Art in Britain 1660-1815 by David Solkin | Bibliography & Index

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bibliography  •  349 bonehill, john , ‘Exhibiting War: John Singleton

Copley’s The Siege of Gibraltar and the Staging of History’, in John Bonehill and Geoff Quilley, eds., Conflicting Visions: War and Visual Culture in Britain and France c. 1700–1830, Aldershot and Burlington, VT, 2005, pp. 139–67. bruntjen, hermann arnold , ‘John Boydell (1719– 1804): A Study of Art Patronage and Publishing in Georgian London’, Ph.D. dissertation, Stanford University, 1974. cale, luisa , Fuseli’s Milton Gallery: ‘Turning Readers into Spectators’, Oxford, 2006. cannon-brookes, peter , ed., The Painted Word: British History Painting, 1750–1830, exhibition catalogue, Heim Gallery, London, 1991. dias, rosie , Exhibiting Englishness: John Boydell’s Shakespeare Gallery and the Formation of a National Aesthetic, New Haven and London, 2013. feibel, juliet , ‘Vortigern, Rowena, and the Ancient Britons: Historical Art and the Anglicization of National Origin’, Eighteenth-Century Life, vol. 24, no. 1 (2000), pp. 1–21. friedman, winifred herman , ‘Boydell’s Shakespeare Gallery’, Ph.D. dissertation, Harvard University, 1974. geraghty, anthony , The Sheldonian Theatre: Architecture and Learning in Seventeenth-Century Oxford, New Haven and London, 2013. gerard, william blake , Lawrence Sterne and the Visual Imagination, Aldershot and Burlington, VT, 2006. gilroy-ware, cora , ‘Marmorealities: Classical Nakedness in British Sculpture and Historical Painting 1798–1840’, Ph.D. dissertation, University of York, 2013. hammelmann, hans a . and boase, t. s. r ., Book Illustrators in Eighteenth-Century England, London, 1975. higgins, sean joseph , ‘Thomas Macklin’s Poets’ Gallery: Consuming the Sister-Arts in Late EighteenthCentury London’, Ph.D. dissertation, Courtauld Institute of Art, University of London, 2002. hutton, richard wetherill , ‘Robert Bowyer and the Historic Gallery: A Study of the Creation of a Magnificent Work to Promote the Arts in England’, Ph.D. dissertation, 4 vols., University of Chicago, 1992. ide, alan david , ‘Between History and History Painting: The Life of Charles I and the London Art World of the 1720s’, M.A. dissertation, Courtauld Institute of Art, University of London, 1995. johns, richard , ‘James Thornhill and Decorative History Painting in England after 1688’, Ph.D. dissertation, University of York, 2004. —— ‘“These wilder sorts of Painting”: The Painted Interior in the Age of Antonio Verrio’, in Dana Arnold and David Peters Corbett, eds., A Companion to British Art: 1600 to the Present, Chichester, 2013, pp. 79–104. martineau, jane , ed., Shakespeare in Art, exhibition catalogue, Dulwich Picture Gallery, London, 2003. mcnairn, alan , Behold the Hero: General Wolfe and the Arts in the Eighteenth Century, Montreal, 1997. mcphee, constance curran , ‘The Exemplary Past? British History Subjects in London Exhibitions, 1760–1810’, Ph.D. dissertation, University of Pennsylvania, 1995.

myrone, martin , Bodybuilding: Reforming Mascu-

linities in British Art 1750–1810, New Haven and London, 2005. —— ed., Gothic Nightmares: Fuseli, Blake and the Romantic Imagination, exhibition catalogue, Tate Britain, London, 2005. —— ‘Patriotism, Virtue, and the Problem of the Hero: The Society’s Promotion of High Art in the 1760s’, in Susan Bennett, ed., Cultivating the Human Faculties: James Barry (1741–1806) and the Society of Arts, Cranbury, NJ, 2008, pp. 50–63. —— ‘The Sublime as Spectacle: The Transformation of Ideal Art at Somerset House’, in David H. Solkin, ed., Art on the Line: The Royal Academy Exhibitions at Somerset House 1780–1836, exhibition catalogue, Courtauld Institute Gallery, London, New Haven and London, 2001, pp. 77–91. painting, vivienne , ‘The Commercial Maecenas: A Study of the Life and Principal Business Concerns of John Boydell’, Ph.D. dissertation, Keele University, 1996. paley, morton d ., The Apocalyptic Sublime, New Haven and London, 1986. paulson, ronald , Book and Painting: Shakespeare, Milton and the Bible: Literary Texts and the Emergence of English Painting, Knoxville, TN, 1982. pointon, marcia , Milton & English Art: A Study in the Pictorial Artist’s Use of a Literary Source, Manchester, 1970. pressly, william l ., The Artist as Original Genius: Shakespeare’s ‘Fine Frenzy’, in Late-Eighteenth-Century British Art, Newark, DE, 2007. roman, cynthia ellen , ‘Pictures for Private Purses: Robert Bowyer’s Historic Gallery and Illustrated Edition of David Hume’s History of England’, Ph.D. dissertation, Brown University, 1997. —— ‘Robert Bowyer’s Historic Gallery and the Feminization of the “Nation”’, in Dana Arnold, ed., Cultural Identities and the Aesthetics of Britishness, Manchester, 2004, pp. 15–34. santaniello, a. e ., The Boydell Shakespeare Prints, New York, 1979. shaw, philip , Suffering and Sentiment in Romantic Military Art, Farnham and Burlington, VT, 2003. sillars, stuart , Painting Shakespeare: The Artist as Critic, 1720–1820, Cambridge, 2006. smiles, sam , The Image of Antiquity: Ancient Britain and the Romantic Imagination, New Haven and London, 1994. solkin, david h ., ‘The English Revolution and the Revolution of History Painting: The Bowles Brothers’ Life of Charles I’, in Mark Hallett, Nigel Llewellyn and Martin Myrone, eds., Court, Country, City: Essays on British Art, 1660–1735, Studies in British Art 24, New Haven and London (forthcoming). —— ‘Isaac Fuller’s Escape of Charles II: A Restoration Tragicomedy’, Journal of the Warburg and Courtauld Institutes, vol. 62 (1999), pp. 199–240. sunderland, john , ‘Mortimer, Pine and Some Political Aspects of English History Painting’, Burlington Magazine, vol. 116, no. 855 (June 1974), pp. 317–26. wind, edgar , ‘The Revolution of History Painting’, Journal of the Warburg Institute, vol. 2, no. 2 (October 1938), pp. 116–27.

genres: portraiture albinson, a. cassandra , ‘The Construction of De-

sire: Lawrence’s Portraits of Women’, in A. Cassandra Albinson, Peter Funnell and Lucy Peltz, eds., Thomas Lawrence: Regency Power & Brilliance, exhibition catalogue, National Portrait Gallery, New Haven and London, 2010, pp. 27–54. ashton, geoffrey , Catalogue of Paintings at the Theatre Museum, London, London, 1992. —— burnim, kalman a. and wilton, andrew , Pictures in the Garrick Club: A Catalogue of the Paintings, Drawings, Watercolours and Sculpture, London, 1997. asleson, robyn , ed., Notorious Muse: The Actress in British Art and Culture 1776–1812, Studies in British Art 11, New Haven and London, 2003. —— bennett, shelley m., leonard, mark and west, shearer , A Passion for Performance: Sarah Siddons and Her Portraitists, exhibition catalogue, J. Paul Getty Museum, Malibu, 1999. baetjer, katharine , ‘British Portraits in The Metropolitan Museum of Art’, Metropolitan Museum of Art Bulletin, vol. 57, no. 1 (Summer 1999), pp. 1–72. chaney, edward and worsdale, godfrey , eds., The Stuart Portrait: Status and Legacy, exhibition catalogue, Southampton City Art Gallery, Southampton, 2001. chen, ching-jung , ‘The Early Georgian Conversation Piece’, Ph.D. dissertation, Rutgers, The State University of New Jersey, 2001. —— ‘Portraying Politeness: The Early Georgian Conversation Piece and Its Patrons’, Visual Resources, vol. 27, no. 3 (August 2011), pp. 203–26. —— ‘Tea Parties in Early Georgian Conversation Pieces’, British Art Journal, vol. 10, no. 1 (Spring/ Summer 2009), pp. 30–9. conway, alison , Private Interests: Women, Portraiture, and the Visual Culture of the English Novel, 1709–1791, Toronto, 2001.

david winton bell gallery, brown university,

The Martial Face: The Military Portrait in Britain, 1760–1900, exhibition catalogue, Providence, RI, 1991. davis, whitney , ‘Serial Portraiture and the Death of Man in Late-Eighteenth-Century Britain’, in Dana Arnold and David Peters Corbett, eds., A Companion to British Art: 1600 to the Present, Chichester, 2013, pp. 502–31. edwards, ralph , Early Conversation Pictures from the Middle Ages to About 1730: A Study in Origins, London, 1954. eger, elizabeth , Bluestockings Displayed: Portraiture, Performance and Patronage, 1730–1830, Cambridge, 2010. engel, laura , Fashioning Celebrity: 18th-Century British Actresses and Strategies for Image Making, Columbus, OH, 2011. fay, elizabeth a ., Fashioning Faces: The Portraitive Mode in British Romanticism, Durham, NH, 2010. funnell, peter , ‘Lawrence Among Men: Friends, Patrons and the Male Portrait’, in A. Cassandra Albinson, Peter Funnell and Lucy Peltz, eds., Thomas Lawrence: Regency Power & Brilliance, exhibition catalogue, National Portrait Gallery, New Haven and London, 2010, pp. 1–25.

This bibliography is published in David Solkin: Art in Britain 1660–1815 (Pelican History of Art) available from Yale University Press www.yalebooks.com isbn 078-0300-21556-4


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Art in Britain 1660-1815 by David Solkin | Bibliography & Index by Yale University Press, London - Issuu