A+E INSIDE: <CABARET: Life is beautiful in the Asolo Repertory Theatre production of the classic musical. 6
BLACK
TIE INSIDE:
CASTLE BY THE SEA: Florida Center for Early Childhood puts on 35th annual gala. 8>
ARTS + ENTERTAINMENT DECEMBER 8, 2022
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Jim Prosser flanked by Catherine Randazzo and Forrest Richards at a New Play Festival at FST.
Photos courtesy of Florida Studio Theatre
Jim Prosser performing in Laughing Matters during the 2009 season.
“I was surprised maybe 10 years ago when I realized that, ‘Oh, they know who Jim is.’ Because the piano player is not dead center.” —Richard Hopkins
Jim Prosser and Rebecca Hopkins work on the development of Laughing Matters in 2009.
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A H , E O A N D A O I P FT E He’s the indispensable man behind the music. For three decades, Jim Prosser has been FST’s Piano Man. SPENCER FORDIN A+E EDITOR
F
or 30 years, he’s been one of the most recognizable faces in the Sarasota theater world. And he rarely accepts a curtain call. Jim Prosser, Florida Studio Theatre’s resident pianist, arrived on the scene decades ago as an intern with hopes of writing music for children’s theater. He quickly made an impact at the company and over the years, his role has grown and grown. At this point, says FST’s Producing Artistic Director Richard Hopkins, the audience greets Prosser as soon as he steps on stage. And it hardly matters that he’s situated on the stage periphery. “He’s probably the most wellknown performer on the cabaret stage,” says Hopkins. “Jim has played so many cabaret shows, the audienc-
es know him and love him. It’s truly amazing. I was surprised maybe 10 years ago when I realized that, ‘Oh, they know who Jim is.’ “Because the piano player is not dead center.” Truth be told, that’s exactly how Prosser likes it. He loves being part of the ensemble, and he’s thrilled that he gets to be such a vital part of a performance on a regular basis. It’s been a natural evolution for the piano man, who says he grew up in a musical household in New Haven, Connecticut. His dad, Hal Prosser, played a lot of Broadway, Beatles and show tunes, imparting a lifelong love of music that has enriched the younger Prosser’s life. “He was my musical education,” SEE PIANO MAN, PAGE 2
of Maria Lyle Photography
Jannie Jones, Sue Haefner, Jim Prosser and Liz Power in “The Prima Donnettes” during the 2013-14 season.
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Photo courtesy