Aston Martin x Optima Roman

Page 1

OPTIMA ROMAN

INTRO

Aston Martin is a British automotive company that specializes in the engineering, design, and manufacture of sports cars.

Aston Martin’s history has been fraught with difficulties and ups and downs. However, its efforts have made it one of the world’s biggest leading automakers.

Aston Martin’s history began with the efforts of Lionel Martin and Robert Bamford, who founded Bamford & Martin in 1913.

ABOUT

AMB

The AMB 001 is the first Motocycle, designed by Aston Martin.

Its production is limited and sold at€108.000$, which makes it the entry-level model of the luxury brand. other historic events

001

The Aston Martin DB5 is considered one of the most iconic models of all time.

1962

The classic Aston Martin DB5 featured the third instalment in the James Bond series, Goldfinger. The car is valued to be worth over 25 million $ .

Sean Connery with his DB5 1962 James Bond – Dr No Daniel Craig with the DB10 2015 James Bond – Spectre

elegance and trustworthness of Aston Martin.

with the font Optima Roman, which shows the precision,

to make the brand name clearer. The Brand identifyes

this brand, a rectangle in the middle was added,

the symbol of speed and freedom.To the emblem of

Aston Martin brand has used bird wings to represent

THE LOGO

1958

Optima was created in Germany, by Hermann Zapf. His inspiration came from the design of letters carved on Renaissance-period tombstones he saw while vacationing in Florence in 1950.

Hermann Zapf was one of the most influential typographers of the early digital age. He made a big impact on modern products-interfaces, such as the first apple products and paved the way for the emoji and assisted alter visual communication.

His creations carry on to inspire today’s visual language in several diverse techniques.

ABOUT ...

His intent was to create a classic roman without serifs.

TYPEFACE CHARACTERISTICS

a roughly square footprint.

avoid the monotony of all capital letters having

designing Optima‘s capitals was the desire to

stroke terminals. Zapf says that his key aim in

itself with strokes that subtly widen as they reach

Classified as a sans-serif, Optima distinguishes

DETAILS

Although Optima is almost always grouped with sans serif typefaces, it should be considered a serifless roman. True to its Roman heritage, Optima has wide and full-bodied characters – especially in the capitals. Legible and versatile, Optima manages to simultaneously stand out and fit-in.

OPTIMA ROMAN

Optima is a beautiful font with an elegant, understated quality that's hard to emulate.

horizontal curved - cuts

-----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------appears slightly
sans Serif contrast brush
-----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------Optima ---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
top-heavy

the vertical - line presents a slight curve

The N, like a serif design, has light vertical strokes

Roman

The M is splayed

-------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------

OTHER FONTS BY

He made over 200 fonts.

Zapfino

Zapf created Zapfino right from his own calligraphy notebooks. Its a sweeping calligraphic font that ships with every Macintosh computer. When used well, and with the many alternate characters available, it can create some dazzling effects.

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Zapfs “Dingbats“ gained incredible popularity because it was built into an Apple laser printer in the 1980s. These symbols were designed by Hermann Zapf in 1978 to complement contemporary typefaces and visually enhance communication.

PALATINO

Probably the font that Zapf is best known for is Palatino. It was included in the original 35 Postscript system fonts that formed the basis of the desktop publishing revolution. It was believed that Palatino would give a product a touch of “class ”.

TYPOGRAPHY

Typography is the appearance of text. It’s one of the most important features of every composition, both in the digital and physical worlds. The type choice can make or break every design. It helps to set the mood and emotion of any text and has a huge impact on how the reader perceives it.

MY COLOR PICK :

A neutral color palette serves as a reliable foundation for the design of my „Ashton Martin & Optima Roman“ booklet. It´s rather neutral, but versatile and timeless nature allows typography to take center stage, while complementing the sleek and sophisticated look of automobiles. I strongly believe that the right composition creates a sense of balance, allowing the typography and imagery to coexist harmoniously.

LIGHT TONES

DARK TONES

Articles inside

Zapfino

1min
pages 29-30, 32-34

AMB

1min
pages 8-24

Zapfino

1min
pages 29-30, 32-34

AMB

1min
pages 8-24

Zapfino

1min
pages 29-30, 32-34

AMB

1min
pages 8-24

Zapfino

1min
pages 29-30, 32-34

AMB

1min
pages 8-24

Zapfino

1min
pages 29-30, 32-34

AMB

1min
pages 8-24

The M is splayed

1min
pages 15-18

ABOUT

1min
pages 12-13

AMB 001

1min
pages 5-11

Zapfino

1min
pages 27-28, 30-32

AMB

1min
pages 6-22

Zapfino

1min
pages 27-28, 30-31

AMB

1min
pages 6-22
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