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OCTOBER 26–NOVEMBER 1, 2019 YALE SCHOOL OF DRAMA James Bundy, Dean Victoria Nolan, Deputy Dean Chantal Rodriguez, Associate Dean Kelvin Dinkins, Jr., Assistant Dean PRESENTS

BY ANNE WASHBURN SCORE BY MICHAEL FRIEDMAN LYRICS BY ANNE WASHBURN ADDITIONAL MUSIC BY LIAM BELLMAN-SHARPE DIRECTED BY KAT YEN

Choreographer

MICHAEL RAINE

Music Director

BEL BEN MAMOUN

Scenic Designer

BRIDGET LINDSAY

Costume Designer

Lighting Designer

RIVA FAIRHALL

Sound Designer

DANIELA HART

Projection Installation Designer

ERIN SULLIVAN

Production Dramaturg

PATRICK DENNEY

Technical Director

MATTHEW LEWIS

Stage Manager

STEPHEN MARKS

AMANDA LUKE

Mr. Burns, a post-electric play is presented by special arrangement with Samuel French, Inc., a Concord Theatricals Company. Playwrights Horizons, Inc. produced the New York City premiere of the play off-Broadway in 2013. Originally produced in June, 2012, by Woolly Mammoth Theatre Company, Washington, D.C., Howard Shalwitz, Artistic Director; Jeffrey Herrmann, Managing Director. Mr. Burns was commissioned by The Civilians, New York, NY, Steven Cosson, Artistic Director. For the language of the remembering of The Simpsons’ episode, “Cape Feare”, the author would like to credit the Civilians actors involved in the initial workshop: Quincy Tyler Bernstine, Maria Dizzia, Gibson Frazier, Matt Maher, Jennifer Morris, Colleen Werthmann, and Sam Breslin Wright.

SUPPORTED BY THE BENJAMIN MORDECAI III PRODUCTION FUND. SEASON SPONSOR: HOUSE OF NAAN


TikTokTikTokTikTok Featuring commentary by

PAUL WALSH Produced by

ERIN SULLIVAN and MIKE VANAARTSEN

OCT 21–NOV 1

Center for Collaborative Arts and Media (CCAM), 149 York Street

Cast

in alphabetical order

Matt/Homer/Marge/Apu

ANTHONY HOLIDAY

Colleen/First FBI Agent/Bart

CIARA MONIQUE Sam/Bart/Lisa/Troy

REED NORTHRUP Maria/Lisa/Second FBI Agent/ Edna Krabappel

Stories evolve over time. Take the 4th-century Greek Christian Saint Nicholas who has been transformed over centuries into the jolly, plump Santa Claus most recently embodied by sloppy naked imposters running the streets of New York during SantaCon.

ILIA ISORELÝS PAULINO

What happens when the evolution of storytelling is compressed to warp speed?

MADELINE SEIDMAN

This installation presents a deep, dark dive into the usergenerated content of TikTok, where pop culture, reality, and creativity morph like cellular reproduction. Where does this manic replication leave context, meaning, or identity? Yale School of Drama presents an installation in conversation with Mr. Burns, a post-electric play. The CCAM gallery space is open to the Yale community 10AM to 6PM, Mon–Fri.

Yale School of Drama is proud to join the celebration of the 50th anniversary of women in Yale College and the 50th anniversary of the first women students at Yale University.

Mr. Burns

JOHN EVANS REESE Gibson/Loving Husband/Sideshow Bob/ Nelson/Itchy

DARIO LADANI SANCHEZ Jenny/Marge/Homer/Willy Qunicy/Scratchy/Flanders

JESSY YATES Musicians:

LIAM BELLMAN-SHARPE BEL BEN MAMOUN

Setting

What once was America, in the very near future Then 7 years after that Then 75 years after that

There will be one 15-minute intermission. The videotaping or making of electronic or other audio and/or visual recordings of this production or distributing recordings on any medium, including the internet, is strictly prohibited, a violation of the author’s rights, and actionable under united states copyright law. For more information, please visit: shop.Samuelfrench.Com/content/files/pdf/ piracy-whitepaper.Pdf


Archiving Springfield Playwright Anne Washburn could not have picked a better archive to draw on for Mr. Burns than Fox’s long-running, prime time cartoon, The Simpsons. In a play that wrestles with the power and potential of storytelling both to preserve the memory of trauma and shape a new society, the evergreen world of Matt Groening’s Springfield, and its iconoclastic nuclear family, provides fertile soil for growing a culture postapocalypse. Introduced to audiences in 1987 in short segments on The Tracey Ullman Show, the hellraising energy of Bart, the brainy/benevolent earnestness of Lisa, the steadfast hospitality of Marge, and the blunt-force bonehead antics of Homer have combined to lampoon the everchanging cultural and political landscape, giving audiences across generations a gut-busting good time.

The Simpsons and its rich world of characters, including the miserly millionaire owner of the Springfield Nuclear Power Plant, Mr. Burns (YC 1914), have also found their way onto everything from designer T-shirts to meme-fueled subreddits. While these examples illustrate the wide-ranging possibilities of a pop-culture archive, both the franchise’s longevity and recent acquisition by Disney raise a question that the production team have been grappling with throughout our process: Is it possible for art to transcend the forces of commercialism? Over the course of Mr. Burns’s three acts, we see the performance of a cartoon grow from an act of comradery, to a fledging commercial enterprise, to a post-electric Passion Play. In each instance, Mr. Burns illuminates the powerful potential of remixing and re-framing art to spark meaning in a world desperately crying out for it.

—PATRICK DENNEY, PRODUCTION DRAMATURG

Above: A still from The Simpsons Movie (2007) directed by David Silverman for 20th Century Fox. Courtesy of Ysanne Slide, Moviestore Collection Ltd./Alamy.


Cast Anthony Holiday (Matt/Homer/

Marge/Apu) is a second-year acting student at Yale School of Drama, where his credits include LOCUSTS. He was recently seen in Lenny’s Fast Food Kids Gang at Yale Cabaret. He studied at the Atlantic Acting School, where he performed in The Last Days of Judas Iscariot, The Cleaners, and The Island. He was also part of Brookdale Summer Ensemble’s Shakespeare Series, where he performed in Measure for Measure, Love’s Labour’s Lost, and The Winter’s Tale.

Ciara Monique (Colleen/First FBI

Agent/Bart) is a third-year M.F.A. candidate at Yale School of Drama, whose credits include Trouble in Mind, blues for miss lucille, and Marty and the Hands That Could. Other credits include Enter Your Sleep, Phosphene, The Purple Flower (Yale Cabaret); The Wedding Gift, Pen/Man/Ship (Contemporary American Theatre Festival); Wait Until Dark (Firehouse Theatre); The Color Purple, Pride and Prejudice, The Colored Museum, Arabian Nights, The Rocky Horror Show, Hairspray, and Vanya, Sonia, Masha, and Spike (Virginia Commonwealth University). She holds a B.F.A. in theater performance from Virginia Commonwealth University and has studied with the Contemporary American Theatre Festival and Mississippi School of the Arts.

Reed Northrup (Sam/Bart/

Lisa/Troy) is a second-year M.F.A. candidate whose credits include YELL: a “documentary” of my time here and The Tempest. Their other credits include The Swallow and the Tomcat (Yale Summer Cabaret); Lenny’s

Fast Food Kids Gang (Yale Cabaret); LOCKED UP BITCHES, Serials (The Flea Theater); and Chamber Music, rewritten in collaboration with Arthur Kopit. His solo show, Swaggy: An American Love Story, developed at The Eugene O’Neill Theater Center, was featured at SOLOCOM and Trans Fest. Their new play Auntie Vanya debuted in ANT Fest at Ars Nova. He has been seen on screen in High Maintenance on HBO. Instagram: @lil___daddy

Ilia Isorelýs Paulino (Maria/Lisa/

Second FBI Agent/Edna Krabappel) is a third-year M.F.A. candidate at Yale School of Drama, where her credits include Seven Spots On The Sun, The Seagull, The Girl Is Chained, and The Last Days of Judas Iscariot. Other credits include Twelfth Night (Yale Repertory Theatre); Agreste (Drylands) (Yale Cabaret); As You Like It, Evita, The Taming of the Shrew, Julius Caesar, The Little Mermaid, Rapunzel, Pericles, Les Misérables, Twelfth Night, Much Ado About Nothing (Pennsylvania Shakespeare Festival); and Thrive (Page 73). She attended DeSales University, where she earned a B.A. in musical theater.

John Evans Reese (Mr. Burns) is

a third-year actor at Yale School of Drama, where he has been seen in Pivot, Trouble in Mind, shakespeare’s u like it, The Last Days of Judas Iscariot, and Shoot Her, Shooter. Other credits include The Conduct of Life (Yale Summer Cabaret); NOVIOS: part one, Non-Player Character (Yale Cabaret); A Taste of Honey (Pearl Theatre Company, directed by Austin Pendleton); Way to Heaven (Repertorio Español, The New York


Cast Times Critics’ Pick); Lord of the Flies (Barrington Stage); An Inspector Calls (Pioneer Theatre Company); This Is Our Youth (Wellfleet Harbor Actors Theater); The History Boys (Palm Beach Dramaworks); and Shakespeare’s R&J (Cygnet Theatre). Instagram: @johnevansreese

Dario Ladani Sanchez (Gibson/

Loving Husband/Sideshow Bob/ Itchy/Nelson) is a third-year actor whose credits include Othello, Seven Spots On The Sun, The Last Days of Judas Iscariot, and Henry VI, Part 3. Other work: The Swallow and the Tomcat, Latinos Who Look Like Ricky Martin (Yale Summer Cabaret); Fade, Non-Player Character (Yale Cabaret); Hand to God (SpeakEasy Stage); a wake for david’s fucked-up face (Sam French OOB Festival); Welcome to Arroyo’s (Circuit Theatre). He was a founding member of Trinacria Theatre Company and an ensemble member with Sh!t-Faced Shakespeare.

Madeline Seidman (Jenny/Marge/ Homer/Willy) is a second-year M.F.A. candidate at Yale School of Drama, where she has been seen in Pivot. Other credits include The Christians directed by Taibi Magar, One Man, Two Guvnors, and How the Light Gets In (Chautauqua Theatre Company); Lenny’s Fast Food Kids Gang (Yale Cabaret); and workshops with New York Theatre Workshop, Clubbed Thumb, and Williamstown Theatre Festival. She holds a B.A. in art history from Williams College.

Jessy Yates (Quincy/Scratchy/

Flanders) is a second-year actor whose credits include YELL: a

“documentary” of my time here and Luna Gale. Other credits include On Every Link a Heart Does Dangle (Kennedy Center); I Was Unbecoming Then (Ars Nova ANT Fest); You’re Going to Hell If You Laugh (2017 Prelude Festival); Once Upon a Time in the Berkshires, The Amish Project (Williamstown Theatre Festival); The Penalty (The Public Theater); and Teenage Dick (Florida Studio Theatre). Jessy was in Speechless on ABC, and as the performance artist known as Cerebral Pussy she’s performed at BAM, Dixon Place Mainstage, and Nationwide Children’s Hospital Orthopedic Conference.

Creative Team

Liam Bellman-Sharpe (Additional

Music/Composer/Musician) is a third-year M.F.A. candidate at Yale School of Drama, where his credits include shakespeare’s as u like it and The Tempest. Other credits include The American Unicorn (Long Wharf Theatre); Bakkhai (Yale Summer Cabaret); The Ugly One, Mud, Phosphene, and Camille: A Tearjerker (Yale Cabaret). With dancer Sarah Xiao, he has presented untitled semi-improvised dance/music piece (Yale Cabaret) and from/to nothing (International Festival of Arts & Ideas). Hailing from Melbourne, Liam’s previous credits include Macbeth, Echo, Third Person (Union House Theatre); and Coriolanus (Burning House Theatre). He holds a B.H.Mus from Melbourne Conservatorium.

Patrick Denney (Production

Dramaturg) is a second-year M.F.A. candidate at Yale School of Drama,


where his credits include Completely Out of Fucks. He has served as an associate dramaturg on The Mystery of Irma Vep and The Glass Menagerie, both at the California Shakespeare Theater. Patrick holds a B.A. and M.A. in theater arts from UC Santa Cruz. As a scholar, Patrick has presented multiple times at the annual Literary Managers and Dramaturgs of the Americas (LMDA) Conference and will presenting at the upcoming gathering of the American Society for Theatre Research (ASTR).

Riva Fairhall (Lighting Designer)

is a second-year M.F.A. candidate at Yale School of Drama, where she designed The Tempest and assisted on the 2019 Carlotta Festival of New Plays. Her other credits include Bakkhai (Yale Summer Cabaret); Fireflies and School Girls; Or, the African Mean Girls Play (Yale Cabaret); and assistant lighting design on El Huracán (Yale Repertory Theatre). She holds a B.A. in theater studies from Guilford College. rivafairhall.com

Michael Friedman (Score)

Composer/lyricist for Misery, Saved, and The Civilians’ This Beautiful City, Gone Missing, [I Am] Nobody’s Lunch, and Canard Canard Goose? as well as The Brand New Kid, In the Bubble, Hoover Comes Alive!. Co-author: Paris Commune. Friedman was a Barron visiting professor at Princeton University, an artistic associate New York Theatre Workshop, a founding associate artist of The Civilians, and a MacDowell and Hodder Fellow. Obie Award for Sustained Achievement.

Daniela Hart (Sound Designer) is a

second-year M.F.A. candidate at Yale School of Drama, where she assisted on shakespeare’s as u like it. Other sound design credits include Avital (Yale Cabaret); References to Salvador Dalí Make Me Hot (Harvard University at American Repertory Theater); Julius Caesar, Romeo and Juliet (Vermont Shakespeare); Neighborhood 3, Must Wash Hands (Rattlestick Playwrights Theater), and The Parlour (Soho Rep.) among others. She has musicdirected with La MaMa, E.T.C and Brooklyn College and was a Resident Director at The Flea Theater. Daniela also works in film and podcasting with her company, UptownWorks.

Matthew Lewis (Technical Director)

is a third-year M.F.A. candidate at Yale School of Drama, where he was an assistant technical director on Passion, a role which he also performed on Twelfth Night at Yale Repertory Theatre. Before coming to Yale, Matthew worked with the Classical Theatre of Harlem and apprenticed with the Glimmerglass Festival Opera and Maine State Music Theatre. He holds a B.F.A. in theater design and technology from Penn State, where he was the technical director on A Light in the Piazza, Be More Chill, and The Importance of Being Earnest.

Bridget Lindsay (Scenic Designer) is a second-year M.F.A. candidate at Yale School of Drama, where she assisted on Seven Spots On The Sun. Her credits include Cadillac Crew (assistant) at Yale Repertory Theatre; Cymbeline and Romeo and Juliet at Virginia Shakespeare Festival. She holds a B.A. in theater arts from Towson University,


Creative Team where she designed productions including The Bald Soprano, No Exit, Seussical, and Legally Blonde.

Amanda Luke (Stage Manager) is

a second-year M.F.A. candidate at Yale School of Drama, where her credits include Othello as well as assisting on The Seagull and YELL: a “documentary” of my time here. Her other credits include The Bomb-itty of Errors (Redhouse Theatre). She interned with The Old Globe, Houston Ballet, and Syracuse Stage, where her credits include Baskerville, Peter Pan, and The Underpants. She holds a B.F.A. from Syracuse University, where her credits include Crazy For You and A Little Night Music.

Bel Ben Mamoun (Music Director/ Musician) is a third-year music history student in the Department of Music. Her research interests include Andalusian poetry, protest traditions during the French Protectorate, and Moorish influences in Medieval Spain. A frequent performer of both contemporary and historically informed performance, recent credits include No Chairs No Applause, Animal Brain (Ensemble CATHEXIS), l’Orfeo, l’Egisto (Yale Baroque Opera Project), Venus and Adonis, Le convenienze ed inconvenienze teatrali (Opera Theatre of Yale College), and the Silent Lyre (Elm City Consort). Current program manager of Yale in New York and the Horowitz Piano Series, Bel has held past positions as a researcher for the Atlas Azawan Association, and as guest music director of the St. Pierre Cathedral in Rabat.

Stephen Marks (Costume Designer)

is a second-year M.F.A. candidate at Yale School of Drama, where he assisted on Seven Spots On The Sun. His previous credits include Independence and Dancing at Lughnasa (Stella Adler Studio of Acting). While earning a B.A. in theater and dance at James Madison University, Stephen designed several productions including Picnic, The Wild Party, The Yellow Boat, Assassins, and Other Desert Cities. Prior to Yale, Stephen worked for John Kristiansen New York, Inc., the Heritage Theatre Festival, and Hudson Valley Shakespeare Festival.

Michael Raine (Choreographer) is a

NYC-based director, choreographer, and teacher. An artistic associate at The Flea Theater, Michael has directed the world premieres of Mac Wellman’s The Fez, Catya McMullen’s LOCKED UP BITCHES, and the Grand-Guignol classic The System. He is also the artistic producer of the Flea’s late-night new play competition, Serials. Michael’s choreography has been seen at Joe’s Pub, Ars Nova, Theater for a New City, 92nd St Y, and the Folksbiene, as well as Yale Rep, five seasons at Weston Playhouse, and the Japanese tour of Rent. Michael teaches ungendered historical social and partner dancing for NYU’s graduate acting department, where he has choreographed over 20 productions.

Erin Sullivan (Projection Installation Designer) is a third-year M.F.A. candidate at Yale School of Drama, where her credits include YELL: a “documentary” of my time here. She also designed Avital and Phosphene at


Yale Cabaret. Her installation, Spine Lines (with Megumi Katayama at Yale Art Gallery), is an official selection for The Prague Quadrennial. Erin is a member of the Motion Picture Editors Guild based in NYC. Most recently, she was the visual effects editor on The Goldfinch (Amazon Studios). She produced and edited the stop-motion feature In Reality, which won the Special Jury Award at the LA Film Festival. ErinMSullivan.com

Anne Washburn (Playwright and

Lyrics) Plays include Mr. Burns, a post-electric play; 10 out of 12; Antlia Pneumatica; A Devil at Noon; Apparition; The Communist Dracula Pageant; I Have Loved Strangers; The Ladies; The Internationalist; The Small, Little Bunny Foo Foo, and transadaptations Orestes and Iphigenia In Aulis by Euripides. Awards include a Whiting Award, a PEN/Laura Pels International Foundation Theater Award, an Alpert Award, the Guggenheim, a NYFA Fellowship, a Time Warner Fellowship, Susan Smith Blackburn finalist, and residencies at MacDowell and Yaddo. She is an associated artist with The Civilians, Clubbed Thumb, New Georges, Chochiqq, and is an alumna of New Dramatists and 13P.

Kat Yen (Director) is a third-year

M.F.A. candidate whose credits include Othello, Shoot Her, Shooter (Yale School of Drama); Fade (Yale Cabaret); The ABC’s Guide to Getting Famous (FringeNYC); Pornography for the People (HEREArts); I Am This For You (Ars Nova); i wrote on ur wall and now i regret it (The Wild Project); am i? am i? am i? (The Flea Theater);

and Everyday Afroplay (JACK and Bushwick Starr). She also directed a previously unproduced draft of References to Salvador Dalí Make Me Hot by José Rivera for Harvard University Visiting Director’s Project at American Repertory Theater. Kat assisted May Adrales on Somebody’s Daughter (Second Stage) and Liz Diamond on Father Comes Home From the Wars, Parts 1, 2 & 3 (Yale Repertory Theatre and American Conservatory Theater). Kat was a Van Lier Directing Fellow and the former Co-Artistic Director of Spookfish Theatre Company. katyen.com

The Benjamin Mordecai III Production Fund, established by

a graduate of the School, honors the memory of the Tony Award-winning producer who served as Associate Dean and Chair of the Theater Management Department at Yale School of Drama from 1993 until his death in 2005. During his tenure as Yale Rep’s Managing Director alongside Dean/Artistic Director Lloyd Richards, 1982–1993, he developed a model of professional producing that changed the course of new play development in the American theatre. His 25 Broadway credits included Tony Kushner’s Angels in America, as well as work by Anna Deavere Smith, Athol Fugard, David Henry Hwang, Terrence McNally, Robert Schenkkan, and perhaps most significantly August Wilson, with whom he collaborated on each of the ten plays in the epic 20th Century Cycle.


Mr. Burns Staff Artistic

Production

Assistant Scenic Designers

Associate Safety Advisor

Jenn Doun Marcelo Martínez García

Assistant Costume Designers Stephanie Bahniuk Kitty Cassetti

Assistant Lighting Designer Jiahao Qiu

Assistant Sound Designer and Engineer Bryn Scharenberg

Makeup Designer David Mitsch

Instrument Designers

Kelly O’Loughlin

Production Manager BenJones

Associate Production Manager HaoEn Hu

Assistant Technical Directors

Andrew Riedemann

Run Crew

Mia Sara Haiman David Mitsch Tiago Rodrigues Dakota Stipp John “Sully” Sullivan Bailey Trierweiler Cameron Waitkun

Hsun Chiang Matthias Neckermann

Administration

Properties Master

House Manager

Laura Copenhaver

Lucia Bacqué

Projection Engineer

Special Thanks

Mike VanAartsen

Daniela Hart Noel Nichols

Stage Carpenter

Brandon Pro

Master Electrician

Assistant Stage Manager

Martin Montaner V.

Aisling Galvin

Yale School of Drama Staff Dean

James Bundy Deputy Dean

Victoria Nolan Associate Dean

Chantal Rodriguez

Assistant Dean

Kelvin Dinkins, Jr.

Artistic Artistic Management

Associate Artistic Director and Director of New Play Programs

Jennifer Kiger

Production Stage Manager

James Mountcastle Literary Manager

Amy Boratko

Artistic Associate

Kay Perdue Meadows

Artistic Fellow

Senior Administrative Assistant for the Directing, Dramaturgy and Dramatic Criticism, Playwriting, and Stage Management Departments

Senior Administrative Assistant to the Technical Deisgn & Production and Theater Safety & Occupational Health Departments

Grace O’Brien

Jennifer McClure

Senior Administrative Assistant for the Design and Sound Design Departments

Scenery

Properties Craftsperson

Neil Mulligan Matt Welander

Master Properties Assistant

Laurie Coppola

Kate Begley Baker

Senior Administrative Assistant for the Acting Department

Ellen Lange

Library Services

Lindsay King

Production Production Management

Director of Production

Shaminda Amarakoon Production Manager

Charles O’Malley

Jonathan Reed

Literary Fellow

Production Manager for Student Projects and Special Events/Student Labor Supervisor

Molly FitzMaurice

Senior Administrative Assistant to the Dean

Josie Brown

C. Nikki Mills

Technical Directors

Electro Mechanical Laboratory Supervisor

Alan Hendrickson Shop Foreman

Eric Sparks

Master Shop Carpenters

Matt Gaffney Ryan Gardner Kat McCarthey Sharon Reinhart (on leave) Libby Stone Interim Shop Carpenter

Doug Kester

Scenery Intern

Jenna Carroll

Interim Scenic Artists

Tamar Klausner Klein Amelia Pizzoferrato

Properties

Properties Master

David P. Schrader

Zach Faber

Properties Stock Manager

Mark Dionne

Properties Interns

Katie Pulling Tiago Rodrigues

Costumes

Costume Shop Manager

Christine Szczepanski Senior Drapers

Harry Johnson Clarissa Wylie Youngberg Mary Zihal Senior First Hands

Scenic Charge

Deborah Bloch Patricia Van Horn

Scenic Artists

Costume Project Coordinator

Painting

Ru-Jun Wang Lia Akkerhuis (on leave) Nathan Jasunas

Linda Kelley-Dodd


Draper

Nikki Fazzone

Costume Stock Manager

Elizabeth Beale

Electrics

Lighting Supervisor

Donald W. Titus

Senior Head Electricians

Jennifer Carlson Linda-Cristal Young Electrics Interns

Perry Keller Adago Cameron Waitkun

Management Assistants

Caitlin M. Dutkiewicz Cameron Frostbaum Jason Gray Company Manager

Development & Alumni Affairs

Senior Administrative Assistant to the Financial Aid Officer and Registrar/ Admissions Administrator

Kevin Delaney Ed Jooss John Marquez

Samanta Yunuen Cubias Ariel Yan Caitlin M. Dutkiewicz

Janice Muirhead

Sound Interns

Senior Associate Director of Operations for Development and Alumni Affairs


Eric Lin

Head Projection Technician

Mike Paddock

Projection Intern

Erin Sims

Stage Operations

Stage Carpenter

Susan C. Clark

Associate Director of Development and Alumni Affairs


Dani Barlow

Senior Administrative Assistant to Development and Marketing & Communications


Jennifer E. Alzona

Development Assistants

Wardrobe Supervisor

Caitlin M. Dutkiewicz Casey Grambo Tracey O’Connor

Head Properties Runner

Finance and Human Resources

Janet Cunningham Elizabeth Bolster

Billy Ordynowicz

Light Board Programmer

David Willmore

Interim FOH Mix Engineer

Eric Norris

Administration General Management

Associate Managing Directors

Lucia Bacqué Gwyneth Muller Caitlin Volz

Assistant Managing Director

William Gaines

Senior Administrative Assistant to the Deputy Dean and Assistant Dean

Emalie Mayo

Director of Theater Safety and Occupational Health

Anna Glover

Staff Sound Engineer

Projection Supervisor

Financial Aid Officer

Registrar/Admissions Administrator

Senior Associate Director of Institutional Giving

Projections

Theater Safety & Occupational Health

Assistant Company Managers

Mike Backhaus

Joe Krempetz James T. McLoughlin

Financial Aid and Registrar

Andre Massiah

Sound

Stephanie Smith

Production Photographer

T. Charles Erickson

Eliza Orleans

Director of Development and Alumni Affairs Deborah S. Berman 


Sound Supervisor

Business OfficeAssistant

Ashlie Russell

Director of Finance and Human Resources

Katherine D. Burgueño

Director, Yale Tessitura Consortium

Janna J. Ellis

Business Manager

Martha Boateng

Business Office Analyst

Stacie Wcislo

Business Office Specialists

Preston Mock Teressa Reese

Senior Administrative Assistant to Business Office, Digital Technology, Operations, and Tessitura

Shainn Reaves

Laura Torino

Marketing & Communications and Audience Services

Customer Service and Safety Officers

Operations

Director of Facility Operations

Jennifer Gonsalves

Director of Marketing

Operations Associate

Director of Communications

Operations Assistant

Daniel Cress

Steven Padla

Senior Associate Director of Marketing & Communications

Caitlin Griffin

Associate Director of Marketing and Communications

Markie Gray

Marketing & Communications Assistants

Nadir Balan

Devin Matlock

Arts & Graduate Studies Superintendents

Jennifer Draughn Michael Halpern Team Leaders

Andy Mastriano Sherry Stanley Facility Stewards

Michael Humbert Marcia Riley

Custodians

Director of Audience Services

Christina Davis Tylon Frost Cassandra Hobby Kathy Langston Mark Roy

Assistant Director of Audience Services

Director of Digital Technology

Sarah Cain Matthew Sonnenfeld

Laura Kirk

Shane Quinn

Subscriptions Coordinator

Tracy Baldini

Audience Services Assistant

Molly Leona

Box Office Assistants

Mikaela Boone Gabrielle Colangelo Morgan Cronin Samantha Else Mona Gandhi Jordan Graf Paige Hann Kenneth Murray a.k. payne Amir Rezvani Irene Vazquez

Digital Technology

Chris Kilbourne

Digital Communications Associate

George Tinari

Digital Technology Associate

Andre Griffith

Database Application Consultants

Bo Du Ben Silvert


Profile for Yale Repertory Theatre

MR BURNS, A POST-ELECTRIC PLAY, Yale School of Drama 2019.  

MR BURNS, A POST-ELECTRIC PLAY, by Anne Washburn, score by Michael Friedman, lyrics by Anne Washburn, additional music by Liam Bellman-Sharp...

MR BURNS, A POST-ELECTRIC PLAY, Yale School of Drama 2019.  

MR BURNS, A POST-ELECTRIC PLAY, by Anne Washburn, score by Michael Friedman, lyrics by Anne Washburn, additional music by Liam Bellman-Sharp...

Profile for yalerep