Yashvi Dalal Interior Design Portfolio

INTERIOR DESIGN PORTFOLIO YASHVI DALAL 2013-2019

I have consolidated my theoretical knowledge with long and short-term internship experiences in Interior Design firms with different specialties. Efficient professional with 1+ years of experience and proven knowledge of space planning and 2D-3D drawings. Aiming to leverage skills to play the role of Interior designer.

Date Of Birth

Languages

Linkedin

22nd November, 1995

English, Hindi, Gujarati

linkedin.com/in/yashvi-dalal-b75845125/

Nationality

References

Instagram

Indian

Available on request

instagram.com/dalalyashvi/

PROFESSIONAL EXPERIENCE INTERN

YASHVI DALAL INTERIOR DESIGNER

CONTACT dalalyashvi@gmail.com +39-3279558541 Alzaia Naviglio Pavese 288, 20142, Milan, Italy(Temporary) 35-36 Shyamal Row house part- 3/A,Satellite, Ahmedabad, Gujarat(Permenant)

EDUCATION Scuola Politencnico di Design

Milan, Italy Masters of Interior Design

School of Environmental Design and Architecture, Navrachana University

Vadodara, India Bachelor of Design(Interior Design)

Studio Keyart, Milan, Italy/ September- November 2019

•Plan and design interior environments for residential spaces by using computer-aided drafting (CAD) and related software to produce drawings.

•Render design ideas in order to make the client understand the space better.

•Formulate a plan to be practical, aesthetic, and conducive to intended purposes. Arrangement Of fixtures, accessories, draperies, paint and wall coverings, artwork, furniture, and related items.

•Estimate material requirements and costs, and present design to client for approval. Confer with the tutor to determine factors affecting planning interior environments, such as budget, architectural preferences, and purpose and function.

INTERN

Errol Reubens Associates (Architecture- Interior Design firm), Errol Reubens(CEPT), Ahmedabad/ June- October 2018

•Plan and design interior environments for interior spaces and use computer-aided drafting (CAD) and related software to produce construction documents of the same.

FREELANCE

Bedroom design of Shaily Thakore, Ahmedabad/ January- March 2018

•Freelance work of renovation and added furniture for an Indian client Mrs. Shaily Thakore. Worked till the final execution of the project.

TEAMWORK

SEDA, Navrachana University, Prof. Gurdev Singh(Dean), Vadodara/ May 2017 •Design, detailing and execution; Exhibition Space Design

INTERN

Suktrut (Interior Design firm), Amala Shah(NID), Ahmedabad/ May- June 2015 •Furniture and spatial designing

INTERN

Dilip Soni Architects(CEPT),Ahmedabad/ May- June 2015

PROFICIENCY SOFTWARES

Autodesk AutoCad Sketch up Rhinoceros Luxion Keyshot Climate Consultant Adobe Photoshop Adobe InDesign Microsoft Office

RELATIVE STUDY PROGRAM 2016

Jaislmer to study architecture of stone houses with mentor Architect Mohammed Ayaz Khan (visiting faculty at SEDA and CEPT), Ahmedabad and Vadodara, India

2015

Bamboo Workshop at Mandavi by Architect Hiten Chavda(visiting faculty at SEDA), ZED- BCIL, Vadodara, India

EXHIBITION 2017

Photographs were exhibited at the Faculty of Fine Arts, MSU by Photoract

2016

Academic projects of Residential Design, Retail Design and furniture design were exhibited in annual exhibition conducted by SEDA, Navrachana University

2016

Adaptive re-use design was exhibited of Museum for Indian classical music instruments and a performance area and to preserve culture and traditional values existing stepwell was kept intact, at Sevasi stepwell.

2015

First year spatial design work was exhibited in annual exhibition conducted by SEDA, Navrachana University

2014

Theatre set design project for a Marathi play was exhibited and discussed in annual exhibition conducted by SEDA, Navrachana University

Adobe Lightroom 3Ds Max V-ray Dialux Lumion

PUBLICATIONS MANUAL SKILLS Conceptualization Schematics Spatial Planning Sketching Rendering Manual drafting Model Making Design Research

20162017

Thesis: A study of Urban Interiority through Tea-drinking spaces in Baroda

INTERESTS Traveling, Photography, Swimming, Painting, Reading, Baking, DIY work, Pottery

CONTENTS

01

02 AMID

07 ACUTE

PERCEZIONE

08 FURNITURE DESIGN

03 PAUSE

09 ACADEMIC WORKING DRAWINGS

04 UNLATCHED GUCCI

10 OTHER WORKS

05

06 CORE

HIATUS

01

AMID

LOCATION Via Vincenzo Civerchio, 2, Milan

01

CAFE/ BAR AND RESTAURANT DESIGN Master’s Project

Semester 1 Prof. Andres Mahjoubian

Vehicular Access Atelier Courtyards in the areas

ARTS CLUB, CAFE AND EXHIBITION CENTRE Studio focuses on the centre with a space to display temporary exhibitions of contemporary art of national and international standing and for locally produced works. Two gallery spaces are to be provided allowing the artist to define the space. CafĂŠ/bar/ bistro with a middle- eastern character area is to be a dynamic, vibrant area which will serve visitors of centre, members and neighbourhood also non-visual arts audiences with seating provided plus mixed seating and standing in the bar area which opens out to the courtyard. Gallery shop is to be accessible the entrance and as well as connected to one of the area open to public.

Area of Focus in relation to city

Metro Stop-Zara

Site Pictures

CONCEPT Form Evolution

Courtyard

Cascina

Spatial Zoning and Connectivity to the Courtyard

Transformation of Form Into Space Connectivity of roof and the node connecting all the buildings- courtyard is achieved by an intermediate space with light flushing from the top as well as the facade.

PUBLIC ENTRY

STORE

ENTRANCE/ COFFEE BAR

CAFÉ

Proposed Spatial Zoning

Existing Spatial Zoning

GARDEN GALLERY

Office Spaces

Atelier Space

Atelier Space

Cafe

Primary Entry

Artist Lounge

Secondary Entry

Public Entry Private Entry

ARTIST’S ENTRY

ARTIST’S LOUNGE

SPACE PLANNING DRAWINGS

‘Liminal’

‘Communal’

The hierarchy of the spaces flow in such a manner that you enter into a courtyard(open space) move to the patio built from glass which gives the feeling at the threshold of inside and outside and then move in to the store and then into the bar area(closed seating space) with a view of the courtyard.

SECTION AA’

BASEMENT PLAN

‘Cascio’

GROUND FLOOR PLAN

FIRST FLOOR PLAN

MATERIALITY OF THE FOCUSED AREA- CAFE/ BAR

NCS COLOUR MAPPING OF CHOSEN MATERIALS AND FINISHINGS

PROPOSED MATERIAL PALETTE 1

PIETRA PIETRA D’ISTRIA D’ISTRIA

4

MOSAIC MARBLE MOSAIC

NCS S 6020-Y50R

NSC S 8010-R90B

NSC S 0907-Y30R

NSC S 6020-G10Y

NSC S 2060-Y50R

NSC S 1040-Y10R

NSC S 0630-Y20R

3 2

5

TEAK PARQUET TEAK PARQUET

PLASTER PLASTER WITH STRAW WITH STRAW

BLACK BLACK MARQUINA MARBLE MARQUINA MARBLE

GROUND FLOOR CAFE’/BAR PLAN

FIRST FLOOR CAFE’/BAR PLAN

3

B B

EXISTING SPATIAL ZONING

B B

B B

B B

1

4 2

5

THE WHITE BOX THE WHITE BOX GROUND FLOOR PLAN

GROUND FLOOR PLAN

YASHVI DALAL YASHVI DALAL SHREEYA NANDHINI UDAYANAND SHREEYA NANDHINI UDAYANAND

THE WHITE BOX THE WHITE BOX GROUND FLOOR PLAN

GROUND FLOOR PLAN

YASHVI DALAL YASHVI DALAL SHREEYA NANDHINI UDAYANAND SHREEYA NANDHINI UDAYANAND

SECTIONAL ELEVATIONS OF CAFE/ BAR

SECTION BB’

SECTION CC’

SECTION EE’

SECTION FF’

SECTION EE’

THE WHITE BOX

LONGITUDINAL SECTION

YASHVI DALAL SHREEYA NANDHINI UDAYANAND

THE WHITE BOX

LONGITUDINAL SECTION

YASHVI DALAL SHREEYA NANDHINI UDAYANAND

LIGHTING DESIGN-DIALUX

GROUND FLOOR PLAN

FIRST FLOOR PLAN

02

PERCEZIONE

LOCATION Via Landolfo, 1, Milan

02

FASHION RETAIL DESIGN

MASTER’S PROJECT SEMESTER 2

Prof. Andrea Manfredi

FASHION RETAIL STORE FOR HANDBAGS Studio focuses on designing a retail store for fashion handbags brand from Tuscany- “The Bridge”, who works with naturally tanned Italian leather with precision. As an outcome the bags are classy elegant and designed for youth who believes in older craftsmen tradition as well as nomadic, slow life culture of today. Today the brand needs a kind of revolution that can get them customers of youth.

The site is located at one of the main shopping streets of the city.

The Bridge Store Road Networking Sforzo Castle

Site Pictures

CONCEPT Form Evolution

The orthogonal existing grid expresses a general idea of a stereotypical right angled space. Rotating the grid helps develop an entire new perception. Using two different grids and choosing the right spatial placement of modules of display. The sense of grid is enhanced by showing the grid on walls, ceilings and also on floor and use it as a structurally.

Changing the perception of the product for modified target group of the brand: Brand since all these years has been perceived as stereotypical leather brand. The brand identity is unanchored to the new target group.

Product as the main art and space as the art installation to focus the product.

Changing perception of the product and not the space to focus details of the product from different directions and angles.

Sharp angles, crisp edges, mirrored surfaces And pure geometric forms delineate areas for display.

SPACE PLANNING DRAWINGS

‘Perception’

‘Illusion’

‘Dynamic’

Service areas

Luggage display

ACCESSORY DISPLAY

LUGGAGE DISPLAY

Display Shelves

Accessory display

AXONOMETRIC VIEW

ENTRY

Entry

PLAN

GROUND LEVEL PLAN

CASH DESK

Cash desk

SHELVES

Exclusive display

GROUND LEVEL PLAN SCALE 1:75

SECTION AA’

GROUND LEVEL PLAN SCALE 1:75

SECTION BB’

CUSTOM FURNITURES

FUNCTION:

FUNCTION:

MATERIAL:

MATERIAL:

GENERAL DIMENSION:

GENERAL DIMENSION:

Accessory display unit

Glass

1440mm X 550mm X

Cash desk

Mirror, Wood

1440mm X 550mm

FUNCTION: Bag display

MATERIAL: Plexy glass

GENERAL DIMENSION:

350mm X 2400mm

03

PAUSE

LOCATION Kevdabaug, Vadodara, Gujarat 390001, India

03

THEATRE DESIGN

Site for stage design consists of a templea tank surrounded by many dense urban settlements. Located in the vicinity of the Khanderao market, the Talav- Lake can be approached from multiple routes. Various accesses are through a residential area, a commercial zone and a temple compound.

The permanent steps and temporary stage construction is taken as an important feature of the design proposal.

Bachelor’s Project Semester 8

Prof. Sunita Dalvi(Urban Designer)

THEATRE STAGE AND PLAY SEQUENCE DESIGN Studio is based on Vijay Tendulkar’s Marathi play ‘Ghashiram Kotwal’. From direction to drama and music, play took its own ‘point of departure’. While adding the context of Baroda city and the rich history of Maratha rule, studio takes opportunity to translate text into spatial construction of events. The lake’s connection with the temple is taken as proposed settling within the settling within the city for stage design for play. Psychology of physical spaces is taken as an extension for design concept of the studio.

Temple Road Networking Siddhanath LakeLocation

Site Pictures

CONCEPT- Theatre In Everyday Life Inference of Pol Houses and Sevasi Stepwell, Vadodara

In the everyday life, when you take a pause that is the time when you realize sense the situation you were in and it also gives you further predictions. To sense the situation, while being in the situation, we have to take a pause-ln everyday life cases like pol houses- when you are walking and take a pause, you get to observe some people stationary on their otlas- plinths and “Varandas�. To control pause-a variable of place is to make alterations the fabrics of facts, allowing to subtract or add and not just the flow in space, but also alter and erase events- It allows — one to get connected to alternate realities, even altering our way of pursuing reality.

Stepwell and kund both have same purpose to ensure the water during periods of drought and both are built according to the human scale and proportions.

Once you are inside the stepwell, there is a sense of dislocation from the outer city, where there is powerplay of light and shadows and junctions which focus on the telescopic views, which is a major pause from the rush of everyday life within the city.

Within this pause there are further pause junctions which generate multiple nodes of focus. While walking down towards the water, water remains the main node of focus and the perspective created by the structure of the stepwell becomes secondary node of focus.

While resting on the landings or climbing up, you get the gap wherein you get to observe the space you were part of because of the shadows and the angle of vision.

Stepwell has its own social, cultural and religious importance within itself because of the emergence of acts and the decorations in it. Stepwell creates a kind of spiritual backdrop because of the acts of ritual bathing and prayers. It is a pause within the city, so it also becomes the social gathering space.

CONCEPT- Theatre In Everyday Life Inference of Ghats of Banaras

When experiencing the ghats of Banaras on foot, our senses capture the close proximics but the visual elements are obstructed. While observing the ghats by boat away from the rush of the city, one has the opportunity to see the elements of pause and movement inwhich you were moving inside.

Movement takes place from urban transportation centres to the ghats, from adjoining streets to the ghats, and between the ghats and movement and pause on a ghat.

The doorway provides the sense of direction towards the focal point because of its scale which acts as an axis.

Movement direction is aligned by axis which also depends on the undefined nodes - pauses and the defined nodes -start/end points for an action/events.

Plan Design Evolution through inferences

Allowing streets of the city to come to these points from these access pathways with reference to the site. These points are the junction wherein the pause takes place. Manipulation of pauses- alteration of reality leads to further experiences or predictions of the events and situations.

Axis leads to the focal points in between as levels-events and the spaces created by the axis so it’s also an organizing element. Axis generates further ordered pauses.

SECTIONAL ELEVATIONS

Pause Point Arched Doorways (Inference: Shanivarwada, Pune)

Kund- Lake

Facade- Designed according

to the pause and movements in the play

04

UNLATCHED GUCCI

BRAND RESEARCH

04

CORPORATE OFFICE DESIGN Bachelor’s Project Semester 7

Prof. Percy Adil Pithawala

CORPORATE OFFICE DESIGN IN AN OLD PRESS BUILDING Gucci being one of the most desirable luxury fashion house of the world, essence of fashion is generated by creating a ramp for circulation. Spaces are divided in such a manner that ramp is visually or/and physically connected to all the departments. Moreover, the ramp can be used for the discussions and trial basis and also for circulation on daily basis. Open floor plan is adopted to serve the requirements of collaborative environment and work culture of the brand.

Product Attributes

Brand Attributes

• Sharpness • Quality • Minimalistic Design Elements • Border/ Frame • Use Of Metal- The Buckles in bags

• • • • • •

• Extensive Use of Black And White, Gold • Colour Blocking • Use of Gucci Pattern • Use of Italian Colours Red and Green • Use of Sustainable Material • Contemporary Design

Site Pictures (Government Printing Press, Vadodara)

Trendy Luxury Unique Design Quality Comfort Customization

Gucci is an Italian luxury brand of fashion and fine leather goods, part of the Gucci Group- Kering.Gucci is a world-famous symbol of quality that accompanies the elite, in everyday life and also on the red carpet.

Brand Philosophy: Balance between tradition and innovation, past merges with the signs of future, empowering imagination.

CONCEPT Development of main design elements- The ramp, the bridge and the staircase for private events in basement Wearing Gucci generates a feeling of getting noted walking on a rampcarrying something very trendy and luxurious. The idea of multifunctional ramp which can be used while finalizing the design while discussing it there only, wherein there can be fashion pre-events can take place. Otherwise it can be used as a circulation path. While walking on the ramp, one will experience the different layers of trusses, windows and light coming from the roof.

Nodes

RAMP

BRIDGE

STAIRCASE

All main nodes of circulation elements adds dynamism to the static space. Anything happening on the ramp or bridge seeks the attention and creates the focal point it leads to improve the relationship in different spheres of activities.

• Ramp is placed in an appropriate pocket created by current structure of the building and spaces are divided respecting the existing structure and the placement of the ramp.

• Cut-out in the ground floor serves as an interactive and multi-functional circulation path, shoots, practice, discussions, open workspace and it adds visual connections among levels. All the breakout spaces opens up on the edge and get a view of basement .

• Mezzanine floors are connected to each other with a bridge that opens to the cut-out connected to basement and it is visually connected to the ramp.

Link between Departments

SPACE PLANNING DRAWINGS

‘Multi-function-

‘Collaborative’

B’ 1.

2.

3.

4.

5.

6.

7.

8.

9.

10.

11.

12.

13.

14.

15.

SHOOT AREA AND FITTING ROOMS DESIGN AREA MAIN EVENT AREA- AMPHITHEATER CONFERENCE ROOM LOUNGE TRAINING AREA ADMINISTRATION AREA MEETING ROOM CAFETERIA COMMUNICATIONS AND IT CORPORATE RETAIL AND DESIGN GENERAL AND FACILITY MANAGEMENT PRODUCT DEVELOPMENT STRATEGY MANAGEMENT

‘Open Plan’

A

1

3

6

2 C’ D’

C D

5

4 B

’

BASEMENT PLAN

B’

8

B

A

5

15

A

16

12

8 10 14 C D

11

C’ D’

14

C D

C D

9

13

5 B

’

GROUND FLOOR PLAN

B

FIRST FLOOR PLAN

SECTIONAL ELEVATIONS

SECTION AA’

SECTION BB’

SECTIONAL ELEVATIONS

SECTION CC’

SECTION DD’

MATERIALITY OF CORPORATE OFFICE

MIDNIGHT MOON MARBLE BLACK ROSEWOOD VENEER

BRASS RODS

CARRARA MARBLE WHITE BLACK LEATHER

05

CORE

CONCEPT

05

EXHIBITION DESIGN

SPD

Master’s Project

DESIGN

Semester 2

Prof. Maurizio Scalzi

EXHIBITION SPACE DESIGN FOR SPD DESIGN SCHOOL Studio focuses on the exhibition space for SPD- Scuola Politecnica di Design’s 50-year anniversary celebration. Exhibition is consisted of work of all design disciplines under the school.

School want to celebrate all journey and make future students and visitors understand school’s perspective for design by showcasing current students work physically and intellectually.

COLLECTION OF DESIGN DISCIPLINES

EXPANSION OF EACH IN VARIED DIRECTIONS AND DIFFERENT SCALES Concept Development

Imagining Design field as a cube

A cube with many segments as design field has various disciplines.

A cube with many segments as design field is branched out in various disciplines still connected to its core. All the disciplines are rooted to base- design.

CONCEPT Layout Development

BRANCHING OUT

EXPANSION CONNECTED TO CORE SUBDIVISIONS MERGE

SPD being a design institute, we assume as a design core that is divided into many segments. All the disciplines have expanded in different areas still all of them are interconnected in a certain way and are rooted to base- design.

Translating the idea into space, here diagram shows how a person who enters the SPD core exhibition are, will be able to see all disciplines at once and one can choose a path for himself/herself.

SPACE PLANNING DRAWINGS

EXSITING SERVICE ELEVATOR

‘Dynamic’

‘Connection’

‘Core’

PROJECTION ON WALL ABOUT THE SCHOOL'S HISTORY

EXSITING SERVICE ELEVATOR EMERGENCY EXIT

EMERGENCY EXIT

210 180

P3b PY

120 210

0.00 FFL

1660

1 1.9 0.300 FFL

0.450 FFL

0.600 FFL

RAISED FLOOR (SEE DETAIL ON DRAWING NO.1.12)

300

850

PROJECTION OF SCHOOL'S HISTORY

WALL WITH GRAPHIC ABOUT ALL THE DISCIPLINES OF DESIGN (SEE DETAILS ON DRAWING NO.1.10 )

GROUND FLOOR LEVEL PLAN SPLINTER TABLE

450

600

DRY WALL ADDED TO COVER THE SERVICE ELEVATOR

3 1.11

INTERACTIVE WALL WITH GRAPHICS OF CAR DESIGN ELEMENTS (SEE DETAILS ON DRAWING NO.14)

150

2 1.10

0.00 FFL

850

1250

3440

100

0.150 FFL

LONGITUDINAL SECTION 1

SPLINTER CHAIR

PROPOSED GROUND FLOOR PLAN FOR EXHIBITION SPACE FOR SPD FURNITURE LAYOUT

PLAN 1:100

P3b

210 180

SPD

YASHVI DALAL KRUTI JAIN AASHISH KUMAR

1.1

DRG. NO.

2370

PROPOSED EXHIBITION SPACE FOR SPD Longitudinal Section 1

SECTION 1:100

SPD

YASHVI DALAL KRUTI JAIN AASHISH KUMAR

4400

1 1.9

100

1660

4.00 FFL

150

300

600

2 1.10 3 1.11

WALL WITH GRAPHIC ABOUT ALL THE DISCIPLINES OF DESIGN

FIRST FLOOR LEVEL PLAN PROPOSED MEZZANINE FLOOR PLAN FOR EXHIBITION SPACE FOR SPD FURNITURE LAYOUT

450

850

2070

0.00 FFL

LONGITUDINAL SECTION 2 PLAN 1:100

SPD

YASHVI DALAL KRUTI JAIN AASHISH KUMAR

1.5

DRG. NO.

INTERACTIVE WALL WITH GRAPHICS OF CAR DESIGN ELEMENTS (SEE DETAILS ON DRAWING NO.14)

1.9

DRG. NO.

210 180

SPACE PLANNING DRAWINGS

PY 120 210

210 120

0,0

P1d

A6

100

A5

S7

0.30

0.45

0.60

1660

2900

0.15

2540

VISUAL DESIGN

INFORMAL SEATING

PRODUCT DESIGN

WORKSHOP/COLLABORA-

FOOD DESIGN

800

850

1100

2890 700 20

PROJECTION OF SCHOOL'S HISTORY

INDUSTRIAL DESIGN CAR DESIGN

210 180

RAISED FLOOR (SEE DETAIL ON DRAWING NO.)

PY 120 210

210 120

A6

CROSS SECTION 3

SECTION 1:100 SECTION 1:100

SPD

YASHVI DALAL KRUTI JAIN AASHISH KUMAR

A5

S7

PROPOSED EXHIBITION SPACE FOR SPD Cross Section

0,0

P1d

1.11

0.15

0.30

0.45

0.60

DRG. NO.

VISITORS CIRCULATION

INFORMAL SEATING

EVACUATION

WORKSHOP/COLLABORA-

210 180

P3b PY

210 180

P3b

120 210

800

5780

13580

I2

5390

8330

2370

2370

2140

3900

2830

1000

5040

0.00 FFL

3040

1500

2070

800

1200

2310

4400

300 3510 1520

1220 11630 8000

1 1.9

I4

800

4.00 FFL

1 1.9

2120

1410

4900

3160

1000

V

1000

0.600 FFL

800

1480

4780

3800

0.450 FFL

5990

0.300 FFL

2420

I3

3220

1900

2610

0.150 FFL

3230 8000

F1

F3

F4

F8

P2

P3

P1

1770

1770

1970

300

2 1.10

4410

2 1.10

3340

800

0.00 FFL

2070

1970

0.00 FFL

2300

I2

I3

I4

I5

I6

I7

F5

F6

F7

F8

P1

P2

P3

PROPOSED GROUND FLOOR PLAN FOR EXHIBITION SPACE FOR SPD WITH PRODUCT CODE

F1

P4

3 1.11

3 1.11

C1

C2

I5

I6

I7

I1

F7

F6

F2

F5

P4

P5

P3

AXONOMETRIC VIEW

I1

F2

P5

PLAN 1:100

SPD

F3

F4

C1

C2

YASHVI DALAL KRUTI JAIN AASHISH KUMAR

1.3

DRG. NO.

I1

I2

I3

I4

I5

I6

I7

F5

F6

F7

F8

P1

P2

P3

PROPOSED MEZZANINE FLOOR PLAN FOR EXHIBITION SPACE FOR SPD WITH PRODUCT CODE

F1

P4

F2

P5

PLAN 1:100

SPD

F3

F4

C1

C2

YASHVI DALAL KRUTI JAIN AASHISH KUMAR

1.7

DRG. NO.

06

HIATUS

CONCEPT DEVELOPMENT

06

EXCAVATED LIBRARY

Needs of Design IDEA OF EXCAVATION

WHY IT HAS BECOME NECESSARY TO TAKE A PAUSE ?

MASTER’S PROJECT SEMESTER 2

Prof. Maurizio Scalzi

MONOTONOUS

EXCAVATION IN TRIENNALE GARDEN TO GENERATE A LIBRARY AND CAFE

DESIGNING VOIDS

EVERYDAY

RIGID

STANDARD ROUTINE

SCOOPING OUT RUSH

SCOPE OF DEDUCTION

FUNCTIONS IN NEGATIVE SPACES

Essence of space design

The semi- formal library space is located in rear end of La Triennale. The space touches the lush green edge of Parco Sempione.

Garden of La Triennale di Milano has the conception of using various forms and materials to emphasis the idea of working outdoors and relax.

To have a coffee

RELAXATION

To read- library To talk To sit Experience nature

PAUSE SPACE TO THINKOBSERVE

FREE- FLOWING PERSONAL

BREAK

CONCEPT Form Evolution

LOCATION Via Landolfo, 1, Milan

SPACE PLANNING DRAWINGS

MINUS 1 FLOOR LEVEL PLAN

MINUS 3 FLOOR LEVEL PLAN

‘Pause’

‘Dynamic’

MINUS 2 FLOOR LEVEL PLAN

‘Primitive’

SPACE PLANNING DRAWINGS

‘Pause’

‘Dynamic’

‘Primitive’

LONGITUDINAL SECTION 1

LONGITUDINAL SECTION 2

CROSS SECTION 3

CROSS SECTION 4

07

ACUTE

LOCATION Ozone, Dr. Vikram Sarabhai Road, Vadodara

07

KNIFE RETAIL DESIGN Bachelor’s Project Semester 6

Prof. Shalini Amin, Hetal Shah

RETAIL STORE AND WORKSHOP SPACE DESIGN Echo of customers reviews and choices about knives are dissolved in brand values to generate more precise and accurate blade of knives. Moreover, meticulous process of proportionate mixture of metals adds value to it. The overlap of metals is taken forward as a concept and the spaces are divided according to the projections of polygon and segregation of knives. The polygon is punctured in such a manner that creates connections between spaces but the frames of the polygon remain intact. Space for workshop is allotted in the center of the shop to generate more live environment for the retail shop.

Site Picture Important Buildings around Road Networking Store Residential Buildings Commercial Buildings

CONCEPT Form Evolution Planes are created by the intersection of two grids, which depicts the precise blade of the knife, which is achieved from proportionate mix of metals and tempering. The grids depict different metals and the merging of grids depicts the proportionate mix of metals.

Taking this diagram to the third dimension, two grids are separated and placed in such a manner that the vertical axis remains constant while altering the distance between two on the horizontal axis wherein endpoints of the or the grid are projected on tilted grid’s end points that creates the surfaces of the polygon.

Matrix

In Sun path DiagramLarge amount of sunlight enters the shop in morning hours.

In Wind DiagramSouth-west to north-east winds flow almost throughout the year.

But due to glass facade and no other openings, wind does not affect the interior aspects of the shop.

SPACE PLANNING DRAWINGS

‘Dynamic’

‘Linear’

‘Abstract’

PLAN

LONGITUDINAL SECTION- CC’

CROSS SECTION- AA’

CROSS SECTION- BB’

FRONT ELEVATION

LONGITUDINAL SECTION- DD’

HVAC PLAN

KNIFE STAND RENDER

08

FURNITURE DESIGN Bachelor’s Projects Semester 4, 7

ESCAPER’S BLISS FUNCTIONS:

• Perfect combination of right angles, diagonals with curved flexi plywood • Ergonomically designed • Less structural members

PLAN

SIDE ELEVATION

GRADIENT FUNCTIONS:

• Individual use of all four tables with different materials that makes the space more interesting.

PLAN

SIDE ELEVATION

ELEMENTS OF TABLE

ANGLE FASTENER FUNCTIONS:

• Adjustable seat by anchor fastner to achieve a perfect angle for everyone • Footrest

PLAN

SIDE ELEVATION

CONCEPT Design Evoluation through inferences

MULTI-FUNCTIONAL EXTENSION TABLE FOR POTTER’S WHEEL-CLAY WORKSHOP Bachelor’s Project Semester 8

Prof. Jaymin Panchasara

RETAIL STORE AND WORKSHOP SPACE DESIGN The project intends to design a furniture for clay workshop. Possibilities of making the task easier for user while working in the workshop are explored by visiting various pottery clubs.

Extension table for the Potter’s wheel, while studying the ergonomics at first and making everything accessible for the user. Here are some design and material exploration as an outcome of visits to the workshop meant for clay and ceramic work one at an institutional level and another of a professional level.

Furniture here was a surface to work on and open storage cum display units. Thinner drawer unit for storing tools is notable.

PLAN VIEW

Study the issues and requirements by a potter, while working on the wheel.

Listed requirements -

Thread roll Space for keeping modeling tools Space for freshly made pots Space for extra clay Fresh water bowl Waste clay bag

The extension allows potter to sit comfortably for longer period of time, while all the important tools are handy.

Concluded design contains -a waste bin hole which is accessible via shutter.

-for extra clay surface depression to keep modelling clay -Thread holder -Plastic wrap stand

Materials -For structure Chip-boards tor drawers S.S. Channels in drawers -Sternly metal base thread stand -Plastic Ovate bin The extension is portable, easy to clean and hence user friendly.

09 ACADEMIC WORKING DRAWINGS Bachelor’s Projects Semester 6

457

152

64

12

1105

892

12

732 675

4 G

D

A

REF. SHEET NO.02

K

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19

E

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19

19

208

389

520

50 40

1010

520

1038

19

560

19

360

520

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552

H

HAFELE PULL-OUT BASKET UNIT 235mm WIDE SILVER 547_05_725

J

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HAFELE TELESCOPIC CHANNEL SILVER 500mm 30kg

311_42_501

SALICE 165°

30

SCALE - 1:1

HAFELE PULL-OUT BASKET UNIT 520mm WIDE SILVER 547_06_875

549

757

FISHER AND PAYKEL DOUBLE PYROLYTIC BUILT-IN OVEN

550

CORNER DETAIL-FASCIA AT CORNER CHANNEL SCREWED TO PLYWOOD DETAIL - A

SCALE - 1:1

FISHER AND PAYKEL DOUBLE DISHWASHER 600mm FREESTANDING

329.07.609

CORNER DETAIL-FASCIA AT CORNER CHANNEL SCREWED TO PLYWOOD DETAIL - A

19

520

END VERTICAL SUPPORT PLYWOOD 19mm DUCO PAINT CRYSTAL WHITE 03-6520

4

422_87_905

SILVER

HAFELE WASTE BIN SILVER BOTTOM SCREWED CHANNEL BEHIND HINGED DOOR

549

520

11

7

30

METALLA MINI A 95 ° G 4-6 INTERNAL

430

HAFELE CONCEALED HINGE 40

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HAFELE PULL-OUT BASKET UNIT 520mm WIDE SILVER 547_06_875

HAFELE CONCEALED HINGE

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19

550

19

19

549

CORNER UNIT 2 CAROUSEL SHELVES SILVER COLOUR LAQUERED 541_55_743

19

130

19

595

GROOVE-7mm - IN DRAWER FASCIA PLYWOOD 19mm DUCO PAINT CRYSTAL WHITE 03-6520

B'

40

B

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SCALE - 1:5 100

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549

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PLYWOOD 19mm DUCO PAINT CRYSTAL WHITE 03-6520

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520

BRACKET SECTION SCALE - 1:2

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551

30

40

BRACKET 580mm 250kg EVEN LOAD DISTRIBUTION TOP AND SIDE MOUNTING 287_45_477

c 19

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BRACKET 580mm 250kg EVEN LOAD DISTRIBUTION TOP AND SIDE MOUNTING 287_45_477

2000 571

30

A

3

520

30 HAFELE-LIEBHERR CS1660 RIGHT HINGED

1336

50

EURASIAN GRANITE WHITE

40 1777

1877

BRACKET 580mm 250kg EVEN LOAD DISTRIBUTION TOP AND SIDE MOUNTING 287_45_477

30

1065

BRACKET 580mm 250kg EVEN LOAD DISTRIBUTION TOP AND SIDE MOUNTING 287_45_477

REF. SHEET NO.02

1885

BACK VERTICAL SUPPORT PLYWOOD 30mm DUCO PAINT CRYSTAL WHITE 03-6520

100

11 580

FASCIA COVERING PARTITION PLYWOOD DETAIL - C SCALE - 1:1

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134

1431

B

747

520

559

550

220

HAFELE-LIEBHERR CS1611 LEFT HINGED

183

23

HAFELE WIRE BASKET TO FASCIA CONNECTING PLATE SILVER

HAFELE PULL-OUT BASKET UNIT 520mm WIDE SILVER 547_06_875

2150

1065

HAFELE TELESCOPIC CHANNEL SILVER 500mm 30kg 422_87_905

30

457

N

92

30

HAFELE PULL-OUT BASKET UNIT 520mm WIDE SILVER 547_06_875

12 978

24 30

END VERTICAL SUPPORT PLYWOOD 19mm DUCO PAINT CRYSTAL WHITE 03-6520 L ANGLE SECTION 1.2mm THICK SCREWED TO BLOCKBOARD

SCREW LENGTH 12mm

Ø 7mm CORNER DETAIL-L ANGLE SCREWED TO CARCASSING BRACKET SCREWED TO THE BACK OF MAIN PLYWOOD DETAIL - B SCALE - 1:1 20

578 520

12

10

30

543

19

SCREW LENGTH 24mm Ø 7mm

12

7

22

14 7

20

7

7 20

HAFELE CONCEALED HINGE SALICE 165°

HAFELE TELESCOPIC CHANNEL SILVER 500mm 30kg

WORKING DRAWING

KITCHEN UNDER COUNTER PLAN SCALE - AS PER DRAWING ALL DIMENSIONS ARE IN MM

13

105 19

O

PLYWOOD 19mm DUCO PAINT CRYSTAL WHITE 03-6520

18 21

BRICKWALL

12

584

PLASTER

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35

54

19

577 520

SCREW LENGTH 16mm Ø 7mm

19

SCALE - 1:10

54

329.07.609

422_87_905

CHALKBOARD PAINT ON PLYWOOD BLACK

16

14

341

19

30

GROOVE-7mm - IN DRAWER FASCIA PLYWOOD 19mm DUCO PAINT CRYSTAL WHITE 03-6520

GROOVE-7mm - IN DRAWER FASCIA PLYWOOD 19mm DUCO PAINT 3 CRYSTAL WHITE 03-6520

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FIXING OF HINGE TO FASCIA DETAIL - D SCALE - 1:2

PLYWOOD 30mm DUCO PAINT CRYSTAL WHITE 03-6520

SHEET NO.

01

SCALE - 1:2

NAVRACHANA UNIVERSITY

YASHVI DALAL

SCHOOL OF ENVIRONMENT AND DESIGN

13192012

B. DESIGN - 3RD YEAR

DATE - 25-03-2016

SEMESTER - SIXTH

REMARK

BATCH - 2013-2014

N SIGN

2

10

OTHER WORKS

UNDER THE SUN VILLA 71 MASTER BEDROOM

ELLIOTT CHAISE LOUNGE

WORKDESK

TV CABINET WITH DESK

ARTWORK

SIDE TABLE BED

WARDROBE

WARDROBE

UNDER THE SUN VILLA 71 FAMILY LIVING ROOM

UNDER THE SUN VILLA 71 TERRACE

OUTDOOR SOFA

MOOD FOR TERRACE

OVERALL MOOD COFFEE TABLE POUF

OUTDOOR SOFA

TV CABINET OUTDOOR SHADOW SYSTEM SOFA

COFFEE TABLE

SOFA

UNDER THE SUN VILLA 80 FAMILY LIVING

UNDER THE SUN VILLA 80 KITCHEN AND DINING ROOM

COFFEE TABLE CERAMIC AND NATURAL WOOD

CERAMIC AND NATURAL WOOD DINING TABLE ALTERNATIVES

KITCHEN MOOD SOFA

TV CABINET

OUTDOOR SIDE TABLE WALL FINISH

POUF OUTDOOR COFFEE TABLE

STOOL

RESIN AND NATURAL WOOD

NATURAL WOOD

COLOUR PALETTE

INTERNSHIP WORK 2019 WITH STUDIO KEYART

INTERNSHIP WORK 2019 WITH STUDIO KEYART

INTERNSHIP WORK 2019 WITH STUDIO KEYART

SENSE LAB

SPACE PLANNING DRAWINGS

EXHIBITION SPACE DESIGN

Bachelor’s Project Semester 8

Dean. Gurdev Singh

EXHIBITION SPACE DESIGN The project intends to design an exhibition space for University to display projects of students on yearly basis. Otherwise this panelsvwill remain as pivot doors for students partitions as well.

PROCESS PICTURES

MISCELLANEOUS WORK

• Model- making development • Photography

and

concept

THANK YOU YASHVI DALAL

(M) +39-3279558541/ +91-9408140283 dalalyashvi@gmail.com