Architectural Portfolio

Page 1

YASHASWINI B C

A highly motivated, creative and quick learner

Indian

3rd May,1999

EDUCATION

As the saying goes, “the learning curve is essential to growth”, I strongly believe in learning through involvement in activities. As I also believe that experience leads to growth, I would hope that my abilities and skills would help me grow as a person by working at your firm.

B.Arch at R. V College of Architecture, Bangalore

2nd PUC from Deeksha Centre for Learning PU College, Bangalore

EXPERIENCE

- Professional trining at Studio Confluence LLP, Yelachenahalli, Bangalore

- Junior architectat Mahajan Associates, Bangalore

SKILLS

LANGUAGES

HOBBIES

AUTOCAD SKETCH-UP RHINOCEROS GRASSHOPPER REVIT English Kannada Hindi MUSIC DIGITAL ILLUSTRATIONS 9380433283
Discovering
Professional experience Internship works Discovering the path of entertainment Accord
drawings
Interior
interests
Hobbies and

1. Professional experience

Residential Building- Conceptual design and renders

TOILET 1350 X 1500 YOGA 3300 X 3200 OFFICE 3300 X 3600 LIFT 1650 X 1500 UP PARKING PARKING PARKING LANDSCAPE OPEN TO SKY DN UP POOJA ROOM 2100 X 1200 DINING ROOM 5100 X 2300 STORE ROOM 2400 X 1200 UTILITY 2000 X 1200 KITCHEN 3880 X 2300 LIVING ROOM 5230 X 6450 BEDROOM 1 5080 X 3750 W.I.R 2000 X 1250 TOILET 2000 X 2365 DECK 2400 X 2850 ENTRANCE FOYER 2200 X 1650 ENTRANCE 1200 X 2250 LIFT 1650 X 1500 POWDER ROOM 2000 X 900 LIVING ROOM 6635 X 4850 BEDROOM 1 5080 X 4750 W.I.R 2000 X 2250 DECK 2400 X 2850 BEDROOM 2 3980 X 3600 W.I.R 2000 X 1250 STUDY 2400 X 2400 TOILET 2000 X 2250 DINING ROOM BELOW (CUTOUT) 3500 X 3600 TOILET 2000 X 2250 LANDSCAPE OPEN TO SKY UP LIFT 1650 X 1500 EARTH FILLING Ground level Ground floor level First floor level Second floor level Terrace floor level Staircase headroom level 3600 3300 3300 2550 Ground level Ground floor level First floor level Second floor level Terrace floor level Staircase headroom level 12750 10200 3600 3300 3300 2550 12750 10200 LANDSCAPE OPEN TO SKY DN LIFT 1650 X 1500 1440 960 960 2160 18000 12000 TERRACE 14200 X 9880 RHP 960 10080 960 12000 2160 14400 1440 18000 1600 3700 10600 3700 10600 960 10080 960 12000 2160 14400 1440 18000 960 10080 960 12000 2160 14400 1440 18000 D D D D2 ED D1 D3 D3 D3 D3 D3 D4 D1 D3 D3 D1 D4 D1 W1 W2 W3 W3 W4 W5 W5 CW CW W6 W6 CW2 CW3 W3 W3 W5 W3 W3 W5 W2 V V V1 V2 V V1

Residential Building- Front porch-design and detailing

works

Residence for Mr. Gopalkrishna

M.BEDROOM 11'-0" X 15'-1" UTILITY 9'-8" X 4'-6" KITCHEN 9'-6" X 10'-6'' BEDROOM 10'-0" X 10'-6" F TOILET 4'-10" X 7'-2'' POOJA BEDROOM 11'-0" x 11'-0'' 13'-6" x 3'-8" BALCONY TOILET 7'-4'' X 6'-7'' DINING 9''-10" x 14'-2" LIVING 13'-8" X 14'-10" SILL1'-6" SILL4'-6" SILL1'-6" SILL- 1'-6" SILL- 4'-6" SILL1'-6" SILL1'-6" 5''-0" x 3'-0" UP WM 6" 9'-6" 2'-3" 4' 6'-6" 6" 6" 2' 3'-9" 4" 2'-6" 6' 2' 4" 2'-3" 6' 2'-3" 6" 4" 4" 4" 1'-2" 1'-6" 7'-10" 6" 6" 2'-3" 6' 2'-3" 6" 2' 12'-4" 6" 3'-8" 4'-10" 4" 3'-4" 2'-9" 4'-7" 4" 9'-6" 3' 6'-6" 2'-9" 2'-1" 11'-5" 3'-11" 3' 2'-10" 14'-10" 10' 10'-6" 4'-10" 9'-8" 4'-6" 10'-6" 11' 6'-7" 15'-1" 4" 11' 13'-6" 7'-4" 13'-8" 4'-10" 6" 3'-6" 12'-8" 6" 6" 8" 4" 1'-2" 3'-9" 4" 4" 1'-9" 3' 5' 7'-3" 6" 6" 12'-7" 1'-3" 2'-6" 3' 1'-7" A B C 1 2 3 4 5 6 7 B1 A1 4" 7'-6" 4" 2'-10" 1'-8" 7'-2" 6" 6" 6" 4" 4" 9'-10" 5'-4" 16'-8" 3'-2" 6" 4" 4" 1'-6" SILL 4'-0'' LINTEL 5'-6'' 6" 2'-2" 6" SILL- 2'-0" LINTEL- 9'-6" 9" 1'-10 1 2 SILL- 2'-0" 2'-1 1 2 2'-5" PROJECT : RESIDENCE FOR Mr.GOPALKRISHNA POOJARI STUDIO CONFLUENCE LLP FIRST FLOOR WORKING DRAWING DATE: 19-04-22 Ph: +91-9742510047 E-MAIL : kishore@studioconfluence.in ARCHITECTURE + LANDSCAPE SILL- 1'-6" 6" 15'-0 1 2 6" 4" 11' UP LIVING 13'-8" X 14'-10" POOJA 5'-0" X 3'-0'' A B 1 2 3 4 5 6 7 A1 SILL1'-6" 6" 16'-8" 6" 10'-6" 6" 2' 3'-6" 6" 13'-6" 6" 5'-4" 8'-2" 6" 6" 1'-6" 6" 6" 12'-8" 2' 5'-4" 9'-6" 13'-8" 1'-9" 9'-4" 6" 3'-8" 14'-10" 4" 6" 4'-10" PROJECT : RESIDENCE FOR Mr.GOPALKRISHNA POOJARI SECOND FLOOR WORKING DRAWING DATE: 19-04-22 BALCONY 13'-6" X 3'-8" SILL- 1'-6"
1. Internship
Progessional training@Studio Confluece
BEDROOM 11'-0" X 14'-7" KITCHEN 11'-0" X 6'-6'' TOILET 7'-2" X 4'-6'' F TERRACE 25'-0" X 20'-3'' B C B1 SILL- 1'-6" SILL3'-6" SILL4'-6" SILL1'-6" 6" 14'-7" 4" 4'-6" 4" 6'-6" 6" 12'-1" 2'-6" 2'-2" 2' 4" 6" 3'-6" 2'-6" 11' 25' 6" 6" 20'-3" 10'-6" 9'-9" 6" 6" 6'-11" 2'-9" 1'-9" 4" 7'-6" 7'-2" 2'-5" 2'-3" 10'-11" 4" 3' 8' 4" STUDIO CONFLUENCE LLP FLOOR DRAWING 19-04-22 Ph: +91-9742510047 E-MAIL : kishore@studioconfluence.in ARCHITECTURE + LANDSCAPE 9" 1'-10 1 2 SILL- 2'-0" 2'-1 1 2 6" 6" 6" SILL- 2'-0" LINTEL- 9'-6" 11' 6" 4' 6'-6" 6" 2'-2" 6" UP 1 2 3 4 5 6 7 8 9 10 20 19 18 17 16 15 14 13 12 21 PROJECT : RESIDENCE FOR Mr.GOPALKRISHNA POOJARI DATE: 19-05-22 FIRST FLOOR STAIRCASE DETAIL Ph: +91-9742510047 STUDIO CONFLUENCE LLP E-MAIL : kishore@studioconfluence.in ARCHITECTURE + LANDSCAPE FIRST FLOOR SECOND FLOOR 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21st STEP IS THE SLAB 6 5 16 " 6" 6" 6 5 16 " 3'-9 1 8 " 1'-6" 1'-6" 73'-88 " 10'-6" 6" A A' 6'-10" 6" 6" 11'-8" 11" 3'-5" 3'-3" 8'-3" 4'-3" 11" 8'-3" 5' 3'-3" 4" 3'-3" 1'-6" 6'-6" 1' 1'-6" PLAN SECTION AT AA' STAIR WIDTH- 3'-3" & 3'-5'' RISER - 6 5/16 "(160.34 MM) TREAD- 11" TOTAL NO. STEPS = 21 2" 11 3'-5" 3'-5" 11' 2" 11'-6" DOOR WINDOW 75'-28 " 11"

INTERIOR DESIGN

Interiors for Mr. Vinod

Progessional training@Studio Confluece

LANDSCAPE DESIGN

Basketball court for Mr. Sanjay Jain’s farmhouse

Progessional training@Studio Confluece

TOILET 1 2885 x 1620 BUILDING EDGE Y' BASKET(HOOP) POST BACKBOARD FREE THROW CIRCLE THREE POINT LINE 10475 1200 8800 7800 5800 1575 1200 3600 4900 650 1625 350 1625 650 2825 1450 1200 PLAN SITE BOUNDARY R L R L R L X X' Y R L

BASKET(HOOP)

SECTION X X'

150mm THK RCC BED (as per structural detail) 100mm THK PCC BASE (as per structural detail)

SECTION Y Y'

PROJECT:

JAIN FARMS, BAGALUR MR.SANJAY'S FARM HOUSE

ARCHITECTS: MAYA PRAXIS BANGALORE

LANDSCAPE ARCHITECTS:

STUDIO CONFLUENCE

HABITAT DESIGNERS

25/1B, Srinivasa kalyana mantapa, Jaraganahalli. Bangalore, 560078

DRAWING TITLES: Basketball Court Setting out plan SCALE:

Key plan Notes REV NO: DATE DESCRIPTION/ ISSUED TO: APPD: R0
DATE: DRN: CHKD: SHEET SIZE: DRN NO: L-GFC-04-H-02 A3 R0
Yas Sac
ISSUE STATUS:
1:100 11-03-22 AREA OF THE RCC BED:68.5M² BACKBOARD BACKBOARD
100mm THK PCC BASE (as per structural detail)
150mm
SITE BOUNDARY 8800 475 10475 2900 1050 1800 1050 450 150 2900 7800 BASKET(HOOP) PCC
per
THK RCC BED (as per structural detail)
FOOTING (as
structural detail)

Discovering the path of Entertainment

Architectural Thesis

Entertainment had always had a different meaning and purpose for different civilizations. A few forms of entertainment through time giving a different meaning for each context. As human beings have climbed over the pyramid also increased. Entertainment has become an industry as technology has evolved. It has not only been a product mon group but also has become a profession for the creative group.

Entertainment

entertainment have evolved of evolution, their needs have product consumed by the com-

Public and Private connected by the pods- Showing the process through journey Public and Private connected by the pods- Showing the process through journey
through journey
Public
and Private connected by the pods- Showing the process

Program

Design intent

Adaptive reuse of an abandoned mill in Rajajinagar

Space within the space- perception of different scales- HIERARCHY

Change in texture/Materiality- PERCEPTION

Change in shape/ geometry-ORIENTATION of oneself within the space

Using basic geometryAnalogy to that of an old video game- the task of the user is to discover the path to the destination

Journey through spacediscovering new paths/creating one’s own path

During this global era, where any form of recreational content could be shared with the whole world with just the click of a button, the audience has become vast, the demand has increased which in turn has increased the competition, and hence the creation of the same becomes more challenging to keep up with the changing world. Therefore, it becomes more important for the creators to learn new ways of keeping up with the world and have a chance to participate in this global sea of creators. This thesis is about how this creative community could be self-sustained as well as grow to discover oneself in the path of creation.

Change in shape/ geometry-ORIENTATION of oneself within the space

Change in texture/Materiality- PERCEPTION

Coexistence with Natural elements

Space within the space- perception of different scales- HIERARCHY

A mixed use complex-office,library,museum

Architectural Design-VII-Studio

The focus of the studio is to look at the “BDA complex Kormangala” which is apparently, functional but a monotonous urban space. The intent of the studio is to learn the process of visualising, representing andappropriating of urban space through architectural intervention respecting the existing context, which can contribute to the future needs holistically and become the identity of the city space. Creating open spaces in different levels create spaces that are volumetrically shaded by the built form and tree canopies.These open spaces can form an extension to the institutional buildings like library and the museum where occasional events could happen. It also engages with the tree canopies in the periphery of the site for both visual connect and shading.

4. Accord
0 5 10 25 100 ft ROAD GROUND FLOOR PLAN +3000 +1750 +1750 +1750 +1000 +2000 +1750 +0 +0 +0 +1750 +0 +1750 +1000 SHOP SHOP SHOP SHOP SHOP SHOP SHOP FOOD COURT R TO S R O TEMPORARY KIOSKS SERVICE AREA WAITING AREA TEMPORARY KIOSKS PRODUCED BY AN AUTODESK STUDENT VERSION PRODUCED BY AN AUTODESK STUDENT VERSION 0 5 10 25 100 ft ROAD FIRST FLOOR PLAN +5750 +5750 +5750 LIBRARY +5750 +4000 PRODUCED BY AN AUTODESK STUDENT VERSION PRODUCED BY AN AUTODESK STUDENT VERSION 100 ft ROAD LIBRARY +9750 +9750 MUSEUM PRODUCED BY AN AUTODESK STUDENT VERSION

5. Interior drawings- Academic work

Interior drawings

PRODUCED BY AN AUTODESK STUDENT VERSION PRODUCED BY AN

KEY PLAN
STUDENT VERSION
AUTODESK
PRODUCED BY AN AUTODESK STUDENT VERSION PRODUCED BY AN AUTODESK STUDENT VERSION

These are the drawings for the subject Materials and methods for Building Construction- VII . A key plan for an office was made to which the furnitures, false ceiling and the partitions were to be designed.

PRODUCED BY AN AUTODESK STUDENT VERSION

REFLECTED CEILING PLAN

PRODUCED BY AN AUTODESK STUDENT VERSION
AN AUTODESK STUDENT VERSION PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY

SECTION A A' SCALE: 1:25

ENLARGED SECTION SCALE: 1:10

GYPSUM FALSE CEILING-WORKSTATION+RECEPTION-OPEN OFFICE PLAN

SECTION D D' SCALE: 1:25

SECTION B B' SCALE: 1:25

ENLARGED SECTION SCALE: 1:10

ENLARGED

WOODEN FALSE CEILING- CONFERENCE ROOM
GYPSUM COATED PVC FALSE
SCALE:
PRODUCED BY AN AUTODESK PRODUCED BY AN AUTODESK STUDENT VERSION AUTODESK STUDENT VERSION

METAL FALSE CEILINGEXECUTIVE CABIN

SECTION C C' SCALE: 1:25

ENLARGED SECTION SCALE: 1:10

LUXALON LAY-ON TILE LUXALON LAY-ON TILE STUDENT NAME: USN: SEC: SEM: PLATE TITLE: SUBJECT CODE: SUBJECT NAME: INTERNAL MARKING: RV COLLEGE OF ARCHITECTURE YASHASWINI B C IRW17AT110 7 C FALSE CEILING 15ARC7.2 MATERIALS AND METHODS IN BUILDING CONSTRUCTION VII 1 2 LATE PLATE NO. 5
FALSE CEILING-TOILET ENLARGED SECTION 1:10
DETAIL SCALE: 1:10
AUTODESK STUDENT VERSION PRODUCED BY AN AUTODESK PRODUCED BY AN AUTODESK STUDENT VERSION

WOODEN PARTITION

AL FRAMED GLASS PARTITION

HDPE PARTITION

AEROCON PARTITION

WOODEN PARTION

SECTION A A'

SCALE: 1:25

AL FRAMED GLASS PARTION

SECTION C C'

SCALE: 1:25

HDPE PARTION

SECTION E E'

SCALE: 1:25

AEROCON PARTION

SECTION E E'

SCALE: 1:25

PRODUCED BY AN AUTODESK PRODUCED BY AN AUTODESK STUDENT VERSION AUTODESK STUDENT VERSION

WOODEN PARTION

SECTION B B' SCALE: 1:25

Al FRAMED GLASS PARTION

SECTION D D'

SCALE: 1:25

AEROCON PANEL- PROFILE SCALE: 1:2

JOINING DETAIL-ELEVATION SCALE: 1:5

JOINERY DETAIL- SECTION SCALE: 1:5

JOINING DETAIL- SECTION SCALE: 1:5

DETAIL- SECTION SCALE: 1:1

JOINERY DETAIL- PLAN SCALE: 1:5

SECTION SCALE: 1:5

PLCW-102 PLCW-102 10 4 102mm (4") 50 23 5 23 STUDENT NAME: USN: SEC: SEM: PLATE TITLE: SUBJECT CODE: SUBJECT NAME: INTERNAL MARKING: RV COLLEGE OF ARCHITECTURE YASHASWINI B C IRW17AT110 7 C PARTITIONS 15ARC7.2 MATERIALS AND METHODS IN BUILDING CONSTRUCTION VII 1 2 LATE PLATE NO. 6
PARTION
AUTODESK STUDENT VERSION PRODUCED BY AN AUTODESK PRODUCED BY AN AUTODESK STUDENT VERSION

Badrinath is located in the state of Uttarakhand. It is in the Garhwal hills, on the banks of the Alaknanda river. The town lies between the Nar and Narayana mountain ranges and in the shadow of Nilkhanta peak (6,560 m).

Of the four Maths established by Adi Shankaracharya, Joshimath is the winter seat of Chardham.While the three

6. Hobbies and interests

Illustrations

The Char Dham Yatra is considered as a must visited pilgrimage tour in order to get salvation. In India, the Hindus believe that the Char Dham tour opens the gates of salvation by washing away all their sins. It is also believed that this journey must be undertaken at least once in a lifetime. These four shrines have a great significance and place in Hindu mythology.

One of my interesting hobbies is to do illustrations pertaining to a theme. The theme of the following illustrations is “Chardham”. It is done on Adobe Illustrator by using actual image as a base and tracing on it. Illustrations help us bring out specific characteristics of an image.

Badrinath is located in the state of Uttarakhand. It is in the Garhwal hills, on the banks of the Alaknanda river. The town lies between the Nar and Narayana mountain ranges and in the shadow of Nilkhanta peak (6,560 m). Of the four Maths established by Adi Shankaracharya, Joshimath is the winter seat of Chardham.While the three other Dhams remain open throughout the year, Badrinath dham only remains open for pilgrims’ darshan from April to October each year.

Puri is one of the oldest cities in the eastern part of the country. It is situated on the coast of the Bay of Bengal. The main deity is Shri Krishna, celebrated as Lord Jagannatha. It is the only shrine in India, where goddess, Subhadra, sister of Lord Krishna is worshipped along with her brothers, Lord Jagannatha and Lord Balabhadra. The main temple here is about 1000 years old and constructed by Raja Choda Ganga Deva and Raja Tritiya Ananga Bhima Deva. Puri is the site of the Govardhana Matha, one of the four cardinal institutions or Mathas converted by Adi Shankaracharya.

Dwarka located in the west is in the state of Gujarat, country India. The city derives its name from the word “dvar” meaning door or gate in the Sanskrit language. It is located confluence to where the Gomti River merges into the Arabian sea. However, this river Gomti is not the same Gomti river which is a tributary of Ganga river. The city lies in the westernmost part of India. The legendary city of Dwarka was the dwelling place of Lord Krishna. It is generally believed that due to damage and destruction by the sea, Dvaraka had submerged six times and modern day Dwarka is the 7th such city to be built in the area.

Rameswaram located in the South is in the Indian state of Tamil Nadu. It is situated in the Gulf of Mannar at the very tip of the Indian peninsula. According to legends, this is the place where Lord Ram along with his brother Laxman and devotee Hanuman built a bridge (Rama Setu) to reach Sri Lanka to rescue his wife Sita who had been abducted earlier by Ravan, the ruler of Sri Lanka. The temple is believed to have been consecrated by Shri Rama Chandra. Rameswaram is significant for the Hindus as a pilgrimage to Benaras is incomplete without a pilgrimage to Rameswar am. The presiding deity here is in the form of a Linga with the name Sri Ramanatha Swamy, it also is one of thetwelve Jyotirlingas.

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