Presented by:
Andy Warhol: Revelation Coming April 3
Discover another side of the Pop artist of Campbell’s soup can fame. Andy Warhol: Revelation is the first exhibition to comprehensively examine Warhol’s complex Catholic faith in relation to his artistic production.
Contemporary exhibition support provided by: Augusta and Gill Holland Emily Bingham and Stephen Reily
Media support from:
FROM
Additional support from: Christina Lee Brown The Paradis Family LG&E/KU Foundation Land Rover of Louisville
THE YEAR October 2019– September 2020
Exhibition season support provided by: Dav Fam Art Fund Cary Brown and Steven E. Epstein Paul and Deborah Chellgren Debra and Ronald Murphy Eleanor Bingham Miller
E T I V E N I N E O W RY E V E From the Director: In some ways, we could
In other ways, of course, the same year
describe this year the as
brought more change than any other year
consistent with others:
in my adult life, with a global pandemic,
We presented beautiful
a locked-down museum, and a new
exhibitions (including “Tales
reckoning with issues of racial justice,
from the Turf,” “Ebony G.
particularly in Louisville.
Patterson . . .while the due is still on the roses,” and “Andy Warhol: Revelation”); we expanded our education and outreach work across the city and state; and you, our supporters, made a record-setting level of contributions.
While I wish it had been a “normal” year, I also know that this year taught us more about ourselves, our mission, our family of supporters, and our community, than any other. And the lessons made us more Speed-like than ever before. Specifically, we became – and you helped us become:
More idealistic.
More resilient.
At the Speed we aim high, in terms of the We survived, with our mission and our art we exhibit and the impact we hope to have. Our Racial Equity Report, issued in August 2020, has been cited as a model in the field, and will guide our work in the years ahead. We also raised funds for three years of paid internships.
relationships intact. Given all that, I felt confident to announce that I would transition from my position as Director in 2021. Our teams, our mission, and our base of support are stronger than ever, ready
More curious.
to attract a great new director – and
Museums are machines for learning,
none of that would have happened
and last year we learned more than ever,
without support from you.
including unexpected lessons about how to support you (and your children and
Gratefully,
grandchildren) with digital events and educational offerings and new topics like ultraviolet germicidal irradiation, which we use to treat all our air. More inviting. Leaning our mission to invite everyone, we launched new digital offerings every week; we reopened our building safely in in early July; and we’re using this time to enhance your guest experience so that every visit gives you the kind of “butterflies” that makes you want more.
E T I V N I N E W RYO E
From the Chair, Board of Trustees TThe past year has felt
When the Speed finally reopened its
like an eternity. We don’t
doors on July 5, 2020, we opened with
have to wait for history
the safety of our staff and the public in
books to know that the
mind. The Speed’s safety-consciousness
Covid-19 pandemic is a
preceded the pandemic, with an already
defining moment of the
high-tech HVAC system, like the ones
21st century. Like all cultural institutions,
found in hospitals, large open spaces
the Speed Art Museum has been sternly
and a “no touch” policy. With the
challenged but it has met this moment
addition of limiting capacity, requiring
with ingenuity and redoubled devotion to
masks and social distancing, as well
mission.
as adding hand sanitizing stations
The abrupt shut-down to all of our activity was extraordinary and now, as we start to open back up, we take
throughout the exhibition, we showed guests that they could enjoy their visit at the Museum safely and without fear.
great pride in the resilience of and the
The compelling reopening exhibition,
dedication to the Speed Art Museum by
Andy Warhol Revelation set the stage
its boards, leadership, staff, and patrons.
for success, and I am happy to say it
During our four-and-a-half month closure, the Speed’s quick switch to digital through online programming helped keep connections strong and deepened relationships with donors and the public we serve. While many arts institutions and businesses shuttered their doors, the Speed leaned into its
exceeded all financial expectations and goals. Free admission for Free Owsley Sundays continues to be extremely popular and I am happy to say that it has been extended through March of 2024 with the support of the Owsley Brown II Family and the Brown-Forman Foundation.
mission of inviting everyone to celebrate
I have total confidence that the Speed
art by creating Speed Online a digital
will continue to grow and succeed and
platform that offered online artmaking,
serve the community as we face new
curatorial content, artist talks, Speed
challenges in these new and uncertain
Cinema film streaming, and much more.
times. We have proven that we don’t
hesitate to go boldly forward in the face
What comes after this historic turning
of adversity and can be proud that the
point will look different from what came
Speed remains one of the most dynamic
before, and I look forward to seeing how
mid-size museums within the art world.
the Speed will shape, and be shaped by,
I am proud to be part of the Speed and it has been an honor to serve as chair.
what comes next.
School and Teacher Programs The 2019-2020 school year began with
“plug and play” for their students. We
in-person offerings for K-12 students.
created a virtual version of our Where
From September 2019—March 2020,
in the World tour, designed for 3rd-
we served 10,521 students through our
5th grade students, and shared it with
school tour and Art Detectives programs
teachers through the Vamonde platform
both at the Speed and in classrooms
(www.vamonde.com). We then spent
across Kentucky and southern Indiana.
the summer creating additional virtual
Shortly after the Speed closed in March,
tours through Vamonde, as well as
we sent a survey to teachers asking
pre-recorded videos for each of our Art
how we could continue to support
Detectives crates. We’re looking forward
them as they made the switch to NTI
to sharing these resources, along with
and virtual learning. We heard back
other virtual program offerings, with
from over 60 teachers, many of whom
teachers and students during the 2020-
requested asynchronous offerings to
2021 school year.
Studio Programs Nurturing creativity is an important
Art Sparks from Home also became a
part of our educational mission, and
repository for a variety of resources to
studio programs like family and adult
keep families entertained during the
workshops, Art Lab, and summer camps
pandemic, including:
allow us to foster the creative process for Museum guests of all ages. We knew that providing opportunities for creative expression were even more important during the pandemic, and we released a robust set of online offerings under the umbrella of “Art Sparks from Home.” Filmed in our homes and using our phones, we created over 30 artmaking videos that encouraged viewers to create artworks using materials commonly found around the house. With over 3,300 views in just six months, Art Sparks from Home videos allowed us to stay connected and stoke creativity during a difficult period.
• Coloring book pages and paper dolls featuring artworks from the Speed’s collection • Artwork Explorations that posed questions and artmaking challenges for 20 different artworks • A variety of Museum games, including word searches, Mad Libs, scavenger hunts, Bingo, and more.
Community Outreach Through our Community Outreach work,
Bert Hurley’s Louisville Story, these
we continue to partner with social justice
artists created prints that told a story
and non-profit organizations across
about themselves and their lives
Louisville to provide opportunities for
in Louisville in their own exhibition
collaboration and creativity through
called Our Life, Our Stories. A second
our Community Connections program.
workshop series, open to anyone 55
During the 2020 fiscal year, we partnered
and over who wanted to participate,
with Play Cousins Collective to host an
looked at the iconic figures and places
eight-week workshop series for families
of Louisville. Inspired by Andy Warhol:
that have been impacted by separation.
Revelation, these artists created prints
We also worked with the 7th grade art
in a Pop Art style to commemorate
students at the W.E.B. DuBois Academy
and preserve the history of our city in
on a project focused on Black male
an exhibition called Louisville’s Iconic
identity. Both of these projects were put
Figures and Landscapes.
on hold during the pandemic, and will resume in the fall of 2021.
Creating opportunities for people to connect with artworks is at the heart
We also continued our work with mature
of what we do as Museum Educators.
populations (55 and over) funded by
During a global pandemic, engaging with
a grant from Aroha Philanthropies.
artworks and having an outlet for creative
Members of the Genesis Arts Senior
expression became more important than
Enrichment Group and Arts Reach
ever. I’m proud of what we were able
Jewelry Making Studio came together
to create during the first months of the
to reflect on memories of home, their
pandemic, and look forward to seeing
upbringing, and their neighborhoods.
how our Education offerings continue to
Inspired by the exhibition Loose Nuts:
evolve over the coming year.
R U E O S W NK OU A R H E T N RS E O G N O D
S
Accessions Donations Clifton Anderson
Ron and Deborah Murphy
Anonymous donor
Bob and Norma Noe
Barr Family Fund for American Sculplture
Northern Trust Prize
Mathew and Brooke Brown Barzun
Anne Brewer Ogden
Sallie Bingham
Chuck and Sarah O’Koon
Jennifer Blair
Elizabeth and Doug Owen
Mark Blieden
Stephen Reily and Emily Bingham
Jeffrey and Susan Callen
Reverend Alfred R. Shands III
Charter Collectors
Larry Shapin and Ladonna Nicolas
Paul and Viki Diaz
Stanley and Nancy Singer
Mrs. Harry S. Frazier, Jr.
Eden Bridgeman Sklenar
Sandy Gulick
Martha and Mark Slaughter
Jim and Sarah Haynes
Speed Contemporary
Alan and Shelly Kamei
Alice Speed Stoll Endowed Art Acquisition Fund
Leonard Leight
Rebecca Terry
Woo Speed McNaughton
Peter Thompson
Rishabh and Lopa Mehrotra
Wendy Waltman
Leslie and James Millar
Don Wenzel
Eleanor Bingham Miller
Steve Wilson and Laura Lee Brown
Contemporary Art Brian Eno English, born 1948 Peter Schmidt Germany, 1931 - 1980 Design developed by Yuko Uchikawa Once Again, But Different This Time; The Canasta Edition, 2014 Playing cards Gift of The Reverend Alfred R. Shands III 2019.9.1 Designed by Esher GuneWardena Architecture, Los Angeles, CA Ikebana Kit, 2012 Ceramic, bronze, dried winter berry sprig Gift of The Reverend Alfred R. Shands III 2019.9.2 Ry Rocklen American, born 1978 Trophy Modern, 2013 Trophy parts, lamp with bulb and electrical cord Gift of The Reverend Alfred R. Shands III 2019.9.3 Robert The American, born 1961 Design developed by Yuko Uchikawa Videography and Editing by Jackson Bridgers This is The End, 2017 Mixed media Gift of The Reverend Alfred R. Shands III 2019.9.4 Summer Wheat American, born 1977 Extinguishers, 2019 Acrylic on aluminum mesh Gift of the Northern Trust Prize and partial museum purchase with funds from the Alice Speed Stoll Endowed Art Acquisition Fund 2019.10 a,b Kameelah Janan Rasheed American, born 1985
Long Division II, 2018 Archival inkjet print Gift of the Northern Trust Prize 2019.11.1 Kameelah Janan Rasheed American, born 1985 Perimeter, 2019 Archival inkjet print Gift of the Northern Trust Prize 2019.11.2 Kameelah Janan Rasheed American, born 1985 Lazy Equation, 2019 Archival inkjet print Gift of the Northern Trust Prize 2019.11.3 Kameelah Janan Rasheed American, born 1985 Connect the Dots, 2018 Archival inkjet print Gift of the Northern Trust Prize 2019.11.4 Jeffrey Gibson American, born 1972 I Wish I Knew How It Would Feel To Be Free, 2018 Glass beads, artificial sinew, wool, tin jingles, steel studs, on canvas over wood panel Partial and promised gift, Adele and Leonard Leight Collection 2019.17.4 Dario Robleto American, born 1972 The Common Denominator of Existence Is Loss, 2008 50,000 year old extinct cave bear paws, human hand bones, stretched and pulled audio tape of the earliest audio recording of time (experimental clock, 1878), nineteenth century mourning ribbon, bocote, shellac, glass Gift of Stanley and Nancy Singer 2019.18.1 Dario Robleto American, born 1972 Balm of a 1,000 Foreign Fields, 2003 - 2004 Homemade balm (almond oil, beeswax, home
cultured antibiotics, pollen from artillery plant, Death’s herb, rupturewort, winter’s bark, bugleweed, honeysuckle, sweet chestnut, Tree of Heaven root, life everlasting root, life root, bitter sweet, antler velvet, ground vinyl dust from Marlene Dietrich’s “This World Of Ours”), cast and carved bone dust from every bone in the body, dirt from various battlefields, bovine cartilage, WWI U.S. military medical blanket, iron salvaged from the sea, melted bullet lead, zinc, nickel, water extendable resin, rust, walnut, typeset, glass Gift of Stanley and Nancy Singer 2019.18.2 Dario Robleto American, born 1972 [Nancy / Stanley], 2005 Stretched audiotape containing recordings of husband and wife Nancy and Stanley Singer’s heartbeats, recorded while they contemplated their feelings towards each other, glass, wood, mirrors Gift of Stanley and Nancy Singer 2019.18.3 Matthew Ronay American, born 1976 Blue Womb Rupture with Stipe, 2018 Basswood, dye, gouache, flocking, plastic, steel Gift of Matthew and Brooke Brown Barzun, Leslie and James Millar, Stephen Reily and Emily Bingham, Woo Speed McNaughton, Eden Bridgeman Sklenar, Mark Blieden, Sandy Gulick, Martha and Mark Slaughter, Don Wenzel, Ron and Deborah Murphy, Chuck and Sarah O’Koon, Larry Shapin and Ladonna Nicolas, Speed Contemporary, Jennifer Blair and Paul and Viki Diaz 2019.19.1 Matthew Ronay American, born 1976 Flexed Poised Breached Swollen, 2018 Basswood, dye, gouache, plastic, steel, cotton Gift of Matthew and Brooke Brown Barzun, Leslie and James Millar, Stephen Reily and Emily Bingham, Woo Speed McNaughton,
Eden Bridgeman Sklenar, Mark Blieden, Sandy Gulick, Martha and Mark Slaughter, Don Wenzel, Ron and Deborah Murphy, Chuck and Sarah O’Koon, Larry Shapin and Ladonna Nicolas, Speed Contemporary, Jennifer Blair and Paul and Viki Diaz 2019.19.2 Janine Antoni American, born 1964 Inhabit, 2009 Digital C-print Gift of Steve Wilson and Laura Lee Brown, Stephen Reily and Emily Bingham, Jim and Sarah Haynes, Alan and Shelly Kamei, Rebecca Terry, Wendy Waltman and Rishabh and Lopa Mehrotra 2019.20 Gabriel de la Mora Mexican, born 1968 193,000, 2018 7,720 used sides of 3,860 match boxes from 193,000 burnt matches on cardboard Gift of Speed Contemporary and Peter Thompson 2019.21 Chantal Peñalosa Mexican, born 1987 Afterlife of Untitled Depot by Nari Ward, 1997, 2019 Ink-jet print Gift of Jeffrey and Susan Callen 2019.25 Decorative Arts & Design Marco Zanini Italian, born 1954 Colorado Teapot, designed 1983 Earthenware Purchased with funds from the Alice Speed Stoll Endowed Art Acquisition Fund and gift of Elizabeth and Doug Owen 2019.8 John McMullin American, 1765 - 1843 Tablespoon, about 1820 Silver Gift of Clifton Anderson 2019.12
Donny Tolson American, born 1958 Cane, 1984 Poplar Gift of Anne Brewer Ogden 2019.13.3 American, central Kentucky Writing-arm chair, 1825 - 1835 Poplar, cherry (?), and other woods, paint, gilding Purchased with funds from the Alice Speed Stoll Endowed Art Acquisition Fund and Gift of Mrs. Harry S. Frazier, Jr. 2019.14 Pleasant Hill Shaker Community American, Mercer County, Kentucky Child’s Chair, 1830 - 1840 Maple, other hardwoods, oak splint seat Gift of Mrs. Harry S. Frazier Jr. 2020.2 Paintings Abraham Parsell American, 1791 - 1856 Portrait of a Man, early 19th century Watercolor on ivory From the Noe Collection, Gift of Bob and Norma Noe, Lancaster, Kentucky 2019.16.34 Tullio Crali Italian, 1910 - 2000 Flight at Sunset, 1930 Oil on canvas Gift of the Charter Collectors 2019.24 Sculpture Gertrude Vanderbilt Whitney American, 1875 - 1942 Honorably Discharged, 1919 Bronze Gift of the Barr Family Fund for American Sculpture 2019.15 Artist unknown German-Swiss Anne, the Virgin Mary, and the Christ Child, about 1520
Limewood, with original polychrome and gilding Anonymous gift 2019.23 Enid Yandell American, 1869 - 1934 The Five Senses, about 1909 Cast bronze Gift of Sallie Bingham 2020.3 Isabelle de Borchgrave Belgian, born 1946 Madame Adélaïde of France, 2020 Paper and mixed media Based on a painting by Adélaïde Labille Guiard, dated 1787 Purchased with funds from the Alice Speed Stoll Endowed Art Acquisition Fund 2020.11 Studio Craft Alma Wallace Lesch American, 1917 - 1999 Lillian, 1989 Linen, cotton, other fabrics, plastic buttons Gift of Anne Brewer Ogden 2019.13.1 Alma Wallace Lesch American, 1917 - 1999 Necklace, about 1990 Plastic, other materials Gift of Anne Brewer Ogden 2019.13.2 Michael Taylor American, born 1944 God Particle - Higgs Boson, 2015 Laminated and cold-worked glass Partial and promised gift, Adele and Leonard Leight Collection 2019.17.1 April Surgent American, born 1982 “…[not an] artist’s junket” Rockwell Kent, 2015 Cameo engraved glass Partial and promised gift, Adele and Leonard Leight Collection 2019.17.2
Nadège Desgenétez French, born 1973 Rise, 2018 Blown glass, metal stand Partial and promised gift, Adele and Leonard Leight Collection 2019.17.3 Textiles and Costumes Sally Foster Sheriff American, 1867 - 1936 Log Cabin – Barn Raising Variation, about 1910 - 1915 Cottons, wools and silks Gift of Eleanor Bingham Miller 2020.1 Works on Paper Artist unknown American Member of the Powel/Fish/Stuyvesant Family, early 19th century Black ink, heightened in white, on paper From the Noe Collection, Gift of Bob and Norma Noe, Lancaster, Kentucky 2019.16.1 Raphaelle Peale American, 1774 - 1825 Portrait of a Woman, early 19th century Hollow-cut paper, mounted on black painted paper From the Noe Collection, Gift of Bob and Norma Noe, Lancaster, Kentucky 2019.16.2 Artist unknown American Portrait of a Woman, early 19th century Black ink, heightened with gold and gum arabic, on paper From the Noe Collection, Gift of Bob and Norma Noe, Lancaster, Kentucky 2019.16.3 Produced for Peale’s Museum Portrait of a Man Hollow-cut paper, mounted on black fabric From the Noe Collection, Gift of Bob and Norma Noe, Lancaster, Kentucky 2019.16.4
William Chamberlain American, 1790 - 1860 Ebenezer and Prudence Cate Young, about 1820s Hollow-cut paper, heightened with white and black ink, mounted on black paper From the Noe Collection, Gift of Bob and Norma Noe, Lancaster, Kentucky 2019.16.5 Produced for the Hubard Gallery Captain Bozon, after 1840 Cut paper, heightened with gold, mounted on paper with brush and black ink From the Noe Collection, Gift of Bob and Norma Noe, Lancaster, Kentucky 2019.16.6 William Bache American, 1771 - 1845 Portrait of a Woman, about 1810 Hollow-cut paper, mounted on black fabric From the Noe Collection, Gift of Bob and Norma Noe, Lancaster, Kentucky 2019.16.7 Augustus Day American, 1804 - 1834 Portrait of a Boy Hollow-cut paper, heightened with black ink, mounted on black fabric From the Noe Collection, Gift of Bob and Norma Noe, Lancaster, Kentucky 2019.16.8 Charles Balthazar Julien Févret de Saint Mémin French, 1770 - 1852 Portrait of Gerrit Boon, Philadelphia, 1801 Engraving on paper From the Noe Collection, Gift of Bob and Norma Noe, Lancaster, Kentucky 2019.16.9 Possibly by John Miers English, died about 1821 Portrait of a Man, early 19th century Black ink on plaster From the Noe Collection, Gift of Bob and Norma Noe, Lancaster, Kentucky 2019.16.10
Possibly by John Miers English, died about 1821 Portrait of a Woman, early 19th century Black ink on plaster From the Noe Collection, Gift of Bob and Norma Noe, Lancaster, Kentucky 2019.16.11 Artist unknown American? Portrait of a Woman, early 19th century Black ink, heightened in white (?), on paper From the Noe Collection, Gift of Bob and Norma Noe, Lancaster, Kentucky 2019.16.12 John Miers English, died about 1821 Portrait of a Man, early 19th century Black ink on plaster From the Noe Collection, Gift of Bob and Norma Noe, Lancaster, Kentucky 2019.16.13 Produced for Miers and Field English, 1821 - 1829 William Miers English, 1793 - 1863 John M. Field English, 1771 - 1841 Portrait of a Woman, possibly Sarah Frampton, about 1821 - 1827/29 Black ink on plaster From the Noe Collection, Gift of Bob and Norma Noe, Lancaster, Kentucky 2019.16.14 M. Socke Irish, active 1829 - 1846 Portrait of a Man, 1844 Cut paper, mounted on lithograph on paper From the Noe Collection, Gift of Bob and Norma Noe, Lancaster, Kentucky 2019.16.15 William Henry Brown American, 1808 - 1883 Portrait of Ransom H. Gillet and Thomas W. Gilmer, 1841 Cut paper, heightened with white, black, and tan, mounted on paper with brush and black ink
From the Noe Collection, Gift of Bob and Norma Noe, Lancaster, Kentucky 2019.16.16 Augustin Amant Constant Fidèle Edouart French, 1789 - 1861 Portrait of a Man, 1829 Cut paper, mounted on paper with brush and black ink From the Noe Collection, Gift of Bob and Norma Noe, Lancaster, Kentucky 2019.16.17 Augustin Amant Constant Fidèle Edouart French, 1789 - 1861 Captain Silas Everett, 1840 Cut paper, mounted on paper with brush and black ink From the Noe Collection, Gift of Bob and Norma Noe, Lancaster, Kentucky 2019.16.18 William Henry Brown American, 1808 - 1883 James Fenimore Cooper, 1845 Cut paper, heightened with white, mounted on paper with brush and black ink From the Noe Collection, Gift of Bob and Norma Noe, Lancaster, Kentucky 2019.16.19 Martha Anne Honeywell American, about 1787 - 1846 Portrait of a Man, early 19th century Cut paper From the Noe Collection, Gift of Bob and Norma Noe, Lancaster, Kentucky 2019.16.20 T. P. Jones American, active about 1805 - 1826 Portrait of a Woman, about 1805 - 1810 Hollow-cut paper, brush and black ink, mounted on black paper From the Noe Collection, Gift of Bob and Norma Noe, Lancaster, Kentucky 2019.16.21 Isaac Todd American, died about 1811 Portrait of a Woman, about 1803 - 1811 Hollow-cut paper From the Noe Collection, Gift of Bob and
Norma Noe, Lancaster, Kentucky 2019.16.22 Frederick Mayhew American, 1785 - 1854 Mr. and Mrs. Nathan Thacher, 1825 Watercolor on paper From the Noe Collection, Gift of Bob and Norma Noe, Lancaster, Kentucky 2019.16.23 Artist unknown American John W. Claghorne, 1833 Black ink, heightened with gold and white, on paper From the Noe Collection, Gift of Bob and Norma Noe, Lancaster, Kentucky 2019.16.24 Artist unknown American William Rollinson, 1809 Black ink, brush and brown wash over graphite, on paper From the Noe Collection, Gift of Bob and Norma Noe, Lancaster, Kentucky 2019.16.25 Isabella Beetham English, active 1785 - 1809 Portrait of a Woman, late 18th - early 19th century Brush and black ink, pen and black ink, on paper From the Noe Collection, Gift of Bob and Norma Noe, Lancaster, Kentucky 2019.16.26 Augustin Amant Constant Fidèle Edouart French, 1789 - 1861 Man Reading the Times, 1832 Cut paper, mounted on paper with brush and black ink From the Noe Collection, Gift of Bob and Norma Noe, Lancaster, Kentucky 2019.16.27 William M. S. Doyle American, 1769 – 1828 Or possibly by Margaret Doyle American, died 1830
Portrait of a Man, about 1811 Hollow-cut paper, brush and black ink, mounted on black fabric From the Noe Collection, Gift of Bob and Norma Noe, Lancaster, Kentucky 2019.16.28 Augustus Day American, 1804 - 1834 Miss Lavinia Kearney, about 1833 Hollow-cut paper, mounted on black fabric From the Noe Collection, Gift of Bob and Norma Noe, Lancaster, Kentucky 2019.16.29 Artist unknown American? Portrait of a Man, early 19th century Black ink, heightened in red, on paper From the Noe Collection, Gift of Bob and Norma Noe, Lancaster, Kentucky 2019.16.30 Samuel Metford American, born England, 1810 - 1890s Charles Proctor, 1843 Cut paper, heightened in white, gold, and red, mounted on lithograph on paper From the Noe Collection, Gift of Bob and Norma Noe, Lancaster, Kentucky 2019.16.31 Samuel Dearborn American, active 1804 - 1823? Portrait of an Unknown Couple, early 19th century Watercolor over traces of graphite on paper From the Noe Collection, Gift of Bob and Norma Noe, Lancaster, Kentucky 2019.16.32 Patty Pranther Thum American, 1853 - 1926 Still Life with Rose, late 19th - early 20th century Watercolor and gouache on paper From the Noe Collection, Gift of Bob and Norma Noe, Lancaster, Kentucky 2019.16.33
Learn more about our year. Visit our website to see recent aquisitions, financials, lists of supporters, and other annual report information for our 2020 fiscal year (October 1, 2019 – September 30, 2020).
speedmuseum.org/annual-report
E T O T BRA E L T E R R C A VE E R O F
Financial Position: Fiscal Year 2020 Statement of Activities Revenue Gifts, grants, memberships, and sponsorships
$4,605,985
Auxiliary activities
$1,424,329
Net investment gains, endowment
$1,600,824
Investment income, endowment
$1,367,244
Total Revenue
$8,998,382
Expenses Physical plant and security
$5,243,814
Administration and information technology
$1,542,074
Curatorial, education, and exhibitions
$1,646,935
Accessions
$590,533
Auxiliary activities
$818,503
Membership, marketing, and public relations
$763,483
Development
$680,033
Total Expenses
$11,285,376
Change in Net Assets
$(2,286,994)
Statement of Financial Position Assets Cash and cash equivalents Receivables Cash restricted for capital improvements
$2,529,523 $12,625,781 $4,951,638
Investments
$56,980,612
Property and equipment, net
$51,662,174
Other Total Assets
$1,060,175 $129,809,903
Liabilities and Net Assets Accounts payable and other liabilities
$1,973,881
Net Assets
$127,836,022
Total Liabilities and Net Assets
$129,809,903
activities r statements audited by MCM CPAs & Advisors LLP.
Physical plant and security includes depreciation of $2,988,391
Learn more about our year. speedmuseum.org/annual-report