted my way of working and go to the gym 4-5 times a week Q Broken nails and rough skin are par for the course as a shoemaker, so how do you look after your hands?

Adele – O’Keeffe’s Working Hands cream Caroline – A manicure before every trunk show Deborah – O’Keeffe’s Working Hands lotion at work and Sanct Bernhard “Back of the hand” Care Cream at home Emiko – It’s impossible!

Q What’s your go-to workshop style?

Adele – I’m a boots, jeans and work shirt person,

but dial it up for client meetings with Trickers Grasmere kudu boots, Dawson Japanese

selvedge jeans and a smart work shirt Caroline – Handsewn ankle boots, jeans and a t-shirt or flannel shirt (I’m a 70s girl) Deborah – Clogs or William Lennon boots, Hiut jeans, a patterned work shirt and a Carréducker x Blackhorse Lane work apron Emiko – Full brogue burgundy Derbys, leather patched work trousers, a t-shirt or work shirt and a leather apron

Jargon-buster Apprentice – a shoemaker in training Clicking – cutting out the leather Closing – sewing the upper part of the shoe Foster & Son (Fosters) – traditional

bespoke shoemaker founded in 1840 Journeyman – a shoemaker in training travelling from one master to another Last - the shaped block of wood that a shoe is made on Lasting – pulling the upper over the last Making – sewing all of the components of the shoe together Outworker – working from home making different parts of the shoe Trickers – Northampton boot and shoe manufacturer founded in 1829 Upper – the part of the shoe that covers the foot A B S O L U T E LY m a g a z i n e s

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FASHION • PROMOTION

Art of COUTURE A wedding dress that feels like you

KATERYNA ORLOVSKA

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one are the days when brides had to choose between beauty and comfort. Today’s woman dreams of a wedding dress that reflects her individuality while offering ease, elegance and quiet confidence. This vision is at the heart of Art of Couture, a London-based bespoke bridal brand founded by Kateryna Orlovska — a designer known for her refined detail, intuitive sense of style and deep respect for each bride’s uniqueness.

Kateryna doesn’t simply design dresses — she creates an intimate couture experience tailored entirely to the bride.

Art of Couture’s signature services include at-home consultations and fittings, a thoughtful response to modern brides who value comfort, privacy and the company of loved ones in familiar surroundings.

“It’s when I meet the bride in her own home that I truly see her,” Kateryna explains. “Not a styled Pinterest image, but a real woman, with her own rhythm, energy and story. That’s when the dress begins to come alive.”

A defining element of Art of Couture is Kateryna’s hidden corsetry technique — a sculptural yet gentle approach that blends haute couture precision with unexpected comfort. Invisible corsets are built directly into the gown, offering full support without restricting movement or breath.

Each one is crafted from a personalised mould, based on the bride’s posture, motion and even breathing, creating a silhouette that feels light, fluid and effortlessly elegant.

This method is especially empowering for brides with non-standard body types, those expecting a child, or anyone seeking a gown adapted to their lifestyle and comfort: it is a level of sensitivity that mass-market gowns rarely offer.

Art of Couture also embraces multifunctional design: convertible dresses that adapt throughout the day, or minimalist pieces designed to be worn again after the wedding. The result is not just beautiful — it's meaningful, versatile, and sustainable.

Above all, Kateryna sees each bride as

a collaborator, not just a client. Her dresses don’t transform women into someone else — they reveal who they are. Each creation is a quiet tribute to the bride’s own strength, grace, and individuality.

By blending couture craftsmanship with thoughtful practicality, Art of Couture makes bespoke not only possible — but truly relevant and attainable for the modern woman.

If you’re dreaming of a gown that’s more than just a dress, this isn’t just a fashion brand. It’s the beginning of a memory. artofcouture.co.uk A B S O L U T E LY m a g a z i n e s

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TIME TO LIVE LATER LIFE TO THE FULL.

Your own beautiful apartment. Your own front door. Your own pick of a wide range of activities, clubs and interest groups – all you need to make later life, the time of your life.

Luxury independent living in Marylebone for over 65s, with your wellbeing at its heart. Search Wallacea Living.

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HEALTH & BEAUTY

TAKE IT SLOW FORM STUDIOS It's all about slow movements in Lagree, LA's newest import. It's like reformer pilates on steroids - some say it's three times harder, but it's just as addictive and very effective for building lean muscle, increasing strength and maximising flexibility. formstudios.co.uk

Beauty notes 73 • Class review: Lagree 75 A B S O L U T E LY m a g a z i n e s

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HEALTH & BEAUTY • NOTES

BEAUTY NOTES

The latest in luxury makeup and skincare B y C A R LY G L E N D I N N I N G

REVIEW

ELIM PEDICURE

NIGHT HERO

An at-home medical grade treatment

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BELIF

Hailed for its skin-quenching abilities, hydration-focused K-beauty brand Belif has finally landed in the UK. Packed with hyaluronic acid and niacinamide, the Aqua Bomb Sleeping Mask will have you waking up with a dewy glow. £29. skincupid.co.uk

BRUSH OFF SISLEY

EDITOR’S PICK

W H OSE HAI R ?

Q +A

Q+A have launched an effective targeted haircare range consisting of 11 products in four categories: clarifying, strengthening, curl defining and volumising. You’ll find them all at Holland & Barrett.

Sisley’s new Pocket Brush is a miniature version of the Radiance and Softness Brush from the brand’s popular Hair Rituel collection: a must-have hairstyling accessory that fits easily into your handbag.

It stimulates the scalp, relieves impurities and spreads sebum to the lengths, leaving your hair soft, sleek and dreamy.

sisley.com

he main drawback, for me, in having a pedicure, is the flipflop situation.

Sure, there are possibly two months in the course of the year during which I’m comfortable wearing flipflops in London – but there are no guarantees. So a pedicure in winter is not an option to me, at least it wasn’t until I discovered the at-home treatment. And for an all-round foot health treatment, Elim’s medical pedicure is a cut above most treatments. In fact, Elim says that 98 per cent of their clients would recommend their treatments to a friend, which is a strong claim.

Elim’s speciality is a treatment based on advanced podiatry techniques. Unlike traditional pedicures, it uses medical-grade products, featuring a chemical peel that removes dead skin and softens calluses without abrasive filing, followed by a deep cleanse, nail care, and moisturizing using active ingredients like AHAs and vitaminrich creams.

My therapist Khristine turns up fully equipped and I install myself on the sofa. Unphased by our enthusiastic kitten, she liberates my feet from several layers of dead skin (“it’s so satisfying,” she says) and addresses all of the hard bits before filing my nails and painting them a fetching shade of orange. And she’s done in almost exaclty an hour, leaving my nails to dry in the comfort of my house. No flipflops required.

ELIM

elimspaproducts.co.uk

qandaskin.com A B S O L U T E LY m a g a z i n e s

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Per alised private home

care, delivered

with discretion...

For over 30 years, Patricia White’s has enabled clients throughout the UK to remain in the comfort of their own homes by introducing self-employed carers to assist them in maintaining their independence.

At Patricia White’s, we support our clients by introducing them to self-employed carers who can provide companionship care and domestic support tailored to meet their individual needs and preferences.

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We understand that our clients’ needs are unique and likely to vary over time.

To accommodate this, we undertake a meticulous selection process to choose only the very best self-employed carers to work with us.

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HEALTH & BEAUTY • FITNESS

SLOW MOVES Absolutely tries a Lagree class at Form Studios

By PENDLE HARTE

H

ave you done this before? The receptionist is looking encouraging.

And I have, actually, though only once and not at Form Studios' new Queensway site.

Popular in LA but relatively new to London, Lagree is a high-intensity, low-impact workout method that combines strength, endurance, core, and flexibility training.

Performed on the Megaformer (never call it a Reformer), Lagree focuses on slow, controlled movements that activate multiple muscle groups simultaneously.

Our instructor arrives and we take our positions: another difference between Lagree and Reformer Pilates is that with Lagree we're mostly standing up, and all the platforms move. Simply keeping still requires significant muscle engagement.

And be warned: this is hard. Our first

moves look simple, but they're really not, and focusing on slowing everything down requires an enormous effort.

Pretty soon I'm shaking. All my muscles are engaged and even though this is the Rookie class, I can't hold many positions for the required time. The class starts with standing leg exercises and moves onto lying leg raises with feet in weighted straps, and finishes with arm and shoulder exercises,

Performed on the Megaformer (never call it a Reformer), Lagree focuses on slow, controlled movements

where we stand on the floor and lift weighted straps. It's all very careful and precise, and the instructor corrects my poses by tiny increments to make sure they're spot on.

Lagree emphasises time under tension, helping build lean muscle, burn fat, and improve posture and balance. Unlike traditional Pilates, it integrates modern exercise science for a more dynamic, fullbody workout. It also minimises stress on joints while maximising muscular effort, making it effective for all fitness levels.

And happily, classes only last 50 minutes.

Form Studios was founded in 2014 by celebrity trainers Elissa El Hadj and Jerry Abadom, and the new Queensway studio has a dedicated Lagree space with 12 Megaformers and well-designed changing rooms, plus a small shop that's currently focusing on a collaboration with swimwear brand Hunza G. formstudios.co.uk A B S O L U T E LY m a g a z i n e s

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More community, less retirement.

Luxury accommodation, facilities, lifestyle and service.

1, 2 & 3 bedroom apartments available

To book a viewing at Battersea Place contact Sales & Marketing Manager, Ina Betsi on 0204 610 0957

Social opportunities

Concierge & maintenance

Hotel inspired facilities

Pet friendly

Next to Battersea Park

Starting price: £850,000*

*Service Charges and Deferred Membership Fees Apply.

ibetsi@batterseaplace.co.uk | www.batterseaplace.co.uk 73 Albert Bridge Rd, London SW11 4DS LIFECARE RESIDEN.indd 76

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HEALTH & BEAUTY • PROMOTION

EVERY HEART HAS A STORY

From childhood diagnosis to life-saving heart surgery GROSVENOR PLACE, CLEVELAND CLINIC LONDON HOSPITAL

HEART SURGERY AT CLEVELAND CLINIC

“I FEEL VERY LUCKY TO BE ALIVE” ADAM BACK TO LIVING LIFE AFTER HEART SURGERY

I

f it hadn’t been for a rare medical finding early in his life, Adam, now in his late 20s, may not be alive today. Diagnosed with a heart rhythm abnormality at age 14, Adam underwent a heart ablation to treat his condition. Following the procedure, post-operative scans revealed Adam was born with bicuspid aortic valve disease, a hereditary heart anomaly that would need to be monitored for the rest of his life.

Fast-forward to December 2023 — Adam’s doctors diagnosed him with leakage on the bicuspid aortic valve and mitral valve.

With comprehensive guidance by heart specialists at Cleveland Clinic London, it was clear that surgery was necessary to prevent future complications.

“I had just returned from my honeymoon when I found out I needed surgery by the end of the year,” he said. “I always knew I would need it someday but thought it would be in midlife rather than this early.”

After his diagnosis, Adam chose to have his surgery at Cleveland Clinic London because of their history of world class heart treatments and commitment to patient-first care. From there, he and his consultants collaborated to design a treatment plan that could solve his condition, without compromising his lifestyle.

Once his treatment plan was fully laid out, Adam had a successful heart surgery on 11 January, 2024. His aortic valve was replaced using a mechanical value prosthesis and the mitral valve was repaired. While recovering in the hospital’s ICU for the following eight days, Adam was astonished by their state-of-the-art facilities and the round-the-clock care he received.

Adam says his recovery has gone extremely well. His progress started with long walks, which turned to light jogs, and was able to drive after just four weeks. “I feel really healthy,” he adds.

“I’m looking forward to seeing what I can do with my healthy heart valves.”

“With routine monitoring and checkups, Adam can happily continue his active lifestyle again,” said Professor Olaf Wendler, Consultant Cardiac Surgeon and Chair of Heart, Vascular & Thoracic Institute at Cleveland Clinic London, who performed Adam's surgery. “If it wasn’t for everything that happened to me early in my life, there’s a chance I wouldn’t be here now,” Adam said. “I feel very lucky to be alive and fortunate that my initial condition led to the successful treatment of this disease.”

Thanks to Cleveland Clinic’s heart care innovations and patient-first approach, Adam’s story is a living example of how Cleveland Clinic London is advancing the future of heart care every day.

Visit ClevelandClinicLondon.UK to learn about specialised care A B S O L U T E LY m a g a z i n e s

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HEALTH & BEAUTY • PROMOTION

UPSIZE YOUR LIFE Low-maintenance homes in the centre of London with Wallacea Living

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ould downsizing be the key to upsizing your life? By decluttering and moving from a maintenanceheavy home, could you be creating the space to enjoy the freedom that your later life can bring?

Our later years are the time to put ourselves first. To focus on what brings us joy. And, according to multi awardwinning integrated retirement community operator Wallacea Living, downsizing plays a key role in achieving this vision.

The word downsizing can often feel clinical or even a little cold. But in truth, it’s not about shrinking anything.

It’s about shaping life differently.

Downsizing at Wallacea Living,

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Marylebone means having your own luxury, low maintenance, apartment, with your own front door, in the heart of London. More room for ease. For quiet mornings. For time well spent, rather than time consumed by upkeep, repairs, or the hallway carpet that really could do with replacing (but who has the energy now?).

Your new-found freedom means you have your afternoon to catch the latest blockbuster at Wallacea Living’s boutique cinema. Take up Tai Chi. Hear from an upcoming author in the library bar. Dive into the private swimming pool. Tuck into a tasting menu. Or let the family descend for your weekly Sunday lunch. Whatever your passion, there’s something to excite.

So, where to start? Take your first step by attending one of Wallacea Living’s Discovery Days. Join the team for a small

get-together and experience the lifestyle on offer at Wallacea Living, Marylebone, while gaining valuable insight and advice on how downsizing can upsize your life.

Explore. Ask questions. And get excited about this next chapter of your life!

Curious? If you would like to book onto an upcoming Discovery Day or pop in for a coffee and chat to find out more, simply call 020 3960 1000 or email enquiries@wallacealiving. com to schedule an appointment.

Visit wallacealiving.com for more information on the available one-and two-bedroom apartments, and small collection of penthouses. N.B. Full details of the apartment prices and other fees that apply are available at wallacealiving.com/fees-and-charges

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Kasia Fiszer

I N N O VAT I V E / B E S P O K E K I TC H E N S

E S P R E S S O D E S I G N .C O.U K Design Centre Chelsea Harbour, London, SW10 0XE 149 St John’s Hill, London SW11 1TQ T +44207 078 9912

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CARL HANSEN & SØN

The Carl Hansen & Søn Dining Collection spans a broad variety of dining chairs and tables. Using traditional techniques, the collection highlights simplicity, functionality, and form, with finely handcrafted detailing and easy adaptability for any environment or space. carlhansen.com

inside this section TOP 10: LIGHTS AND LAMPS p82 I N A S S O C I AT I O N W I T H

P E D R O A L M O D OVA R ’ S C O L O U R F U L I N T E R I O R S p 8 8 HOUSE TOUR: WILLOW KEMP IN CHELSEA p94 SPOTLIGHT ON INDIAN CANE FURNITURE p103 40 YEARS OF SCP p104

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G LOW UP 10 of the best...

Lamps and lights

IN THE NUDE

This striking Mono design

by Nude Glass combines blown unworked glass with a contrasting concrete socket, mixing elegance with practicality. nudeglass.com

COMPILED BY PENDLE HARTE

FLOOR SHOW

The Clore Floor Lamp was originally designed

by Tamar de Shalit for Sir Charles Clore’s 1960s penthouse and it looks just as fresh today as it would have done then. £1,190. tamartdesign.com

CUBE-ISM

Lee Broom’s brand-new portable table lamp, Chant, takes cues from the classic glass blocks originally used in 1970s architecture. Available in a variety of finishes, this is Broom’s first-ever portable lighting design. leebroom.com

OFF THE WIRE Lutris’ Monte Carlo lamp is a stylish portable piece that creates a warm glow as a task lamp indoors our outside. Its slimline Art Deco style fits with any interior and it comes in white, gold and brushed coffee. lutris.com

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H O M E | TOP TEN

CRAFT WORK Pooky has teamed up with Collaborative Craft Projects to launch a new edition of the Wonky Wave shade woven by female artists in Zimbabwe, preserving age-old skills while providing meaningful work and economic opportunity. pooky.com

MOON UNITS

FAN LIGHT

Heathfield & Co has teamed up with award-winning garden designer Pollyanna Wilkinson, that redefines portable lighting through the use of luxury materials Named after Selene, the Greek goddess of the moon, the collection includes five elegantly crafted portable lamps, each named after a Greek deity, with orb-shaped glass shades that reflect the moon’s evolving silhouette and soft ambient glow. heathfield.co.uk

Inspired by the revival of nostalgic 70’s decor, the coned silhouette of the Yuno wall lamp has lots of texture and drama. An opaque glass orb covers the bulb for a diffused effect. habitat.co.uk

HUNG UP DECO FABULOUS

Bert Frank’s beautiful Masina collection exudes charisma with its large opal cylindrical shades available in three sizes, as a pendant lamp, wall light, and table lamp.

The handblown opal glass has a fabulous Art Deco elegance. bertfrank.co.uk

A classic design based on the 15th century dutch chandeliers, David Hunt’s Flemish collection stays true to the original simplicity of the early designs, updated in contemporary paint shades. davidhuntlighting.co.uk

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CARLHANSEN.COM

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Retail prices incl. VAT.

FUNCTIONAL DESIGN

Børge Mogensen

Børge Mogensen’s functionalist approach is evident in the foldable set of table and benches created by the furniture designer in 1971. Rediscovered by Carl Hansen & Søn, the iconic designer’s outdoor table and bench set is reworked to modern sensibilities, yet remains true to the spirit of its original design.

BM1771 Table £1,502 | BM1871 Bench from £831

Flagship Store London 48A Pimlico Road, Belgravia London, SW1W 8LP london@carlhansen.com

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Monday - Friday: 10 am - 6 pm Saturday: 10 am - 5 pm +44 0 (20) 7730 8454

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H O M E | NEWS

IN THE

PRETTY THING

N E W S

V I L L E R OY & B O C H

Villeroy & Boch's Fleur is a modern reimagining of the classic floral motif, fresh, artistic, and designed to inspire.

With delicate pastels and bold floral graphics, the collection breathes new life into traditional patterns. villeroy-boch.co.uk

Updates from the industry Compiled by P E N D L E H A R T E

A WIGGLE ON FLO R EN C E M Y TU M

Handmade in London by ceramicist Florence Mytum, the Wiggle Mugs feature an abstract handle, and the colours draw inspiration from Edward Munch's palette, as seen in his exhibition at the National Portrait Gallery. npgshop.org.uk

GREEN WASH

SPIRAL TRIBE

CRAIG & ROSE

L' O B J E T

For nearly two centuries, Craig & Rose's premium paint has infused interiors with rich colour and expert craftsmanship. The 2025 colour palette is a celebration of this enduring legacy, thoughtfully curated to reflect both heritage and modernity.

At the forefront is Tapestry Green - a timeless yet contemporary shade that embodies calm and serenity. craigandrose.com

Designed with Portuguese jeweler and concept artist, Sebastião Lobo, the new Spirale Serving Set is finished with 24k gold plating and the twisted, spiral handles are inspired by the work of Alexander Calder. l-objet.com

THE BIG SQUEEZE KITC H ENAI D

KitchenAid's beautifully designed Go Cordless System is a range of powerful, cordless kitchen appliances, with just one removable battery. The new Citrus Juicer is stylish and highly efficient. kitchenaid.co.uk

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Wood craft

A look at Kaare Klint’s English Chair in the making

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aare Klint presented The English Chair at the Cabinetmakers’ Autumn Exhibition in Copenhagen in 1931. He was inspired by old English chairs from the 18th century – it was typical for him to revisit existing designs in order to optimise them. In The English Chair, Klint has masterfully used wood as a decorative element by incorporating it as a contrasting material on the chair legs and in the form of advanced intarsia on the armrests, backrest and under the seat. The back, sides and seat are made of French canework, and it takes a skilful weaver almost a week to complete just one chair.

Today, the English Chair is crafted according to the finest cabinetmaking techniques by the skilled master cabinetmakers and apprentices at The Lab, Carl Hansen

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& Son’s in-house apprentice workshop at the company’s furniture factory on Funen in Denmark. Here, the apprentices learn about original woodworking techniques and are taught to perform traditional cabinetmaking tasks such as selecting wood from the sawmill, measuring the wood up with hand-held templates, cutting the wood on a traditional band saw, working with a spokeshave, upholstery and much more. Although the design of The English Chair is refined and pared back on first glance, the complexity of the craftsmanship is incredibly high.

All the wood of the English Chair is carefully handpicked.

Each raw plank is meticulously scrutinised to find the perfect piece without any faults or cracks. When the flawless plank is found, the model templates are measured by hand and cut out from the same board. Here, the chair is made from a piece of oak which gives a Nordic, temporary expression, but the chair can be made in any wood type.

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H O M E | PARTNERSHIP

It takes almost a week to

complete just one chair After being measured, the wood is cut on stationary milling and routing machines with traditional routing templates, just like cabinetmakers did 100 years ago. The delicate intarsias are cut and fitted by hand with a block plane, which demands great precision and many small adjustments. Once the intarsia is carefully glued into the frame, a card scraper is used to ensure a smooth surface.

The chair’s frame is assembled with mortise and tenon joints by hand. Like in traditional cabinetmaking, all parts are glued together without any use of screws or dowels: a complex assembly that ensures great strength. Afterwards, the glue is left to dry before the holes for the French cane weave are drilled. It takes one cabinetmaker a full eight hours to drill a total of 300 holes by hand.

The English Chair is surface treated the traditional way, resulting in an extremely durable wooden surface with great depth and as smooth as silk. At first, the chair is carefully sanded starting from 120-grit and moving all the way up to 320-grit. Then, the grains are raised with water and intermediate sanded twice. This ensures clean pores, a soft surface and an even distribution of the oil. Afterwards, the chair is treated with the first coat of

Danish linseed oil, intermediate sanded, a second coat of oil, then sanded one last time before a coat of oil and lacquer is applied. Finally, the surface is buffed and polished with lambswool.

The English Chair is branded with a custom-made branding iron and delivered with a brass plate engraved with the chair’s unique serial number. After the surface treatment, the French cane weaving starts. It takes 14 working days to complete the back, seat and sides of one English Chair in a delicate pattern. The back and seat cushion is upholstered by hand. The anillin leather is handpicked from the finest tanneries and carefully examined for marks. Cushions are made with traditional upholstery techniques and the leather is sewn by hand on the front, back and sides.

Each English Chair is delivered with an owner certificate and a handwritten note from the CEO of Carl Hansen & Søn, Knud Erik Hansen.

CA R L H A N S E N & S Ø N Carl Hansen & Søn Flagship store 48A Pimlico Road, London SW1W 8LP carlhansen.com / @carlhansenandson_london

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H O M E | DESIGN

Pedro Almodovar has designed a collection of furniture for Roche Bobois. Here he reveals his thoughts about colour, furniture and film sets Q Where does your fascination with colour come from?

A Since I began working as a director, initially unconsciously and later with intention. When I was a child, the films that interested me were from the 1950s, particularly the late '50s, the era of Technicolour. In a way, I tried to recreate the colours of Technicolour; they were very vibrant colours, highly contrasted and explosive. Due to technological advancements, it is no longer possible to achieve those colours nowadays, as they were tied to the chemistry of the liquids used to develop the negative. But they weren’t realistic colours. They truly weren’t. Nowadays, the trend is to achieve a photograph as realistic as possible.

Q Do you have a favorite colour?

A I remember, for example, that red has always been present in my films. But green also comes to my mind, which I currently use a lot. I remember perfectly the first time I used it, in Tie Me Up! with a green sofa in which Victoria Abril appeared. That was the first time. Green is a complex colour when it comes to its gradations; you must find the right shade. Moreover, if you look closely, few women wear green, except for redheads, who require a particular setting.

There’s also another colour I’ve used a lot since the beginning, especially on walls: mustard or albero tones. We call it albero here because it looks like the colour of the sand in bullfighting arenas. I started using it in the Law of Desire, where I painted the walls of that colour for the first time,

and then again in Women on the Verge of a Nervous Breakdown. This tone pairs very well with all kinds of furniture and with the actors’ faces.

Q How do you work with a set?

A When I decide on an image that includes the wall, the floor, the furniture, and the actor, I work like a painter. For example, I never ask for just one sofa: instead I ask for two or three so I can choose. The first decision I make is the colour of the wall and the floor, since they’re large surfaces and dominate the visual composition. Once those elements are decided, I carry out many tests on the walls. Then, I bring in the furniture with different fabrics to see which colour combination convinces me the most. After that, I place the actor or actress on the sofa, trying out different costumes. It’s a threedimensional process: I work like a painter, but instead of painting with colours, I paint with objects.

Q Do you believe there’s a similarity between the decoration of a space, a house and a film scene? Is it the same kind of pursuit?

A For example, my house appears in Pain and Glory; it’s the house where Antonio lives. There are many paintings and colours, and that corresponds to the kind of colours that appear in my films.

It often happens to me that I buy a piece of furniture, a lamp, or an object that I don’t need at the time, simply because I like it, and I know it will eventually appear in one of my films. I’m constantly collecting small elements, little details, that later will be brought to life on screen.

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Q Are there any furniture styles you’re especially drawn to? A particular style, era, or design?

A Of course, it depends on the context. In the case of my films, it depends on the time period in which they’re set. They’ve almost always been contemporary or, at most, set back in the 1960s.

In Broken Embraces, for example, when I was drawn to pop, I used a red piece of furniture from Cassin, the chairs, because it was so representative of that style. Red and white are iconic colours of early 1960s pop art. Later on, pop became more complex.

On the one hand, I like clean lines, defined edges, and strong silhouettes. But within that framework, anything is possible. I try to find a coherent style.

In Women on the Verge of a Nervous Breakdown, for example, the furniture was Italian. On the terrace, there was a turquoise piece completely rectangular and very minimalist. In the 1980s, that kind of furniture was often used in bold colours, with matching cushions. Then you place the actress sitting on it, and you start composing the image.

In general, I’m quite eclectic. I like many styles, regardless of the period in which the film takes place.

The 1950s, for example, were very rich in furniture design. Even today, you can still find chairs and armchairs from that era in antique shops. I’m

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interested in everything that belongs to the pop universe. But of course, after, it all has to be mixed and depending on how you do it, the result can be entirely different.

Q How do you feel about the idea that this furniture, this collaboration will suddenly enter people’s homes, becoming part of their daily lives? How do you react to the thought of these pieces living in people´s homes?

Well, I’d love to see it. If someone decides to decorate one of their rooms with this furniture, I’d love to see who those people are living there.

Q How would you describe this collaboration?

A I believe it’s furniture you can truly live with, and there’s a very positive feeling, like a kind of joy of living in the colours and patterns we’ve used. I think that simply getting up and walking across this rug, or sitting down, will give you a certain sense of optimism. Or at least, that’s how I perceive it.

Q You once said that your interior sometimes resembles the universe of your films. Your Interior, your own house, would you say it looks like your movies or is it the other way around?

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H O M E | DESIGN

“I think that simply getting up and walking across this rug will give you a sense of optimism”

A Both. Because, for example, especially if you look at Pain and Glory, it’s my house, and you can see everything there. In other words, I live surrounded by paintings, furniture and lamps, chosen very carefully and of all the secondary elements, like wall sconces, small tables, coffee tables. All of this is essential for creating a set.

At first, I thought I would go for the serenity of a home that comes together little by little for the minimalism. But I quickly realized that as soon as I started buying furniture, the minimalism disappeared right away.

The idea of "lack" used to appeal to me (my home is very eclectic; it has many things), but of course, if I buy things, I want to place them there because I like to see them. I mean, it’s like with paintings why keep them away? No, I want to see them. In fact, I have a new house, and I think I bought it more to decorate it than to live in it and display all the paintings I’ve been collecting over the years.

A Are you also your own interior decorator at home?

A Well, you know what happens, at home, I decorate less. It’s much more relaxing, because in my house there’s a selection of the furniture used in the films I’ve made. Therefore, they don’t occupy the

same place they had in the movie. That is to say, they’re not as harmoniously arranged as they are on screen. But for example, as soon as you enter the house, you see a Jonathan Adler table, a designer I really like. You walk in, and there it is, a Jonathan Adler table. It’s not in its ideal spot. In the film I made, The Human Voice, it was perfectly placed.

But what I mean is that sometimes, in my house, the furniture I’ve used in films ends up there because I bought it, but it doesn’t have the same harmony it had in the movie, since it’s not always placed in the best possible spot. So sometimes, it kind of looks like a furniture store, a boutique.

When I was a child, well, between 15 and 20 years old, I used to walk past furniture stores, past department stores, and look through the windows.

I would dream of having all kinds of furniture, and I could perfectly imagine a house like that for myself. I mean, sleeping in one bed one night and in another the next. In fact, I once made a short film for television called Trailer for a Forbidden Lover, in which the two main characters live inside a furniture store. I thought the idea was funny. Because for me, living in a furniture store, surrounded by so much furniture, maybe even too much doesn’t bother me. And I don’t feel like I’m in chaos. For someone else, I imagine it would be pure chaos.

Pedro Almodovar's collection for Roche Bobois was unveiled at Milan Design Week 2025. roche-bobois.com

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E X C L U S I V E

C A R P E T S

A N D

R U G S

LIGHT PLAY Collection 2025 – Square Cuts & Suspense

Deirdre Dyson is a registered trade mark of Deirdre Dyson.

www.deirdredyson.com

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H O M E | TREND

BESSELINK & JONES Flat Ring chandelier, £2,117 besselink.com

REX LONDON Dip Dye Candles set Of 4, £8.95 rexlondon.com

PEUGEOT Wooden Pepper Mill, £52.90 peugeot-saveurs.com

CRAIG & ROSE Etruscan Red paint, £45 craigandrose.com

JONATHAN ADLER Miami Flush Mount, £1,095 jonathanadler.com

ROCKETT ST GEORGE Kiss Me Lips Flower Vase, £85 rockettstgeorge.co.uk

BRIGHT HABITS

Get the Almodovar look with these colourful pieces

BY P E N D L E H A R T E

HABITAT JONATHAN ADLER Portofino tray set, £98 jonathanadler.com

HABITAT Tam Tam Plastic Stool, £18 habitat.co.uk

Mid Century Geo Wool Rug, £250 habitat.co.uk

CLICK STYLE

PEPPERMILL INTERIORS

Aalya Sapphire Blue Velvet Sofa, £495 clickstyle.co.uk

EDITOR’S PICK

Ibiza Garden Chair, £45 peppermillinteriors.com

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H O M E | HOUSE TOUR

At home with interior architect (and daughter of Kit) Willow Kemp

‘I

greet most people slightly out of breath after they have climbed the stairs to the top of the building,’ says interior architect Willow Kemp of her joyful flat in the upper reaches of a converted building dating from 1884, in Chelsea’s Park Carlyle Conservation Area. ‘But I always love the look of surprise on their faces when they arrive.’

Willow – an art ambassador for her family’s Firmdale Hotels and design director at Kit Kemp Design Studio – has managed to claim an extra 0.6 m (2 ft) in ceiling height by opening up the loft space. Decorated with the flair of an artist and the knowhow of a top designer at the cult hotel brand, the flat combines her passion for collecting contemporary art (some of it fresh from graduate shows) and fascinating objects with a technical understanding of architecture.

Injected with Willow’s love of colour and pattern, the flat deploys all the practicality, space-saving tricks and sense of occasion of a well-conceived hotel suite, balancing the owner’s precision and spirited personality. This means that in a smallish space there’s room for a dining table for six; the bed is jump-up princess height; and the compact kitchen/hallway is functional and stylish enough to be in full view.

Willow’s home is fresh and liveable, with artworks that tell a story of her trips, interests and life. A connective

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“The flat deploys all the practicality, spacesaving tricks and sense of occasion of a wellconceived hotel suite”

creative thread runs through all the spaces. The rug in the living room, for example, was the inspiration for ‘One Way’, a fabric design that she worked on for Kit Kemp’s collection with the textile and wallpaper designer Christopher Farr, and which is on the walls in the entrance and up the staircase. The attention to subtle detail – pops of coloured piping, contrasting leather and a handle at the top of dining chairs, studding on furniture where two materials meet – brings added interest.

The building was originally artists’ studios occupied by landscape painters, and has a distinctive Arts and Crafts appearance, constructed from red brick with white stucco decoration to the entrance portico. ‘My flat on the top floor has a beautiful, large, full-width bay window to the east and vertical sash windows to the north and south, making it especially light and airy,’ explains Willow. ‘I love how you feel in touch with Chelsea’s past, when there was a concentration of artists’ studios.’ In the bedroom, she often paints at a 19th-century rosewood heirloom desk with delightful cardboard lamps by Biarritz artist Mimi Chanard.

The flat is a place for Willow to display her various collections, giving the space character, energy and soul.

‘When I come home from a long day at work,’ she says, ‘I love to open the door to my happy home. I often sit at the window seats I made by extending the windowsills and adding a tailored cushion. I’m up in the eaves, so the curtains swing back and are lined with a ticking fabric. I can peer over at the south-facing leafy gardens or into my open-plan living room and kitchen filled with light from the original studio window.’

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I N BR IEF Willow Kemp JUXTAPOSITION It’s all about scale and balance, and just trying out different compositions.

BALANCE I’m always playing around with my collections of objects, whether they be ceramics, a handwoven basket or a pair of timber running horses found on my travels. Each piece evokes its own memory, has its own story to tell and its own particular place, otherwise it would look disjointed and not feel right to me.

SURPRISE Pairing old and new can give an object a new lease of life. I have mixed traditional handembroidered fabrics with bold, graphic ones. I have a traditional oil painting next to a 3D timber collage of a seagull’s head. I have cut out a bookshelf to make way for a large plaster cast of a lion’s head.

COLOUR Colour makes me happy. I chose to line the walls with a neutral fabric, giving it a tailored feel, and let the happy blues and touches of red in the upholstered furniture fabrics and the artworks sing.

In my bedroom, I have chosen one of my favourite fabrics, ‘Kos’ hand-embroidered linen by Vaughan,

featuring fir cone-like details stitched in golden, bronze and earthy tones of thread.

PATTERN I have played with scale, but the spaces still feel calm. Where I have used a large-scale [pattern] repeat, it is balanced with smaller-scale ones, and plains.

TEXTURE Texture is so important. I have used linens, embroidery, leather and weaves. Different materials provide different textures: beautiful lightcoloured timber floors, and antique mirror in the kitchen splashback and behind the bookshelves.

MOOD Bright and light in look and feeling.

LIMITATIONS & POSSIBILITIES I made my flat open-plan. I was careful to make sure the curtains were designed and hung so that they maximise the amount of light inside. Antique mirror in recesses and uplit behind the bookshelves reflects light and makes the space feel larger.

ALL THINGS CONSIDERED My home reflects me and where I am in my life at the moment. I’m a happy, creative and curious person.

Extract taken from All Things Considered by Emilio Pimentel-Reid (Quadrille, £35), Photography © Edvinas Bruzas

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Marco Joe Fazio Creatives

Pink Onyx inserts

beautiful stone for residential interiors

#bringingstonetolife #interiorstone www.stone-circle.com

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H O M E | TREND

LALIQUE

LES OTTOMANS

Magnitude vase, Persepolis blue, £1,950 lalique.com

HandPainted Sicilian Head Vase, €383 fashionclinic.com

REX LONDON Large glass bottle vase, £19.95 rexlondon.com

WHERE SAINTS GO Urbi Stoneware Vase, £59 wheresaintsgo.co.uk

L'OBJET Douro vase in oat, £445 l-objet.com

O D E TO AN URN A bunch of lovely vases

CASA BY JJ Delilah Lemon Drop Bulb Vase, £144 casabyjj.com

BJØRN WIINBLAD Eva vase, £41.15 nordicnest.com

By P E N D L E H A R T E HABITAT Art Glass Stripe Vase, £18 habitat.co.uk

FLORENCE MYTUM

PETERSHAM NURSERIES

Wevy vase in orange, £135 npgshop.org.uk

Dutch Delight vases, from £25 petershamnurseries.com

YUTA SEGAWA Porcelain Cylinder Vase in Green and Lilac, £30 notjustashop. arts.ac.uk

O TL E U LY T E LY. A B SAOB LS U m aLgOaNzD i nOeNs

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Beosound A1 portable speaker

Bang & Olufsen of Ealing 17 Bond Street | Ealing | London | W5 5AP Phone & WhatsApp: 020 8840 1010

of a kind

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H O M E | PROMOTION

New Era, New Icons Style with a London soul at Cult Furniture

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ondon interiors have always danced between heritage and modernity, where Victorian cornices meet Brutalist cool, and sleek minimalism finds harmony with playful maximalism. Cult celebrates this eclectic spirit, with their latest campaign New Era, New Icons, offering elevated design without the designer price tag, and pieces that bring individuality to every corner of the home.

Born in London and inspired by global design, Cult champions accessible luxury with a bold personality. Whether it’s refreshing a corner with a conversation-starting accent chair like the Erin in monochrome stripe, or transforming an entire dining setup with the striking Toulouse Dining Table and Kenton Dining Chairs, Cult’s furniture is made to stand out - and never at the expense of comfort or quality. Its collections are curated for those who don’t just follow trends, but set their own, with timeless silhouettes, statement materials, and a sense of fun that’s unmistakably Cult.

This season, contrast is king: soft curves meet sharp lines, retro colour palettes blend with contemporary shapes, and tactile fabrics bring warmth to sculptural forms. Think boucle in speckled stone, velvets in rich earthy tones, and walnut woods paired with sleek chrome.

From the bestselling Halston chairs to the industrial-chic Presley range, every piece is designed with both purpose and personality.

At the heart of Cult is the belief that good design should be for everyone. That’s why the brand prioritises affordability without compromise. Its in-house design team creates exclusive, considered pieces using high-quality

recycled PET yarns and sustainable woods, helping customers shape stylish, consciously curated spaces.

Cult’s newly launched Garden range invites design lovers to extend their aesthetic outdoors.

The Art of Alfresco collection includes the modular Enzo, elegant Tuva, and spacious Arco lounge sets, all designed for deep lounging, with UV-protected, water-resistant materials build to weather the British summer. With a focus on both beauty and resilience, this new collection goes beyond a garden upgrade, it’s an invitation to live more intentionally.

And for Londoners juggling small spaces and big ideas? Cult’s furniture offer is designed with urban living in mind. Whether styling a city flat, suburban terrace or a home office with flair, Cult brings the confidence to create spaces that reflect the people who live in them. Cult’s showroom in South-West London is open for browsing, or the full collection can be explored online at cultfurniture.com. With fast delivery, exclusive online drops, and new arrivals launching every week, there’s always something fresh to inspire the next interior move. cultfurniture.com

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H O M E | DESIGN

New W E AV E

A new collection of cane furniture comes from Indian designer Vikram Goyal

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ane furniture has been a strong trend for several seasons – and now a new designer from India is putting a fresh stamp on the style. Cane is a timeless, sustainable material that continues to captivate contemporary designers with its eco-conscious appeal. Sourced from the outer bark of the fast-growing rattan vine, native to tropical regions like Southeast Asia, cane combines beauty with durability, offering a lightweight yet remarkably strong solution for furniture-making. Its rapid regeneration and minimal processing make it a low-impact, renewable resource.

New Delhi-based designer Vikram Goyal’s cane collection is inspired by centuries-old weaving traditions and rooted in sustainability, breathing new life into the time-honoured craft. He says: “I wanted to take an ancient craft and reinterpret it for today’s homes. It’s about finding poetry in materials, rhythm in form, and creating objects that carry both cultural memory and modern relevance.”

Viya’s design philosophy draws inspiration from Indian history, myths, and fables. With a rich heritage and a future-facing relevance, cane remains a powerful symbol of craft, sustainability, and enduring style.Dating back to the 7th century in India, cane weaving is a celebration of both artistry and nature.

Strips of rattan cane are soaked, softened, and handwoven into fluid forms — light, strong, and imbued with timeless elegance. The Viya Cane Collection honours this legacy while reimagining it through a modern, designforward lens.

COLLECTION HIGHLIGHTS

Majuli Brass and deftly woven cane come together in sinuous forms and include a range of trolleys and lamps inspired by the river island of Majuli in Assam. The flowing forms echo the rhythm of rivers and the craftsmanship of the region.

Chakra Collection Chakra features sofas, chairs, stools consoles, and mirrors in natural and black cane. Skilfully woven and knotted into ethereal creations and inspired by the energy points of the body, each piece is circular, balanced, and sculptural — evoking harmony in design and spirit.

Assam Brass & Cane Trolley A refined blend of gleaming forged brass and intricately woven cane from Northeast India. This piece highlights Viya’s signature fusion of functionality and sophistication.

Barware Collection Named after the craft- rich states of North East India, Mizoram, Manipur, and Nagaland, these ice and champagne buckets showcase hand-beaten brass meeting robust cane in a seamless blend of tradition and style. viyadesign.com

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As iconic British stalwart SCP celebrates 40 years, we take a look at the store’s achievements

C P, S h o r e d i t c h's iconic ma nufacturer a nd reta iler of contemporary design, is celebrating its 40th birthday. To mark this significant milestone, SCP is instigating a series of activations throughout the year, including new product launches from established SCP designers and from a host of new talents.

2025 will see the re-edition of a number of classic SCP designs, new products designed in response to the SCP Boxed brief, and an experimental SCP 2025 Collection of new upholstery and furniture designs.

In early 1985, when SCP founder Sheridan Coakley was on one of his regular trips to Shoreditch to re-chrome a batch of classic British PEL chairs he was selling from his Westbourne Grove shop, he took down a phone number of an empty unit for rent on Curtain Road. Little did he know, that 135 Curtain Road, would become the home of SCP for the next 40 years.

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H O M E | IN FOCUS

A pioneering and rebellious spirit, and a willingness to consider new approaches

CLOCKWISE FROM TOP LEFT • Bertha_armchair, Donna Wilson for SCP, 2013 • Sum shelves by Peter Marigold for SCP • Solstice sofa by Matthew Hilton for SCP, 2015 • Finetime Clock by Farrow Design for SCP, 2003 • Balzac armchair and ottoman, Matthew Hilton for SCP, 1991 • Side tables, Jasper Morrison for SCP, 1986

SCP founder Sheridan Coakley in a shoot for Elle Deco, circa 2001

Opening later in 1985 with a groundbreaking exhibition of new designs by Philippe Starck, which had fi rst been shown at the beautiful Café Costes in Paris, Coakley started as he meant to go on: with a pioneering and rebellious spirit, an outward-looking perspective, and a willingness to consider new approaches to designing products.

All of these values are still inherent in SCP, and for 2025, a host of collaborations and happenings will bring the company’s complicated and idiosyncratic story to life.

SCP is guided by the idea that good design can improve the world around us. A pioneer in the modern British design scene, SCP are known for taking traditional typologies and reinventing them for the modern era. SCP designs have a classic understated elegance, with good style and line. They are all made to exceptionally high standards from natural materials, using both traditional methods and advanced manufacturing techniques.

SCP’s specialist factory in Norfolk is where all the

upholstery is made, it is here that a small, dedicated team of woodworkers, pattern cutters, upholsterers and product developers create the designs. The factory is a leading exponent of sustainable upholstery making in the UK, and their understanding of the complexity of each design is what makes the quality of the work so good.

The process of developing and launching new designs every year for 40 years is a truly remarkable undertaking, especially when considering just how many pieces don’t get much further than the prototype phase. The SCP Classics programme for 2025 sees SCP review the entire archive of designs, make a selection of suitable pieces, and then work closely with the designers to re-visit the original designs with the aim of bringing them back into production in 2025. The first design to be reintroduced will be the Jasper Morrison Sofa, first launched in 1988.

Initially launched to critical acclaim in 2009, the SCP Boxed Collection invited designers to develop smaller pieces, based on the maximum size of a DHL A B S O L U T E LY m a g a z i n e s

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CLOCKWISE FROM TOP • Peter Marshall, Shoreditch, Curtain Road, 1987 • Hoop Daybed, Tom Dixon for SCP, 1998 • Mono tables by Konstantin Grcic for SCP, 1995 • Pel Tubular Steel Chair, reissued and produced by SCP, 1985

international shipping box (480 x 400 x 390 mm).

Or more loosely, a design that can fit in a box that you can carry out of the store (or more commonly these days - ship easily via ecommerce).

For 2025, SCP is inviting a number of designers to relook at the same Boxed Collection brief. With both designers in the current SCP stable, and a host of new names who have never worked with SCP before, undertaking the brief. They are not restricted by material and the expectation is that a range of different product typologies will be created. Items such as side tables, coffee tables, stools, wall hooks, shelves, mirrors, tableware, desk accessories, along with table and kitchenware.

SCP puts a strong focus on developing fully sustainable upholstery designs, and in 2023, for the first time ever, they launched a 100% foamfree upholstery collection from its specialist upholstery factory in Norfolk, which has become one of the leading proponents of sustainable upholstery making anywhere in the UK. For 2025, SCP is set to continue this strong thread of sustainable product development, with the launch of a dedicated collection of new upholstery designs

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MAKI N G PERI OD HOMES WA RMER SI N CE 2010 MAKI N G PERI OD HOMES WA RMER SI N CE 2010

‘Our ‘Our sash sash windows windows were were stuck stuck for for years effortlessly! years – – now now they they glide glide effortlessly!

‘We thought we’d never get them open again, but Mitchell & Dickinson ‘We thought we’d never get them open again, but Mitchell & Dickinson restored them beautifully. Now, fresh air flows through our home in restored them beautifully. Now, fresh air flows through our home in summer, and it’s warmer in winter too.’ Mr & Mrs Ansell summer, and it’s warmer in winter too.’ Mr & Mrs Ansell

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Contemplation Stone XXI

CAROLIN RECHBERG

Porcelain Sculpture 43 x 15 x 14 cm 2021

carolinrechberg.com

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H O M E | GARDENS

A L F R E S C O ALL YOU NEED FOR STYLISH OUTDOOR DINING

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DINNER GAMES C O R N I L L E AU

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This might not look like a billiard table –but remove the tabletop and that's what it is. French brand Cornilleau's clever outdoor games tables convert into dining tables.

Ping pong after dinner? Why not. cornilleau.com

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TA B L E M A N N E R S H A B I TAT

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Habitat's Hania outdoor dining table and chairs are built to last in solid wood, with curved details for comfort and elegance.

Waterproof cushions add to the practicality of the set. habitat.co.uk

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N I C E S E RV E M O N O WA R E

Outdoor dining is all about salads, whether they're accompanying barbecued meat or acting as the main attraction. Monoware's beautiful new wooden salad servers are a stylish addition to your outdoor table. monoware.com

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SUN SHADES

E A S T L O N D O N PA R A S O L S

Six limited edition handmade bamboo parasols have been designed in collaboration between Celia B and East London Parasol Company. The patterns are hand drawn by Celia Bernardo, and lined with parachute fabric. eastlondonparasols.com

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PRETTY THINGS ANNA + NINA

Anna + Nina's SS25 collection ranges from playful ceramics to frilly striped cushions, all full of character and dutch charm and designed for pretty outdoor settings. domesticsciencehome.com

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London, Putney: 143-149 Lower Richmond Road, Putney, London, SW15 1EZ | t. 0208 785 1960 London, Primrose Hill: (opening soon) Railway House, Whittlebury Mews, London, NW1 8EQ

kitchenarchitecture.co.uk

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H O M E | PARTNERSHIP

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resh from being the official House Partner of Grand Designs Live, Atkin and Thyme is stepping into the season with a new collection that captures everything the brand is known for – quality craftsmanship, thoughtful design, and a focus on pieces that feel special while fitting effortlessly into your décor.

From statement coffee tables to outdoor lounge sets built for real living, Atkin and Thyme designs with both function and form in mind. Every piece is made in small batches using carefully selected materials – from fluted woods and marbles to textured fabrics and soft-touch finishes. Whether it’s a contemporary take on a classic silhouette or something with a subtle vintage feel, the brand brings together detail, proportion and material in a

Introducing Summer 2025: effortless style from Atkin and Thyme

way that feels considered but never overdone.

This summer, the Westbourne Collection sets the tone indoors. A circular coffee table with a dark mango wood fluted base and forest-green marble top, it’s designed to sit beautifully in both modern and traditional spaces.

It’s bold, but never overwhelming. The marble brings a rich, tactile surface to any room, while the craftsmanship of the wood base adds texture and warmth.

Pair it with the matching dining table for a cohesive, elegant look that flows across open-plan spaces.

Outside, things are just as well thought through. The new Valentina Lounge Set is designed with generous proportions – something that sets it apart from most outdoor furniture. A sage-green powdercoated aluminium frame supports wide armchairs, a three-seater sofa, and a matching coffee table. Soft curves and

weather-resistant cushions make this set a practical and comfortable choice for long afternoons in the sun, or relaxed evenings with friends.

And if you’re after something a little more playful, the Karla Sunlounger returns this season with a new striped cushion in a limited-edition finish.

Part of the much-loved Karla collection, it’s crafted in a soft-toned Ever Weave with a realistic rattan-style texture. The classic shape and durable design make it ideal for balconies, terraces or garden corners – especially when paired with the matching side table.

From indoor statement pieces to relaxed, high-quality garden furniture, Atkin and Thyme’s Summer 2025 collection is all about easy elegance – designed to be used, loved and lived with.

Visit atkinandthyme.co.uk to browse the full range A B S O L U T E LY m a g a z i n e s

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Pushing the boundaries with

PREMIUM TILE & FLOORING DESIGN Pushing the boundaries with

PREMIUM TILE & FLOORING DESIGN EXPLORE BESPOKE DESIGN: EXPLORE Transform your home for BESPOKE the season with our new beautifully crafted DESIGN: waterproof wall panels Transform your home for the season with our new beautifully crafted waterproof wall panels

Carefully curated collections of more than 15,000 exceptional quality tiles for floors & walls inside & out, engineered wood flooring & luxury vinyl tiles & planks at affordable prices Explore every design possibility online or visit our| dedicated Ascot | showroom

The Old Fire Station, 67 High Street, Ascot, Berkshire, SL5 7HP | 01344 620211 | www.hyperiontiles.co.uk

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H O M E | PROMOTION

FORM MEETS FUNCTION

Battersea based Onestà is a high-end, multi-discipline studio delivering bespoke spacial design for the whole home

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or this recently completed residential project in Islington, co-founder Daniele Brutto and the in-house design team created bespoke designs for two bathrooms, the dining room and the kitchen.

A typical UK galley kitchen is compact in size so it is really important to ensure maximum functionality. Daniele and the team thoughtfully designed this modest space to create a sleek kitchen that is both functional and aesthetically pleasing.

Using The Cut Kitchen’s matt lacquer finish on one side breathes life and light into the space, creating the illusion of width and height. Thoughtfully positioning The Cut Kitchen’s Knotted Oak finish directly opposite grounds the design and introduces a sense of warmth and homeliness.

The addition of the granular Atlasplan Kone Grey worktop unites the two and completes this understated design.

Architect Alasdair Mckenzie from Studio Jam created a larger footprint for the kitchen by opening up the basement. He also introduced double doors with glass windows that overlook the relandscaped garden, further creating an illusion of space.

Onestà achieved a seamless transition from kitchen to dining room by continuing the traditional Knotted Oak and Kone Grey finishes on the dining room fitted furniture. The space has been modernised with custom-made The Cut Kitchen’s Zen glass door cabinets, with powder coated metal frames and integrated lighting.

Working with Annabel Stringer from Stringer Interiors, Onestà also designed two vanity units, along with wall storage units and a room divider

for two bathrooms.

The first was completed with an elegant washstand. The L’Ottocento vanity unit in Timo Matt Lacquer topped with a durable white quartz composite stone worktop takes centre stage. The semi-recessed mirrored wall units in L’Ottocento’s Open Pore Grigio Ombra lacquer, reflect light and conceal functional and clever storage features.

The second features another robust vanity unit, this time finished in L’Ottocento’s Frassino Chiaro to create a more natural and traditional ambience. The star of this bathroom is a bespoke designed divider that conceals the functional shower screen, adds character and brings the design together. Both vanity units are designed with elevating tapered timber legs and sleek mitred doors with handleless drawers to simplify the overall look and tie both bathrooms together.

Every space Onestà creates is unique and exceptional, with an emphasis on cohesive furniture design for kitchens, bedrooms and bathrooms. With the client at the heart of every project, Onestà represents the very pinnacle of product and interior design, bringing a level of detail rarely seen.

With an emphasis on bringing together function and style, co-founder, Daniele Brutto, and the in-house design team combine exquisite Italian materials with inventive design solutions to bring clients’ visions to life through meticulously crafted fitted furniture. onesta.design 02079242285 info@onesta.design @onesta.design

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Relocation Clearance O U R O X S H O T T S H O W RO O M I S R E L O C AT I N G S U M M E R 2 0 2 5 Massive savings, everything must go!

01372 841 730 | 1 High Street, Oxshott, Surrey, KT22 0JN |

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H O M E | PROMOTION

In the FRAME Steel-framed Crittall Windows are a stylish and practical choice for period properties

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t would be no exaggeration to say that the Royal Borough of Kensington and Chelsea contains some of the finest historic residential and commercial buildings in the UK. They are a reminder of craftsmanship from another age and represent a different pace of life; one that many homeowners are keen to preserve.

Yet as years pass and lifestyles evolve, there’s a growing need to update these spaces with comfort, efficiency and longevity in mind.

Windows and doors are central to this. They shape the look and the feel of a home, and when it comes to restoration, it’s the details that matter. Steel-framed windows and doors, the height of style for early 20th-century buildings, are an essential feature worth retaining. But time takes its toll, and many original frames no longer meet today’s standards of energy

efficiency or weather resistance.

This is where companies like Crittall Windows, pioneers of steel window manufacture for close on two centuries, provide a fitting solution. Their modern steel windows and doors stay true to the original spirit of their slim, stylish designs, while offering improved thermal performance, strength and longevity. For listed buildings or those in conservation areas, the ability to match original sightlines and profiles is invaluable.

Modern Crittall frames are precisely engineered to blend seamlessly with existing architecture.

They bring light into a home thanks to their signature slim profiles and generous glazing. They’re also designed to last: galvanized and powdercoated, with a lifespan of more than six decades.

With bespoke finishes available in a wide range of colours, homeowners can tailor the look while staying sympathetic to the property’s heritage.

It’s not just the exterior that benefits. Inside, Crittall-style doors and partitions can introduce light-filled spaces with a clear sense of definition.

They’re particularly popular in open-plan layouts, providing both flow and flexibility without compromising a home’s character.

Restoration is about preservation while making old buildings liveable and loved again. By combining classic design with contemporary performance, Crittall steel windows and doors offer the many heritage homeowners in our area a quiet transformation: respectful, enduring and beautifully in tune with the original vision. crittall-windows.co.uk 01376 530 800 A B S O L U T E LY m a g a z i n e s

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D O O R

POLICY

Ten things to consider when replacing windows and doors

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here are many reasons you might want to replace windows and doors in your home from reducing drafts, improving heat insulation to home improvement and renovations. With thoughtful consideration and the help of an expert, such enhancements can increase the value of your property and ensure a long-lasting investment. For this reason, we introduce you to Ayrton Bespoke, experts in period replacement timber doors and windows. Ayrton specialise in accurately replicated sash or casement windows and individually made front and back doors that will enhance

the character of your period home. They have an impressive reputation with more 5* Google Reviews than any other timber window and door company in London.

Before you invest in new window or door replacements, have a look at Ayrton’s 10 important decisions for window and door replacements: • Buy from a local window specialist (not a builder – they don’t make windows and doors) • See the products up close before you buy • Property is valuable – use timber – and accurately replicate the original features • Don’t buy on price – buy cheaply and you will pay twice • Look for comprehensive guarantees

• See examples of local work – even talk to an existing customer • Good windows and doors take time to make – allow 12-14 weeks • Expect answers on the detail – what is the design process, do you have a showroom, are your fitters employees? What aftercare can we expect from you?

• Make sure the company also fits the windows and doors and does NOT subcontract • Check out their Google reviews Ayrton Bespoke is London’s leading period timber window and door replacement company. Visit their showrooms in Wandsworth, Crouch End or Dulwich. ayrtonbespoke.com

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SOCIABLE

LIVING

How Kitchen Architecture’s individual approach – combined with a minimal aesthetic – created an elegant and functional kitchen for a family that loves cooking, socialising and entertaining

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H O M E | PROMOTION

A PHOTOGRAPHY: DARREN CHUNG

n impressive island creates a sleek stage for living in this beautiful, minimal family kitchen. The client’s love for cooking and entertaining as a family was a key consideration in the design process and this kitchen, crafted to be elegant and highly practical, has ample storage to meet their needs.

Kitchen Architecture worked closely with Lewandowski Architects to bring the concept for the new living space to life and ensure a seamless flow between the kitchen and the connecting indoor and outdoor spaces. The impressive island in anthracite and stainless steel adds to the minimal aesthetic kitchen, creating a stage for life.

The bar formed from the stainless-steel work surface provides an informal social and dining spot. From the island, the cook can socialise with ease while enjoying stunning views through the floor-to-ceiling glazing.

THE VISION: SLEEK, MINIMAL, AND PRACTICAL The clients, a couple with two adult children, envisioned a kitchen seamlessly blending into their living space. They wanted a design more akin to bespoke furniture than a traditional kitchen, allowing it to integrate effortlessly into their home. The result is a sleek and minimal space, achieved through Kitchen Architecture’s high-end materials and calm colour tones, ensuring both style and practicality.

KEY DESIGN ELEMENTS Ths beautiful Kitchen Architecture kitchen features bulthaup furniture in anthracite, selected for its soft

and smooth appearance. This finish interacts beautifully with the natural light that floods the space, thanks to the almost fully glazed rear elevation. Stainless steel worktops add a timeless touch, creating a seamless and expansive work surface that is practical and visually striking.

LAYOUT AND FUNCTIONALITY A meticulously planned layout improves the space’s functionality and aesthetic appeal. A long kitchen island serves as the central hub. The tall appliance block, featuring Gaggenau ovens and a Bora hob with downdraft extraction, is recessed to maintain a sleek profile.

ARCHITECTURAL HARMONY Working closely with Lewandowski Architects, the kitchen design complements the home’s modern architectural style with the almost entirely glazed rear elevation maximising the connection to the grounds and enhancing the sense of openness and connectivity.

CRAFTSMANSHIP AND ATTENTION TO DETAIL Using high-quality materials and intelligent storage solutions ensures the kitchen is beautiful and highly functional. Hidden storage within the extended-height tall units and the unobtrusive downdraft hob adds to the minimalist aesthetic. kitchenarchitecture.co.uk; 020 8785 1960 Kitchen design by Kitchen Architecture Architects: Lewandowski Architects Photos: Darren Chung

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H O M E | PARTNERSHIP

HEART OF THE HOME THREE COMPANIE S WHO WILL REVITALISE YOUR KITCHEN

WEST LONDON KITCHENS

OLIVE & BARR

OLIVE & BARR

oliveandbarr.com The rise of slim shaker cabinetry has been a notable budding trend, reflecting the shift towards understated luxury in kitchen design. This growing movement highlights a desire for simplicity, elegance, and functionality in equal measure. Olive & Barr and their latest Skinny Shaker are at the forefront of this trend. The newly launched range is a refined, contemporary twist on the much-loved Shaker kitchen.

Featuring a slim 40mm frame on the cabinet with a 20mm frame on the Shaker doors and concealed hinges, the design brings a fresh sense of lightness and sophistication to any space.

WEST LONDON KITCHE NS

westlondonkitchens.com Schuller’s beautiful modern take on the classic Shaker style brings timeless elegance and charm to your kitchen with all the benefits of award-winning German design and manufacturing, together with the convenience of modern versatile solu-

EBA MARYLEBONE

tions. West London Kitchens has been designing and installing stunning bespoke Schuller and traditional English kitchens all over London and the South East for over 15 years. They specialise in creating real kitchens for real families, looking for the best options for their homes at family friendly prices. Much of their business comes via word-of-mouth recommendations from happy clients, and their builders, architects and interior designers.

They’re proud of their reputation and their customer service is second to none.

E B A M A RY L E B O N E

ebaillinteriors.com Tucked away in the heart of London’s design district, eba Marylebone is a new destination for those who believe

the kitchen is the true soul of the home.

Blending the elegance of living spaces with the precision of kitchen design, the showroom offers a carefully curated selection of furniture and interiors. At the heart of the space are kitchens by Santos, the Spanish brand known for its clean lines, tactile materials and clever design details. Think plinth drawers that reclaim hidden storage space, sleek pocket doors that disappear with a gentle push, and beautifully organised drawers that turn everyday gestures into a pleasure.

But eba is more than a showroom—it’s a space to imagine, explore, and bring projects to life. Whether you're a homeowner planning a renovation or an architect looking for tailored support, the team offers expert guidance.

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Olive & Barr Handmade Kitchens

131 Lavender Hill, London, SW11 5QJ 0345 154 0151 www.oliveandbarr.com Olive n Barr.indd 126

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H O M E | PARTNERSHIP

Biophilic Beauty

Wren Kitchens & Bedrooms explores the calming kitchen trend taking root this summer

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ature is making its way into the heart of the home. As interiors shift towards a softer, more natural aesthetic, biophilic design is fast becoming one of this summer’s standout trends. It’s a style rooted in organic textures, earthy tones and greenery, making the kitchen an ideal place to bring it to life.

From calming colour palettes to tactile materials and clever use of light, it’s all about creating a space that feels connected, comfortable and easy to live in.

And with the opening of a new Wren showroom on Chiswick High Street this June,

it’ll soon be even easier to explore the look and start planning your own space.

SHADES OF THE NATURAL WORLD When it comes to creating the perfect biophilic vibe in your kitchen, the right colours can make all the difference. Choose soothing, nature inspired hues like pebble grey, sage, leafy green and warm neutrals. For a little extra warmth, accent colours like terracotta, blush or rust can add a touch of earthy charm. If you have a smaller kitchen, a warm white will mimic natural light and help open the space, especially when paired with natural textures like wood.

TEXTURE SETS THE TONE Texture is just as important as colour when creating a natural, tactile space. Think the raw beauty of wood grains, the cool, earthy feel of stone finishes, and surfaces that invite touch and draw you in. Solid timber worktops add instant warmth and texture, or choose granite and quartz for something a bit sleeker that’s still grounded in nature.

LIGHT, AIR AND FLOW Biophilic design embraces natural light and open, breathable layouts. Let daylight pour in through bare or lightly dressed windows, keeping the space feeling bright and fluid.

In rooms with less natural light, consider warm-toned LEDs or try adding mirrored splashbacks or glossy tiles to maximise and bounce light around the room. Layered lighting also helps create a softer, more natural glow that mimics the shifting hues of daylight.

FROM INSPIRATION TO INSTALLATION Whether you’re looking to embrace biophilic design or simply want a kitchen that feels considered and calm, working with a designer can help bring your vision to life.

Wren Kitchens & Bedrooms opens its doors on Chiswick High Street this June, offering free consultations with expert designers who can guide you through colour choices, layout options and natural textures, helping you create a space that feels as good as it looks. wrenkitchens.com A B S O L U T E LY m a g a z i n e s

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H O M E | PROMOTION

luxury P R A C T I C A L

stoneCIRCLE’s guide to using stone in your home

S “A design statement as well as a practical area for family life”

teve Vanhinsbergh, director of stoneCIRCLE, talks us through the different types of stone, how best to use them and the areas of the home best suited for each type.

A NATURALLY STUNNING KITCHEN Whether natural or man-made, stone worktops combining practicality and good looks.

The latest trends are for extra-large islands with seating areas combined, often in two contrasting stones, making a design statement as well as a practical area for family life and entertaining.

Granite is an excellent choice for kitchen worktops – its durable good looks vary from show-stopping figured granites to more subtle speckled types. Granite can withstand acidic spills and strong cleaning products, as well as the wear and tear of time.

Quartz is a man-made stone with more regular patterning, perfectly capturing the combination of stylishness and practicality that a modern kitchen requires.

The other man-made option is sintered stone. Brands such as Dekton are exceptionally resistant to UV light, frost and abrasion, making them ideal for kitchen surfaces. Add a granite or limestone floor for the finishing touch.

A SENSUOUS BATHROOM HAVEN Naturally waterproof, stone lends itself to bathroom use. Marble is a classic choice for vanity tops, walls and floors. It can be as eyecatching or as subtle as you want, as marble is available in a wide range of colours; from soft creams and beiges, via vibrant greens and reds, to wonderfully contrasting white and black shades. Use a light coloured marble with a soft vein to create a calming haven, or opt for heavily veined book matched marble slabs and transform the walls and floors into works of art.

Onyx, a beautifully translucent natural stone, is perfect for creating an eye-catching vanity top or basin.

LUXURIOUS LIVING SPACES Stone flooring is a practical, durable choice that can be used throughout living spaces and continued up the staircase. Limestone or travertine creates a traditional homely feel, whereas polished marble makes the house feel much grander, especially when different colours are inlaid creating intricate patterns.

Stone fireplaces make for a striking feature wall in your living space. Limestone and marble are popular: pick one with fossil inclusions for a beautiful statement piece.

The list goes on – tabletops, bars, bookcases, swimming pools, statues can all be made in stone. stoneCIRCLE has been fabricating stone for interiors since 1968, working with top architects and interior designers. They have their own teams of installers working across the south of England fitting the stone they fabricate.

For more information on stoneCIRCLE’S range of stone and services, visit stonecircle.com or call 0125 685 0380.

A B S O L U T E LY m a g a z i n e s

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CHOOSE YOUR IDEAL STYLE AND COLOUR

Sleep well

How Jensen Beds can help you customise your dream bed

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H O M E | PARTNERSHIP

A

good bed is one of the most important investments you’ll ever ma ke. The Nor we g ia n-made Jensen Beds design theirs with passion and science, so you wake up rested every day.

A Jensen bed is always a personal choice. In fact, there are more possible ways to combine their different set ups than there are people in the world.

Explore all their different bed types, spring systems, textiles, headboards, legs and other accessories to create your custom made sleep experience.

SLEEP COMFORT ALWAYS COMES FIRST One important feature with Jensen beds is that the mattress tension can be individually chosen, even in double beds, without any gaps or disturbing hard edges between you and your partner. This lets you fine tune your sleep comfort to your body’s requirements, regardless of who you share the bed with.

CUSTOMISED BY YOU Combine your favourite textures, colours and accessories into a bed that is fully tailored to your taste. The Jensen website is your starting point to exploring the endless possibilities to make your sleep experience truly yours.

EXPLORE BEDSIDE TABLES The bedside table is both a piece of furniture and a practical surface for everything you want close at hand without having to leave your bed, such as the Eicon bedside table, which combines style and practicality, offering a solid wood surface for everything you need close by, available in oak, white washed, and black finishes.

EXPLORE LEGS You can adapt your Jensen bed with bed legs in several different models and materials. It gives you the opportunity to make your bed fit perfectly with the decor in the bedroom.

DISCOVER HEADBOARDS Complete your bed with a nice headboard. Jensen Beds’ assortment is available in different designs, from classic to modern so you can find something that suits your interior design style.

TEXTILES Jensen Beds offer a wide range of highquality fabrics and colour tones, allowing you to customise the bed to match your personal style and bedroom.

For over 75 years, Jensen Beds’ purpose has been to help people improve their sleep. The team developing their beds has expertise in physiology and sleep science. Innovations such as Jensen Exact Comfort Adjustment, their unique zone system, and the Aloy® spring system all contribute to better sleep comfort, limiting the need to wake.

Because the less disruption you experience during sleep, the more rested you will be in the morning.

Discover more at jensen-beds.com A B S O L U T E LY m a g a z i n e s

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HOME • PROMOTION

“Everything we do is designed around the unique fabric of your home”

PERIOD HOMES

Discover how Mitchell & Dickinson are future-proofing historic properties across the south of England

P

eriod properties, whether in busy cities or bucolic country landscapes, are often admired for their craftsmanship, character and enduring charm, but they rarely meet modern standards of energy efficiency.

Specialists in sensitively upgrading listed and historic buildings, Mitchell & Dickinson transform draughty, heat-leaking homes into warm, efficient spaces, without compromising their heritage. Their bespoke solutions bring together modern performance with traditional aesthetics.

At the heart of their offering is the awardwinning CosyGlazing system – a discreet form of secondary glazing specifically designed for period properties. Fitted using magnetic tape, the panels are virtually invisible, entirely reversible, and reduce heat loss through windows by up to 70%. When combined with expert draught proofing and careful

restoration of original windows, including sash and casement repairs, the improvement in comfort is immediate and lasting.

But glazing is just the beginning.

Mitchell & Dickinson offer full-property insulation packages, including natural sheep’s wool insulation for lofts and floors, insulated and plantation shutters, UV protection for furnishings, vacuum glazing, and shutter and window restoration.

Energy-saving solutions are tailored to each property’s requirements. Experienced teams of surveyors and craftspeople work with homeowners at every stage to make sure the materials, techniques and finishes complement the building’s character.

“Everything we do is designed around the unique fabric of your home,” says managing director Tom Coles. “We relish the projects that other firms can’t or won’t take on.”

Beyond comfort, the numbers also make sense. Many clients recover their investment within five years through lower energy bills, with typical returns over 10%. And most households cut their annual carbon emissions by more than two tonnes, on average.

Trusted by prestigious organisations like the National Trust, The Crown Estate and the Duchy of Cornwall, Mitchell & Dickinson’s reputation is built on craftsmanship, innovation and results. From Georgian townhouses and Victorian terraces to rural manors and country cottages, Mitchell & Dickinson help make period homes warmer, more efficient and a pleasure to live in. mitchellanddickinson.co.uk

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HOME • PROMOTION

“Fraudsters don’t just fake the voice— they pair it with personal details”

media posts, company bios, leaked data, and even online calendars. The result is a sense of urgency wrapped in total familiarity.

WHY HIGH-PROFILE HOUSEHOLDS ARE PRIME TARGETS

THE CLONE

on the line AI-generated voices are draining British bank accounts – here's how to protect yourself

I

t starts with a call during dinner and a voice you know well—your partner, slightly frantic: “I forgot to pay the builders—can you send £4,000 now before they down tools tomorrow?” Or perhaps: “My wallet’s gone—can you send £1,200 so I can settle the hotel bill?” In the flurry of concern, it’s easy to miss the faint digital flatness that signals a fake.

Criminals no longer need Hollywood budgets to counterfeit a voice. A 30-second clip lifted from Instagram, a podcast, or even a voicemail greeting is enough to train a cloning engine that costs less than a London taxi fare. This isn’t speculative tech—it’s cheap, convincing, and already hitting British households.

Police alerts issued this spring confirm the tactic is moving beyond boardrooms into private homes. Action Fraud has logged a growing number of UK cases this year, several involving six-figure losses.

Earlier this year, a UK journalist used a £15 voice-cloning app to mimic her own voice from a short TikTok clip. She then sailed through her bank’s phone security.

And in one of the most audacious examples to date, a global engineering firm’s Hong Kong team wired £20 million after joining a video call that looked—and sounded— like their London-based CFO. It wasn’t.

Part of what makes these scams so effective is the context. Fraudsters don’t just fake the voice—they pair it with personal details lifted from public sources: social

• Abundant audio footprints – Gala speeches, podcasts, livestreams, and social videos offer ideal material.

• High-value transactions – Whether settling school fees or acquiring art, large sums often move quickly on verbal instruction.

• Constant availability – Late-night calls or rushed requests don’t feel unusual in fast-paced, high-net-worth households.

Cloned voices are already being used to authorise payments, impersonate advisers, and even override voice-activated security systems linked to smart homes and gates.

FIVE HABITS THAT DISARM A CLONED CALLER • Agree a spoken code phrase for any instruction involving money, alarm access, or urgent logistical changes. Rotate it quarterly.

• Break the channel. If a request feels pressured or off-script, hang up and redial a known number.

• Trim your public audio. Share edited clips instead of full-length talks.

• Brief the circle. Staff—nannies, drivers, PAs—should follow a clear protocol: no voice-only request is valid without secondary confirmation.

• Layer authorisation. Ask your bank or broker to enable app-based approvals or geo-fenced push notifications. These are often available, but not by default.

Technology will keep improving, but human instinct remains a powerful line of defence.

A pause, a callback, and a simple phrase known only to a trusted few can stop even the most convincing clone. In an age where your voice can be duplicated for pennies, trust the relationship—not the ringtone. valkyrie.co.uk A B S O L U T E LY m a g a z i n e s

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H O M E | PROMOTION

CLOCKWISE FROM LEFT: Awoken by the warming Sun; The dying and ascending self-sheddings skins to rise to life; The Language of Paint; Finding Stillness in the Inner Chaos

Art

A S A SAG E Artworks as a path to the recognition of alert and aware Presence

W

hile artworks function as accents or intriguing, beautiful objects, the seek and representation of Carolin Rechberg’s work is also, ‘a call to awareness to a conscious presence’. A notion in her art is to stimulate an alertness through sense experience, which to her transfers to the behaviorism of the individual with life. The idea is that the encounter with art and its processes translates to an awareness of observing, of perceiving, of engaging with the experience of the moment.

Rechberg’s artworks often spring from the ephemerality of the moment and speak to the importance of being attentive and alert. This is reflected in her ‘eye’. The demeanour with which she arrests images in her photography, the exploration of her marks in carving relief prints, or in the allowed freedom of gestural and performance focused painting, result in works which ring from the experience with the artist's hand and presence.

They are an embodiment of her whole persona, a continuum to her research in

the engagement with the material and inmaterial.

Rechberg originates from Starnberg, Germany, and in her higher education has attained an Individualised Bachelor of Fine Art from the California College of the Arts. To pursue her studies of art further she attended the San Francisco Art Institute where she received her Masters in Drawing and Painting. While continuing her interdisciplinary focus, she taught as a Teaching Assistant to Jeremy Morgan in Advanced Drawing and Painting. Through the recognition of art as a vehicle to a greater understanding of life, its systems and patterns at work both in the natural and human world, and the importance and beneficial multi-sensory encounter in the process of art, Rechberg pursued a second Master of Art and Art Education

“It is important how we are as human beings”

at Teachers College Columbia University.

There she also managed the Printmaking Studios for an in-depth specialisation in the printmaking processes and assisted Dr Mahbobe Ghods in the courses of Etching, Lithography, Relief Print and Silkscreen.

Resonance she found in ‘The Making and Knowing Project an initiative from the Center for Science and Society at Columbia University’ led by Professor Pamela H. Smith, ‘that explores the intersections between artistic making and scientific knowing.’ Rechberg’s work has been exhibited and published internationally, and spans the mediums of ceramics, drawing, illustration, installation, music, painting, performance art, photography, poetry, printmaking, sculpture, sound and voice work.

She is currently establishing her independent Art Studio and Business in Murnau am Staffelsee, Germany.

Rechberg’s artworks can be seen on her website, and she will launch a new online shop later in the year to share new art, as well as her body of work from the last 20 years. carolinrechberg.com A B S O L U T E LY m a g a z i n e s

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TRAVEL

TRIP OF A LIFETIME BADEN -WÜ RT TE MBE RG

The best way to experience a holiday in Southwest Germany is with all your senses – from stunning natural landscapes to delicious local cuisine, via a road or train trip. We set out on a special excursion on page 146.

Granada: a magical city 142 • On the food trail in Florence 152 A B S O L U T E LY m a g a z i n e s

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Locally S L O W

ROOFTOP, PALACIO GRAN VIA

Taking advice from the locals on a visit to Granada

T

By PENDLE HARTE

he first paradox of tourism is that nobody wants to feel like a tourist. Even as we queue among crowds of other tourists at the world’s most beautiful spots, we all want to feel that we’ve somehow discovered something that not everybody knows about. Another paradox is that guidebooks recommend places on the basis that they’re authentic places where locals go – leading, of course, of course to these lovely places being invaded by tourists and so losing the atmosphere that gave them their appeal in the first place. C’est la vie, perhaps. So when I meet Ismael Harb Vera, author of Locally Slow: A local opinionated guide to Granada, I’m wondering if he’s really thought it through. His beautifully designed book with its lovely photography is a guide to all his favourite places in the city where

he grew up and currently lives, and for which he has a huge passion. Isn’t he worried that he’s on a path to destroy the thing he loves?

But of course, tourism’s not new to Granada.

In fact you could credit tourism for rescuing the wonderful Alhambra from dereliction after American visitor Washington Irving brought it to the attention of the world in the early 19th century. But we’ll come back to that. We’re very lucky to be introduced to Ismael by an old friend of his, who is manager of Palacio Gran Via, the hotel where we’re staying. It’s one of only a handful of five star hotels in Granada, located in the centre of town in a former bank headquarters that was itself formerly a grand residence. It’s an intimate and stylish place, its main claim to fame being a spectacular rooftop with wonderful views over Granada and its famed Alhambra (and almost just as wonderful Aperol cocktails made with local sherry). And despite the fact that it belongs to a large Spanish hotel group (Royal

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TRAVEL • EUROPE THE ALHAMBRA

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TRAVEL • EUROPE

INTERIORS • FEATURE

“Most people visiting will at least try and enter the spectacular Moorish fort” Hideaway is the luxury wing of the Barcelo group), it feels small and personal thanks in part to the staff, who are all massive Granada enthusiasts, many of them having grown up locally. So that’s how we find ourselves being shown around by the manager’s friend Ismael.

Of course, the city’s most famous attraction is the Alhambra, and most people visiting will at least try and enter the spectacular Moorish fort. I say try, because visitor numbers are restricted and buying tickets in advance is essential, as people often discover too late.

Happily, Alhambra tickets are something that Palacio Gran Via will arrange for guests on booking – and for us they have arranged an excellent guide too. Anna walks us through the sprawling site and tells us in detail about each palace, explaining why the interior is much more ornate than the exterior (in Islam, nobody wants to make their neighbours envious) and how much maths and numerology is involved in the amazing engineering.

Built primarily in the 13th and 14th centuries, the Alhambra is a masterpiece of Islamic architecture. The complex includes royal palaces, serene courtyards, lush gardens, and defensive walls, all intricately decorated with calligraphy, stucco work, and tile mosaics.

Notable features include the Court of the Lions, the Hall of the Ambassadors, and the Generalife gardens. After the Christian Reconquista in 1492, the Alhambra was altered and repurposed, blending Islamic and Renaissance elements. Today, it’s a UNESCO World Heritage Site and one of Spain’s most visited landmarks, celebrated for its historical significance, architectural beauty, and the unique synthesis of Moorish and European

GRANADA

styles. It’s an unforgettable place, mindblowing even, and everyone in Granada excitedly tells us about the important role played by the American traveller Washington Irving who happened upon the Alhambra while travelling through Andalusia and found an abandoned ruin, inhabited by homeless people and gypsies, along with bats and owls. His 1832 book Tales of the Alhambra is a colourful account of the palace and its inhabitants, and although its historical accuracy is disputed, it was the book’s publication that inspired the Spanish government to focus on restoring the abandoned site.

But there’s more to Granada than the Alhambra, even if admiring views of it from all angles is a big feature of the city. A thriving gypsy community has lived in the Sacromonte district since the 15th century and much of the area’s housing is made up of cave homes built into the cliff. We come to authentic cave bar Cueva Los Amayas for a Flamenco show, and with no music other PALACIO GRAN VIA

THE ALHAMBRA

than a single guitar and lots of clapping, we’re treated to an intense and intimate evening of heightened emotion and energy.

Food is a big draw in Granada; we visit one of Ismael’s recommended eateries, La Tana, located slightly beyond the main tourist strip, and it’s here that we eat possibly the most delicious tomatoes we’ve ever had. They don’t even look that promising: they’re huge, pale and bulgy, but the bite is perfect and the flavour is amazing. We also love the selection of cured meats and white sausage, and an unlikely salad of salt cod, orange, egg and olive.

Yes that’s right. It’s a local speciality, remojon granadino. We’re warned that we probably won’t like it, and it certainly promises a meal of desperate cupboard ingredients, but we all agree that the flavours work perfectly together.

Along with several glasses of a local red wine, this is a fantastic meal. Much less rustic is the menu back at the hotel, where we enjoy a lavish multi-course tasting menu at El Patio, and also an in-depth sommelier tea ceremony.

Thank you Ismael, and thank you Granada.

Rooms at Palacio Gran Via start at 350€ per night during low season barcelo.com

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Joyful of g rades

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TRAVEL • PARTNERSHIP

odyssey Baden-Württemberg: the must visit German state for all gastronomes, culturati and fashionistas

T

he south-western state of BadenWürttemberg in Germany has always been popular with Europeans due to its proximity to neighbouring countries. More recently, it’s been growing in popularity amongst the British contingent, as we increasingly discover the plethora of dining, shopping and cultural activities on offer.

Here, we take a look at four diverse cities that would make the perfect road or train trip.

K ARLSRUHE

KARLSRUHE ZKM © SCHWARZWALD TOURISMUS GMBH

A city that is the dictionary definition of a hidden gem. You have the groundbreaking ZKM Center for Art and Media, the digital artwork-focused museum which includes very hip art installations, and an exhibition aimed at gamers that includes the best of all retro game consoles from Atari to Gameboy.

Karlsruhe is a city filled with fashionable cafes and innovative restaurants if you know where to look for them. You can experience the Scandi-cool of Iaro coffee whose minimalist design has been winning plaudits from residents. Whilst those who are origins-focused can get their coffee beans and fixes from Käffli Haus. Even though they are a small operation, they have invested over five figures in their own roastery and offer coffee beans from different continents. Local treats to try include Popice, a healthy-tasting, vegan ice cream found in bohemian cafes, like Yollie.

You will find Franzbrötchen in artisan

cafes like Klauprecht. Appearance-wise, they look like a flattened croissant, but taste-wise they are sweet and resemble a cinnamon roll.

If you are looking for innovative cuisine, the fine dining establishment to visit is 5 SEN:SES by Mario Aliberti. The talented chef has infused his Italian menu with world flavours. You will see the likes of watermelon tartare with shoyu sauce and octopus cooked in dark beer along with a ponzu beurre blanc. Ingredients have been added to enhance flavours rather than just to create a more 'exotic' menu. Particularly of note is his onsen egg carbonara with the low temperature yolk lubricating the rich pasta dish.

STUTTGART

The capital of Baden-Württemberg is a thriving hub of modernity and remarkable history. Considering 80% of the city was bombed during World War II, expect to be bewildered by the economic miracle on display at the Mercedes-Benz Museum. The forward-thinking Kunstmuseum Stuttgart has exhibited mesmerising exhibitions such as "The Clock" by Christian Marclay.

It is all about the breathtaking views when you dine in Stuttgart. On the top floor of Kunstmuseum Stuttgart you’ll find the Cube.

Being nestled inside a 360-degree glass structure means this restaurant is literally the place to see and be seen. The eclectic international menu means you can pair a A B S O L U T E LY m a g a z i n e s

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STUTTGART: CUBE RESTAURANT PHOTO STUTTGART MARKETING GMBH, BERGER

spicy Thai soup starter with an octopus Paccheri. They serve a delicate low-temp egg ramen, which might be a culinary first.

The best views are from the top of Stuttgart TV tower perched on one of the many rolling hills of Stuttgart. When the tower was completed in 1956, it was the first of its kind and has led to many other replicas throughout Germany and across the world.

It was famously visited by Queen Elizabeth II during a state visit back in 1965.

Apart from having an observation deck, they also have a restaurant called Leonhardts. If you book in advance, you can enjoy a 3-course Swabian menu that focuses on seasonality, such as a white asparagus soup during springtime. Not only will you see why Stuttgart is one of the greenest cities in Germany, you can observe the fluctuating colours of the skyline if you visit during the sunset hour.

FREIBURG

This ultra-green and free-spirited city has a vibrant energy, thanks to the significant student population in the area. Most locals shop at the Münstermarkt around the cathedral. In the springtime, it is all about

their asparagus, whilst summer is all about strawberries, and in autumn, their focus is on their cherries and in particular cherry liqueur, a key component of making a Black Forest gateau.

You can tour the market stalls and taste the fresh produce straight away. Two must-try dishes are the cheesecakes from Stefan’s Käsekuchen, and local specialty, Die Lange Rote. The former is a favourite with the locals. Apart from the classic, they offer quirky flavours like "Eton Mess" or "Cookies’n’Cream". With the latter, Die Lange Rote isn’t a simple hot dog. The sausage is red, skinless and measures a generous 35cm long. Grocery shoppers enjoy it as a snack to provide energy.

The food scene offers a fine balance between history and modernity. The Großer Meyerhof is an institution that has been around since the mid-19th century. It was formerly a beer factory, but nowadays locals go there to enjoy classic schnitzels and maultasche, a sizeable Swabian meat-filled dumpling. Their jazz nights are particularly popular and take place on the first Wednesday of each month. If you are looking for more diverse offerings, visit

the Markthalle, which is directly opposite The Großer Meyerhof. Here you will find cuisines ranging from Persia to Vietnam and all are very reasonably priced.

METZINGEN

It is all about Outletcity Metzingen for our last stop. It is the largest outlet in Europe with over 170 brands in more than 130 stores.

It is very much an upscale experience with the likes of Bollicine & Co. Champagne Bar, which won an award for being the most beautiful bar of 2024. They have the world’s largest BOSS outlet store at over 5,000 square metres. In fact, the birth of Outletcity Metzingen was due to the fact Hugo Boss has always been headquartered in the city.

There are 14 restaurants and bars, but if you want to dine on the Swabian cuisine of the region, you must check out Almresi.

They deliver on alpine cosiness with a chalet-style design, including ski lifts cabins as dining tables on their terrace. They have eye-catching artwork from renowned Black Forest artist, Sebastian Wehrle. Whether you are ordering their iconic schnitzels or a Caesar salad, expect incredibly generous portion sizes.

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• PARTNERSHIP • XXXXX TRAVEL XXXXXXXX

“THE FOOD SCENE OFFERS A FINE BALANCE BETWEEN HISTORY AND MODERNITY” FREIBURG PHOTO FWTM BENDER

FREIBURG KANONENPLATZ PHOTO FWTM, SPIEGELHALTER

BOLLICINE & CO, CHAMPAGNE BAR PHOTO OUTLETCITY METZINGEN

HOW TO GET THERE

The airport hub to the region is via Stuttgart airport. There are up to four weekly flights from Manchester and Edinburgh. There are daily flights from London (Heathrow) to Stuttgart. You can find the ideal flight schedule at flughafenstuttgart.de/ankunft-abflug/flugplan.

It is extremely easy to get to Stuttgart city from the airport. You can either hire a rental car with one of the eight companies at the arrivals hall or you can take the S-bahn to Stuttgart main station in 27 minutes. Finally, you can also take the U6 subway, which takes approximately 30 minutes. From Stuttgart main station, it is also incredibly easy to reach Metzingen, Karlsruhe and Freiburg by train, making the train a convenient and sustainable way to explore all of Baden-Württemberg.

The state-of-the-art airport offers smart lanes when you depart. This means you can book a timeslot to pass through security. They also offer self-bag drop, observation deck and serene lounges to relax in. visit-bw.com A B S O L U T E LY m a g a z i n e s 149

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ROOM

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Prices are per person based on a twin/double share & valid for selected September departures. Hotel and flight prices are dynamic, fluctuating in real time according to consumer demand and the season of travel.

Offers are subject to availability & restrictions may apply. Prices correct at time of going to print 24 Apr 25.

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TRAVEL • PARTNERSHIP

Beach RETREAT

N

Sun Siyam Iru Veli Maldives – an escape into paradise

estled in the heart of the South Nilandhe Atoll, Sun Siyam Iru Veli offers a perfect balance of laidback luxury and refined indulgence. This five-star resort is the epitome of barefoot elegance, where every suite comes with its own private pool, direct beach or lagoon access and uninterrupted views of the turquoise Indian Ocean.

What sets Iru Veli apart is its generous Premium All-Inclusive package, which goes well beyond the standard. Guests enjoy à la carte dining at multiple venues, including the elegant overwater Roma and the relaxed beachfront Grouper Grill. The main restaurant offers a rotating daily menu to keep the experience fresh and exciting, while bespoke options such as floating breakfasts or private sandbank barbecues add a personal touch to every stay.

For those who like a bit of adventure, the resort offers three complimentary dives (for qualified divers) or a USD 100 spa credit. You can also go on a dolphin cruise, take a guided snorkelling tour, or visit a local island—all included. Watersports enthusiasts can enjoy complimentary kayaking, stand-up paddleboarding, and a USD 50 credit towards jet-skiing.

The overwater spa is a standout feature, offering indulgent treatments with uninterrupted ocean views and glass floor panels that allow guests to watch marine life pass beneath them.

Facilities also include a hydrotherapy pool, steam room, and sauna, making it easy to fully disconnect and rejuvenate.

Getting there is part of the experience—a 40-minute seaplane ride from Malé that gives you a bird’s-eye view of the stunning atolls. Once you land, it’s all about soaking up the sun, sea, and serenity.

“Glass floor panels allow guests to watch marine life pass beneath”

Whether you’re planning a romantic getaway, a honeymoon or simply seeking a luxurious escape from the everyday, Sun Siyam Iru Veli promises an unforgettable Maldivian experience where comfort, beauty, and exceptional service come together in perfect harmony.

Ready to experience the magic of Sun Siyam Iru Veli? Book your dream getaway with Trailfinders, the travel experts, and let us take care of every detail, including flights, transfers and 365/7/24 support while you’re away. trailfinders.com A B S O L U T E LY m a g a z i n e s

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TRAVEL • EUROPE

A TASTE OF

Florence The luxurious Tivoli Palazzo Gaddi makes the perfrect base for exploring the Tuscan capital Wo r d s J A S M I N E R O B E R T S O N

A

PALAZZO GADDI'S ROOFTOP

s our taxi from the airport lurched down every narrower Florentine streets, my alarm grew about the location of our hotel. Having spent six weeks in Florence as a student in the early Nineties, the Tuscan capital is very special to me, so crawling past cagouled crowds and shops selling tourist tat as we neared the centre of the city made me fear for our final destination.

I need not have worried. Yes, the Tivoli Palazzo Gaddi is just a stone’s throw from the majestic Duomo and sits at the centre of this ancient city. But once you are inside this luxury 16th century palace, recently reopened following a complete renovation, you are completely cossetted away from the madding crowd.

The Palazzo Gaddi was originally made up of two buildings belonging to two aristocratic Florentine families - the Gaddis and the Arrighettis. Many of its features pay testimony to a noble past such as frescoed rooms, paintings and art objects, many dating back to the 16th century. There is even a ballroom, the Salone delle Feste, which is an extraordinary combination of historical frescoes and 18th-century architecture.

The hotel has recently been acquired

by Tivoli Hotels & Resorts, a Portuguese company that has set about revamping the hotel, retaining the historic architecture but modernising some of the reception areas and updating the 86 guest rooms, including the eight suites, with the authentic period furnishings and contemporary comforts of a five-star hotel.

We immediately relaxed in the grand lobby bar – so called the Milton Bar – in honour of one of Palazzo Gaddi’s most distinguished guests, the poet John Milton, who took inspiration in the palazzo to write his

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PALAZZO GADDI

masterpiece Paradise Lost while staying here in 1638. We arrived in torrential rain but in dryer times, the Aria Rooftop bar is the perfect place to enjoy evening drinks. It has incredible views over the city – the Duomo, Giotto’s Campanile, and the distant hills of Fiesole.

The hotel’s restaurants, the Terrae, Aria Rooftop and Milton Bar are managed by the Executive Chef Iside de Cesare, a Michelinstarred chef. We dined at the Terrae on the first night, enjoying a fantastic plate of local Tuscan cheese and meats. But the best meal was undoubtedly breakfast – a huge buffet spread with everything possible on offer including most delicious freshly baked mini pastries filled with a rich chocolate custard.

Perfect to accompany a morning cappuccino.

And the hotel’s location was unbeatable.

Everything we wanted to do was within easy walking distance, including the Uffizi, Ponte

Vecchio, and the Arno River. We even walked to the Palazzo Pitti and explored the Boboli Gardens, dressed perfectly in their springtime carpet of flowers.

One of the highlights of our visit was going on a street food tour around Florence with a guide. This has much to recommend it, because so many of the city’s best-kept food secrets are hidden behind doorways and plain shopfronts that only the locals know about.

We started near the Duomo at a bakery that makes cantucci, the oblong-shaped Italian almond biscuits that are traditionally dipped in Vin Santo following a meal. We then wondered to the San Lorenzo district, stopping at the legendary Forno Capa run by the extraordinary Ivana Bruschi, a ninetysomething nonna who has run this bite-sized bakery opposite the Mercato Centrale for more than 60 years. We tried schiacciata, the

BREAKFAST, PALAZZO GADDI

Florentine flatbread that is a crispier, oilier, saltier version of focaccia and indulged in coccoli, fried Florentine dough balls that are the ultimate comfort food – the name literally translates as ‘cuddles’. They were filled with the typical Florentine pairing of fresh stracchino cheese and prosciutto crudo. The most delicious treat ever.

We then explored the Mercato Centrale; trying an array of meats and cheeses including sampled slices of finocchiona (a fennel-infused salami), a mature pecorino, plus a thick, treacly aged balsamic vinegar. that was entirely unlike the supermarket vinegars we buy at home.

We finished the tour at small, family-run osteria just a stone’s throw from the Duomo.

We would have walked right past it without a guide. As locals took their place at the bar for a glass of wine and pasta for lunch, we sat down in the back room for a delicious meal of penne and ragu, followed by a visit to another ‘blink and you would miss it’ hole in the wall for spectacular authentic gelati.

For two evenings we walked over the Ponte Vecchio to the Oltrarno district. Less touristy, quieter and full of young Florentines, the Oltrarno is how I remember Florence. On the first evening we walked on in unending rain through cobbled streets to the Piazza Santa Spirito. It was near deserted due to the inclement weather but we found a pizzeria and sat under cover, dry and warm. When we returned the following evening after a day of no rain, it was hard to believe we were in the same place. The evening before there we maybe 15 people in the piazza, on this spring Saturday evening there were probably 500 people, mostly locals out enjoying a drink.

After a Campari Spritz or two we went for dinner at Osteria Del Cinghiale Bianco – a fantastic, buzzing restaurant on Borgo San Iacopo, famous for its paradelle with wild boar (cinghiale). Thick ribbons of fresh pasta with a rich, meaty sauce that Florence is famous for.

A perfect end to a perfect Florentine trip.

Rates at Tivoli Palazzo Gaddi start from €300.00 for a Deluxe Room including breakfast for two people. tivolihotels.com

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A N I N D E P E N D E N T DAY & B OA R D I N G S C H O O L FO R AG E S 0 - 1 8

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E D U C AT I O N

LET'S TALK INSTOCK PLACE SCHOOL

Ibstock Place School is leading the way in ensuring that students are not only knowledgeable but also equipped to express their ideas and contribute meaningfully to society, with Oracy skills prioritised throughout the curriculum. ibstockplaceschool.co.uk

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n a world increasingly dominated by digital communication, the art of speaking with clarity, conviction, and empathy has never been more essential. Oracy—the ability to express oneself fluently and grammatically in speech—has emerged as a cornerstone of modern education, bridging the gap between literacy and the skills needed for effective participation in society.

Speak

OUT The power of oracy: shaping tomorrow’s voices today at Ibstock Place School

WHY ORACY MATTERS Recent research, such as the Oracy Education Commission's 2024 report, have elevated oracy to the status of the "fourth R," placing it alongside reading, writing, and arithmetic in terms of educational importance. This shift underscores the growing recognition that effective communication is fundamental to academic success, personal development, and active citizenship.

1. Academic and Career Success

Research indicates that students with strong oracy skills tend to perform better academically. They are more likely to achieve higher grades in English and Mathematics and are better equipped to articulate their ideas in assessments and presentations.

Moreover, employers across various sectors value communication skills, often prioritising candidates who can express themselves clearly and persuasively.

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2. Social and Emotional Development

Oracy plays a crucial role in developing social and emotional skills. Engaging in discussions and debates fosters empathy, active listening and the ability to consider multiple perspectives. These interactions help build confidence and selfesteem, enabling young people to navigate social situations with greater ease and resilience.

3. Civic Engagement

In a democratic society, the ability to engage in informed and respectful dialogue is essential. Oracy empowers young people to participate in civic life, voice their opinions, and contribute to community discussions.

This active participation is vital for the health and vibrancy of democratic institutions.

“ The ability to communicate effectively remains a timeless skill” THE ROLE OF SCHOOLS IN ORACY Initiatives that integrate oracy into various aspects of school life can empower students to become confident, thoughtful, and engaged individuals. Unusually, Oracy and Debating are part of the formal taught curriculum at Ibstock Place School, a co-educational day school in South West London. From Year 7 pupils take weekly Oracy & Debating lessons, culminating in an English Speaking Board (ESB) Public Speaking qualification at the end of Year 7 and a Debating qualification at the end of Year 8.

As a centre of excellence in oracy, Ibstock Place School has been keen to share its expertise and resources with the wider community. Through its Sixth Form volunteering programme, Ibstock pupils coach oracy skills in local primary schools, helping to build confidence and communication in younger learners. The school also supports initiatives like Noisy Classroom, hosting students from as far away as Tanzania for cultural exchange and debate, as well as junior debating competitions for local primary schools. At national level,

Ibstock’s facilities are used pro-bono for the selection and training of the Debate England Schools Debating squad, where Ibstock’s Head of Oracy, Dr Hazell, is Head Coach.

LOOKING AHEAD As we look to the future, the role of oracy in education continues to evolve. With advancements in artificial intelligence and changes in assessment methods, the ability to communicate effectively remains a timeless skill. Institutions like Ibstock Place School are leading the way in ensuring that students are not only knowledgeable but also equipped to express their ideas and contribute meaningfully to society.

Incorporating oracy into the curriculum and wider school life is more than an educational strategy; it is an investment in the voices of tomorrow. By prioritising the development of speaking and listening skills, we can prepare young people to navigate the complexities of the modern world with confidence and clarity. ibstockplaceschool.co.uk A B S O L U T E LY m a g a z i n e s

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Where every pupil creates their own story BOARDING FROM AGE 7 TO 18

A WELCOMING HOME-FROM-

A SPRINGBOARD FOR

FLEXI, WEEKLY OR FULL

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Boarding at Framlingham: Where Individual Stories Begin Boarding at Framlingham offers stability and continuity in a welcoming home-away-from-home environment. Our Flexi, Weekly and Full boarding options are tailored to suit the needs of the modern family. From age 7 (Year 3) to 18 (Year 13), our boarding provision provides a vibrant, supportive environment where every pupil can grow, thrive, aspire and achieve.

START YOUR CHILD’S JOURNEY TODAY Spaces available for September 2025 and beyond.

Discover Framlingham College on one of our Open Days or book a private visit today.

Visit framlinghamcollege.co.uk/openmornings, contact admissions@framlinghamcollege.co.uk or call +44 (0) 1728 723789

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ON XXX

EDUCATION • FOCUS

BEECHWOOD PARK SCHOOL

Unique EXPERIENCES National Boarding Week: a celebration of boarding brilliance

E

ach summer, the Boarding Schools’ Association (BSA) calls upon the boarding community to participate in the largest UK celebration of boarding in the school calendar.

National Boarding Week 2025, sponsored by Schoolblazer, is due to take place between 16th-22nd June and comprises an action-packed week of challenges, competitions and activities for all students to enjoy. The celebration was launched in 2017 and brings awareness to the unique experience boarding has to offer.

The activities are designed to showcase the enjoyment of boarding, create special memories for boarders during their time at school and reinforce the value of boarding education in shaping well-rounded individuals.

BSA member schools are invited to run a series of challenges and activities in their boarding houses and school grounds. Stories are shared across social media throughout the week, building to a vibrant showcase of photos and videos of smiling faces, friendships, togetherness and community.

Activities have included everything and

THE BIG ART CHALLENGE IS PART OF THE WEEK

anything from sporting activities, quizzes, team pursuits, sustainability initiatives and local community schemes. Fortunately, the June dates coincide with the UK’s Summer Solstice, which is the perfect opportunity for schools to embrace outdoor activities including overnight camping, outdoor film club or house picnics – weather permitting!

This year, schools will be participating in the following activities: Monday: National Fudge Day Tuesday: Mini Golf Competition Wednesday: Big Art Challenge Thursday: House Taskmaster Friday: Summer Solstice Camp Out Saturday: World Music Day Sunday: Self-care Sunday All challenges and activities are designed with inclusivity in mind, ensuring there is something for all talents, skills and interests. Schools are also welcome to interpret activities in their own way and use their imaginations and resources.

Director of BSA, David Walker, says: “National Boarding Week is a special

FUDGE, ANYONE?

time in the boarding calendar for schools to connect with communities, embrace the fun in boarding and recognise the every-day joy in the boarding experience.

National Boarding Week is approaching its tenth anniversary and it has been wonderful to see it grow each year and become a tradition for many schools.”

BSA’s National Boarding Week truly is a celebration of boarding brilliance and we can’t wait to see how our schools mark the occasion.

To find out more about National Boarding Week, visit boarding.org.uk/bsa-active A B S O L U T E LY m a g a z i n e s

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GORDON’S SCHOOL www.gordons.school www.gordons.school

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EDUCATION • PARTNERSHIP

Transforming

LIVES Boarding in the modern world: a fresh perspective at Lockers Park

A “The Boarding House culture has been rejuvenated through a vibrant events programme”

t Lockers Park, the Boarding House has undergone a dynamic transformation since 2021 under the leadership of our dedicated House Parents, Mr and Mrs Newman. Their mission was twofold: to reinvigorate the Boarding House for current pupils and to encourage a wider range of boys to experience the many benefits of boarding life.

Crucial to their success was a thorough data-driven approach. Mr and Mrs Newman undertook extensive research to identify the elements that contribute to a successful and supportive boarding environment. This work informed the introduction of the Boarding Pathway, a bespoke programme designed to help boys build independence, resilience, and life skills. The Pathway also offers an accessible and exciting introduction to boarding for Flexi and non-boarders.

A key feature of this new approach is the Boarding Passport, which sets out seven developmental targets for each year group. These carefully structured goals – such as leading a boarding meeting or organising an event for younger pupils – encourage personal growth, leadership and community spirit.

Pupils who complete all their targets are rewarded with an invitation to the annual Boarding Bonanza, a much-anticipated celebration of their achievements.

The Boarding House culture has also been rejuvenated through a vibrant events programme. Creative and inclusive activities like House of Hogwarts, cooking competitions, treasure hunts, The Battle of the Boys, and seasonal themed nights have helped to generate enthusiasm and a real sense of camaraderie. Participation is strong, not only among boarders but across the entire school community.

In line with their commitment to fostering a nurturing and focused environment, Mr and Mrs Newman have introduced a smartphone-free policy within the Boarding House. This initiative encourages boys to engage more deeply with each other and participate wholeheartedly in the diverse range of activities available.

The impact of these initiatives is clear. Mr and Mrs Newman were delighted to exceed Lockers Park’s boarding targets, with 82% of pupils having boarded at least once within their first term – a powerful testament to the welcoming, engaging environment they have created. Feedback from parents has been overwhelmingly positive.

As we look to the future, boarding at Lockers Park will continue to evolve.

With a commitment to innovation and a deep understanding of the modern child, our Boarding House is not only keeping pace with the times – it is setting the standard for what boarding in the modern world can and should be.

O P E N B OA R D I N G H O U S E E V E N T: Wednesday 25th June.

See more at lockerspark.co.uk/boarding

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EDUCATION • INSIDER

SWIM for LIFE The Director of Sport at St Albans School on the critical importance of developing water confidence in all children

F

ollowing a recent report in a national newspaper revealing that one third of UK children cannot swim unaided, it seems that British schools are in a state of crisis on swimming delivery. Many children have not returned to physical activity post-pandemic, prompting fears of neglect around water safety.

Feeling confident around water is a vital life skill, which is why swimming is included in the PE National Curriculum.

However, it is becoming increasingly challenging to meet the expectation that all children by the end of KS2 (age 11) will be able to swim with some confidence. Often the key factor in young people becoming proficient and safe swimmers is parental encouragement, which is why bridging the gap between school and home is so crucial.

For many schools, the cost of providing swimming lessons has increased significantly, not least due to rising transport hire and fuel costs. Another factor is cultural, with some faith groups having different beliefs around swimming activities in school. Observational practices, such as separating genders or having different expectations or associations with swimming, may be another factor that reduces engagement. This makes the provision of adequate lessons for all more challenging and constrained.

Greater flexibility in approaches and adequate staffing to support children's requirements is urgently needed but is not viable for all schools.

Where independent schools can make a real difference, is by providing local schools within their community with access to pool facilities. Being local often means that pupils from nearby schools can walk to the facilities, dramatically reducing the transportation costs that

SWIMMING LESSON AT ST ALBANS SCHOOL

parents would otherwise have to pay.

As part of our own partnership arrangements, we provide pool access twice weekly to several local primary schools, helping them to improve their students' swimming. We also provide lifeguarding cover for these sessions, delivered by students in our Lower Sixth. Our students have the opportunity to take their lifesaving and first-aid qualifications in school, which makes these swimming partnerships hugely beneficial for both sides.

Swimming is, and has always been, a lifelong activity – it can have a significant positive impact on people’s lives, both physically and mentally. The importance of building water confidence in early years cannot be underestimated and this makes swimming an activity that must be accessible to everyone. Swimming lessons outside of school are often in high demand, with many pools having long waiting lists, so

"Independents can make a real difference by providing other local schools with access to their pool facilities"

by sharing pool provision, schools such as ours provide access to the vital swimming lessons that could one day save a life.

Developing skills around water from a young age also ensures safety when engaging in all other aquatic pursuits – including sailing and paddle boarding.

At St Albans School, we deliver teaching and training in a variety of formats, from stroke development and life-saving techniques to sports such as water polo.

These activities develop skills and enrich our students' experience around water.

Mastering a variety of water-based activities helps them stay active throughout school and into their future lives.

M A R T I N L A N G S TO N Director of Sport St Albans School A B S O L U T E LY m a g a z i n e s

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EDUCATION • PARTNERSHIP

S E T

T H E

STAGE

A

t a school where ‘education with heart and soul’ is more than a motto, the performing arts are woven into the fabric of Worth’s broad educational experience. Balancing inclusion with excellence, the school’s dynamic music and drama programmes provide every student with the opportunity to grow in confidence, creativity and skill. From soaring choral concerts in the onsite Abbey Church to ambitious productions in the school’s stunning Performing Arts Centre, the stage is set for pupils of all abilities to shine. Whether discovering a new passion or honing their talents to the highest level, students are supported and inspired to give their best – together, and with joy.

THE WORTH APPROACH Talented teachers share their experience and passion with gusto, ensuring students fulfil their true potential whether they be singing with the Chamber Choir in the Sistine Chapel or working on their acting, lighting, technical or costume-making skills.

Approximately 40 per cent of Worth students take an instrument, including singing. Opportunities are endless, from

How a thriving Performing Arts department at Worth School equips pupils with confidence and presentation skills Jazz Band and the thriving 50-plus strong Symphony Orchestra which includes many pupils at Grade 8 standard or beyond, to plays, musicals and tours abroad (the last two being Salzburg and Lake Garda). The schedule of the Performing Arts department is an enriching one, and regular exposure to live audiences builds confidence and hones stage and presentation skills.

FACILITIES Worth Abbey, at the heart of school campus, is an inspirational space for gala concerts.

The Performing Arts Centre is where drama productions take place; the ‘front of house’ resembles a West End theatre.

The foyer showcases department-created ornate costumes backlit behind glass and framed posters of past productions. Smaller rooms host intimate events such as Young Musician of the Year competitions or informal recitals for family and friends.

COLLABORATION AND OUTREACH Outreach projects with local schools and collaboration with organisations such as Glyndebourne Chorus are all special, formative experiences, and the School’s deep-rooted industry connections with professional artists

and companies have proved invaluable sources of motivation. The West End cast of Les Misérables recently met with students to give them practical advice and Worth’s own staff can be found starring in big London shows, too.

THE JOY, THE ACHIEVEMENTS The Performing Arts department has record levels of students choosing music and drama for GCSE and A Level, the vast majority achieving A/A* 7/9. Many are determined to continue these studies; Worth runs a support group preparing them for the demands of a performing arts career and helps them create portfolios for auditions. Places have been won at schools such as LIPA and RADA. Students are encouraged to apply for professional theatre opportunities; recently secured roles include Matilda, School of Rock and the National Youth Theatre.

Recent alumni include Robert Bathhouse (actor in Cold Feet, Downtown Abbey), Katharine Farmer (theatre director), Mark Spyropoulos (Director of Sacred Music Fondazione Mascarade Opera Studio, member of Sistine Chapel Choir), Oli Jacobs (Grammy award-winning producer).

Day, boarding and flexi boarding worthschool.org.uk A B S O L U T E LY m a g a z i n e s

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School

CULTURE Samantha Price, Head of Cranleigh School, outlines her grand plans for the Surrey school

Q What was your first Headship role and what would you say you learnt from it?

A My first Headship was at Godolphin, a day and boarding school in Salisbury. I was a relatively young Head then and I will always be grateful for the years I was there which definitely shaped me as a Head, through the mistakes I made (I hope too many weren’t noticed) and the opportunities we ran with. My greatest learning there was the value of curiosity, an approach that is firmly encouraged at that school. As a new Head, you cannot pretend to have the answers to everything, but you can ask the right questions. You can show an interest in everything and be prepared to learn from others. A sense of curiosity – wanting to know, to find out about the world – has served me well throughout my career. The modern world is constantly and rapidly evolving; my inquisitive nature means I am alive to these shifts, staying abreast of innovations in education, technology and, of course, the world of work. Intellectual curiosity gives me the ability to stay open to the world, to keep learning and growing in knowledge, which, at the end of the day, is all we want to instil in our pupils.

Q How long have you been at your current school?

A I joined Cranleigh in September 2024, so I have almost completed a full academic year.

It has been such an exciting time with a new energy bubbling through the school and I’ve very much enjoyed getting to know pupils, staff and we’ve hosted parent events for every

year group. It’s also been great to welcome the new Head of our prep school, Will Newman, who joined in September and together we have been shaping the Cranleigh offering of the future.

To this end, we have announced a number of changes for September 2025 and 26 which include the launch of a Pre-Prep, plans for a new Sixth Form Centre and Diploma; we’ve launched a new Day and Day Plus offering, introduced football onto our sporting timetable, and extended our bus routes to make life easier for families. There is a palpable sense of momentum and growth in the school which is very exciting.

Q What attracted you to working at Cranleigh?

A In short, the people and the culture. The

school community really lives by Cranleigh’s motto of Ex Cultu Robur which means ‘From Culture comes Strength’. I have been really struck by how strongly people feel about belonging to the Cranleigh community. Whether they are parents, pupils, staff or alumni, being part of the wider school community gives people a real sense of belonging. And everyone holds onto that sense of place and pride with great fervour. It really is one big family, both across the Prep and Senior School, which is a gift for new Head because it means we have strong foundations on which to build.

Q How would you describe your leadership style?

A I try to lead by example, with purpose (some might say too much), authenticity and a lot of humour – I hope others would also say integrity. I am guided by a strong set of personal values: to be inclusive, empathetic and compassionate, very important when making and communicating tough decisions. I like to be collegiate, drawing on the experience and expertise of those around me and I ask lots of questions, which (may drive people mad, but) I hope contributes to an important sense of team as we take the school forward.

“THERE IS A PALPABLE SENSE OF MOMENTUM AND GROWTH IN THE SCHOOL, WHICH IS VERY EXCITING ”

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• TALKING • XXXXX EDUCATION XXXXXXXX HEAD

I am very lucky to have a strong senior team around me at Cranleigh who have all been very supportive since I joined last September.

Once I have consulted widely and considered all the facts, I will be quite decisive and eager to get things moving. Importantly, I like to be very visible in the school and I take a keen interest in everything that is going on, attending events, matches and activities where I can. This way, I maintain contact with pupils, parents and staff members and get a real feel for the school. It is a good way of keeping your finger on the pulse although makes diary management quite a challenge!

Q What is your vision for the future of your school?

A I want Cranleigh to be recognised as one of the leading independent schools in the UK. We already provide our pupils with an exceptional education, on the most beautiful site in the Surrey Hills. But Cranleigh is a bit of a hidden gem, well known within the local Surrey area

but under-recognised in the wider world. We have a great reputation for sport, but equally I want Cranleigh to be recognised for our strength in offering a truly forward-thinking curriculum to prepare pupils for the workplace of 2035 as well as the performing arts and music. With the benefit of three Cranleigh schools overseas (Abu Dhabi and China) and more to come, we have a wonderful opportunity to develop further partnership opportunities for our pupils to experience being part of a global family of schools. I am also clear that independent schools need to adapt and adjust to meet the needs of modern families, and this forms part of my vision for Cranleigh. As part of our new offering, our Day Plus pupils will have the flexibility to stay one night at school, at no extra cost. This gives pupils the chance to dip into our vibrant boarding culture and stay overnight with their boarding friends. And, of course, it relieves busy parents from transport duties. Big things are happening at Cranleigh and I want everyone to know about it.

Q What excites you about the remainder of this academic year?

A I am really looking forward to Speech Day when we have some exciting announcements to unveil. This is, of course, an occasion in which we bring everyone together - parents, pupils and staff, bidding farewell to our Leavers but also looking to Cranleigh’s future. Before then, there is so much going on at Cranleigh both at the Senior School and the Prep School, the summer term is always the cherry on the cake in the school year. Our ‘Cranleigh Strictly’ dance event promises to be great fun and I am looking forward to our Summer Music Concert and the ever-popular summer jazz evening. We also have a Prep School Leavers’ celebration which takes place in a magical setting in the Prep School, overlooking the Senior School.

I am glad to say that most of these children will be joining me in September at the Senior School, so I will not be bidding them farewell.

cranleigh.org A B S O L U T E LY m a g a z i n e s

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PROPERTY

A B S O L U T E LY m a g a z i n e s

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PROPERTY • PARTNERSHIP

PROTECTING YOUR

Property ELNORA TERAKOPIAN

B

uying a property can be both stressful and exciting, which may leave homeowners overlooking a crucial step: planning for the unexpected.

Whether you are creating a home or expanding your portfolio, protecting your property extends beyond its bricks and mortar.

Creating a Will and Lasting Power of Attorney (LPA) may not seem urgent when you have just collected the keys to your new property, but they are essential. They ensure your wishes are respected, and your family is protected. Without them, decisions about your property and finances may end up in the hands of the courts instead of those you trust.

WHAT HAPPENS WITHOUT A WILL? Many people assume their loved ones will simply inherit their property, but that is not always the case.

If you are unmarried and co-own a property, your partner will not inherit your share unless you own it as joint tenants.

With wills and LPAs. By Elnora Terakopian, Partner, Owen White Catlin

• If you are married with children, your spouse may not inherit everything, or your children may not receive the share you planned to leave them.

• If you have children from a previous relationship, their inheritance could be at risk.

A professionally drafted Will gives you the power to decide exactly who inherits your assets while avoiding delays, additional legal costs, and stress for your family.

WHY LPAS MATTER An LPA gives someone you trust the authority to act on your behalf if you lose mental or physical capacity, for example, due to illness or accident. Without one, even your spouse or partner will not have rights to access your bank accounts, manage your mortgage or household bills or make decisions about your property.

Instead, your loved ones will need to apply to the Court of Protection to be appointed your deputy, which is a slow and costly process that can cause further stress during an already difficult time.

COMMON PROPERTY PITFALLS Many people assume their partner or spouse can simply take over the property and mortgage if something happens. However, this is not always the case and certain legal gaps can leave families vulnerable.

• If you are the sole mortgage holder, your partner may not be able to manage or refinance the mortgage without legal rights.

• If you are unmarried and cohabiting, your partner will not have an automatic right to stay in the home.

• If you are married, your spouse cannot act on your behalf regarding finances without an LPA.

PLAN TODAY, PROTECT TOMORROW At Owen White Catlin, we help property owners plan for the future, sensitively, thoroughly and with complete clarity. Our approach is friendly, thoughtful, and tailored to your individual needs. We will help make sure your wishes are clearly recorded and your family is protected.

020 8987 1400 chiswick@owc.co.uk owenwhitecatlin.co.uk A B S O L U T E LY m a g a z i n e s

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