CREATIVE TEAM for Javier Sanchez Arquitectura, an architecture firm. Her theatre credits include set design for Cenizas de Piedra (Teatro de la Paz, Mexico City), The Bird Bath, and All of What You Love and None of What You Hate (Yale Cabaret). She also served as assistant to set and lighting designer Sergio Villegas in Mexico City on Codex Romanof, Yamaha 300, La Nueva Familia, and Mi Joven Corazón Idiota. Mariana holds a bachelor’s degree in architecture from the National University of Mexico. She is a recipient of the Ray Klausen Design Scholarship.
TYLER KIEFFER (SOUND DESIGNER) is a second-year MFA candidate at Yale School of Drama, where he served as the assistant sound designer and engineer for Vieux Carré and Cloud Nine and as the production sound engineer for the 2013 Carlotta Festival of New Plays. Tyler hails from the New Orleans area and holds a BA in theatre from Louisiana State University.
JOEY MORO (LIGHTING DESIGNER) is a second-year MFA candidate at Yale School of Drama, where his credits include The Two Gentlemen of Verona. Other credits include Lindbergh’s Flight; Dutchman; The Most Beautiful Thing in the World; Beginners by Raymond Carver, or What We Talk About When We Talk About Love; and Radio Hour (Yale Cabaret); El Monte Cavlo (Yale College); Glam Kitty Squad: a new musical (Pantachino Productions); Adult Roy's Badland: A Rave Opera (Cornell); and the Senior dance concert at Connecticut College. He served as the assistant technical director and master electrician for Yale Summer Cabaret’s 2013 season and as the master electrician for Kitchen Theatre for two seasons. Joey holds a BA, cum laude from Cornell University and is the recipient of the Stanley R. McCandless Scholarship for lighting design.
DANIEL SCHLOSBERG (COMPOSER) is an MMA candidate at Yale School of Music, where he has studied with Martin Bresnick, David Lang, Aaron Jay Kernis, and Christopher Theofanidis. His flute and piano piece, strange ancestors, premiered at Carnegie Hall in November, and his ten-minute opera, Frau Trude, was performed at Yale in October. Last year he conducted and re-orchestrated Sunday in the Park with George at Yale School of Drama. At Yale Cabaret, he performed in Pierrot Lunaire and wrote original music for Basement Hades. ANITA SHASTRI (STAGE MANAGER) is a second-year MFA candidate at Yale School of Drama, where her previous credits include Vieux Carré, No More Sad Things, and Lottie in the Late Afternoon. Other credits include