The Second Nature
Plan VIDEO LINK : https://youtu.be/aPCjNP2qY8k
“Recovery”
Data Analysis & Policy Development
Digital Finance & Elect onic Payments
Ehealth & Telemedicine
Educational Technology
Digital Government & Digital Governance
Social Platforms & Social Media
Smart Cities And The Internet Of Things
Digital twins use information technology to 'clone' physcal objects and processes from the real world into a virtual digital model, enabling interaction between the real world and the virtual world.
The ways in which humans control the real world through digital rights often involve the use of digital technologies and data to intervene in and manage various social, political, and economic matters.
Digital Currency & Blockchain
#04 WORKING PROCESS
Much like the portrayal in 'Ready Player One,' the world of 2045 faces an energy crisis on the brink of collapse, and the protagonist Wade only feels truly real when immersed in the immersive virtual world known as the 'Oasis’.
· OCEAN DESTRUCTION
The coastal factories, oil spills from offshore oilfields drifting on the sea surface, along with maritime litter and fishing nets, collectively pose fatal threats to marine life.
Right To Life
The growth of global Internet traffic
Annual growth in energy use of ICT
Share of greenhouse gases emitted by ICT
· URBAN POLLUTION
The imagination within the virtual world is filled with the disassembly and reconstruction of the real world, allowing people's hopes and dreams to be partially realized within an artificial environment.
40% 7.5%
40% 7.5%
2.3% %
When facing energy security issues, the development of digital technology will be constrained and unable to support the virtual world.
Whether in the virtual world or the tangible reality of human life, there exists a complex attitude towards the spaces we inhabit. Within these contradictions, lies the intricate interplay between humans and their environment.
If the virtual world continues to be alienated from the real world, the gap between the two will widen, eventually causing the collapse of the virtual and real worlds.
The acid rain caused by emissions from factories within the city and light pollution from the glass facades of skyscrapers can impact people's lives.
· FOREST FIRE
The uncontrolled spread of forest fires, left untreated in a timely manner, has seriously endangered the natural ecosystem and biodiversity while disrupting soil structure.
#01 BACKGROUND
#02 RESEARCH
2020 2020 2020
·
Criticizes human beings as the masters of the digital world who delete the disasters caused by themselves without reflection
Abandoned things still exist in the form of data in the virtual world, and they form a second nature parallel to the virtual world, full of abandoned things by humans.
The work starts from multiple simulated spaces and freely transforms these spaces from a human-centered perspective. The products of second nature that were eventually discarded by humans are actually combined into a second nature in a parallel world.
This project incorporates Blender for intricate modeling and seamless integration of VR environments. It positions interactive points that, guided by voice prompts, empower individuals to actively mitigate and remove simulated disasters within the VR landscape.
#03 IDEATION #04 WORKING PROCESS
· DESIGN SKETCH CONCEPT
This project is a combination of VR gaming and virtual imagery. The image above represents what is seen through VR goggles, which is the gameplay process. It includes three different scenes: urban, ocean, and forest.
In the urban scene, players will witness a group of birds colliding with a building and, accompanied by voice prompts, guide players to 'remove' the building model.
In the ocean scene, there will be drifting garbage and oil on the water's surface, and players will remove his artificial waste through interaction. The forest scene involves a forest fire, and players can remove the fire model.
#05 VR IMAGING
VR IMAGING LINK : https://youtu.be/EnzOvXpHKeE
I displayed what players see through VR goggles on the monitor, demonstrating the player's perspective. Players use VR controllers for interaction, and images respond to the actions in the virtual space.
While players remove the models, distortions of buildings, a significant oil spill from the sky, and an uncontrollable wildfire foreshadow that the ideal solution to the problem of artificial waste only brings greater disasters.
· AUDIENCE FEEDBACK
After incorporating user feedback, we optimized the touch sensitivity of interactive points and adjusted the speed of voice prompts to enhance the user experience. Furthermore, to create a more impactful impression, we amplified the projection of the disaster ensemble, aiming to leave a profound impact on users.
#06 FINAL WORK
INTRODUCTION :
This project is a braincomputer interactive installation that integrates food and memory, using the deep emotional connection between people’s beautiful memories and food as a source of inspiration. Good memories can act like preservatives, extending the shelf life of food and keeping it in its best condition.
#03 IDEATION
In the future world, the population is experiencing explosive growth, leading to significant urban expansion and land development. The expansion of cities has eroded arable land, resulting in a shortage of food resources. This scarcity of food resources is becoming evident on a global scale, with rising food prices and a strained food supply, posing a severe challenge to food security.
Population Growth
Decreased Arable Land
Urban Expansion
Class Division
Upper Class
Second Class
Materials Used For Brewing
Brewing With The Essence Of Food
Brewing With Leftover Food
Third Class
Currently, the world's total population is 7.3 billion. Although the global population will continue to grow, the growth rate is lower than in the past. It is estimated that in the next 15 years, the world will add 1 billion more people, and in the following 10 years, another 1 billion. By the year 2050, the world's total population is projected to reach 9.7 billion.
The current situation of global food waste is a cause for concern, with a staggering amount of food wasted annually, estimated at approximately 1.31 billion tons.
In the future, people are actively adopting new technologies to cultivate cereal seedlings, aiming to increase both the quantity and quality of food production. Laboratories are utilizing new techniques such as hydroponics and nutrient-rich soil cultivation to meet the ever-growing global demand for food.
Alternative Food Declining Cereal Production
Insufficient Ingredients
For Brewing
Brewing Materials Become A Symbol Of Social Class
Class-Based Brewing System
Brewing Method Scenes
High Technology
Vertical Farming, Hydroponic Plants
Large Factories
Production-oriented Brewing Factory Method
Brewing With Discarded Waste
Simple Tools
Lower Class
Brewing With Waste From Waste
Primitive Methods
Traditional Workshop Brewing
Storage Room, Primitive Brewing
Symbolize
Identity Enjoyment
Consolation
Numbing
n Numbing Onesel
In the post-human era, traditional drinking no longer suffices to provide pleasure. Instead, rapid intoxication through injections is the key to quickly achieving inebriation and numbing oneself for pleasure.
#01 BACKGROUND #02
RESEARCH
Intravenous Injectio
4 3
Collecting discarded peels and waste materials such as passion fruit peels, dragon fruit peels, sugarcane residue after juice extraction, discarded soybean pulp after soy milk production, and inedible pine needles, and using enzyme substances to ferment and convert the protein, cellulose, and other components in the peels into the sugars required for brewing. Then, through yeast fermentation, alcohol is formed.
After fermentation, the spent grains are often discarded, but drying and grinding them can turn them into a new dye or biological material.
#04 MATERIAL EXPERIMENT #05 WORKING PROCESS
6 1
5
Pine Needle
Wine
2 Bean Dregs Wine
7 8 Sugarcane Wine Cornstalk Wine Green Tea Wine
Seaweed Wine Passion Fruit Peel Wine Dragon Fruit Peel Wine
The output of the first part symbolizes the lowest-class people using waste materials that the upper class does not want to imitate the upper class in brewing. Using primitive methods, they can still brew alcohol to comfort themselves.
The installation includes eight types of alcohol, the dregs from these eight types of alcohol, the materials obtained after grinding the dregs, and a needle injection method for future pleasure through alcohol injection, all displayed on an iron frame.
Merely drinking alcohol is no longer sufficient to provide people with pleasure. By using the needle injection method via an IV bag, individuals can quickly enter a state of numbness, thus numbing themselves to their suffering.
#06 OUTCOME1 —— INFERIOR ALCOHOL INSTALLATION
First Level can use the essence of food to make alcohol.Second Level can use the discarded fruit pulp that the first level doesn't want to make alcohol.Third Level can only use the waste that the higher class doesn't want to make alcohol. lowest class, they can only use the most discarded parts of waste to make alcohol.
The output of the second part is to experience, in VR form, the brewing environment and methods from the highest class to the lowest class within the brewing tower. It offers an immersive experience of the changes in class from the highest to the lowest, allowing one to feel the helplessness caused by the class differences resulting from the brewing materials.
The VR scenes are modeled using Blender and imported into the VR environment, providing a real-time experience akin to riding an elevator while observing the changes.
#07 OUTCOME2 —— VR VIDEO
Upper Class
Second Class
Third Class
Lower Class
INTRODUCTION :
Through a virtual exhibition, viewers are brought to the border between the desert and the city, reinterpreting the relationship between humans and nature. After a certain stage, the audience may discover the vanishing of the mirage, leaving behind only what truly happened. They begin to retrace what they've just experienced, pondering whether it was a mirage or the authentic actions of humanity in their interaction with nature, contemplating the ways humans coexist with the natural world.
Refactor HUAN Border —— Online Virtual Exhibition
#
4
(42.8N, 90.2E)
Natural world
Prehistoric civilization period
21st century BC
Agricultural society period
Late 18th century
Industrial society era
1760
1973
Anthropocene
Post-industrial society era
"Post-Industrial Society," published by American sociologist Daniel Bell
The Scientific Era
Primitive society with very low productivity, where humans and nature had a dependent relationship, and humans relied on nature. The relationship with nature was in a primitive state of harmony.
As the level of productivity increased, humans began to utilize natural resources and alter nature, moving into a developmental stage. During this period, due to the limited capacity of humans to develop and use natural resources,.
Worship of nature
With technological advancements and further improvements in productivity, especially with the emergence of modern industrial production, human confidence and dissatisfaction with their living environment drove them to "conquer nature" and "dominate nature" without restraint. During this period, there was reckless exploitation of resources, which, on one hand, led to destructive disasters in nature and, on the other hand, invited retaliation and punishment from nature towards humanity.
Natural Transformation
Natural backlash
When this exploitative development became unsustainable, the relationship between humans and nature entered a new realm – one of harmonious coexistence with nature.
Symbiosis with nature
From May to October every year, in the Kumtag Desert, mirages are often seen. There appears to be a lake on the desert surface, but upon closer inspection, it turns out to be a mirage, typically occurring from around 12 noon to 7 in the afternoon.
Natural forces such as the sun, moon, wind, and rivers were worshipped as deities and revered through rituals due to their significant influence on early human life.
Utilizing natural resources such as water, soil, climate, and terrain from the environment, humans began gradually transforming nature. However, overall, human capabilities were still quite limited.
In 1975, "Ecotopia."
As human capabilities grew stronger, they attempted to conquer nature, but on the other hand, environmental issues became increasingly acute, facing retaliation from nature, which turned against humanity.
Humans faced punishment from nature, and respecting, adapting to, and protecting nature are our ways of coexisting with it.
The southwestern wind at Qijiao Jing Town, at the southern foot of the Tianshan Mountains, counteracted the southeastern wind that passed through Dabancheng City.
The Kumtag Desert is the only desert in China that is closely connected to urban areas, often referred to as an "urban desert." For thousands of years, this desert has never encroached upon the city, maintaining a harmonious coexistence with the urban environment.
Natural instability threatened people's lives, making their destinies more uncertain. In this era of ecological upheaval, people dreamed of a utopia.
However, the dream of a utopian world is actually nonexistent; it's just false hope, ultimately nothing more than a mirage, a castle in the air.
Mirage Shashan Park Desert Road Luoling Tianxia 250 500 1000 2000m 10 40km 新疆维吾尔自治区 Shanshan County Kumtag Desert
This desert encapsulates most of the features of desert landscapes and is renowned as a "Desert Museum."
Tianshan Mountains
Southern foothills of Tianshan
Fantasy Reality Contradictions
Qijiao Jing Town
District
Wind Region Hundred
Dabancheng
Dabancheng
Li Wind Zone
Utopia
Mirage
Breaking Contemplation
Desert
Kumutag
Flaming Mountain Scenic Area Lukchin Town Dikan Town Kumtag Desert Bize Town Qiketai Town #01 BACKGROUND #02 RESEARCH
Illusory scenes
Unreal things
Mirage
False hopes
False sense of security
Contradictions
Contradictions
Reflection on the real world
Empower action
Parallel worlds
Mapping of the real world
Actual events
Phase One: Pursuit
Kumtag Desert
Two major elements
Exhibition Cover
Phase Two: Retrospection
1 2
THAT IS THE DIVINE NATURAL BOUNTY MIRAGE
Reverence x Religion x Indigenous Utilization X Dependency 3 4 6
Forces of nature such as the sun, moon, wind, and rivers were worshipped as deities due to their significant impact on early human life. This reverence for nature was a way for humans to express their dependency on the natural world.
By utilizing resources such as water, soil, climate, and topography from the natural environment, humans began the gradual transformation of nature. However, overall, humanity's capabilities were still quite limited.
REACHING THE THRESHOLD
Persecution X Backlash X Oppression Aspiration X Beauty X Ecology False X Fantasy Hope X Coexistence
As human capabilities grew stronger, they sought to conquer nature. On the other hand, environmental issues became increasingly acute, resulting in retaliation from nature, which backfired on humanity.
UTOPIAN WAVE THINK LIKE A MOUNTAIN 5
The instability of nature threatened people's lives, making their destinies increasingly uncertain. In this era of ecological upheaval, people dreamt of a utopia.
However, the dream of utopian world is actually non-existent, but a false hope that ultimately turns out to be a mirage, a castle in the air.
Humanity has been punished by nature, and respecting nature, adapting to nature, and protecting nature is the way for us to coexist with nature.
Close connection between the desert and the city
Boundary feeling between humans and nature
Urban desert Relationship
Dependence Development Exploitation
Harmony
Preface to the Exhibition
Viewers Facing the Desert
The exhibition begins with the two major elements, the urban desert and the mirage, not only exploring the relationship between humans and nature but also delving into the sense of boundaries between them. By using mirages that appear deceptively real, the viewers are drawn into the exhibition space, immersing themselves in it. As the mirages gradually dissipate, the viewers gradually become aware...
The exhibition traces the stages of the human-nature relationship from prehistoric times to future societies, highlighting six key concepts: reverence for nature, nature's transformation, nature's backlash, utopia, mirage, and natural symbiosis. Based on these concepts, the exhibition reinterprets the human-nature relationship from a human perspective, narrating it through stages.Through scenes that transition through different timelines, viewers will question, "Is this illusion or reality?" until they realize the fading of the mirage and become aware of the real elements around them. Dramatic scenes unveil the underlying meanings.
ACT 1: THAT IS THE DIVINE
ACT 2: NATURAL BOUNTY
ACT 3: REACHING THE THRESHOLD
ACT 4: UTOPIAN WAVE
Enter the Exhibition Space
Worship of nature is primitive form of religion. The first scene of the venue resembles a natural cathedral in the form of pristine sand dunes, where viewers can appreciate the awe-inspiring scenes of lightning.
The delicate and lightweight structure symbolizes the limited power of human transformation over nature, while the slender support pillars echo the artificial forests and the installation artwork.
In the natural world, there are no perfectly straight lines, so the straight lines in the artwork represent the artificial. Through the use of sharp, contrasting architectural forms, the artwork symbolizes the destruction caused by human activity on nature.
People yearning for utopia hope to construct beautiful abode isolated from the world. The semi-spherical greenhouse architecture of the venue isolates people from the outside world, but this beauty is not destined to last and will eventually fail, much like "Biosphere 2."
The original mirage viewing platform is abstracted in form, allowing viewers to climb and admire the distant artwork representing the mirage.
The circular form signifies the mutual prosperity of humans and nature, conveying a sense of harmony. Introducing sunlight into the atrium and enveloping a portion of the artwork symbolizing beautiful ecosystem in sunlight alludes to a brighter future.
ACT 5: MIRAGE
Climb to the Observation Deck Artworks Gradually Disappear
ACT 6: THINK LIKE A MOUNTAIN
Enter the Meditation Space
End of the Exhibition
《Cloud Cities》 2011 Tomás Saraceno
《Heritage 》 2013 Cai Guoqiang
《The Lightning Field》1971 Walter de Maria 《Wald Aus Wald 》 2010 Takashi Kuribayashi
M.E.L.T.S. Matter Energy Light Time Space Mareo Rodriguez 《Invocation for Hope》 2021 Superflux
#03 IDEATION
#04 ARTISTS’ WORKS
「
」 「
」
CREATIVE APPROACH
EXHIBITION PROCESS
Online
Menu #05 EXHIBITION OVERVIEW
The exhibition is titled "Redefining the Environment" with the intention of expressing the concept of symbiosis with nature, aiming to transform the current fragile miragelike environment into a true habitat.
Page Exhibition
The online exhibition is presented in the form of spatial exploration, allowing viewers to navigate to six different pavilions according to the map's directions. When approaching each pavilion and artwork, chapter introductions and artwork descriptions will appear.
120m 100 140m 130m 100 200m 《Melt7》 《We Are》 《Portals》 《Gate》 《The Lightning Field》 Walter de Maria 《Forest From Forest》 Takashi Kuribayashi M.E.L.T.S. Matter Energy Light Time Space Mareo Rodriguez 《Cloud Cities》 Tomás Saraceno 《Heritage》 Cai Guoqiang 《Invocation For Hope》 SuperfluxStudio
#06 ONLINE EXHIBITION PROCESS
Bar
Content Page
The menu page of this exhibition consists of four sections: "Exhibition Introduction," "Exhibition Location," "Exhibition Map," and "Featured Artworks," allowing viewers to click and access more information. Exhibition Page
THAT IS THE DIVINE
the Threshold
Natural
Bounty Reaching
Think Like a Mountain
Mirage
Utopian Wave
Clicking on an artwork will bring up relevant information about it. Clicking on "Read More" will link to the artwork's detailed description page, allowing viewers to learn more about it.
The extreme weather changes symbolize the impact of human activities on the environment. Therefore, along the way, different weather changes will occur based on the themes of different exhibition halls.
During the exhibition tour, you can click on the arrow icon in the upper right corner to view your current location, perspective, basic weather conditions, and temperature. Upon entering each exhibition hall, there are touchpoints that provide the best viewing angles for viewers to appreciate the artworks from.
#07 EXHIBITION ROAMING INTERFACE
INTRODUCTION :
Poplar catkins in Beijing can carry germs and cause confusion such as rhinitis, but catkins have a huge hollow structure so they have good oil absorption, so I design a flying device to cut and collect catkins , and finally It is processed into a new type of oil-absorbing material, which can be used to absorb oil from kitchen
sewers.
CLEAN SKY , CLEAN SEA
#5
·
·
Beijing has less rainfall, and poplar catkins are difficult to be washed into the soil by rain.
April reached the 14 °C needed for catkin fruit to bloom.
Poplar trees are mainly distributed in the central urban area of Beijing, and the peak season of poplar catkins is from April to May.
The first wave of catkins Mid April ~ Late April
Poplar are extremely survivable. Poplar trees are highly adaptable to soil types and can survive in different climate conditions.
· Poplar grows quickly, and the purchase cost is low. This makes them suitable for use in fast-growing forests, silviculture and timber production projects.
Poplar has strong anti -pollution ability. Poplar trees can absorb and store some harmful gases and pollutants.
10Years
In 1950, Beijing had the most severe sandstorms, with an average of 26 dust days in spring.
The United Nations Environment Programme even announced that Beijing was "a city on the edge of desertification in the world".
With the successful hosting of the Olympic Games, Beijing's landscaping industry has made great strides forward.
1980 2010 2023
1964
There is a serious shortage of oil, and the consumption of oil is at a low level
DIFFICULT TO CLEAN ALLERGIES AND RHINITIS
PRONE TO FIRE AFFECT LINE OF SIGHT
Mr.Wang “In April and May, poplar catkins float all over the streets and stick to the ground, making it very difficult to clean.”
Mrs.Li : “I was originally prone to allergies, poplar catkins would aggravate my rhinitis, make my skin itchy and feel uncomfortable all over.”
· POPLAR CATKIN MATERIAL EXPERIMENT
Mr.Yang : “When was driving, catkins were falling and blocked my sight. almost had an accident once, and had to clean the windows all the time.”
NEWS REPORT As the poplar catkins were ignited by cigarette butts, the stacked building materials were burned.
1978 1990
The consumption of oil has increased rapidly, but is still insufficient.
This stage uses oil slower than the previous stage, which is more suitable. 2010
Oil consumption continues to increase and has reached the stage of excess.
2023
1964 / 0.88KG 1978 / 1.7KG 1990 / 5.5KG 2010 21KG
THE AVERAGE ANNUAL PER CAPITA CONSUMPTION OF OIL
Number of Oil Consumption
Number of Sewer Oil
2023 29KG
Number of Waste Oil Contaminated Water
The daily averagetemperaturereaches 14 °C and thepoplarfruitbeginsto crack OIL
SEWER BLOCKAGES INCREASED MAINTENANCE COSTS
Mrs.Zhang “Two years after moving into a new house, the drain in the sink was blocked twice. Finally, a professional was called in and it was discovered that the problem was caused by coagulated oil again.”
Mr.Wu “Real estate companies regularly deal with sewers blocked by oil pollution, but each time it costs a lot of money, and it is difficult to completely eradicate it.”
News report Some of the sewage from the catering industry near the upper reaches of Wujiang Creek was discharged into Wujiang Creek, which led to the pollution of the outlet of Wujiang Creek.
· INSIGHT
Catkin fibers are hydrophobic and lipophilic, and have a huge hollow structure, far superior to other oil-absorbing materials.
How to collect poplar catkins and use their oil-absorbing properties for recycling?
How to remove and recycle waste cooking oil from kitchen sewers to reduce water pollution?
How can waste cooking oil be recycled and processed into biofuels?
Beijing's average temperature in April 8°C 10°C 16°C 6°C 12°C 14°C Beijing's average temperature
#01 BACKGROUND & RESEARCH
BEIJING GREENING PROCESS
1950 / 1.3% 1980 20% 2010 / 36% 2023 49.3%
COVERAGE RATE
POLLUTING WATER RESOURCES
in
·
1950
URBAN GREEN
IN BEIJING
ADVANTAGES OF PLANTING
Number of Poplar Plantations in Beijing Number of Green Plantations in Beijing
INTERVIEW CLEAN SKY , CLEAN SEA
POPLAR
· PROBLEM RESEARCH
R>20cm R>3cm Poplar Seedlings Adult Poplar Beijing's average precipitation in April
10mm 25mm 250mm 0mm 50mm 100mm Number of Poplar Plantations in Various Regions of Beijing
BEIJING GREENING PROCESS
The second wave of catkins Late April Early May
The third wave of catkins Early May ~ Mid May
Absorb172kgofCO2ayear 50,000 100,000 150,000 A C D E G Release125kg ofO2 a year
CONTAMINATES BIOFUEL POPLAR CATKIN
·
· SCENARIO
Supervision Biofuel
The scenario envisions people using flying devices to collect and recycle poplar catkins, and earning a kitchen oil absorption kit in the process.
·
SERVICE BLUE PRINT
COLLECT REWARD Utilize Cast away STAGE
IC Card
EVIDENCE USER JOURNEY FRONT STAGE BACK STAGE SUPPORT PROCESS
Poplar Catkins Recycling Location Exchange Location
Put a collection net on the drone and control the drone to collect
Throw the collected catkins into the trash and you can get points on your IC card.
Exchange for oil absorbers kit in the community center.
LINE OF INTERACTION
Recycle poplar catkins in the net Flying installation
Settlement points
Recycling poplar catkins
Providing oil absorbers
Clearing points
LINE OF VISIBILITY
Production of oil absorbers
LINE OF INTERNAL INTERACTION
Sensing equipment
Recyce company Recognition scan Points system
IC Card
Oil Stains in Kitchen Sewer Oil Stains in oil absorbers Recycling Location
Put material into the oil absorber and put it into kitchen sewer.
When the material is saturated, it can be replaced with a new one.
Dispose of the oil-saturated filter cartridge into the recycling bin.
Settlement points
Recycling oil material
Sensing equipment
Flying
· 1 2
STAGE 1 COLLECT STAGE 2 : EXCHANGE STAGE 3 UTILIZE STAGE 4 RECYCLE
Cut 4
Recycle Factory Throw
Absorbing
Residents can borrow devices from the community service center and exchange kitchen oil absorption kit from here too.
Residents can control and collect poplar catkins by putting a net on the flying device.
People use IC cards to sense the trash bins and throw the collected poplars in, and the IC cards will automatically accumulate points.
The recycling company will regularly recycle the oil-filled filter elements in the trash can and process them into biofuel.
People can put the oil absorber into the kitchen sewer and replace the oil absorber filter regularly.
STAKEHOLDER ANALYSIS
#02 IDEATION
SYSTEM MAP
Device Residents Catkins Smart
Trees
Community Service Center Process Oil
Material
Kitchen Sewer
Station Full of Oil Exchange Change
Recyce company Process
Inventory management Inventory management Storehouse Storehouse into
Bin Poplar
Oil Absorber
Biofuel Eco-gas
Depose Recycle
Separate Put
3
this
Company Technology Provider Manufacturer
Driver Restaurant Government Ministry of Ecology and Environment NGO Wastewater Treatment Plant Research Institution Social Media Local Business Environmental Organization Property Company Technology
Company
Company
Borrow Control Net IC Card Community Service Center Charge Community
1 2 3 4 5
Residents
can borrow flying devices from the community service center to collect poplar catkins and complete
recycling process. PRODUCERS REGULATORS BUSINESSES SOCIETY RESIDENTS NONPROFIT ORGANIZATION Recycle
Family Cleaner
Energy
Transportation Company
worker Storage System People can borrow drones from community service centers Flying Installation
· MATERIAL EXPERIMENT
· MATERIAL EXPERIMENT
· MATERIAL EXPERIMENT
· INSTALLATION SKETCH
· INSTALLATION SKETCH
· INSTALLATION SKETCH
· TECHNIQUE
·
· TECHNIQUE
· TECHNIQUE
Programmed with an Arduino board, the drone is capable of cutting the catkins upon contact.
· MAKING PROCESS
· MAKING PROCESS
· MAKING PROCESS
· Kitchen Sink Cutaway Oil Strainer
· FINAL WORK
· FINAL WORK
· FINAL WORK
USING SCENE
· USING SCENE
· USING SCENE
· USING SCENE
· AUDIENCE FEEDBACK
· AUDIENCE FEEDBACK
· AUDIENCE FEEDBACK
· AUDIENCE FEEDBACK
Catkin fibers are hydrophobic and lipophilic, and have a huge hollow structure, far superior to other oil-absorbing materials.
Catkin fibers are hydrophobic and lipophilic, and have a huge hollow structure, far superior to other oil-absorbing materials.
Catkin fibers are hydrophobic and lipophilic, and have a huge hollow structure, far superior to other oil-absorbing materials.
After material testing, the oil-absorbing filter element made of poplar catkins has shown excellent oil absorption capabilities, capable of adsorbing most of the oil pollutants in water.
· FUTURE PLAN
· FUTURE PLAN
· The battery life of the flying installation is not enough. It runs out of power in about half an hour.
· When too little poplar catkins is collected, the trash bin may not be able to recognize it.
· The oil suction filter element has a short service life and needs to be replaced every three or four days.
· FUTURE PLAN
· FUTURE PLAN
Catkin fibers are hydrophobic and lipophilic, and have a huge hollow structure, far superior to other oil-absorbing materials.
The drone can be equipped with a net to collect poplar fluff. Additionally, Place the oil absorber in the kitchen drain, after some time, you can replace the filter.
Catkin fibers are hydrophobic and lipophilic, and have a huge hollow structure, far superior to other oil-absorbing materials.
Catkin fibers are hydrophobic and lipophilic, and have a huge hollow structure, far superior to other oil-absorbing materials.
Processor Community Technology
Processor Community Technology
Processor Technology Community
Processor Community Technology
The processor can further optimize the performance of cottonwood fiber materials to enhance their adsorption capabilities and improve oil-water separation effects.
It can enhance the recognition capabilities of the stable aircraft and provide it with better endurance. Additionally, it can improve the weight recognition of the bins.
Increasing collaboration between communities, community workers can better promote events and guide residents to participate in activities and experience them.
#03 OUTCOME
Sketch #03 OUTCOME
Kitchen Sink Cutaway Oil Strainer
Cutaway
Strainer Sketch #03 OUTCOME
TECHNIQUE Kitchen Sink
Oil