2023 portfolio • yasinee saeung

EDUCATION

YASINEE SAEUNG

Artist, Creative Director, Project Manager, Graphic Designer

I am a multi-disciplinary artist who is passionate about both creativity and management. My main objective is to learn, conceive innovative ideas, and effectively utilize my skills to enhance our lives.

PROFESSION EXPERIENCES

2018 - 2023

Artist, Illustrator, and Photographer minopus

2023 Co-Media Planner, Graphic Designer, Copywriter (3 Months • Jun - Aug)

Where We Belong at Chiang Mai, presented by Neo Wong Nok curated by Kornkanok Wongsuwan, Some Space Gallery, Chiang Mai, TH.

TECHNICAL SKILL

Mixed-Media

Exhibition Design

Photography

Photo & Video Editing

Film & Videography

Digital Painting

Watercolor Painting

Drawing & Illustration

Graphic Design

Layout Design

Proficiency academic written in Thai (Native)

Above average English (CEFR-C1 Advance)

Beginner in Deutsch and Korean

Bachelor of Fine and Applied Arts (Media Arts)

with First Class Honors and Full-funded Scholarship (GPA 3.77)

King Mongkut’s Institute of Technology Ladkrabang Bangkok, Thailand

COMPUTER SKILL

Advance

Adobe Photoshop

Adobe Lightroom

Adobe InDesign

Adobe Premiere Pro

Adobe Acrobat

Google Workspace

Intermediate

Adobe Illustrator

Adobe After Effect

Microsoft Word

Microsoft PowerPoint

Canva

Notion

Slack trello

SOFT SKILL

Creative Thinking

Analytical Thinking

Critical Thinking

Strategic Thinking

Conceptualizing

Researching Planning

Organizing

Problem-solving Management

Brand Marketing

Presentation

Public Speaking

Open-minded

Fast Learning

Self-motivating Teamwork

2022

Co-Project Manager, Project Coordinator, Content Writer, and Photographer (3 Months • Feb - May)

Where We Belong: Group Art Exhibition, presented by Neo Wong Nok curated by Kornkanok Wongsuwan, To Chare, Bangkok, TH.

Host (Docent and Researcher) • (5 Months • Jul - Nov)

Ghost 2565: Live Without Dead Time, Ghost Foundation in partnership with OPEN FIELD, Bangkok, TH.

Interviewer • (2 Months • Oct - Nov)

Creative Arts and Curatorial Studies Program

Faculty of Architecture Art and Design, KMITL, Bangkok, TH.

Data Collector and Database Administrator (Official Website) • (8 Months • Mar - Oct)

Department of Fine Arts, Media Arts, and Illustration Art (FMIAS)

Faculty of Architecture Art and Design, KMITL, Bangkok, TH.

Art Director, Curator, Project Manager, Project Coordinator and Graphic Designer OUR ACE HAN 1st Solo Exhibition of Ribbonn_B

Palette Art Space, Bangkok, TH.

Creative Director, Project Manager, Copywriter, Data Collector and Graphic Designer (Art Catalogue) • (3 Months • Jul - Sep)

Archei! KMITL Fine Arts Thesis Exhibition 2022 Faculty of Architecture Art and Design, KMITL, Bangkok, TH.

yasineesaeung@gmail.com

+66 (0) 930261959

www.linkedin.com/in/yasineesaeung

www.vimeo.com/minopus

2023 Co-Curator, Project Manager, Data Collector, Photographer (develop) (2 Months • Sep - Nov)

LHONG, Faculty of Architecture Art and Design, KMITL

Palette Art Space, Bangkok, TH.

CONTENT

18 ARTISTIC WORK

• Personal Project

- dear myself

- unconscious photography

- wish you wealth

- exploration; pak khlong project

• Selected Group Exhibition &Performative Event

• Graphic Design

- The Common Thread

• Book Cover

- That Summer in December 15th

• Illustration

- Portratit

• Photography

- Portrait

01

PROFESSION EXPERIENCE COMMISSION

• Where We Belong at Chiang Mai

• Where We Belong: Group Art Exhibition

• Ghost 2565: Live Without Dead Time

• Creative Arts and Curatorial Studies Program

• Department of Fine Arts, Media Arts, and Illustration Art (FMIAS)

• OUR ACE HAN 1st Solo Exhibition of Ribbonn_B

• Archei! KMITL Fine Arts Thesis Exhibition 2022

• LHONG, Media Arts, KMITL

- Blossom Bodies

- Secret Body

- Where We Belong

- A public conversation “On the suffering of the young”

- Bangkok Art Book Fair 2022

- Bangkok Illustration Fair 2022

- EMERGE : Photo Thesis Exhibition

- Valedictorian for Undergraduate Commencement 2022

- LHONG

• Publication

- dear myself - Photo Essay Column • The Cloud

- dear myself - Zine • Self-Published

- exploration; pak khlong project - Zine

• Self-Published

PROFESSION EXPERINCE

Where We Belong at Chiang Mai Neo Wong Nok

Where We Belong: Group Art Exhibition Neo Wong Nok Ghost 2565: Live Without Dead Time Ghost Foundation in partnership with OPEN FIELD

Creative Arts and Curatorial Studies Program

Faculty of Architecture Art and Design, KMITL

Department of Fine Arts, Media Arts, and Illustration Art (FMIAS)

Faculty of Architecture Art and Design, KMITL OUR ACE HAN Ribbonn_B

Archei! KMITL Fine Arts Thesis Exhibition 2022

Faculty of Architecture Art and Design, KMITL LHONG Media Art (FMIAS)

Faculty of Architecture Art and Design, KMITL

Where We Belong at Chiang Mai is an extension of the inaugural reveal at To Chare in Bangkok.

The expression "house or home" is related to the continual inquiry of human experience through establishing meaning and analyzing the emotional state according to the artist's conditions. Combining the past and the present has taken us back to the transition time frame, when humans have been recording and exchanging messages between artists and audiences.

Where We Belong at Chiang Mai

Neo Wong Nok

4 - 28 August 2023

Co-Media Planner Graphic Designer Copywriter

Some Space Gallery

Graphic Designer

• Conceptualized and created the key visual elements for the exhibition

• Prepared and managed all graphic design assets, including posters, installation plan, artwork price lists, etc.

Where We Belong at Chiang Mai

Neo Wong Nok

Copywriter

Reviewed and corrected the exhibition text

Examined and researched social media strategy to create a media plan

Co-Media Planner

Graphic Designer

Copywriter

Co-Media Planner

Co-Project Manager

• Gathered data and documents to create a price list and artwork captions

• Facilitated coordination among the gallery team, exhibition team, and artists

Content Editor

Created and edited content for social media promotion on official accounts

Where We Belong: Group Art Exhibition

Graphic Design

Managed physical printing tasks, including captions and posters

Created 1st draft installation plan through surveyed and delined gallery layout

Photographer

Captured and processed photographs of the opening reception and installation views

Neo Wong Nok

Co-Project Manager

Project Coordinator Content Editor Photographer

Photo Credit: Yasinee Seaung (Installation View Photo)

Initiated by Korakrit Arunanondchai and Akapol Op Sudasna, Ghost Foundation’s mission is to create a platform and foster a community for video and performance art in Thailand. By organizing the Ghost series and related activities, the foundation is committed to information accessibility and knowledge production.

OPEN FIELD is a Bangkok-based non-profit organization grounded in contemporary and everyday culture and knowledge as transformative power that can advance society. The platform undertakes research and educational programs, and aspires to sustain critical dialogue, improve access to knowledge and art experiences, and foster community.

Ghost 2565: Live Without Dead Time departs from an impasse produced by the lack of cohesion of time and space, and the tensions of contemporary life. The triennial video and performance art series takes Bangkok—its historical center in particular—as a physical palimpsest and metaphor for the incongruent visions that attempt to define this phantasmagorial city.

Ghost 2565: Live Without Dead Time

Ghost Foundation in partnership with OPEN FIELD

Source: www.ghost2565.com

Ghost 2565: Hosts is a docent program in which embodied and situated knowledge of artworks and locations is shared with visitors within and beyond the local community

As a host of this project, I always had one question: how would the awareness of structural problems received from the interaction that happens in this event between arts, people, and locals create a new attitude and influence the society?

I was really intrigued by the concept and execution of this festival, which shows how different social issues and oppression intersect. They brought artworks from all over the world and put them in Bangkok, which made us realize that many other places are dealing with similar problems. It is a chance to learn from their strategies and maybe even use them ourselves.

The real challenge is finding ways to connect with the stories in the artworks and become a part of them. It made me realize that we don’t have to resist or struggle to understand them.

Understanding or connection with the content is a great starting point for further exploring. But you also have the freedom to choose how you want to experience the artwork comfortably, because it takes energy to engage with it.

The important thing is to look at everything from the local community’s perspective, which is what we’re interested in and what these activities are all about. If we want to help them, we should directly communicate with them. It would be great if they could join us, explore the artworks, and exchange opinions, especially, when we stay outside the exhibition area, it would be great too. These could be ways to strategically approach the work for us as hosts who tell their own stories.

• Researched the comparison of local history between official history and oral history

• Docent, guiding visitors through artworks and exhibitions

• Demonstrated strong teamwork skills, consistently coordinating with colleagues

• Engaged in conversations with viewers and locals to record new stories and exchange experiences

during the workshop, fieldwork, and round table activities

Photo Credit: Ghost 2565: Live Without Dead Time (Official Instagram) Montika Kham-on, and Korakrit Arunanondchai

Host (Docent and Researcher)

Faculty of Architecture Art and Design, KMITL FMIAS (Official Website)

Creative Arts and Curatorial Studies Program

Faculty of Architecture Art and Design, KMITL

Interviewer

Speakers: Wutikorn Kongka / Ark Fongsamut / Angkrit Ajchariyasophon

- Researched the significance of curatorial work and the global trends in curatorial studies within the art scene

- Prepared interview scripts and question lists for interviewees, distinguished Thai curators and artists

Main Topic:

The Important of Curatorial Studies and How to involved with Global Art Scene

FMIAS (Official Website)

Faculty of Architecture Art and Design, KMITL

Data Collector Database Administrator reference: www.fmias.aad.kmitl.ac.th

Data Collector & Data Administrator

• Gathered and organized primary data

• Designed an archiving process and administered the front-end tasks

• Coordinated with Institute staff

• Assisted in refining paperwork, including artist statements and CVs

• Front-End developed; Uploaded and published all catagorized data

Photo Credit: www.fmias.aad.kmitl.ac.th

Photo Credit: Praew Supanida

curated and Proved artworks infographic for promotion & Keyring Packaging

OUR ACE HAN

1st Solo Exhibition of Ribbonn_B

designed installation plan through surveyed and delined the gallery plan

• Managed the end-to-end process of the art exhibition project and facilitated the artist

• Curated and selected artworks for the exhibition

• Created an installation plan and developed installation mockups

• Engaged in graphic design tasks for promotion, price lists, captions, and merchandise

• Collaborated with production suppliers and the gallery team to ensure coordination

Installation View

Photo Credit: @charlierixx (Twitter Account)

Ribbonn_B

Art Director Curator

Project Manager Project Coordinator Graphic Designer

Installation Mockup

Creative Director

Collaborated with the team to design and present draft versions of key visuals, themes, and exhibition mockups (both physical and online)

Archei!

KMITL Fine Arts Thesis Exhibition 2022

Faculty of Architecture Art and Design, KMITL

Creative Director, Project Manager Copywriter

Data Collector

Graphic Designer (Art Catalogue)

Project Manager

Developed an organizational structure to streamline workflow for 120 staff members

Guided online data collection forms using Google Forms and Google Sheets

Data Collector and Copywriter

• Verified and translated texts in Microsoft Word

• Categorized the collected data

Graphic Designer (Art Catalogue)

• Designed the layout of all templates using InDesign

• Completed the art catalogs, totaling over 450 pages

Artworks for promotion on social media such as Facebook Posts and Instagram Story

Sketch Idea & Key Visual

Leaflet Mockup

artchei! was talking about the COVID-19 pandemic, a global phenomenon, which parallels their studies period.

It caused the result of using the gradient technique referred to infection and the green and red colors as a virus

The official key visuals are casual, pop, and fluid

So I used colorful illustrations and simple formats to create the template.

Art Catalogs

Data Collector and Photographer

Collected and archived all documents using an online platform and captured photos during the opening day

LHONG

Media Art (FMIAS)

Faculty of Architecture Art and Design KMITL

Co-Curator Project Manager

Data Collector Photographer (develop)

Co-Curator and Project Manager

Reproduced the gallery plan to create an exhibition plan, streamlining the workflow

Graphic Design

The Common Thread Book Cover That Summer in December 15th

Illustration

Portratit

Photography

Portrait

The Common Thread, a Thai Youtube content creator who is interested in a criminal and mysterious story presented through investigative storytelling video.

In this project, the client wants to create merchandise. So I investigated corporate identity, which is an enigma and inspective symbolism as the result of using red color and yarning thread for the key visual and illustrated to be a red yarning thread in detective form. as well as the typographic logo name.

Client’s brief: Symbolism / Investigate / Simple

Keywords: Thread / Yarning / Red / Detective

Photo Credit: The Common Thread (Official Youtube) https://youtu.be/ou1DPphwnSg

ARTISTIC PRACTICE

Yasinee Saeung (minopus) is a Thai mixed media artist interested in the stories of daily life and the evidence of existence, gathered by observation and archive.

Since 2020, they have initialed the long-term project, dear myself a personal archive that was embodied from paintings, photographs, ready-made objects, and found footage. And their main practice toward the topic of desire, belonging, and identity through process art

Currently, they work as a freelance illustrator and photographer, including their artistic role through consistently participating in creative and cultural projects. Their objectivity is to evolve into an art professional dedicated to enhancing Southeast Asian society, particularly in their homeland of Thailand, alongside providing support for local creative industries.

PERSONAL PROJECT

dear myself unconscious photography wish you wealth exploration; pak khlong project

dear myself

2020 - 2023

mixed media installation, found footage video, dead plants, plastic model, woodboard, mural painting, drawing on papers, and mirror

The stories about hard-time life that illustrated through paintings and photographs of little things surrounding them. Not only just the storytelling but these also archiving their breath and soul together.

dear myself (2020) is a long-term project documented daily life stories and evidence of existence through observation and archive.

installation view

mixed media installation with found footage video, dead plants, plastic model, wood board, mural painting, drawing on paper, and mirror

location: fine art kmitl gallery

dear myself (zine)

bagasse cover, contained 40+ risograph, CHP, and metallic art prints

unconscious photography

unconscious photography

2020 - 2023

My obsession with my body and skin, realizing that it is the only thing I can truly possess. Feelings and thoughts arise to the point of losing self to their flame and then transforming into my subconscious.

The reverence of the Thai people’s holiness often materializes through the creation of symbolic representations, such as idol worship, rituals, diverse modes of expression, storytelling, and physical objects. These creations stem from a deeply held belief in the presence of profound energy within them.

“Milkweeds” refer to a specific type of flower traditionally used to craft garlands for worship. However, with the rise in consumer demand and the commercialization of religious practices, entrepreneurs have opted to use plastic as a substitute material to meet the needs of consumers. While some individuals may be unaware of or question this artificial phenomenon, many accept it as the norm, similar to natural milkweed garlands.

wish

2020

wish you wealth 23

exploration; pak khlong project

2020 documentary photography and zine

“ From the flower shipping car in childhood memory to the exploration of where it comes from ”

Something’s destination could be the origin of another’s memory. Not a gentle or subtle meaning, but there is the scent of post-harvest flower solutions and the frozen floor at 3 AM, which is the relationship between them, their family, and the flower. This exploration is not only the way to answer the doubt about the stranger but also to get to know their identity better.

I have pondered the relationship between religion and commercials within Thai culture, and I want to investigate my childhood memory and explore the narrative surrounding our family’s flower business.

I dedicated myself to observing and documenting the journey of flower parcels from 5 pm - 2 am. On the last day of the program, I tracked their parcel progress from Pak Khlong market to my home, Sakaeo, the out-of-town province, and documented how my family embodied them into products.

SELECTED GROUP EXHIBITION & PERFORMATIVE EVENT

Blossom Bodies

Avani+ Riverside Bangkok Hotel Secret Body

Hub Of Photography

Where We Belong

Neo Wong Nok

A public conversation “On the suffering of the young”

Arin Rungjang in partnership with Bangkok Art Biennale 2022

Bangkok Art Book Fair 2022

STUDIO150 in partnership with BANGKOK CITYCITY GALLERY

Bangkok Illustration Fair 2022 happening, decembell, and What If

EMERGE : Photo Thesis Exhibition

Hub Of Photography

Valedictorian for Undergraduate Commencement 2022

Faculty of Architecture Art and Design, KMITL LHONG Media Art (FMIAS)

Faculty of Architecture Art and Design, KMITL

Blossom Bodies

‘Secret Body’

‘There is no definition that would define this body of mine. This body was all derived from inner consciousness through perception.’ Through gestures and melodies, we all release our emotions, desires, and sensitivity in this place. Through a body that glitters brilliantly and the glistening hues that spread in the background, but still keep it hidden from people’s eyes, showing only a small amount of satisfaction.

“Secret Body” explores the mysteries of the body that cannot be discovered by simple looking. We are all in search of the purpose to exist in a society that is fully comprised of obligation, discipline, and consciousness when one life begins. But everyone has hopes and desires that cannot be blocked by this belief as long as we are human beings with diverse and complex sentiments.

This exhibition features photographs that depict the story of the uncovered bodies. To encourage the understanding that the artists who own the body of work are individuals with real stories, just like everyone else, and that their gender status, identity, and expression belong to them.

Secret Body

Hub Of Photography

3rd floor, MUNx2,

22 April - 25 June 2023

WHOOP!

Seacon Square Srinakarin

Group Exhibition By Jetketkarn Taikaew / Yasinee Saeung / Phatcharacom Nopacoh and Palawat Ngamsa-ard Curated by Thiti Teeraworawit

Photo Credit and Source: Hub Of Photography (Official Facebook Page)

“The sadness of facing time and change surrounded us, the fear of realizing that time is running out, and the desire to live as we wish. Language may archive certain things, but memory retains everything.”

Where We Belong

Where We Belong 2023 takes the idea of “the house or home” to expand the definition of meaning and emotional state by exploring conditions through the eyes of a gathering of artists who express them to the audience that experience together.

So, touching a “definition of the word house or home” connects us to the endless question of humanity’s experience. Furthermore, connecting the past with the present has led us back to a critical turning point. And, whether a conclusion can be reached or not, this period is regarded as a record of the artist’s narrative in the past of their other life, as told through the Where We Belong Exhibition, which sees humans as the linking of the way of life and understanding of identity in those lives as they change through demand and exchange of inspiration from overlapping information at each age.

Finally, where will the end of human satisfaction be in the six artists’ perspectives to provide an answer to the house or home, and what will we become as a part of this equation?

Source: Neo Wong Nok (Official Instagram)

Neo Wong Nok 6 - 31 May 2023 To Chare Story

Group Exhibition By Yasinee Saeung, Chareephorn Sarakarn, Natnaran Bualoy, Atipat Pooksrisuk, Thunyapaphat Kittithananuwong, and Virinsire Chomchey, Curated by Kornkanok Wongsuwan.

Photo Credit: Yasinee Saeung

From Artist Statement of dear myself by Yasinee Saeung

Photo Credit: Bacc (Official Facebook Page)

Source: www.bab22.bkkartbiennale.com/artwork/when-the-fish-is-chirping

A public conversation

“On the suffering of the young”

Arin Rungjang in partnership with Bangkok Art Biennale 2022

16 December 2022 Bangkok Art and Culture Centre, Fl. 8, In conversation with:

Arin Rungjang / Channarong Saelim / Pannaphat Meesitdee Teeradol Khamvong / Kullathida Krajangkul / Sarut Lerttammasiri Phatcharacom Nopacoh / Yasinee Saeung

A public conversation “On the suffering of the young”

“On the suffering of the young,” a public conversation about ongoing issues that the youths are facing mentally and physically, from the consequences of the politics, the economy, and rising technology.

Drop in to join the discussion with the youths together with leading artist Arin Rungjang within in an open space in the exhibition area of the work “When the fish is chirping”.

Photo Credit: BAB (Official Website)

public conversation “On the suffering of the young”

Photo Credit: Media Art KMITL (Official Instagram Page)

Bangkok Art Book Fair 2022

STUDIO150 in partnership with BANGKOK CITYCITY GALLERY

25 - 27 November 2022

BANGKOK CITYCITY GALLERY

co-exhibition booth with MEDIA ART, KMITL

Initiated by STUDIO150 in partnership with BANGKOK CITYCITY GALLERY since 2017, BANGKOK ART BOOK FAIR (BKKABF) is an annual event aimed to bring together self-publishing and co-creating community to contribute in discovering and exchanging ideas, cultural ideals, and artistic aspirations.

exploration; pak khlong project (2020)

Laser-print envelopes with small paper-folding, 5 pieces

184 x 115 mm. 80 gsm.

‘From the flower shipping car in childhood memory to the exploration of where it comes from’

Something’s destination could be the origin of another’s memory. Not a gentle or subtle meaning, but there is the scent of post-harvest flower solutions and the frozen floor at 3 AM, which is the relationship between them, their family, and the flower. This exploration is not only the way to answer the doubt about the stranger but also to get to know their identity better.

> E-Book: https://issuu.com/yasineesaeung/docs/ exploration___pak_khlong_project__2020_

dear myself (2021)

bagasse cover, contained 40+ risograph, CHP, and metallic art prints

105 x 148 x 19 mm (pages are not bound, hold together with a binder clip)

The stories about hard-time life that illustrated through paintings and photographs of little things surrounding them. Not only the storytelling but also archiving their breath and soul together.

> E-Book: https://issuu.com/yasineesaeung/ docs/dear_myself_2021_ebook

Source: www.bangkokartbookfair.info

Photo Credit: Media Art KMITL (Official Facebook Page)

Bangkok Art Book Fair 2022

Through using their body and perspective as a medium in their still-image and moving-image artworks. minopus has various techniques, namely, painting, sculpture, photography, video art, performance art, and installative mixed-media as exploring the opportunity to convey their everyday life experiences and their feelings in diversity society. Now, they are currently living and working in Bangkok.

Bangkok Illustration Fair 2022

happening, decembell, and What If 8 - 11 September 2022

Bangkok Art and Culture Centre, Fl. 8, booth minopus reference

www.bangkokillustrationfair.com/artist/2022/904

Bangkok Illustration Fair (BKKIF) is a large annual event that gathers artists of various generations and art styles from all around the world to showcase their works, share experiences, and find opportunities to expand on what they love and are passionate about.

After hosting the exhibition for the first time in 2021 in a hybrid platform with a focus on an online showcase, the BKKIF is now ready to promote the illustration society again in 2022 in an on-ground event platform that also provides the online archive.

Bangkok Illustration Fair 2022 is held from 8-11 September 2022 at the Main Exhibition Hall, 9th Floor, Bangkok Art and Culture Center (BACC). The event includes artwork exhibitions, sales of artists’ works, talks, as well as providing opportunities for artists to work in the professional field of Illustration. BKKIF 2022 was founded for art and illustration lovers, including the general public, business entities, media, and artists themselves, to participate in, learn something new, and receive positive energy.

Source: www.bangkokillustrationfair.com

Photo Credit: BKKIF and Yasinee Saeung

Photo Credit: Hub Of Photography (Official Facebook Page)

Bangkok Illustration Fair 2022

In today’s time, numerous new artists have bloomed all around the country from various universities, faculties and fields. Their talents are displayed through the creation of a diverse range of art, including new photography artworks of artistic value, emotions, and narratives awaiting to be discovered and appreciated.

HOP - Hub Of Photography proudly presents “EMERGE : Photo Thesis Exhibition”, an exhibition which assembles the photography thesis of students from the academic years 2021 and 2022 from institutes all around Thailand with a totalling of 12 institutes - 50 series of artwork. All 50 thesis’s will be displayed throughout our gallery zone exclusively at this exhibition.

In this exhibition, HOP - Hub Of Photography provides equivalent space for all graduates to freely design and arrange their artwork. Through the photographs, visitors will experience works of unique identities and presentations varied by the different interests and experiences accumulated through each artist’s life.

EMERGE

Photo Thesis Exhibition

Hub Of Photography

16 July - 11 September 2022

Hub Of Photography

3rd floor, MUNx2, Seacon Square Srinakarin

The “EMERGE : Photo Thesis Exhibition” is an opportunity space for graduates who are crossing to become new face photography artists to share stories from their perspectives for the public and people of the photography industry to discover

As a part of the future of the art industry, these artists are ready to imagine and forge new creations for the industry. Presenting their work in this exhibition may only be the first chapter in becoming a professional photographer, but counting from the day this exhibition comes to an end, many other doors and pathways will surely be open waiting for them to reach and venture through. That is why we sincerely hope that the “EMERGE : Photo Thesis Exhibition” will be part of what helps each artist discover the path they wish to walk through in the art industry, and support the artist in bringing out their full potential in future opportunities.

selected artworks: unconscious photography and dear myself,

Photo Credit and Source: Hub Of Photography (Official Facebook Page)

EMERGE : Photo Thesis Exhibition

selected artworks: wish you wealth (99 blessing)

Photo Credit: Kontawan Kantachat and Natthaphon Chaiworawat

LHONG

Media Art (FMIAS), Faculty of Architecture Art and Design, KMITL

26 - 27 November 2020 and 29 - 30 November 2020 Palette Artspace

Group Exhibition By Araya Klangngern / Benyapa Thongbanbo / Chonlapoom Janta / Kamolnat Osotprasit / Khierttikorn auklan / Mallika kaewnakha / Nalinnipha Kratoo / Nanthanat Wuthioran / Patsatorn Sinchu / Pete Prammanasudh / Pimnapas Anantasiri / Piyachat koedsang / Phimmawat yonlaphat / Punika Chotevichean / Rachatapon Leewanich / Saipin Sangshompu / Sathaporn Fuengkhajorn / Supatsiri Kongtavesak / Thanakrit Chaniem / Usanee Ruengkhet / Wilasinee khlongjai / Yasinee Saeung

“Lhong” is a Thai word that means to be fascinated about something. On the other side, this word can mean “getting lost” which is comparable to these art creators trying to find their own way (Experimental) or researching what they are interested in. By the way, these meanings depend on individual interpretation.

PUBLICATIONS

dear myself

Photo Essay Column • The Cloud

dear myself

Zine • Self-Published

exploration; pak khlong project

Zine • Self-Published

dear myself

reference: www.readthecloud.co/dear-myself

Photo Essay Column The Cloud 30 July

dear myself (2021)

bagasse cover, contained 40+ risograph, CHP, and metallic art prints 105 x 148 x 19 mm (pages are not bound, hold together with a binder clip)

E - Book: www.issuu.com/yasineesaeung/docs/dear_myself_2021_ebook

The stories about hard-time life that illustrated through paintings and photographs of little things surrounding them. Not only the storytelling but also archiving their breath and soul together.

exploration; pak khlong project

laser-print envelopes with small paper-folding, 5 pieces 184 x 115 mm. 80 gsm.

E - Book: www.issuu.com/yasineesaeung/docs/exploration___ pak_khlong_project__2020_

“ ‘From the flower shipping car in childhood memory to the exploration of where it comes from “

Something’s destination could be the origin of another’s memory. Not a gentle or subtle meaning, but there is the scent of post-harvest flower solutions and the frozen floor at 3 AM, which is the relationship between them, their family, and the flower. This exploration is not only the way to answer the doubt about the stranger but also to get to know their identity better.