XS10 Magazine - December 2021 by Xs10Magazine

FOUNDER Michael Neely CEO Rasheed J. Neely EDITORS Aidem Media Group design&print B & S Designs Digital Marketing GRAPHICS design&print

CONTRIBUTING WRITERS Michael Neely David R. Navarro Misty White Addison Coleman Sherry Nelson Bruce Glasgow Eileen Shapiro Jimmy Star

COPYRIGHTS XS10 Magazine is sole property of AidemMediaGroup/AMGmusic.Net. Which is owned by Michael Neely and any articles and pictures are sole property of XS10 Magazine and any likeness. XS10 Magazine has been copyrighting since 2012.

ADVERTISING & PROMOTIONS Aidem Media Group B & S Designs - Digital Marketing Cat Peterson

Letter from The Editor

Dear Reader, It is an absolute pleasure to welcome you to XS10 Magazine as we start our 8th year of publication. This year brings about changes, as our founder and visionary, Michael Neely of XS10 Magazine being the Editor-in-Chief. While the core of Xs10Magazine is the same, Staff and I are not—with this, you may see Xs10magazine change a little. We will be centering each individual print magazine around a theme: Tradition (issue seven), Identity (issue eight), Resistance (issue nine), and finally Metamorphosis (issue ten). We hope you will still be loyal readers and will welcome the changes to come; and are so thankful you are here reading now. Xs10Magazine is a hybrid, sexy, urban lifestyle and consumer magazine. We present a unique blend of entertainment news from around the globe. Xs10Magazine embodies a unique combination of edgy articles that feature a wide coverage of Music, Film and Fashion: A-list celebrities, promising newcomers, sports figures, new technologies, fashion, politics, sex, health, and travel. The origin and intentionality behind our name, Xs10Magazine, is simple: “Xs10” means you have too work twice as hard to get to where you need to be and view or perspective. We are glade in sharing the views, perspectives, and stories of People around the world. Our mission is to bring the Entertainment community thoughtful and engaging commentary on political and social issues, to our readers . As a publication, we do not advocate for any specific political ideology, but we have set standards regarding the posting of harmful and denigrating pieces as it relates to minority groups. We see our platform as a sacred space of people voices, and thus, view that it is our responsibility to highlight the diversity on Xs10magazine and to use our platform as a space of learning and education and diversity. Our intention is to host a platform for writers to share their political opinions, faith stories, and creative works. That is why we exist. The freedom of speech, however, does not mean the freedom of hate speech. We would like to be as transparent as possible. For this reason, we gladly welcome any comments and critiques you may have as a reader. Letters to the editor are also highly encouraged and will be considered for publication on our website or in print. I am elated to be furthering the mission of Xs10 and to hear your stories. Cheers, Michael Neely, Founder & Editor-in-Chief AMG Entertainment Network

Tom Sizemore

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Page 27 // Cover Feature Table of Contents Page 4 Bailey Elora Page 8 Elysé Blanco Page 12 Phil Spallina Page 14 Rina Chanel Page 17 Music Industry News

Page 20 Zoe Yeoman ACTING Appropriately Page 27

Tom Sizemore Page 33 LaTonya MeChelle Page 35 Pat McMakin

Page 38 Shamar Rice Page 41 Rebecca Hartt Page 44 The Gina Powers Band Page 47 April Rose Gabrielli

PROMOTING POSITIVITY + EDUCATION + DIVERSITY We are a multi-media entertainment corporation consisting of a streaming television network with 3 channels which are located on Vimeo, Roku TV, which is international, and Amazon Fire TV, 2 digital magazines and a streaming radio station at present. We consistently strive to promote positivity, education, and diversity across all our entertainment platforms. Our television channels are AMG Entertainment Network™ Conversations, where we sit down with the movers and shakers of todays’ entertainment, business, and technology industries, AMG Entertainment Network™ Music, showcasing music videos of all genres by independent artists, and AMG Entertainment Network™ Films, offering a wide variety of filmed content from independent filmmakers. Our magazines are, Xs10 Magazine™ which is a hybrid lifestyle and consumer magazine presenting a unique blend of entertainment news from around the globe with exclusive articles that cover a variety of topics including music, film, fashion, technology, sports, health, and travel from A-list celebrities, promising newcomers, and sports figures. The Orange Magazine™ that introduces influencers, “The Fruit of The Industry” in music. Our focus is to share the stories of many of todays’ up and coming artists from around the world in an engaging way. Our radio station is Dagrahynd Radio™, playing an extremely diverse range of genres that span decades of great music from indie and major artists, special guest interviews, and much more. AMG Music™ consists of an independent record label, digital distribution services, and marketing & promotion services to suit all your musical content needs and budget. Contact us for packages and pricing at: www.amgentertainmentnetwork.com

Photo credit: Ricky Zastrow @coloradophotoworks

BAILEY ELORA

Living Her Best Life When did you first get into music? I’ve never NOT been doing music, so I don’t know if I’d say “get into”, but more so when did I start making a career out of it. That being said, I would think I started in music when I was 14 and wrote my first song.

Who or What inspired you to pursue a career in music? Honestly, I don’t think I ever intended to do anything else with my life, it’s been the one thing I have always been completely and totally enamored with and which the passion for has never faded. I think the thing that inspired me the most to become a musician is the connectivity that music can have for people. The way that despite people being so different, we can all relate to ONE SINGLE SONG and that’s incredible to me… that words and melodies one person wrote can be felt in the hearts of so many others.

Describe your style of music. I like to describe my music style as simply chaotic, because for the life of me I can’t stay in a single genre. Currently, though most of my music that I’m writing falls into the Pop-Punk category, kind of along the lines of No Doubt and The Cranberries. How has your music evolved since you first started in the music industry? Well, my writing has gotten better for one. lol. When I first really got started in the music industry my music was a little more basic, I let other people have a lot more influence on how I wrote, so it was a little more “normal” sounding. Now, my music has a bit more of a flare. I use different, more unusual time signatures and I’m no longer afraid to have my songs be super word-y.

Do you write with other artists? All the time! I really enjoy writing with other artists, because it gives you such an interesting look into how their mind works. I always feel so honored when someone is willing to write with me, because I feel like it takes so much trust to let someone in like that. In my opinion, the best of my work comes from times when I’ve taken my art and mashed it with someone else’s to create something all new completely. My most recent project (and favorite at the moment) is working with Miguel Aviña of iZCALLi. We started writing together during the winter of 2020 and now we have a small set of songs we perform together every so often, which is kind of amazing since it makes it so we can both enjoy opportunities that the other might not have had without the collaboration. If you were forced to choose only one, which emotion, more than any other, drives you to stay in this tough industry? Is it joy, anger, desire, passion or pride and why? Truthfully? Pure pettiness and spite. I mean, don’t get me wrong, I love music and that could fuel my passions alone, but SO many people have doubted and underestimated me that those feelings are just stronger. I think because I love it so much that might be why I’m so determined to prove people wrong. I care about my art and believe in myself so much that I can’t just let other people think something different and not end up seeing that they’re wrong. Which ingredient do you think makes you special and unique as performing artists in an industry overflowing with new faces and ideas? I’m pretty cute OF COURSE, but I’d say it’s the fact that I’m consistent. With live and recorded music there can often be manyyyy differences in sound vocally, but I can confidently say I sound the same in both. And I’ve worked really hard to be that way with voice lessons, treating my throat well, and what feels like a bazillion band practices.

2021 Rock de Mayo

Stampede with @izcallirock

2021 Westword Music Showcase

What has been your biggest challenge as a performing artist? Have you been able to overcome that challenge? If so, how? Stage fright. It was really bad for me for a good few years when I first started doing live show performances, but over time I had to teach myself how to not freak out essentially and as much as I’d like to say it was through something like lessons or exercises, it was by just continuing to scare the hell out of myself until I was no longer scared. A common phrase in the industry is, “you must suffer for your art.” Do you agree with this statement? If so, how have you suffered for your art? Art is so closely tied to mental health and I think that’s why so many artists are people with rocky mental states (and I say this as one of those artists). Photo credits: (Top) @greeblehaus, (Middle) @sosa_photo.inc, (Bottom) @juli.se.va

Some of the most loved and relatable art is made from extreme anguish and pain, both emotional and physical. Sometimes to create your art you have to dig deep into those sensitive thoughts and feelings which can often take a bit of a toll on you mentally. I write some really good music when in the midst of ma jor anxiety episodes because my brain is moving so fast that I have an endless pool of creative energy, but with that comes the extreme after effects like the full body and mind exhaustion. So yes, I can say that I have 100% “suffered” for my art, but I don’t regret that at all.

2021 Taste of Colorado

If you could change anything about the music industry, what would it be? I’d make success more about hardwork and talent than about how much money you have. I think a lot of really raw talent gets left in the dust because people are more interested in flashy videos and fake personas that were created for the sole purpose of entertainment rather than true art. I’m sure you have met many talented artists, maybe even celebrities along the way. Please share 1 or 2 of your favorite stories with us. When I was about 12 years old I got to meet Quinton Aaron, who played Michael Oher in the movie The Blind Side. He is absolutely the sweetest person and is super down to earth. I felt absolutely TINY standing next to him, which makes sense considering I’m almost 2 feet shorter than him! I’ve also had the pleasure of having breakfast with Joe Estevez, who I would say is one of the best actors and is bursting with talent. Though despite being as incredible as he is, he’s the most normal and kind human being you’ll ever meet.

Lost Lake Lounge, Denver

What are the 5 albums that have helped make you the person you are today? And why? Hmmm this is such a hard question to answer for me because music holds so many memories and a whole lot of nostalgia. But if I HAD to pick 5 albums, these would be them. Foiled by Blue October Justin, the lead singer, is such a phenomenal lyricist and my parents used to play this album on repeat when I was growing up, so it really influenced the way I wanted to express myself with my art. Songs About Jane by Maroon 5 This will always be their best album to me. The melodies are so interesting to me and it feels like there’s never a bad time to listen to it.

Goosetown Tavern, Denver

200 KM/H In The Wrong Lane by t.A.T.u. I think this album was my first experience truly listening to music in a language other than Spanish or English. It really opened my eyes up to different music as well as showed me that controversial messages can be told so beautifully with song (referencing the uproar t.A.T.u. Caused in Russia).

Melodrama by Lorde The amount of times I listened to this album laying in my bed SOBBING is insane. Lyrically, melodically, emotionally… It’s just gorgeous. I don’t think a song has ever ripped my heart out the way “Liability” did when I heard it for the first time. Sounds of Silence by Simon & Garfunkel For Christmas one year, my grandparents gifted me with a record player...and the honor of being able to raid their vintage record collection (something they never even let my mom do!). During said event, I picked out every Simon & Garfunkel album I could get my hands on and this one ended up being my favorite. Mainly, because it’s a really good album, but also because it has “Kathy’s Song” on it and that’s my grandmother’s name. What is the best advice you have received? Do everything for you, never for another. Sure it’s okay to want to make art for the fans or your friends/family, but it’s most important that you make it for yourself first and to make sure YOU love what you do and what you create. What’s next for you? New Music? Always. I never stop writing (I’m not kidding, I really never stop), so I always have a new song. My band and I released our single “Drunk RN” in September and are currently promoting that, and then we just recorded another new single that we’re hoping to release in Early 2022. How can fans-to-be gain access to your music and follow your career? Social media of course, you can find me on most social platforms under: @baileyelora, @baileyeloramusic and https://linktr.ee/baileyelora Tell us something about you that no one knows about you. I run a super secret food instagram! I literally never tell anyone about it because I’m embarrassed, but I’m also kinda proud of it. I post pictures of all the cool food places I go and the different meals I end up making at home. It’s totally casual and not at all serious, but it’s nice and I think my little collection looks good (and tasty!). You can find it at: @theavocadotomytoast Listen to Bailey Elora’s new single: “DRUNK RN” https://distrokid.com/hyperfollow/baileyelora/drunkrn-feat-broth3r Available everywhere music is heard!

Photo credit: (Top & Bottom) Ricky Zastrow @coloradophotoworks

ELYSE BLANCO

Interview Photography by @jzwooden

Diamond in the Rough by David R. Navarro

Elysé Blanco is one of the most talented/ well-rounded artists I have come across. She does it all! She’s a singer-songwriter, musician, model, interior designer, fashion designer, graphic designer, fine artist and teacher! Elysé does it all with a great personality and smile! A true “Diamond in the Rough”!

adobe casita rock with his soulful lead licks and rich baritone voice. It was none other than co-founder and guitarist of The Eagles, Glenn Frey! Perhaps The Eagles most iconic hit “Hotel California,” was written on that property. I suppose you could say music was floating around me in the ether somewhere.

When did you first get into music? It seems I have been under the influence of music since the beginning of my story. At the time of my entrance into the world we were living in Rancho San Sebastian with renowned German Artist, Helmuth Naumer, his “wild” pet turkey, an Arabian Stallion named Lady, and the loudest neighbor I had ever had the pleasure of living across the dirt road from. This gentleman would quite literally make our

Who or What inspired you to pursue a career in music? My career in music was inspired by a few different ingredients. My Dad wanted me to be exposed to an eclectic mix of art and culture at a very early age. We would sit down and listen to vinyl records from beginning to end, read the liner notes, and talk about the album’s influence. We listened to everything from Miriam Makeba (world beat) to John Lee Hooker, Chopin, Led Zeppelin, The Stones, Neil Young, J.J. Cale, Bob Dylan,

The Band, Clapton and Cream, the list continues. We had moved out of Rancho San Sebastian by 88’ and into the city limits of Santa Fe. A small open space behind our house was all that separated us from the outdoor Paolo Soleri Amphitheater. The first concert I ever attended was on my front porch listening in amazement to Stevie Ray Vaughan just two months before he was killed in a plane crash in Alpine Valley. THAT was the moment I knew I wanted to be a guitarist and a musician. For years to come until they tore the amphitheater down, I listened to many a concert from my front porch, King Sunny Ade, B.B. King, Santana, Leonard Cohen, and Crosby Stills and Nash to name a few. How would you describe the music that you create? The music that I create typically reflects the current state of affairs in the world. I write with much of the same sentiment as (Bob) Dylan. My writing style is very philosophical in nature. My message is to love one another, stand up for our rights as people of the world, help those less fortunate than us, and provoke the listener to form their own opinion. It is of no consequence to me if the listener likes my opinion, as long as it evokes a response and encourages another to think for themselves. How has your music evolved since you first began playing? I attended a Liberal Art’s Elementary School. Our music teacher was a jazz cat from Chicago who played the trumpet. He exposed us to greats like Cab Calloway, Miles Davis, and Wynton Marsalis. He encouraged us to toss the recorder and pick up the wood wind instruments. I took to the flute, clarinet, French horn, and tuba. In middle school I picked up the guitar and learned how to play the blues from my Godfather who once played guitar for James Brown. My vibrato style on the guitar translated to a unique way to play the violin and my Orchestral Teacher was hip enough to encourage me to keep my signature stamp. Before I knew it I was playing Baroque and Chamber Music as a first chair violinist in a symphony orchestra. By High school I was in an Opera based choral group. All of those influences; jazz, blues, classical combined with the world beat and the rock and roll I grew up listening to on my front porch all fused together as one musical entity. I’m sure you have shared the stage with a lot of talented artists/celebrities along the way. Would you share 1 or 2 of your favorite stories with us? I have shared so many wonderful experiences with other artists, but one of the most rewarding experiences was in the beginning of my career when I had branched out into Fashion Design. We had a benefit for the musical organization “Playing for Change.” One of their first publicized videos was a cover of “Stand by Me.” For those that are not familiar with their organization, they are a global nonprofit organ-

ization offering creative opportunities for marginalizedand at-risk youth. They find musicians from all over the world and have them play a song virtually together. As a proud New Mexican, when the song pans to the Twin Eagle Drum Group from Zuni Pueblo, we had our own Native American drummers and flutists play virtually on stage for the organization. The concept that for one moment, the one thing that unites us all as human beings regardless of our division is music, and we were making art together as people of the world no one race, creed, or religion. Very Powerful. If you were forced to choose only one, which emotion, more than any other drives you to stay in this tough business? Is it joy, anger, desire, passion or pride and why? Passion is what fuels my desire to be a part of this difficult industry. My own need of self-expression,

the crowd reaction; their tears, their personal connection, their story is what drives me to perform and is the fuel to overcome and contend with the challenges. Which ingredient do you think makes you special and unique as a performing artist in an industry overflowing with new faces and ideas? I think today’s industry is filled with artists that seem to have lost their own identity to being another cog in the giant music machine. I think what makes me stand apart in an industry overflowing with new talent is my devotion to staying true to my message. It has been a journey and has taken me many years, but I have come to the place of acceptance and gratitude for who am I as another unique human being on this earth with my own story to tell and perform. Is there anything else you’d like us to know about you? My business started from a dream... literally. I have always been a believer in what you think about (good or bad) eventually manifests. For me, I used to paint in my studio and constantly daydream about what it must have been like for the Old Master’s with their lavish, sacred spaces to create. In the daydream I had always envisioned a studio like Frida Kahlo and Diego Rivera’s big blue house in Mexico. One day, I am going about life as usual and meet someone who dramatically changed my life path, and eventually became my husband. As we became acquainted we talked about what we wanted the next phase of our lives to look like. He told me life for him in the future was going to be art and music, he wanted to be surrounded with like minded artists who shared the same goal as most artists do, to give mankind something of depth to think about and to propel our society forward through artistic innovation. He shared he wanted his home to be on the Studio Art Tour his village put on every year... but he wasn’t a painter, a phenomenal musician, but not a painter. I laughed... “I am a painter!” I said with enthusiasm. “An art collector, appreciator like you!” I shared with him I had always dreamed of having a Big Blue Studio like Frida Kahlo. He laughed... “I live in a Big Blue House!” Fast forward several trips around the sun, we renovated our Big Blue Home and Studio together with the sentiment we both share. With the encouragement of family and friends and so much love and gratitude, we are now La Casa Azul Fine Art and Interiors. La Casa Azul Fine Art and Interiors Building, renovating, and designing the concept of home for the Albuquerque and surrounding areas. If you can think it, if you can dream it, you can do it.

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PHIL SPALLINA Jungle City Studios Studio: Jungle City Studios Clientele: Alicia Keys, Kanye West, Beyoncé Web: junglecitystudios.com

Phil Spallina started at Jungle City in late 2012, 18 months after the studio’s launch. Like many in the business, he started as a runner: cleaning, making coffee and so forth. His entrée to the studio came through his aunt, Grammy-winner Ann Mincieli, who happened to engineer for Alicia Keys and is the studio owner and operator. He soon found that he loved the environment. His passion fueled his performance and it wasn’t long until he became the manager. Interestingly, Jungle City was designed by noted studio architect John Storyk, whose first commission was Jimi Hendrix’s Electric Lady Studios.

What sets Jungle City apart from other studios? Since 1995, Ann’s [Mincieli] vision for Jungle was to make it the best studio possible, sonically. So, she brought in John Storyk, who’s one of the strongest studio designers. She worked alongside him to build this, along with a five-star hotel vibe. She wanted to make the room sound as good as possible, but also to make the artists and clients as comfortable as possible. She wanted anyone who came in here to make Jungle City their base. What are some of the biggest challenges that face studios today? COVID-19 threw a curveball into everyone’s plan, especially in New York where we were doing great in the years leading up to 2020. The challenge now is to pick up

where we left off. We want everybody to know that they can come here, it’s safe and we’re putting health first. What’s an ideal client for you? I like having a diverse clientele. I don’t believe that you can survive off of one genre. Studio etiquette is something that’s important to us. Fortunately, we haven’t had clients who have come through and destroyed the place. Everybody treats Jungle with a lot of respect and I’m grateful for that. What’s one of your favorite studio anecdotes? I love the diversity that we have going on. We can have Madonna in one room, Depeche Mode in another and Rihanna in a third, all at the same time and they may never cross paths. I come into work and know that I’ll be a part of a creative experience and that’s more than rewarding. I’ve also seen paparazzi accidentally drive their scooters into the front door.

What does the future hold for studios? The studios that are reliable and consistent will always have a niche. There will always be a place for artists to get work done. Many of them have home studios, but they still value working in a professional one. You’re not going to fly in three producers from California to work in a home studio. Jungle also has a lot to offer in terms of gear, whether it’s vintage or the newest synthesizers. Rarely do I have to rent anything. It’s a nice workflow when you can go into the storage [room] and grab a U47 [microphone], a Prophet-6 [synthesizer] or one of our more than 30 vintage guitars. We’re most proud of the EMI TG12345 Mark IV console that used to be in Abbey Road Studios. Before we even had a studio, Ann wanted that piece of gear. It’s her prized piece.

Do you enable remote work in any way? Even before the pandemic we did remote work. Often, the artist would be in New York and the producer would be in L.A.. They’d either Skype in or use Source-Connect. Remote work for us didn’t increase during the pandemic. Has the pandemic caused the industry to change permanently or do you foresee a full return to the studio, ultimately? People will return to the studio because they’re eager to get back to a sense of normalcy. I believe they’ll always be conscious of what took place over the last year or so. Social distancing is huge, as is washing hands. I don’t think our generation will ever forget these guidelines; they’ll be more conscious moving forward and hopefully forever. What are the best ways for artists to save money in the studio? Get to work. No playing around. Come in and get your work done. What’s the biggest challenge you’ve ever faced as a studio manager? The pandemic. When we were forced to close, that was the toughest thing that I had to explain to our employees and clients. Some don’t take no for an answer: they wanted to get in and create stuff. We’re coming out of it, though, and we have a solid schedule. We’d be nothing without our dedicated employees.

RINA CHANEL R&B Artist Making Moves When did you first get into music? I went to a gifted school for the arts for K-12 in kindergarten (New York) and then attended the Governor’s School for the Arts. I also attended college on a voice scholarship in Opera. I have always been involved in chorus, musicals and performing groups all throughout school. I have been interested in music since age 5 or 6. Who or What influenced you to pursue a career in music? Singing and performing have always brought me joy. I had two awesome chorus teachers Ms. Sandra Venters and Mr. Nultimier who helped to push me outside of my comfort zone, helped me grow and push through fear. They both inspired me and unlocked the passion for performing. This motivated me to audition and attend music on a voice scholarship.

Describe your style of music. Rina fuses smooth R&B vocals with various R&B era instrumental backings that highlight her unique sound and blends the best elements of Jazz and R&B. Her skillful songwriting and vocal delivery provides a refreshing classic take on the return of the future of R&B music.

How has your music evolved since you first started in the music industry? My music initialing focused on singing collective empowerment themes and messages like my debut single “Worthy.” My current single “Sweetest of Melody” is a classic duet with a heart-felt love story. I am also working on an EP that will focus more on my individual thoughts as a person, a woman and more about me. The songs on the EP will more introspective and more reflective. I want to show growth as well as another layer of me as an artist. If you were forced to choose only one, which emotion, more than any other, drives you to stay in this tough industry? Is it joy, anger, desire, passion or pride and why? I would have to say passion truly drives me. If I didn’t have passion for music, I wouldn’t be moved to do anything and wouldn’t be able to put my all in it. Passion is what keeps me up late at night and early in the morning. If I’m passionate about something, it’s not work and it’s a joy for me and hopefully for listeners and those who discover my music.

Which ingredient do you think makes you special and unique as performing artists in an industry overflowing with new faces and ideas? I would say my passion and joy and belief that I was born to fulfill this purpose . And my equal desire to encourage others to the same thing. I hope my music motivates people to find the thing that they were destined to do. I am also a huge supporter of my fellow independent artists. At the end of the day no one is you and that is your superpower. I think everyone has a unique set of skills, abilities and gifts worth contributing to the world. Do what truly comes natural and organically to you and you can never go wrong. What has been your biggest challenge as a performing artist? Have you been able to overcome that challenge? If so, how? Never second guess or doubt yourself when you’re performing. When you do you can’t fully commit to your performance or the music. True freedom as an artist comes when you don’t care what anyone else think. You commit solely to your interpretation of the music. That creates an authentic experience for you as a performer and your audience. I just try to go out and take fear out of the occasion and look like I’m at a function with all of my friends. I’m just here to have fun and make sure my people are smiling and having a good time. A common phrase in the industry is, “you must suffer for your art.” Do you agree with this statement? If so, how have you suffered for your art? When I think of suffering for your art, I take that to mean that you put in the time or paid your dues to get to where you are. That means working tireless on perfecting your craft: practicing your singing, technique, songwriter and performances…whatever your gift is. That means a lot of sleepless nights, a lot free performance, visibility opportunities, meeting people networking and connecting with people and opportunities for visibilities.

I’m sure you have shared the stage with many talented artists, maybe even celebrities. Please share 1 or 2 of your favorite stories with us. I was one of the opening acts for the R&B group After 7 in Baltimore, MD and I sang background for international independent recording artists and soul singer Tracy Hamlin. Both situations were exciting and amazing experiences that I will never forget. Looking forward to sharing the stage on an upcoming gig with national recording jazz artist Madz on December 4. What are the 5 albums that have helped make you the person you are today? And why? Love Deluxe by Sade: Kiss of Life, No Ordinary Love and Cherish the Day. Sade is one of my first vocal inspirations. I have always been a fan of her seductive voice and stage presence. Rapture by Anita Baker: Sweet Love and Caught up in the Rapture were key singles for me. I have always been inspired by her style, grace, class and soulful voice. Music Box by Mariah Carey: Hero, Dream Lover and Anytime You Need a friend were singles that I kept on repeat. Mary Carey’s vocal range is legendary and has always inspired me. Hero was a very important single to me. When I heard Ms. Carey sing it, It confirmed for me that I wanted to be a singer. Emotions was my second favorite. Unforgettable… with Love by Natalie Cole: Lush Life, L.O.V.E, The Very Thought of You were my favorites. She is my favorite jazz songstress. Ms. Cole’s vocals and performances were always velvety smooth, captivating and exuded such class.

How do you feel the internet has impacted the music business? I think it has made some things more accessible like having your music heard but at the same time added more artists in an already overcrowded industry, making it even more crowded as an industry. Making it even that much harder to stand out as an artist. I still have always believed that talent met with preparation and the right timing will always lead to the right opportunities for you at the right time. If you could change anything about the music industry, what would it be? I would like to see more women in record management, heading up and overseeing labels. I think we need more women in all facets of music and in the music industry as a whole.

Whitney and Whitney Houston by Whitney Houston were key albums for me: I Wanna Dance With Somebody and “For the Love of You” were important singles to me. Whitney is the platinum standard for singers. I admired her God-given vocal abilities and the sheer joy, class and power she had in all of her vocal performances. What is the best advice you have received? Never, ever, ever give up. No matter the barriers, the reasons or who is telling you that you can’t. I strongly believe if you keep going and moving in the direction of your dreams, God will allow the right people and opportunities to find you. If you keep passionately and persistently working towards your music goals, even if making even small steps, it will eventually happen for you. What’s next for you? New Music? Yes, I have a current single “Sweetest of Melody” which was released on my birthday, November 6 and is out everywhere. I am also working on my upcoming EP due out Early 2022. How can fans-to-be gain access to your music and follow your career? Rina Chanel music can be found on my website, iTunes, Amazon, Apple Music Spotify and YouTube. Follow my music journey on Facebook and Instagram: @Rinachanelmusic and on Twitter: @TheRinaChanel My music can be found on most digital platforms in addition to the following links: Rina Chanel Website: https://www.philliebopmusic.com/rina-chanel-2/ Distrokid: https://distrokid.com/hyperfollow/rinachanel/sweetest-of-melody-feat-senghor-robinson Apple Music: https://music.apple.com/us/artist/rina-chanel/1210526918?at=1000lxtM&uo=4&app=music&ls=1 Amazon Music: https://music.amazon.com/artists/B06XC8V92V Spotify: https://open.spotify.com/artist/3Vxlbac46VEnaZ360knkHu Rina Chanel Youtube: https://www.youtube.com/channel/UC_ymkP8CUxmDRWo02UZtGeA Songwhip: https://songwhip.com/rina-chanel/worthy

MUSIC INDUSTRY NEWS U2, PAUL MCCARTNEY, SLASH PARTNER WITH MUSIC RISING FOR GUITAR ICONS AUCTION U2’s The Edge and producer Bob Ezrin, Co-Founders of Music Rising, (musicrising.com) have announced Guitar Icons: A Musical Instrument Auction to Benefit Music Rising to take place December 11th, 2021, starting at 10:00 a.m. PST. Hosted by Van Eaton Galleries (vegalleries.com) in Los Angeles, the live and online auction will offer a significant collection of guitars and other music memorabilia by some of the world’s most prominent musicians and friends of Music Rising. The auction will take the charity back to its roots and help support the musicians of the NOLA region after a long period being without income.

Music Rising was co-founded by U2’s the Edge and legendary producer Bob Ezrin, along with a host of music industry partners in 2005 after the devastation of Hurricane Katrina. Since its inception, Music Rising has provided millions of dollars in aid to musicians and recipients of music education across the country. Guitar Icons: A Musical Instrument Auction to Benefit Music Rising includes an exclusive collection of important instruments donated by friends of the charity. All of the instruments have a unique and special story and provenance and together make up an extraordinary example of some of the greatest moments in music history.

alongside Dave Matthews and during a performance at the Grammy Awards 2006 alongside Bruce Springsteen and Elvis Costello in ; The Edge “I Still Haven’t Found What I’m Looking For” Custom Signature Fender Stratocaster. Edge took this guitar on the road with him during the period of 2017-2019 and used it for performances of “Bad” and the beloved chart topping hit single from The Joshua Tree, “I Still Haven’t Found What I’m Looking For;” Paul McCartney’s Tour and Studio Played Left-Handed “Wings” Yamaha BB-1200 Electric Bass Guitar. The Cherry Burst BB-1200 was a principal instrument used during his performances with “Wings” in the late 1970s. He was frequently photographed playing it on stage, during live performances and in the studio; Lou Reed’s Danny Gatton Fender Stratocaster nicknamed “Goldie.” Reed’s love of this guitar can be seen in the patina and wear throughout and can be seen in videos of Reed playing his rendition of “Jealous Guy” at Radio City Music Hall, as well as on tour during 2005-2006; Bono’s U2 Tour Played Custom Gibson ES-175 Electric Guitar used extensively on tour. Bono played this guitar on the 1992-1993 “Zoo TV” tour during performances of the songs “The Fly” and “Angel of Harlem.” The guitar was painted to Bono’s precise specifications and Bono also added a decal to the body of the guitar reading “I Feel Good;” Slash’s signed Gibson Custom Shop “Victoria” Les Paul Goldtop Model Electric Guitar created to Slash’s specifications and includes an original drawing by Slash of “Skully” on the top of the guitar; Noel Gallagher’s Tour-Played Nash Telemaster guitar which was played on tour with Noel Gallagher’s “High Flying Birds;” Legendary Producer Bob Ezrin’s Artist’s Proof Custom Frank Brothers Ezrin Model Electric Guitar. This is a handmade instrument designed to capture the studio sounds of several of the iconic guitar players he has worked with over the years. Numbered “00” this guitar is one-of-a-kind; and a Lenny Kravitz Tour Played Custom Gibson Flying V guitar played during his most recent world tour.

Highlights include The Edge’s 2005 Limited Edition Gibson Les Paul Music Rising guitar, often referred to as the “One” guitar given its use on the Joshua Tree tours of 2017 and 2019 during performances of the hit “One.” The Edge also played this guitar on “One” and “American Soul” during U2’s 2018 Song of Experience shows along with their famous 360 tour back in 2010, and serves as a significant iconic symbol for Music Rising, being one of the first guitars produced to benefit the charity at its inception. Of further significance to the “One” guitar, The Edge also played this guitar at the first reopening of New Orleans Jazz Fest post Katrina in 2006

MUSIC INDUSTRY NEWS Continued. Other exceptional highlights include Elton John’s Signed and Concert Played Yamaha Motif-8 Keyboard which was used by Elton John during live performances and on the road for nearly a decade. He also signed the instrument with black felt pen; RUSH’s Alex Lifeson’s Tour Used Signature Hughes & Kettner RUSH Amp and Cabinet Half Stack used extensively on the 40thAnniversary tour “Vapor Trails” and the “Snakes and Arrows” tour, as well as the “Time Machine” tour. Adam Clayton’s Tour Played Fender Standard Precision Bass. The U2 bassist played this guitar for performances of the song “A Sort of Homecoming” on The Joshua Tree tour from May-July, 2017. During the tour the bass was also used for the songs “Bullet, The Blue Sky,” “Running to Stand Still,” “One Tree Hill” and others; Alice Cooper’s Tournament Used “Big Bertha” Golf Clubs is the music icon’s personal set of golf clubs in a customized “Alice Cooper” bag; Chris Martin’s Tour Played Painted Fender Telecaster Deluxe guitar; Pearl Jam’s Eddie Vedder’s Concert Smashed Fender Stratocaster. The Lake Placid Blue Fender American Special Telecaster was decorated by Vedder with an embroidered red/white Chicago Cubs “C” sticker as a tribute to legendary Chicago Bears running back Walter Payton and used by Vedder during Pearl Jam’s August 20, 2018 tour at Wrigley Field and was smashed by Vedder at the conclusion of a cover of The Who’s “Baba O’Riley;” a collection of extraordinary silk screened Pearl Jam concert posters signed by the band members and KISS’ Paul Stanley’s one-of-a-kind Tour Played Ibanez Custom Shop guitar. Smashed Fender Stratocaster. The Lake Placid Blue Fender American Special Telecaster was decorated by Vedder with an embroidered red/white Chicago Cubs “C” sticker as a tribute to legendary Chicago Bears running back Walter Payton and usedby Vedder during Pearl Jam’s August 20, 2018 tour at Wrigley Field and was smashed by Vedder at the conclusion of a cover of The Who’s “Baba O’Riley;” a collection of extraordinary silkscreened Pearl Jam concert posters signed by the band members and KISS’ Paul Stanley’s one-of-a-kind Tour Played Ibanez Custom Shop guitar. The collection will also boast additional instruments for auction including Bruce Springsteen’s signed Americana Original ‘50s Fender Telecaster; Joe Wash’s “Bono” Irish Falcon Gretsch guitar; The Eagles Don Felder’s signed Epiphone G-1275 Double Neck Electric Guitar and Signed Art Print; Vince Gill’s The Eagles Concert Played Duesenberg Bonneville guitar; The Rolling Stones’ Ronnie Wood’s Signed American Original 50’s Fender Stratocaster; The Kings of Leon band signed Epiphone Dot Studio Guitar; Steve Miller’s Signed Original and Hand Painted Maccaferri guitar; Halestorm Lzzy Hale’s signed Tour Played Prototype Signature Epiphone Explorer guitar; a Julian Lennon signed Martin & Co. Acoustic guitar; a Green Day Band Signed Epiphone Les Paul Special guitar; Ed O’Brien’s Radiohead Tour Played Signature Fender Stratocaster;

Flea’s Red Hot Chili Peppers Band Signed Signature Fender Jazz Bass; Joan Jett’s Signature Gibson Worn White Melody Maker; Johnny Marr’s Signed Studio Played Limited Fender Jaguar guitar; aDave Grohl signed Gibson Explorer guitar; Tom Morello’s Signature “Soul Power” Stratocaster;Win Butler’s signed Prop Bass Guitar from The Arcade Fire music video “Everything Now;” Zac Brown’s Personally Played Signed Natural Gibson ES-335 guitar and three additional guitars which were played and used by the late Lou Reed. “The music of New Orleans has influenced various styles of music borrowed from early traditions. It is the birthplace of jazz and represents a musical culture which bears great significance to most every genre today. I can’t imagine what it would feel like to lose my ability to do what I love – making music. Unfortunately there are many musicians and crew members who continue to struggle since the pandemic. If this multigenerational chain is broken, we lose more than just a few concerts we lose an entire culture that stretches back centuries. Some of the world’s greatest musicians and friends of Music Rising have generously donated their personal instruments to raise money for Music Rising. We hope you have a chance to bid on one or more of the beautiful instruments in the auction. The monies raised goes to musicians and crew. Your support continues to be invaluable to Music Rising.” – U2’s The Edge “When we launched Music Rising in 2005 we didn’t have any idea how significant a role the organization would play in helping musicians and music educators for as long as it has. Guitar Icons: A Musical Instrument Auction to Benefit Music Rising will be our biggest fundraising opportunity this year. We are working closely with the New Orleans Jazz & Heritage Foundation in bringing back the bright sounds of the music of New Orleans. We thank you for your support and hope you are able to bid on one or more of the extraordinary instruments offered in the auction. We are thankful for all of your continued support of Music Rising.” – Co-Founder and producer, Bob Ezrin Music Rising has also launched a new apparel collection featuring limited edition t-shirts, hoodie, caps and tote. All the new apparel can be purchased at www.musicrising.com and benefits the charity. The iconic logo, which serves as the symbol for Music Rising is featured on each item. The auction will take place at Van Eaton Galleries located at 13613 Ventura Blvd in Sherman Oaks, California beginning at 10:00 a.m. PDT on Saturday, December 11, 2021. The auction will also stream live and be online via various auction platforms all available through https://vegalleries.com/musicrising. A public exhibition of the collection will begin Monday, November 22, 2021 at the gallery and can be visited by collectors and fans by appointment. Proceeds from the auction will be administered by the New Orleans Jazz & Heritage Foundation on behalf of Music Rising.

MUSIC INDUSTRY NEWS MOOG MUSIC LAUNCHES ANIMOOG Z APP Animoog, the anisotropic wavetable synthesis app, was introduced by Moog Music in 2011 with its innovative approach to dimensional sound design and uniquely interactive touch surface interface.

Currents” by Suzanne Ciani, an Original Performance with Animoog Z & Buchla Modular Synthesizer

A full decade and more than 700,000 downloads later, Moog has completely redesigned the app—now Animoog Z—with more futuristic functionality and creative workflows for the next generation of producers and sound designers. Animoog Z is an inspiring 16-voice polyphonic synthesizer that invites users to explore new concepts of multidimensional sound and performance. The app is powered by Moog’s innovative Anisotropic Synth Engine (ASE), which utilizes an orbit system to expand the concepts of wavetable and vector synthesis. This unique synthesis concept allows for dynamic navigation through the app’s X, Y, and Z axes for evolving and layered sound. Electronic music pioneer and modular synthesis icon Suzanne Ciani invites you inside her seaside home studio for a dynamic improvised composition that demonstrates the unique sonic character of Animoog Z integrated with her Buchla modular system.

Visually captivating and sonically immersive, Animoog Z expands on what made the original Animoog the go-to iOS synthesizer for professional musicians and entry-level synthesists alike, now with a more streamlined user experience, powerful new features, and availability on more platforms. This universal app is available for iPad, iPhone, Mac, as an AUv3, and through a VST wrapper for integration in all DAWs that support AUv2, AUv3, and VST3. Download and explore the app for free with the option to upgrade in order to unlock Animoog Z’s full functionality for an introductory price of $9.99. Download Animoog Z for free here https://apps.apple.com/us/app/animoog-z-synthesizer/ id1586841361

ZOE YEOMAN ACTING Appropriately: Etiquette Insight for Good On-Set Behavior with Zoë Yeoman We live in a world where the rules of engagement can change overnight, especially since the pandemic. Those changes can be especially noticed in the workplace. The film and TV industry is certainly no exception. With tensions running high due to COVID challenges, mastering your onset etiquette skills are as important now than ever.

Some say knowing how to behave around others and having good manners are just common sense. However, it’s not uncommon for productions to be halted or disrupted by those who either didn’t understand good set etiquette, or didn’t have enough regard for others.

Luckily, there are experts on like Zoë Yeoman, who founded and ran an etiquette school for 13 years in New Mexico. She’s also a highly accomplished actress and producer with numerous theatre, film and TV credits. Yëoman, who’s been on sets most all of her professional life, has solid understanding of manners and civility. AND she’s continuously helped others in the film, television and theatre industry in how to operate with more behavioral awareness on the job. When in doubt about navigating an onset situation or circumstance… ASK the experts. We did that by compiling a series of questions about situations where the best behavior may or may not not be so obvious.

Zoe, when one has a disagreement with the director over a scene, what’s the most appropriate way to handle the situation? If possible, take the conversation away from everyone else OR at least hold it in a closer fashion and hopefully at an appropriate time. Disagreements can start at a place of agreement first and then move on to the next step. Remember, it’s not necessarily what you say, but how you say it. Professionalism and diplomacy being at top of mind. When or should you ever offer advice to director, producer or AD? One word: never. That said, I have gently pointed out a costume issue to a costumer while on set, or when I’ve seen something amiss, while offering a “just so you’re aware”. It’s always been appreciated in the past.

What’s good etiquette in dealing with set onlookers, who might be a bit star struck by you or someone else on the movie? Always be kind to people. You never know whose heart you’ll break or how you might embarrass someone by being rude or dismissive. I do my level best to speak to extras, take photos with onlookers, etc. If you’re going to be in the public eye, you’ll always want to come across as decent. Who wants to meet a hero of theirs and be disappointed by their rude demeanor? I say, if the time is right; make the effort. If you can’t talk in the moment, make it quick, keep it brief, be genuine and make your apologies while walking. You can learn more about Zoë by visiting: zoeyeoman.com or follow her on Instagram @theogetiquetteexpert

How would you handle passive-aggressive behavior from a coworker on set? Sometimes you might question if it’s only in your head, because they’re not being overtly toxic toward you or others. I do my best to stay away from people (on-set and otherwise), whose energy I read as troublesome. When that’s not possible, it’s best to withhold judgement and simply do your job. If you are really having issues, please contact your Union for assistance. That can be done anonymously on your end and they will do their best to address your concerns. What’s good social media etiquette in regard to coworkers on a new project; whether it be crew or costars? It’s always fun to do a group selfie, as long as you’re not breaking any NDA you may have signed. The same goes for any posting. Please take photos on breaks or pre or post-shooting and always ask your coworkers for their permission. If you’re working with a Star, see if the 1st or 2nd AD is comfortable making those shots happen for you. Just remember, it’s best to wait; don’t let the excitement of the situation get the better of you. It could cost you your job. What’s good etiquette in regard to method actors, who wish to stay in character the whole time they’re on set? One should always respect another actor’s process. Quiet can be imperative--keep the horseplay down--it can really make a huge difference for some actors. This is just as important in a backstage theater setting, while auditioning or during any breaks; especially when we’re in tight quarters. Take your phone conversations elsewhere, please.

ONTARIO PHOENIX Building His Castle When did you first get into music? I first started writing music the end of 6th grade. It started as poetry and then formed into rap when I was in 8th grade. Who or What influenced you to pursue a career in music? My struggles, pain, the feeling of making music. Made me feel better, and gave me an outlet for that pain and struggle. I could take anything and create it into a song. I’m an empath and can also give an outlet for someone else by writing things relatable to other people. Describe your style of music. A new sound, different from the rest, bringing in bits from old school, r&b, drill, and hip hop/rap. In my own lane, an unnamed, new, upcoming genre. How has your music evolved since you first started in the music industry? I’ve grown and I learned to speak on different things, I took myself out of a box, being one specific sound and message, and now I talk about meaningful, relatable things as well as things going on in my life with love and friends and me evolving into the man I am.

If you were forced to choose only one, which emotion, more than any other, drives you to stay in this tough industry? Is it joy, anger, desire, passion or pride and why? Passion, music has always been my passion because it has always been there for me even when those around me weren’t there for me. Even if I didn’t do music, I’m still passionate and get goosebumps listening to other peoples music that I can relate to and feel in my soul. Which ingredient do you think makes you special and unique as performing artists in an industry overflowing with new faces and ideas? Me, myself, and I. I’m just different and bring a certain uniqueness to my performances. My stage performance is a whole different energy from my day-to-day life. I pay attention to my fans and have a certain drive from all those who have doubted me. What has been your biggest challenge as a performing artist? Have you been able to overcome that challenge? If so, how? The industry itself, there are so many scams out there of individuals trying to overcharge, lie, and feed on someone’s dreams. I’ve finally learned to

know the difference and be happy with my personal growth and educating myself on the music scene. A common phrase in the industry is, “you must suffer for your art.” Do you agree with this statement? If so, how have you suffered for your art? No, I don’t agree that you should suffer, it’s all about what you feed into and where people lead you, I was suffering because too many people were scamming for money, but I’ve learned it is not necessary and I can make it as an independent artist. I have also suffered being a trans-man artist because everybody has their own beliefs and some choose to be negative and not work with me. How do you feel the internet has impacted the music business? I hate the internet personally, but it has definitely helped independent artists, giving them chances and networking we didn’t have before. It’s grown and made it easier to spread anything all over the world very fast.

If you could change anything about the music industry, what would it be? The industry is manipulative, I would make it so if you’re good then you have a chance, it’s about your talent not who you know. It’s “10% talent and 90% business” I would change it to 90% talent and 10% business. I’m sure you have shared the stage with many talented artists/celebrities. Please share 1 or 2 of your favorite stories with us. I opened up for Twista one time, he had technical difficulties and the mic wasn’t working, but he ended up just hyping the crowd and continuing his performance without his mic. I opened for Twisted Insane also, I knew he was ma jor but never knew exactly who he was, I walked passed him and told him I had no idea who he was, he said “you about to see” and shouted me out on stage for not knowing who he is but still gave me props for being a good artist. Afterwards we were talking all night like friends. What are the 5 albums that have helped make you the person you are today? And why? Biggie- ready 2 die Nipsey- marathon continues drake- take care drake- nothing was the same drake- thank me later. Drake showed me how to be versatile. What is the best advice you have received? To focus on me and not what everybody else is doing or has going on. What’s next for you? New Music? My new album think it’s a game just dropped. Music and videos will keep rolling out.

How can fans-to-be gain access to your music and follow your career? All social media and music platforms: Ontario Phoenix/ Phoenix Balmain

Nichole Taylor @thenicholetaylor

Beginning her performance arts career she received education from Mountain View College. She started out with what she knew best and joined the MVC Dance Company. She gained training as a dancer under the direction of John Merrifield and also has had opportunities to be apart of theatre productions. Nichole performed her first role as Minerva and Venus in the screen write play Metamorphoses directed by Shelby Hibbs. She gained her first lead role as Juliet in Romeo and Juliet also directed by Shelby Hibbs. Lastly, she performed as a supporting actor in the production Scapino! as Zerbinetta directed by Samantha Grace. Ending her education, she began her works as a promotional model working for local and regional companies. Along with her passions in modeling and film, she prides herself in other outlets such as writing and digital art. Self- taught in graphic designing and sewing, she continues to create in all artforms. Nichole has also performed as a Spoken Word Artist at such events like The Ultimate Holistic Festival. She continues her training in film at Acting Out Studios based in Atlanta, Georgia and Dallas, Texas while building a foundation in the modeling. http://www.taynikki.com/

Photographer: Jeremy King with Jsking Digital Styled by herself // Agency: NH Bookings

We caught up with...

Tom Sizemore Acclaimed Actor & Producer

Tom Sizemore - Acclaimed Actor Interview by Bruce Glasgow B&S Designs - Digial Marketing How are you doing today, Tom? I am good Bruce, thank you for the kind words appreciate it. I tell you what I was like yeah, I do my homework on people that come on the show and I am like dang this guy is rivaling Gene Hackman on IMDb list and I see you in a movie with Gene Hackman. Enemy of the State. That’s right, Enemy of the State exactly and I was just like wow just blew my mind I was wow that is the spirit of the universe talking it is like whoa there he is pops up on your IMDb. So, you been actually going at this since like 89? 89 I made my first movie “Born on the Fourth of July”, “Blue Steel” with Kathryn Bigelow and Oliver Stone. It kept going and “Natural Born Killer” happened. I was an actor in ma jor motion pictures, and

it has been quite a ride, a lot of fun I am very grateful for the career. What was it that inspired you to go into that a career as an actor? I was not unlike a lot of young people when I turned 15 or 16, it finally dawned on me, I was not going to play in the NFL. I was only a good high school football player, but you know I was not fast enough or big enough. I was not going to go to Michigan or Notre Dame to play football. I would have gone to some other smaller places like Auburn College. I did not know, but what I had was really counting on the athletic thing happening for myself and so I was, I really remember it well what I am gonna do as a person, how I am I go to make money? And I could not figure it out. My father, when I was born was only 19. He had several jobs, and he went to Law school. He was an attorney. My mother worked in city government. Nothing around me that I saw often appealed to me and I was just really kind of at a loss of what I was gonna do. At a young age I saw a movie called, the “Wizard of OZ” and I fell in love with movies. Ever since then, I have just been into movies, television, and entertainment. I was talking to a friend of mine, Brian and about this problem he said what do you love the most? I love movies more than anything in the world. He said go into movie business. So how do you do that? I start reading actors biographies at that point. I read James Dean’s, Marlon Brando’s, and Montgomery Cliff’s. I did not say for a while that is what I am gonna do, but it had never dawned on me that was something you could do. From that conversation, I went home that night and lying-in bed, could I be an actor? and I re-read the James Dean biography. I was not sure if you had to be from Hollywood. I read how he had started his career and he had a very auspicious beginning, but he was just a regular guy. So, my Senior High School I was an athlete, there was this school play that we did every year “The Music Man.” I had a pretty decent singing voice; I had been in the chorus. I like singing and so I got it in my mind that I would go out for the play. After Christmas it is in the spring, so I went out for the play and I did not get the lead part Harold Hill I got one of the dancers and the salesman and I had such a great experience wasn’t unlike sports in a way you had your big dance numbers you rehearse somebody, you practice your practice, and practice and then you had Friday Night Football game and he had opening night. So, there are a lot of parallels in sports that I enjoyed and I can’t think of any words right now to express to you how much I really loved doing this play. Doing that play, I made up my

Top: “Natural Born Killers”, Bottom: “Pointe Break”

mind that I was gonna figure out how I can do this to make money being a performer. I was fortunate I lived in a city, Detroit that had a college Wayne State that had one of the five out of ten of best undergraduate theater programs in America. There was a catch, you could not just be a theater ma jor you had to audition to be accepted to the University. But to be a Theatre ma jor you had to audition. You had to do one-to-two-minute contemporary monologue and one-to-two-minute Shakespeare. I had no experience with Shakespeare. I got a Shakespeare play called “Julius Caesar” and I tried to read it I couldn’t understand it really, so I didn’t have much help around me so I got to understanding Shakespeare and it was this crazy little book where it took like no matter where of comfort no man speak OK speak with their line and they would have it in today’s vernacular. It doesn’t matter where Northumberland is and let’s not talk about us being OK. Let’s talk of graves, so it went through each line and it took each line of Shakespeare and explained what it meant in present American vernacular.

I got this significant agent Michael Bloom, at the time was the top shelf agency and I moved to New York. I did well pretty quickly and I got on “Born on the Fourth of July” and “Blue Steel.” Another agency CAA came calling and I was not with Mr. Bloom for very long. Although, it was difficult to leave him. I left him and I was a CAA client they ran the business for 27 years and they kind of still do.

I picked this monologue of Marc Anthony’s Friends Roman’s Countrymen is famous one. I was first daunted by learning it, but I learned it and I was so nervous about doing it well. Doing the contemporary thing was pretty simple then I just worked on. I finally did it for two of my friends. I was done doing it they were both speechless. Greg said brother you were born to do this time. I did it and got admitted into the program and after a year in my second year I got my first play on the main stage and really there was no looking back from there. I went to Wayne for three years. Then, at the time there was, Robert Brustein in America who started 12 schools that were called the League of Professional Actor Training Programs (PATP), Yale, Juilliard, Brandeis, and Temple. Anyway, so I went to New York to Chicago to New Orleans and Los Angeles. They had auditions in each of those cities. I auditioned for Temple and got in. The reason I auditioned for Temple, the others seemed too pricey, you had to pay to audition. Temple was the least expensive and Philadelphia seemed like a city that I could manage better than at NYU and Yale seemed like a dream. I got admitted to Temple. One of the things these programs offered was the graduating class each year they all come together in New York and LA and put on a presentation for the industry. The best agents, managers, producers, and casting directors would come to watch. This is where Meryl Streep started, William Hurt, Christopher Reeve made a whole host of people, including Angela Bassett. I went through the program and became the star of the program we did our presentation in New York and Los Angles.

It was not easy as I make it sound, I had to dig for that PTP thing to find out about those schools because my instructors at Wayne were not aware of that stuff. It was kind of a cobol, almost secret society that is how it started. I was fortunate that I got casted by Oliver Stone in the beginning and that led to “Natural Born Killer”. That is where my real career started. My favorite thing to do is just to watch a great movie, I watch anything, I just love movies. Yeah, here is a funny story, “The Wizard of Oz” my mother first time ever said, Tommy I want you to watch this movie. I was six and she never done that before. I was already watching movies, but it was my mother, the family we sat down, and I was just blown away by this movie I have not seen anything... I mean the whole movie is a trip. This kid from Houston Whittier, Detroit would one day have his name on a movie marquee. When I think about it now, it just seemed bizarre just like that I’ve done this. The best things about the job have been the traveling, the different cultures and people that I have been exposed to. Otherwise, I would not have been all over the world. I’ve been to so many countries. This is the best part of the job. China Beach you were doing the four-year stint at there. Were you like going from like set to set to or was this stuff that wow dude just trying to 3 movies, I was I mean everything is you worked on a ton of really killer movies with great cast, great producers, great directors any of your fellow cast members kind of stand out in your head is somebody that like really you felt brought out the best of your acting ability? I have been very lucky, I have had several, actually Robert Downey, Jr, Robert Dinero, Michael Mann, Tom Hanks. I did not do a movie with her... I was her friend Edie Falco, Mary Elizabeth Mastrantonio, Sasha Alexander, and Kathryn Bigelow. All these awesome movies that you made, does one of them like really stand out as you just really, it just supercharged you like you just so dug it that you know you just immerse yourself in it? There is three of them “Natural Born Killers”, “Heat”, “Saving Private Ryan”, and there is a fourth, “The Last Lullaby”.

Top 2: “Saving Private Ryan”, Bottom: “Heat”

Those four, the first three what happened in between like five years of each other when I was doing the movies, I knew I was doing something I did not know I was doing. It was he the greatest crime drama of all time, but I had a feeling that we were making something as I was doing it and I am really in the pocket right now. I am seeing the ball really well, I mean these are sports metaphor.

murderer was hiding behind the gate. I went down to the gate and there was Brad Pitt. He said that “Nicolas Cage (who was a friend of mine) had told me about your house and I would love to see it.” I couldn’t get the gate opened fast enough. I was waddling around and I was literally ready to drop the baby. Anyway, Brad came in and I took them on a tour of the house and then he came back the next day. Then a few days went by and Brad Pitt’s lawyer called us and said that he wanted to buy our house. Have you had your ultimate stage fantasy yet? Are you still looking to do something else? Something that I’d like to accomplish that I’ve been thinking about and slightly working on is doing a Broadway show of Mistress of the Dark. That was a dream of mine. I think it would be so funny, like in the vein of Legally Blonde. I think it would be a really fun show.

she was certainly surprised. It wasn’t like coming out, it just happened. I just fell in love with this particular person. But I am so happy that I am talking to people about it now and they can find out about it now because having secrets is not good. It’s like holding it in–it gives you gas. I was protecting a brand, but I held onto that secret for way too long. Now I feel like I can talk about it and if some company doesn’t want to hire me or host their television show, well then, screw them now. I feel hypocritical about being around so many gay people and having so many gay fans and not letting them know about it, but I hope they will understand it.

Why do you think Elvira has become such a gay icon over the years? And why do you think the horror genre resonates so well with the LGBTQ community? Those are two big questions that I’ve always tried to figure out. I think Elvira resonates with them in that, believe it or not, she’s a little bit androgynous. She’s a very sexy woman, showing a lot of cleavage and all that, but then her male side shows that she is strong, tough and determined. I think that is something peo ple align with. I think that Cher and Madonna have those same qualities. They are both super sexy and both tough. I think that appeals to gay men and women because it’s refreshing to see a woman who is not ashamed of her body, but at the same time doesn’t become a sexual object. As for the horror genre, I think it’s probably for the same reason that it resonated so well with me. I was teased and made fun of when I was a child–in my case, it was because of my scars. But I know enough gay men who were also teased and made fun of. So, I think that they grew up in general feeling a little bullied, a little bit like they didn’t fit in. Horror kind of attracts that crowd because in the movie, you always have a monster who is misunderstood, as in the Frankenstein movie. He’s really a good guy and doesn’t mean to be that way. But he has a series of things that happen that gets him to be that way. He didn’t cause it, he didn’t want it, it just is. I think that’s maybe why the gay community resonates with horror…but I’m no psychologist. But, I just feel like I’m a gay man. Why was it so important for you to come out about your relationship now. Do you think it will help people who aren’t so authentic, but want to be? I think it’s a big deal. I am really excited about coming out with this information now because for 19 years, after my divorce, I had this friend for six years with no inkling that it was going to turn into a relationship. I was more surprised than anybody else, and Photo Credit: (Right) AP File Photo

LATONYA MECHELE TygerEyez What inspired you to become a Influencer? Never really knew that I was an Influencer. I’m just me. I love people and I love to see people win! So, I constantly do my best to inspire people. I give people what I needed when I felt like I was alone. Do you enjoy being famous? Didn’t know that I was famous either. I’m over here cracking up thinking about these questions. Listen, I never set out to be famous or any of that. I just wanted to play my part in changing the narrative and making sure that people know that they can do anything that they put their minds to if they take on the right attitude. It does feel good though when I go places and people come up to me and tell me stories on how something I said or did inspired them. That’s a serious high. What would you like to tell your subscribers and viewers? Stay tuned and keep watching. Everything that I do may not be for you but you best believe that there’s at least one thing that me and my team will do that will be what you need to take YOU to another level. It’s all about love, healing, inspiring and breaking stereotypes over here.

If one thing you could change about Social media, what would it be? No negative vibes allowed! No faking the funk allowed, be you! Oh, that was two things. #mybad What videos are you planning to release next on your channel? Wow! I have a couple of different talk shows that I’m releasing on my TygerEyez.TV network. Eye Got Talent, Stamped, Sity Singles, Edge Of A Cliff…..you will have to check it out to see for yourself. According to you, what kind of content works on YouTube? I hate to say this, and Lord knows that I don’t subscribe to it….DRAMA! People know they love some negative drama. I think How-Tos work too. Youtube University. Any advice you would like to give to budding social media influencers? Be true to yourself! People will fall in love with you and not your brand. Be transparent without giving them all of you. People love to know that you’re relatable.

Can you tell me a little bit about how you got started? I dumped my Fiance because he was cheating on me and went to my neighborhood bar that I had never stepped foot in. I sat at the bar and had hours of conversation with the Bartender. Little did I know that he was the Owner. He offered me a job that night to manage his spot. I had absolutely no experience whatsoever. I just had me and my out the box personality. The next thing I know we were doing Bike Nights, live bands (mainly go-go), shoot, I even hosted a Swingers party in there. (don’t ask about the details, I will just leave it at that….I was scared out of my mind!). The name TygerEyez was given to me by a bike club that made me an honorary member and I stuck with it and went on to start doing my own events. The rest is history. How many pairs of shoes do you have? Not sure, I’m not a big fashion chick. I would say about 50. Do you like TV talent shows? I like some of the talent that are on the show but I don’t have the patience or dedication to sit and watch a whole season of it. Especially, when the Judges are straight jerks and they aren’t trying to give true criticism to help better the person but they are more out to break someone. What’s your take on reality TV shows? I used to love reality shows when Big Brothers & Real World first came out but all the negative stuff, favorite actor as I’m answering these questions. I’m a big big fan of Christian Keyes too. He is so underrated but such a BEAST when it comes to the entertainment field as a whole. I would love to sit down with both of them and get into their heads and just let them flow. I swear, God created some amazing black men and they don’t even get the true appreciation that they deserve. Name 3 movies that everyone should watch. My mind is completely blank right now. I love movies too. Definitely American Skin! That movie took me down roads that I wasn’t ready to go. I have a whole bunch of favorites but not any that I can think of where I will say that everyone should watch.

Do you have a tattoo? -- Haha….I have three! A big one on my left thigh that is very significant to me….the word Sacred with a heart, wings, cross and a rose. My Tat Artist designed it after I whined like a baby about the original tat that was there and the terrible job that someone did trying to cover it up. He took over and came up with it and it took me to today answering your question to realize that he was honoring me like he saw me years ago. Wow! Freaking amazing. I have a Tiger on my lower back and a Purple ribbon on the back of my neck to represent that I’m a Domestic Violence Survivor.

I can’t stand. For the life of me, I can’t understand who argues that much in real life. You’re only going to disrespect me one good time. I’m a fool if I continue to allow you in my space to mess with my good energy. Miss me with that. Ain’t enough money in the world. Last film you watched? I watched Really Love last night on Netflix. Finally real love stories about black people that portrays real love between a man and a woman without too much drama. There are some black men out here who have no problem showing their love for someone. Have you ever cried at a film? I cry all the time. I’m a true I WANT EVERYONE TO WIN type of a girl. I have watched Coyote Ugly 1001 times and each time….I cry! Shoot I cried on One Night In Miami cause it painted such an in depth of some of our black leaders. Don’t let it be a love story. Get the tissue! I’m way too cute to be having snot everywhere. Who’s your favorite actor? Ummmmmm…… because I’m moody, I change up. My favorite actor right now is Will Smith. I’m in love with his spirit as a whole right now, so he is my favorite actor as I’m answering these questions. I’m a big big fan of Christian Keyes too. He is so underrated but such a BEAST when it comes to the entertainment field as a whole. I would love to sit down with both of them and get into their heads and just let them flow. I swear, God created some amazing black men and they don’t even get the true appreciation that they deserve. Name 3 movies that everyone should watch. My mind is completely blank right now. I love movies too. Definitely American Skin! That movie took me down roads that I wasn’t ready to go. I have a whole bunch of favorites but not any that I can think of where I will say that everyone should watch. Do you have a tattoo? -- Haha….I have three! A big one on my left thigh that is very significant to me….the word Sacred with a heart, wings, cross and a rose. My Tat Artist designed it after I whined like a baby about the original tat that was there and the terrible job that someone did trying to cover it up. He took over and came up with it and it took me to today answering your question to realize that he was honoring me like he saw me years ago. Wow! Freaking amazing. I have a Tiger on my lower back and a Purple ribbon on the back of my neck to represent that I’m a Domestic Violence Survivor.

PAT MCMAKIN Ocean Way Nashville Studio: Ocean Way Nashville Clientele: 3 Doors Down, Beck, Dolly Parton Web: oceanwaynashville.com Nashville native, Pat McMakin got his start in studio management as an undergraduate at Belmont University in the late ‘70s. While there, he oversaw the student studio and in 1982 moved on to Tree Publishing. Ocean Way Nashville––now owned by Belmont University––was opened by Allen Sides and Gary Belz in 1996 as something of an extension of Los Angeles’ storied Ocean Way. As an engineer, McMakin worked on Vern Gosdin’s Chiseled in Stone as well as with Ray Charles, Tammy Wynette, and Steve Martin on his 2009 bluegrass record The Crow: New Songs for the 5-String Banjo. What sets Ocean Way Nashville apart from other studios? Our amazing staff and our service-oriented attitude. We make it familiar and friendly. I give as much care and attention to a newbie who’s never recorded as I do to Bob Seger. The biggest differentiation for us is the room. Our A room is in a beautiful, 120-year-old church sanctuary with 30-foot ceilings. We do orchestras there and can seat 80 people. We also do a lot of scoring for film and video games there including Call of Duty and Fortnite. The video game industry is so

rich right now and they can easily add $200,000 [for music] to a project. What are some of the biggest challenges that face studios today? Home studios. The technology has gotten so good that you can record pretty credibly anywhere now. That’s been tough to compete with. There was a time when the cost of entry was quite high. Now it’s not. A lot of people mix in private studios. That’s why about 10 years ago I started to look at orchestras––something we could do better than everybody else. Incidentally, Waves Audio contacted us recently about doing a plug-in. So now, there’s an Nx Ocean Way Nashville plugin that’s a model of our control room. When you mix at home, it gives you all the spatial information that you’d have if you were sitting in our room. It even has a head-tracker. As you turn your heard, the perspective of the speaker changes, just as if you were sitting in front of a pair of speakers. People who mix on headphones love it. There’s an Abbey Road equivalent and I believe we’re outselling it. What’s an ideal client for you? Our A room books farther out. Studio B is a little

easier to get into. But if you can give a two-month advance notice, the odds of you finding a band and a studio that you like that all line up are much greater. As you start carving down from two months, people and studios start to get booked. What’s one of your favorite studio anecdotes? One day we had Joe Bonamassa in one studio, Keb’ Mo’ in another and a third client in B who was using Pino Palladino on bass. I made a point of getting them all in the same room and just sat back and watched as these guys hugged and laughed and generally had fun. What kinds of things did you do to survive the pandemic? The first thing that happened was that Belmont [University] called on March 15th and told me to shut down the studio. We had sessions booked for that night. They allowed those, but then we had to cancel a lot of stuff, which annoyed several people. They kept us closed for three months. But we used that time; our tech crew never took a day off. They worked straight through and did repairs. We reopened in June. Violin players wore masks until last week but with brass, that was an issue. But I did some research and learned that brass instruments don’t spew any aerosol. We bought a UVC light so that we could disinfect the studios each night. A month later, we learned that surface-born [infection] wasn’t a huge issue. We’ll still use the UVCs during cold and flu season just because it’s good health. Companies like Netflix and Apple with all those shows ready to go needed scores. We could have picked up a ton of clients during that period. But we had to be closed for the time that we had to be closed. Once we reopened, we picked up some clients. Do you enable remote work in any way? Yes. Chris Lennertz, a composer who does the music for Lost in Space, can’t fly out to us, so he connects with Audiomovers. Sometime in the two years prior to the pandemic we’d invested in a pretty extensive video installation for this purpose. We have a four-camera feed with the conductor, two shots of the orchestra and a timecode bar. That’s transformational for a busi

ness like ours, because it takes a scoring facility that’s in the flyover part of the country and makes it a global business. I’ve done remote sessions for producers in London, L.A. and Tokyo. Has the pandemic caused the industry to change permanently or do you foresee a full return to the studio, ultimately? If anything, the pandemic has solidified what recording is: something that’s done as much in a private facility as in a commercial one. An area I like to talk about is to know when you need which. I love the idea that I can sit in a studio and not worry about a clock and it’s comfortable. I get those advantages. But there’s a moment when it’s easier to rehearse your band, rent a studio and a good engineer and knock out five songs. Then if you want to take a month and finish those songs at your producer’s studio, that’s great. You’ll get a better result if you do and will thank yourself for it. Track in a commercial studio. If you don’t, the social and human aspect is stripped away a bit. What are the best ways for artists to save money in the studio? Pre-production. When I produce, that’s a place where I really spend the time. Make sure you’ve got the material, that you’ve got it charted and you know all of your transitions from verse to chorus. That makes it go fast, because the band isn’t working on the arrangement as much. What’s the biggest challenge you’ve ever faced as a studio manager? It’s always financial. Since streaming is what it is, a lot of the money goes to the label and not the artist, so the money they’d allocate to a recording budget will be tight. Budgets are lower, costs of doing business have increased, but the effective studio rates haven’t changed in about four years. Keeping a balance to what you can charge versus your cost structure is an age-old business equation. What does the future hold for studios? I fear that it will continue to be whittled down to a few in the city. But there will always be a class of people who will want pro studios. It’s a proven model that has value. If I were in the equipment business, I’d be looking forward to the time coming up [because] recording is becoming more ubiquitous. There’s a rapper who records everything on his iPhone. The bottom line is that breaking even is about all you’re going to do. You might have years that are profitable, but you’ll end up reinvesting that money. We need to have people who are willing to invest the money and the studio will have value to them beyond the rental income. We see a lot of studios that are sitting on real estate plays. There’s a little one in town and where it sits is zoned for 24 stories. It’ll sell when the right developer comes along.

ADD CUSTOM BEATS by slyide TO YOUR NEXT PROJECT. Contact Bruce at bruceswired@gmail.com

SHAMAR RICE Rising Star When did you first get involved in acting? I got involved into the biz in 2020 in Late January, I was involved In a background project a feature film to be exact called Zeke The Awakening written by KaZarr Coleman shoutout to him and the casting director Malik Pollard.

it’s not a success because my losses will always be a win in my eyes because I know what NOT to do next time.

Who or what inspired you to pursue a career as an actor? It was the amazing talented individuals on Disney channel, Disney XD, and Nickelodeon. Wow, just saying this takes me back to my childhood days… But yes the episodic show Kickin’ It actually made me want to get into acting because I did Taekwondo when I was a kid and the show revolved around young kids proving themselves that they can do anything they put their minds too and yeah that’s about it!

I’m sure you have met a lot of talented artists along the way, maybe even celebs. Would you share 1 or 2 of your favorite stories with us? I haven’t met any celebs but… I have met my two of my supporters who I’ve manifested to work with on screen one as my on set sister who actually turned into my real sister Ramona Rideout ; she teaches youth/adults about the best way to be successful in this business and she also teaches youth in school as an theatre teacher… she brightens many hearts and one of those hearts are ME!!!! We actually filmed a short film called Brunch and that’s where we met and we connected fully and ever since it’s been nothing but pure love and support!

What have been your biggest achievements so far? My biggest achievements so far has been every booking, audition, and rejection that I’ve gotten… I learned to love everything I’ve achieved no matter if

Now, onto my other one as my on set/tv mother Tercola Moeteak and she has been nothing but supportive of me since before we met in person. She paid for my headshots and help me get back and

fourth to and from the airport and to the photographers studio as well as paid for my retouched images, I have nothing but love for her… she’ll always have a place in my heart and she’s such a beautiful and talented soul. Watch out for her cause she’s well on her way! What are your 3 favorite films of all time? • Lifted ; directed by: Lexi Alexander • A Fall From Grace ; directed by: Tyler Perry • AVA ; directed by: Tate Taylor How has your acting evolved since you first became involved in the film industry? My acting skyrocketed I’m not even going lie lol! It’s been a lot of mental development as well as self care… I’ve took acting classes for months to improv areas I never knew I had in me… shout-out to my first ever acting coach Vas Saranga; wow he’s definitely bought me out of my comfort zone… I don’t even know where to begin but he know what he’s done for me. Aside from that, I’ve been doing my own due diligence and studying parts of the industry that I needed to know about so when the time comes I’ll be READY. I’d network in groups whether if it was an actor, producer, writer, filmmaker, or PA I always put myself out there because you never know who’s watching or who could put you on and that’s basically how I got to where I’m at right now, I’d always submit to free gigs and still do… I loved the craft and STILL DO. I get rejected and learn from that and do better the next time and because of that I disciplined myself to stop getting worried about not getting an email back and etc.

unmatched, I’m eager, I’m hungry for more opportunities and I’m humble enough to know where I started that’s why I am the way I am and I’m staying that way. That’s how I got repped before my 1 year of searching was up… I got signed in September I started acting this year in January… I’m not one of them stop playing!!!! Put the work in. If you were forced to choose only one, which emotion, more than any other, drives you to stay in this tough business? Is it joy, anger, desire, passion or pride and why? I would choose passion. Why? Because I already enjoy acting and frustration comes with that joy because you get rejected or might not make an audition & etc I know where it can take me so I know that desire will already come with it and my pride will always be within regardless if I don’t choose it… any of those too be honest. Which ingredient do you think makes you special and unique as a performing artist in a genre overflowing with new faces and ideas? My work ethic and drive… I overly want the best for me when it comes to acting that’s why I work so hard even when it’s obstacles in my way… I’ll cry, slam stuff, break, etc and then keep it moving. No matter what you can’t join this business and think you can make it without putting in the actual GROUND WORK to get to your destination which is Success. I hustle, network, put in the work, I have fun, I’m motivated, I’m hungry, I’m eager, I’m destined

I then got involved with another acting coach his name is Mark McKinnon and he’s a phenomenal coach! Shoutout to him and all he do for his students he’s very selfless and cares about others… I remember doing a mock audition to join his studio it was mandatory and it was to see what level I was on as an actor, so I did it virtually over zoom and 48 hours later I was qualified for the advanced class and waited a little longer to pay because I didn’t know if I was ready and because of money issues… A couple weeks later, I finally joined and ever since I was apart I learned new techniques and I’ve been getting great feedback every since from casting directors even if I didn’t book the role. Now, last but not least… my resume man oh man when I started I had ZERO credits I’ve bussed my butt over the past 11 months none stop to develop 13+ credits on my resume from non-paid projects and paid gigs. It was my hustle and still is, I’m

and I’m determined to be successful… that’s what makes me unique and different from others because a lot of individuals don’t put in the work like Shamar… a lot of individuals don’t have motivation or the ethic to want more or the hustle they only expect everything to be handed to them which won’t always happen. What has been your biggest challenge as an actor? Have you been able to overcome that challenge? If so, how? My biggest challenge as an actor was that I’m not financially where as though I can support myself fully to support me and my career… my parents would always help me and my support system and me of course when I have it. That’s why I push the way I do in this business because I know that my time is coming and I cry every now and then because I know that this won’t last long for me that’s why I encourage everyone to keep going and to love themselves and the craft that they do because; me Shamar Rice knows that times can be hard and we may not have it but just keep pushing because in the end you will be financially great, you will be stable enough to travel on your own, you will be able to buy what YOU want and YOU will get your family OUT OF THE HOOD. All you have to do is KEEP going because a storm don’t last forever…

A common phrase in the industry is, “you must suffer for your art”. Do you agree with this statement? If so, how have you suffered for your art? I haven’t heard of this phrase before but I agree. Why? I love acting 100% but I suffer from it… I suffer from anxiety because I always question myself. Will I book this role will this director give me a chance to even audition, ugh I hate this tape REDO, etc all actors went through this phase and still are… some have gotten over it but I know that they still suffer, why? Because it’s an art. It’s moving slow, I’m having trouble memorizing my lines, production started late, I can’t eat yet, etc... so everything I said above is why I agree. How do you feel the Internet has impacted the film business? The internet has impacted the film business in a great way and bad way… it has impacted the business in a great way because when actors can’t afford to pay for casting sites groups where being made or where already established… casting groups, group for actors to connect and network, groups for mindset development, groups for headshots, etc … I thank everyone who’s ever pitched in or even made a group to help another person out… If you could change anything about the film industry, what would it be? The only thing I’d change is just that every project should have a contract stating that; I will get paid $____ this amount, I will be getting fed a nice meal not including snacks because people swear that snacks will fill you up… and I will receive the footage when editing and everything is done etc…. What is the best career advice you have received? Put the work in, be humble, clap for others successes, train daily, network, stay consistent, have fun and be yourself. How can fans-to-be follow your career? Wassup guys! You can add me on Instagram @shamarricee I post my daily updates on there frequently you guys can also follow me on TikTok @shamarricee as well as my Facebook which is just Shamar Rice (I have a brown shirt on) and also If you’re new to my pages checkout my hashtag and watch my journey as I grow! #runwithshamar thanks for reading and I hope that I inspired you. Shamar Rice Actor|Dancer #RunWithShamar

REBECCA HARTT For the Love of Music When did you first get into music? Music has always been a passion of mine growing up but it was not until my junior year of high school that I started to write and perform my own original content.

Describe your style of music. In many ways I am discovering what my style of music is but I would currently describe it as a mixture of R&B, indie, and pop.

Who or What influenced you to pursue a career in music? Creating music continues to be a consistent way that I get to process life, express myself, and feel creatively fulfilled. Not only has listening to music as I’ve grown up helped me navigate through the ups and downs of life but so has singing and song-writing. As I grow my artistry and continue to create music that I enjoy, I feel inspired to keep doing it mostly because of the joy that it gives me.

How has your music evolved since you first started in the music industry? It truly has and continues to do so. The more I study music that I love and create songs that represent facets of who I am, the more growth I feel from where I first started. When I first started song-writing in high school my music was leaning towards incorporating alternative/indie and spoken word qualities because of the artists I was listening to and

my natural instincts to deliver my music the way I did. My music has evolved to be more simple in what I say and more focused on incorporating melodies inspired from R&B and pop styles as well as practicing how to tell a story through a song in an impactful way. If you were forced to choose only one, which emotion, more than any other, drives you to stay in this tough industry? Is it joy, anger, desire, passion or pride and why? Hands down it would be joy for me. At this point in my life I am deciding to let my love for music fuel my motivation to grow as an artist rather than a desire to compete with others or be driven by my own perfectionists tendencies. It doesn’t feel good for me to be an aspiring singer and put it all the work that it takes just to feel unhappy and unsatisfied with myself in the process. I want to be able to learn, to make mistakes, and grow because the process gives me joy. What has been your biggest challenge as a performing artist? Have you been able to overcome that challenge? If so, how? One of my biggest challenges as a performing artist has been learning to let myself not take myself so seriously and enjoy performing live the same way I would when I am singing karaoke in my living room. Mentally preparing myself to relax and have fun before and during performances has helped me overcome the nerves that come up. A common phrase in the industry is, “you must suffer for your art.” Do you agree with this statement? If so, how have you suffered for your art? I don’t think that we must suffer for our art. Art itself and the growth of an artist is birthed from many different experiences and emotions. Although my own personal suffering in my life has inspired me to create music, it is not the main driving force. The suffering and pain in my life has created opportunities for me to learn who I am on so many different levels and creating music is a way I connect to myself. Art can be a way that I get intimate, honest, and vulnerable with myself regardless of what emotions may be present. How do you feel the internet has impacted the music business? It has had a huge influence in how songs get discovered, monetized, and shared as well as being platforms for artists to create music business connections and/or fan bases that may have not been present before.

If you could change anything about the music industry, what would it be? One thing I would change is the music industry is not tolerating and normalizing discriminatory messages in music.

I’m sure you have shared the stage with many talented artists, maybe even celebrities. Please share 1 or 2 of your favorite stories with us. One of my favorite artists that I have performed with is a local artist named Ruby Baegay. Not only is she an amazing musician but our shared performances stand out to me because of our shared love of free-styling during shows and being in a collaborative and spontaneous space to merge our different yet complementary styles.

How can fans-to-be gain access to your music and follow your career? You can find my music on Spotify, Soundcloud, and Apple Music as well as stay updated with my musical content through my Instagram.

What are the 5 albums that have helped make you the person you are today? And why? Kala by Trevor Hall, The Jungle Is The Only Way Out by Mereba, The Miseducation of Lauryn Hill by Lauryn Hill, Acoustic Soul by India Arie and Mama’s Gun by Erykah Badu have been influential albums for various reasons. They all in one way or another have inspired me to get in touch with the strengths of who I am as a person, to love myself as a Black woman in this world, and to keep my head up even when life feels challenging.

https://music.apple.com/us/artist/rebecca-hartt/1438259878

https://open.spotify.com/artist/2hhQHKW3aSNlT21kmPAX8g https://soundcloud.com/rebeccahartt

What is the best advice you have received? Some of the best advice I have recently received has been not to underestimate who I am and remember what I have been through, what I bring to the table, and my own power to actualize my dreams into reality. Remembering the totality of who I am motivates me to show up through all the ups and downs life brings. What’s next for you? New Music? I am currently working on releasing new music and collaborating with some amazing artists in the process. Photo credit: (Top Right) @jackie_nunnally

Tanya Elyse @elyse_inwunderland

Photography @bohorocker90 @ellejgrey Location: Taiben, New Mexico

THE GINA POWERS BAND Artist on the Rise What first got you into music? I’ve loved music ever since I can remember. Music was a big part of my childhood, my mom and stepfather listened to music and appreciated it and my father did as well so I was fortunate to be exposed to a wide variety of genres and musical styles. My father taught me a few chords on the guitar when I was 12.

How would you describe the music that you typically create? It’s so hard for me to describe, because to me each song is it’s own thing. I think, though, most would say it’s country folk music. I’ve written tunes from a variety of genres, but in the end, they all pretty much tell a story and at the foundation, that’s what folk music is about. I feel really comfortable with that.

I didn’t think a career in music was more than a fantasy so I didn’t pursue it until later in life. At some point, I decided to just go for it. I figured, I would end up at the end of my life one day and if I’d never tried it would be something I’d regret so I took a big breath and jumped in. Who inspired you to make music? That is a hard question to answer. Making music is just something I’ve always done. Even when I was a small child I made up songs to sing as I played. I think for me there is a spiritual element too--it’s part of how I pray, make sense of the world, grieve, experience joy, celebrate, etc. Music in and of itself inspires me to make music. There are so many incredible musicians, both known and unknown, that I can’t even begin to name them. What made the lightbulb go off for me when it came to the possibility of making my music passion my vocation was seeing Diane Miller’s, (now most widely known as D. Mills of D. Mills and The Thrills), band at the Fargo Theater. She was sassy, talented, owned the stage, had fun original music and I thought “I wanna do that! I think maybe I could do that!” I really appreciate her for that.

How did you come up with the name of the band? The guys in the band pretty much convinced me using my own name was the right decision. We’d tried other names and they just didn’t fit. Name all the band members and the instrument they play? Gina Powers; Vocals, Keys, Guitar Mitchell Rittenbach; Vocals, Bass Russell Pfaff; Percussion What is your creative process like? It usually starts with me sitting at the keyboard or with the guitar and finding a chord progression that makes a certain feeling come up. When I find one I really connect with I record it on my phone and then I listen to it until I can articulate the feeling the music gives me. Usually I hear a melody pretty quickly so it’s a matter of wordsmithing the feelings into something that I think others can relate to. When I have a song as a solo song, I bring it to the band and they put their sparkle on it. Sometimes we make some tweaks to the form or adjust the arrangement, sometimes we edit a part or two, it just depends. That’s why I feel so fortunate to work with such talented musicians; they add their listening do

ears and perspective to the mix along with their instrumental skill and everything just comes together. I absolutely adore making music and I have so much admiration and appreciation for their contribution. Who would you most like to collaborate with? I’d have to say… yikes! I cannot pick just one! Dolly Parton. She is out of this world and has been writing and releasing songs since she was 12 years old. The wisdom and knowledge she has both as a songwriter and as an entertainer is like none-other. I adore Dolly and respect her very much. Justin Timberlake is also a phenomenal songwriter. What a trip it would be to collab with him! He is diverse and has such an incredible ability to entertain. If you could go open a show for any artist who would it be? These are hard questions! I would absolutely flip over the opportunity to open for Bonnie Raitt, Kacey Musgraves, Miranda Lambert, Shania Twain... What is one message you would give to your fans? There is far more we humans have in common than not. We all need to eat, sleep, be sheltered, be loved, be safe, be clothed, be connected… My mission is to put good things into the world and music is my best effort in doing that. Let’s connect on the things we’ve in common. We would get so much further down the road. What is the most useless talent you have? I have monkey toes lol, I can pick up things with my toes. Do you sing in the shower? What songs? It’s been awhile since I’ve done that--usually when I I am practicing for a show I am getting ready for or warming up. I have started writing a couple songs in the shower though… “Come In, Sit Down” was absolutely written while in the shower. What would you be doing right now, if it wasn’t for your music career? Likely some form of property management and human services work. Where have you performed? What are your favourite and least favourite venues? I’ve been so fortunate to have performed in many places regionally including one super neat place this summer called Red Willow Resort in Binford, ND which has seen the likes of many big named artists including The Supremes, Glenn Miller Orchestra and Richie Valens! That was a surreal experience for me and the band. I’ve played outdoor art events, markets, breweries, restaurants, bars, theaters, Bluestem Amphitheater, street festivals and open mics to name some. My favorite is a concert style/listening

style venue where people are there to enjoy the music specifically. My least favorite? Probably bars just because the audience is more there just to party and drink. Don’t get me wrong, parties are fun and playing a great show and having everybody on the dance floor is absolutely awesome, but if I had a choice to play one over the other, it would be a listening or festival environment. Do you have any upcoming shows? I do! I’ve got a number of solo and duo shows, some with The Gina Powers Band and some with The FM Boogie Knights, which is a super fun 8 person dance music variety band with a 3-piece horn section—we have a blast. I am booking for next year too and I’m looking forward to some great opportunities next summer. I hope folks will check out the calendar which is linked on the website www.theginapowersband.com I keep all the music ‘stuff’ I’m doing listed there. I have been fortunate to stay busy, working, and healthy with a full calendar. How do you feel the Internet has impacted the music business? I think it’s been great in some ways and not so much in others. For indie musicians, it’s a great opportunity to get original music out there and get it heard, collab with others and find a niche audience that appreciates what the artist is doing. It also provides a way to connect and learn from others on a wider scale. In some ways, though, it gives the impression that anyone can just write a song and boom, there it is. It is much easier now to find music and learn from YouTube, etc. Ultimately, though, I think it is more good than bad. Everyone has access this way. What is your favorite song to perform? I really have to like a song to perform it so I’ll take the easy way out of this and say all of them. If pushed for an answer, a power ballad really is my jam. Which famous musicians do you admire? Dolly Parton, Justin Timberlake, Jason Isbell, Willie Nelson, Ani DiFranco, Sheryl Crow, Linda Ronstadt, Patsy Cline, Bonnie Raitt, Shania Twain… I admire so very many it’s hard to narrow it down to a few and I’m not even scratching the surface of my list.

can stop an artist at the gate before they’ve ever industry. Gender, Sex, Age, Race… all of these things had an opportunity to share their talents and can be discouraging and disheartening. This industry is super competitive so it can be very cutthroat in both expected and unexpected ways.

What is the most trouble you’ve ever gotten into? I’ve never really gotten into much trouble.

What’s next for you? More music and more shows! A video or two is also in the works so I look forward to that. The band is working on a few new originals so there is another album in the pipeline as well. I hope to sing and write songs and entertain until I have worn this meat suit out! I’m also always looking for a more balanced order to my work/life, which is so very challenging! I want to travel and would love to take the band on more trips and do more shows, especially festivals! Thank you so much for this opportunity to answer your questions! This is very cool.

What is the best advice you’ve been given? Regarding music? Be yourself. Don’t try to be like or sound like someone other than you. It’s true and it’s the same advice I give to my music students. Develop your own voice, your own unique contribution. If you could change anything about the industry, what would it be? Even though we’ve come a long way, I think there is a long way to go when it comes to equality in the

APRIL ROSE GABRIELLI Do You? April Rose Gabrielli’s “Do You?” Music Video added to MTV Spankin’ New and MTV U Rotation Singer/Songwriter April Rose Gabrielli’s new music video “Do You?” has just been add to MTV U, and MTV Spankin’ New, where up-and-coming artists often have their first big debut before becoming household names. “Do You?” released by SohoJohnny’s Soho Records and Sony AWAL, is creating incredible buzz, also reaching #26 on the Billboard AC Charts, #1 on the Mediabase Adult Contemporary Independent Artists Ranking, and is in the Top 25 on the Mediabase Adult Contemporary Chart. “Do You?” is the debut single from alternative-rock singer, songwriter, pianist, producer and poet: April Rose Gabrielli. “Do You?” is the perfect musical introduction to April as it represents the way she often weaves poetic lyrics, powerhouse vocals and stacked harmonies into a rock track centered around catchy pop melodies. Thematically, using the words “Do You?” in a few different contexts, the lyrics touch upon the ways in which she has mastered the art of emotional deflection and indecision to “keep the peace” with those around her. The track

was written and produced by April Rose Gabrielli, with production, songwriting and engineering help from Kulick (Enci Records) & lifelong friend, Kevin Eiserman. With her following growing; already at over a half a million song streams, monthly listeners and followers growing at a fast pace, April is growing a loyal band of fans who revel in a creative fresh, authentic approach to music and performance. In lieu of launching her solo music career, April Rose signed an exclusive songwriting deal with BMG Publishing as well as partnering with Casio Music Gear and Avantone Pro. Watch the “Do You?” music video that is on MTV Spankin’ New and MTV U by April Rose Gabrielli here: https://youtu.be/S6ZTkogwDHQ Follow April Rose Gabrielli on the web: website – https://www.aprilrosegabrielli.com facebook – https://www.facebook.com/aprilrosegabrielli instagram – https://www.instagram.com/aprilrosegabrielli twitter – https://www.twitter.com/aprilrosegabrie

Dagrahynd Radio™ https://www.zeno.fm/player/DagrahyndRadio Our radio station plays a diverse selection of great music from many genres that spans decades of musical history. We feel “good music is timeless” so we serve up plenty of that mixed with special guest interviews and much more.

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XS10 Magazine - December 2021

Articles inside

April Rose Gabrielli

The Gina Powers Band

Rebecca Hartt

Shamar Rice

Pat McMakin

LaTonya MeChele

Tom Sizemore

Ontario Phoenix

Zoë Yeoman

Rina Chanel

Phil Spallina

Elysé Blanco

Bailey Elora