Yusra Zahoor Architecture Portfolio 20-23

ARCHITECTURE

PORTFOLIO

SELECTED WORKS 2020/ 2023

YUSRA ZAHOOR

hi!

I’m Yusra, a student at the Academy of Architecture in Mumbai.

I have a background in the graphics field. My passion lies in effectively conveying ideas through both visual and verbal means. I’m deeply committed to designing spaces that prioritize the needs of users while respecting and celebrating architectural traditions. Collaboration is something I relish, and I find great joy in sharing new experiences and insights with others. My enthusiasm for learning is unending, and I’m eager to acquire new skills in the field of architecture.

I’m driven to explore various facets of design, with a strong focus on emerging methods and technologies that encompass design, materials, and innovative construction techniques.

Enclosed is a portfolio of a selection of my works during my pursuit of a Bachelor’s degree in Architecture.

DOB : 19/07/01 Phone No : +91 9136129392 Email ID : yusraz20@aoamumbai.in Mumbai | Kashmir

EDUCATION

SKILLS

Bachelors of Architecture

Drafting and 3D Modeling

Higher Secondary Education

Presentation and Composition

Secondary Education

3D Rendering Enscape Twinmotion

Rachana Sansad’s Academy of Architecture, Mumbai 2020-Present Presentation Convent Higher Sec. School, Jammu & Kashmir 2020 Presentation Convent Higher WSec. School, Jammu & Kashmir 2018

LANGUAGES English, Hindi, Urdu, Kashmiri

WORKSHOPS Bamboo Workshop

AutoCAD Sketchup Rhinoceros 3D

Adobe Photoshop Adobe Indesign Microsoft PowerPoint Canva

Others Model Making Blender Climate Consultant Exploring Revit Lumion Adobe Illustrator V-Ray

Earthweavers Bamboo Workshop

COMPETITIONS

Europe Summer School

RE-VISION (Top 50)

LxS Summer School Workshop

ARCH-8 Int. Competitions

Paper Automata

Cafe Interiors (Top 50)

Organised by Ar. Kartik Gala

Archdais Competitions

The Casa (Top 15)

Archmello Int. Competitions

CONTENTS

01.

THE MEDIAN SCHOOL

02.

JUNCTIONSCAPE

03.

REVIVING WATSON HOTEL

04.

A PLACE IN THE CITY

05.

POSTCARD CONVERSATION

06.

DOCUMETING SGNP

07.

CAR SHOWROOM

08.

VERDE VISTA

09.

JUNCTIONSCAPE

School Design

LxS Europe Summer School Project

Collaborative College Project

Co-Living Co-Working Space Design

Collaborative Project

Landscape Project

Working Drawing

Residential High Rise Design

LxS Europe Summer School Project

MISCELLANEOUS

Al Sarab A Haven in the heights Co-Curriculars Photography Inner Utopia

01.

THE MEDIAN SCHOOL

THE MEDIAN SCHOOL

PROJECT TYPE - Architectural Design, SEMESTER 06 LOCATION - Auroville, Tamil Nadu// FACULTY - Ar. Pradeep Pavithran

Institutions are the kinds of structures that matter most in the social realm. At some stage, we need to consider how institutions structure social interactions and in what senses they are established and embedded. In part, the durability of institutions stems from the fact that they can usefully create stable expectations of the behavior of others. Generally, institutions enable ordered thought, expectation, and action by imposing form and consistency on human activities.

We carefully studied the history and development of Auroville and its architecture to dissect the indigenous materials, local building techniques, and design philosophy based on sustainable living and how it applies to architecture and processes. We chose a building located in Auroville whose design language and philosophy they can identify with. We then studied works by the architect of the building through the lens of materials and techniques used for the construction of said building and applied it to their design process.

The design ideology was to create a heart of the space, the courtyard that will resonate with all the other spaces, including the studios and the classrooms. All the spaces converge into the courtyard where the students can gather. All the spaces were created keeping in mind the playfulness of a child and how a child responds and reacts to a space. Open spaces that can transform into indoor and outdoor spaces fill the design with flexibility in terms of spatial usage.

RENDERED VIEW

01.

+7.5M

+4.5M

Classroom

Classroom

Classroom

Courtyard

Classroom

02.

GROUND FLOOR PLAN

SECTION AA’

03.

SECTION CC’

FIRST FLOOR PLAN

SECTION BB’

04.

02.

JUNCTIONSCAPE

JUNCTIONSCAPE

PROJECT TYPE - LxS Summer School Project LOCATION - Bagnolet, Paris Group Project

The design proposal was driven by the exploration of dynamic spaces that could be manipulated and controlled by the users themselves, emphasizing ease of use and innovation. The goal was to create an environment that not only met the needs of the occupants but also offered flexibility and adaptability. This was achieved by integrating innovative architectural design techniques with features centered around the user experience.

One of the key elements of this proposal involved developing a modular system that allowed for the easy assembly and disassembly of components within the space. This modularity provided users with the ability to reconfigure the layout to suit their specific needs.

The adaptability of the space was a core principle, ensuring that it could cater to a wide range of purposes and activities. This user-centric approach was not limited to a particular group but aimed to be inclusive, making it easy for anyone to interact with and modify the space as needed.

In essence, this design proposal sought to go beyond traditional static environments and embrace the concept of dynamic and user-controlled spaces. It aimed to provide a highly adaptable, user-centric environment that catered to the diverse needs and activities of various user groups, promoting a sense of ownership and empowerment within the space.

DEVICE BEING USED BY RESIDENTS OF BAGNOLET, PARIS

05.

06.

11

03

SITE ANALYSIS JUNCTIONSCAPE

base map

PARIS | MADRID | LISBON

grass

07.

light and shadow

ground quality

pavement

building

shadow

s

exposed to light

most p

The apparatus has been designed to incorporate a lighting element and a storage unit, along with versatile planks that can be employed to create an unlimited array of objects and configurations.

08.

03.

REVIVING WATSON HOTEL

REVIVING WATSON HOTEL

PROJECT TYPE - Collage Project, SEMESTER 05 LOCATION - Kala Ghoda, Mumbai // FACULTY - Ar. Karan Danda Group Project with Miriam Thomas

09.

Nestled within the vibrant art district of Mumbai, the Watson Hotel proudly graces the city’s skyline, occupying a prime location directly opposite the iconic Kala Ghoda statue. As a historic landmark, the Watson Hotel has long been a symbol of the city’s heritage and charm.

The Potterdam Project emerged as a noteworthy international architectural restoration initiative, aiming to breathe new life into the Watson Esplanade Hotel Mansion while preserving its rich historical significance.

Collaboratively, students from the renowned institutions, Academy of Architecture and Hogeschool, lent their expertise and creativity to generate a range of innovative proposals.

This ambitious undertaking began with a meticulous exploration of the site, delving into its historical context and engaging with existing stakeholders to ensure that the essence of the past was carefully retained. The iconic castiron structure that defines the hotel was reimagined with fresh ideas, setting the stage for a remarkable transformation that seamlessly integrates heritage with a contemporary vision.

The result of this remarkable transformation is a harmonious blend of the past and the present, where the hotel stands as a living testament to the site’s rich history and its potential for the future. It seamlessly integrates the elegance of heritage with the dynamism of a contemporary vision, offering a unique and unforgettable experience for all who step through its doors. This project not only preserves a piece of history but also serves as a beacon of inspiration for future architectural and cultural endeavors.

10.

Here is the revised version with spelling and grammar corrections: The original structural elements of the building have been carefully preserved, ensuring their integrity, while the overall spatial and volumetric qualities have undergone a complete transformation. The introduction of a spacious atrium allows an abundance of natural light to flood the double-height art gallery, creating a stunning visual impact.

LOCATION PLAN

The fourth and fifth floors of the building have been thoughtfully designed to revolve around a central courtyard, providing a unique and inviting living space.

To maintain a functional and professional environment, the ground and first floors at the rear of the building have been allocated for lawyers’ offices. At the forefront of the building, an art gallery takes center stage, paying homage to the art district in which the site is situated.

The building’s various levels are seamlessly connected by an existing staircase, ensuring easy access and circulation. On the rooftop, a multifunctional terrace has been developed, featuring a vibrant green roof that adds to the environmental sustainability of the structure.

Open Art Galleries in the Hotspot Site, Watson Hotel IMPORTANT LANDMARKS

11.

Colonnade Market

Transitional Space

Atrium

Art Gallery

Lawyer’s Offices

Balcony

Transitional Space

Cafe/ Restaurant

Lawyer’s Offices

Balcony

2BHK and 3BHK Co-Living

Atrium

Transitional Space

Recreational Green Rooftop EXPLODED VIEW OF THE PLANS

12.

04.

A PLACE IN THE CITY

A PLACE IN THE CITY

PROJECT TYPE - Architectural Design, SEMESTER 04 LOCATION - Dadar, Mumbai // FACULTY - Ar. Nachiket Kalle

Out-station students from all over the country come to the city of Mumbai for a better and wider choice of institutions and courses. This inflow of young and hopeful people has been going on for many years and is likely to continue long into the future. It is not easy to find a place to live, a place to study, or a place to socialize, and often it is an intense struggle to manage on all these fronts simultaneously.

Hence, there is a need to ease the hardships faced by out-station students, at least regarding the above issues, to help expedite the actualization of their desire for a better education.

The design brief was to create a facility that will offer shelter, services, and amenities to out-station students of Rachana Sansad’s architecture and art courses. This facility will offer co-living, co-working, and socializing spaces for all such students. It will cater to 120 students for the full duration of their education ranging from 3-5 years.

The design ideology utilized here is one that creates separate spaces for all these individual activities but also has interconnecting nodes that act as ‘community spaces’. All the students can gather in such spaces and socialize while having secluded spaces for themselves. Each student will have a space of their own, which will be their ‘home away from home’.

LOCATION PLAN

13.

14.

GROUND AND FIRST FLOOR PLAN

SECOND FLOOR PLAN

15.

LEGEND: 01. Working Space 02. Courtyard 03. Community Space 04. Pottery Studio 05. Living Space

06. Toilets 07. Upper Courtyard 08. Staircase

LEGEND: 01. Staircase 05. Roof for the Working Space 02. Courtyard 06. Roof for the cafe 03. Living Space 07. Roof for the Community Space 04. Toilets

FORM DEVELOPMENT

The idea was to create a juxtaposition between curves and corners. The blend of these two elements will create a space suitable for the users. It will also facilitate connecting nodes or modules where all the users can come together and use it as a community space.

The site was located in the Prabhadevi area in the midst of an urban landscape with residential buildings and slums around.

The Co-Living and Co-Working spaces were segregated with connecting nodes in between. Two structures were made: one in the middle, which acted like a housing facility for the users, and the other was the Curved Working space where studios were held for all kinds of things, like pottery, art, fashion design, and others. This was made a welcoming space with the use of curves for the students to work comfortably and without any issues.

All the drawings were done by hand.

SECTION AA’

SECTION BB’

16.

05.

POSTCARD CONVERSATION

POSTCARD CONVERSATION

PROJECT TYPE - Architectural Representation Drawing, SEMESTER 04

The Mumbai X Brussels project was a collaborative effort between the Academy of Architecture and the Faculty of Architecture La Cambre Horta at ULB. It provided students from both Mumbai and Brussels with a unique platform to showcase significant aspects of their respective cities, fostering a dialogue through the exchange of postcards. The students examined their cities from diverse perspectives, exploring elements of work, culture, and traditions, and translated these observations into visually captivating postcards.

An exhibition featuring a selection of drawings noted for their compelling narratives, artistic poignancy, and technical excellence was hosted at the residence of the Consulate General of Belgium in Mumbai and at our college during Confluence week.

Inspired by the bustling energy of Crawford Market, I created a postcard that portrays the vibrancy of the market streets devoid of human presence. By removing human figures from the scene, I aimed to emphasize the liveliness inherent in the market itself.

Notably, my drawing was chosen for the official greeting card for Brussels, a design featured on the following page.

PICTURES FROM THE EXHIBITION

17.

OFFICIAL POSTCARD WITH MY DRAWING

18.

06.

DOCUMENTING SGNP

DOCUMENTING SGNP

PROJECT TYPE -Landscape, SEMESTER 04 LOCATION - Borivali, Mumbai // FACULTY - Ar. Juhi Prasad

Documenting a plot of land in Sanjay Gandhi National Park, located in the northern part of Mumbai, India, was a fascinating endeavor due to its rich biodiversity and diverse range of flora and fauna. Spanning over 100 square kilometers, this protected area is a treasure trove of natural wonders that deserve in-depth exploration and documentation.

The park boasts a stunning variety of plant species, including lush forests, grasslands, and wetlands. The dense canopies of trees provide shelter to a wide array of vegetation, including tropical evergreen forests, teak, bamboo, and several species of orchids. Documenting these plant species involves capturing their unique characteristics, their role in the ecosystem, and their contributions to local and global ecology.

Sanjay Gandhi National Park in Mumbai is renowned for its diverse flora, including tropical evergreen forests, bamboo groves, deciduous forests, medicinal plants, orchids, aquatic vegetation, grasslands, and the presence of both native and invasive species. This botanical richness contributes to the park’s ecological significance and offers ample opportunities for research and conservation efforts.

This variety of plant life makes it an appealing destination for nature enthusiasts, botanists, and researchers.

SITE PLAN

19.

Types of trees that we documented:

Teak (Tectona grandis): Teak is a prominent tree species in the park, known for its valuable timber and beautiful hardwood.

Wild Figs (Ficus species): Various species of wild figs, such

as the cluster fig tree (Ficus racemosa), can be found in the park. These trees are essential for wildlife as their fruits serve as a food source.

Khair (Acacia catechu): Khair trees are deciduous and

known for their dark heartwood, which is used for various purposes, including medicinal applications.

Jamun (Syzygium cumini): The jamun tree is famous for

its delicious dark purple fruit and is a vital part of the park’s biodiversity.

Bamboo (Bambusa species): Bamboo groves are a

distinctive feature of the park, offering a source of shelter and sustenance for various wildlife species.

Neem (Azadirachta indica): Neem trees are valued for their medicinal and insect-repellent properties.

SECTION BB’

SECTION AA’

20.

07.

CAR SHOWROOM PROJECT TYPE - Working Drawings, SEMESTER 06 LOCATION - Dadar, Mumbai // FACULTY - Ar. Amey Ghosalkar

CAR SHOWROOM

The project involved the design of a 12-story car showroom in Chembur, Mumbai, with direct access to Chandivali Road. It commenced with a thorough site analysis, considering functional requirements, structural considerations, and architectural design. Space planning and safety compliance were essential, and detailed working drawings and specifications were created for construction guidance.

Sustainability and project management were key considerations, and quality control measures were rigorously implemented during construction. These working drawings needed to be comprehensive, specifying not only the architectural design but also the structural details that were vital for the building’s stability and integrity.

Additionally, they included specifications that detailed the materials to be used, construction methods, and the integration of various functional elements. The goal was to ensure that the design was not just aesthetically pleasing but also highly practical and ready for execution on-site, meeting both safety and functionality requirements.

SECTION OF THE SUSPENDED STAIRCASE AT 1:20

STAIRCASE DEN GENERAL

· ALL DIMENSIONS AR

· ALL DIMENSIONS AN

OTHERWISE SPECIF

· DO NOT SCALE THE FOLLOWED

· ANY DISCREPANCIE

THE NOTICE OF THE

· THE DRAWING SHAL

PLANS AND SECTIO

· PLINTH LEVEL IS +0.

· ALL INTERNAL WAL BOTH SIDES.

· ALL THE EXTERNAL

PLASTER 12MM AND

· THE SIZES OF THE C DRAWINGS.

SECTION OF THE SUSPENDED STAIRCASE AT 1:20

STAIRCASE DETAILS

SUSPENDED STAIRCASE DETAIL AND SECTION

2 COATS OF CEMENTITOUS WATERPROOFING (20MM)

150MM THK BUND WALL

21.

FIRE FIGHTING TANL

1000 MM DIA ACCESS MANHOLE

150MM DEEP HAUNCH RUNG LADDER

RUNG LADDER

HAN

MANHOLE

MANHOLE

MANHOLE

MANHOLE

FE E PIL DE LA R R

SU

BS

TA

TIO

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CAR RAMP TO GROUND FLOOR

WALKWAY FOR PEDESTRIANS PEDESTRIAN RAMP TO GROUND FLOOR PEDESTRIAN RAMP TO GROUND FLOOR

UP

SLOPE 1:12

UP

UP

SLOPE 1:12

SLOPE 1:12

UP SLOPE 1:10

WALKWAY FOR PEDESTRIANS 7.9 X 6.1 PARKING TOWER AS SPECIFIED BY THE VENDOR

UP SLOPE 1:30

RAMP TO THE BASEMENT 6.3M WIDE

DRIVEWAY 6M WIDE STORM WATER DRAIN BASEMENT LINE

C9

C7,C12

C4

C6,C8 C11

C3

C5

C10

LW2,LW4 SW2

LW1,LW3 LW5

C2

LW6,LW8

SW1,LW7

LW10

LW9,LW11

C1

RC4,RC7 RC10

RC1

RC3,RC6 RC9

RC2,RC5 RC8

GROUND FLOOR PLAN WITH LANDSCAPING

RC1 1.000 X 0.300

MANHOLE

MANHOLE

MANHOLE

RC1

MANHOLE

RC1

VEHICULAR RAMP TO GROUND FLOOR

C1,C2

W1

LW9 2.410 X 0.230

1.980

C1

UP

SLOPE 1:12

C5

SLOPE 1:12

2.000

C6,C7

EQ

FIRE DUCT 2.130

2.845

LW1 2.410 X 0.230 LW2 0.230 X 2.210

W1

RC6 0.300 X 2.000

1.999

2.005

0.469

C5 0.450 X 0.230

LW9,LW1

C7 2.000 X 0.450

C6 2.000 X 0.450

LW10 0.230 X 2.210

SERVICE PLATFORM

LW4 LW5

LW10,LW2

RC7 0.300 X 2.000

UP

DN

SLOPE 1:10

SLOPE 1:10

RC5,RC6 RC7

LW3 2.410 X 0.230

LW11 2.410 X 0.230 2.400

RC5 0.300 X 2.000

LW11,LW3

LW4 0.230 X 2.210

LW4

2.138

LW5 2.410 X 0.230

0.943

LW5

SHOWROOM SW1 0.250 X 2.180

UP EQ

EQ

EQ

EQ

4.431 7.231

EQ

EQ

EQ

EQ

EQ

EQ

EQ

EQ

EQ

W1

EQ

EQ

EQ

RC8,RC9 RC10

1.500

C1

1.054

EQ EQ

EQ

UP

SW2

EQ 4.398

RISER 0.150 THREAD 0.300

EQ

EQ

LW6

EQ

EQ

LW6 2.410 X 0.230

EQ

SW2 0.250 X 2.180

2.034

LW6

EQ

EQ

7.9 X 6.1 PARKING TOWER AS SPECIFIED BY THE VENDOR

EQ

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C8,C9 W1 F1

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EQ

RC10 0.300 X 2.000

W1

RC9 0.300 X 2.000

SW1

C9 0.450 X 2.000

W1

C8,C9

C8 2.000 X 0.450

0.3

EQ

DN

0.300

SW1

RC8 0.300 X 2.000

RC2,RC3 RC4

3.044

3.544

W2

W2

UP

C2

0.731

2.000

0.642 EQ

LIFT SHAFT 1.95X2.15

LW11,LW3

RC8,RC9 RC10

C2

W2

CANOPY OUTLINE

LW9,LW1 LW10,LW2 RC5,RC6 RC7

W2 F2

W1

C6,C7

W2 F2

2.344

W1 F1

5.960

PEDESTRIAN RAMP TO GROUND FLOOR

0.642

C3

METER ROOM

W2

UP

0.617

C3,C4

W3 F3

EQ

3.379

UP SLOPE 1:12

ELECTRICAL DUCT EQ

LOBBY

3.540

1.350

4.774

0.922

1.500

EQ

0.647

0.350

W3

C1,C2

0.894

EQ

EQ

W3

0.3

EQ

C4 0.230 X 0.450

8.292

CHAJJA 0.587

EQ

1.900

C5

DUCT AT 1st FLOOR LEVEL

C3 0.230 X 0.450 0.960

0.960

EQ

C3,C4

C2 0.450 X 0.230

3.028

1.500

2.251

C1 0.450 X 0.230

STAIRCASE TO GROUND FLOOR

PEDESTRIAN RAMP TO GROUND FLOOR

0.600

RC4 0.300 X 2.000

W3

RC3 0.300 X 2.000

W2

RC2 0.300 X 2.000

W2

RC2,RC3 RC4

LW7

EQ

EQ

LW7 W3

W3

F3

EQ

W3

LW7 0.230 X 2.210

C3 W3

0.600

C10 2.000 X 0.450

C11 2.000 X 0.450

2.239

RISER 0.150 THREAD 0.300

EQ

1.800

EQ

LW8 2.410 X 0.230

LW8

1.373

2.138

1.167

EQ

EQ

EQ

EQ

EQ

EQ

EQ

EQ

1.696

0.300

C12 2.000 X 0.450

LW8

2.138

C10, C11 C12

C10, C11 C12 DRIVEWAY DRIVEWAY

C9

C7,C12

C4 C6,C8 C11

C3

C5

C2

C10

LW2,LW4 SW2

LW1,LW3 LW5

LW6,LW8

SW1,LW7

C1

LW9,LW11

LW10

RC4,RC7 RC10

RC3,RC6 RC9

RC1

RC2,RC5 RC8

BASEMENT BOUNDARY WALL LINE

GROUND FLOOR PLAN

22.

C3 0.230 X 0.450

C2 0.450 X 0.230

C3 0.230 X 0.450

W3

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W2

0.642

W2

LW9,LW1 LW10,LW2 C5

C2

2.000

1.999

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C5 0.450 X 0.230

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W1 2.400

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C7 2.000 X 0.450

C6 2.000 X 0.450

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W1

21.138

LIFT SHAFT 1.95X2.15

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EQ

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EQ EQ

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GYPSUM BOARD DRY WALL FOR PARTITION

4.431

EQ EQ EQ

RISER 0.150 THREAD 0.300

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EQ 4.398

W1

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0.300

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W1 W1

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7.9 X 6.1 PARKING TOWER AS SPECIFIED BY THE VENDOR

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16.138

EQ

EQ

EQ EQ

EQ

EQ

0.943

SW1 0.250 X 2.180

UP

LW4 0.230 X 2.210

0.3

EQ

2.400

DN

SW1

6.664

SW1 0.250 X 2.180

2.138

C8,C9

W2

W2

1.350

W3 C2

C6,C7 C3,C4 C7 2.000 X 0.450

LW3 2.410 X 0.230

LW11 2.410 X 0.230

LW5

SW2

W2 F2

2.845

LW1 2.410 X 0.230 LW2 LW4 0.230 X 2.210 0.230 X 2.210

0.943

SERVICE PLATFORM

21.138 W2

2.130

C1

2.138

LW11,LW3 SW1 LW4

C6 2.000 X 0.450

LW3 2.410 X 0.230

LIFT LOBBY

LW10 0.230 X 2.210

2.005

EQ

FIRE DUCT

W1

LW10LW9 2.410 X 0.230 0.230 X 2.210

SERVICE PLATFORM

0.642

0.731

W2

EQ

F1

0.617

W2

LW11 2.410 X 0.230

LW10,LW2 LW5

W1

EQ EQ EQ EQ

C10 2.000 X 0.450

C11 2.000 X 0.450

EQ

1.167

EQ

EQ

EQ

EQ

EQ

EQ

EQ

1.696

0.300

4.588

C12 2.000 X 0.450

LW7 C10, C11 C12

EQ 2.686

W3

2.239

EQ

C10 2.000 X 0.450

0.600

EQ

RISER 0.150 THREAD 0.300

C11 2.000 X 0.450

1.800

W3

W3

2.138 C3

EQ

CONFERENCE ROOM

LW8 LW6

1.373

ADMIN OFFICE

W3 F3

4.092

LW7 0.230 X 2.210

EQ

SMOKE LOCK LOBBY

LW8 2.410 X 0.230

1.373

2.239

EQ

0.600

LW7

LW7 SW2

EQ

RISER 0.150 THREAD 0.300

2.034 EQ

2.138

LW8

CONFERENCE GYPSUM BOARD DRY WALL FOR PARTITION ROOM

EQ

ADMIN OFFICE

EQ

W3

EQ

SW2 0.250 X 2.180

EQ

W3

W3

RISER 0.150 C3 2.138 THREAD 0.300

LW8 2.410 X 0.230 LW6 2.410 X 0.230

LW6

2.686

W3 F3

4.092

EQ 4.398

EQ

EQ EQ EQ

EQ

LW6

EQ1.054 EQ 0.300

EQ

EQ EQ EQ EQ

7.9 X 6.1 PARKING TOWER AS SPECIFIED BY THE VENDOR

1.500

C1 W1

SW2

LW7 0.230 X 2.210

W1

UP

W1 F1

4.588

SMOKE LOCK LOBBY

1.800

EQ

LW6 2.410 X 0.230

EQ

EQ

EQ

2.034

LW6

1.167

EQ

EQ

EQ

EQ

EQ

EQ

EQ

EQ

C12 2.000 X 0.450

1.696

0.300

LW8

2.138

C9

C7,C12

C9

C7,C12

C4 C4 C6,C8 C11

C3

C5

C6,C8 C11

C5 C10

C3

C10 C2

C2

LW2,LW4 SW2

LW1,LW3 LW5

LW2,LW4 SW2

LW1,LW3 LW5

LW6,LW8 LW6,LW8

SW1,LW7

C1

LW10

LW9,LW11

SW1,LW7

C1

C10, C11 C12

LW9,LW11

C10, C11 C12

LW10

ST FLOOR N AT 5.5M RST FLOOR LAN AT 5.5M

C3

F2

W1

C10, C11 C12

F3

LIFT SHAFT 1.95X2.15

1.999

C5 0.450 X 0.230 W3

3.379

LIFTLOBBY LOBBY

W3

EQ

C5

LW11,LW3 LW9,LW1 LW4

2.845

0.230 X 2.210

EQ

3.540

W1

2.130

C1

0.647

0.350

2.251

W3

0.400

W2

EQ

W1

LW9 2.410 X 0.230

0.894

C5

C2

2.000

EQ

EQ

CHAJJA

C3,C4 C1,C2

COMPRESSOR DUCT AT 4th FLOOR

0.642

8.292

2.000

W2

C2

0.587

EQ

FIRE DUCT ELECTRICALLW1 2.410 X 0.230 DUCT LW2

EQ

C4 0.230 X 0.450

W2 F2

W2

3.379

C3,C4

EQ

F1

DUCT AT 1st FLOOR LEVEL

0.731

W2 F2

0.960

0.960

C6,C7

LW8

2.251

1.980 3.544

3.540

W3

C3

C2 0.450 X 0.230

3.028

LW9,LW1 C1,C2

LW7

0.642

W2

W3

F3

W1

C8,C9

0.617

W2

EQ

LOBBY

C5

LW10,LW2

0.647

W3

EQ

C1 0.450 X 0.230

C4

0.400

ELECTRICAL DUCT

1.350

C1,C2

0.894 0.350

EQ

EQ

EQ

EQ

COMPRESSOR DUCT AT 4th FLOOR

0.587

C6,C7

CHAJJA

8.292

3.028

C3,C4

C4 0.230 X 0.450

DUCT AT 1st FLOOR LEVEL

0.960

0.960

C4

C6,C8 C11 C6,C8 C11

C3 C3

C5

C10

C5

C10

LW2,LW4 SW2

LW1,LW3 LW5

C2

LW2,LW4 SW2

LW1,LW3 LW5

LW6,LW8

C2 LW6,LW8

SW1,LW7 SW1,LW7

LW10

LW9,LW11 LW9,LW11

LW10

C1

C1

C1 0.450 X 0.230

C1,C2

C4

C7,C12

C9

C7,C12

C9

C6,C8 C11

C4

C6,C8 C11

C3 C3

C5

C10

C5

C10

LW2,LW4 SW2

LW1,LW3 LW5

LW2,LW4 SW2

LW1,LW3 LW5 C2

LW6,LW8

SW1,LW7

C2

LW6,LW8

SW1,LW7

LW9,LW11 LW9,LW11

LW10

LW10 C1

C1

FIRST FLOOR PLAN

C1,C2

C3 0.230 X 0.450

C2 0.450 X 0.230

C4 0.230 X 0.450

DUCT AT 1st FLOOR LEVEL

C1,C2

CHAJJA

0.960

0.960

EQ

1.350

ELECTRICAL C2 0.450 X 0.230 DUCT

W3

F3

C4 0.230 X 0.450

DUCT AT 1st FLOOR LEVEL CHAJJA

W3

EQ

W3

LOBBY

C3 0.230 X 0.450

0.960

0.960

EQ

3.028

C3 W3

1.350

W1

0.943

0.3 EQ

W2

W2

W2

EQ

W1

7.231

F1

EQ

EQ

EQ

SW2 0.250 X 2.180

EQ

EQ

F1 W1

EQ

EQ EQ

EQ

SW2

W1

EQ 4.398

C1

SW2 LW6

SW2 0.250 X 2.180

RISER 0.150 THREAD 0.300

LW7

SMOKE LOCK 2.034 LOBBY

LW7 LW6 0.230 X 2.210 2.410 X 0.230

LW6

EQ

W3

W3

2.138 C3 W3

EQ SMOKE LOCK LOBBY

0.600

EQ

W3

C12 2.000 X 0.450

EQ

C10 2.000 X 0.450

0.600

W3

C11 2.000 X 0.450

LW7 LW8

2.138 C3 W3

EQ

LW8 2.410 X 0.230

C10 2.000 X 0.450

W3

F3

2.138

2.686

LIFT SHAFT

2.686

W3 F3

LW8 LW7 2.410 X 0.230 0.230 X 2.210

C8,C9

C1

W1

2.034

LIFT SHAFT

C8,C9 SW1

C9 0.450 X 2.000

W1

4.431

EQ EQ EQ

EQ EQ EQ

16.138

EQ EQ

7.231

EQ EQ EQ

EQ

EQ

EQ

EQ

EQ

EQ

C8 2.000 X 0.450

EQ

EQ

EQ

16.138

EQ EQ

EQ

EQ

EQ

EQ

UP

EQ

EQ EQ EQ EQ

4.398

SW1 LW5

C9 0.450 X 2.000

4.431

EQ EQ

0.3

EQ

C8 2.000 X 0.450

W1

EQ

LW6 2.410 X 0.230

LW5 2.410 X 0.230

UP

W1

UP

LW8

3.540

W3

2.400

LW4 0.230 X 2.210

0.943

DN

LW7

C10, C11 C12

LW11,LW3 LW5 LW4

LW4

LW5 2.410 X 0.230

W1

SW1

LW7

LW11,LW3 LW10,LW2

2.138

RISER 0.150 THREAD 0.300

LW8

LW9,LW1

21.138

LIFT SHAFT

SW1 0.250 X 2.180

LW6

C7 2.000 X 0.450

2.138

DN

UP

C5LW9,LW1 C6,C7 LW10,LW2

C6 2.000 X 0.450

LIFT 1.95X2.15 SHAFT

2.400

LW11 2.410 X 0.230

LW5

SW2

C6,C7 C7 2.000 X 0.450

LW4 0.230 X 2.210 LW3 2.410 X 0.230

C8,C9

LW6

C5 0.450 X 0.230

LIFT SHAFT

LIFT LOBBY

SW1 0.250 X 2.180

SW2

C2 C6 2.000 X 0.450

C2

EQ

LW1 2.410 X 0.230 LW2 LW3 0.230 X 2.210 2.410 X 0.230

W1

C8,C9

W2

W1

W1

SW1

LW10 0.230 X 2.210

SERVICE PLATFORM

W2 F2

W2

2.130

LW4 LW11,LW3 LW5 LW4

W2 F2

C5 0.450 X 0.230

C3,C4 C5

21.138

FIRE DUCT

C1

LW11 LIFT 2.410 X 0.230 SHAFT

C3

W2

LW1 2.410 X 0.230 LW2 0.230 X 2.210

LIFT SHAFT 1.95X2.15 EQ W1

LW10 0.230 X 2.210

SERVICE PLATFORM

C2

W3

2.130

W2

EQ

F3

W2

FIRE DUCT

EQ

W3

EQ

W1 LIFT LOBBY F1

LW9 2.410 X 0.230

LW9,LW1 LW10,LW2 LW11,LW3

LOBBY

EQ

C1

LIFT SHAFT

C6,C7

F2

C2

W3

W1

3.379

LW10,LW2

F1

LW9 2.410 X 0.230

C5

W2

F2

W2

W1

W2

EQ

EQ

ELECTRICAL DUCT

W2

C1,C2

C6,C7 LW9,LW1

EQ

EQ

W2

C3,C4

W2

3.379

C5

C3,C4

6.664

EQ

C1 EQ 0.450 X 0.230

C1,C2

3.540

C3,C4

EQ

COMPRESSOR DUCT COMPRESSOR DUCT AT 4th FLOOR AT 4th FLOOR

3.028

6.664

C1 0.450 X 0.230

C11 2.000 X 0.450

C12 2.000 X 0.450

C10, C11 LW8 C12

2.138

23.

C9 C9

C7,C12C7,C12

C4

SERVICE FLOOR PLAN

C4

C6,C8 C6,C8 C11 C11

C3 C3

C5 C10

C5

C10 C2

C2

LW1,LW3 LW5 LW1,LW3 LW5 LW2,LW4 SW2 LW2,LW4 SW2

LW6,LW8

LW6,LW8

SW1,LW7

SW1,LW7

C1

C1 LW9,LW11

LW10 LW9,LW11

VICE FLOOR ERVICE FLOOR N AT 9.5M LAN AT 9.5M

C10, C11 C12

LW10

C10, C11 C12

· ALL DIMENSIONS ARE IN METRES UNLESS MENTIONED · ALL DIMENSIONS AND LEVELS ARE UNFINISHED UNLESS OTHERWISE SPECIFIED.

· DO NOT SCALE THE DRAWING ALL WRITTEN DIMENSION TO BE FOLLOWED

· ANY DISCREPANCIES IN THE DRAWING SHOULD BE BROUGHT TO THE NOTICE OF THE ARCHITECTS PRIOR TO EXECUTION.

GENERAL NOTES:

· THE DRAWING SHALL BE READ ALONG WITH THE RELEVANT PLANS AND SECTIONS · PLINTH LEVEL IS +0.750 M.

· ALL DIMENSIONS ARE IN METRES U

· ALL INTERNAL WALLS ARE 150 MM THK WITH 8MM PLASTER ON

· ALL DIMENSIONS AND LEVELS ARE

· ALL THE EXTERNAL WALLS ARE 150 MM THK WITH EXTERNAL

· DO NOT SCALE THE DRAWING ALL W

BOTH SIDES.

OTHERWISE SPECIFIED.

FOLLOWED

PLASTER 12MM AND INTERNAL PLASTER 8MM.

· ANY DISCREPANCIES IN THE DRAW

· THE SIZES OF THE COLUMNS AND BEAMS ARE AS SHOWN IN THE

THE NOTICE OF THE ARCHITECTS P

DRAWINGS.

· THE DRAWING SHALL BE READ ALO

TERRACE FLOOR

PLANS AND SECTIONS · PLINTH LEVEL IS +0.750 M.

· ALL INTERNAL WALLS ARE 150 MM

SCHEDULE FOR DOOR ELEVENTH FLOOR

SYMBOL

SERVICE FLOOR

SPECIFICATION

BOTH SIDES.

SIZE

REMARK

TEMPERED GLASS DOUBLE LEAF DOOR WITH ALUMINUM FRAME FINISHED IN MIRROR POLISH STAINLESS STEEL

1.86 X 2.50M

ENTRANCE DOOR

ALUMINUM ROLLING SHUTTER DOOR WITH POWDER COATING

3.60 X 3.40M

CAR ENTRY DOOR

SINGLE PANELED PLYWOOD DOOR

1.00 X 2.20M

OFFICE, TOILETS

· ALL THE EXTERNAL WALLS ARE 150

PLASTER 12MM AND INTERNAL PLA

· THE SIZES OF THE COLUMNS AND B DRAWINGS.

SCHEDULE FOR WINDOW

TENTH FLOOR

SYMBOL

NINETH FLOOR

SIZE

REMARK

GRANITE FRAMED ALUMINUM WINDOW WITH DOUBLE SHUTTER AND FULLY GLAZED

SPECIFICATION

0.75 X 1.50M

DUCTS

GLASS LOUVERED ALUMINUM PANELED WINDOW

0.50 X 0.80M

TOILETS

GRANITE FRAMED ALUMINUM WINDOW WITH DOUBLE SHUTTER AND FULLY GLAZED

2.75 X 1.75M

LOBBY

1.12 X 1.75M

SMOKE LOCK LOBBY

EIGHTH FLOOR ALUMINUM WINDOW WITH DOUBLE SHUTTER AND FULLY GLAZED

SCHEDULE FOR WALLS SEVENTH FLOOR

SYMBOL W1

REMARK

12MM THK PLASTER WITH 2 COATS OF WHITE WASH, 1 COAT OF 8MM P.O.P. PLASTER, 2 COATS OF PRIMER TO ALL SIPOREX WALLS ALL FINISHED WITH PAINT

W1

W1

GENERAL NOTES:

SPECIFICATION

· ALL DIMENSIONS ARE IN METRES U

SHOWROOM, OFFICE

· ALL DIMENSIONS AND LEVELS ARE

TOILETS

· DO NOT SCALE THE DRAWING ALL

OTHERWISE SPECIFIED.

W1 W2

VITRIFIED WALL TILES ON PLASTERED SIPOREX WALLS.

W2

FOLLOWED

W2

SIXTH FLOOR

W2

LOUVERS

· ANY DISCREPANCIES IN THE DRAW

W3

1.5M HIGH DOUBLE CHARGE VITRIFIED WALL TILES ON PLASTERED SIPOREX WALLS

W3

W3

STEEL FRAME CLADDING

LOBBY

W3

SCHEDULE FOR FLOOR

FIFTH FLOOR

SYMBOL

FLAMED BASALT STONE CLADDING

FOURTH FLOOR

CANOPY PLAN

F2

· ALL INTERNAL WALLS ARE 150 MM

ALL OFFICE FLOORS, ROOMS, SHOWROOM

· ALL THE EXTERNAL WALLS ARE 15

ANTISKID VITRIFIED TILE FLOORING WITH MINIMUM 75MM SCREEDING.

TOILETS

· THE SIZES OF THE COLUMNS AND

CANOPY DETAIL

THIRD FLOOR

VISION GLASS

REMARK

GLOSSY DOUBLE CHARGED VITRIFIED TILE WITH MINIMUM 75MM SCREEDING.

DOUBLE CHARGED VITRIFIED TILE WITH MINIMUM 75MM SCREEDING.

F3

SYMBOL

SECOND FLOOR

C1

SPECIFICATION

DETAIL AT 1:3 REMARK METER ROOM, STAIRCASE, ALL ROOMS

10MM THK 1:1:2 PLASTER, 2 COATS OF WHITE WASH.

TOILETS

LEVEL PLASTERING & POP PLASTER FINISH TO CEILING, & GYPSUM BOARD/ BISON BOARD FALSE CEILING WITH INSITU LIGHT ARRANGEMENTS.

LOBBY

C2

C3

DRAWINGS.

BOLT ASSEMBLY

10MM THK 1:1:2 LEVEL PLASTER, 2 COATS OF WHITE WASH, 1 COAT OF 5MM P.O.P. PLASTER FINISH, 2 COATS OF PRIMER, 2 COATS OF WALL PAINT.

SERVICE FLOOR

MULLION

BOTH SIDES.

PLASTER 12MM AND INTERNAL PLA

LOBBY

SCHEDULE FOR CEILING

GREY ACP PANEL

THE NOTICE OF THE ARCHITECTS P

· THE DRAWING SHALL BE READ ALO PLANS AND SECTIONS · PLINTH LEVEL IS +0.750 M.

SPECIFICATION

F1

WALL FASTENER

ALUMINUM WALL BRACKET

KEY PLAN AT 1:500 BOLT ASSEMBLY RC1 1.000 X 0.300

KEY PLAN AT 1:500 FIRST FLOOR

RC3 0.300 X 2.000

RC4 0.300 X 2.000

RC6 0.300 X 2.000

RC7 0.300 X 2.000

C1 0.450 X 0.230

C2 0.450 X 0.230

0.955

W3

W3

F3

EQ

EQ

C3 W3

0.676

W1

W1

F1

W1 C1

LW9 2.410 X 0.230

W1

FIZED GLAZED GLASS 6MM THK

LW1 2.410 X 0.230 LW2 0.230 X 2.210 LIFT SHAFT 1.95X2.15

LW3 2.410 X 0.230

LW11 2.410 X 0.230

LW10 0.230 X 2.210

LW4 0.230 X 2.210

LW5 2.410 X 0.230

SW1 0.250 X 2.180

RC9 0.300 X 2.000

RC10 0.300 X 2.000

7.9 X 6.1 PARKING TOWER AS SPECIFIED BY THE VENDOR

SW2 0.250 X 2.180 LW6 2.410 X 0.230

W3

LW7 0.230 X 2.210

W3

W3

F3 C3 W3

LW8 2.410 X 0.230

TRANSOM COVER CAP ENTRANCE

ENTRANCE

GROUND LEVEL

DATE: 26-04-2023

CAR RAMP

PAGE NO: 20

WALL FASTENER ALUMINUM RIVET

DRAWING NAME: DETAILS

WALL FASTENER

SINGLE GLAZING VISIBLE GRID

NORTH ELEVATION

ALUMINUM WALL BRACKET

DATE: 26-04-2023

ACADEMY OF ARCHITECTU

CANOPY DETAIL

PAGE NO: 12

NAME: YUSRA ZAHOOR

CANOPY PLAN

EAST & SOUTH ELEVATION

1:100

ACADEMY OF ARCHITECTURE

3rd B. ARCH

NAME: YUSRA ZAHOOR

R NO: 50

CANOPY DETAIL

BOLT ASSEMBLY

DETAIL AT 1:3

STAMP:

SIGN:

S

SIGN:

SIDEDRAWING SECTION SCALE: NAME: OF CANOPY

MULLION

+54.0

TERRACE FLOOR

+48.250

TERRACE FLOOR

+44.750

ELEVENTH FLOOR

KEY PLAN AT 1:500

BOLT ASSEMBLY RC1 1.000 X 0.300

RC3 0.300 X 2.000

RC4 0.300 X 2.000

RC6 0.300 X 2.000

RC7 0.300 X 2.000

C1 0.450 X 0.230

C2 0.450 X 0.230

0.955 0.676

FIZED GLAZED GLASS 6MM THK

EQ

EQ W1

W1

W1

F1

LW9 2.410 X 0.230

C1 W1

LW1 2.410 X LW2 0.230 X LIFT SHAFT 1.95X2.15

LW10 0.230 X 2.210

LW3 2.410 X

LW11 2.410 X 0.230

LW4 0.230 X

LW5 2.410 X

SW1 0.250 X 2.180

+42.350

SERVICE FLOOR

RC9 0.300 X 2.000

RC10 0.300 X 2.000

7.9 X 6.1 PARKING TOWER AS SPECIFIED BY THE VENDOR

SW2 0.250 X LW6 2.410 X 0.230

W3

W3

F3

W3

LW7 0.230 X 2.210

C3 W3

CAR PARKING TOWER

C10 2.000 X 0.450

PLINTH LINE

LW8 2.410 X 0.230

TRANSOM COVER CAP

+38.850

TENTH FLOOR

+35.350

NINETH FLOOR

DRAWING NAME: DETAILS

+31.850

EIGHTH FLOOR

NAME: YUSRA ZAHOOR

C10 2.00

DATE: 26-04-2023 PAGE NO: 20

WALL FASTENER ALUMINUM RIVET

SINGLE GLAZING DETAIL

SINGLE GLAZING VISIBLE GRID

ACADEMY OF ARCHITECTU

GENERAL NOTES:

SIDE SECTION OF CANOPY

SIGN:

· ALL DIMENSIONS ARE IN METRES UNLESS MENTIONED

· ALL DIMENSIONS AND LEVELS ARE UNFINISHED UNLESS SEVENTH +28.350 OTHERWISE SPECIFIED. FLOOR

· DO NOT SCALE THE DRAWING ALL WRITTEN DIMENSION TO BE FOLLOWED

· ANY DISCREPANCIES IN THE DRAWING SHOULD BE BROUGHT TO THE NOTICE OF THE ARCHITECTS PRIOR TO EXECUTION. +24.850

SIXTH

FLOOR · THE DRAWING SHALL BE READ ALONG WITH THE RELEVANT

PLANS AND SECTIONS · PLINTH LEVEL IS +0.750 M.

STEEL FRAME CLADDING

· ALL INTERNAL WALLS ARE 150 MM THK WITH 8MM PLASTER ON BOTH SIDES.

FIFTH

+21.350 · ALL THE EXTERNAL WALLS ARE 150 MM THK WITH EXTERNAL FLOOR

PLASTER 12MM AND INTERNAL PLASTER 8MM.

· THE SIZES OF THE COLUMNS AND BEAMS ARE AS SHOWN IN THE DRAWINGS.

FLAMED BASALT STONE CLADDING

VISION GLASS

+17.850

FOURTH FLOOR

+14.350

THIRD FLOOR

+10.850

SECOND FLOOR

+8.45

SERVICE FLOOR

+4.95

FIRST FLOOR

GROUND LEVEL

ALUMINUM WALL BRACKET

ENTRANCE

WALL FASTENER

CAR PARKING TOWER

EAST ELEVATION

CANOPY CANOPY PLANPLAN CANOPY DETAIL

BOLT ASSEMBLY

DETAIL AT 1:3

24.

GENER

· ALL DIMEN

· ALL DIMEN

OTHERWIS

+48.250

· DO NOT SC

FOLLOWED

TERRACE FLOOR

· ANY DISCR

THE NOTIC

· THE DRAW +44.750

ELEVENTH FLOOR

+42.350

SERVICE FLOOR

PLANS AND

· PLINTH LEV

· ALL INTER

BOTH SIDE

· ALL THE E

PLASTER 1

· THE SIZES

DRAWINGS

+38.850

TENTH FLOOR

+35.350

NINETH FLOOR

+31.850

EIGHTH FLOOR

+28.350

SEVENTH FLOOR

STAIRCASE DETAILING +24.850

LOUVERS

SIXTH FLOOR

SECTION OF STAIRCASE AT 1:25 STEEL FRAME CLADDING

+10.850

SECOND FLOOR

+8.45

SERVICE FLOOR

+4.95

FIRST FLOOR

+0.750

PLINTH LINE

VISION GLASS

GREY ACP PANEL

FLAMED BASALT STONE CLADDING

GREY ACP PANEL

EQ EQ

VISION GLASS

GROUND LEVEL

CAR PARKING TOWER

ENTRANCE

EQ

21.726

THIRD FLOOR

FLAMED BASALT STONE CLADDING

35.450

+14.350

SW1 0.250 X 2.180

0.300

FOURTH FLOOR

SW1 0.250

EQ EQ

+17.850

EQ EQ EQ EQ EQ EQ EQ EQ

FIFTH FLOOR

EQ EQ EQ EQ EQ EQ EQ EQ EQ

SECTION OF STAIRCASE AT 1:25

+21.350

KEY PLAN

ENTRANCE

EQ

ENTRANCE

CAR RAMP

21.562

GLOSSY DOUBLE CHARGED VITRIFIED TILE

RISER 0.150 THREAD 0.300

MIDLANDING

SOUTH ELEVATION

9.972

EQ

EQ

LW6 2.410 X 0.230

SW2 0.250 X 2.180

LW6 2.410

DATE: 26-0

PAGE NO:

SECTION OF STAIRCASE STAIRCASE SECTION AT 1:50 STAIRCASE PLAN AT 1:20

SECTION OF STAIRCASE AT 1:50

SIGN:

· ALL DIMENSIONS ARE IN METRES UNLESS MENTIONED · ALL DIMENSIONS AND LEVELS ARE UNFINISHED UNLESS OTHERWISE SPECIFIED.

· DO NOT SCALE THE DRAWING ALL WRITTEN DIMENSION TO BE FOLLOWED

· ANY DISCREPANCIES IN THE DRAWING SHOULD BE BROUGHT TO THE NOTICE OF THE ARCHITECTS PRIOR TO EXECUTION.

4.197 · THE DRAWING SHALL BE READ ALONG WITH THE RELEVANT

5.178

4.197

5.388

4.197

7.055

2.512

7.055

PLANS AND SECTIONS · PLINTH LEVEL IS +0.750 M.

0.300

· ALL INTERNAL WALLS ARE 150 MM THK WITH 8MM PLASTER ON BOTH SIDES.

· ALL THE EXTERNAL WALLS ARE 150 MM THK WITH EXTERNAL 0.625

0.250 8MM. PLASTER 12MM AND INTERNAL PLASTER

· THE SIZES OF THE COLUMNS AND BEAMS ARE AS SHOWN IN THE

7.055

2.320

25.546

18.891

0.850

DRAWINGS.

1.366

0.762

8.182

WASH BASIN DETAIL SCALE 1:10

2.000

4.197

3.969 1.364

12.595

DETAILED PLAN OF TOILET AT 1:50 DETAILED SECTION OF TOILET SHOWING TILE DROP TOILET DETAILS

DETAILED PLAN OF TOILET KEY PLAN AT 1:500

RC1 1.000 X 0.300

C1 0.450 X 0.230

C2 0.450 X 0.230

C3 0.230 X 0.450

0.955

C4 0.230 X 0.450

W3

W3

F3 C3 W3

W2

W2 F2 W2

W2

F2 C2

C2

W2

0.676

EQ

EQ W1

W1

W1

F1

LW9 2.410 X 0.230

W2

RC7 0.300 X 2.000

W2

RC4 0.300 X 2.000

RC6 0.300 X 2.000

W3

RC3 0.300 X 2.000

W2

C1 W1

LW1 2.410 X 0.230 LW2 0.230 X 2.210

C5 0.450 X 0.230

C6 2.000 X 0.450

C7 2.000 X 0.450

C8 2.000 X 0.450

C9 0.450 X 2.000

LIFT SHAFT 1.95X2.15

LW10 0.230 X 2.210

LW3 2.410 X 0.230

LW11 2.410 X 0.230

LW4 0.230 X 2.210

LW5 2.410 X 0.230

SW1 0.250 X 2.180

W1

W1

RC10 0.300 X 2.000

W1

F1

7.9 X 6.1 PARKING TOWER AS SPECIFIED BY THE VENDOR

C1

SW2 0.250 X 2.180 LW6 2.410 X 0.230

W3

W3

F3

W3

LW7 0.230 X 2.210

C3 W3

RC9 0.300 X 2.000

W1

25.

ACADEMY

NAME: YU

GENERAL NOTES:

0.450

DRAWING DETAILS

LW8 2.410 X 0.230

C10 2.000 X 0.450

C11 2.000 X 0.450

C12 2.000 X 0.450

GE

· ALL

· ALL

OTH

· DO 2.100

1.057

0.350

0.200

THE

· THE

0.600

2.100

0.900

2.100

1.980

FOL

· ANY

PLA

· PLIN

· ALL

BOT

5.300

· ALL

PLA

· THE

DRA

SECTION AA’

GENE

· ALL DIM

· ALL DIM

OTHERW

· DO NOT

FOLLOW

· ANY DIS

SECTION OF STAIRCASE AT 1:25

THE NOT

· THE DRA

SW1 0.250 X 2.180

PLANS A

· PLINTH L

· ALL INTE

BOTH SI

· ALL THE

· THE SIZ

EQ

35.450

21.726

DRAWIN

EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ

EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ

0.300

PLASTER

KEY

EQ 21.562

GLOSSY DOUBLE CHARGED VITRIFIED TILE

RISER 0.150 THREAD 0.300

MIDLANDING 9.972

SECTION OF STAIRCASE AT 1:25

EQ

EQ

LW6 2.410 X 0.230 SW1 0.250 X 2.180

SW2 0.250 X 2.180

DATE

PAGE

DRAW DETA

DETAILED SECTION OF A STAIRCASE 0.300

21.726

35.450

EQ EQ EQ EQ EQ

EQ EQ EQ EQ EQ EQ

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DETAILED PLANPLAN OF A AT STAIRCASE STAIRCASE 1:20

NAME

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SIGN

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VERDE VISTA PROJECT TYPE - Architectural Design, SEMESTER 07 LOCATION - Malad, Mumbai // FACULTY - Ar. Darshana

VERDE VISTA

Housing, as one of the fundamental necessities for urban residents, has reached a point where vacant inventory coexists with a high demand for housing. This is especially evident in a city like this, the financial capital, which must cater to a diverse range of residential options that can define and enhance the lifestyles of its inhabitants. The city currently offers a multitude of residential typologies, reflecting the dynamic nature of the real estate market. In this evolving landscape, it becomes crucial to deeply understand the market and its dynamics, encompassing user requirements, affordability, proximity, amenities, and contextual social factors.

The studio’s primary focus was to explore innovative housing concepts that introduce design elements beyond the conventional market-driven housing supply. It seeks to challenge the existing system by which residential properties are developed within urban areas, questioning city bylaws and regulations. The aim was to pave the way for forward-thinking design solutions that not only address the current housing needs but also provide sustainable and visionary options for future generations, ensuring the city’s continued growth and development.

LOCATION PLAN

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BASEMENT PLAN AT -3M

GROUND FLOOR PLAN AT +3M

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PODIUM TOP PLAN AT +18M

MASTERPLAN WITH UNITS +22M

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FORM DEVELOPMENT The architectural design of this structure was meticulously conceived to prioritize the optimization of both natural light and ventilation for each individual unit within the residential building. The core principle was to ensure that all residents benefit from an abundance of sunlight and picturesque views.

This careful consideration stems from the understanding that access to natural light not only enhances the aesthetic appeal of living spaces but also significantly contributes to the well-11 being and quality of life for the inhabitants.

Furthermore, providing pleasing views from every unit creates an environment that is not only more visually appealing but also fosters a sense of connection with the surroundings, ultimately resulting in a more harmonious and sustainable living experience for all.

NAME : YUSRA ZAHOOR

ROLL NO : 41

HIGH RISE DESIGN

ACADEMY OF ARCH.

ISOMETRIC VIEW OF THE STRUCTURE

VIEW FROM THE UPPER PODIUM

VIEW FROM THE UPPER PODIUM

SECTION AA’

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VIEW FROM THE UPPER PODIUM

Comfortable and efficient residential floor planning combines aesthetics, functionality, and sustainability to create homes that enhance well-being. It involves optimizing space usage, ensuring smooth room flow, balancing privacy and communal areas, and embracing natural light and ventilation. Multi-functionality adapts to changing needs, and energy-efficient features reduce costs. Personalization adds uniqueness. A harmonious blend of form and function culminates in homes that deeply satisfy and elevate the quality of life for residents.

2BHK UNIT PLAN

3BHK UNIT PLAN

VIEWS FROM GROUND LEVEL

VIEWS FROM GROUND LEVEL

VIEWS FROM GROUND LEVEL

SECTION BB’

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CO-CURRICULARS

CO-CURRICULARS

Miscellaneous Works

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Being a member of the Student Council in the role of Graphics Co-Head provided me with a valuable opportunity to create captivating graphics for our college. This experience not only allowed me to refine my graphic design skills but also introduced me to new software tools, greatly enhancing the visual quality of our projects. In addition to my role in the Student Council, I also had the privilege of being part of the Confluence curation team for the year 2023. This event marked a significant milestone as it was our first exhibition post-pandemic.

As a member of the curation team, I actively contributed to the organization and planning of the exhibition. The theme, “Drawing Futures,” encouraged us to explore innovative methods of artistic expression, including the use of augmented reality (AR), virtual reality (VR), and other sensory multimedia, pushing the boundaries of traditional art forms. Furthermore, my experience at the Bamboo workshop held in Auroville by the Earthweavers was a unique and enlightening journey. This workshop provided valuable insights into various techniques of bamboo joinery, splicing, and molding, enabling us to craft functional and sustainable objects from this versatile material. It not only expanded my skillset but also deepened my appreciation for ecofriendly and traditional methods of craftsmanship.

Graphics created for AOA’s Official Instagram page

Curating AOA’s Annual Confluence Exhibition ‘23

Bamboo Workshop at Auroville, TN

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PHOTOGRAPHY

PHOTOGRAPHY

Miscellaneous Works

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Photography is not just about taking pictures; it’s about telling a story and capturing a feeling. Photography is a form of self-expression for me. It provides me with a means to encapsulate the intricate beauty of the world.

Whether I’m photographing people, places, or spaces, I feel like I’m freezing a moment in time, preserving it for all eternity.

When I photograph people, I’m capturing their stories and essence. It’s amazing how a single image can tell a whole narrative, evoking emotions and memories. Photographing spaces is like discovering hidden stories within the architecture and design. It’s a way to peel back the layers of history and understand the functionality of a place. Every space has a unique character, and I love the challenge of capturing it in a way that reveals its soul.

In my photography, I constantly seek new perspectives and push the boundaries of my creativity. It’s through this art form that I find a sense of purpose and a means to share my vision with the world. The collection I’ve shared is a small glimpse into the world as I see it through my lens. I hope you find as much joy and inspiration in these images as I do.

Thank you for joining me on this visual journey, and I look forward to continuing to explore the world through the art of photography.

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INNER UTOPIA Blender Workshop

INNER UTOPIA

“Speculating Realities” was an immersive world-building and concept art curation workshop that offered a unique journey into the realm of visual storytelling and the creation of captivating concept artworks. The focus of this workshop was on fostering creativity and honing artistic skills, with a particular emphasis on using Blender as a powerful tool for turning imagination into reality.

The workshop introduced us to the fascinating universe of world-building, where we learned to craft entire landscapes, civilizations, and narratives from scratch. The core essence of “Speculating Realities” is the exploration of the art of visual storytelling.

We delved into the intricacies of conveying compelling narratives through visuals, understanding how a single image can speak volumes and transport viewers to far-off worlds.

A central theme of this workshop revolves around the exploration of sci-fi utopias and dystopias. This theme opens the door to boundless creativity, allowing us to speculate on the future of humanity and the consequences of our choices. Whether it’s the gleaming metropolises of utopian societies or the dark, post-apocalyptic landscapes of dystopian worlds, “Speculating Realities” challenges artists to reflect on the possibilities of our future and to translate these visions into art.

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THANK YOU FOR READING

YUSRA ZAHOOR Academy of Architecture @yusraz20@aoamumbai.in +91 9136129392