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ARTS + ENTERTAINMENT JANUARY 30, 2025

YOUROBSERVER.COM

MONICA ROMAN GAGNIER ARTS + ENTERTAINMENT EDITOR

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Portrait of an artist’s admirers Joe Fig used photos, software and paint to portray art lovers in Sarasota Art Museum’s ‘Contemplating Vermeer.’ Monica Roman Gagnier

Joe Fig stands in front of one of his works on exhibit through April 13 at Sarasota Art Museum.

IF YOU GO ‘JOE FIG’S CONTEMPLATING VERMEER’ When: Through April 13 Where: Sarasota Art Museum, 1001 S. Tamiami Trail Tickets: Free with admission of $20 Info: Visit SarasotaArtMuseum.org.

ife can get pretty meta these days. No, we’re not talking about the parent company of Facebook, but the concept of a thing within the thing. Case in point: Imagine sitting on a bench with artist Joe Fig in the Sarasota Art Museum, where his one-man show “Joe Fig: Contemplating Vermeer” is on display. Fig is explaining how he would use photography and software to create a painting of SAM visitors looking at his portrait of museumgoers studying Johannes Vermeer’s “Girl with a Pearl Earring.” As they used to say back in the ’60s — mind-blowing. Fig, department chair of the Fine Arts and Visual Studies programs at Ringling College of Art and Design, traveled to Amsterdam with his son in May 2023. Like more than 660,000 visitors from over 100 countries, father and son were drawn by the Rijksmuseum’s unprecedented Vermeer exhibition. The show included 28 of the 36 surviving masterpieces said to have been painted by the Dutch painter. The trip was motivated by the desire to see the epic exhibition, but Fig also had it in his mind to paint portraits of those looking at the Vermeer paintings. Fig, who is represented by the Cristin Tierney Gallery in New York City, is known for his detailed paintings of the intimate spaces where artists create their work. He is the author of “Inside the Artist’s Studio” and “Inside the Painter’s Studio.” Demand for tickets to the Rijksmuseum’s Vermeer exhibition was high, but Fig managed to get there with a bit of luck as well as some wheeling and dealing. “Tickets sold out in two days, but then my friend told me about a second round of ticket sales. After waking up in the middle of the night and hitting the refresh button on my computer over and over, I was able to get one,” Fig says. He ended up selling the ticket on eBay. Fig made enough money on that transaction that he was able to buy two new tickets, allowing him to take his son on the trip. Among the Vermeers on display at the Rijksmuseum show were “The Girl in the Red Hat” from the National Gallery of Art in Washington, D.C., as well as three paintings loaned by the Frick Museum in New York. The Frick was undergoing renovations and was willing to temporarily part with “The Girl Interrupted at Her Music,” “Officer and Laughing Girl” and “Mistress and Maid.” Those who want to learn more about the horse-trading involved in getting all those Vermeers to the Rijksmuseum should watch David Bickerstaff’s 2023 documentary, “Vermeer: The Greatest Exhibition,” which takes viewers behind the scenes of the negotiations between museum officials in various countries. Seven of the 28 paintings in the Rijksmuseum exhibition had never been seen publicly in The Netherlands before, including those from the Frick and “Girl Reading a Letter at an Open Window” from the Gemaldegalerie Alte Meister in Dresden, Germany.

Courtesy image

“Joe Fig’s Contemplating Vermeer” is on display at the Sarasota Art Museum through April 13.

SEE FIG, PAGE 2


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