Design including Post War + Contemporary Art 25 October 2018

DE S I G N Including Post War + Contemporary Art

1440 West Hubbard Street Chicago Illinois 312 563 0020

Chicago Preview 18 – 25 October 2018 10 am – 5 pm Monday – Friday 12 – 4 pm Saturday

DE S I G N Auction 25 October 2018 Noon cst

Including Post War + Contemporary Art

wright20.com

100

101

Folke Bensow benches, pair

Caio Fonseca b. 1959 Fifth Street Painting C02.34

Sweden, c. 1925 | Näfveqvarns Bruk enameled cast iron, pine 24 ¾ w × 18 ½ d × 20 h in (63 × 47 × 51 cm)

2002 oil on canvas 37 h × 49 w in (94 × 124 cm)

The bench design was exhibited in the Swedish National Pavilion at the 1925 International des Arts Décoratifs et Industriels Modernes exhibition in Paris.

Signed, titled and dated to verso ‘Fifth Street Painting C02.34 2002 Caio Fonseca’.

$ 5,000 – 7,000

Provenance: Private Collection, Los Angeles | Phillips de Pury & Luxembourg, New York, The French Eye, 25 April 2002, Lot 6 | Collection of Susan and Mark Laracy

Works from the Collection of Susan and Mark Laracy

$ 20,000 – 30,000

Provenance: Nathan A. Bernstein & Co. Ltd., New York | Acquired from the previous in 2005, Collection of Susan and Mark Laracy

an interior by albert hadley

102

103

Frederick Weinberg Golfer

Jonathan Lasker b. 1948 Animal Progress

USA, c. 1945 enameled steel 15 ½ w × ¼ d × 20 h in (39 × 1 × 51 cm)

1995 oil on linen 48 h × 64 w in (122 × 163 cm)

$ 500 – 700

Signed, titled and dated to verso ‘Animal Progress Jonathan Lasker 1995’.

Provenance: Deco Deluxe Inc., New York Acquired from the previous in 2005, Collection of Susan and Mark Laracy

$ 40,000 – 60,000

Provenance: Galerie Thomas Schulte, Berlin | Acquired from the artist’s studio in 2011, Collection of Susan and Mark Laracy

104

105

106

Yoichi Ohira vase

René Gruau 1909–2004 Study for The Three Perfumes by Parfums Christian Dior

French lounge chairs, pair

Japan/Italy, 2000 internally decorated and wheel-carved glass 5 ¾ dia × 7 ¼ h in (15 × 18 cm)

c. 1961 pencil, ink and celluloid on paper 23 ½ h × 15 ½ w in (60 × 39 cm)

c. 1945 lacquered wood 21 w × 29 d × 28 ½ h in (53 × 74 × 72 cm) $ 5,000 – 7,000

This unique work was executed with Maestro Livio Serena and Maestro Giacomo Barbini. Incised signature and date to underside: [Yoichi Ohira M. L. Serena M. Og. Barbini 1/1 Unico Friday 27/10/2000 Murano]. $ 8,000 – 10,000

Provenance: Galleria Scaletta di Vetro, Milan | Private Collection | Christie’s, London, Design, 26 October 2016, Lot 194 Collection of Susan and Mark Laracy

Signed to lower right ‘Gruau’. $ 15,000 – 20,000

Provenance: Galerie Bartsch & Chariau, Munich | Christie’s, New York, Important 20th Century Decorative Art & Design, 16 June 2011, Sale 2454, Lot 201 | Collection of Susan and Mark Laracy

Provenance: Lou Marotta, New York Albert Hadley Inc., New York | Acquired from the previous in 2002, Collection of Susan and Mark Laracy

107 Mark Francis b. 1962 Tron 2005 oil on canvas 40 h × 34 w × 2 d in (102 × 86 × 5 cm) Signed, titled and dated to verso ‘M. Francis Tron 2005’. $ 4,000 – 6,000

Provenance: Galerie Thomas Schulte, Berlin | Collection of Susan and Mark Laracy

108 Ercole Barovier Monumental A Stelle vase Italy, 1942 | Barovier, Toso & Co. bollicine glass with applied foot and star-form prunts 9 w × 9 d × 14 ½ h in (23 × 23 × 37 cm) $ 7,000 – 9,000

Literature: Venetian Art Glass: An American Collection 1840–1970, Barovier, pg. 141 illustrates this example Provenance: Private Collection, New York Wright, Italian Glass, 13 June 2015, Lot 152 Collection of Susan and Mark Laracy

109

110

Moroccan bench

Mark Francis b. 1962 Luminary

Early 20th Century carved and lacquered wood 57 w × 23 ½ d × 37 h in (145 × 60 × 94 cm)

2004 oil on canvas 72 ¼ h × 84 w in (184 × 213 cm)

$ 2,000 – 3,000

Signed and dated to verso ‘Mark Francis Hybrid 2004 oil/canvas 40 Interim Art London’.

Provenance: Albert Hadley Inc., New York Collection of Susan and Mark Laracy

$ 8,000 – 10,000

Provenance: Galerie Thomas Schulte, Berlin | Acquired from the previous in 2004, Collection of Susan and Mark Laracy

111 Studio Kastilia Silvi vanity with stool Italy, c. 1975 | Fainini Fain S.p.A. molded plastic, mirrored glass, upholstery 20 dia × 44 h in (51 × 112 cm) The stool and mirror of this vanity set stow within the cabinet for compact storage measuring 20 dia × 28.5 h inches.

Signed with molded manufacturer’s mark to underside of stool: [Silvi Made in Italy Fainini Fain S.P.A. Ascoli Picerio]. $ 700 – 900

Provenance: Collection of Albert Hadley Collection of Susan and Mark Laracy

112 Tiffany & Co. Japanese vase USA, c. 1880 martelé sterling silver 4 ½ w × 2 ¾ d × 6 ¾ h in (11 × 7 × 17 cm) Signed with impressed manufacturer’s mark and touchmarks to underside: [Tiffany & Co. 5321 Makers 4188 Sterling Silver]. $ 10,000 – 15,000

Provenance: Collection of Jerome Rapoport | Sotheby’s, New York, The Jerome Rapoport Collection of American Silver, 20 June 1996 Collection of Susan and Mark Laracy

113

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Contemporary occasional tables, pair

Candida Höfer b. 1944 Santa Case de Misericordica da Bahia Salvator da Bahia I

USA, c. 1985 lacquered wood 21 ¼ w × 10 d × 23 ½ h in (54 × 25 × 60 cm)

2005 c-print 59 h × 59 w in (150 × 150 cm)

$ 3,000 – 5,000

Provenance: Lou Marotta, New York Albert Hadley, Inc., New York | Acquired from the previous circa 2000, Collection of Susan and Mark Laracy

Signed to studio label on verso ‘Candida Hofer’. This work is number 2 from the edition of 6. $ 20,000 – 30,000

Provenance: Galería Fúcares, Madrid Acquired from the previous in 2007, Collection of Susan and Mark Laracy

But since a work of art is an illusion anyway, if you heighten the illusionary quality, then you come closer to the effect of life.

alberto giacometti

femme nue et cavalier dans un paysage

Alberto Giacometti viewed plaster as evocative and pliant material highly effective in communicating his sculptural ideal.

For many sculptors, plaster was simply a step in the process of the lost wax cast method. Yet, in the hands of Giacometti, it is a celebrated medium that relays a unique softness and a serene sense of movement.

The works created in plaster by Giacometti reveal a comparative closeness to the artist’s creative process. Works rendered in plaster exist throughout Giacometti’s oeuvre, emerging in his early sculptures and bas-reliefs, as with this work, and later in postwar sculptures. Giacometti modeled the initial plasters by hand and with modest tools. The appeal of the medium was that it allowed him a freedom to return and later sculpt or tint the material. The plaster was then used to create the mold which would serve as the basis for the cast bronze sculpture. Subtle handwork and rich modeling details are readily visible in the plasters. Some examples such as Tete qui regarde from 1928 exist only in the plaster medium. Other subjects have survived in plaster and in limited edition bronze sculptures.

Giacometti often explored the male and female form, yet the plaster medium deftly conveys the lonely human condition that dominated his body of work. The solitude of the sculptures of this period begin to show his deviation from the surrealist aesthetic and return to more figural representations after 1934.

The handling of the figures with softened profiles in austere surroundings led critics, such as Waldemar George, to regard these works as “excavated objects” in review. The nature of the plaster provides the current panel with softness and fluidity, weightlessness and other worldliness, only seemingly possible within this fragile and tactile medium.

An example of this subject rendered in bronze is in the collection of the Fondation Giacometti in Paris.

115 Alberto Giacometti 1901–1966 Femme nue et cavalier dans un paysage c. 1931 carved and patinated plaster 42 ¾ h × 39 ¾ w in (109 × 101 cm) Sold with digital copies of the invoice and a certificate of authenticity from Galerie Vallois, Paris. $ 200,000 – 300,000

Provenance: Poulain Le Fur, Paris, 18 October 1998, Lot 140 | Galerie Vallois, Paris | Acquired from the previous in 2005, Collection of Susan and Mark Laracy

116 Chris Ofili b. 1968 Untitled 2001 watercolor and graphite on paper 9 ½ h × 6 w in (24 × 15 cm) Signed and dated to verso ‘2001 Chris Ofili’. $ 4,000 – 6,000

Provenance: Victoria Miro Gallery, London Nathan A. Bernstein & Co. Ltd, New York Acquired from the previous in 2004, Collection of Susan and Mark Laracy

117 René Lalique Courlis vase, model 1085 France, c. 1931 glass 6 ½ dia × 6 ½ h in (17 × 17 cm) Sand-blasted stencil mark to underside: [R. Lalique France]. $ 6,000 – 8,000

Provenance: Collection of Susan and Mark Laracy

118

119

120

Fratelli Toso Rare Mutras vase

Chris Ofili b. 1968 Untitled

Edward Wormley armchairs model 5480, pair

Italy, c. 1936 internally decorated glass with silver leaf and applied details 8 ½ w × 5 ¼ d × 11 h in (22 × 13 × 28 cm)

2001 watercolor and graphite on paper 9 ¾ h × 6 ¼ w in (25 × 16 cm)

USA, 1954 | Dunbar lacquered and laminated oak, upholstery, cane, brass 24 ½ w × 24 ½ d × 32 ¼ h in (62 × 62 × 82 cm)

$ 9,000 – 12,000

Literature: Venetian Art Glass: An American Collection 1840–1970, Barovier, pg. 197 illustrates this example Murano Glass: Themes and Variations (1910–1970), Heiremans, pg. 17 illustrates series Provenance: Private Collection, New York Wright, Chicago, Important Italian Glass, 13 June 2015, Lot 240 | Collection of Susan and Mark Laracy

Signed and dated to verso ‘2001 Chris Ofili’. $ 4,000 – 6,000

Provenance: Victoria Miro Gallery, London Nathan A. Bernstein & Co. Ltd., New York Acquired from the previous in 2004, Collection of Susan and Mark Laracy

$ 1,000 – 1,500

Literature: Dunbar: Fine Furniture of the 1950s, Piña, ppg. 44, 185, 101, 182 Edward Wormley: The Other Face of Modernism, Gura, Kennedy and Weinberg, pg. 37 Provenance: Albert Hadley, Inc., New York | Acquired from the previous in 2003, Collection of Susan and Mark Laracy

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123

Georges Jouve vessel

Italian mirror

Italian chairs, pair

France, c. 1950 glazed stoneware 11 dia × 7 ½ h in (28 × 19 cm)

c. 1950 glass, brass, mirrored glass 33 ¾ w × 1 ¾ d × 45 ½ h in (86 × 4 × 116 cm)

c. 1960 carved and lacquered wood, upholstery, lacquered cane 19 w × 23 ¼ d × 34 ½ h in (48 × 59 × 88 cm)

Signed with artist’s cipher to underside: [Made in France].

$ 2,000 – 3,000

$ 7,000 – 9,000

Provenance: Wright, Important Design, 2 June 2009, Lot 157 | Collection of Susan and Mark Laracy

Provenance: Albert Hadley Inc., New York Collection of Susan and Mark Laracy

$ 1,000 – 1,500

Provenance: Albert Hadley, Inc., New York Collection of Susan and Mark Laracy

Deaccessioning, Moi?

We started collecting in our early forties, facilitated by the success of the perfume company we founded after Mark’s separation by firing from corporate life. The premise of Parfums de Coeur, “Designer quality fragrances not designer prices”, proved powerful and enduring...we sold it after thirty years of success and profitable growth.

mark and susan laracy on collecting, ageing, and changing tastes

Early on we acquired a noble white brick colonial on nine acres in New Canaan, Connecticut. Designer-magician, Albert Hadley transformed it into a place of great comfort, luxury, and beauty and he became part of our lives for twenty-six years. We collected American antiques, furniture and art, John Brewster, Amni Phillips, Goddard Townsend. We wanted to project a life of conservative comfort, solid old money— of course, nothing could have been further from the truth!

“Timing IS everything” Come 2005, we were empty nesters, Susan decided to depart Connecticut and move to New York City. We wanted change, foreign films, newness. We found a co-op at One Fifth Avenue, starting a long running love affair with Greenwich Village.

In early 2007 we sold our antiques collection and New Canaan house, talk about blessed timing!

Ours proved a familiar collecting arc; brown furniture and folk art gave way to mid-century modern furniture and contemporary art.

We were tired of dark; we wanted color, newness, more space! In 2010 a Greenwich Village townhouse came our way. We had never stopped buying and collecting and we were always redecorating!

We continue changing our lives. We are building a new midcentury modern style house in Beverly Hills. Again, we wanted change, to be near our only grandchild, in La La Land. We will be bi-coastal—New York and Los Angeles—straight urban energy full on.

Another motivation was realizing that Mark has proven unable to maintain three houses; it is just too, too much. So we are selling our Florida home at the Bears Club and our 1917 Summer home in Weekapaug, Rhode Island.

By now you are realizing the contents of those two houses will not easily fit into one new smaller house, thus our parting ways with these long enjoyed and cherished objects.

On one hand we’re sorry to see these go. However, these memories will always be with us, the wins and misses at so many auctions, Albert Hadley’s special eye on our handful of houses, most of all what a lucky and mostly happy life we have had together. We are passing these on, and, dear reader, we hope these bring you the same pleasures and good fortune we have so enjoyed.

P.S. A mild antidote to the above admitted orgy of fat cat disease: we regularly give to and support Harlem Children’s Zone and KIPP. This, and our two wonderful sons, are what we are most proud of.

124 Clarice Cliff tableware collection United Kingdom, c. 1935 | Newport Pottery hand-painted ceramic 6 dia × 8 h in (15 × 20 cm) Collection includes Bizarre tray and vase and one Fantasque teapot; tray measures 11 w × 9.5 d inches and teapot measures 9 w × 5.5 d × 5.5 h inches. Signed with partial stamped manufacturer’s mark to underside of each example: [Hand Painted

by Clarice Cliff Newport Pottery England]. $ 2,000 – 3,000

Provenance: Cara Antiques, Langhorne, PA | Acquired from the previous in 2004, Collection of Susan and Mark Laracy

125 Teghini Fish ice bucket Italy, c. 1970 silver-plated brass 13 w × 8 d × 11 h in (33 × 20 × 28 cm) Signed with impressed manufacturer’s mark to underside: [Teghini Firenze]. $ 1,000 – 1,500

Provenance: Collection of Susan and Mark Laracy

126 Italian Conch shells, pair c. 1965 glass 16 w × 8 d × 6 ½ h in (41 × 20 × 17 cm) $ 3,000 – 5,000

Provenance: Collection of Vidal Sassoon Collection of Susan and Mark Laracy

127 William Spratling pitcher USA/Mexico, c. 1942 sterling silver 8 w × 6 ¾ d × 7 ¼ h in (20 × 17 × 18 cm) Signed with impressed manufacturer’s mark to underside: [Spratling Made in Mexico Sterling Silver]. $ 500 – 700

Provenance: Carole A. Berk Ltd., Bethesda, MD | Acquired from the previous in 2004, Collection of Susan and Mark Laracy

128 Hector Aguilar pitcher Mexico, c. 1960 sterling silver 8 ¼ w × 6 d × 8 ¾ h in (21 × 15 × 22 cm) Signed with impressed manufacturer’s mark to underside: [Sterling Taxco Mexico 828 Hecho en Mexico 0925]. $ 2,000 – 3,000

Provenance: Private Collection, California Linda Nelson, California | Acquired from the previous in 2002, Collection of Susan and Mark Laracy

129 Albert Hadley Custom table and set of six chairs USA, 2002 lacquered oak, lacquered wood, leather, horsehair 32 w × 32 d × 29 h in (81 × 81 × 74 cm) Chairs measure: 22 w × 26 d × 33 h inches. Table features four drawers, one to each side. $ 4,000 – 6,000

Provenance: Collection of Susan and Mark Laracy

130 Haitian Artist Untitled (Cock Fight) c. 1950 oil on board 13 ¾ h × 20 w in (35 × 51 cm) $ 1,000 – 1,500

Provenance: Albert Hadley Inc., New York Collection of Susan and Mark Laracy

131

132

French sconces, pair

Max Ingrand illuminated mirror, model 1657

c. 1940 enameled steel 10 w × 5 d × 17 h in (25 × 13 × 43 cm)

Italy, 1958 | Fontana Arte chisel-cut, carved and polished crystal with silver details, mirrored glass, brass, enameled aluminum 19 ¾ w × 3 d × 25 h in (50 × 8 × 64 cm)

$ 1,000 – 1,500

Provenance: Collection of Susan and Mark Laracy

$ 25,000 – 35,000

Literature: Domus, No. 344, July 1958, pg. 52 Max Ingrand Du Verre a la Lumière, Martin-Vivier, pg. 217 Fontana Arte 6, manufacturer’s catalog, unpaginated Exhibited: New York International Fine Art and Antique Show, 17 – 23 October 2008, New York Provenance: Galerie Lefebvre, Paris Acquired from the previous in 2008, Collection of Susan and Mark Laracy

133

134

Italian armchairs, pair

Juan Uslé b. 1954 Garabamanthis-Manga

c. 1955 carved fruitwood, upholstery 23 ¾ w × 23 ¾ d × 29 ½ h in (60 × 60 × 75 cm)

2010 acrylic on canvas 108 h × 80 w in (274 × 203 cm)

$ 5,000 – 7,000

Provenance: Chez Soi, Bridgehampton, NY | Albert Hadley, Inc., New York Acquired from the previous in 2002, Collection of Susan and Mark Laracy

Signed, titled and dated to verso ‘Juan Usle Garabamanthis-Manga 2010 N.Y.’ $ 40,000 – 60,000

Provenance: Galerie Thomas Schulte, Berlin | Acquired from the previous in 2010, Collection of Susan and Mark Laracy

135

136

137

Rashaad Newsome b. 1979 Swaggalicious

Eduard Friedmann cigar box

Maison Charles table lamps, pair

2011 collage on board in appropriated frame 19 ¾ h × 23 w × 3 ½ d in (50 × 58 × 9 cm)

Austria, c. 1910 silver-plated brass, cedar 12 ¼ w × 7 d × 5 h in (31 × 18 × 13 cm)

France, c. 1965 cast brass, brass 13 ½ dia × 31 ½ h in (34 × 80 cm)

$ 7,000 – 9,000

Signed with impressed touchmarks mark to underside.

Signed with impressed manufacturer’s mark to base of each example: [Made in France Charles].

Exhibited: Rashaad Newsome: Herald, 20 October – 3 December 2011, Marlborough Gallery, New York Provenance: Marlborough Gallery, New York | Acquired from the previous in 2015, Collection of Susan and Mark Laracy

$ 4,000 – 6,000

Provenance: Primavera Gallery, New York | Acquired from the previous in 2002, Collection of Susan and Mark Laracy

$ 3,000 – 5,000

Provenance: Albert Hadley Inc., New York Collection of Susan and Mark Laracy

138 Gary McCloy Monumental vessel USA, c. 1985 glazed and gilt stoneware 12 dia × 23 h in (30 × 58 cm) Signed with stamped manufacturer’s mark to underside: [McCloy Gary McCloy Los Angeles]. $ 1,000 – 1,500

Provenance: Lobel Modern, New York Acquired from the previous in 2001, Collection of Susan and Mark Laracy

139

140

Byron Browne 1907–1961 Circus Strong Man

Byron Browne 1907–1961 The Rehearsal

1946 India ink, crayon and wash on paper 28 ½ h × 23 w in (72 × 58 cm)

1946 crayon and ink on paper 24 h × 18 w in (61 × 46 cm)

Signed to lower right ‘Byron Browne’.

Signed, titled and dated to verso ‘Circus Strong Man 1946 Byron Browne Drawing India Ink, Crayon, Wash NYC’.

Signed and dated to lower right ‘Byron Browne 1946’. Titled and dated to verso ‘The Rehearsal 1946’.

$ 1,000 – 1,500

Provenance: Collection of Albert Hadley Acquired from the previous in 2003, Collection of Susan and Mark Laracy

$ 1,000 – 1,500

Provenance: Collection of Albert Hadley Acquired from the previous in 2003, Collection of Susan and Mark Laracy

141 Gino Rubert b. 1969 Periodistar 2007 mixed media on canvas 47 ¼ h × 39 ½ w in (120 × 100 cm) Signed to verso ‘Gino Rubert’. $ 7,000 – 9,000

Provenance: Galeria Senda, Barcelona Acquired from the previous in 2008, Collection of Susan and Mark Laracy

142 Eric Sharpe secretary United Kingdom, c. 1926 walnut 31 ¼ w × 12 ¼ d × 48 ½ h in (79 × 31 × 123 cm) Secretary features one drop-front door above two doors concealing storage and three drawers. $ 4,000 – 6,000

Provenance: John Alexander, Pennsylvania Acquired from the previous in 2002, Collection of Susan and Mark Laracy

143 Angelo Lelii Cobra table lamp, model 12919 Italy, c. 1962 | Arredoluce brass, enameled steel, black oxide steel 4 ¾ dia × 24 ½ h in (12 × 62 cm) $ 2,000 – 3,000

Literature: Arredoluce Catalogue Raisonné: 1943–1987, Pansera, Padoan and Palmaghini, ppg. 231, 349, no. 408 Provenance: Rago, Back to Modern, 5 February 2011, Lot 769 | Collection of Susan and Mark Laracy

144 Tom Leighton b. 1981 Aerial View of Times Square 2008 Diasec-mounted chromogenic print on aluminum 55 h × 45 ½ w in (140 × 116 cm) This work is number 2 from the edition of 5. $ 2,500 – 3,500

Provenance: Cynthia Corbett Gallery, London | Acquired from the previous in 2008, Collection of Susan and Mark Laracy

145

146

147

Christopher Spitzmiller table lamps, pair

Simone Shubuck b. 1969 Untitled (two works)

Modern lounge chair

USA, c. 2000 glazed ceramic, carved and lacquered wood, paper 14 dia × 22 h in (36 × 56 cm)

2003 colored pencil, ink and graphite on paper 9 ¾ h × 7 ¾ w in (25 × 20 cm)

c. 1960 walnut, cane 26 w × 28 d × 33 h in (66 × 71 × 84 cm)

One sheet signed and dated to verso ‘S.S April 30 2003’.

$ 1,000 – 1,500

$ 2,000 – 3,000

Provenance: Albert Hadley, Inc., New York | Acquired from the previous in 2004, Collection of Susan and Mark Laracy

$ 2,000 – 3,000

Provenance: Nathan A. Bernstein & Co. Ltd., New York | Acquired from the previous in 2004, Collection of Susan and Mark Laracy

Provenance: Albert Hadley, Inc., New York | Acquired from the previous in 2003, Collection of Susan and Mark Laracy

148

149

Argit champagne bucket

French champagne bucket

France, c. 1920 silver-plated brass 9 ¾ w × 7 ½ d × 8 h in (25 × 19 × 20 cm)

c. 1920 silver-plated brass 9 w × 7 ½ d × 7 ¾ h in (23 × 19 × 20 cm)

Signed with impressed manufacturer’s mark to underside: [Argit Made in France].

$ 500 – 700

$ 500 – 700

Provenance: Bergdorf Goodman, New York | Collection of Susan and Mark Laracy

Provenance: Bergdorf Goodman, New York | Collection of Susan and Mark Laracy

150

151

152

Apollo Silver Co. champagne bucket

French champagne bucket

Argit champagne bucket

USA, c. 1920 silver-plated brass 9 w × 8 d × 9 ¼ h in (23 × 20 × 23 cm)

c. 1920 silver-plated brass, cast aluminum 10 ¼ w × 8 d × 7 ¾ h in (26 × 20 × 20 cm)

France, c. 1920 silver-plated brass, lacquer, cast aluminum 10 ¾ w × 7 ½ d × 7 ½ h in (27 × 19 × 19 cm)

Signed with impressed manufacturer’s mark to underside: [Reg. U.S Pat.Off Apollo Silver Co. 1862].

Signed with impressed manufacturer’s mark to underside: [Diem-Paris].

Signed with impressed manufacturer’s mark to underside: [Argit Made in France].

$ 500 – 700

$ 500 – 700

Provenance: Bergdorf Goodman, New York | Collection of Susan and Mark Laracy

Provenance: Bergdorf Goodman, New York | Collection of Susan and Mark Laracy

$ 500 – 700

Provenance: Bergdorf Goodman, New York | Collection of Susan and Mark Laracy

153 Christopher Spitzmiller table lamps, pair USA, c. 2000 glazed ceramic, paper, gilt wood 15 dia × 24 h in (38 × 61 cm) $ 1,500 – 2,000

Provenance: Albert Hadley Inc., New York Acquired from the previous in 2003, Collection of Susan and Mark Laracy

154 Sandra Scolnik b. 1968 Mass Exodus 2006–2007 oil on wood panel 42 h × 42 w in (107 × 107 cm) Signed and dated to verso ‘Sandra Scolnik 2006–2007’. $ 7,000 – 9,000

Provenance: CRG Gallery, New York Acquired from the previous in 2008, Collection of Susan and Mark Laracy

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156

Tamina Amadyar b. 1989 Green Room

Ray Howlett b. 1940 Untitled

2015 acrylic on canvas 28 h × 25 w in (71 × 64 cm)

1997 acrylic, lacquered wood, mirrored glass, enameled steel 17 ½ h × 17 ½ w × 13 ½ d in (44 × 44 × 34 cm)

Signed, titled and dated to verso ‘Tamina Amadyar 2015’. $ 5,000 – 7,000

Incised signature and date to lower edge ‘Ray Howlett 1997’. Sold with stand measuring 17.5 w × 13.5 d × 54.5 h inches. $ 3,000 – 5,000

157 Édgar Negret 1920–2012 Machu-Picchu 1985 enameled aluminum 13 ½ h × 9 ¾ w × 9 ¼ d in (34 × 25 × 23 cm) Signed, titled, dated and numbered to underside ‘Machu-Picchu Multiple 26/30 Negret 1985’. This work is number 26 from the edition of 30. $ 3,000 – 5,000

In 1984, Donald Judd designed a series of fifteen pieces of metal furniture for Lehni in keeping with his design ethos of clear, simple shapes and functionality. Lehni re-introduced Judd’s original designs in 2002.

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159

Donald Judd No. 5 stool

Donald Judd No. 5 stool

USA/Switzerland, 1984/2015 | Lehni enameled aluminum 19 ¾ w × 19 ¾ d × 19 ¾ h in (50 × 50 × 50 cm)

USA/Switzerland, 1984/2008 | Lehni enameled aluminum 19 ¾ w × 19 ¾ d × 19 ¾ h in (50 × 50 × 50 cm)

Signed with impressed manufacturer’s mark to underside: [Donald Judd TM Swiss Made by Lehni 5/2015 120].

Signed with impressed manufacturer’s mark to underside: [Donald Judd TM Swiss Made by Lehni 5/2008 105].

$ 5,000 – 7,000

$ 5,000 – 7,000

Literature: Donald Judd: Furniture Retrospective, Judd, pg. 52

Literature: Donald Judd: Furniture Retrospective, Judd, pg. 52

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161

Tom Dixon Pylon desk

Sol LeWitt 1928–2007 Arcs, Circles and Grids

United Kingdom, c. 1993 | Tom Dixon, Ltd. chrome-plated steel, acrylic 55 w × 29 ½ d × 29 ½ h in (140 × 75 × 75 cm)

1972 screenprint on paper 67 ¾ h × 32 ¼ w in (172 × 82 cm)

Desk features two drawers.

Sheet measures: 81.75 h × 40 w inches.

Signed and numbered to lower right ‘LeWitt 54/144’. This work is number 54 from the edition of 144 printed by Fine Creations Inc., New York and published by Lincoln Center/HKL Art Posters, New York.

$ 10,000 – 15,000

Provenance: Themes & Variations, London Private Collection

$ 5,000 – 7,000

Literature: Art at Lincoln Center: The Public Art and List Print and Poster Collections, Riley, pg. 138 Provenance: Acquired directly from Lincoln Center, New York by the present owner

162 Paul Jenkins 1923–2012 Phenomena Angel Fire 1979 watercolor on paper 31 h × 43 ½ w in (79 × 110 cm) Signed, titled and dated to verso ‘Paul Jenkins Phenomena Angel Fire 1979’.

Signed to lower edge ‘Paul Jenkins’. $ 7,000 – 9,000

163 Hervé van der Straeten Coque sconces, pair France, c. 2004 hammered brass, patinated bronze 8 ¼ w × 5 ¾ d × 25 h in (21 × 15 × 64 cm) Signed with impressed manufacturer’s mark to reverse of each example: [HV]. $ 7,000 – 9,000

164 Dennis Pearson b. 1939 Beastie (child’s stool) 1994 acrylic on lacquered fiberglass 39 h × 20 w × 41 d in (99 × 51 × 104 cm) Signed, titled and dated to underside ‘Dennis Pearson Beastie 1994’. $ 3,000 – 5,000

165 Richard Anuszkiewicz b. 1930 Annual Editions (three works) 1970/1975/1978 screenprint on masonite 8 h × 5 ¼ w in (20 × 13 cm) Signed and dated to each work ‘Anuszkiewicz’. $ 3,000 – 5,000

Provenance: Private Collection, East Coast

166 Hans J. Wegner Ox chair, model AP-46 Denmark, 1960 | AP Stolen sheepskin, matte chrome-plated steel 37 w × 40 d × 35 h in (94 × 102 × 89 cm) $ 7,000 – 9,000

Literature: Hans J. Wegner’s 100 Chairs, Oda, ppg. 94–95 Hans J. Wegner, Bernsen, pg. 81 Danish Chairs, Oda, pg. 121 Provenance: Property of Reed and Delphine Krakoff

167 Ruby Neri b. 1970 Horse & Rider 2012 plastic with acrylic and oil paint, steel 83 h × 74 w × 36 d in (211 × 188 × 91 cm) $ 10,000 – 15,000

Provenance: David Kordansky Gallery, Los Angeles | Private Collection, Los Angeles

168 Erwin Wurm b. 1954 St. Paul’s Pullover 1991 mixed media 20 h × 14 w × 3 d in (51 × 36 × 8 cm) Signed and numbered to label on shirt ‘Erwin Wurm 3/7’. Signed, titled and numbered to box. This work is number 3 from the edition of 7. Sold with original box and installation instructions. $ 3,000 – 5,000

169 Frédéric Méchiche wall-mounted console France, 1993 cast and painted plaster 34 w × 17 d × 36 h in (86 × 43 × 91 cm) Incised signature to base: [FM 11]. $ 3,000 – 5,000

Provenance: Acquired directly from the artist by the present owner

170 Maarten Baas Clay Fan The Netherlands, 2000/2008 Den Herder Production House (DHPH) enameled synthetic clay over metal and wood, enameled steel 35 w × 24 d × 76 h in (89 × 61 × 193 cm) Signed and dated to fan blade: [Maarten March 08]. Signed with applied metal signature to one leg: [BAAS]. $ 7,000 – 9,000

171 Miles Aldridge b. 1964 Lip Synch #3 2001 Diasec mounted Lambda print on aluminum 40 ¼ h × 59 ½ w in (102 × 151 cm) Signed on studio label to verso ‘Miles Aldridge’. This work is number 2 from the edition of 3. $ 10,000 – 15,000

Provenance: Steven Kasher Gallery, New York | Private Collection, Miami

172

173

Jean-Michel Frank Custom daybed

Ellsworth Kelly 1923–2015 Colored Paper Image XVII (Blue, Black, Brown)

France, c. 1940 lacquered wood, fabric, cane 78 ½ w × 37 ½ d × 38 h in (199 × 95 × 97 cm) This lot is sold with a digital copy of the certificate of authenticity from the Comité Jean-Michel Frank. $ 18,000 – 22,000

Provenance: Commissioned directly from the artist circa 1940 by Christian Berard Private Collection, Paris | Jean-Marcel Camard, Paris | Private Collection, Los Angeles | Phillips de Pury & Luxembourg, New York, The French Eye, 25 April 2002, Lot 45 | Private Collection, New York Sotheby’s, New York, 20th Century Design, 31 March 2007, Lot 174 | Collection of Reed and Delphine Krakoff

1976 | Tyler Graphics, Ltd. colored and pressed paper pulp 31 ¾ h × 30 ¾ w in (81 × 78 cm) Signed and numbered to lower margin ‘Kelly’. This work is from the edition of 22 published by Tyler Graphics, Ltd., New York. $ 10,000 – 15,000

Literature: The Prints of Ellsworth Kelly; A Catalogue Raisonné 1949–1985, Axsom, no. 157

174 Ilya Bolotowsky 1907–1981 Golden Tondo 1978 acrylic on canvas 31 ½ dia (80 cm) Signed and dated to right edge ‘Ilya Bolotowsky 78’ $ 15,000 – 20,000

Provenance: Gallery Camino Real, Boca Raton, FL | Collection of Reed and Delphine Krakoff

175 Ilya Bolotowsky 1907–1981 Untitled (Column) 1966 painted wood 48 h × 7 w × 7 d in (122 × 18 × 18 cm) $ 15,000 – 20,000

Provenance: Gift of the artist to the present owner

176 Pierre Clerk Untitled (no. 8B) Canada, 1975 machine-woven wool 67 w × 72 h in (170 × 183 cm) Woven signature to lower edge: [PC].

Signed with applied fabric studio label to reverse: [Woolfinger Tapestries 70 Grand Street New York, New York 10013 Artist Pierre Clerk March 1975 Title 8B 100% Wool Hand Woven Copyright 1975]. $ 3,000 – 5,000

177 Rena Dumas and Peter Coles Pippa console France, c. 1985 | Hermès ebony lacquered wood, silver hardware 48 w × 13 d × 29 h in (122 × 33 × 74 cm) Signed with impressed manufacturer’s mark to base: [Hermès Paris]. $ 7,000 – 9,000

178 Nathalie du Pasquier Royal daybed France/Italy, 1983 | Memphis laminate, printed cotton fabric 86 ½ w × 29 d × 38 ½ h in (220 × 74 × 98 cm) This example retains the original upholstery; the cushion and armrest fabric were designed by George Sowden. Signed with applied metal manufacturer’s label to side: [Memphis Milano Made in Italy Nathalie du Pasquier 1983]. $ 4,000 – 5,000

Literature: Memphis Milano, catalogue, unpaginated Provenance: Karl Lagerfeld, Monaco Sotheby’s, Monaco, Memphis: La Collection Karl Lagerfeld, 13 October 1991, Lot 117 | Private Collection

179

180

Ron Arad No Waste table

Sadamasa Motonaga 1922–2011 Untitled (triptych)

United Kingdom/Italy, 2004 honeycomb aluminum 88 w × 48 ¾ d × 28 ¾ h in (224 × 124 × 73 cm) $ 7,000 – 9,000

|

Moroso

c. 1982 screenprint on paper 69 h × 120 w in (175 × 305 cm) Each sheet measures: 68.5 h × 39.25 w inches. Signed to lower edge of one panel ‘S Motonaga’. This work is number 5 from the edition of 10. $ 1,000 – 1,500

181 Philippe Barbier table lamps, pair France, c. 1975 | Maison Barbier nickel-plated brass, paper 12 dia × 19 h in (30 × 48 cm) Signed with cast manufacturer’s mark to underside of each example: [B Barbier Paris Made in France]. $ 1,500 – 2,000

Provenance: Collection of Reed and Delphine Krakoff

182 Guy Lefèvre nightstands, pair France, c. 1975 | Maison Jansen lacquered wood, matte chrome-plated steel, glass 16 ¼ w × 16 ¾ d × 22 h in (41 × 43 × 56 cm) Each nightstand features a single drawer and one shelf. $ 3,000 – 5,000

Provenance: Collection of Reed and Delphine Krakoff

183

184

Hella Jongerius Red White Vase

Jamie Reid b. 1947 God Save the Queen banner for the Sex Pistols

The Netherlands, 1997 Royal Tichelaar Makkum glazed porcelain, lacquer 6 dia × 15 ½ h in (15 × 39 cm)

1977 screenprint on silk 28 h × 41 ½ w in (71 × 105 cm)

Stamped signature to underside: [Makkum Hella Jongerius].

Printed signature and date to lower left ‘Jamie Reid 1977’.

$ 700 – 900

$ 2,000 – 3,000

Provenance: Collection of Reed and Delphine Krakoff

In 1977, artist Jamie Reid designed the album cover and artwork for the Sex Pistols’ single God Save the Queen. In 2001, it was named the greatest record cover of all time by Q magazine. The present lot is from the original limited edition produced to accompany the record release, which coincidentally also coincided with the Queen’s Silver Jubilee.

185 Ai Weiwei b. 1957 The Artist’s Hand 2017 polished aluminum 5 h × 3 ¾ w × 4 ¼ d in (13 × 10 × 11 cm) Incised signature to underside ‘Wei Ai’.

This work is from the edition of 1000.

Sold with original box. $ 1,500 – 2,000

186

187

Paul Dupré-Lafon Rare telephone table

Peter Wegner b. 1963 Much/Broke

France, c. 1936 macassar ebony, original Hermès leather, brass, enameled steel, rubber 10 w × 13 d × 19 ½ h in (25 × 33 × 50 cm)

1995 acrylic and oil on canvas 48 h × 14 w × 2 d in (122 × 36 × 5 cm)

$ 10,000 – 15,000

Literature: Paul Dupré-Lafon: Décorateur des Millionnaires, Desvergnes, pg. 57 Provenance: Private Collection, Paris

Signed, titled and dated to verso ‘Much/ Broke Peter Wegner 1995’. $ 3,000 – 5,000

Provenance: Christies, New York, Interiors, 30 September – 1 October 2010, Lot 177 Private Collection, New York

188 Jean Royère, attribution sconces, pair France, c. 1943 enameled steel, paper 24 w × 13 ½ d × 12 h in (61 × 34 × 30 cm) $ 3,000 – 5,000

Provenance: Galerie Neo Senso, Paris Private Collection, Los Angeles Wright, Important Design, 15 December 2011, Lot 115 | Collection of Reed and Delphine Krakoff

189 Seb Janiak b. 1966 Stellar Lights (from The Kingdom) 2008 chromogenic print 30 ¼ h × 50 ¼ w in (77 × 128 cm) Signed and dated to verso ‘Seb Janiak 2008’. This work is number 1 from the edition of 3. Sold with a digital copy of the certificate of authenticity signed by the artist. $ 6,000 – 8,000

Provenance: Fred Torres Collaborations, New York | Private Collection

190 Fernando and Humberto Campana Early Favela chairs, pair Brazil/Italy, c. 2003 | Edra Brazilian Pinus wood 25 ½ w × 25 d × 30 h in (65 × 64 × 76 cm) $ 10,000 – 15,000

Literature: Campana Brothers: Complete Works (So Far), Alfred, Sudjic, Edelkoort and Hamel, pp. 86 Provenance: Acquired directly from the artists | Private Collection

191 Wiener Werkstätte Rare necklace Austria, c. 1915 patinated copper, silver, leather, brass 7 ½ w × 7 ¼ d × 1 ½ h in (19 × 18 × 4 cm) Signed with impressed manufacturer’s mark to clasp: [WW]. $ 7,000 – 9,000

192 Roger Capron coffee table France, c. 1965 | Vallauris ceramic tile, matte chrome-plated steel 48 w × 16 ½ d × 13 ¾ h in (122 × 42 × 35 cm) Glazed signature to corner: [R. Capron]. $ 1,500 – 2,000

Provenance: Collection of Reed and Delphine Krakoff

193 Pierre Chareau sconces model no. LA548, pair France, c. 1924 alabaster, wrought iron 10 ¼ w × 2 ½ d × 11 ¼ h in (26 × 6 × 29 cm) $ 15,000 – 20,000

Literature: Pierre Chareau Architecte-Meublier 1883–1950, Vellay and Frampton, pg. 330 Provenance: Artcurial, Paris, Art Deco, 25 November 2014, Lot 42 Private Collection, Paris

194 Leon Polk Smith Untitled (three works) USA, 1984 ink and graphite on paper 14 h × 20 w in (36 × 51 cm) Two works measure: 18 h × 14 w inches.

Signed and dated to lower right of each work ‘Leon Polk Smith 84’. $ 2,000 – 3,000

195 Rei Kawakubo Rare chairs, set of two Japan, c. 1987 | Comme des Garçons galvanized steel, chrome-plated steel, enameled steel 24 w × 18 d × 27 ½ h in (61 × 46 × 70 cm) $ 2,500 – 3,500

Provenance: Cornette de Saint-Cyr, Paris, 14 March 2011, Lot 25 | Collection of Reed and Delphine Krakoff

196

197

Mario Nubauer b. 1980 Playground 22

Sido and François Thevenin table from Clos du Paradis, Cannes

2014 lacquer, pencil, oil stick and oil on canvas 71 h × 78 ¾ w in (180 × 200 cm)

France, 1992 patinated steel, glass, leather 47 ¼ dia × 28 ¼ h in (120 × 72 cm)

Signed and inscribed to verso ‘Mario Nubauer Wien Rayray 2016’.

Signed with applied brass studio label to base: [François Thevenin Cannes 1992].

$ 7,000 – 9,000

$ 15,000 – 20,000

Provenance: Le Clos de Paradis, Cannes, France | Private Collection, France

198 Jane and Louise Wilson b. 1967 False Positive, False Negative 2012 c-print mounted to Plexiglas 24 ½ h × 38 ½ w in (62 × 98 cm) Signed, dated and numbered to verso ‘2/10 Jane B Wilson Louise A Wilson 2012’. This work is number 2 from the edition of 10. $ 3,000 – 5,000

199 Marcel Wanders One Minute Sculpture The Netherlands, 2016 gilt-glazed ceramic, stainless steel, gilt-lined shade 14 dia × 26 h in (36 × 66 cm) This work is unique. $ 3,000 – 5,000

200

201

Kendell Carter b. 1970 Round Drip Painting #4

Louis Vuitton Ernest Bed

2009 shoe laces and spray enamel on linen 23 ¾ dia in (60 cm)

France, 2015 oak, leather, canvas, polished brass 27 ½ w × 76 ½ d × 16 h in (70 × 194 × 41 cm)

Signed and dated to verso ‘KC 2009’.

This bed was designed by Gwenaël Nicolas for Louis Vuitton’s Objets Nomades series in 2015. Signed with impressed manufacturer’s marks to buckle and clasps: [Louis Vuitton].

$ 3,000 – 5,000

$ 15,000 – 20,000

202 Mungo Thomson Coin lamps, set of three USA, 2004 welded pennies 11 ½ dia × 10 ½ h in (29 × 27 cm) Additional examples measure: 9.5 dia × 8 h inches and 7.5 dia × 6.5 h inches. $ 3,000 – 5,000

203 Jean Royère cabinet France, c. 1950 | Gouffe walnut, oak, brass 47 ¾ w × 19 ¾ d × 62 ¾ h in (121 × 50 × 159 cm) Cabinet features two doors concealing one drawer and two shelves. $ 20,000 – 30,000

Literature: Meubles Nouveaux, Janneau, pl. 23 illustrates variation Provenance: Private Collection

204 Karl Springer Python table lamp USA, c. 1970 | Karl Springer, Inc. python skin, brass 14 w × 7 d × 21 h in (36 × 18 × 53 cm) Sold with a certificate of authentication from Tom Langevin, former director for Karl Springer, Ltd. $ 2,500 – 3,500

Provenance: Lobel Modern, Inc., New York Collection of Reed and Delphine Krakoff

205 Sido and François Thevenin Untitled France, 1969 patinated brass 89 ¾ h × 12 w × 8 d in (228 × 30 × 20 cm) Signed with applied brass studio label to top ‘Sido Et François Thevenin FT GTB 1969 Cannes’. $ 10,000 – 15,000

Provenance: Private Collection, France

206 Tony Feher 1956–2016 Green Blacktop 2008 glitter and spraypaint on unfolded box 8 ½ h × 9 ¼ w in (22 × 23 cm) This work is from the edition of 12. $ 1,000 – 1,500

207 Ron Arad Rover chairs, pair United Kingdom, 1981 | One Off enameled steel, Kee-Klamps, Rover car seats 27 ½ w × 36 d × 29 h in (70 × 91 × 74 cm) $ 7,000 – 9,000

Literature: Ron Arad: Restless Furniture, Sudjic, ppg. 30, 82 Ron Arad, von Vegesack, ppg. 24–25 Provenance: Charivari, New York Private Collection

208 Jorge Eielson 1924–2006 Quipus 60 A 1974 painted burlap over wood 45 ¼ h × 45 ¼ w × 6 ¾ d in (115 × 115 × 17 cm) Signed, titled and dated to verso ‘Quipus 60 A Paris - 1974 J. Eielson’.

This work is accompanied by a certificate of authenticity issued by the Jorge Eielson Archive. $ 30,000 – 50,000

Provenance: Wright, 20th Century Art, 15 March 2018, Lot 127 Private Collection, Peru

209 Gerrit Rietveld Crate chairs, pair The Netherlands, 1935/c. 1945 G.A. van de Groenekan lacquered deal 22 ¼ w × 28 d × 23 ¾ h in (57 × 71 × 60 cm) $ 10,000 – 15,000

Literature: The Furniture of Gerrit Thomas Rietveld, Baroni, ppg. 143, 147 The Complete Rietveld Furniture, Vöge, pg. 89 Gerrit Rietveld, van Zjil, pg. 138 Provenance: Gift from Gerrit Rietveld to his daughter, 1945 | Thence by descent Christie’s Amsterdam, 20th Century Decorative Arts, 23 May 2007, Lot 300 Sotheby’s, Luxe: Art of Design, 20 April 2018, Lot 1477 | Private Collection, New York

210 Daniel Pitín b. 1977 Last Summer 2012 acrylic and collage on linen 63 h × 82 ½ w in (160 × 210 cm) Signed and dated to verso ‘D. Pitín 2012’. $ 7,000 – 9,000

211 Jemima & Dolly Brown b. 1971 Green Princess 2001 plastic, clothing, hair, ceramic 36 h × 16 w × 19 d in (91 × 41 × 48 cm) $ 3,000 – 5,000

Exhibited: Jemima & Dolly Brown, 3 November – 2 December 2001, Vilma Gold, London

212 Andy Warhol 1928–1987 Untitled c. 1982 screenprint and collage on paper 40 h × 32 w in (102 × 81 cm) Stamped and numbered to verso ‘The Estate of Andy Warhol 114.142’.

This is a unique work printed by Rupert Jasen, New York. $ 10,000 – 15,000

Provenance: Estate of Andy Warhol Andy Warhol Foundation for the Visual Arts Private Collection, Los Angeles

213 Art Sinsabaugh 1924–1983 Midwest Landscape #34 1962/63 gelatin silver print 2 h × 19 ¼ w in (5 × 49 cm) Signed, numbed and dated to lower edge ‘Art Sinsabaugh 1962 4/20 #34’. Inscribed to verso ‘To Pete + Susan w/much love and affection cut feb 1963’ This work is number 4 from the edition of 20. $ 7,000 – 9,000 Provenance: Gift of the artist Estate of Susan Jackson Keig, Chicago

214 Art Sinsabaugh 1924–1983 Untitled (Frozen Water) 1958 gelatin silver print 4 ¼ h × 9 ½ w in (11 × 24 cm) Signed with applied studio label to verso ‘Art Sinsabaugh this photograph is No 1 and is one of only three prints made from original negative’. Signed and inscribed to applied studio label ‘Happy Birthday Pete Art Sinsabaugh 58’. $ 3,000 – 5,000

Provenance: Gift of the artist to Peter Keig | Thence by descent Estate of Susan Jackson Keig, Chicago

215

216

217

218

Andy Warhol 1928–1987 Untitled (one work from Flash — November 22, 1963 portfolio)

Andy Warhol 1928–1987 Untitled (one work from Flash — November 22, 1963 portfolio)

Andy Warhol 1928–1987 Untitled (one work from Flash — November 22, 1963 portfolio)

Andy Warhol 1928–1987 Flowers

1968 screenprint on paper 21 h × 21 w in (53 × 53 cm)

1968 screenprint on paper 21 h × 21 w in (53 × 53 cm)

1968 screenprint on paper 21 h × 21 w in (53 × 53 cm)

Signed and numbered to verso ‘107/200 Andy Warhol’. This work is number 107 from the edition of 200 printed by Aetna Silkscreen Products, Inc., New York and published by Racolin Press, Inc., Braircliff Manor, New York.

Sold with accompanying Teletype.

Signed and numbered to verso ‘107/200 Andy Warhol’. This work is number 107 from the edition of 200 printed by Aetna Silkscreen Products, Inc., New York and published by Racolin Press, Inc., Braircliff Manor, New York.

Sold with accompanying Teletype.

Signed and numbered to verso ‘107/200 Andy Warhol’. This work is number 107 from the edition of 200 printed by Aetna Silkscreen Products, Inc., New York and published by Racolin Press, Inc., Braircliff Manor, New York.

Sold with accompanying Teletype.

$ 5,000 – 7,000

$ 5,000 – 7,000

$ 5,000 – 7,000

Literature: Feldman/Schellmann, II.37

Literature: Feldman/Schellmann, II.36

Literature: Feldman/Schellmann, II.39

1964 offset lithograph on paper 22 h × 22 w in (56 × 56 cm) Sheet measures: 23 h × 23 w inches.

Signed and dated at time of purchase to lower right ‘Andy Warhol 64’.

This work is from the edition of approximately 300 printed by Total Color, New York and published

by Leo Castelli Gallery, New York. $ 15,000 – 20,000

Literature: Feldman/Schellmann, pl. II.6 Provenance: Private Collection, New York

219 Mary Frank b. 1933 Untitled c. 1979 earthenware 24 ½ h × 18 ½ w × 8 ¼ d in (62 × 47 × 21 cm) $ 10,000 – 15,000

Provenance: Zabriskie Gallery, New York | Acquired from the previous c. 1981 by the present owner

220 Tom Wesselmann 1931–2004 Claire Nude 1980 lithograph and screenprint on wove paper 27 h × 26 w in (69 × 66 cm) Sheet measures: 31 h × 30 w inches.

Signed, dated and numbered to lower right ‘Wesselmann 80 53/200’. This work is number 53 from the edition of 200 published by Transworld Art, New York. $ 6,000 – 8,000

221 Sidney Gordin 1918–1996 46–58 1958 enameled steel, oak 25 h × 13 ¾ w × 1 ¾ d in (64 × 35 × 4 cm) Titled to underside ‘46-58’.

This work is unique. $ 15,000 – 20,000

Provenance: Estate of the artist Private Collection, Pennsylvania

222 Jean Prouvé Compas desk France, 1955 | Ateliers Jean Prouvé enameled steel, laminate, beech 55 w × 26 d × 28 ½ h in (140 × 66 × 72 cm) $ 10,000 – 15,000

Literature: Jean Prouvé, Complete Works Volume 3: 1944–1954, Sulzer, ppg. 268–269 Jean Prouvé, Galerie Patrick Seguin and Sonnabend Gallery, ppg. 331, 351

223 Charlotte Perriand wall sconces, set of eight France, 1950 | Galerie Steph Simon enameled steel, plastic 5 w × 2 ¾ d × 7 h in (13 × 7 × 18 cm) Signed with applied foil manufacturer’s label to each example: [SCE E14 Made in France Classe 1]. $ 5,000 – 7,000

Literature: Charlotte Perriand: Un Art de Vivre, Flammarion, pg. 52

224

225

Pierre Jeanneret set of four stools from Punjab University, Chandigarh

Pierre Jeanneret folding screen from the Administrative Buildings, Chandigarh

France/India, c. 1965 teak, steel 15 w × 15 d × 24 h in (38 × 38 × 61 cm)

France/India, c. 1957 teak, fabric, steel 66 ½ w × 1 ½ d × 65 ½ h in (169 × 4 × 166 cm)

Stenciled marks to one example: [Phs Lab CET/PH/S-77].

$ 7,000 – 9,000

$ 7,000 – 9,000

Literature: Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-ArtArchitecture, Touchaleaume and Moreau, pg. 560 Provenance: Punjab University, Chandigarh, India | Private Collection

Literature: Le Corbusier Pierre Jeanneret, Chandigarh, India, Galerie Patrick Seguin, pg. 289 Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-Art-Architecture, Touchaleaume and Moreau, pg. 597 Provenance: Administrative Buildings, Chandigarh, India | Private Collection

226 Joseph-André Motte Rare mirror France, c. 1960 | Charron mahogany, mirrored glass, bronze 22 w × 12 d × 25 ½ h in (56 × 30 × 65 cm) $ 5,000 – 7,000

Provenance: Private Collection, France

227 Pierre Jeanneret sofa from Punjab University, Chandigarh France/India, 1952–56 upholstery, teak, leather 60 w × 31 ½ d × 30 h in (152 × 80 × 76 cm) $ 30,000 – 50,000

Literature: Le Corbusier Pierre Jeanneret: Chandigarh, India, Galerie Patrick Seguin, pg. 146, 283 Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-ArtArchitecture, Touchaleaume and Moreau, pg. 564 Provenance: Punjab University, Chandigarh, India | Private Collection

228 Pierre Jeanneret armchairs from Chandigarh, set of eight France/India, c. 1955 teak, cane, upholstery 19 ½ w × 22 d × 31 h in (50 × 56 × 79 cm) Stenciled marks to reverse of each example: [C.O.A.S.]. $ 20,000 – 30,000

Literature: Le Corbusier Pierre Jeanneret: The Indian Adventure, DesignArt-Architecture, Touchaleaume and Moreau, pg. 563 Provenance: Chandigarh, India Private Collection

229

230

231

Alexandre Noll tray

Odile Noll dish

Alexandre Noll lidded box

France, c. 1950 carved rosewood 5 w × 5 d × 1 ¾ h in (13 × 13 × 4 cm)

France, c. 1955 carved ebony 13 ½ w × 8 ½ d × 3 h in (34 × 22 × 8 cm)

France, c. 1950 carved walnut 4 ¾ w × 5 ½ d × 4 ¼ h in (12 × 14 × 11 cm)

Carved signature to underside: [ANoll].

Carved signature to underside: [ONoll].

Carved signature to underside: [ANoll].

$ 2,000 – 3,000

$ 3,000 – 5,000

$ 5,000 – 7,000

Provenance: Galerie Place des Arts, Montpelier, France Private Collection, France

232 Jean Prouvé school desk France, 1946 | Ateliers Jean Prouvé enameled steel, beech, beech plywood 46 ¼ w × 34 ½ d × 27 ½ h in (117 × 88 × 70 cm) $ 7,000 – 9,000

Literature: Jean Prouvé Complete Works, Volume 3: 1944–1954, Sulzer, ppg. 68–69 Jean Prouvé, Galerie Jousse Seguin and Galerie Enrico Navarra, ppg. 110–111 Provenance: Galerie Patrick Seguin, Paris Collection of Reed and Delphine Krakoff

233 Pierre Jeanneret file rack from the Administrative Buildings, Chandigarh France/India, c. 1957 teak 36 w × 14 ½ d × 28 h in (91 × 37 × 71 cm) Stenciled mark to edge: [G- 91]. $ 6,000 – 8,000

Literature: Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-ArtArchitecture, Touchaleaume and Moreau, ppg. 596–597 Le Corbusier Pierre Jeanneret, Chandigarh, India, Galerie Patrick Seguin, ppg. 269, 289 Provenance: Administrative Buildings, Chandigarh, India | Private Collection

234 Pierre Jeanneret lounge chairs from Chandigarh, pair France/India, c. 1955 teak, cane, upholstery 21 w × 28 ½ d × 29 h in (53 × 72 × 74 cm) $ 10,000 – 15,000

Literature: Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-ArtArchitecture, Touchaleaume and Moreau, pg. 563 Provenance: Chandigarh, India Private Collection

235 Jean Prouvé ‘Semi-Metal’ chair, no. 305 France, 1950 | Ateliers Jean Prouvé enameled steel, beech plywood, aluminum, rubber 16 ½ w × 19 d × 32 h in (42 × 48 × 81 cm) $ 6,000 – 8,000

Literature: Jean Prouvé Complete Works, Volume 3: 1944–1954, Sulzer, ppg. 35, 208–211 Jean Prouvé, Galerie Patrick Seguin and Sonnabend Gallery, ppg. 234, 266–269 Provenance: DeLorenzo 1950, New York Private Collection, New York

236 Jean Prouvé Compas desk France, 1953 | Ateliers Jean Prouvé enameled steel, oak 63 w × 27 ¾ d × 29 h in (160 × 70 × 74 cm) $ 10,000 – 15,000

Literature: Jean Prouvé, Complete Works Volume 3: 1944–1954, Sulzer, ppg. 268–269 Jean Prouvé, Galerie Patrick Seguin and Sonnabend Gallery, ppg. 331, 351–352 Provenance: DeLorenzo 1950, New York Private Collection, New York

237 Pierre Jeanneret dining table from the Cafeteria at Punjab University, Chandigarh France/India, c. 1959 teak 36 ½ w × 36 ½ d × 28 h in (93 × 93 × 71 cm) $ 10,000 – 15,000

Literature: Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-ArtArchitecture, Touchaleaume and Moreau, pg. 585 Provenance: Cafeteria at Punjab University, Chandigarh, India Private Collection

238 Le Corbusier and Pierre Jeanneret pair of Bridge armchairs from High Court, Chandigarh France/India, c. 1955 teak, upholstery, leather 25 ½ w × 26 ½ d × 35 ½ h in (65 × 67 × 90 cm) Painted marks to one example: [H.C. 17/14]. $ 20,000 – 30,000

Literature: Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-ArtArchitecture, Touchaleaume and Moreau, ppg. 567–568 Le Corbusier Pierre Jeanneret, Chandigarh, India, Galerie Patrick Seguin, ppg. 136, 139, 282 Provenance: High Court, Chandigarh, India Private Collection

239 Mathieu Matégot coat racks, set of two France/The Netherlands, c. 1956 Artimeta perforated and enameled steel, brass, enameled brass 39 ½ w × 10 ¾ d × 7 ¾ h in (100 × 27 × 20 cm) Additional coat rack measures: 25.5 w × 10.75 d × 7.75 h inches. $ 2,000 – 3,000

240 Serge Mouille Agrafee table lamp France, 1956 | Ateliers Serge Mouille enameled aluminum, enameled steel, brass 11 ½ w × 13 d × 25 h in (29 × 33 × 64 cm) $ 5,000 – 7,000

Literature: Serge Mouille: A French Classic, Pralus, pg. 208 Serge Mouille Luminaires: 1953–1963, Counord, pg. 36 Provenance: DeLorenzo 1950, New York Acquired from the previous in the 1980s by the present owner

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242

Pierre Jeanneret folding screen from the Administrative Buildings, Chandigarh

Pierre Jeanneret pair of lounge chairs from Punjab University, Chandigarh

France/India, c. 1957 teak, fabric, steel 60 ½ w × 1 ½ d × 67 ¼ h in (154 × 4 × 171 cm)

France/India, 1952–56 upholstery, teak, leather 22 w × 31 ½ d × 30 h in (56 × 80 × 76 cm)

$ 7,000 – 9,000

$ 30,000 – 50,000

Literature: Le Corbusier Pierre Jeanneret, Chandigarh, India, Galerie Patrick Seguin, pg. 289 Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-Art-Architecture, Touchaleaume and Moreau, pg. 597

Literature: Le Corbusier Pierre Jeanneret, Chandigarh, India, Galerie Patrick Seguin, pg. 150 Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-Art-Architecture, Touchaleaume and Moreau, ppg. 565–566

Provenance: Administrative Buildings, Chandigarh, India | Private Collection

Provenance: Punjab University, Chandigarh, India | Private Collection

243 Georges Jouve Sirènes wall lights, pair France, 1948 glazed earthenware, paper 14 w × 7 d × 18 h in (36 × 18 × 46 cm) Incised artist’s cipher to reverse of one example. $ 7,000 – 9,000

Literature: Georges Jouve, Jousse, pg. 204

244 Pierre Jeanneret and A.R. Prabhawalkar desk from the College of Architecture, Chandigarh France/India, c. 1960 enameled steel, teak 54 w × 34 d × 34 ¼ h in (137 × 86 × 87 cm) $ 5,000 – 7,000

Literature: Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-ArtArchitecture, Touchaleaume and Moreau, pg. 581 Provenance: College of Architecture, Chandigarh, India | Wright, Design, 27 March 2014, Lot 118 | Private Collection, New York

245 Pierre Jeanneret bench from the M.L.A. Flats building, Chandigarh France/India, c. 1955 teak, cane, upholstery 54 w × 18 d × 16 h in (137 × 46 × 41 cm) Stenciled mark to frame: [LHH]. Sold with custom cushion. $ 7,000 – 9,000

Literature: Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-ArtArchitecture, Touchaleaume and Moreau, pg. 565 Provenance: M.L.A. Flats building, Chandigarh, India | Private Collection

246 Pierre Jeanneret lounge chairs from Chandigarh, pair France/India, c. 1955 teak, cane, upholstery 21 w × 30 d × 27 h in (53 × 76 × 69 cm) $ 10,000 – 15,000

Literature: Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-ArtArchitecture, Touchaleaume and Moreau, pg. 563 Provenance: Chandigarh, India Private Collection

247 Pierre Jeanneret dining set from Chandigarh France/India, c. 1959 teak, cane, upholstery 36 ½ w × 36 ½ d × 28 ¼ h in (93 × 93 × 72 cm) Set includes one dining table and four chairs measuring: 17.5 w × 21 d × 32.5 h inches. Painted marks to reverse of two chairs. $ 20,000 – 30,000

Literature: Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-ArtArchitecture, Touchaleaume and Moreau, ppg. 561, 585 Provenance: Chandigarh, India Robert Rubin, New York Private Collection

248 Dankmar Adler and Louis Sullivan balustrade from the Guaranty Building, Buffalo USA, 1894 | Winslow Brothers cast iron 10 w × 1 ½ d × 30 h in (25 × 4 × 76 cm) $ 2,000 – 3,000

Provenance: Guaranty Building, Buffalo, NY | Collection of Sue A. Kohler, Washington, D.C.

249 Louis Sullivan architectural fragment USA, 1890 cast and glazed terracotta 10 w × 10 d × 19 h in (25 × 25 × 48 cm) Sullivan utilized this design in multiple commissions including the Auditorium Building, Chicago. $ 5,000 – 7,000

Provenance: Collection of Sue A. Kohler, Washington, D.C.

250 Louis Sullivan architectural fragment from the Henry B. Babson House, Riverside USA, 1908 pine 11 ½ w × 5 ½ d × 16 ¾ h in (29 × 14 × 43 cm) $ 4,000 – 6,000

Literature: The Complete Architecture of Adler & Sullivan, Nickel and Siskind, ppg. 250–251, 424–425 illustrate commission Purcell & Elmslie: Prairie Progressive Architects, Gebhard, pg. 44 illustrates interior Provenance: Henry B. Babson House, Riverside, IL | Private Collection

251 Frank Lloyd Wright window from the Ward W. Willits House, Highland Park USA, 1901 stained glass, copper 20 ¾ w × 15 ¼ h in (53 × 39 cm) $ 5,000 – 7,000

Literature: Frank Lloyd Wright Monograph 1887–1901, Futugawa and Pfeiffer, ppg. 188–203 Light Screens: The Complete Leaded Glass Windows of Frank Lloyd Wright, Sloan, ppg. 146–147 Provenance: Ward W. Willits House, Highland Park, IL | Private Collection, San Francisco

252 Leo Amino 1911–1989 Untitled (No. 59) 1949 ink on notebook paper 6 h × 9 w in (15 × 23 cm) Signed, titled and dated to lower edge ‘Leo Amino No. 59 Sept 49’. $ 1,000 – 1,500

Provenance: Estate of Leo Amino Private Collection

253 Marcello Fantoni 1915–2011 Untitled 1960 cast bronze with applied patina, steel 15 h × 17 w × 13 d in (38 × 43 × 33 cm) Signed and dated to underside ‘Fantoni 1960’. $ 7,000 – 9,000

Exhibited: Fiesole Museo Etrusco, 2005, Florence, Italy Provenance: Christie’s, London, 20th Century Decorative Art and Design, 26 October 2006, Lot 14 | Private Collection

254 Paul Evans occasional tables model PE 44, pair USA, 1971 | Paul Evans Studio for Directional welded and patinated steel, slate 14 w × 14 d × 18 ¾ h in (36 × 36 × 48 cm) $ 6,000 – 8,000

Literature: Directional, manufacturer’s catalog, unpaginated Provenance: Acquired directly from Directional by the present owners

255 Paul Evans wall-mounted console, model PE 17 and mirror, model PE 18 USA, c. 1970 | Paul Evans Studio for Directional welded and enameled steel, welded and enameled copper, slate, mirrored glass 60 w × 13 d × 6 h in (152 × 33 × 15 cm) Mirror measures: 30.25 w × 30.25 h inches. $ 3,000 – 5,000

Literature: Directional, manufacturer’s catalog, unpaginated Provenance: Acquired directly from Directional by the present owners

256 Paul Evans wall-mounted cabinet, model PE 19 USA, c. 1970 | Paul Evans Studio for Directional welded and patinated steel, slate 48 ½ w × 17 ½ d × 16 ¾ h in (123 × 44 × 43 cm) Cabinet features two doors concealing one adjustable shelf. $ 20,000 – 30,000

Literature: Directional, manufacturer’s catalog, unpaginated Paul Evans: Designer & Sculptor, Head, ppg. 88, 91 Provenance: Acquired directly from Directional by the present owners

257 Paul Evans dining table USA, c. 1968 | Paul Evans Studio for Directional welded and patinated steel, melt-coated brass over steel, glass 77 ½ w × 59 d × 31 ¼ h in (197 × 150 × 79 cm) $ 10,000 – 15,000

Provenance: Acquired directly from Directional by the present owners

258

259

Wendell Castle mirror

Wendell Castle Stand in Rabbit

Literature: Wendell Castle: A Catalogue Raisonné 1958–2012, Eerdmans, pg. 263, IV.45

USA, 1975 walnut, mirrored glass 16 ½ w × 10 ½ d × 25 h in (42 × 27 × 64 cm)

USA, 1992 polychromed mahogany, ebonized mahogany veneer, maple veneer, stained sycamore veneer, white oak 50 w × 28 d × 81 h in (127 × 71 × 206 cm)

Exhibited: Wendell Castle: Environmental Works, 21–27 October 1993, Peter Joseph Gallery, New York Ambiguous Objecthood: Environmental Work and Drawings by Wendell Castle, 22 July – 23 October 1994, The Art Complex Museum, Duxbury, MA

Console features one drawer. Signed and dated to base: [Castle 92]. Sold with a digital copy of correspondence from Peter Joseph Gallery.

Provenance: Peter Joseph Gallery, New York | Private Collection, Philadelphia

Carved signature and date to underside: [WC 75]. $ 20,000 – 30,000

Literature: Wendell Castle: A Catalogue Raisonné 1958–2012, Eerdmans, pg. 139, II.334 Provenance: Richard Kagan Gallery, Philadelphia | Private Collection

$ 25,000 – 35,000

The present lot was included the groundbreaking exhibition Ambiguous Objecthood at Peter Joseph Gallery alongside masterworks in various medium by Wendell Castle. According to correspondence from the gallery, Castle was particularly fond of this work and considered it to be a self-portrait

260 Leo Amino 1911–1989 Untitled (No. 186) 1983 cast resin 6 ½ h × 3 ¾ w × 3 ¾ d in (17 × 10 × 10 cm) Signed, titled and dated to lower edge ‘LA 12.83 186’. $ 1,000 – 1,500

Provenance: Estate of Leo Amino Private Collection

261 Leo Amino 1911–1989 Untitled (No. 72) 1971 cast resin 14 ¾ h × 11 ¾ w × 4 ¼ d in (37 × 30 × 11 cm) Signed, titled and dated to lower edge ‘LA 12.71 #72’. $ 2,000 – 3,000

Provenance: Estate of Leo Amino Private Collection

262 Leo Amino 1911–1989 Untitled 1966 cast resin 4 w × 3 d × 6 ½ h in (10 × 8 × 17 cm) Signed and dated to upper element ‘LA 66’. This two-piece work is comprised of a sculptural element that rests atop a custom base. $ 3,000 – 5,000

Provenance: Estate of Leo Amino Private Collection

263 Leo Amino 1911–1989 Untitled (No. 14) 1949 ink on notebook paper 9 h × 6 w in (23 × 15 cm) Signed, titled and dated to lower edge ‘Leo Amino Apr. 49 No. 14’. $ 1,000 – 1,500

Provenance: Estate of Leo Amino Private Collection

264 Pablo Picasso Chouetton table lamp Spain/France, 1952 | Madoura Pottery white earthenware with engobe decoration 13 ½ dia × 19 ½ h in (34 × 50 cm) This work is from the edition of 500.

Glazed signature to underside: [Edition Picasso Madoura]. $ 7,000 – 9,000

Literature: Raime 135 Provenance: Private Collection, Paris

265 George Nakashima Sanso table and set of four New chairs USA/Japan, c. 1980 | Sakura Seisakusho American black walnut, hickory, rosewood 66 ¾ w × 62 ¼ d × 21 ½ h in (170 × 158 × 55 cm) Chairs measures: 23.5 w × 25 d × 33.25 h inches. Top is comprised of two bookmatched solid panks each with expressive graining and knot details, five rosewood butterflies and four free edges. Branded signature to underside of each chair: [Nakashima]. $ 50,000 – 70,000

Provenance: Private Collection, California

With an interest to work in his native Japan, George Nakashima entered into a partnership with Sakura Seisakusho in 1964 to produce unique variants of his established designs. Nakashima contributed heavily to the designs, spending time in Japan overseeing production and sourcing woods from the US for a number of exhibitions at the Odakyu department store.

The Nakashima studio and Sakura Seisakusho have continued to produce a number of exhibitions of his work in Japan.

266

267

George Nakashima Pedestal table

George Nakashima Mira chair

USA, 1966 American black walnut 35 w × 34 ¾ d × 27 ¼ h in (89 × 88 × 69 cm)

USA, c. 1970 American black walnut, cherry 19 ½ w × 17 ½ d × 27 h in (50 × 44 × 69 cm)

Signed with client name to underside.

Sold with a photocopy of the original invoice and a letter of authentication from Mira Nakashima.

$ 1,000 – 1,500

$ 5,000 – 7,000

Provenance: Acquired directly from the artist by Ardelle and Arthur Smilowitz

Literature: George Nakashima, Woodworkers, studio catalog, unpaginated Provenance: Private Collection, California

268 George Nakashima wall-mounted shelves, pair USA, c. 1975 American black walnut 15 w × 12 ¾ d × 10 h in (38 × 32 × 25 cm) $ 1,500 – 2,000

Provenance: Private Collection, California

269 Phillip Lloyd Powell occasional tables, pair USA, c. 1958 walnut 26 ½ w × 22 ½ d × 21 h in (67 × 57 × 53 cm) $ 3,000 – 5,000

Literature: Phillip Lloyd Powell, studio catalog, unpaginated, illustrates variations

270 George Nakashima Origins armchairs, pair USA, 1958 | Widdicomb upholstery, walnut 25 w × 27 d × 38 h in (64 × 69 × 97 cm) $ 3,000 – 5,000

Provenance: Private Collection, Daupin County, PA | Freeman’s, Philadelphia, Design, 8 October 2017, Lot 82 Private Collection, New York

271 Rookwood collection of twenty six vessels USA, 1919–1969 glazed stoneware 6 ½ dia × 12 h in (17 × 30 cm) (tallest) Signed with impressed factory marks and dates of production to underside of each example. $ 5,000 – 7,000

272 Cecily Brown b. 1969 What the Shepherd Saw 2013 stone and offset lithograph on paper 15 ½ h × 19 w in (39 × 48 cm) Signed, dated and numbered to lower right ‘Cecily Brown 29/44 2013’.

This work is number 29 from the edition of 44, published by the Neiman Center, New York. $ 3,000 – 5,000

Provenance: Gift of the artist to the present owner

273 Gertrud and Otto Natzler bowl USA, c. 1965 wheel-thrown earthenware with volcanic glaze 12 ¼ dia × 5 h in (31 × 13 cm) Slip signature to underside: [Natzler]. $ 10,000 – 15,000

Provenance: Private Collection

274 Harry Bertoia 1915–1978 Untitled (Wire Construction) c. 1959 melt-coated brass over steel 7 ¾ h × 25 ½ w × 8 d in (20 × 65 × 20 cm) Sold with a certificate of authenticity from the Harry Bertoia Foundation. $ 10,000 – 15,000

Exhibited: The Dorothy and Marshall M. Reiman Collection, 18 January–25 February 1963, University of Rochester Memorial Art Gallery, Rochester, NY Provenance: Dorothy and Marshall M. Reiman | Thence by descent

275 Harry Bertoia 1915–1978 Untitled (Willow) c. 1970 stainless steel, steel wire 56 ½ h × 40 dia in (144 × 102 cm) Sold with a certificate of authenticity from the Harry Bertoia Foundation. $ 30,000 – 50,000

Provenance: Wright, Modern + Contemporary Design, 10 October 2006, Lot 419 (Private Sale) Private Collection, London

276

277

Harry Bertoia 1915–1978 Untitled (Sonambient)

Harry Bertoia 1915–1978 Untitled (Monumental Spray)

c. 1970/1997 beryllium copper and brass 16 ¼ h × 3 w × 3 d in (41 × 8 × 8 cm)

c. 1968 steel wire, granite, stainless steel 64 h × 46 dia in (163 × 117 cm)

Signed with impressed manufacturer’s mark to base ‘Design Harry Bertoia Circa 1970 Knoll Design Symposium 1996 Cranbrook Academy of Art Edition 100’. This work is from the edition of 100 commissioned by Knoll International in 1997 and constructed by Val Bertoia.

This work features nine rods in a three by three configuration. Sold with a certificate of authenticity issued by Knoll.

Sold with a certificate of authenticity from the Harry Bertoia Foundation.

$ 5,000 – 7,000

$ 30,000 – 50,000

Exhibited: Knoll International, 1968, Zurich Harry Bertoia, 29 October – 9 November 1972, Kaare Bernsten Gallery, Oslo Provenance: Kaare Berntsen Gallery, Oslo | Acquired from the previous in 1973 by Marvin Smalley, Los Angles Private Collection, London

278 Harry Bertoia 1915–1978 Untitled (Sonambient) c. 1967 beryllium copper, brass 8 ¼ h × 5 ¼ w × 4 ¾ d in (21 × 13 × 12 cm) Sold with a certificate of authenticity from the Harry Bertoia Foundation. $ 10,000 – 15,000

Provenance: Private Collection, East Coast

279 Harry Bertoia 1915–1978 Untitled (Bundled Wire Form) c. 1965 stainless steel and steel wire 32 h × 9 ½ w × 7 d in (81 × 24 × 18 cm) Sold with a certificate of authenticity from the Harry Bertoia Foundation. $ 25,000 – 35,000

Exhibited: Knoll International, 1968, Zurich Provenance: Staempfli Gallery, New York | Makler Gallery, Philadelphia Acquired from the previous circa 1980 by the present owner

280

281

Contemporary pile carpet

After Alberto Giacometti andirons, pair

c. 2000 hand-tufted wool 160 w × 212 l in (406 × 538 cm)

France, 1936/1985 | Excaliber Bronze nickel-plated cast bronze, enameled steel 10 ¾ w × 12 d × 12 ½ h in (27 × 30 × 32 cm)

$ 10,000 – 15,000

This pair of bronze andirons is from the Nelson Rockefeller Collection (CNR). In 1977 Nelson A. Rockefeller founded Nelson Rockefeller Collection, Inc. and had his collection of original works by Diego and Alberto Giacometti cast in bronze and reproduced in small editions. Signed with incised manufacturer’s mark to back of each example: [C 1985 NR EXNY]. $ 10,000 – 15,000

282 Gustav Siegel dining chairs, set of twelve Austria, c. 1900 | Thonet stained beech, upholstery 17 ½ w × 21 ½ d × 35 ½ h in (44 × 55 × 90 cm) Signed with applied partial paper manufacturer’s label to underside of each example: [Thonet]. Signed with branded manufacturer’s mark to underside of each example: [Thonet]. $ 5,000 – 7,000

283 Vladimir Kagan sofa USA, c. 1960 upholstery, walnut 130 w × 33 d × 29 h in (330 × 84 × 74 cm) $ 7,000 – 9,000

Provenance: Wright, Design, 12 June 2014, Lot 369 | Private Collection, New York

284 Pepe Mendoza floor lamps, pair Mexico, c. 1960 brass, ceramic inlay, linen 22 dia × 73 h in (56 × 185 cm) Signed with partial impressed manufacturer’s mark to base of each example: [Mendoza Hecho en Mexico]. $ 3,000 – 5,000

285

286

287

Deborah Thomas Sea Breeze light sculptures, pair

Pepe Mendoza occasional tables, pair

Roger Vanhevel coffee table

United Kingdom, 1993 glass shards, enameled steel wire, halogen lights 21 w × 6 d × 18 h in (53 × 15 × 46 cm)

Mexico, c. 1958 brass, ceramic inlay, glass 17 ¾ dia × 17 ¾ h in (45 × 45 cm)

Belgium, c. 1972 laminate over pressboard, etched brass 39 ¼ w × 39 ¼ d × 13 h in (100 × 100 × 33 cm)

$ 4,000 – 6,000

$ 7,000 – 9,000

$ 1,000 – 1,500

288 Moroccan pile carpet 2nd quarter 20th Century hand-knotted wool 156 w × 180 l in (396 × 457 cm) $ 10,000 – 15,000

289 1940s lounge chairs, pair upholstery, carved and lacquered wood 29 w × 35 d × 30 h in (74 × 89 × 76 cm) $ 10,000 – 15,000

290 Joaquim Tenreiro Mesa Triangular Brazil, 1960 jacaranda, reverse-painted glass 72 w × 70 ¾ d × 29 ½ h in (183 × 180 × 75 cm) $ 30,000 – 50,000

Literature: Móvel Brasileiro Moderno, Vasconcellos and Brage, pg. 101 Provenance: R and Company, New York Private Collection

291 Joaquim Tenreiro dining chairs, set of nine Brazil, c. 1960 jacaranda, vinyl 23 w × 22 ½ d × 28 h in (58 × 57 × 71 cm) $ 40,000 – 60,000

Literature: Tenreiro, Cals, ppg. 120–121 Provenance: R and Company, New York Private Collection

292 Robert Kleinschmidt occasional table from the Powell/ Kleinschmidt Apartment, Naples USA, 1980 lacquered wood, powder-coated steel 21 dia × 13 ¼ h in (53 × 34 cm) $ 1,000 – 1,500

Provenance: Powell/Kleinschmidt Apartment, Naples, FL

293 Robert Kleinschmidt bed from the Robert Kleinschmidt Residence, Chicago USA, 1972 leather, stained oak, mirror-polished stainless steel, upholstery 55 w × 75 d × 26 h in (140 × 191 × 66 cm) Both the custom bolster and pillow feature original upholstery, the bolster is covered in Doria II fabric by Jack Lenor Larsen and the pillows features antique Japanese fabric. $ 5,000 – 7,000

Provenance: Collection of Robert Kleinschmidt, Chicago

294

295

Ado Chale coffee table

Ado Chale coffee tables, pair

Belgium, c. 1970 cast resin with inlaid hematite, steel, gold-mounted Ceylon ruby 39 dia × 13 ¾ h in (99 × 35 cm)

Belgium, c. 1970 cast resin, hematite, enameled steel, gold-mounted Ceylon ruby 23 ½ w × 19 ½ d × 13 ¾ h in (60 × 50 × 35 cm)

Inlaid brass signature with custom inset gold-mounted Ceylon ruby to edge: [Chale].

Inlaid brass signature with custom inset gold-mounted Ceylon ruby to edge of each example: [Chale].

$ 10,000 – 15,000

$ 20,000 – 30,000

Literature: Ado Chale, studio catalog, unpaginated, illustrates a similar example

Provenance: Private Collection, Paris Wright, Living Contemporary: A Private Paris Collection, 24 June 2010, Lot 109 Private Collection

296 Vladimir Kagan bench USA, c. 1950 | Grosfeld House walnut 72 w × 16 d × 12 h in (183 × 41 × 30 cm) $ 3,000 – 5,000

Literature: The Complete Kagan: A Lifetime of Avant-Garde Design, Kagan, pg. 103 illustrates related form

297 Vladimir Kagan Contour lounge chairs, pair USA, 1954 | Kagan-Dreyfuss, Inc. walnut, upholstery 29 ½ w × 34 ½ d × 32 h in (75 × 88 × 81 cm) $ 10,000 – 15,000

Literature: The Complete Kagan: A Lifetime of Avant-Garde Design, Kagan, pg. 125

298 Jacques Quinet andirons, pair France, 1965 wrought iron 4 ¾ w × 14 ¾ d × 6 ¼ h in (12 × 37 × 16 cm) These andirons are from the collection of a close collaborator of the artist. $ 7,000 – 9,000

Literature: Jacques Quinet, Maldonado, ppg. 55–56, 183 illustrate similar examples

299 Vladimir Kagan sofa USA, c. 1975 | Directional upholstery, oak, Lucite 94 w × 48 d × 28 ½ h in (239 × 122 × 72 cm) $ 7,000 – 9,000

Provenance: Private Collection, Paris Wright, Living Contemporary: A Private Paris Collection, 24 June 2010, Lot 133 Private Collection

300 Hermès table lamp France, c. 1990 top-stitched and stacked box leather, paper, matte chrome-plated steel 3 w × 3 d × 14 h in (8 × 8 × 36 cm) Signed with stamped manufacturer’s mark to underside: [Hermès Paris Made in France]. $ 2,000 – 3,000

301 Vladimir Kagan nightstands, pair USA, c. 1950 | Grosfeld House walnut 28 w × 16 d × 22 h in (71 × 41 × 56 cm) Each nightstand features one door concealing two shelves. $ 5,000 – 7,000

Literature: The Complete Kagan: A Lifetime of Avant-Garde Design, Kagan, ppg. 98–99 illustrate similar forms

302

303

Philippe Starck Tito Lucifer andirons, pair

Vladimir Kagan bench

France, 1986 | OWO steel 3 ¼ w × 15 d × 11 h in (8 × 38 × 28 cm)

USA, c. 1955 | Kagan-Dreyfuss, Inc. walnut, upholstery 68 w × 31 d × 16 ½ h in (173 × 79 × 42 cm)

These andirons were designed in 1986 and produced exclusivley for Starck’s famous Royalton Hotel interior. Cast signature to underside of each example: [Starck IN OWO].

$ 3,000 – 5,000

$ 2,000 – 3,000

Provenance: Royalton Hotel, New York Private Collection

304 Vladimir Kagan chaise lounge, model 177LS USA, c. 1959 | Kagan-Dreyfuss, Inc. upholstery, walnut 57 ½ w × 29 d × 32 h in (146 × 74 × 81 cm) $ 10,000 – 15,000

Literature: Kagan-Dreyfuss, Inc., manufacturer’s catalog, unpaginated

305 Vladimir Kagan Serpentine sofa USA, c. 1955 | Kagan-Dreyfuss, Inc. upholstery, oak 131 w × 67 d × 29 h in (333 × 170 × 74 cm) $ 10,000 – 15,000

Literature: The Complete Kagan: A Lifetime of Avant-Garde Design, Kagan, ppg. 120–121 Provenance: Private Collection, Paris Wright, Living Contemporary: A Private Paris Collection, 24 June 2010, Lot 102 Private Collection

306 Laurence Montano table lamp France, c. 2000 cast plaster 8 ½ dia × 15 ½ h in (22 × 39 cm) Incised signature to base: [LM]. $ 2,000 – 3,000

307 John Dickinson table, model 103 USA, c. 1975 painted plaster 30 ¼ w × 20 ¼ d × 23 h in (77 × 51 × 58 cm) $ 7,000 – 9,000

Literature: Modern Americana: Studio Furniture from High Craft to High Glam, Merrill and Iovine, ppg. 228–235

308 Karl Springer Dowelwood ottomans, pair USA, c. 1975 | Karl Springer, Ltd. ash, upholstery 34 w × 34 d × 20 h in (86 × 86 × 51 cm) Sold with a certificate of authentication from Tom Langevin, former director of Karl Springer, Ltd. $ 3,000 – 5,000

309 Francois-Xavier Lalanne Barracuda letter opener France, 1998 | Baccarat crystal, fruitwood, brass 10 ¼ w × ½ d × 1 ½ h in (26 × 1 × 4 cm) Incised to lower edge: [Baccarat fxl 19]. $ 7,000 – 9,000

retouch

310 Mario Ceroli Rosa dei Venti table Italy, 1974 | Poltronova brass, laminated pine and rosewood 64 ½ dia × 29 h in (164 × 74 cm) $ 10,000 – 15,000

Literature: Facendo Mobili con Poltronova, Santini, pg. 44 Provenance: BC Holland, Chicago Private Collection, Kildeer, IL

311

312

T.H. Robsjohn-Gibbings Trapeza table

T.H. Robsjohn-Gibbings occasional tables, set of two

United Kingdom/Greece, 1961 Saridis of Athens walnut 32 ¾ w × 19 ¼ d × 17 ¾ h in (83 × 49 × 45 cm)

United Kingdom/USA, c. 1958 | Widdicomb mahogany, walnut 21 w × 21 d × 16 ¼ h in (53 × 53 × 41 cm)

Signed with applied metal manufacturer’s label to underside: [Designed by - T.H. Robsjohn Gibbings Manufactured by Saridis of Athens]. Signed with impressed manufacturer’s mark to underside: [57841]. $ 2,000 – 3,000

Literature: T.H. Robsjohn-Gibbings Furniture of Classical Greece, Pullin, pg. 105

Additional example measures: 21 w × 12 d × 21.25 h inches. Signed with applied manufacturer’s label to underside of one example: [Widdicomb Designed by T.H. Robsjohn-Gibbings]. $ 1,000 – 1,500

313 T.H. Robsjohn-Gibbings sofa, model 1678 United Kingdom/USA, c. 1955 | Widdicomb bleached walnut, upholstery 84 w × 34 d × 35 h in (213 × 86 × 89 cm) $ 3,000 – 5,000

Literature: Widdicomb, manufacturer’s catalog, unpaginated

314 T.H. Robsjohn-Gibbings lounge chairs model 1720, pair United Kingdom/USA, c. 1955 | Widdicomb walnut, canvas webbing 26 ½ w × 33 d × 31 ½ h in (67 × 84 × 80 cm) Signed with applied fabric manufacturer’s label to seat of each example: [Widdicomb Grand Rapids]. $ 5,000 – 7,000

Literature: Widdicomb, manufacturer’s catalog, unpaginated

315 T.H. Robsjohn-Gibbings benches model 1797, pair United Kingdom/USA, c. 1955 | Widdicomb walnut, brass, canvas webbing 36 w × 19 ½ d × 17 ½ h in (91 × 50 × 44 cm) $ 5,000 – 7,000

Literature: Widdicomb, manufacturer’s catalog, unpaginated

316 Edward Wormley Janus occasional table, model 6047 USA, 1960 | Dunbar lacquered mahogany, Tiffany Studios glass tiles, brass 13 ½ w × 15 d × 23 ¼ h in (34 × 38 × 59 cm) Signed with gold rectangular manufacturer’s label to underside: [Dunbar Berne, Indiana]. $ 10,000 – 15,000

Literature: Edward Wormley: The Other Face of Modernism, Gura, Kennedy and Weinberg, pg. 47

317 Amphora mirror Belgium, c. 1965 glazed earthenware, mirrored glass 23 dia × 1 ½ d in (58 × 4 cm) $ 2,000 – 3,000

318 Edward Wormley dining table, model 5640 USA, 1954 | Dunbar mahogany, lacquered wood, brass 72 w × 42 d × 29 ¼ h in (183 × 107 × 74 cm) Sold with three 12-inch leaves; table measures 108 inches when fully extended.

Signed with applied green metal manufacturer’s label to underside: [Dunbar Berne, Indiana]. $ 5,000 – 7,000

Literature: Dunbar: Fine Furniture of the 1950s, Piña, ppg. 84, 187

319 Edward Wormley armchairs model 5480, set of six USA, 1954 | Dunbar lacquered wood, cane, leather, brass 25 w × 24 d × 32 ½ h in (64 × 61 × 83 cm) Signed with applied green rectangular manufacturer’s label to underside of each example: [Dunbar Berne Indiana]. $ 7,000 – 9,000

Literature: Dunbar: Fine Furniture of the 1950s, Piña, ppg. 44, 185, 101, 182 Edward Wormley: The Other Face of Modernism, Gura, Kennedy and Weinberg, pg. 37

320 Elizabeth Garouste and Mattia Bonetti floor lamp France, c. 1995 gilt wrought iron, parchment, cord 16 w × 21 ½ d × 72 h in (41 × 55 × 183 cm) Lamp height is adjustable between 65 and 72 inches. Signed with impressed manufacturer’s mark to base: [BG]. $ 5,000 – 7,000

321 T.H. Robsjohn-Gibbings pouf, model 1745 United Kingdom/USA, c. 1950 | Widdicomb cowhide, mahogany, brass 43 dia × 17 h in (109 × 43 cm) $ 5,000 – 7,000

Literature: Widdicomb, manufacturer’s catalog, unpaginated

322 T.H. Robsjohn-Gibbings nightstands, pair United Kingdom/USA, 1953 | Widdicomb walnut, brass, cane 20 ½ w × 21 d × 23 ½ h in (52 × 53 × 60 cm) Signed with applied fabric manufacturer’s label to drawer of each example: [Widdicomb Designed by T.H. RobsjohnGibbings]. $ 3,000 – 5,000

Literature: Widdicomb: Designed by T.H. Robsjohn-Gibbings, manufacturer’s catalog, unpaginated, illustrates series

323 Paul Dupré-Lafon desk set France, c. 1940 | Hermès top-stitched and stacked red box leather, crystal, brass, plastic, acrylic 21 ¾ w × 15 ¼ d × 4 h in (55 × 39 × 10 cm) Set includes desk blotter, ink blotter, cigar holder, ashtray, writing pad, inkwell, letter organizer, pen holder and desk clock.

Signed with impressed manufacturer’s mark to six elements: [Hermès Paris]. $ 15,000 – 20,000

Provenance: Private Collection, Paris

324 Ole Wanscher cabinet Denmark, c. 1945 | A.J. Iversen Snedkermester rosewood, brass 74 ¾ w × 17 ½ d × 47 h in (190 × 44 × 119 cm) Cabinet features four doors concealing four adjustable shelves and six drawers above four drawers. $ 5,000 – 7,000

Provenance: Private Collection Wright, Scandinavian Design, 16 May 2013, Lot 115 | Private Collection, New York

325 Frits Henningsen settee Denmark, c. 1940 leather, mahogany, brass 54 w × 31 d × 36 ½ h in (137 × 79 × 93 cm) $ 3,000 – 5,000

326 Grillo Demo occasional table Argentina/United Kingdom, c. 2002 David Gill, Ltd. cast and enameled aluminum, enameled steel, ceramic, glass tiles 19 ¾ w × 19 ¾ d × 28 ¼ h in (50 × 50 × 72 cm) Impressed signature to one leg: [David Gill]. $ 3,000 – 5,000

327 Roland Brice and Fernand Léger tableware collection France, c. 1955 glazed ceramic 6 w × 5 ½ d × 9 ¼ h in (15 × 14 × 23 cm) Collection includes one large pitcher, one small pitcher, creamer, sugar bowl, six cups, four saucers and four mugs.

Glazed signature to underside of ten elements: [R. Brice Biot.am]. $ 3,000 – 5,000

Fernand Léger began working with ceramics in 1951 with his former student Roland Brice. Brice, already an experienced ceramicist, executed the clay forms to Leger’s specifications and together, the duo produced ceramics until Leger’s death in 1955.

328 Massimo Vignelli chandelier Italy, c. 1950 | Venini glass, enameled brass, brass 16 dia × 60 h in (41 × 152 cm) Signed with paper manufacturer’s label to one shade: [Venini Murano Venezia N. 9106 Made in Italy]. $ 7,000 – 9,000

Literature: La Luce Italiana: Design delle Lampade 1945–2000, Bassi, pg. 191 illustrates variation

329 Stilnovo floor lamp Italy, c. 1960 enameled brass, enameled steel, marble, enameled aluminum, brass 28 dia × 90 h in (71 × 229 cm) $ 5,000 – 7,000

330 Gianmaria Potenza sconces, pair Italy, c. 1970 | La Murrina glass, chrome-plated brass 3 ½ w × 3 d × 9 h in (9 × 8 × 23 cm) $ 2,000 – 3,000

331 Guglielmo Ulrich, attribution dining chairs, set of eight Italy, c. 1945 beech, upholstery 19 ½ w × 20 ¼ d × 31 ¾ h in (50 × 51 × 81 cm) $ 5,000 – 7,000

332 Alessandro Pianon Pulcini Italy, c. 1963 | Vistosi glass, copper 4 w × 4 ¼ d × 8 ½ h in (10 × 11 × 22 cm) $ 3,000 – 5,000

Literature: 20th Century Murano Glass, Heiremans, fig. 211 Murano: Glass from the Olnick Spanu Collection, Olnick and Spanu, pg. 181

333 Gio Ponti vanity and mirror Italy, 1953 | Giordano Chiesa olive wood, mirrored glass, brass 37 ¼ w × 18 ½ d × 48 ¼ h in (95 × 47 × 123 cm) Vanity features two drawers. $ 5,000 – 7,000

Literature: Gio Ponti: l’Arte Si Innamora dell’Industria, La Pietra, ppg. 365, 367 illustrate variation Gio Ponti e la committenza Fernandes, Mautone, ppg. 14, 39, 48, 49

334 Gio Ponti nightstands, pair Italy, c. 1955 | Singer & Sons Italian walnut 18 ¾ w × 14 ¾ d × 27 ¼ h in (48 × 37 × 69 cm) Nightstands each feature one drawer and one door concealing storage. $ 5,000 – 7,000

Provenance: Collection of the Singer Family

335 Max Ingrand chandelier, model 1441 Italy, c. 1954 | Fontana Arte crystal, brass, aluminum 33 ¼ dia × 29 h in (84 × 74 cm) $ 15,000 – 20,000

Literature: Fontana Arte: Gio Ponti, Pietro Chiesa, Max Ingrand, Deboni, fig. 313

336 Angelo Lelii wall lamps, pair Italy, c. 1950 | Arredoluce brass, enameled aluminum 3 ½ w × 22 d × 56 h in (9 × 56 × 142 cm) $ 3,000 – 5,000

337 Gio Ponti display cabinet, model 2140 Italy, 1957 | Singer & Sons Italian walnut, lacquered wood, brass 68 w × 19 d × 80 ½ h in (173 × 48 × 204 cm) Cabinet features two doors concealing one adjustable shelf, three drawers and one drop-front cabinet concealing a single shelf. $ 20,000 – 30,000

Literature: Singer & Sons, manufacturer’s catalog, unpaginated

338 Marco Zanuso Lady chairs, pair and ottoman Italy, 1951 | Arflex upholstery, brass 31 w × 33 d × 31 h in (79 × 84 × 79 cm) Ottoman measures: 22 w × 23 d × 13 h inches. $ 5,000 – 7,000

Literature: Il Mobile Italiano Degli Anni ‘40 e ‘50, de Guttry and Maino, pg. 282 Repertorio 1950–1980, Gramigna, pg. 65

339 Esperia adjustable floor lamp Italy, c. 1955 enameled steel, brass, marble, enameled aluminum 48 w × 13 ½ d × 58 h in (122 × 34 × 147 cm) $ 5,000 – 7,000

Provenance: Private Collection

340 Robert Mango occasional table c. 1950 mahogany, brass, glass 22 dia × 20 ½ h in (56 × 52 cm) $ 2,000 – 3,000

341 Max Ingrand chandelier Italy, 1958 | Fontana Arte crystal, brass 32 dia × 39 h in (81 × 99 cm) $ 20,000 – 30,000

Literature: Fontana Arte: Una Storia Transparente, Falconi, pg. 96 Provenance: Acquired circa 1960 by the present owner

342 Franco Albini Luisa chairs, pair Italy, 1950 | Poggi walnut, upholstery 22 w × 22 d × 30 ½ h in (56 × 56 × 77 cm) $3,000 – 5,000

Literature: Repertorio 1950–1980, Gramigna, pg. 59

343 Franco Albini table, model TL2 Italy, c. 1950 | Poggi walnut, enameled steel 71 w × 28 d × 27 ½ h in (180 × 71 × 70 cm) $ 5,000 – 7,000

Literature: Repertorio 1950–1980, Gramigna, pg. 61 Franco Albini, 1905–1977, Piva and Prina, pg. 269 Franco Albini 1930–1970, Helg, pg. 152

344 Guido Gambone Untitled Italy, 1950 glazed earthenware 8 w × 6 ¾ d × 21 ½ h in (20 × 17 × 55 cm) This sculpture was originally created for the exclusive retailer Frost Brothers in Canada. Glazed signature and inscription with donkey mark to underside: [Gambone Made in Italy - For Frost]. $ 5,000 – 7,000

Provenance: Frost Brothers, Canada Private Collection | Wright, Modern Design, 3 October 2004, Lot 380 Private Collection

345 Ico Parisi dining chairs, set of six Italy, 1961 | Cassina rosewood, upholstery 17 ½ w × 20 d × 31 h in (44 × 51 × 79 cm) Signed with decal manufacturer’s label to frame of one example: [Ca Figli Di Amedeo Cassina Meda Milano Italy]. $ 3,000 – 5,000

Literature: Ico Parisi: & Architecture, Gualdoni, pg. 194 Arredamento: Mobili Ambienti, Grigioni, fig. 201 Design Italiano: 1950–2000 vol. 1, Gramigna, pg. 19

346 Marco Zanuso Senior lounge chairs, pair Italy, 1951 | Arflex upholstery, brass 31 w × 36 d × 39 h in (79 × 91 × 99 cm) $ 3,000 – 5,000

Literature: Il Mobile Italian Degli Anni ‘40 e ‘50, de Guttry and Maino, pg. 283

347 Pietro Chiesa floor lamp Italy, 1938 | Fontana Arte brass, frosted glass 22 ¼ w × 12 ½ d × 92 h in (57 × 32 × 234 cm) $ 7,000 – 9,000

Provenance: Private Collection, Italy Phillips de Pury & Company, New York, Design, 3 June 2009, Lot 12 | Private Collection | Phillips, New York, Design, 11 June 2013, Lot 113 | Private Collection

348

349

Guido Gambone table lamp

Fabrizio Clerici coffee table

Italy, c. 1955 glazed stoneware, linen 15 ½ dia × 12 h in (39 × 30 cm)

Italy, c. 1940 marble, mahogany, brass 43 ¼ w × 20 ½ d × 15 ½ h in (110 × 52 × 39 cm)

Glazed signature and donkey mark to underside: [Gambone Italy]. $ 3,000 – 5,000

$ 10,000 – 15,000

Literature: Il Mobile Deco Italiano, de Guttry and Maino, pg. 53 Provenance: Wright, Design, 12 December 2013, Lot 356 | Private Collection

350 Angelo Lelii Triennale floor lamp, model 12128 Italy, 1947 | Arredoluce chrome-plated brass, enameled aluminum, chrome-plated and enameled steel 35 w × 35 d × 65 h in (89 × 89 × 165 cm) $ 5,000 – 7,000

Literature: Arredoluce Catalogue Raisonné: 1943–1987, Pansera, Padoan and Palmaghini, ppg. 114, 277, no. 7

351 Franco Campo and Carlo Graffi sofa Italy, c. 1959 | HOME upholstery, lacquered wood 54 w × 28 d × 31 h in (137 × 71 × 79 cm) $ 3,000 – 5,000

352 Stilnovo floor lamps, pair Italy, c. 1960 brass, enameled steel, marble, enameled brass, frosted glass 13 dia × 68 ¾ h in (33 × 175 cm) $ 5,000 – 7,000

353 Goodyear-Zeppelin Corporation Airship ladder USA, c. 1930 aluminum, pine 10 ¾ w × 4 d × 66 h in (27 × 10 × 168 cm) This airship ladder is thought to have originated from one of the four United States Navy rigid airships, specifically the USS Akron or her sister ship, the USS Macon which share the same circular details. $ 5,000 – 7,000

354 Joe Colombo Birillo stools, set of four

Literature: Joe Colombo and Italian Design of the Sixties, Favata, ppg. 76–77 Repertorio 1950–1980, Gramigna, pg. 346

Italy, 1970 | Zanotta stainless steel, plastic, vinyl, rubber 18 w × 19 d × 42 ½ h in (46 × 48 × 108 cm)

Provenance: Private Collection Wright, Design, 27 March 2014, Lot 348 Private Collection, New York

Signed with molded manufacturer’s mark to underside of each example: [Zanotta Mod. Bistro Des. Joe Colombo Made in Italy]. $ 5,000 – 7,000

355 Olivier Mourgue Djinn bench France, 1965 | Airborne International upholstery over foam and steel 50 w × 22 d × 15 h in (127 × 56 × 38 cm) $ 1,500 – 2,000

356 Jim Dine b. 1935 The Cartoons 1982 grease crayon and charcoal on paper 46 ½ h × 31 ½ w in (118 × 80 cm) Signed and dated to upper left ‘Jim Dine 1982’. $ 10,000 – 15,000

Exhibited: Jim Dine: Oeuvres, 1977 – 1996, September – December 1996, Didier Imbert Fine Art, Paris Provenance: Pace Wildenstein, New York Private Collection, Chicago

357 Cini Boeri Botolo rolling chairs, set of six Italy, 1973 | Arflex chrome-plated steel, Jack Lenor Larsen upholstery 21 w × 21 d × 29 h in (53 × 53 × 74 cm) Signed with decal manufacturer’s label to underside of each example: [Arflex]. $ 4,000 – 6,000

Literature: Repertorio 1950–1980, Gramigna, pg. 383

358 Pierre Paulin Tulip armchairs, pair France/The Netherlands, 1956 | Artifort upholstery, matte chrome-plated steel, plastic 35 w × 28 d × 29 h in (89 × 71 × 74 cm) $ 3,000 – 5,000

Literature: Pierre Paulin, Vedrenne and Fèvre, pl. 10 Furniture & Interiors of the 1960s, Bony, pg. 59

359 Rene-Jean Caillette dining table France, 1961 | Charron rosewood, chrome-plated brass, chrome-plated steel 72 ¾ w × 37 ¼ d × 28 ¾ h in (185 × 95 × 73 cm) Table features one drawer to each end.

Signed with decal manufacturer’s label to drawer: [Charron Paris XI]. $ 10,000 – 15,000

Literature: Les Decorateurs Des Annees 50, Favardin, pg. 195 Provenance: Private Collection, New York Wright, Important Design, 8 December 2009, Lot 231 | Private Collection, New York

360 Leon Polk Smith 1906–1996 Untitled (four works) 1995 collage on paper 20 h × 14 w in (51 × 36 cm) One work measures: 14 h × 20 w inches.

Signed and dated to lower right of each work ‘LPS 95’. $ 2,000 – 3,000

361 Carlo Nason pendant lamp, model LS 134 Italy, c. 1969 | Mazzega glass, chrome-plated steel, frosted glass 16 dia × 18 h in (41 × 46 cm) $ 3,000 – 5,000

Literature: A.V. Mazzega 9, manufacturer’s catalog, ppg. 10–11 Provenance: Collection of Guy Chirico, Sr. Thence by descent

362 Pierre Paulin Square Mushroom armchairs model F564, pair and ottomans France/The Netherlands, 1962 | Artifort upholstery over foam and steel 35 w × 32 d × 25 ½ h in (89 × 81 × 65 cm) Ottoman measures: 20 dia × 14.5 h inches.

Signed with applied metal manufacturer’s label to underside of each example: [Artifort Design: Pierre Paulin Made in Netherlands]. $ 3,000 – 5,000

Literature: Pierre Paulin, Pitiot, pg. 28 Pierre Paulin: Un Univers de Formes, Chapoutot, ppg. 8, 38–40 illustrate related forms

363 Pierre Paulin Square Mushroom sofa, model C565 France/The Netherlands, 1962 | Artifort upholstery over foam and steel 58 w × 32 d × 27 h in (147 × 81 × 69 cm) Signed with applied metal manufacturer’s label to underside: [Artifort Design: Pierre Paulin Made in Netherlands]. $ 3,000 – 5,000

Literature: Pierre Paulin, Pitiot, pg. 28 illustrates related form

364 Gruppo A.R.D.I.T.I. and Gianni Gamberini floor lamp, model B.T.4 Italy, 1971 | Sormani Nucleo matte chrome-plated steel, lacquered wood, steel wire, magnets, plastic 48 w × 48 d × 80 h in (122 × 122 × 203 cm) $ 3,000 – 5,000

Literature: Italian Light: 1960–1980, Parma and Vannicola, pg. 117

365 French lounge chair and ottoman c. 1975 matte chrome-plated steel, cast aluminum, vinyl 35 w × 31 d × 36 h in (89 × 79 × 91 cm) Ottoman measures: 25 w × 23 d × 15 h inches. $ 3,000 – 5,000

366 Pierre Paulin Butterfly chairs model 675, pair France/The Netherlands, 1963 | Artifort chrome-plated steel, leather, plastic 32 ½ w × 28 d × 25 h in (83 × 71 × 64 cm) $ 3,000 – 5,000

Literature: Pierre Paulin: Un Univers de Formes, Chapoutot, pg. 42 Provenance: Private Collection, California

367 Leon Polk Smith 1906–1996 Untitled (four works) 1995/96 collage on paper 20 h × 14 ¼ w in (51 × 36 cm) One work measures: 14.25 h × 20 w inches.

Signed and dated to lower right of two works ‘LPS 95’. Signed and dated to lower right of two works ‘Leon Polk Smith 96’. $ 2,000 – 3,000

368 Raphaël armchairs, pair France, 1973 chrome-plated steel 28 w × 30 d × 30 h in (71 × 76 × 76 cm) $ 2,000 – 3,000

Literature: Raphaël: Décorateur, Bloch-Champfort, pg. 191

369 Joe Colombo Combi-Center bar Italy, 1963–1964 | Bernini stained beech, aluminum, rubber 32 ¾ dia × 39 h in (83 × 99 cm) Joe Colombo’s Combi-Center system, comprised of various cylindrical units, was awarded the silver medal at the 13th Triennale. Bar features divided storage above two sliding doors. $ 5,000 – 7,000

Literature: Joe Colombo: Inventing the Future, Kreis and von Vegesack, ppg.

150–151 I Colombo: Joe Colombo 1930–1971, Gianni Colombo 1937–1993, Fagone, pg. 126

370 George Nelson & Associates Clocknik table clock, model 2270B USA, 1959 | Howard Miller Clock Company stainless steel, brass, enameled aluminum, steel wire 5 ¼ w × 7 d × 6 h in (13 × 18 × 15 cm) Signed with stamped manufacturer’s mark to underside: [2270 C-PP]. $ 3,000 – 5,000

Literature: George Nelson: Architect, Writer, Designer, Teacher, von Vegesack and Eisenbrand, pg. 296

371 Arne Jacobsen Swan settee, model 3321 Denmark, 1958 | Fritz Hansen leather, cast aluminum, plastic 57 ½ w × 28 d × 30 ½ h in (146 × 71 × 77 cm) $ 5,000 – 7,000

Literature: Arne Jacobsen, Thau and Vindum, pg. 470

372 Hans J. Wegner Early Flag Halyard lounge chair Denmark, c. 1950 | Getama enameled steel, matte chrome-plated steel, flagline, upholstery, leather, stained beech 41 ½ w × 44 d × 32 h in (105 × 112 × 81 cm) This early Flag Halyard chair features wooden shoes, a feature that was changed shortly after the start of production. $ 10,000 – 15,000

Literature: Hans J. Wegner, Bernsen, ppg. 40–41 Danish Chairs, Oda, pg. 112

373 Josef Frank cabinet, model 881 Austria/Sweden, 1938/c. 1950 Svenskt Tenn maple burl, walnut, brass, birch 35 ½ w × 18 d × 47 ½ h in (90 × 46 × 121 cm) Cabinet features nineteen drawers. $ 10,000 – 15,000

Literature: Tjugo ar i Svenskt Tenn, Johansson, unpaginated Provenance: Collection of James Whyte, Washington D.C. | Thence by descent

374 Greta Magnusson Grossman table lamp Sweden/USA, 1949 | Ralph O. Smith brass, enameled aluminum 6 ½ w × 13 ½ d × 15 ½ h in (17 × 34 × 39 cm) $ 3,000 – 5,000

Literature: Greta Magnusson Grossman: Designer, Kane, pg. 28 and inside cover Provenance: Private Collection, New York

375 Henry Glass Swingline cabinet USA, 1952 | Fleetwood Furniture Company lacquered masonite, masonite, walnut 31 ¾ w × 17 ½ d × 33 ¼ h in (81 × 44 × 84 cm) Cabinet features four compartments that swivel open. $ 5,000 – 7,000

Literature: Henry P. Glass Associates, studio catalog, pg. 5 illustrates works from series Provenance: Private Collection, New York

376 Jasper Morrison Superoblong sofa United Kingdom/Italy, 2004 | Cappellini canvas upholstery 112 w × 36 d × 25 h in (284 × 91 × 64 cm) Ottoman measures: 44 w × 39 d × 16 h inches. Sofa is composed of four seating elements with blue zippers that can be joined together in various configurations or used independently. $ 6,000 – 8,000

377 Jasper Morrison Superoblong sofa United Kingdom/Italy, 2004 | Cappellini canvas upholstery 172 w × 36 d × 25 h in (437 × 91 × 64 cm) Ottoman measures: 44 w × 39 d × 16 h inches. Sofa is composed of six seating elements with blue zippers that can be joined together in various configurations or used independently. $ 6,000 – 8,000

378

379

380

Irving Harper 1916–2015 Untitled

Irving Harper 1916–2015 Untitled

Irving Harper 1916–2015 Untitled (Head)

c. 1960 string, nails, paper 31 ¾ h × 25 ½ w × 4 d in (81 × 65 × 10 cm)

c. 1960 paper construction 64 h × 15 w × 2 ¾ d in (163 × 38 × 7 cm)

c. 1960 painted paper construction 15 ½ h × 9 ½ w × 11 d in (39 × 24 × 28 cm)

$ 1,500 – 2,000

$ 3,000 – 5,000

$ 3,000 – 5,000

Provenance: Collection of the artist Wright, Irving Harper Paper Sculptures, 21 January 2016, Lot 224 | Private Collection

Literature: Irving Harper: Works in Paper, Maharam, ppg. 86, 99, 104–105

Literature: Irving Harper: Works in Paper, Maharam, ppg. 60–62

Provenance: Collection of the artist Wright, Irving Harper Paper Sculptures, 21 January 2016, Lot 406 | Private Collection

Provenance: Collection of the artist Wright, Irving Harper Paper Sculptures, 21 January 2016, Lot 269 | Private Collection

381 Ilmari Tapiovaara Domus stacking chairs, set of six Finland, 1946 | Keravan Puuteollisuus Ltd. birch, molded birch plywood 22 ½ w × 20 d × 30 ½ h in (57 × 51 × 77 cm) $ 2,000 – 3,000

Provenance: Alan Koppel Gallery, Chicago Private Collection

The Domus chairs were Tapiovaara’s most commercially successful designs; designed in 1946, they were distributed in America

by Knoll beginning in 1951 and Artek began manufacturing the form in 2010.

These early examples were produced by Keravan Puuteollisuus Ltd., Finland where Tapiovaara served as both the artistic and business director.

382

383

Charles and Ray Eames ESU 270-C

Charles and Ray Eames ESU 270-C

USA, 1950 | Herman Miller birch, chrome-plated steel, lacquered masonite, enameled steel 24 w × 17 d × 32 ½ h in (61 × 43 × 83 cm)

USA, 1950 | Herman Miller birch, chrome-plated steel, lacquered masonite, enameled steel 24 w × 17 d × 32 ½ h in (61 × 43 × 83 cm)

Signed with partial decal manufacturer’s label to drawer of one example: [Herman Miller Furniture Company Zeeland Michigan Designed by Charles Eames].

$ 5,000 – 7,000

$ 5,000 – 7,000

Literature: Eames Design: The Work of the Office of Charles and Ray Eames, Neuhart, Neuhart and Eames, ppg. 126–129 The Herman Miller Collection, manufacturer’s catalog, 1952, ppg. 102–105

Literature: Eames Design: The Work of the Office of Charles and Ray Eames, Neuhart, Neuhart and Eames, ppg. 126–129 The Herman Miller Collection, manufacturer’s catalog, 1952, ppg. 102–105

384 Poul Kjaerholm PK 24 chaise from the Powell/Kleinschmidt Apartment, Naples Denmark, 1967/1978 | E. Kold Christensen cane, stainless steel, calfskin leather 63 w × 26 d × 32 h in (160 × 66 × 81 cm) $ 10,000 – 15,000

Literature: The Furniture of Poul Kjaerholm: Catalogue Raisonné, Sheridan, ppg. 142–145 Provenance: Powell/Kleinschmidt Apartment, Naples, FL

385 Jules Wabbes wall-mounted coat rack Belgium, 1950 | Mobilier Universel wenge, matte chrome-plated steel, polished aluminum 39 ¼ w × 2 ¼ d × 76 h in (100 × 6 × 193 cm) Signed with impressed manufacturer’s mark to reverse of each hook: [Wabbes]. $ 5,000 – 7,000

Provenance: Collection of Michael Maharam, New York | Wright, Design, 17 October 2013, Lot 388 | Private Collection

386 George Nelson & Associates miniature cabinet, model 5211 USA, 1950 | Herman Miller walnut, stained ash, enameled aluminum, porcelain 20 ¼ w × 13 ¾ d × 31 h in (51 × 35 × 79 cm) Cabinet features four drawers and one door concealing storage. $ 7,000 – 9,000

Literature: George Nelson: Architect, Writer, Designer, Teacher, von Vegesack and Eisenbrand, pg. 245 The Herman Miller Collection, manufacturer’s catalog, 1955, unpaginated

387 Poul Kjaerholm PK 62 low table Denmark, 1968 | E. Kold Christensen marble, matte chrome-plated steel 32 ½ w × 10 ½ d × 6 ¾ h in (83 × 27 × 17 cm) Signed with impressed manufacturer’s mark to base. $ 3,000 – 5,000

Literature: The Furniture of Poul Kjaerholm: Catalogue Raisonné, Sheridan, ppg. 150–151 Provenance: Collection of Reed and Delphine Krakoff

388 Poul Kjaerholm PK 22 lounge chairs, pair Denmark, 1956 | E. Kold Christensen leather, matte chrome-plated steel 24 ¾ w × 26 d × 28 ½ h in (63 × 66 × 72 cm) Signed with impressed manufacturer’s mark to each example. $ 5,000 – 7,000

Literature: Poul Kjaerholm, Utzon, ppg.

26–27, 85 The Furniture of Poul Kjaerholm: Catalogue Raisonné, Sheridan, ppg.

72–75 E. Kold Christensen, manufacturer’s catalog, 1964, unpaginated

389 William Pahlmann console USA, c. 1955 ash 84 w × 16 ½ d × 36 h in (213 × 42 × 91 cm) Console features three drawers. $ 3,000 – 5,000

Provenance: Eric Appel, New York Private Collection

390 Philip Johnson nine outdoor lights from the Amon Carter Museum of American Art, Fort Worth USA, 1961 enameled bronze 9 dia × 31 h in (23 × 79 cm) $ 10,000 – 15,000

Provenance: Amon Carter Museum of American Art, Fort Worth Private Collection

This set of outdoor lamps comes from the Amon Carter Museum of American Art in Fort Worth, Texas designed by Philip Johnson in 1961. The museum building underwent a series of additions and renovations over the years (all under Johnson’s supervision), and was most recently vastly expanded in 2001, the 50,000 plus square-foot addition spearheaded by Johnson himself.

Approximately twenty-five of these lamps were installed on the museum campus in 1961. They were removed from the exterior during the 1980s and recently deaccessioned by the museum in 2015.

391 Isamu Noguchi Early and Rare Akari Light Sculptures model 19A, pair USA/Japan, c. 1951 | Ozeki & Co., Ltd. rice paper, bamboo, steel wire 20 dia × 20 h in (51 × 51 cm) Model 19A was the first globe-shaped light in the Akari series, identifiable by the suffix ‘A’. The present lamps retain their original packaging marked with the model number, making these highly desirable, early examples of Noguchi’s iconic lights.

Signed with stamped manufacturer’s mark to each example: [Japan].

Sold with original packaging. $ 5,000 – 7,000

Provenance: Private Collection, Grand Rapids, MI

392 Charles and Ray Eames La Chaise USA/Germany, 1948/1993 | Vitra lacquered fiberglass, oak, chrome-plated steel 58 w × 34 d × 33 ½ h in (147 × 86 × 85 cm) Though first introduced at the Museum of Modern Art, New York in 1948, La Chaise was not produced until 1993.

Signed with decal manufacturer’s label to underside: [Original Eames Chaise Charles Eames Vitra]. $ 3,000 – 5,000

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Security As security for full payment to us of all amounts due from the buyer and prompt collection of your purchased Lots in accordance with these Terms, we retain, and the buyer grants to us, a security interest in any Lot purchased by the buyer in accordance with these Terms (and any proceeds thereof), and in any other property or money of the buyer in our possession or coming into our possession subsequently (“Security Interest”). We may apply any such money or treat any such property in any manner permitted under the Uniform Commercial Code and/or any other applicable law. You hereby grant us the right to prepare and file, any documents sought by us to protect and confirm our security interests including but, not limited to a UCC-1 Financing Statement.

Export, Import and Endangered Species Licenses and Permits Before bidding for any property, prospective buyers are advised to make their own inquiries as to whether a license is required to export a lot from the United States or to import it into another country. Prospective buyers are advised that some countries prohibit the import of property made of or incorporating plant or animal material, such as coral, crocodile, ivory, whalebone, Brazilian rosewood, rhinoceros horn or tortoiseshell, irrespective of age, percentage or value. Accordingly, prior to bidding, prospective buyers considering export of purchased lots should familiarize themselves with relevant export and import regulations of the countries concerned. It is solely the buyer’s responsibility to comply with these laws and to obtain any necessary export, import and endangered species licenses or permits. Failure to obtain a license or permit or delay in so doing will not justify the cancellation of the sale or any delay in making full payment for the lot. As a courtesy to clients, Wright will advise clients who inquire about lots containing potentially regulated plant or animal material, but we do not accept liability for errors or for failing to advise on lots containing protected or regulated species.

Delivery Buyer is solely responsible for collection of purchased Lots from Wright facilities, including making arrangements and paying all costs associated with packing and delivery. We may, as a courtesy to the buyer, provide or arrange packing, shipping or similar logistical services, or refer the buyer to third parties who specialize in these services. Any such services referred, provided or arranged by us are at the buyer’s sole risk and expense, we assume no responsibility for any act or omission of any party in connection with any such service or reference, and we make no representations or warranties regarding such parties or their services.

You expressly release Wright from any and all liability arising from your use of any third-party website or services.

Storage, Abandonment and Related Charges All purchased Lots not collected from Wright’s facilities by buyer or buyer’s authorized agents within thirty (30) days following the Sale Date will become subject to storage fees of not less than $ 5 per day. A late payment fee equal to 1.5 % per month may be assessed on any Buyer Costs remainingx unpaid thirty (30) days following the Sale Date. If a purchased Lot has not been collected from us within sixty (60) days after the Sale Date, and Wright has not consented to continue to store the Lot, the buyer will be deemed to have defaulted under these Terms, and, in addition to any other remedies we may have at law or equity, we shall be entitled to foreclose on the Security Interest by selling such Lots and using the proceeds from such sale for any purpose (including payment of storage fees and administrative expenses of handling such matter), without any further liability to the buyer. You agree that this remedy is reasonable in light of the costs Wright would have to incur to continue to store and process purchased Lots after sale.

Breach If a buyer fails to make timely payment as required in these Terms, or breaches any other covenant, representation or warranty in this Agreement, we shall be entitled, in our discretion, to exercise any remedies legally available to us, including, but not limited to, the following: i. cancellation of the sale of the Lot to the non-paying buyer, including the sale of any other Lot to the same buyer (whether or not paid); ii. reselling the Lot, at public or private sale, with or without reserve; iii. retention of all amounts already paid by the buyer to Wright, which shall constitute a processing and restocking fee (which you acknowledge would be reasonable in light of the costs Wright would have to incur to process your breach and attempt to re-auction or resell the Lot); iv. rejection of any Bids by the buyer at future auctions; v. setting-off any amounts owed by Wright to the buyer in satisfaction of unpaid amounts; and/or vi. taking any other action we deem necessary or appropriate under the circumstances.

Confession of Judgment If you default on payment of one or more Purchase Price Bids under this Agreement, you hereby authorize any attorney to appear in a court of record and confess judgment against you in favor of Wright for the payment of such Purchase Price Bids and all related Buyer Costs. Accordingly, the confession of judgment may be without process and for any amount due on this Note including collection costs and reasonable attorneys’ fees. This authorization is in addition to all other remedies available to Wright.

3 Limited Warranty “As Is”, “Where Is”. Except as expressly stated below, each Lot is sold “as is” “where is”, with no representation or warranty of any kind from any party (including Wright or the consignors of the Lots), express or implied, including warranties of merchantability, fitness for a particular purpose and non-infringement.

Because you are responsible for satisfying yourself as to condition or any other matter concerning each purchased Lot, you are advised to personally examine any Lot on which you intend to bid prior to the auction and/or sale. As a courtesy, condition reports for any Lot are available from Wright prior to the sale, but Wright assumes no responsibility for errors and omissions contained in any such report, a Wright Catalog or other description of a Lot that may be available on the Wright website. Any statements made by Wright with respect to a Lot (whether in a condition report, a Wright Catalog or on the Wright website), whether orally or in writing, are intended as statements of opinion only, are not to be relied upon as statements of fact and do not constitute representations or warranties of any kind.

Authorship Warranty Subject to the following terms and conditions, Wright warrants, for a period of two (2) years following the date of sale, the information presented in a Wright Catalog with respect to Authorship of any Lot is true and correct, so long as the name of the Author is set forth unqualifiedly in a heading in Bold type in the applicable and most current Wright Catalog. The term “Author” or “Authorship” means the creator, designer, culture or source of origin of the property, as the case may be, as specifically identified in Bold type in the applicable and most current Wright Catalog, and shall not include any supplemental text or information included in any other descriptions (whether or not in the Wright Catalog).

Exclusions from and Conditions to the Authorship Warranty Notwithstanding, this warranty is subject to the following: i. The benefits of this warranty are only available to the original buyer of a Lot from Wright, and not to any subsequent purchasers, transferees, successors, heirs, beneficiaries or assigns of the original buyer. ii. This warranty shall not apply to any Lot for which a Wright Catalog description states that there is a conflict of opinion among specialists as to Authorship. iii. This warranty shall not apply to any Lot for which, at the time of sale, the statements regarding Authorship made by Wright conformed with the generally accepted opinion of scholars, specialists or other experts, despite the subsequent discovery of information that modifies such generally accepted opinions. iv. The buyer must provide written notice of any claim under this warranty to Wright (validated by no fewer than two (2) written opinions of experts whose principal line of business is the appraisal and authentication of art, antiquities, design objects or other valuable objects similar to the Lot) not later than thirty (30) days after becoming aware of the existence of such a claim, an in any event no later than two (2) years following the date of sale, and must return the Lot subject to such claim to Wright in the same condition as at the time of the original sale. Wright reserves the right to appoint two independent specialists to examine the Lot and evaluate the buyer’s claim prior to buyer’s receipt of any remedy pursuant to this warranty.

Buyer’s Only Remedy for Authorship Warranty Breach The buyer’s sole remedy, and Wright’s sole liability, under this warranty shall be the cancellation of the sale of the Lot in question, or (if the sale has already concluded) the refund of the purchase price originally paid by such buyer for the Lot in question (not including any late fees, taxes, shipping, storage or other amounts paid to Wright in accordance with these Terms). Buyer hereby waives any and all other remedies at law or equity with respect to breaches of this warranty.

Limit of Liability In no event shall wright be liable to you or any third party for any consequential, exemplary, indirect, special, punitive, incidental or similar damages, whether foreseeable or unforeseeable, regardless of the cause of action on which they are based, even if advised of the possibility of such damages occurring. With respect to any sale of a lot, in no event shall wright be liable to you or any third party for losses in excess of the purchase price paid by you to wright for such lot to which the claim relates.

4 Rescission or Voiding of Sale by Wright If we become aware of an adverse claim of a third party relating to a Lot purchased by you, we may, in our discretion, rescind the sale. Upon notice of our election to rescind a sale, you will promptly return such Lot to us, at which time we will refund to you the Hammer Price and Buyer’s Premium paid to us by you for such Lot. This refund will represent your sole remedy against us and/or the consignor in case of a rescission of sale under this paragraph, and you agree to waive all other remedies at law or equity with respect to the same.

If you do not return such Lot to us in accordance with this paragraph, you agree to indemnify, defend and hold Wright, its officers, directors, employees, agents and their successors and assigns, harmless from any damages, costs, liabilities or other losses (including attorney’s fees) arising as a result of such third party claim.

5 Copyright Notice Wright and its licensors will retain ownership of our intellectual property rights, including, without limitation, rights to the copyrights and trademarks and other images, logos, text, graphics, icons, audio clips, video clips, digital downloads in, and the “look and feel” of, the Wright website and each Wright Catalog. You may not obtain any rights of ownership, use, reproduction or any other therein by virtue of these Terms or purchasing a Lot. You may not use any of our trademarks or service marks in any way.

6 Severability If any provision of these Terms is held by any court to be invalid, illegal or unenforceable, the invalid/ illegal/unenforceable aspect of such provision shall be disregarded and the remaining Terms enforced in accordance with the original document and in accordance with applicable law.

7 Governing Law These Terms shall be governed by and interpreted in accordance with the law of the State of Illinois and,

by Registering to Bid or Bidding in the Wright Auction (whether personally, by telephone or by agent), the you agree to submit to the exclusive jurisdiction of the state and federal courts located in Cook County, Illinois in connection with any matter related to these Terms, the Wright Auction or other sale of a Lot to you by Wright.

8 Expenses In addition to the foregoing, you agree to pay to Wright or Seller on demand the amount of all expenses paid or incurred by Wright and Seller, including attorneys’ fees and court costs paid or incurred by Wright or Seller in exercising or enforcing any of its rights hereunder or under applicable law, together with interest on all such amounts at 1.5 % per month (the “Enforcement Costs”) within thirty (30) days of the buyer’s receipt of Wright’s invoice for such Enforcement Costs.

9 Definitions The following terms have the following meanings: Author and Authorship have the meanings given in Section 3. Bidding, Bid or place a Bid means a prospective buyer’s indication or offer of a price he or she will pay to purchase a Lot at a Wright Auction which conforms with the provisions of Section 1. Buyer Costs has the meaning given in Section 2. Buyer’s Premium means the following for any Lot: (i) 25 % of the Hammer Price (or part thereof) up to and including $ 100,000; (ii) 20 % of the Hammer Price (or part thereof) in excess of $ 100,000 up to and including $ 1,000,000; and (iii) 12 % of the Hammer Price (or part thereof) in excess of $ 1,000,000.

An additional premium will be added to any successful bid accepted through a third-party site.

Hammer Price means the price for a Lot established by the last bidder and acknowledged by the auctioneer before dropping the hammer or gavel or otherwise indicating the bidding on such Lot has closed. Lot means the personal property offered for sale by Wright, whether at a Wright Auction, Private Sale, Wright Now Sale or otherwise. Passed Lot is a Lot which does not reach its reserve or otherwise fails to sell at a Wright Auction. Private Sale is a non-public, discrete sale of a Lot (such Lot typically not being exhibited by Wright).

Purchase Price Bid means the bid submitted by a Buyer for a Lot which is accepted as the Hammer Price, or in the case of Private Sales or Wright Now Sales, the price accepted by Wright for the sale of such Lot.

Register to Bid or Registering to Bid means providing Wright with your complete, accurate contact information (including address, phone and email) and a current, valid credit card number (including security code), and (i) in the case of phone or absentee bidders, a properly completed Wright bid form and (ii) in the case of online bidders, registration with such authorized third-party online auctioneer service providers described on our website on the How to Bid page. Reserve has the meaning given in Section 1. Sale Date means, in the case of Wright Auctions, the date of the closing of bidding for a particular Lot and acceptance of the Purchase Price Bid for such Lot; in the case of all other sales by Wright, the date Wright agrees in writing to sell a Lot to a buyer.

Security Interest has the meaning given in Section 2.

Seller means the owner of a Lot offered for sale at a Wright Auction, Private Sale, Wright Now Sale or other sale administered by Wright.

Terms has the meaning given in the Introduction to this Agreement. Wright Auction means the sale of Lots to the public through competitive bidding administered

by Wright (including sales administered through a third-party Internet auctioneer authorized by Wright).

Wright Catalog means the design catalogs published

by Wright which features Lots available at particular Wright Auctions. Wright Now Sale is a sale of a Lot consigned to Wright by a third party, either posted on Wright’s website directly or solicited after a Lot fails to sell at auction.

TH E B E A R’ S CLU B, J U P I T E R FL O R I DA 158 Bear’s Club Drive

EXC LU SI VELY OF F ER E D BY MAR K G R I F F I N AT $ 8 ,2 5 0 ,0 0 0

Additonal Images and Video Available at: TheBearsClubSIR.com Custom built three home compound 1.32 acres on the 15th Fairway 8658 AC Living SF / 11,109 Total SF

Luxurious interior spaces and loggias profligately detailed at the highest taste level.

Interior Design by Albert Hadley Landscape Design: Sanchez & Maddux Palm Beach

About The Bear’s Club Designed by Jack Nicklaus in 1999, The Bears Club enjoys 401 acres of lush greenery. The Bears Club is home to a Nicklaus signature 18 hole course and Par 3 Course, spectacular 40,000 clubhouse and just 65 custom estate homes, 16 Golf Villas and 5 cottages. Residents of The Bears Club include entrepreneurs, corporate titans and world class athletes including a large number of the top ranked PGA tour players in the world.

Mark Griffin, Broker c. 772.418.1312 mgriffin@thebearsclubsir.com TheBearsClubSIR.com

© MMX Sotheby’s International Realty Affiliates LLC. A Realogy Company. All Rights Reserved. Sotheby’s International Realty® is a registered trademark licensed to Sotheby’s International Realty Affiliates LLC. All information is deemed reliable but not guaranteed. Each office is Independently Owned and Operated.

A

C

Adler, Dankmar 248 Aguilar, Hector 128 Albini, Franco 342, 343 Aldridge, Miles 171 Amadyar, Tamina 155 Amino, Leo 252, 260 – 263 Amphora 317 Anuszkiewicz, Richard 165 Apollo Silver Co. 150 Arad, Ron 179, 207 Argit 148, 152

Caillette, Rene-Jean 359 Campana, Fernando and Humberto 190 Campo and Graffi 351 Capron, Roger 192 Carter, Kendell 200 Castle, Wendell 258, 259 Ceroli, Mario 310 Chale, Ado 294, 295 Chareau, Pierre 193 Chiesa, Pietro 347 Clerici, Fabrizio 349 Clerk, Pierre 176 Cliff, Clarice 124 Colombo, Joe 354, 369

B Baas, Maarten 170 Barbier, Philippe 181 Barovier, Ercole 108 Bensow, Folke 100 Bertoia, Harry 274 – 279 Boeri, Cini 357 Bolotowsky, Ilya 174, 175 Brice, Roland 327 Brown, Cecily 272 Brown, Jemima & Dolly 211 Browne, Byron 139, 140

D Demo, Grillo 326 Dickinson, John 307 Dine, Jim 356 Dixon, Tom 160 du Pasquier, Nathalie 178 Dumas, Rena and Peter Coles 177 Dupré-Lafon, Paul 186, 323 E Eames, Charles and Ray 382, 383, 392 Eielson, Jorge 208 Esperia 339 Evans, Paul 254 – 257 F Fantoni, Marcello 253 Feher, Tony 206 Fonseca, Caio 101 Francis, Mark 107, 110 Frank, Jean-Michel 172 Frank, Josef 373 Frank, Mary 219 Fratelli Toso 118 French 106, 131, 149, 151, 365 Friedmann, Eduard 136

G

M

S

Gamberini, Gianni 364 Gambone, Guido 344, 348 Garouste and Bonetti 320 George Nelson & Associates 370, 386 Giacometti, Alberto 115, 281 Glass, Henry 375 Goodyear-Zeppelin Corporation 353 Gordin, Sidney 221 Gruau, René 105 Gruppo A.R.D.I.T.I. 364

Magnusson Grossman, Greta 374 Maison Charles 137 Mango, Robert 340 Matégot, Mathieu 239 McCloy, Gary 138 Méchiche, Frédéric 169 Mendoza, Pepe 284, 286 Montano, Laurence 306 Moroccan 109,288 Morrison, Jasper 376, 377 Motonaga, Sadamasa 180 Motte, Joseph-André 226 Mouille, Serge 240 Mourgue, Olivier 355

Scolnik, Sandra 154 Sharpe, Eric 142 Shubuck, Simone 146 Siegel, Gustav 282 Sinsabaugh, Art 213, 214 Spitzmiller, Christopher 145, 153 Spratling, William 127 Springer, Karl 204, 308 Starck, Philippe 302 Stilnovo 329, 352 Studio Kastilia 111 Sullivan, Louis 248 – 250

H Hadley, Albert 129 Haitian Artist 130 Harper, Irving 378 – 380 Henningsen, Frits 325 Hermès 300 Höfer, Candida 114 Howlett, Ray 156 I Ingrand, Max 132, 335, 341 Italian 122, 123, 126, 133 J

N Nakashima, George 265 – 268, 270 Nason, Carlo 361 Natzler, Gertrud and Otto 273 Negret, Édgar 157 Neri, Ruby 167 Newsome, Rashaad 135 Noguchi, Isamu 391 Noll, Alexandre 229, 231 Noll, Odile 230 Nubauer, Mario 196 O

Jacobsen, Arne 371 Janiak, Seb 189 Jeanneret, Pierre 224 – 225, 227 – 228, 233 – 234, 237 238, 241 – 242, 244 – 247 Jenkins, Paul 162 Johnson, Philip 390 Jongerius, Hella 183 Jouve, Georges 121, 243 Judd, Donald 158, 159 K Kagan, Vladimir 283, 296, 297, 299, 301, 303 – 305 Kawakubo, Rei 195 Kelly, Ellsworth 173 Kjaerholm, Poul 384, 387, 388 Kleinschmidt, Robert 292, 293 L Lalanne, Francois-Xavier 309 Lalique, René 117 Lasker, Jonathan 103 Le Corbusier 238 Lefèvre, Guy 182 Léger, Fernand 327 Leighton, Tom 144 Lelii, Angelo 143, 336, 350 LeWitt, Sol 16 Louis Vuitton 201

Ofili, Chris 116, 119 Ohira, Yoichi 104 P

T Tapiovaara, Ilmari 381 Teghini 125 Tenreiro, Joaquim 290, 291 Thevenin, Sido and François 197, 205 Thomas, Deborah 285 Thomson, Mungo 202 Tiffany & Co. 112 U Ulrich, Guglielmo 331 Uslé, Juan 134 V van der Straeten, Hervé 163 Vanhevel, Roger 287 Vignelli, Massimo 328 W

Pahlmann, William 389 Parisi, Ico 345 Paulin, Pierre 358, 362, 363, 366 Pearson, Dennis 164 Perriand, Charlotte 223 Pianon, Alessandro 332 Picasso, Pablo 264 Pitín, Daniel 210 Polk Smith, Leon 194, 360, 367 Ponti, Gio 333, 334, 337 Potenza, Gianmaria 330 Powell, Phillip Lloyd 269 Prabhawalkar, A.R. 244 Prouvé, Jean 222, 232, 235, 236 Q

Wabbes, Jules 385 Wanders, Marcel 199 Wanscher, Ole 324 Warhol, Andy 212, 215–218 Wegner, Hans J. 166, 372 Wegner, Peter 187 Weinberg, Frederick 102 Weiwei, Ai 185 Wesselmann, Tom 220 Wiener Werkstätte 191 Wilson, Jane and Louise 198 Wormley, Edward 120, 316, 318, 319 Wright, Frank Lloyd 251 Wurm, Erwin 168 Z

Quinet, Jacques 298 R Raphaël 368 Reid, Jamie 184 Rietveld, Gerrit 209 Robsjohn-Gibbings, T.H. 311 – 315, 321, 322 Rookwood 271 Royère, Jean 188, 203 Rubert, Gino 141

Zanuso, Marco 338, 346

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