Bayou City Chic: Progressive Streams of Modern Art in Houston, 1950-1980

Bayou City Chic: Progressive Streams of Modern Art in Houston, 1950-1980

John Guerin Columns

Dorothy Hood Primal

Charles Schorre Reflected Sunset Sounds

Bill Condon Houston Montage

Jack Boynton Untitled 3

F e b r ua ry 14 - M a r c h 8, 2014 • W i l l i a m R e av e s F i n e A r t

Bayou City Chic: P r o g r e s s i v e S t r e a m s of Modern Art in Houston, 1950-1980 on view February 14 - March 8, 2014

Lamar Briggs Ibiza-Windsong, XXXI

Special Events: February 14-15, 10am-5pm: Collector Preview Weekend February 15, 5-8pm: Opening Reception A full exhibition catalogue is available at reavesart.com. The gallery is open Tuesday through Saturday, 10am-5pm, and by appointment, please call (713) 521-7500.

Bayou City Chic: Progressive Streams of Modern Art in Houston, 1950-1980 From 1950 to 1980, during three momentous decades, Houston became the titular capital of “modern art” in Texas, attracting a loose-knit colony of important painters nurtured in a burgeoning community of avantgarde galleries, collectors, museums and university art departments.

Looking back, it is evident now that this thirty-year span represented one of the most vital and productive periods of the city’s cultural evolution, a “coming of age” of the Houston art scene which paralleled the region’s dramatic rise in population, economic influence and social vitality. The current exhibition, Bayou City Chic, examines this watershed era, presenting an extraordinary survey of paintings by artists associated with the city’s remarkable mid-century journey, (as well as an interesting sampler of works by contemporaneous Texas modernists of the period whose output interfaced with that of the Houston scene). With substantive works by many of Houston’s most esteemed modernists, Bayou City Chic captures the energy and innovation of an important period. It warrants attention as 2014’s first “destination exhibition” for local collectors and aficionados of Texas modernism, offering what is certain to be one of the most informative and inspiring art shows of the current year.

As was explored in the Ideson Library’s recent exhibition on Emma Richardson Cherry and her protégé’s, much of city’s mid-century art vitality can be traced to the efforts of an enlightened “older guard” of artists and arts leaders who set the stage for growth and innovation in the decades before. Led by progressive artists such as Cherry, O’NeilDavidson and others, and bolstered by the newly-formed Museum of Fine Arts and its venerable director, James Chillman, Houston forged a small, yet active arts community in the first-half of the twentieth century.

Despite the intervening challenges of two world wars and a great depression, the fledgling arts scene took root within the city, flowered in the decades of the 20s and 30s, and prospered steadily thereafter, pausing only for a brief respite during the “war-years”. Thereafter, with the Great War behind and the depression abated, Houston sat poised to renew its advance on the world of art. And advance it did, pitched forward in the ensuing quarter-century through a “perfect storm” of

new artists, collectors, galleries and art institutions.

While the post-war economic boom and accompanying social transitions gave renewed energy to the city’s art fortunes in these years, it was the quality of Houston’s artists and the significance of their output which gave the substance and definition to it all! Over the thirty years considered here, the Bayou City became home to a growing, loosely-connected “colony” of artists (perhaps more aptly described as a “collection” of artists) - a diverse blend of home-grown talent and accomplished émigrés. While collegial and socially active with one another, for the most part, Houston’s mid-century artists still worked with an independent and individualistic orientation. As demonstrated by the MFAH’s Fresh Paint exposé in 1986, Houston artists of the time proved to be less a definable “school” of painters, with works bound by common aesthetic attributes, and more a “confederation” of artists pursuing their own creative visions. Relying on the virtues of their personal visions and artistic prowess, however, the best of these Houston-based artists persevered to build significant paths through the regional art world of the 50s, 60s and beyond, their works commanding sound reviews and attention, and their collective successes helping the city to eventually achieve a state of “critical mass” within the art world. It is fair to say now that Houston artists of the period provided the collective strength and synergy to push the Bayou City beyond mere provincial art interests and into the realm of national and even international acclaim. Indeed, over the thirty years addressed in this exhibition, Houston rode the creative coat-tails of its many noteworthy resident artists to become America’s “third coast”, a major arts destination on the national front.

Given the penchant of these local painters for experimentation with new media and the divergent styles (see the range of Dick Wray examples), the particular forms of modern art which blossomed in the Bayou City during these years were never static. Pushed somewhat in cadence with the general artistic advancements of the larger American scene, Houston’s art of this thirty-year period morphed through a series of stylistic progressions. The hallmarks of Houston painting came to be

its strength and diversity, with viewers encountering works as bold and varied as the artists producing them. It bestowed a rich and interesting mix of modernist materials in the hearts and minds of the Bayou City.

The city garnered initial notoriety as a regional center for the avantgarde based upon the success of its first wave of “modernists” in the late 40s and early 50s. Led by the likes David Adickes, Lowell Collins, Bill Condon, Frank Freed, Henri Gadbois, Herb Mears, Chester Snowden, Stella Sullivan and others, these artists brought Houstonians a brand of cubist-inspired abstraction, richly imbued with color and texture.

Popular and cutting edge for its time, the work found favor with many post-war consumers.

The late 50s ushered in expressionist modes, introduced to the town by artists such as Jack Boynton, Richard Stout, Dick Wray, as well as their female counter-parts, Dorothy Hood and Leila McConnell. Other notables, such as Earl Staley, Charles Schorre, Otis Huband followed suit in the later 60s. These artists moved Houston arts into the realm of complete abstraction, covering an expressionist gamut which ranged from highly-charged, landscape-inspired canvases, to more sensual renderings attentive to light and atmosphere, to frenetic figurativelyinspired expressions.

Their success and creative efforts set the stage for subsequent waves of expressionist talent including artists such as Harvey Bott, Perry House and Ibsen Espada who continued this tradition of strong abstractions in the late 70s, often incorporating iconographic elements into their own expressionist modes. Likewise, in the 70s, artists such as Lucas Johnson, Robert Morris and Guy Johnson introduced a strain of surrealism into the Houston scene, their works integrating both abstract and representational elements to create intriguing, messianic narratives.

Bayou City Chic is a celebration of these artists and their times.

The exhibition is a tribute to local genius and sustained artistic accomplishment. It offers a visual treatise of the natural progressions of Houston art at a time which may now be heralded as the high-water point of a century past. At William Reaves Fine Art, we are pleased to

represent many of the legendary Houston painters of this period, but it is also our privilege to work with other individual artists such as Ibsen Espada and Earl Staley, as well as to collaborate with other important galleries in the city to bring outstanding works of their veteran Houston artists to the fore including Harvey Bott (courtesy of Anya Tish Gallery) and Perry House (courtesy of D.M. Allison Art). Together, it reminds us of the wealth of truly chic artists who have prospered in our midst, and reinforces our feelings of good fortune to be a part of today’s thriving Bayou City arts scene.

It all adds up to an engaging “must see” exhibition. We invite patrons to join us for Bayou City Chic and encourage serious collectors to consider these distinguished Houston artists as valued additions to important assemblages of regional and American modernism. Enjoy!

Bill Reaves President, William Reaves Fine Art

Bayou City Chic: Progressive Streams of Modern Art in Houston, 1950-1980 Februar y 14 - March 8, 2014

No. Artist

Title of Work

Date

Medium

Dimensions (in.)

1

David Adickes

Still Life with Yellow Bird

1958

oil on board

16 x 9

2

David Adickes

Still Life for Ann Holmes

1957

pen, ink and oil on canvas

24 x 16

3

David Adickes

Untitled (Portrait)

c.1965

oil on board

31½ x 19

4

David Adickes

Untitled (Tall Men in Striped Tunics)

no date

oil on board

28½ x 15½

5

Gertrude Barnstone

Untitled nude 1

c.1960

ink on paper

23 x 29

6

Gertrude Barnstone

Untitled nude 2

c.1960

ink on paper

36 x 24

7

John Biggers

The Sleepers (Three Figures)

1951

pen and ink

20 x 30

8

HJ Bott

"Net" Ball Flak, from the Gridlock Series

1984-85

mixed media on canvas

63 x 49

9

Jack Boynton

Untitled (3)

1955

gouache on board

22 x 14

10

Lamar Briggs

Ibiza/Windsong XXXI

1981

acrylic on canvas

60 x 84

11

David Brownlow

White Mission

1957

oil on board

24 x 40

12

Lowell Collins

Figure

1958

encaustic on board

48 x 6

13

Bill Condon

Houston Montage

1969

oil on canvas

19½ x 15¾

14

Ben Culwell

Untitled (Adrenaline Hour Series)

c.1942

mixed media

9 x 12

15

Don Edelman

Still Life

1953

oil on board

19¾ x 25¾

16

Ibsen Espada

Marioneta

1987

mixed media on canvas

60½ x 33½

17

Ibsen Espada

Modern Quilt III

2000

tempera, ink, and oil on canvas

60 x 48

18

Ibsen Espada

Untitled

2010

oil crayon and ink on rice paper

26½ x 38½

19

Ibsen Espada

La Torcha Rota, AP

1992

multi-plate color etching

20 x 24

20

Seymour Fogel

Buzzards

1953

oil on masonite

20 x 24

21

Seymour Fogel

Untitled (Angel verso)

1954

mixed media on masonite

22 x 43

22

Michael Frary

Tiger's Eye

c.1966

acrylic, mixed media on board

50 x 48

23

Frank Freed

Picasso

1957

oil on canvas board

10 x 8

24

Frank Freed

Untitled (Building with Three Archways)

n.d.

oil on canvas

18 x 14

25

Henri Gadbois

Fire

1958

oil on canvas

39 x 52

26

John Guerin

Columns

1955

oil on canvas

36 x 30

Bayou City Chic: Progressive Streams of Modern Art in Houston, 1950-1980 Februar y 14 - March 8, 2014

27

Dorothy Hood

Orb’s Flora VI

c.1972

oil on canvas

60 x 70

28

Dorothy Hood

Primeval

1988

oil on canvas

91 x 70½

29

Perry House

No Title

1983

acrylic on canvas

60 x 48

30

Perry House

Untitled 1

1983

gouache on paper

12 x 16

31

Perry House

Untitled 2

1983

gouache on paper

12 x 16

32

Perry House

Untitled 3

1983

acrylic, gouache on paper

12 x 16

33

Perry House

Untitled 4

1983

gouache on paper

15 x 20

34

Perry House

Untitled 5

1984

tempera on paper

15 x 20

35

Perry House

Unititled 6

1983

gouache on paper

15 x 20

36

Otis Huband

Five Large Considerations No. 4

1990

oil on canvas

68 x 44

37

Lucas Johnson

Untitled

1970-80

oil on canvas

92 x 47

38

Robert Ivan Lockard

Untitled (Cubist Trees)

1939

watercolor

15¼ x 11¼

39

Robert Ivan Lockard

Untitled (Landscape Variation 1)

1939

watercolor

11¼ x 15½

40

Ken Luce

Construction (Homage to Juan Torres Garcia)

1987

assembled wood, acrylic on base

41 x 12½ x 8

41

Ken Luce

The Game

1989

assembled found wood, plastic, steel 30½ x 22 x 4

42

Paul Maxwell

Still Life in Black on Orange Background

1966

acrylic on canvas

24 x 24

43

Paul Maxwell

Untitled (Blue Bottles)

1966

oil on canvas

25 x 30

44

Leila McConnell

Eclipse in Blue

1968

oil on canvas

24 x 24

45

Leila McConnell

The Next Step

1988

oil on canvas

48 x 36

46

Herb Mears

Mexican Cathedral

n.d.

oil on board

23 x 36

47

Robert Morris

Fly Over I (House with Jet)

1973

acrylic on canvas

6x8

48

Robert Morris

Hangers On III (Jet Plane with Helicopter)

1974

acrylic on board

12 x 9

49

Robert Morris

Hangers On IV (Upside Down People)

1974

acrylic on board

7½ x 10

50

Robert Morris

Fly Over II (Ostrich)

c.1970

acrylic on canvas

5x7

51

Margaret Putnam

Untitled

c.1955

oil on canvas

24½ x 17¾

52

Bill Reily

Counterpoint

n.d.

casein on canvas

22 x 29

53

Robert Rogan

Garden

n.d.

duco on board

30 x 48

Bayou City Chic: Progressive Streams of Modern Art in Houston, 1950-1980 Februar y 14 - March 8, 2014

54

Robert Rogan

Panhandle Fields

n.d.

oil on canvas

30 x 36

55

Charles Schorre

Reflected Sunset Sounds

1981

acrylic on canvas

60 x 60

56

Charles Schorre

Dove

n.d.

watercolor

17¾ x 23½

57

Charles Schorre

Untitled

1973

mixed media collage

30 x 30

58

Chester Snowden

Untitled (Orchestra Scene)

c.1960

oil on canvas

23½ x 29½

59

Chester Snowden

Untitled (Red Factory with Trees)

n.d.

oil on board

18 x 24

60

Earl Staley

Reconstruction Series: The Sign

1975-2001

mixed media on canvas

49 x 43

61

Richard Stout

Bolivar Roads

1985

acrylic on canvas

50 x 72

62

Richard Stout

Discipline in Faith: Okada

1985

acrylic on canvas

24 x 20

63

Richard Stout

Fourth Day

1963

oil on canvas

33½ x 48

64

Richard Stout

Green Dome

1962

oil on canvas

20 x 28

65

Stella Sullivan

Bottles

1953

oil on canvas

28 x 20

66

McKie Trotter

Earthscape #14

c.1959

oil on canvas

38 x 30

67

McKie Trotter

Nocturnal

c.1959

casein on masonite

48 x 21

68

Arthur Turner

Chimayo Imp. #20

1975

prisma color pencil

16 x 16

69

Arthur Turner

Prism Drawing #8

n.d.

prisma color pencil on paper

24 x 17

70

Dick Wray

No Good Black Magic

1962

mixed media

16¼ x 20¼

71

Dick Wray

Untitled (1267)

2004

watercolor

12 x 16

72

Dick Wray

Untitled (1277), ed. 10/20

1995

etching and watercolor on paper

10 x 12

73

Dick Wray

Untitled (1001)

1997

watercolor

8 x 15

74

Dick Wray

Untitled (1284)

1994

watercolor, gouache, xerox paper

18 x 24

75

Dick Wray

Untitled (1227), 6-6

1987

monoprint

44 x 30

76

Dick Wray

Untitled (1265)

2004

watercolor

12 x 16

77

Dick Wray

Untitled

1984

mixed media on handmade paper

39½ x 30

78

Dick Wray

Untitled (abstract with figures)

1987

mixed media on tissue paper

17 x 14

79

Dick Wray

Untitled (Houston)

1991

watercolor on tissue paper

17 x 13¾

80

Dick Wray

Untitled

1995

mixed media on paper

15 x 20

Bayou City Chic: Progressive Streams of Modern Art in Houston, 1950-1980 Februar y 14 - March 8, 2014

81

Dick Wray

Untitled (Mr. Crow above car)

1993

woodblock print

13 x 16

82

Dick Wray

Untitled (Mr. Crow exploding with car, cathedral)

1985

woodblock print

13 x 14½

83

Dick Wray

Untitled (Geisha with Mr. Crow)

1985

woodblock print

13 x 14½

84

Dick Wray

Untitled (Mr. Crow on car with airplane)

1993

woodblock print

13 x 16

85

Dick Wray

Untitled (scene with hand)

c.1969

etching on handmade paper

19½ x 23

86

Dick Wray

Untitled (portrait)

c.1990

bubblejet print

5¼ x 8

87

Dick Wray

Untitled (portrait)

c.1990

bubblejet print

4½ x 7

88

Dick Wray

Untitled (portrait)

c.1990

bubblejet print

5½ x 8

89

Dick Wray

Untitled (1224)

1984

monoprint, oil on paper

42 x 30

1. David Adickes, Still Life with Yellow Bird, 1958, oil on board, 16 x 9 inches.

2. David Adickes, Still Life for Ann Holmes, 1957, pen, ink, oil on canvas, 24 x 16 inches.

3. David Adickes, Untitled (Tall Men in Striped Tunics), n.d., oil on board, 28 1/2 x 15 1/2 inches.

4. David Adickes, Untitled (Portrait), c.1965, oil on board, 31 1/2 x 19 inches.

5. Gertrude Barnstone, Untitled nude 1, c.1960, ink on paper, 23 x 29 inches.

6. Gertrude Barnstone, Untitled nude 2, c.1960, ink on paper, 36 x 24 inches.

7. John BIggers, The Sleepers (Three Figures), 1951, pen and ink, 20 x 30 inches.

9. Jack Boynton, Untitled (3), gouache on board, 22 x 14 inches.

8. HJ Bott, “Net” Ball Flak, from the Gridlock Series, 1984-85, mixed media on canvas, 63 x 49 inches.

10. Lamar Briggs, Ibiza/Windsong XXXI, 1981, acrylic on canvas, 60 x 84 inches.

11. David Brownlow, White Mission, 1957, oil on board, 24 x 40 inches.

12. Lowell Collins, Figure, 1958, encaustic on board, 48 x 6 inches.

13. Bill Condon, Houston Montage, 1969, oil on canvas, 19 1/2 x 15 3/4 inches.

14. Ben Culwell, Untitled (Adrenaline Hour Series), c.1942, mixed media on paper, 9 x 12 inches.

15. Don Edelman, Still Life, 1953, oil on board, 19 3/4 x 25 3/4 inches.

16. Ibsen Espada, Marioneta, 1987, mixed media on canvas, 60 1/2 x 33 1/2 inches.

17. Ibsen Espada, Modern Quilt II, 2000, tempera, ink, oil on canvas, 60 x 48 inches.

18. Ibsen Espada, Untitled, 2010, oil crayon and ink on rice paper, 26 1/2 x 38 1/2 inches.

19. Ibsen Espada, La Torcha Rota, artist proof, 1992, multi-plate color etching, 20 x 24 inches.

20. Seymour Fogel, Buzzards, 1953, oil on masonite, 20 x 24 inches.

21. Seymour Fogel, Untitled (Angel verso), 1954, mixed media on masonite, 22 x 43 inches.

reverse side of Untitled (Angel verso)

22. Michael Frary, Tiger’s Eye, c.1966, acrylic, mixed media on board, 50 x 48 inches.

23. Frank Freed, Picasso, 1957, oil on canvas board, 10 x 8 inches.

24. Frank Freed, Untitled (Building with Three Archways), n.d., oil on canvas, 18 x 14 inches.

25. Henri Gadbois, Fire, 1958, oil on canvas, 39 x 52 inches.

26. John Guerin, Columns, 1955, oil on canvas, 36 x 30 inches.

27. Dorothy Hood, Orb’s Flora VI, c.1972, oil on canvas, 60 x 70 inches.

28. Dorothy Hood, Primal, 1988, oil on canvas, 91 x 70 1/2 inches.

30. Perry House, Untitled 1, 1983, gouache on paper, 12 x 16 inches.

29. Perry House, No Title, 1983, acrylic on canvas, 60 x 48 inches.

top left 31. Perry House, Untitled 2, 1983, gouache on paper, 12 x 16 inches. top right 32. Perry House, Untitled 3, 1983, acrylic and gouache on paper, 12 x 16 inches. right 33. Perry House, Untitled 4, 1983, gouache on paper, 15 x 20 inches.

34. Perry House, Untitled 5, 1984, tempera on paper, 15 x 20 inches.

35. Perry House, Untitled 6, 1983, gouache on paper, 15 x 20 inches.

36. Otis Huband, Five Large Considerations No. 4, 1990, mixed media and oil on canvas, 68 x 44 inches.

37. Lucas Johnson, Untitled, 1970-80, oil on canvas, 92 x 47 inches.

38. Robert Ivan Lockard, Untitled (Cubist Trees), 1939, watercolor on paper, 15 1/4 x 11 1/4 inches.

39. Robert Ivan Lockard, Untitled (Landscape Variation 1), 1939, watercolor on paper, 11 1/4 x 15 1/2 inches.

40. Ken Luce, Construction, Homage to Juan Torres Garcia, 1987, assembled wood, acrylic on base, 41 x 12 1/2 x 8 inches.

41. Ken Luce, The Game, 1989, assembled found wood, plastic, steel, 30 1/2 x 22 x 4 inches.

42. Paul Maxwell, Still Life in Black on Orange Background, 1966, acrylic on canvas, 24 x 24 inches.

43. Paul Maxwell, Untitled (Blue Bottles), 1966, oil on canvas, 25 x 30 inches.

44. Leila McConnell, Eclipse in Blue, 1968, oil on canvas, 24 x 24 inches.

45. Leila McConnell, The Next Step, 1988, oil on canvas, 48 x 36 inches.

46. Herb Mears, Mexican Cathedral, n.d., oil on board, 23 x 36 inches.

47. Robert Morris, Flyover I (House with Jet), 1973, acrylic on canvas, 6 x 8 inches.

48. Robert Morris, Hangers On III (Jet Plane with Helicopter), 1974, acrylic on board, 12 x 9 inches.

49. Robert Morris, Hangers On IV (Upside Down People), 1974, acrylic on board, 7 1/2 x 10 inches.

50. Robert Morris, Fly Over II (Ostrich), c.1970, acrylic on canvas, 5 x 7 inches.

52. Bill Reily, Counterpoint, n.d., casein on canvas, 22 x 29 inches.

51. Margaret Putnam, Untitled, c.1955, oil on canvas, 24 1/2 x 17 3/4 inches.

53. Robert Rogan, Garden, n.d., duco on board, 30 x 48 inches.

54. Robert Rogan, Panhandle Fields, n.d., oil on canvas, 30 x 36 inches.

56. Charles Schorre, Dove, n.d., watercolor, 17 3/4 x 23 1/2 inches.

55. Charles Schorre, Reflected Summer Sounds, 1981, acrylic on canvas, 60 x 60 1/2 inches.

57. Charles Schorre, Untitled, 1973, collage on canvas, 30 x 30 inches.

58. Chester Snowden, Untitled (Orchestra Scene), c.1960, oil on canvas, 23 1/2 x 29 1/2 inches.

59. Chester Snowden, Untitled (Red Factory with Trees), n.d., oil on board, 18 x 24 inches.

60. Earl Staley, Reconstruction Series: The Sign, 1975-2001, mixed media on canvas, 49 x 43 inches.

62. Richard Stout, Discipline in Faith: Okada, 1985, acrylic on canvas, 24 x 20 inches.

61. Richard Stout, Bolivar Roads, 1985, acrylic on canvas, 50 x 72 inches.

63. Richard Stout, Fourth Day, 1963, oil on canvas, 33 1/2 x 48 inches.

64. Richard Stout, Green Dome, 1962, oil on canvas, 20 x 28 inches.

65. Stella Sullivan, Bottles, 1953, oil on canvas, 28 x 20 inches.

66. McKie Trotter, Earthscape #14, c. 1959, oil on canvas, 38 x 30 inches.

68. Arthur Turner, Chimayo Imp. #20, 1975, prisma color on paper, 16 x 16 inches.

69. Arthur Turner, Prism Drawing #8, n.d., prisma color on paper, 24 x 17 inches.

67. McKie Trotter, Nocturnal, c.1959, casein on masonite, 48 x 21 inches.

70. Dick Wray, No Good Black Magic, 1962, mixed media on canvas, 16 1/4 x 20 1/4 inches.

Dick Wray : A Survey of the Artist’s Works on Paper

71. Dick Wray, Untitled (1267), 2004, watercolor on paper, 12 x 16 inches.

72. Dick Wray, Untitled (1277), ed. 10/20, 1995, etching and watercolor, 10 x 12 inches.

73. Dick Wray, Untitled (1001), 1997, watercolor on paper, 8 x 15 inches.

74. Dick Wray, Untitled (1284), 1994, watercolor, gouache on xerox paper, 18 x 24 inches.

76. Dick Wray, Untitled (1265), 2004, watercolor on paper, 12 x 16 inches.

75. Dick Wray, Untitled (1227), 6-6, 1987, monoprint, 44 x 30 inches.

77. Dick Wray, Untitled, 1984, mixed media on artist’s handmade paper, 39 1/2 x 30 inches.

78. Dick Wray, Untitled (abstract with figures), 1987, mixed media on tissue paper, 17 x 14 inches.

79. Dick Wray, Untitled (Houston), 1991, watercolor on tissue paper, 17 x 13 3/4 inches.

80. Dick Wray, Untitled, 1995, mixed media on paper, 15 x 20 inches.

81. Dick Wray, Untitled (Mr. Crow above car), 1993, woodblock print, 13 x 16 inches.

82. Dick Wray, Untitled (Mr. Crow exploding with car, cathedral), 1985, woodblock print, 13 x 14 1/2 inches.

83. Dick Wray, Untitled (Geisha with Mr. Crow), 1985, woodblock print, 13 x 14 1/2 inches.

84. Dick Wray, Untitled (Mr. Crow on car with airplane), 1993, woodblock print, 13 x 16 inches.

85. Dick Wray, Untitled (scene with hand), c.1969, etching on handmade paper, 19 1/2 x 23 inches.

86. Dick Wray, Untitled (portrait), c.1990, bubblejet print, 5 1/4 x 8 inches.

87. Dick Wray, Untitled (portrait), c.1990, bubblejet print, 4 1/2 x 7 inches.

88. Dick Wray, Untitled (portrait), c.1990, bubblejet print, 5 1/2 x 8 inches.

89. Dick Wray, Untitled (1224), 1984, monoprint, oil on paper, 42 x 30 inches.

Texas Art E a r ly Modern Contemporary W illiam R ea v es F ine A rt 2313 B r u n S treet • H o u ston , T e x as • 77019 T el : 713.521.7500 • E mail : I N F O @ rea v esart.com www. rea v esart.com