PORTFOLIO


YARA KHAIR UNDERGRADUATE WORK
YARA KHAIR UNDERGRADUATE WORK
ARCHITECTURAL DESIGNER
My design journey is rooted in crafting spaces environments. I combine technical precision I believe that every design tells a story, and
Bachelor of Science in Design – Architecture Arizona State University — Tempe, AZ | GPA: 4.0 | Minor in Business Administration
New American University Scholar Recipient
NALCAP | 2024-2025
• Designed and delivered engaging in a multicultural setting, managing ensure timely delivery.
• Gained architectural insight through Asia, exploring diverse cultural approaches
Dar Barouq Heritage Restoration | 2025
• Led architectural visualization, successfully preservation with modern functionality.
• Collaborated with a multidisciplinary conditions, utilizing AutoCAD, Revit,
Freelance Design | 2024
• Designed a custom pool and backyard meet their specific needs and aesthetic
100 Mill Tempe | 2023
• Verified and documented code and adherence to regulations and project
Palomino Elementary School | 2022
• Documented site conditions and gained design standards, safety protocols,
Culdesac Tempe | 2021
• Studied mixed-use, car-free community construction site tours to promote
CONTACT
• Mouer Award Recipient | 2024
• ASU George Christensen Travel Scholarship
• Design Excellence | Fall 2022, Fall 2023,
• American Institute of Architecture Students
• Jerusalem Youth Leadership Committee
spaces that honor cultural heritage, promote healing, and foster connections between people and their precision with creativity, a balance that has earned me recognition for design excellence across multiple semesters. and I strive to make those stories not only functional but also meaningful and culturally rich.
Architecture Aug 2020 – May 2024
Administration Recipient
content with visual aids and activities managing multiple tasks and deadlines to through travel across Europe, Africa, and approaches to design.
2025 successfully balancing historical functionality. multidisciplinary team to adapt designs to site Revit, and watercolor rendering.
backyard for a client, adapting the space to aesthetic preferences.
and ADA compliance for rooms, ensuring project accuracy.
gained hands-on experience with protocols, and the design-to-build process.
community planning and organized promote sustainable design principles.
Scholarship | 2022
2023, Spring 2024
Students | 2020–2024
Committee | 2020
Phoenix, AZ 85232
AZ 85007
TITLE PROJECT YEAR PROFESSOR
The Nexus Hub Refugee Community Center Fourth Year
Kobina Banning
DESIGN EXCELLENCE WINNER
This transitional center design is inspired by research on the challenging journey refugees undertake, marked by critical decisions for survival. This idea is then mirrored onto the site’s layout which resembles a network of intersecting pathways, leading to decision nodes where refugees are able to make choices centered on exploration and empowerment rather than mere survival. These nodes as well as the rest of the spaces on the site are intricately crafted to encourage healing by diverse therapy methods, sensory stimulation, material choices, education, and social engagement. It was my aim to create a space that facilitates the integration of families into surrounding society while preserving their cultural heritage. This project holds profound personal significance, as my family and I are refugees. Having experienced firsthand the challenges my family faced due to a lack of such resources upon our arrival, I was determined to make a meaningful difference. My partner and I closely collaborated at most stages of the project.
Users are empowered to select their own path for exploring their healing journey, rather than having their choices dictated solely by survival instincts. Each node is designed to offer a diverse range of activities to foster healing, encompassing modalities such as water and sound therapy, relaxation techniques, creative outlets like painting or raking in a Zen garden, as well as opportunities for socialization.
Located in Tuscon is one step in the refugee journey that provides temporary shelter and resources until individuals are ready to move on to other locations in the U.S. This hands-on experience allowed me to deepen my understanding and apply insights directly to the project.
Each modular is manipulated by merging, rotating, and stacking based on each program’s need.
Lego concept reduces costs and increases expandability feasibility.
The 7 nodes become the influence of the canopy structure, the main gathering space in the community center.
First Floor
Second Floor
Canopy Construction Exploded Axonometric
The site draws inspiration from Japanese park design, which emphasizes harmony with nature, balance, and tranquility. The flowing site design contrasts with the modular buildings, creating a space that is both grounding and uplifting, essential for the well-being of the refugees.
The sections demonstrate nodes and buildings guiding
demonstrate how the site integrates buildings centralized around a garden, a journey of discovery and ensuring that every step along opportunities for growth and healing.
“In the of every refugee lies a story of bravery and a persistent forge a new path. the power to honor this spaces that embody their hope offering a foundation for a new
heart refugee of profound persistent will to Architecture has this courage by creating hope and determination, new life built against all odds.”
TITLE PROJECT
YEAR
PROFESSOR
Breath of Tranquility
Full Scale Model
Fourth Year (First 5 weeks)
Hitch And Sanguinetti
DESIGN EXCELLENCE WINNER
This design seeks to not only address the cultural dimension of mental health locally but also extend its impact to global communities facing challenges where mental well-being might be overlooked. Its dual-faced sides serve as a symbolic representation of the transition from chaos to calm. On one side, the installation draws in the user with space for seating and an intense exposed parametric pattern consisting of many panels, reflecting the stress that individuals bring with them before immersing themselves in this experience. Inclusion of cultural patterns and fabrics from countries facing atrocities wrap the outside of the wall. Whether burdened by the demands of classes or daily challenges, visitors can find relaxation by taking a moment to sit. This initial side is oriented toward the second side, where the walls’ shape is inspired by the visual representation of a deep breath’s inhale, peak, and exhale, a familiar and effective self-calming tool. The use of a white fabric embroidered with uplifting quotes and patterns representing cultures worldwide enhances this experience. Moving towards the center, a tranquil motion video is projected onto the fabric. This immersive experience serves as a reminder to take a deep breath and the acknowledgment of the collective pursuit of inner tranquility.
TEST MODEL
CONSTRUCTION PROCESS Cnc Machine, Laser-cutter, 3d Printer, Wood-shop
Sudanese Pattern
Chinese Pattern
Syrian Pattern
Congolese Pattern
An immersive experience designed for the user to indulge in a moment of profound mindfulness and the embrace of a deep breath. Within this space, we acknowledge the diversity of cultures, backgrounds, and personal experiences that become united in a collective pursuit of inner tranquility.
An immersive experience designed user to indulge in a moment of profound mindfulness and the embrace of a breath. Within this space, we acknowledge the diversity of cultures, backgrounds, personal experiences that become a collective pursuit of inner tranquility.
Motion video projected on the fabric to give a sense of calmness in the space.
Motion video projected on the fabric to give a sense of calmness in the space.
Users are able to scan QR codes to explore music from various cultures/countries.
Users are able to scan QR codes to explore music from various cultures/countries.
TITLE PROJECT
YEAR
PROFESSOR
Phoenix Urban League Building Remodel
Fourth Year (Last 5 weeks)
Hitch And Sanguinetti
This design is a renovation of the Greater Phoenix Urban League building. I was in charge of all the digital parts, while my partner created the final model. Our goal was to provide a soothing environment for individuals dealing with demanding tasks or significant responsibilities, offering them a break and alleviating some of that burden. The current building does not adequately serve the needs of the organization anymore, so with careful collaboration with the clients themselves, we wanted to create a renovation that prioritizes their specific demands. We aimed to create spaces to accommodate the organization’s various programs they already provide such as WIC, HUD, M.A.N.C.A.V.E, etc, as well as other diverse user groups while still maintaining an inclusive sense of unity through communal areas that benefit the community as a whole. We aimed to have connections to the natural world by integrating outdoor areas, expansive ceiling windows, and increased greenery.
Noise+Circulation
Views
A collaged representation of the main programs. The center, highlighted with color, depicts the primary community space. Unlike the other spaces, which have specific functions and are depicted in grey, this central area is designed to be flexible and dynamic, accommodating a large and diverse range of people. Despite the diversity of users, this diagram aims to display unity within the center.
1.
5. Entrance
6. Reception
7. President’s office
8. Office area
9. Technology area
10. Mancave
11. Outdoor shaded area
This physical model emphasizes a prominent water feature at the entrance, designed to draw in visitors and clearly signal tall ceiling windows were added to counter the previous claustrophobic atmosphere of the original design, addressing functions within the building, creating a cohesive flow between spaces. this diagram aims to display unity within the
signal the entry point. Skylights have been incorporated to introduce natural light into the interior spaces, while addressing the client’s request for a more open and airy environment. Additionally, a rooftop bridge connects the various the center.
TITLE PROJECT YEAR
PROFESSOR
Legacy Lofts
Dwelling Project
Third Year
Omar Gonzalez
DESIGN EXCELLENCE WINNER
In this project, I was given a plot of land to design a dwelling space by incorporating solutions that combat the issues surrounding the area. The site holds special significance as it sits on Roosevelt Row, where the First Friday art walk thrives monthly. Onto further research, Monorchid Gallery, the creators of this walk, use the sunflower as a symbol to represent the “blossoming” of the event’s inception. There is also an urban farm a few blocks away which used to allow community members to grow these sunflowers. However, both have faded from the area’s memory for over a decade. Therefore, my project focuses on capturing the sunflower’s essence through an apartment complex—a tribute to the site’s cultural heritage. The self-developmental goal of this semester was to find out my style on how to portray ideas, so there is a vivid theme of sketch complemented with material collage. 04
The site layout is designed to carry forward the legacy of the sunflower while incorporating modern needs and adapting to external influences based on studied methods.
Workspace Interior View
Windows placed so view never directly into the next apartment.
Read:
https://drive.google.com/file/d/1x8GO28kcGf7a WzwhE10cSwxSyxYwex5J/view?usp=drive_link
Dar Barrouq is a historic building in Beit Sahour, Palestine, with abandoned for several years, this rehabilitation project aims to
I collaborated with senior structural engineer Majed Doughlas rehabilitation. I led the architectural visualization, designing new
Dar Barrouq stands as a testament to the power of architecture provide dedicated spaces for local artisans, offer skill-building programs, struggling due to recent conflicts.
Evolution of Dar Barrouq Building:
Cave: The cave's age is unknown and is still being studied. There are many caves in the area. A photo of the Garghouris family cave, next to Dar Barrouq, suggests that these buildings might have been built by the same owner at the same time.
Late Ottoman Period: vaults. Later, a new added. The building and water well.
1940s-1960s: New features bathrooms and a kitchen built around the housh
1967: entrance staircase to 1980s: was 2005: remaining
with a rich legacy, having endured wars and served various cultural and community functions. After being restore the building’s cultural significance while adapting it to serve the community once again.
Doughlas to research and understand Dar Barrouq’s history and architectural features, guiding the building’s new spaces and uses while preserving its historical character.
architecture to carry stories through generations. It is not just a structure but a symbol of resilience. The new design will programs, and create sustainable income opportunities, all critical in a region where the local economy has been
Environmental Evaluation:
Watch: https://www.youtube.com/@X_UNTOLD
https://drive.google.com/file/d/1c8bs9zV3agu_ Rgy8LNxHEcgf0KtjotXx/view?usp=sharing
Architecture is about designing with empathy, connecting with assistant and travel explorations, I immersed myself in video editing,
I believe design is a dynamic journey, and exploring media like video
Below are examples of videos that showcase these narratives.
Purpose from Pain- Guillermo’s journey of recovery from addiction, showcasing the therapeutic power of spaces and community.
Spain VS U.S. -A comparison Ancient Court, Modern Message: The Tribunal de las Aguas”highlighting architectural, transportation, and cultural contrasts through personal experiences.
people, and telling stories. This belief came to life during my time in Spain. Beyond my work as a cultureal editing, which became an extension of my storytelling passion.
video offers a new way to communicate stories beyond blueprints.
Ancient Democracy- An exploration of Valencia’s Water Tribunal, highlighting its historic role in collective decision-making and its modern-day significance.
The Urban League Project -3D animation walkthrough combining movement through space with ambient sound to evoke the atmosphere and design intent.
Sketches of architectural features while traveling around the world.
Rome, Italy
Washington, D.C.
“Designing for the world begins with truly experiencing it.”