ARTISTIC PORTFOLIO
Selected works
YULIIA IGNAT
Yuliia Ignat
Address
Date of Birth
Place of birth
Tel.
10/2022 – 06/2024 Master of Architecture KU Leuven Campus Brussels (Belgium). Diploma with honors (MSc magna cum laude)
09/2017 – 06/2021 Bachelor’s degree in architecture and urban planning with honours National Academy of Fine Arts and Architecture (Kyiv, Ukraine)
06/2018 Creativity, memory and speed reading courses
Fast processing of texts. Development and systematization of ideas (also in a team). Theory and use of different creativity techniques such as brainstorming, mind maps, «SCAMPER», Walt Disney method. Various methods of memorization.
10/2016 – 08/2019 Painting and drawing courses in a private studio
09/2012 – 06/2016 Studying at the art school for children №5 (Kyiv)
Classical (academic) drawing and painting, sculpture, decorative arts, art history.
Engagement
05/2019 Participation in Manifesto for a Just City activity organized by TU Delft
05/2019 Student conference for members of student councils «Building Alliance»
03/2019 – 03/2021 Founder and an active member of the Student Council
Software knowlenge
Adobe: Photoshop Illustrator InDesign BIM: Revit Archicad
1060 Saint-Gilles, Brussels, Belgium (be)
24.05.2000
Kyiv, Ukraine
+3247607**** julia.ignat134@gmail.com
Practical expirience
From 11/2024 Intern Architect in the Architectural Office Jaspers-Eyers Architects (Brussels, Belgium) Working with medium and big architectural projects of all stages.
08/2021 – 03/2022 Architect in the Architectural Office Budgenservice LLC (Kyiv, Ukraine) Experience with working with an ongoing construction on site.
Work carried out:
o Creation of architectural drawings
o Interior architecture, housing planning
o 3D visualization
o File systematization
o Taking construction dimensions
o Participation in conferences (also in English)
05/2020 – 06/2020 Internship.Junior Architect at Budgenserviсe LLC
Working on Multi-storey residential complex (high-rise building) with built-in public spaces.
Other projects
03/2023 – 06/2023 “Moelle Immense” –self-published book design
09/2020 – 11/2020 Public bus stop project competition (Top 10 Shortlist)
09/2020 – 11/2020 Steel Freedom contest (Semifinal)
Development of the design with a partner using steel structure.
Languages
Microsoft office: Word Exel PowerPoint
Modeling: 3DsMax+Corona Rhino+Grasshopper Autocad
English – C1 German – C1 Ukrainian –mother language Russian – C2 Dutch – B1
My work and more contact options
Date of creation: 2019-2023
The following images were created as apart of bachelor, master study or independently using various techniques and are ranging from quick sketches to fully developed artistic projects.
All of the following images (including photographs) were created by me individually.
Sketches
A set of architectural setches. Color pens, pencil. Collage.
Sketching is an essential part of learning visual artistic techniques. Additionally it is a helpful tool for designing, conceptualizing and also for depicting existing situation on an architectural site. In addition to being a fast way of creating imagery, sketches can be drawn on a small formats with the help of various materials.
Still-life with persimmon. Soft pastel. Fresh blooms. Soft pastel.
Houses on the river edge. Bamberg, Germany.
Drawing was studied by me intensively both during preparation for the university and during my Bachelor studies.
Creating images using exclusively graphite pencil is a standard skill in academic art education.
A drawing of an element of a 16th century house in Mechelen, Belgium.
A quick sketch of a pigeon.
Printed graphics
Such works are created by making a print from objects, stencils, engravings etc. by covering those in print ink and/or oil paint and then running them with a piece of paper through special press.
This artistic project refers to how one explores the surrounding world through their own unique perception. Random unconnected moments leave traces in the memory, which later get combined into a bigger picture. In the polyptych each piece is unique and individual and yet it contributes to an overall image.
Unnamed. Polyptych. Linocut, monotype, engraving on cardboard.
Texture and imperfections of prints of this kind are a unique feature of the technique. Making imprints of objects allows to depict them in an unusual way. An outcome is different from black-and-white picture or negative image.
Even with the use of the same stencil variation in outcoming images can be achieved by altering the amount and consistency of paint. This way there are never two identical imprints.
Birchwoods. Linocut.
Formal composition. Monotype.
Exploration composition rules within a given graphic technique. Created as a part of a study program.
The hills. Triptych. Linocut, monotype.
The following works focus on depicting the interaction of nature of Kyiv with “the urban”. The city has quite a lot of greenery which inhabits the spaces together with humans and influences our feelings and comfort.
Imprints of leaves. Monotype.
Works of this series highlight the difference between shapes and textures of natural vs humanmade objects and showcase the role that natural forces have to play even within strictly def ined environments.
Poplar tree. Drypoint etching.
One of the most common trees on the city. Especially in quarters built in Soviet times.
Abstract ink drawings
These images are created using ink and pens or fine-liners.
The purpose of creating these drawings (mostly improvisationally) is to obtain a dynamic graphic composition.
The drawings are small in size (up to 13*18 cm max) and feature a high level of detailing.
A self-published book developed in collaboration with Caroline Giraud (the writer based in Forest).
An image of the publication was generated on the basis of several factors like desired influence, target audience, practicality, manufacturing costs etc.
The book is printed using riso – a technology that prints each color as a separate layer allowing for wide color choice and high saturation. Riso printers leave unique texture and a layered image has a specific feel to it. This plays a huge role in character of the publication.
During the working process I have created files for printing sheets that later can be bent, stapled together and trimmed.
Moelle Immense (book design)
OÙ ?
Quand nos langues seront terres quand nos os seront bruit les cimes apaisées fouleront nos mémoires hirsutes
Où finit la rage ?
A book consists of 10 poems each of which has a unique illustration.
All the images have a common style and feature same 3 colors. Each illustration was produced using monotype in combination with drypoint printing, after which the piece was scanned and adapted for riso-printing.
A first run of 30 pieces was produced by me after finishing the layout phase. Afterwards the book was reprinted two times in small runs in Forest-based riso printing studio R-DRYER.
To where almond trees blossom (leporello design)
A leporello booklet was developed as a representation concept for a single poem in collaboration with Caroline Giraud that took place in Forest.
A primary task was to convey the character of the poetry and feelings depicted in it. The image was set after few consultations with the writer.
The two original versions are hand painted with watercolors and fineliners. The texture on the inner side of leporello was finished-off via watercolor pencils.
Each piece was painted on both sides on stretched thick watercolor paper, then folded and trimmed. Before bending the works were scanned which enables further digital reproduction and printing.
The booklet has a custom size (85mm by 24mm when folded) and was created only in two unique hand pained exemplars. Around a dozen of copies were printed for non-commercial use.
Initially, the project is not meant to be published.
Collaboration with Fœhn (ecopoetry illustraion)
Revue Fœhn is an intersectional ecopoetry project. Each issue is comprised of creations from invited writers and artists. https://www.instagram.com/revue.foehn/
A series of textures and illustrations has been developed as a reflection on a given theme (Crithmum maritimum).
Visual elements are meant to be combined or even integrated within texts and poetry around the same theme in order to form a unique magazine issue.
Fœhn spread
Illustration: Yuliia Ignat
Layout: Foehn team
Monoprinting atelier (illustration and atelier concept developed in collaboration with Caroline Giraud)
These images were created as experimental abstractions whereby the techniques used are accessible to people with no training in fine arts and can be explained within one session.
This page represents a concept of artistic-poetic atelier where participants experience interweaving between verbal and visual language. Under the guidance of a poet and artist people get to create their own images based on verbal reflections. Then the images are used as an inspiration for short texts or poems. The aim of this event is to make both poetry and art more accessible.
Cover for a poem booklet (written by Caroline Giraud)
NO PROPOSAL
Caroline Giraud
Oil paintings
Paintings on wooden panel or canvas. Mostly still-lives and studies created as part of sessions in a private art studio
A-la-prima etude of daffodils flowers Still life with an embroidered towel
National Ukrainian home.
Watercolors
Winter study sketch with a factory.
Watercolor allows for creating washes, flowing, translucent colors. It dries fast allowing for quick colorful sketches. At the same time using thin brushes allows to create exact and controlled shapes.
Illustration of a street in Lviv
Private house in Bayern, Germany
living room. Visual inner space with the
Structural diagram
Architectural works
courtyard with an artificial pond and plants, nature seems to This is how the strong visual connection with the outside
Date of creation: 2019-2023
(such as bedrooms), on the other hand, are visually and separated from each other by the walls. This creates a clear structure. It can be seen in the diagrams and sketches developed process. there is a separate functional area for grilling, which is visually
During the process of planning a residential building, it was important to examine the spatial relationships and their effects on human perception of the environment. The goal was to create a conceptual project. Particular attention was paid to the architectural composition and the artistic expressiveness of the design. At the same time, functional zoning had to be considered. The building area is located in a cottage village in the Kyiv region, Ukraine. A plot of land measuring 40 by 58 meters makes it possible to lay a garden on it. This increases the feeling of connectedness with nature. Greenery not only surrounds the building from the outside, but is also integrated into its perimeter.
The following architectural projects were created as apart of bachelor, master study or independently using various techniques and are ranging from quick sketches to fully developed artistic projects.
All of the following images (including photographs) were created by me individually.
Location: Chicago River, Chicago, Illinoise, United States of America
Date of creation: 06.2024
Based on preliminary research about city’s history and current social and physical living conditions this thesis addresses the topics of water bodies’ accessibility and use as well as considering potential development strategies.
An alternative approach to post-industrial river front development is showcased by an exemplary architectural project. The latter consists of two major types of interventions, namely the ones enabling natural environment along the river and the ones introducing human flow connections public activities to the newly rewilded areas.
Urban conditions analysis schemes
What if we didn’t have to sacrifice natural environment to development in our cities?
What if the city’s water bodies could be re-integrated into a larger ecosystem, maximizing micro-climatic effect as well as psychological benefit for the residents?
How can a post-industrial river front become an accessible public asset?
These questions are explored in this master thesis and local solutions are developed, which can be reproduced, multiplied and work within the whole city and beyond. Two different components, usually with distinct spatial separation are a focus of a design and research, namely natural environment and spaces for city residents. After analysing successful local practices of bringing nature to the urban watersides, an argument is made in favour of rewilding. It is proposed to dedicate as much area for nature as possible, so that with the time locally spread and suitable species can colonize free grounds creating a resilient and adaptable system.
Natural and human flows diagram
Site plan fragment
The goal is to create a vibrant diverse environment both for people and non-human users. An environment that can change and develop adapting to new challenges and needs.
The architectural project is an alternative to current development plans that provides housing combined with flexible community spaces.
Thesis booklet and synthesis paper
Location: Connecticut, USA
Date of creation: 03.2023
This task was part of the master’s studio program. It was performed in a pair with another student. We have chosen to study the Beinecke library (built in 1963 in in New Haven, Connecticut, USA by SOM).
Development and creation of the models were done together in close discussion with the project partner. All the sketches presented below were done by me.
The aim of the model is showcasing the building’s inner space. However, with the taken case study, the materiality and facade shapes are also important for the overall effect on a visitor.
A center of the composition is actually hidden inside of a non-transparent volume. A book block is a focal point of the library that underlines its function. In order to show all the aspects mentioned above a concept for case study was created.
The two models consist of numerous sections which are put together like slices in order to form a 3-dimentional image of the building. Both models are identical in scale and size but are sliced in perpendicular directions. This allows to show all the sides and desired elements. By combining the impressions from the two objects one can get a comprehensive image of the spatial structure that is normally hidden within the library.
By being positioned diagonally on the podium, this piece encourages a viewer to move around experiencing the case study from different sides.
Abstract
Location: Connecticut, Usa
Date of creation: 04.2023
The three models were developed as a part of a master’s studio Built Nothing. The emphasis was put on creating spatial relations. Specifically working with difference between public and private spaces.
An exercise of developing three abstract concepts for the building. Each model only shows main spatial and visual characteristics of the project. And yet it was followed by plans and sections made to match the brief.
Despite being abstract, each proposal accommodates the required program and conforms to building regulations. The models are of the defined size (maximum dimensions are 15*15*15cm) in order to fit into a context model. This helps to test the way a building would work with the surroundings.
Location: Brussels, Belgium
Date of creation: 05.2023
Current project is a development of one of the ideas of abstract shown earlier. A concept with three cylinders piercing building’s volume was chosen. Those volumes become a negative space that belongs to the city.
The studio has a black-and-white theme and emphasizes working with space. Modelmaking along with creating abstract simplified drawings were two of the key aspects of the approach to this project.
Siteplan in context
The site is located between the city park (South) and a courtyard of a school (North). The aim of the building’s ground level is to connect the two creating a comfortable pathway. Not only will this serve communication purposes but also get people in close contact with the library. A path through emphasizes openness and public character of the institution.
The building occupies maximal allowed volume and at the same time reserves some of the space within for the city. In the concept model, textured solids represent the empty space while all of the other volume of the cube is a boult matter. The project is built on the use of solid (the building) and void (cylinders, space for the city).
Conceptual model representing inverted space.
Small model in context
Small model in context was used to showcase the way the building works with the built environment.
Upper tilted cylinder lets sun beams in afternoon through so that they can reach the neighboring building. At the same time the voids function as light shafts bringing natural light into the interior.
Functional diagrams
Arrangement of the unbuilt within volume.
Fonctions: passage, vertical connection, public terraces. A void penetrated by a glass elevator.
Diagrams of spatial development
In order to represent the architectural concept, a second larger openable model was produced. This way inner space qualities can be better perceived.
model in scale 1:100 (size 35*35*30 cm)
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