Design 22 March 2018

22 M A R C H

DE S I G N

2 018

980 Madison Ave New York NY 212 585 0200

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1440 W Hubbard St Chicago IL 312 563 0020

Chicago Preview 15 – 22 March 10 am – 4 pm Monday – Friday 12 –4 pm Saturday

Auction 22 March Noon cst Chicago

DES IGN

wright20.com

100 Jean Prouvé ‘Semi-Metal’ chair, model no. 305 France, 1950 | Ateliers Jean Prouvé enameled steel, oak plywood, aluminum 16 ¼ w × 19 d × 31 ¾ h in (41 × 48 × 81 cm) $ 5,000 – 7,000

Literature: Jean Prouvé Complete Works, Volume 3: 1944 – 1954, Sulzer, ppg. 35, 208 – 211 Jean Prouvé, Galerie Patrick Seguin and Sonnabend Gallery, ppg. 234, 266 – 269 Jean Prouvé, Galerie Jousse Seguin and Galerie Enrico Navarra, ppg. 41, 46

101 Jean Prouvé Dacytlo desk, model BDM 41 France, 1946 | Ateliers Jean Prouvé enameled steel, oak, aluminum 47 ½ w × 24 ½ d × 27 ¼ h in (121 × 62 × 69 cm) Desk features one drawer and one drop-front file drawer. $ 20,000 – 30,000

Literature: Jean Prouvé, Galerie Patrick Seguin and Sonnabend Gallery, ppg. 330, 338

102

103

104

Georges Jouve calice

Georges Jouve grande bouteille

Georges Jouve petit coupe

France, 1955 glazed stoneware 7 ¼ w × 7 d × 6 ¾ h in (18 × 18 × 17 cm)

France, 1957 glazed stoneware 3 dia × 16 h in (8 × 41 cm)

France, 1950 glazed stoneware 3 ¼ dia × 4 ½ h in (8 × 11 cm)

Incised signature and artist’s cipher to underside: [Jouve].

Incised signature and artist’s cipher to underside: [Jouve].

Incised signature and artist’s cipher to underside: [Jouve].

$ 2,000 – 3,000

$ 10,000 – 15,000

$ 1,000 – 1,500

Literature: Georges Jouve, Jousse, pg. 157

Literature: Georges Jouve, Jousse, ppg. 73 – 75

Literature: Georges Jouve, Jousse, pg. 155 illustrates similar example

105 Mathieu Matégot Java table France, 1955 | Ateliers Matégot enameled and perforated steel, brass 33 ½ w × 13 d × 16 h in (85 × 33 × 41 cm) $ 2,000 – 3,000

Literature: Mathieu Matégot, Jousse and Mondineu, no. 145 illustrates similar example Mathieu Matégot, manufacturer’s catalog, pg. 7 illustrates similar example

106 Jean Prouvé ‘Semi-Metal’ chair, No. 305 France, 1950 | Ateliers Jean Prouvé enameled steel, beech plywood, aluminum, rubber 16 ¼ w × 19 d × 32 ¼ h in (41 × 48 × 82 cm) $ 7,000 – 9,000

Literature: Jean Prouvé Complete Works, Volume 3: 1944 – 1954, Sulzer, ppg. 35, 208 – 211 Jean Prouvé, Galerie Patrick Seguin and Sonnabend Gallery, ppg. 234, 266 – 269 Jean Prouvé, Galerie Jousse Seguin and Galerie Enrico Navarra, ppg. 41, 46 Provenance: Private Collection, Tokyo Wright, Design, 12 June 2014, Lot 106 Private Collection, New York

107

108

Georges Jouve table lamp

Georges Jouve Important sculpture

France, c. 1950 glazed stoneware, linen 11 ¾ dia × 15 ½ h in (30 × 39 cm)

France, 1954 glazed stoneware, iron 15 h × 5 w × 4 ¼ d in (38 × 13 × 11 cm)

Incised signature and artist’s cipher to underside: [Jouve].

$ 30,000 – 50,000

$ 20,000 – 30,000

Literature: Georges Jouve, Jousse, pg. 307 illustrates drawing Provenance: Pascal Marziano, France Private Collection, Paris

Literature: Georges Jouve, Jousse, ppg.

200, 236 Georges Jouve Céramiste, Faré, ppg. 82, 85 Provenance: Private Collection, Paris

109 Roger Capron totem figure France, c. 1955 | Vallauris painted stoneware 15 ¾ h × 5 ¼ w × 6 ¾ d in (40 × 13 × 17 cm) Signed with impressed manufacturer’s mark to underside: [Capron Vallauris France]. $ 2,000 – 3,000

110 Jean Prouvé Compas desk France, 1953 | Ateliers Jean Prouvé enameled steel, laminate over wood, aluminum 63 w × 28 d × 29 h in (160 × 71 × 74 cm) Desk features two drawers. $ 15,000 – 20,000

Literature: Jean Prouvé, Complete Works Volume 3: 1944 – 1954, Sulzer, ppg.

266 – 267 Jean Prouvé, Galerie Patrick Seguin and Sonnabend Gallery, ppg. 331, 350 – 353 illustrate variations

111 Jean Prouvé ‘Semi-Metal’ chair, model no. 305 France, 1950 | Ateliers Jean Prouvé enameled steel, beech plywood, aluminum 16 ½ w × 19 d × 31 ¾ h in (42 × 48 × 81 cm) $ 5,000 – 7,000

Literature: Jean Prouvé Complete Works, Volume 3: 1944 – 1954, Sulzer, ppg. 35, 208 – 211 Jean Prouvé, Galerie Patrick Seguin and Sonnabend Gallery, ppg. 234, 266 – 269 Jean Prouvé, Galerie Jousse Seguin and Galerie Enrico Navarra, ppg. 41, 46

112 Serge Mouille Rare appliques, pair France, c. 1950 | Ateliers Serge Mouille enameled aluminum, enameled steel, brass 9 ¾ w × 40 d × 25 h in (25 × 102 × 64 cm) This lamp design was produced by Serge Mouille in only four examples as a custom order for a shoe store in Burgundy, France. $ 15,000 – 20,000

113 Jean Prouvé bed no. 17 for the Lycée Fabert, Metz France, 1935 | Ateliers Jean Prouvé enameled steel, upholstery, aluminum, rubber 76 w × 31 d × 33 ½ h in (193 × 79 × 85 cm) $ 10,000 – 15,000

Literature: Jean Prouvé Complete Works, Volume 2: 1934 – 1944, Sulzer, ppg. 111 – 113 Jean Prouvé, Galerie Patrick Seguin and Sonnabend Gallery, ppg. 354, 356 Provenance: Lycée Fabert, Metz Private Collection

114 Mathieu Matégot Dedal shelves, set of seven France, 1956 | Atelier Matégot enameled and perforated steel 35 w × 7 ½ d × 19 ½ h in (89 × 19 × 50 cm) $ 15,000 – 20,000

Literature: Mathieu Matégot, Jousse and Mondineu, ppg. 194 – 195, 229

115 Pierre Jeanneret bench from the M.L.A Flats building, Chandigarh France/India, c. 1955 teak, cane, upholstery 54 w × 18 d × 16 h in (137 × 46 × 41 cm) Sold with custom cushion. $ 8,000 – 10,000

Literature: Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-Art-Architecture, Touchaleaume and Moreau, pg. 565 Provenance: M.L.A. Flats building, Chandigarh, India | Private Collection, New York

116 Pierre Jeanneret sofa from Chandigarh France/India, c. 1954 – 55 horse hide, teak 55 w × 32 d × 31 ¾ h in (140 × 81 × 81 cm) $ 20,000 – 30,000

Literature: Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-ArtArchitecture, Touchaleaume and Moreau, pg. 567 Provenance: Chandigarh, India Private Collection, Paris

117 Georges Jouve plat abstrait France, 1954 glazed stoneware 25 ¼ w × 10 ½ d × 2 ¼ h in (64 × 27 × 6 cm) Incised signature and artist’s cipher to underside: [Jouve]. $ 7,000 – 9,000 Literature: Georges Jouve, Jousse, pg. 162

118 Pierre Jeanneret cafeteria table and four chairs from Chandigarh France/India, c. 1959 teak, upholstery, cane 36 ¼ w × 36 ¼ d × 28 h in (92 × 92 × 71 cm) Suite includes one cafeteria table and four chairs measuring: 17.5 w × 21 d × 32.25 h inches. Stenciled marks to two chairs: [D 16] and [EDU 4]. $ 20,000 – 30,000

Literature: Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-ArtArchitecture, Touchaleaume and Moreau, ppg. 585, 561 Provenance: Chandigarh, India Robert Rubin, New York Private Collection, New York

119 Odile Noll coffee table France, c. 1955 carved mahogany 23 ½ w × 17 d × 17 ¼ h in (60 × 43 × 44 cm) Carved signature to underside: [O Noll]. $ 4,000 – 6,000

120 Georges Jouve coupe France, c. 1952 glazed stoneware 12 ¾ w × 12 ¾ d × 3 ¾ h in (32 × 32 × 10 cm) Incised artist’s cipher to underside. $ 2,500 – 3,500

Literature: Georges Jouve, Jousse, pg. 156 illustrates similar example

121 Georges Jouve plats abstrait, set of two France, 1954 glazed stoneware 14 ¼ w × 6 ½ d × 1 ¼ h in (36 × 17 × 3 cm) Incised signature and artist’s cipher to underside of each example: [Jouve]. $ 3,000 – 5,000

Literature: Georges Jouve, Jousse, pg. 162

122 Pierre Jeanneret armchairs from Chandigarh, pair France/India, c. 1960 teak, cane, upholstery 20 ¼ w × 21 ½ d × 29 ½ h in (51 × 55 × 75 cm) Stenciled marks to reverse of each example: [B.H.3 CH.2] and [B.H.3 CH.23].

Sold with custom seat cushions. $ 7,000 – 9,000

Literature: Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-ArtArchitecture, Touchaleaume and Moreau, ppg. 569–570 Provenance: Chandigarh, India Private Collection, New York

123 Pierre Jeanneret writing chair from Punjab University, Chandigarh France/India, c. 1960 teak 22 w × 23 ¾ d × 31 ½ h in (56 × 60 × 80 cm) $ 4,000 – 6,000

Literature: Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-ArtArchitecture, Touchaleaume and Moreau, pg. 562 Provenance: Punjab University, Chandigarh, India Private Collection, Paris

124 Pierre Jeanneret and A.R. Prabhawalkar desk from the College of Architecture, Chandigarh France/India, c. 1960 enameled steel, teak 54 w × 34 d × 34 ¼ h in (137 × 86 × 87 cm) $ 10,000 – 15,000

Literature: Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-ArtArchitecture, Touchaleaume and Moreau, pg. 581 Provenance: College of Architecture, Chandigarh, India | Wright, Design, 27 March 2014, Lot 118 | Private Collection, New York

125

126

After Fernand Léger Jaune No. 9

Pierre Jeanneret bench from Chandigarh

France, c. 1942 | Modern Masters Tapestries, Inc. hand-knotted wool 45 w × 91 h in (114 × 231 cm)

France/India, c. 1955–56 teak, cane, upholstery 54 w × 18 d × 16 h in (137 × 46 × 41 cm) Sold with custom cushion.

Woven signature to reverse: [Léger]. $ 10,000 – 15,000

Literature: Contemporary French Tapestries, Constantine, pg. 28 Provenance: Private Collection, acquired circa 1960 | Thence by descent

$ 8,000 – 10,000

Literature: Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-Art-Architecture, Touchaleaume and Moreau, pg. 565 Provenance: Chandigarh, India Private Collection, New York

127 Michel Cadestin and Georges Laurent Pompidou chairs, set of six France, 1977 | Teda matte chrome-plated steel, leather, aluminum 23 w × 22 d × 31 h in (58 × 56 × 79 cm) $ 5,000 – 7,000

Literature: Furniture and Interiors of the 1970s, Bony, pg. 142 Les Années 70, Bony, pg. 468 Provenance: Centre Georges Pompidou, Paris | Private Collection, Paris

128 Jacques and Dani Ruelland vase France, c. 1960 glazed stoneware 10 dia × 10 ¼ h in (25 × 26 cm) Incised signature to underside: [Ruelland]. $ 5,000 – 7,000

129 Pierre Jeanneret lounge chairs from Chandigarh, pair France/India, c. 1955 teak, cane, upholstery 21 w × 29 d × 30 ½ h in (53 × 74 × 77 cm) $ 10,000 – 15,000

Literature: Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-ArtArchitecture, Touchaleaume and Moreau, pg. 563 Provenance: Chandigarh, India Private Collection, New York

130

131

Pierre Jeanneret sofa from High Court, Chandigarh

Pierre Jeanneret sofa from High Court, Chandigarh

France/India, c. 1959 upholstery, teak 55 w × 27 d × 33 h in (140 × 69 × 84 cm)

France/India, c. 1959 upholstery, teak 55 w × 27 d × 33 h in (140 × 69 × 84 cm)

$ 10,000 – 15,000

$ 10,000 – 15,000

Literature: Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-ArtArchitecture, Touchaleaume and Moreau, pg. 566

Literature: Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-ArtArchitecture, Touchaleaume and Moreau, pg. 566

Provenance: High Court, Chandigarh, India | Private Collection, New York

Provenance: High Court, Chandigarh, India | Private Collection, New York

132 Jean Prouvé school desk France, 1946 | Ateliers Jean Prouvé enameled steel, beech 45 w × 34 d × 28 ½ h in (114 × 86 × 72 cm) $ 7,000 – 9,000

Literature: Jean Prouvé Complete Works, Volume 3: 1944 – 1954, Sulzer, ppg. 68 – 69 Jean Prouvé, Galerie Jousse Seguin and Galerie Enrico Navarra, ppg. 110 – 111

133 Pierre Jeanneret Compas chairs, pair Switzerland/France, c. 1948 | B.C.B. ash, original upholstery (not shown), enameled steel 18 w × 21 d × 31 ½ h in (46 × 53 × 80 cm) $ 5,000 – 7,000

Literature: Charlotte Perriand Complete Works Volume 2: 1940 – 1955, Barsac, pg. 192 La Maison Française, period advertisment, unpaginated

134 Pierre Jeanneret dining table from Chandigarh France/India, c. 1960 – 61 teak 72 w × 36 d × 28 ½ h in (183 × 91 × 72 cm) $ 20,000 – 30,000

Literature: Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-ArtArchitecture, Touchaleaume and Moreau, pg. 583 Le Corbusier Pierre Jeanneret, Chandigarh, India, Galerie Patrick Seguin, ppg. 232 – 235, 286 Provenance: Chandigarh, India Private Collection, Paris

135 Pierre Jeanneret Showroom armchairs from the Tagore Theater, Chandigarh, pair France/India, c. 1961 teak, suede 19 ¾ w × 21 d × 26 h in (50 × 53 × 66 cm) $ 8,000 – 10,000

Literature: Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-ArtArchitecture, Touchaleaume and Moreau, pg. 569 Provenance: Tagore Theater, Chandigarh Private Collection, Paris

136 Jacques and Dani Ruelland table lamp France, c. 1960 glazed ceramic, linen 12 dia × 14 h in (30 × 36 cm) Incised signature to underside: [Ruelland]. $ 4,000 – 6,000

137

138

Georges Jouve coupe

Georges Jouve coupe

France, c. 1951 glazed stoneware 5 ¼ w × 3 ¼ d × 2 ¼ h in (13 × 8 × 6 cm)

France, c. 1951 glazed stoneware 9 w × 8 ¾ d × 2 h in (23 × 22 × 5 cm)

Incised signature and artist’s cipher to underside: [Jouve].

Incised signature and artist’s cipher to underside: [Jouve].

$ 1,500 – 2,500

$ 4,000 – 6,000

Literature: Georges Jouve, Jousse, pg. 169 illustrates similar examples

Literature: Georges Jouve, Jousse, pg. 156 illustrates similar example

139 Serge Mouille Agrafée deux rotules lamps, pair France, 1958 | Ateliers Serge Mouille enameled aluminum, enameled steel, brass 12 w × 14 d × 23 h in (30 × 36 × 58 cm) $ 10,000 – 15,000

Literature: Serge Mouille: A French Classic, Pralus, pg. 208 Serge Mouille Luminaires: 1953 – 1963, Counord, pg. 36

140

141

142

Georges Jouve vase Cylindre

Georges Jouve vase Cylindre

Georges Jouve vase Cylindre

France, 1955 glazed stoneware 4 ¾ dia × 11 ¼ h in (12 × 29 cm)

France, 1955 glazed stoneware 5 ½ dia × 13 h in (14 × 33 cm)

France, 1955 glazed stoneware 3 ¾ dia × 9 ½ h in (10 × 24 cm)

$ 5,000 – 7,000

Incised signature and artist’s cipher to underside: [Jouve].

Incised signature and artist’s cipher to underside: [Jouve].

$ 5,000 – 7,000

$ 4,000 – 6,000

Literature: Georges Jouve, Jousse, ppg. 62 – 65 illustrate series

Literature: Georges Jouve, Jousse, ppg. 62 – 65 illustrate series

Literature: Georges Jouve, Jousse, ppg. 62 – 65 illustrate series

143

144

145

Georges Jouve vase Cylindre

Georges Jouve vase Cylindre

Pierre Jeanneret Showroom armchairs from the Tagore Theater, Chandigarh, pair

France, 1955 glazed stoneware 6 ½ dia × 14 ¼ h in (17 × 36 cm)

France, 1955 glazed stoneware 2 ½ dia × 4 ¼ h in (6 × 11 cm)

Incised signature and artist’s cipher to underside: [Jouve].

Incised signature and artist’s cipher to underside: [Jouve].

$ 7,000 – 9,000

$ 2,500 – 3,500

Literature: Georges Jouve, Jousse, ppg. 62 – 65 illustrate series

Literature: Georges Jouve, Jousse, ppg. 62 – 65 illustrate series

Provenance: Galerie Alexandre Guillemain, Paris | Private Collection

France/India, c. 1961 teak, upholstery 20 w × 21 d × 26 h in (51 × 53 × 66 cm) $ 8,000 – 10,000

Literature: Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-ArtArchitecture, Touchaleaume and Moreau, pg. 569 Provenance: Tagore Theater, Chandigarh, India | Private Collection, Paris

146 Pierre Jeanneret armchairs from Chandigarh, pair France/India, c. 1953 teak, leather 22 ½ w × 24 d × 35 h in (57 × 61 × 89 cm) $ 20,000 – 30,000

Literature: Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-ArtArchitecture, Touchaleaume and Moreau, ppg. 564 Provenance: Chandigarh, India Private Collection, Paris

147

148

Georges Jouve coupe

Georges Jouve boîte

France, 1955 glazed stoneware 7 w × 3 ¾ d × 2 ½ h in (18 × 10 × 6 cm)

France, 1957 glazed stoneware 3 ¾ dia × 5 ¾ h in (10 × 15 cm)

Incised artist’s cipher to underside.

Incised signature and artist’s cipher to underside: [Jouve].

$ 5,000 – 7,000

Literature: Georges Jouve, Jousse, ppg. 54 – 57

$ 4,000 – 6,000

Literature: Georges Jouve: Céramiste, Fare, pg. 33 Georges Jouve, Jousse, ppg. 99, 164 – 165, 289

149 Pierre Jeanneret dining table from the Cafeteria at Punjab University, Chandigarh France/India, c. 1959 teak 36 ½ w × 36 ½ d × 26 ½ h in (93 × 93 × 67 cm) $ 8,000 – 10,000

Literature: Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-Art-Architecture, Touchaleaume and Moreau, pg. 585 Provenance: Cafeteria at Punjab University, Chandigarh, India Robert Rubin, New York Private Collection, New York

150 Pierre Jeanneret armchairs from Chandigarh, pair France/India, c. 1953 teak, leather 22 ½ w × 24 d × 34 ½ h in (57 × 61 × 88 cm) $ 20,000 – 30,000

Literature: Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-ArtArchitecture, Touchaleaume and Moreau, ppg. 564 Provenance: Chandigarh, India Private Collection, Paris

151 Charlotte Perriand wall hooks from Les Arcs, Savoie, set of four France, c. 1968 pine 40 ¾ w × 5 ¾ d × 3 ¾ h in (104 × 15 × 10 cm) $ 2,000 – 3,000

Literature: Charlotte Perriand: Art of Living, McLeod, ppg. 151 – 152 discuss project Provenance: Les Arcs, Savoie, France Private Collection

152 Charlotte Perriand stools from Les Arcs, Savoie, pair France, c. 1968 pine 17 ½ w × 17 d × 17 h in (44 × 43 × 43 cm) $ 5,000 – 7,000

Provenance: Les Arcs, Savoie, France Private Collection

153 Charlotte Perriand stools from Les Arcs, Savoie, pair France, c. 1968 pine 17 ¼ w × 11 d × 16 ¾ h in (44 × 28 × 43 cm) $ 2,000 – 3,000

Literature: Charlotte Perriand: Art of Living, McLeod, ppg. 151 – 152 discuss project Provenance: Les Arcs, Savoie, France Private Collection

154 Charlotte Perriand bench from Les Arcs, Savoie France, c. 1968 pine 47 w × 11 d × 16 ¾ h in (119 × 28 × 43 cm) $ 2,000 – 3,000

Literature: Charlotte Perriand: Art of Living, McLeod, ppg. 151 – 152 discuss project Provenance: Les Arcs, Savoie, France Private Collection

155 Charlotte Perriand wall-mounted cabinet from Les Arcs, Savoie France, c. 1968 laminate, pine 38 w × 22 ¼ d × 21 h in (97 × 57 × 53 cm) Cabinet features two doors concealing two shelves. $ 2,000 – 3,000

Literature: Charlotte Perriand: Art of Living, McLeod, ppg. 151 – 152 discuss project Provenance: Les Arcs, Savoie, France Private Collection

156 Charlotte Perriand wall-mounted cabinet from Les Arcs, Savoie France, c. 1968 laminate, pine 62 ¼ w × 22 ¼ d × 21 h in (158 × 57 × 53 cm) Cabinet features three doors concealing three shelves. $ 3,000 – 5,000

Literature: Charlotte Perriand: Art of Living, McLeod, ppg. 151 – 152 discuss project Provenance: Les Arcs, Savoie, France Private Collection

157 Charlotte Perriand bench from Les Arcs, Savoie France, c. 1968 pine 80 ¾ w × 11 d × 16 ¾ h in (205 × 28 × 43 cm) $ 3,000 – 5,000

Literature: Charlotte Perriand: Art of Living, McLeod, ppg. 151 – 152 discuss project Provenance: Les Arcs, Savoie, France Private Collection

158 Charlotte Perriand dining table from Les Arcs, Savoie France, c. 1968 pine 61 w × 26 ½ d × 27 ¼ h in (155 × 67 × 69 cm) $ 2,000 – 3,000

Literature: Charlotte Perriand: Art of Living, McLeod, ppg. 151 – 152 discuss project Provenance: Les Arcs, Savoie, France Private Collection

159 Peter Voulkos Untitled Plate USA, 1981 wheel thrown stoneware with surface drawing 5 ¼ h × 21 w × 20 d in (13 × 53 × 51 cm) Signed and dated to reverse: [Voulkos 81].

This work is registered under the Voulkos and Co. catalog number CR864.0-W. $ 7,000 – 9,000

Exhibited: Peter Voulkos: Recent Works, 5 December 1981 – 15 January 1982, Exhibit A, Chicago Provenance: Gift from Alice Westphal to the present owner

160 Harry Bertoia Untitled (Bush Form) USA, c. 1970 welded copper and bronze with applied patina 6 ½ h × 11 ¾ dia in (17 × 30 cm) Sold with a certificate of authenticity issued by the Harry Bertoia Foundation. $ 15,000 – 20,000

Provenance: Earl R. Vogt, Oconomowoc Lake, WI | Merrow & Shendon, Paris Private Collection, United Kingdom

161 Harry Bertoia Untitled (Monoprint) from the Synchromy series USA, c. 1940 ink on rice paper 14 ¼ h × 13 ¾ w in (36 × 35 cm) Numbered to lower right: [380]. $ 1,500 – 2,000

Literature: Harry Bertoia: Monoprints, Schiffer, pg. 70 Provenance: Collection of the artist Thence by descent

162 Paul Evans Sculptured Metal coffee table, model PE 14 USA, 1967 | Paul Evans Studio for Directional welded and enameled steel, glass 36 dia × 16 h in (91 × 41 cm) Welded signature and date to underside: [PE 67]. $ 5,000 – 7,000

Literature: Directional, manufacturer’s catalog, unpaginated

163

164

Claire Falkenstein brooch

Harry Bertoia Untitled (Sonambient)

USA, c. 1965 melt-coated brass over copper, brass 3 ½ h × 3 ½ w × ½ d in (9 × 9 × 1 cm)

USA, c. 1967 monel and brass 36 ½ h × 8 w × 8 d in (93 × 20 × 20 cm)

$ 1,000 – 1,500

This work features four quadrants of rods in eight by eight configurations; 256 rods total. Sold with a certificate of authenticity issued by the Harry Bertoia Foundation and a photocopy of the original bill of lading signed by the artist. $ 20,000 – 30,000

Provenance: Acquired directly from the artist in 1967 by the present owner

165 Harry Bertoia Untitled (Bush Form) USA, c. 1970 welded copper and bronze with applied patina 11 h × 13 dia in (28 × 33 cm) Sold with a certificate of authenticity issued by the Harry Bertoia Foundation. $ 20,000 – 30,000

Provenance: Acquired directly from the artist’s estate Langman Gallery, Philadelphia

166 Harry Bertoia Untitled USA, c. 1945 crayon on paper 5 h × 7 ½ w in (13 × 19 cm) $ 1,500 – 2,000

Provenance: Collection of the artist Thence by descent

167 Peter Voulkos Untitled Plate USA, 1973 wheel thrown stoneware with porcelain pass-throughs and cobalt oxide/slip with clear glaze 3 ¼ h × 18 ¾ dia in (8 × 48 cm) Signed and dated to reverse: [Voulkos 73].

This work is registered under the Voulkos and Co. catalog number CR704.11-G. $ 5,000 – 7,000

Provenance: Acuired directly from the artist

by Pauline Annon, Los Angeles | Bonhams, 20th Century Decorative Arts, 27 October 2015, Lot 2101 | Private Collection

168 Harry Bertoia Untitled (Sonambient) USA, 1970 beryllium copper and brass 108 h × 12 w × 12 d in (274 × 30 × 30 cm) This work features four rods in a two by two configuration. Sold with a certificate of authenticity issued by the Harry Bertoia Foundation. $ 50,000 – 70,000

Provenance: Staempfli Gallery, New York Collection of Antoinette Vischer, Basel Private Collection, Paris

169 Harry Bertoia Untitled (Monoprint) USA, c. 1942 ink on rice paper 6 ¾ h × 7 w in (17 × 18 cm) Numbered to lower right: [21]. $ 1,500 – 2,000

Exhibited: Nierendorf Gallery, New York Provenance: Collection of the artist Thence by descent

170 Paul Evans Sculpted Bronze coffee table USA, 1969 | Paul Evans Studio for Directional bronzed resin over steel, glass 49 ¾ w × 22 ½ d × 15 ½ h in (126 × 57 × 39 cm) Impressed signature and date to underside: [PE 69]. $ 3,000 – 5,000

171

172

Robert Turner Untitled

Robert Turner Untitled

USA, c. 1975 glazed stoneware 10 ¼ h × 9 ¾ dia in (26 × 25 cm)

USA, c. 1975 glazed stoneware 9 ½ h × 10 dia in (24 × 25 cm)

Incised signature to underside: [Turner].

Incised signature to underside: [Turner].

$ 2,000 – 3,000

$ 2,000 – 3,000

Provenance: Estate of Leo Herzel, Glencoe, IL | Private Collection

Provenance: Exhibit A, Chicago Private Collection

173 Lucie Rie bowl United Kingdom, 1954 glazed stoneware 7 ¾ dia × 2 h in (20 × 5 cm) Impressed artist’s cipher to underside. $ 7,000 – 9,000

Works from the Collection of Robert & Eunice Faber

In 1951, Robert and Eunice Faber took a road trip that led them to New Hope, Pennsylvania and to the doorstep of George Nakashima. The artist gave the couple a tour of his workshop, explaining his design philosophy and his passion for crafting soulful, practical and unique creations. They fell in love with all of his works, but the young newlyweds could only afford a modest coffee table at the time (Lot 175). In 1965, they were able to purchase several more works by Nakashima to display alongside their cherished table, adding to what would become an eclectic and unique family collection.

174 George Nakashima cabinet USA, 1965 walnut 120 w × 22 d × 32 h in (305 × 56 × 81 cm) Cabinet features overhanging top with free-edge, three sliding doors concealing four drawers and two adjustable shelves.

Sold with the original invoice. $ 15,000 – 20,000

Provenance: Acquired in 1965 directly from the artist by Mr. Robert and Eunice Faber, Ann Arbor, MI | Thence by descent

175 George Nakashima Early coffee table USA, 1951 cherry 53 ¾ w × 17 d × 16 h in (137 × 43 × 41 cm) Table features a single slab with one free edge. Sold with a copy of George Nakashima Woodworker and an original price list from 1962. $ 5,000 – 7,000

Provenance: Acquired in 1951 directly from the artist by Mr. Robert and Eunice Faber, Ann Arbor, MI | Thence by descent

176 George Nakashima New chairs, set of four USA, c. 1965 American black walnut, hickory 18 ½ w × 22 d × 36 h in (47 × 56 × 91 cm) Signed with client’s name to underside of each example: [Faber]. $ 5,000 – 7,000

Literature: George Nakashima, Woodworkers, studio catalog, unpaginated Provenance: Acquired in 1965 directly from the artist by Mr. Robert and Eunice Faber, Ann Arbor, MI | Thence by descent

177 George Nakashima Round Pedestal table USA, c. 1965 American black walnut 36 dia × 28 ½ h in (91 × 72 cm) Signed with client’s name to underside: [Faber]. $ 5,000 – 7,000

Literature: George Nakashima, Woodworker, studio catalog, unpaginated Provenance: Acquired in 1965 directly from the artist by Mr. Robert and Eunice Faber, Ann Arbor, MI | Thence by descent

178 George Nakashima hanging wall cabinet USA, 1965 American black walnut 72 w × 12 d × 14 h in (183 × 30 × 36 cm) Cabinet features three sliding doors concealing two shelves. Signed with client’s name to reverse: [Faber]. $ 7,000 – 9,000

Provenance: Acquired in 1965 directly from the artist by Mr. Robert and Eunice Faber, Ann Arbor, MI | Thence by descent

179 George Nakashima occasional table USA, 1965 American black walnut, hickory 28 ¼ w × 28 d × 21 ¼ h in (72 × 71 × 54 cm) Signed with client’s name to underside: [Faber]. $ 2,000 – 3,000

Literature: George Nakashima, Woodworker, studio catalog, unpaginated Provenance: Acquired in 1965 directly from the artist by Mr. Robert and Eunice Faber, Ann Arbor, MI | Thence by descent

180 George Nakashima occasional table USA, c. 1965 cherry, rosewood 41 w × 21 ½ d × 20 h in (104 × 55 × 51 cm) Table features joined board top with rosewood support bar to underside. $ 3,000 – 5,000

Provenance: Collection of Dr. Brian and Becky Hinrichs, Watseka, IL

181 Leo Amino Untitled (No. 34) USA, 1967 cast resin 7 ½ h × 7 ½ w × 4 d in (19 × 19 × 10 cm) Incised signature and date to underside: [LA 12 67]. $ 2,000 – 3,000

Provenance: Estate of the artist Private Collection, New York

182 Leo Amino Untitled (No. 82) USA, 1972 cast resin 15 h × 11 w × 2 ¾ d in (38 × 28 × 7 cm) Incised signature, title and date to underside: [LA 6.72 #82]. $ 3,000 – 5,000

Provenance: Estate of the artist Private Collection, New York

183 Albert Paley candlestick USA, 1989 forged steel, brass 20 ¼ h × 9 w × 8 d in (51 × 23 × 20 cm) This work is number 4 from the edition of 20. Impressed signature, date and number to base: [Paley 1989 4/20]. $ 3,000 – 5,000

Literature: The Art of Albert Paley, Lucie-Smith, pg. 203

184 Albert Paley coffee table USA, 1991 forged steel, glass 30 dia × 16 h in (76 × 41 cm) This work is unique. Impressed signature and date to base: [Paley 1991]. $ 8,000 – 12,000

Literature: The Art of Albert Paley, Lucie-Smith, pg. 206 illustrates related work

185 Wendell Castle Rare stool USA, 1968 – 1969 gel-coated fiberglass 14 dia × 19 h in (36 × 48 cm) This work is from an edition of 12. Made in a variety of colors, only 7 are documented.

Signed and dated to underside: [W.C. 68]. $ 5,000 – 7,000

Literature: Wendell Castle: A Catalogue Raisonné 1958 – 2012, Eerdmans, pg. 70, II.27

186 Wendell Castle Rare Clover table USA, 1969 gel-coated fiberglass 34 w × 31 d × 17 h in (86 × 79 × 43 cm) Molded signature to underside: [WC]. $ 4,000 – 6,000

Literature: Wendell Castle: A Catalogue Raisonné 1958 – 2012, Eerdmans, pg. 73, II.40

187 François-Xavier Lalanne Barracuda letter opener France, 1998 | Baccarat crystal, lacquered wood, stainless steel 10 w × 1 ¾ d × 3 ¼ h in (25 × 4 × 8 cm) Incised signature to edge: [Baccarat fxl 1247]. $ 8,000 – 12,000

188 Fernando and Humberto Campana Panda Banquette chair Brazil, 2007 | Estudio Campana stuffed animals, stainless steel 50 w × 42 d × 35 h in (127 × 107 × 89 cm) This work is number 14 from the edition of 25. Woven signature to reverse: [panda chair limited edition campana brothers 14/25 2007]. $ 20,000 – 30,000

Literature: Campana Brothers: Complete Works (So Far), Alfred, Sudjic, Edelkoort and Hamel, ppg. 184 – 185, 273

189 Fernando and Humberto Campana Early Favela chairs, pair Brazil/Italy, c. 2003 | Edra Brazilian Pinus wood 25 ½ w × 25 d × 30 h in (65 × 64 × 76 cm) $ 15,000 – 20,000

Literature: Campana Brothers: Complete Works (So Far), Alfred, Sudjic, Edelkoort and Hamel, p. 86 Provenance: Acquired directly from the artists | Private Collection

190 Fernando and Humberto Campana Galho vase Brazil, c. 2000 blown glass 32 w × 14 d × 6 ¼ h in (81 × 36 × 16 cm) This work is from the edition of 150. $ 3,000 – 5,000

Provenance: Acquired directly from the artists | Private Collection

191 Fernando and Humberto Campana prototype Corallo chair Brazil, 2004 | Estudio Campana steel wire with epoxy paint finish 58 w × 37 d × 34 ½ h in (147 × 94 × 88 cm) $ 6,000 – 8,000

Literature: Campana Brothers: Complete Works (So Far), Alfred, Sudjic, Edelkoort and Hamel, ppg. 112–113, 271

192 Ettore Sottsass table lamp Italy, c. 1955 | Rinnovel anodized aluminum 5 ¼ dia × 6 ½ h in (13 × 17 cm) $ 2,000 – 3,000

193 Michele de Lucchi Atlantic cabinet Italy, 1980 | Memphis laminate over wood, textured glass, enameled steel 35 ½ w × 23 ½ d × 35 ½ h in (90 × 60 × 90 cm) Cabinet features four drawers. $ 5,000 – 7,000

Literature: From Here to There and Beyond: Michele de Lucchi, Bulegato and Polano, pg. 55 Exhibited: Form Questions Function: Memphis, 17 November – 3 February 1985, Memphis Brooks Museum of Art, Memphis, TN (traveling exhibition) Provenance: Grace Designs, Dallas Private Collection

194 Arik Levy Rockwood (large) Israel/France, 2007 oak 43 ¼ w × 21 ¼ d × 12 ¼ h in (110 × 54 × 31 cm) This work is from the edition of 4 aside from 1 artist’s proof and 1 prototype. $ 5,000 – 7,000

195 Arman Untitled (table) France/USA, c. 1985 cast bronze, glass, acrylic 50 w × 40 d × 22 h in (127 × 102 × 56 cm) This work is number 3 from the edition of 8. $ 10,000 – 15,000

Provenance: Acquired in 1987 from Miriam Shiell Fine Art by the present owner

196 Yoichi Ohira Laguna vase Japan/Italy, 1999 internally decorated glass with polychrome bands 9 ½ dia × 8 ¼ h in (24 × 21 cm) This unique work was executed with Maestro Livio Serena. Incised to underside: [Yoichi Ohira Mo L. Serena 1/1 Unico Friday 5 March 1999 Murano]. $ 15,000 – 20,000

Literature: Yoichi Ohira: A Phenomenon in Glass, Friedman, pg. 166 – 179 illustrate technique Provenance: Wright, Design, 8 December 2016, Lot 309 | Private Collection

T.H. Robsjohn–Gibbings: Works from an Important Commission

The following nineteen lots represent an extensive private collection commissioned directly from T.H. Robsjohn-Gibbings.

The family began working with the artist in 1969 ordering this large collection, which includes both rare works as well as three custom furniture designs produced by Saridis of Athens. A tragic fire in 1978 destroyed the collection and it was re-ordered in its entirety that same year, including the custom designs.

Robjsohn-Gibbings studied the furniture of classical Greece extensively and his knowledge of ancient art is apparent in his designs for Saridis of Athens.

This drawing is from an amphora dating from the 5th century B.C.

197 T.H. Robsjohn-Gibbings Klini chaise, model no. 11 United Kingdom/Greece, 1961/1978 Saridis of Athens walnut, leather 57 ½ w × 25 ¼ d × 33 ¾ h in (146 × 64 × 86 cm) Signed with applied brass manufacturer’s label to underside: [Designed by T.H. Robsjohn Gibbings Manufactured by Saridis of Athens]. $ 7,000 – 9,000

Literature: The Furniture of Classical Greece, Robsjohn-Gibbings and Pullin, ppg. 23, 27, 114–117 Provenance: Acquired directly from Saridis of Athens | Thence by descent

198 T.H. Robsjohn-Gibbings Diphros Okladias folding stools model no. 24, pair United Kingdom/Greece, c. 1969/1978 Saridis of Athens walnut, leather, brass 22 ¼ w × 16 ¼ d × 16 ½ h in (57 × 41 × 42 cm) Signed with applied brass manufacturer’s label to underside of each example: [Designed by T.H. Robsjohn Gibbings Manufactured by Saridis of Athens]. $ 15,000 – 20,000

Provenance: Acquired directly from Saridis of Athens | Thence by descent

199 T.H. Robsjohn-Gibbings dining chairs model no. 105, set of twelve United Kingdom/Greece, c. 1969/1978 Saridis of Athens walnut, leather, brass 20 ¼ w × 26 d × 35 ½ h in (51 × 66 × 90 cm) Signed with applied brass manufacturer’s label to underside of each example: [Designed by T.H. Robsjohn Gibbings Manufactured by Saridis of Athens]. $ 25,000 – 35,000

Literature: Contemporary Furniture of Greece: Furniture and Fabrics Designed by T.H. Robsjohn-Gibbings for Saridis of Athens, manufacturer’s catalog, unpaginated Provenance: Acquired directly from Saridis of Athens | Thence by descent

200 T.H. Robsjohn-Gibbings dining table, model no. 149 United Kingdom/Greece, c. 1969/1978 Saridis of Athens walnut, brass 55 dia × 29 h in (140 × 74 cm) Sold with two 24-inch leaves; table measures 103 inches when fully extended and features additional legs for support. $ 10,000 – 15,000

Literature: Contemporary Furniture of Greece: Furniture and Fabrics Designed by T.H. Robsjohn-Gibbings for Saridis of Athens, manufacturer’s catalog, unpaginated Provenance: Acquired directly from Saridis of Athens | Thence by descent

201 T.H. Robsjohn-Gibbings Custom occasional tables, pair United Kingdom/Greece, c. 1969/1978 Saridis of Athens walnut 26 w × 18 d × 23 ¾ h in (66 × 46 × 60 cm) Signed with applied brass manufacturer’s label to underside of each example: [Designed by T.H. Robsjohn Gibbings Manufactured by Saridis of Athens].

Sold with a photocopy of the original rendering by Robsjohn-Gibbings. $ 3,000 – 5,000

Provenance: Acquired directly from Saridis of Athens | Thence by descent

202

203

T.H. Robsjohn-Gibbings floor lamp, model no. 302

T.H. Robsjohn-Gibbings Affecter stool

United Kingdom/Greece, c. 1969/1978 Saridis of Athens brass, parchment, enameled aluminum 17 dia × 46 ½ h in (43 × 118 cm)

United Kingdom/Greece, c. 1969/1978 Saridis of Athens bronze, walnut, leather 22 w × 25 ½ d × 19 ¼ h in (56 × 65 × 49 cm)

$ 2,000 – 3,000

Signed with applied brass manufacturer’s label to underside: [Designed by T.H. Robsjohn Gibbings Manufactured by Saridis of Athens].

Literature: Contemporary Furniture of Greece: Furniture and Fabrics Designed by T.H. Robsjohn-Gibbings for Saridis of Athens, manufacturer’s catalog, unpaginated Provenance: Acquired directly from Saridis of Athens | Thence by descent

$ 15,000 – 20,000

Provenance: Acquired directly from Saridis of Athens | Thence by descent

204

205

T.H. Robsjohn-Gibbings Custom card table

T.H. Robsjohn-Gibbings table lamp, model no. 306

United Kingdom/Greece, c. 1969/1978 Saridis of Athens walnut, leather with gilt detailing 32 w × 32 d × 30 ¼ h in (81 × 81 × 77 cm)

United Kingdom/Greece, c. 1969/1978 Saridis of Athens brass, parchment 15 dia × 25 h in (38 × 64 cm)

Table features a flip-top that expands to 63.75 inches. Signed with applied brass manufacturer’s label to underside: [Designed by T.H. Robsjohn Gibbings Manufactured by Saridis of Athens].

Sold with a photocopy of the original rendering by Robsjohn-Gibbings.

$ 1,500 – 2,000

$ 4,000 – 6,000

Provenance: Acquired directly from Saridis of Athens | Thence by descent

Literature: Contemporary Furniture of Greece: Furniture and Fabrics Designed by T.H. Robsjohn-Gibbings for Saridis of Athens, manufacturer’s catalog, unpaginated Provenance: Acquired directly from Saridis of Athens | Thence by descent

A Klismos chair and Diphros stool illustrated in a drawing on an oil jug from the 5th century B.C.

206 T.H. Robsjohn-Gibbings Diphros Okladius stool, model no. 9 United Kingdom/Greece, 1961/1978 Saridis of Athens walnut, leather, brass 31 ½ w × 24 d × 17 ½ h in (80 × 61 × 44 cm) Signed with applied brass manufacturer’s label to underside: [Designed by T.H. Robsjohn Gibbings Manufactured by Saridis of Athens]. $ 5,000 – 7,000

Literature: The Furniture of Classical Greece, Robsjohn-Gibbings and Pullin, pg. 69, 71 Provenance: Acquired directly from Saridis of Athens | Thence by descent

207 T.H. Robsjohn-Gibbings lounge chairs model no. 155, pair United Kingdom/Greece, c. 1969/1978 Saridis of Athens walnut, leather, upholstery 25 ¼ w × 33 ½ d × 31 ½ h in (64 × 85 × 80 cm) Signed with applied brass manufacturer’s label to underside of each example: [Designed by T.H. Robsjohn Gibbings Manufactured by Saridis of Athens]. $ 10,000 – 15,000

Literature: Contemporary Furniture of Greece: Furniture and Fabrics Designed by T.H. Robsjohn-Gibbings for Saridis of Athens, manufacturer’s catalog, unpaginated Provenance: Acquired directly from Saridis of Athens | Thence by descent

208 T.H. Robsjohn-Gibbings table lamps model no. 303, pair United Kingdom/Greece, c. 1969/1978 Saridis of Athens marble, brass, paper 14 dia × 24 h in (36 × 61 cm) $ 4,000 – 6,000

Literature: Contemporary Furniture of Greece: Furniture and Fabrics Designed by T.H. Robsjohn-Gibbings for Saridis of Athens, manufacturer’s catalog, unpaginated Provenance: Acquired directly from Saridis of Athens | Thence by descent

209 T.H. Robsjohn-Gibbings occasional table, model no. 110 United Kingdom/Greece, c. 1969/1978 Saridis of Athens walnut 25 dia × 23 ¼ h in (64 × 59 cm) Signed with applied brass manufacturer’s label to underside: [Designed by T.H. Robsjohn Gibbings Manufactured by Saridis of Athens]. $ 4,000 – 6,000

Literature: Contemporary Furniture of Greece: Furniture and Fabrics Designed by T.H. Robsjohn-Gibbings for Saridis of Athens, manufacturer’s catalog, unpaginated Provenance: Acquired directly from Saridis of Athens | Thence by descent

210

211

T.H. Robsjohn-Gibbings table lamp, model no. 303

T.H. Robsjohn-Gibbings Custom coffee table

United Kingdom/Greece, c. 1969/1978 Saridis of Athens marble, brass, linen 12 dia × 22 ½ h in (30 × 57 cm)

United Kingdom/Greece, c. 1969/1978 Saridis of Athens walnut 32 w × 20 d × 18 ½ h in (81 × 51 × 47 cm)

$ 1,000 – 1,500

Signed with applied brass manufacturer’s label to underside: [Designed by T.H. Robsjohn Gibbings Manufactured

by Saridis of Athens]. Sold with a photocopy of the original rendering

by Robsjohn-Gibbings.

Literature: Contemporary Furniture of Greece: Furniture and Fabrics Designed by T.H. Robsjohn-Gibbings for Saridis of Athens, manufacturer’s catalog, unpaginated Provenance: Acquired directly from Saridis of Athens | Thence by descent

$ 2,000 – 3,000

Provenance: Acquired directly from Saridis of Athens | Thence by descent

212 T.H. Robsjohn-Gibbings occasional table, model no. 141 United Kingdom/Greece, c. 1969/1978 Saridis of Athens walnut with inlay 16 dia × 19 ½ h in (41 × 50 cm) Signed with applied brass manufacturer’s label to underside: [Designed by T.H. Robsjohn Gibbings Manufactured by Saridis of Athens]. $ 1,000 – 1,500

Literature: Contemporary Furniture of Greece: Furniture and Fabrics Designed by T.H. Robsjohn-Gibbings for Saridis of Athens, manufacturer’s catalog, unpaginated Provenance: Acquired directly from Saridis of Athens | Thence by descent

213

214

T.H. Robsjohn-Gibbings coffee tables model no. 125, pair

T.H. Robsjohn-Gibbings table lamp, model no. 303

United Kingdom/Greece, c. 1969/1978 Saridis of Athens marble, chrome-plated bronze 22 ½ dia × 18 h in (57 × 46 cm)

United Kingdom/Greece, c. 1969/1978 Saridis of Athens marble, brass, linen 13 dia × 24 ½ h in (33 × 62 cm)

$ 10,000 – 15,000

$ 1,000 – 1,500

Literature: Contemporary Furniture of Greece: Furniture and Fabrics Designed by T.H. Robsjohn-Gibbings for Saridis of Athens, manufacturer’s catalog, unpaginated

Literature: Contemporary Furniture of Greece: Furniture and Fabrics Designed by T.H. Robsjohn-Gibbings for Saridis of Athens, manufacturer’s catalog, unpaginated

Provenance: Acquired directly from Saridis of Athens | Thence by descent

Provenance: Acquired directly from Saridis of Athens | Thence by descent

215 T.H. Robsjohn-Gibbings low pedestal United Kingdom/Greece, c. 1969/1978 Saridis of Athens walnut 11 ¾ w × 6 d × 2 h in (30 × 15 × 5 cm) Signed with applied brass manufacturer’s label to underside: [Designed by T.H. Robsjohn Gibbings Manufactured by Saridis of Athens]. $ 1,000 – 1,500

Provenance: Acquired directly from Saridis of Athens | Thence by descent

216 T.H. Robsjohn-Gibbings chaise United Kingdom/USA, c. 1960 | Baker walnut, upholstery 62 w × 23 d × 42 h in (157 × 58 × 107 cm) $ 10,000 – 15,000

217 Philip and Kelvin LaVerne Rare Etruscan coffee table USA, c. 1965 acid-etched and patinated bronze over pewter and wood 60 w × 30 d × 17 ½ h in (152 × 76 × 44 cm) Incised signature to edge of table top: [Philip Kelvin LaVerne]. Signed with applied paper manufacturer’s label to underside: [Philip LaVerne Galleries Ltd. Works of Art 74 Wooster Street New York New York 10012]. $ 7,000 – 9,000

Literature: The Art of Philip LaVerne, studio catalog, ppg. 3, 21 illustrate motif Sculpture II Bronze and Pewter Tables: The Art of Philip LaVerne, studio catalog, pg. 22 illustrates motif

218 Line Vautrin Sainte Foy necklace France, 1941 gilt bronze 1 ½ w × 16 ¾ l in (4 × 43 cm) Incised signature to reverse: [LV]. $ 2,000 – 3,000

Literature: Line Vautrin, Bijoux et Objets, Vautrin and Mauriès, pg. 36

219

220

Line Vautrin Moïse ou la Traversée du Désert brooch

Line Vautrin Pour Toi Mon Amour compact

France, c. 1942 gilt bronze 2 ¼ w × ¼ d × 2 ¼ h in (6 × 1 × 6 cm)

France, c. 1945 gilt bronze 3 ¼ dia × ¾ h in (8 × 2 cm)

$ 500 – 700

$ 3,000 – 5,000

Literature: Line Vautrin, Bijoux et Objets, Vautrin and Mauriès, pg. 45 Line Vautrin: Poesie in Metall, Bokelberg, pg. 77

221 Josef Hoffmann settee, model no. 421 Austria, 1906 | Jacob & Josef Kohn steam bent and lacquered beech, upholstery, brass 47 ½ w × 25 d × 28 h in (121 × 64 × 71 cm) Signed with impressed manufacturer’s mark to underside: [J & J Kohn Austria]. $ 5,000 – 7,000

Literature: Il Mobile Moderno: Gebrüder Thonet Vienna, Jacob & Josef Kohn, Renzi, pg. 200

222 Josef Hoffmann armchairs model no. 728, pair Austria, c. 1901 | Jacob & Josef Kohn steam bent and lacquered beech, leather, brass 24 w × 25 ½ d × 31 h in (61 × 65 × 79 cm) $ 10,000 – 15,000

Literature: Josef Hoffmann: Sanatorium Purkersdorf, Breckner, ppg. 38–41 Vienna 1900: Art, Architecture, Design, Varnedoe, pg. 85 Il Mobile Moderno: Gebrüder Thonet Vienna, Jacob & Josef Kohn, Renzi, pg. 200

223

224

Louis Sullivan architectural fragment from the Schlesinger & Mayer Store, Chicago

Harvey Ellis bookcase, model 701

USA, 1899 cast and glazed terracotta 24 ½ w × 4 d × 5 ¾ h in (62 × 10 × 15 cm) Impressed marks to one edge: [47060-17]. $ 2,000 – 3,000

Literature: The Complete Architecture of Adler & Sullivan, Nickel and Siskind, ppg. 210–213, 412–414 illustrate commission Provenance: Schlesinger and Mayer Store, Chicago | Collection of Dr. Brian and Becky Hinrichs, Watseka, IL

USA, c. 1902 | Craftsman Workshops of Gustav Stickley lacquered oak, leaded glass 48 w × 14 d × 58 h in (122 × 36 × 147 cm) Bookcase features two doors concealing eight adjustable shelves. $ 20,000 – 30,000

Literature: Treasures of the American Arts and Crafts Movement: 1890–1920, Volpe and Cathers, pg. 34 Provenance: Cathers & Debrosky, New York | Private Collection

225 Paul Frankl Skyscraper occasional table USA, c. 1927 | Frankl Galleries lacquered wood, walnut 16 ¼ w × 16 ¼ d × 26 h in (41 × 41 × 66 cm) $ 5,000 – 7,000

Literature: Paul T. Frankl and Modern American Design, Long, pg. 73

226 Thonet Three-Legged chairs model no. 81, pair Germany/Austria, c. 1900 | Thonet steam bent and lacquered beech, upholstery, brass 25 w × 22 ¾ d × 32 h in (64 × 58 × 81 cm) Branded manufacturer’s mark to frame of each example: [Thonet]. $ 3,000 – 5,000

Literature: Bent Wood and Metal Furniture: 1850–1946, Ostergard, pg. 233, fig. 34

227 Jugendstil game table Austria, c. 1910 lacquered mahogany, leather, cast brass, mother of pearl, ash, ebony 33 ¼ w × 33 ¼ d × 29 ½ h in (84 × 84 × 75 cm) Table features four drawers. $ 3,000 – 5,000

228 Jugendstil chairs, set of four Austria, c. 1910 lacquered beech, tooled leather, mother of pearl, walnut, mahogany, ebony 17 w × 20 d × 42 h in (43 × 51 × 107 cm) $ 10,000 – 15,000

229

230

René Gabriel lounge chairs, pair

Joseph-Andre Motte floor lamp

France, c. 1950 lacquered wood, upholstery, brass 25 ¾ w × 34 d × 31 h in (65 × 86 × 79 cm)

France, 1958 | Disderot acrylic, ash, bronze-plated steel 12 w × 10 ½ d × 48 ¾ h in (30 × 27 × 124 cm)

$ 3,000 – 5,000

$ 4,000 – 6,000

Literature: Les Decorateurs des Années ‘50, Favardin, pg. 247 illustrates related form

231 Jacques Adnet daybed France, c. 1950 saddle-stitched leather over steel, enameled steel, brass 76 w × 36 ½ d × 28 h in (193 × 93 × 71 cm) $ 7,000 – 9,000

232 Jacques Adnet table lamps model 7706, pair France, c. 1930 | Baccarat crystal, nickel-plated brass, paper 6 dia × 11 ½ h in (15 × 29 cm) $ 7,000 – 9,000

Literature: Jacques Adnet, Hardy and Millet, pg. 242

233 Marcel Breuer B8 stool Hungary/Austria, c. 1930 | Thonet chrome-plated steel, Eisengarn 15 ¾ w × 15 ¾ d × 17 ¾ h in (40 × 40 × 45 cm) Signed with partial decal manufacturer’s label to frame: [Thonet]. $ 1,500 – 2,000

Literature: Marcel Breuer: Furniture and Interiors, Wilk, pg. 185

234 Marcel Breuer Rare B7 chair Hungary/Austria, 1927 | Thonet chrome-plated steel, lacquered wood, Eisengarn, steel 17 w × 24 d × 32 ½ h in (43 × 61 × 83 cm) This rare example features the original cherry-red seat and an uncommon base with holes in each foot for an optional support ring. Signed with applied brass disc manufacturer’s label to frame: [Thonet]. $ 5,000 – 7,000

Literature: Werkstoelen, Vöge, fig. 16 Marcel Breuer: Furniture and Interiors, Wilk, pg. 48 illustrates similar example Marcel Breuer Design, Droste and Ludewig, pg. 69 illustrates similar examples

235 Marcel Breuer chairs model WB301, set of four Hungary, c. 1933–1934 | Meubles Stylclair chrome-plated steel, molded and lacquered plywood 16 w × 20 d × 30 ¼ h in (41 × 51 × 77 cm) Signed with brass manufacturer’s label to frame of three examples: [Meubles Stylclair Lyon Paris]. $ 15,000 – 20,000

Literature: Marcel Breuer: Furniture and Interiors, Wilk, ppg. 115–123 discuss the development of this chair; pg. 120 illustrates similar example Bent Wood and Metal Furniture 1850–1946, Ostergard, pg. 300

236 Robert Venturi with Denise Scott Brown prototype Chippendale chair USA, c. 1983 | Knoll International laminate over plywood, upholstery 23 ½ w × 23 ½ d × 38 h in (60 × 60 × 97 cm) $ 2,000 – 3,000

Provenance: Estate of Marion Boulton Stroud, Philadelphia

In the early stages of production, Robert Venturi and Denise Scott brown experimented with a series of laminates and finishes for their series of historically inspired chairs for Knoll.

This prototype Chippendale chair features a variation of Ettore Sottsass’ Bacterio 2 pattern developed in the early 1980s with Abet Laminati.

237 Gerrit Rietveld Early Crate chair The Netherlands, 1934 G.A. van de Groenekan painted deal 22 w × 30 d × 25 h in (56 × 76 × 64 cm) $ 5,000 – 7,000

Literature: The Complete Rietveld Furniture, Vöge, ppg. 88–89 G.Th. Rietveld 1888–1964, Kuper and van Zijl, pg. 155 Provenance: Family Maaswinkel, Utrecht Thence by descent | Private Collection, The Netherlands

238

239

Karl Springer floor lamps, pair

Vladimir Kagan Barrel chair

USA, c. 1980 faux crocodile, chrome-plated brass, paper 13 ½ w × 13 ½ d × 52 h in (34 × 34 × 132 cm)

USA, 1950 | Kagan-Dreyfuss, Inc. upholstery, walnut 33 w × 33 d × 31 h in (84 × 84 × 79 cm)

$ 3,000 – 5,000

$ 2,000 – 3,000

Literature: The Complete Kagan: A Lifetime of Avant-Garde Design, Kagan, ppg. 74–75

240 Vladimir Kagan Sculpted rocking chair and ottoman USA, c. 1953 | Kagan-Dreyfuss, Inc. walnut, upholstery 32 w × 42 d × 39 h in (81 × 107 × 99 cm) Ottoman measures: 21 w × 21 d × 15 h inches. $ 10,000 – 15,000

Literature: The Complete Kagan: A Lifetime of Avant-Garde Design, Kagan, ppg. 120–121 Vladimir Kagan Designs, manufacturer’s catalog, ppg. 29–30

241 T.H. Robsjohn-Gibbings lounge chairs, pair United Kingdom/USA, c. 1955 Widdicomb bleached walnut, upholstery 26 ½ w × 30 d × 32 ½ h in (67 × 76 × 83 cm) $ 3,000 – 5,000

242 T.H. Robsjohn-Gibbings sofa, model 1678 United Kingdom/USA, c. 1955 Widdicomb walnut, upholstery 84 w × 32 d × 33 h in (213 × 81 × 84 cm) $ 3,000 – 5,000

Literature: Widdicomb, manufacturer’s catalog, unpaginated

243

244

Vladimir Kagan Shield Back dining chairs, set of four

Vladimir Kagan dining table, model VK2010

USA, c. 1950 | Kagan-Dreyfuss, Inc. walnut, fabric upholstery 24 ½ w × 27 ½ d × 36 ½ h in (62 × 70 × 93 cm)

USA, c. 1950 | Kagan-Dreyfuss, Inc. walnut 48 dia × 29 h in (122 × 74 cm)

Set includes two armchairs, model VK 104 and two side chairs, model VK 103 measuring 18.75 w × 27.5 d × 36.5 h inches.

Signed with branded manufacturer’s mark to frame of each example: [Kagan Dreyfuss New York Vladimir Kagan Design].

Sold with two 24-inch leaves; table measures 96 inches when fully extended.

$ 3,000 – 5,000

Literature: The Complete Kagan: A Lifetime of Avant-Garde Design, Kagan, pg. 265

$ 3,000 – 5,000

Literature: The Complete Kagan: A Lifetime of Avant-Garde Design, Kagan, pg. 265

245 T.H. Robsjohn-Gibbings settee, model 1679 United Kingdom/USA, c. 1955 Widdicomb bleached walnut, upholstery 54 w × 32 d × 33 ½ h in (137 × 81 × 85 cm) $ 2,000 – 3,000

Literature: Widdicomb, manufacturer’s catalog, unpaginated

246 Karl Springer ottomans, pair USA, c. 1975 | Karl Springer, Ltd. oak, upholstery 34 w × 34 d × 20 h in (86 × 86 × 51 cm) $ 3,000 – 5,000

247 Paul Evans wall-mounted Cityscape cabinet from the PE 400 series USA, c. 1975 Paul Evans Studio for Directional walnut burl, chrome-plated steel, lacquered fiberglass 94 ½ w × 21 d × 23 h in (240 × 53 × 58 cm) Cabinet features six doors concealing three compartments and three shelves. $ 10,000 – 15,000

248

249

Paul Evans wall-mounted Cityscape cabinet from the PE 400 series

Paul Evans wall-mounted Cityscape shelf from the PE 400 series

USA, c. 1975 Paul Evans Studio for Directional walnut burl, chrome-plated steel 24 w × 13 ¾ d × 48 h in (61 × 35 × 122 cm)

USA, c. 1975 Paul Evans Studio for Directional walnut burl, chrome-plated steel 72 w × 18 d × 8 h in (183 × 46 × 20 cm)

Cabinet features two bi-fold doors concealing four shelves. Impressed signature to underside: [An Original Paul Evans].

Impressed signature to left edge: [An Original Paul Evans].

$ 5,000 – 7,000

$ 2,000 – 3,000

250

251

Paul Evans Cityscape coffee table from the PE 400 series

Paul Evans wall-mounted Cityscape cabinet from the PE 400 series

USA, c. 1975 Paul Evans Studio for Directional walnut burl, chrome-plated steel 60 w × 36 d × 16 h in (152 × 91 × 41 cm)

USA, c. 1975 Paul Evans Studio for Directional walnut burl, chrome-plated steel 24 w × 13 ¾ d × 48 h in (61 × 35 × 122 cm)

Impressed signature to base: [An Original Paul Evans].

Cabinet features two bi-fold doors concealing four shelves. Impressed signature to side: [An Original Paul Evans].

$ 3,000 – 5,000

$ 5,000 – 7,000

252

253

Angelo Mangiarotti Profili in Equilibrio Gravitazionale

Angelo Mangiarotti Profili in Equilibrio Gravitazionale

Italy, 1999 corten steel 2 ½ h × 8 w × 1 d in (6 × 20 × 3 cm)

Italy, 1999 corten steel 4 h × 8 ¼ w × 1 ¼ d in (10 × 21 × 3 cm)

$ 2,000 – 3,000

$ 2,000 – 3,000

Literature: Angelo Mangiarotti: Matter and Sense, Casati, unpaginated, illustrates related work Il DNA della Scultura: Angelo Mangiarotti, Caramel, ppg. 28–35 illustrate related works

Literature: Angelo Mangiarotti: Matter and Sense, Casati, unpaginated, illustrates related work Il DNA della Scultura: Angelo Mangiarotti, Caramel, ppg. 28–35 illustrate related works

254 Angelo Mangiarotti Untitled Italy, 1987 alabaster 6 h × 9 ½ dia in (15 × 24 cm) This work is unique. $ 2,000 – 3,000

Literature: Angelo Mangiarotti: Matter and Sense, Casati, unpaginated, illustrates this work Provenance: Collection of the artist Private Collection

Designs by Paolo Tilche

Renaissance man, Paolo Tilche was an architect, designer and influential personality. He designed several residential and industrial buildings in Milan, he opened the Arform showroom for modern furnishings and objects in 1955 and co-hosted a television show dedicated to home interiors with Mario Tedeschi, one of the first of its kind. The following six lots designed by Paolo Tilche illustrate his modern sensibility.

255

256

Paolo Tilche Poney dining table

Paolo Tilche bar cart

Italy, 1956 | Felice Rossi mahogany, laminate 67 ½ w × 33 ½ d × 29 ¼ h in (171 × 85 × 74 cm)

Italy, 1960 | Arform mahogany, brass 26 w × 20 d × 27 ¼ h in (66 × 51 × 69 cm)

$ 5,000 – 7,000

$ 2,000 – 3,000

Literature: Paolo Tilche: Progretti e Ricordi, Bassi, pg. 75 Repertorio 1950–1980, Gramigna, pg. 100

257 Paolo Tilche Rea dining chairs, set of six Italy, 1956 | Arform leather, enameled steel 19 ¾ w × 18 d × 28 h in (50 × 46 × 71 cm) $ 4,000 – 6,000

Literature: Paolo Tilche: Progretti e Ricordi, Bassi, pg. 8 Repertorio 1950–1980, Gramigna, pg. 98

258

259

Paolo Tilche Giraffa bookcase

Paolo Tilche desk

Italy, 1960 | Arform teak, aluminum, enameled steel 34 w × 13 ¾ d × 119 h in (86 × 35 × 302 cm)

Italy, 1956 | Arform teak, enameled steel, enameled brass 51 w × 27 ½ d × 28 ½ h in (130 × 70 × 72 cm)

Bookcase features four adjustable shelves and one drop-front cabinet.

Desk features two drawers and one-pull out work surface.

$ 4,000 – 6,000

$ 4,000 – 6,000

Literature: Paolo Tilche: Progretti e Ricordi, Bassi, pg. 50 Repertorio 1950–1980, Gramigna, pg. 98

Literature: Paolo Tilche: Progretti e Ricordi, Bassi, pg. 79

260 Paolo Tilche adjustable table Italy, 1963 | Arform mahogany, enameled steel, brass 51 ¾ w × 36 d × 30 h in (131 × 91 × 76 cm) Table features two leaves that can be stored underneath as console or rotated outward to form a circular dining table measuring: 50.75 w × 29 dia inches. $ 4,000 – 6,000

Literature: Paolo Tilche: Progretti e Ricordi, Bassi, ppg. 20–21

261 Gino Sarfatti table lamp Italy, 1971 | Arteluce enameled steel, enameled aluminum 13 ¼ w × 7 ¼ d × 16 h in (34 × 18 × 41 cm) Signed with applied manufacturer’s label to shade: [AL Milano Arteluce]. $ 6,000 – 8,000

Literature: The Complete Designer’s Lights II, Krzentowski and Krzentowski, pg. 293 illustrates variation

262 Ignazio Gardella dining table, model T2 Italy, 1950 | Azucena brass, laminate 67 ½ w × 39 ½ d × 30 ¾ h in (171 × 100 × 78 cm) $ 5,000 – 7,000

Literature: Il Mobile Italiano Degli Anni ‘40 e ‘50, de Guttry and Maino, pg. 178

263 Angelo Mangiarotti Rare lounge chair, model 1110 Italy, 1961/1963 | Cassina leather, enameled aluminum 34 w × 30 d × 27 ½ h in (86 × 76 × 70 cm) $ 7,000 – 9,000

Literature: Angelo Mangiarotti: Matter and Sense, Casati, unpaginated

264 Gino Sarfatti wall lights model 586/s, set of six Italy, 1962 | Arteluce aluminum, enameled aluminum 4 ¾ dia × 5 ½ h in (12 × 14 cm) $ 3,000 – 5,000

Literature: Gino Sarfatti: Selected Works 1938–1973, Romanelli and Severi, pg. 488

265 Gino Sarfatti table lamp, model 573 Italy, 1956 | Arteluce enameled aluminum, chrome-plated steel, enameled steel, acrylic, aluminum 6 w × 21 d × 21 h in (15 × 53 × 53 cm) $ 3,000 – 5,000

Literature: Gino Sarfatti: 1938–1973 Selected Works, Romanelli and Severi, pg. 434 Provenance: Sotheby’s, New York, WYETH: The Art of Timeless Design, 6 June 2017, Lot 364 | Private Collection, New York

266 Ico and Luisa Parisi coffee table Italy, c. 1956 | Fratelli Rizzi carved and lacquered wood, marble 47 ¼ w × 21 ¼ d × 19 h in (120 × 54 × 48 cm) $ 3,000 – 5,000

Literature: Domus, December 1956, no. 325, pg. 18 illustrates similar forms

267 Venini mirror Italy, c. 1940 glass, mirrored glass, brass 15 ½ w × 1 ¼ d × 16 h in (39 × 3 × 41 cm) Signed with impressed manufacturer’s mark to edge of brass element: [Venini Murano]. $ 1,000 – 1,500

Literature: Venini Glass: Its History, Artists and Techniques, Deboni, blue catalog, pg. 42

268 Pietro Chiesa table lamp Italy, 1942 | Fontana Arte brass, crystal, frosted glass, lacquered wood 22 dia × 19 ½ h in (56 × 50 cm) $ 10,000 – 15,000

Literature: Fontana Arte: Repertorio 1933–1943 Dalle Immagini Dell’Epoca, Montefusco, pg. 122 Domus, June 1942, pg. 242

269 Fontana Arte occasional table, 2221 Italy, c. 1960 brass, reverse-painted glass 10 ½ dia × 19 ¾ h in (27 × 50 cm) $ 5,000 – 7,000

Literature: Fontana Arte, manufacturer’s catalog, unpaginated Fontana Arte: Gio Ponti, Pietro Chiesa, Max Ingrand, Deboni, pl. 416 illustrates related form

270 Fontana Arte coffee table, model 1736 Italy, c. 1964 mirrored crystal, enameled steel, brass 40 w × 23 ½ d × 16 ½ h in (102 × 60 × 42 cm) $ 4,000 – 6,000

Literature: Fontana Arte, manufacturer’s catalog, 1964, unpaginated

271 Vittorio Valabrega cabinet Italy, c. 1930 lacquered walnut, lacquered wood, crystal, brass 43 w × 20 d × 33 h in (109 × 51 × 84 cm) Cabinet features three drawers. $ 7,000 – 9,000

Literature: Il Mobile Deco Italiano, de Guttry and Maino, ppg. 259, 261 illustrate related forms

272 Stilnovo chandelier Italy, c. 1950 brass, frosted glass 31 w × 31 d × 38 h in (79 × 79 × 97 cm) Signed with decal manufacturer’s label to fixture: [Milano Stilnovo Italy]. $ 4,000 – 6,000

Provenance: Van den Akker, New York Private Collection, New York

273 Paavo Tynell table lamp Finland, 1941 | Taito OY brass, cane 9 dia × 10 ½ h in (23 × 27 cm) Signed with impressed manufacturer’s mark to underside: [TT OY Taito AB 5321 Made in Finland]. $ 3,000 – 5,000

Literature: Paavo Tynell ja Taito Oy, Aav, pg. 44

274 Josef Frank Flora cabinet Austria/Sweden, c. 1954 | Svenskt Tenn mahogany, printed paper, brass 52 w × 17 d × 29 ¾ h in (132 × 43 × 76 cm) Cabinet features three drawers. $ 10,000 – 15,000

Exhibited: Swedish Design, 1954, Torre Polar, Caracas Provenance: Ambassador Carl-Robert Borgenstierna, Caracas | Private Collection

275 Paavo Tynell Rare and Important chandelier Finland, c. 1948 | Taito OY perforated and enameled brass 34 dia × 31 h in (86 × 79 cm) $ 30,000 – 50,000

Literature: Paavo Tynell ja Taito Oy, Aav, pg. 103 Paavo Tynell, Eric Philippe exhibition catalog, ppg. 25–26

276 Sergio Rodrigues Vianna coffee table Brazil, c. 1973 | Oca jacaranda 33 ¼ w × 33 ¼ d × 12 ¾ h in (84 × 84 × 32 cm) $ 2,000 – 3,000

Literature: Sergio Rodrigues, Cals, pg. 273

277 Sergio Rodrigues Tonico sofa Brazil, c. 1973 | Oca jacaranda, leather, fabric 88 w × 38 d × 39 h in (224 × 97 × 99 cm) $ 5,000 – 7,000

Literature: Sergio Rodrigues, Cals, ppg. 259, 277

278 Sergio Rodrigues Tonico sofa Brazil, c. 1973 | Oca jacaranda, leather, fabric, chrome-plated brass 68 w × 38 d × 39 h in (173 × 97 × 99 cm) $ 4,000 – 6,000

Literature: Sergio Rodrigues, Cals, ppg. 259, 277

279 Sergio Rodrigues Alex coffee table Brazil, 1960/c. 1973 | Oca jacaranda, marble 39 ¼ w × 39 ¼ d × 16 ¼ h in (100 × 100 × 41 cm) $ 3,000 – 5,000

Literature: Sergio Rodrigues, Cals, ppg. 190, 266

280 Hans J. Wegner dining chairs, set of ten Denmark, c. 1953 | C.M. Madsens Fabriker teak, leather 21 ¾ w × 18 ½ d × 30 h in (55 × 47 × 76 cm) Signed with impressed manufacturer’s mark to frame of each example: [C.M. Madsen Fabriken Haahby C.M. Danmark Made in Denmark Design: Hans J. Wegner]. $ 5,000 – 7,000

Literature: Hans J. Wegner’s 100 Chairs, Oda, pg. 66 Provenance: Estate of John Paul Miller, Cleveland | Private Collection | Wright, Scandinavian Design, 14 November 2013, Lot 202 | Private Collection

281

282

Märta Måås-Fjetterström Ståndaren flatweave carpet

Arne Jacobsen Egg chair and ottoman

Sweden, 1928 Märta Måås-Fjetterström AB hand-woven wool 65 w × 105 l in (165 × 267 cm)

Denmark, 1958 | Fritz Hansen leather, cast aluminum, plastic 35 ½ w × 32 d × 42 h in (90 × 81 × 107 cm)

$ 5,000 – 7,000

Ottoman measures: 22 w × 16 d × 16.5 h inches. Signed with molded manufacturer’s mark to underside of chair: [FH Made in Denmark 520015]. $ 5,000 – 7,000

Literature: Arne Jacobsen, Thau and Vindum, ppg. 471–472 Danish Chairs, Oda, pg. 60

283 Philip Johnson six outdoor lights from the Amon Carter Museum of American Art, Fort Worth USA, 1961 enameled bronze 9 dia × 31 h in (23 × 79 cm) $ 8,000 – 10,000

Provenance: Amon Carter Museum of American Art, Fort Worth | Private Collection

This set of outdoor lamps comes from the Amon Carter Museum of American Art in Fort Worth, Texas designed

by Philip Johnson in 1961. The museum building underwent a series of additions and renovations over the years (all under Johnson’s supervision), and was most recently vastly expanded in 2001, the 50,000 plus square-foot addition spearheaded by Johnson himself.

Approximately twenty-five of these lamps were installed on the museum campus in 1961. They were removed from the exterior during the 1980s and recently deaccessioned by the museum in 2015.

284 George Nelson & Associates CSS (Comprehensive Storage System) USA, 1959 | Herman Miller enameled aluminum, walnut, aluminum, enameled steel 96 w × 80 d × 95 h in (244 × 203 × 241 cm) This Comprehensive Storage System is comprised of four uprights, four can lights (three shown), four cabinets, one desk and nine shelves. Signed with disc manufacturer’s label to drawers of two cabinets: [Designed by George Nelson Herman Miller Zeeland Mich.] $ 3,000 – 5,000

Literature: George Nelson: Architect, Writer, Designer, Teacher, von Vegesack and Eisenbrand, pg. 245 discusses series Design for Living: Furniture and Lighting 1950–2000, Hanks and Hoy, ppg. 54–55

285

286

Greta Magnusson Grossman floor lamp

Barbro Nilsson Spättan tapestry weave carpet

Sweden/USA, c. 1948 | Ralph O. Smith brass, enameled aluminum 12 w × 19 d × 51 ½ h in (30 × 48 × 131 cm)

Sweden, 1943 Märta Måås-Fjetterström AB hand-woven wool 99 w × 138 l in (251 × 351 cm)

$ 10,000 – 15,000

Literature: Greta Magnussen Grossman — A Car and Some Shorts, Snyderman and Waern, ppg. 43, 149 Furniture Forum, Vol. 1 Winter 1949, section 3, pg. 3 Greta Magnussen Grossman: Designer, Kane, pg. 35

Woven signature to edge: [AB MMF BN]. $ 15,000 – 20,000

Literature: Märta Måås-Fjetterström: Märta flyger igen! 90 år med Märta MååsFjetterström, exhibition catalog, pg. 143

287 Bodil Kjaer office suite Denmark, 1959 E. Pederson and Sons A/S rosewood, chrome-plated steel, brass 72 ½ w × 36 d × 28 ¾ h in (184 × 91 × 73 cm) Set is comprised of one desk with four locking drawers and two rolling cabinets each featuring one small drawer and one file drawer. Signed with decal distributor’s label to underside: [Furnituremakers Danish Control]. Signed with stamped manufacturer’s mark to underside: [E. Pederson & Sons A-S Made in Denmark]. $ 15,000 – 20,000

288

289

Märta Måås-Fjetterström Pompan half-pile carpet

Warren Platner dining set

Sweden, 1939/executed after 1941 Märta Måås-Fjetterström AB hand-knotted wool 80 w × 123 l in (203 × 312 cm)

USA, 1966 | Knoll International enameled steel, Brazilian rosewood, upholstery, plastic 54 dia × 28 h in (137 × 71 cm)

This design was created for the Swedish Parliament. Woven signature to edge: [AB MMF].

Set includes table and six chairs; chairs measure: 27 w × 21 d × 29 h inches.

Signed with applied distributor’s label to each element: [Knoll International].

$ 5,000 – 7,000

$ 10,000 – 15,000

Literature: Ten by Warren Platner, Platner, ppg. 105, 162, 164, 167, 174 Knoll: A Modernist Universe, Lutz, ppg. 74

The present lot is a painting completed by Gil Elvgren in 1944 for the advertising agency, J. Walter Thompson Company.

The painting, an original presentation board, features a crystal ball and inside a proud man driving a car next to a beautiful woman waving. The illustration was for one of the agency’s earliest and most successful advertising campaigns for Ford Motor Company—There’s a Ford in your Future. The campaign slogan was devised as a way to address the shortage of automobiles as resources were allocated to the war efforts.

Through use of the crystal ball, the campaign cleverly looked into the future to a time of peace when all American families could own a car.

The campaign lasted a couple of years and the creative did change over time. The earliest incarnation of the advertisement simply included a crystal ball with the Ford logo in the center.

This was followed up just a couple months later with Elvgren’s happy and proud couple alongside the words, “Sure you’ll be proud of it!” The advertisements were a success and marked the beginning of a 67 year partnership between J. Walter Thompson Company and Ford.

Sure you’ll be proud of it..There’s a Ford in your future!, 1944 advertisement created

by J. Walter Thompson Company and illustrated by Gil Elvgren

290 Gil Elvgren There’s a Ford in Your Future illustration USA, 1944 oil on artist board 23 ¾ h × 22 w in (60 × 56 cm) Applied exhibition label to verso: [Walker Arts Center, Minneapolis L-375-4]. $ 5,000 – 7,000

Literature: Elvgren: His Life & Art, Collins and Elvgren, pg. 42 Exhibited: Advertising Art, 1 – 31 May 1945, The Art Insitute of Chicago (exhibition traveled to the Walker Arts Center, Minneapolis)

Terms & Conditions of the Sale

Each Lot in a Wright Auction or Wright Catalog is offered subject to the following Terms and Conditions of Sale (“Terms”), as supplemented in writing or otherwise by us at any time prior to the sale. By Registering to Bid, Bidding, or otherwise purchasing a Lot from Wright, you agree to be bound by these Terms. In these Terms, “we,” “us,” “our,” “Wright” or similar terms mean R. Wright, Inc. and any of its agents, and “you,” “your,” “buyer” or similar terms mean a person Bidding on or buying a Lot at a Wright Auction, Private Sale, Wright Now Sale or otherwise through us. Please see Section 9 below for the meanings of capitalized terms or phrases that are not defined elsewhere in these Terms.

1 Bidding at Auction Prerequisites To Bid, you must Register to Bid with us in advance of the sale. In addition to our general registration requirements, we reserve the right to require (a) photo identification; (b) bank references; (c) a credit card; and (d) a monetary deposit (which will be refunded immediately if you do not submit the highest bid on a lot and will be applied to any Purchase Price Bid).

Assumed Costs and Risks By Bidding, you understand that any Bid you submit can and maybe regarded as the Purchase Price Bid for a particular Lot; accordingly, your Bid constitutes a legally binding agreement to purchase the Lot in accordance with your Bid if accepted by the auctioneer. You agree to assume personal responsibility to pay the Purchase Price Bid, plus the Buyer’s Premium and any additional charges that become due and payable in connection with your purchase of a Lot; and that upon the fall of the auctioneer’s hammer or other indication by the auctioneer that bidding has closed for a particular Lot, if your last Bid is the Purchase Price Bid, you agree to purchase the Lot and assume all risk of loss and damage to such Lot, in addition to any obligations, costs and expenses relating to its handling, shipping, insurance, taxes and export. All sales are final.

Auctioneer Discretion The auctioneer has the right, in his absolute discretion, to determine the conduct of any Wright Auction sale, including, without limitation, to advance the bidding, to reject any Bid offered, to withdraw any lot, to reoffer and resell any lot, and to resolve any dispute in connection with such sale.

In any such case, the judgment of the auctioneer is final, and shall be binding upon you and all other participants in such sale.

Bidding Increments All Wright Auction sales will be conducted in the following increments, and nonconforming Bids will not be executed, honored or accepted:

$ 25 to 500 $ 500 to 1,000 $ 1,000 to 2,000 $ 2,000 to 3,000 $ 3,000 to 5,000 $ 5,000 to 10,000

$ 10,000+

$ 25 increment $ 50 increment $ 100 increment $ 200 increment $ 250 increment $ 500 increment $ 1,000 increment or auctioneer’s discretion

Reserve All Lots may be offered subject to a confidential minimum price below which the Lot will not be sold (the “Reserve”). The auctioneer may open the bidding on any lot below the Reserve by placing a Bid on behalf of the Seller. The auctioneer may continue to Bid on behalf of the Seller up to the amount of the Reserve, either by placing consecutive Bids or by placing Bids in response to other bidders.

Remote Bidding As a convenience to buyers who cannot be present on the day of a Wright Auction and have Registered to Bid, we will use reasonable efforts to execute (i) written, properly completed absentee Bids described on Wright bid forms delivered to us prior to that sale; or (ii) Bids delivered to us via the Internet, whether by properly completed Wright absentee bid forms or, if available, a live bidding service authorized by Wright.

We assume no responsibility for a failure to execute any such Bid, or for errors or omissions made in connection with the execution of any such Bid. If requested prior to a Wright Auction in writing, we will use reasonable efforts to contact the buyer by telephone to enable the buyer to Bid by telephone on the day of the sale, but we assume no responsibility for errors or omissions made in connection with any such arrangement (including without limitation miscommunication of instructions given over the phone or failure to establish a connection prior to a sale). You acknowledge that there may be additional terms and conditions governing the use of any third-party service in connection with Bidding on the Internet, including, but not limited to, those providing for additional charges and fees relating to the execution of such Bids. Wright has no control over, and assumes no responsibility for, the content, privacy policies, or practices of any third party websites or services. You expressly release Wright from any and all liability arising from your use of any third-party website or services.

Additionally, your dealings with such third party sites, including payment and delivery of goods, and any other terms (such as warranties) are solely between you and such third parties. We encourage you to be aware of, and to read, the terms and conditions and privacy policy of any third-party website or service that you visit.

2 Payment and Collection of Purchases You Pay Buyer Costs If your Bid results in a Purchase Price Bid (or you agree to pay the purchase price for a Lot as a part of a Wright Now Sale or Private Sale), you agree to pay the following charges associated with the purchase of such Lot: i. Hammer Price (for Auction Sales) or Lot purchase Price (for Wright Now Sales and Private Sales); ii.

Buyer’s Premium (for Auction Sales) which is 25 % of the Hammer Price (or part thereof) up to and including $ 100,000; 20 % of the Hammer Price (or part thereof) in excess of $ 100,000 up to and including $ 1,000,000; and 12 % of the Hammer Price (or part thereof) in excess of $ 1,000,000. An additional premium will be added to any successful bid accepted through a third-party site. iii. any applicable sales tax, late payment charges, storage fees, Enforcement Costs or other costs, damages or charges assessed in accordance with these Terms (for all sales) ((i) – (iii) collectively, the “Buyer Costs”). All purchases will be subject to state sales tax in Illinois or New York unless the buyer has provided us with a valid certificate of exemption from such tax.

Payment Procedure You agree to pay all Buyer Costs immediately following Wright’s acceptance of the Purchase Price Bid unless other arrangements have been approved by Wright in advance. If Wright approves of such other arrangement for payment, Wright may at its discretion require you to make a nonrefundable down payment on Buyer Costs. All payments must be made in US Dollars, in any of the following acceptable forms of payment: – Cash – Check, with acceptable identification – Visa, MasterCard or American Express Wright reserves the right to charge and collect an additional 2% of payments made by credit card.

Title and Risk of Loss Title to a Lot purchased in accordance with these Terms shall not pass to the buyer until Wright has received the Buyer Costs (including clearance of checks and wire transfers). We reserve the right to delay delivery of or otherwise prevent access to any purchased Lot until Wright has received all Buyer Costs. Notwithstanding passage of title, risk of loss to a Lot passes immediately to buyer upon Wright’s acceptance of a Purchase Price Bid. All sales are final.

Security As security for full payment to us of all amounts due from the buyer and prompt collection of your purchased Lots in accordance with these Terms, we retain, and the buyer grants to us, a security interest in any Lot purchased by the buyer in accordance with these Terms (and any proceeds thereof), and in any other property or money of the buyer in our possession or coming into our possession subsequently (“Security Interest”). We may apply any such money or treat any such property in any manner permitted under the Uniform Commercial Code and/or any other applicable law. You hereby grant us the right to prepare and file, any documents sought by us to protect and confirm our security interests including but, not limited to a UCC-1 Financing Statement.

Export, Import and Endangered Species Licenses and Permits Before bidding for any property, prospective buyers are advised to make their own inquiries as to whether a license is required to export a lot from the United States or to import it into another country. Prospective buyers are advised that some countries prohibit the import of property made of or incorporating plant or animal material, such as coral, crocodile, ivory, whalebone, Brazilian rosewood, rhinoceros horn or tortoiseshell, irrespective of age, percentage or value. Accordingly, prior to bidding, prospective buyers considering export of purchased lots should familiarize themselves with relevant export and import regulations of the countries concerned. It is solely the buyer’s responsibility to comply with these laws and to obtain any necessary export, import and endangered species licenses or permits. Failure to obtain a license or permit or delay in so doing will not justify the cancellation of the sale or any delay in making full payment for the lot. As a courtesy to clients, Wright will advise clients who inquire about lots containing potentially regulated plant or animal material, but we do not accept liability for errors or for failing to advise on lots containing protected or regulated species.

Delivery Buyer is solely responsible for collection of purchased Lots from Wright facilities, including making arrangements and paying all costs associated with packing and delivery. We may, as a courtesy to the buyer, provide or arrange packing, shipping or similar logistical services, or refer the buyer to third parties who specialize in these services. Any such services referred, provided or arranged by us are at the buyer’s sole risk and expense, we assume no responsibility for any act or omission of any party in connection with any such service or reference, and we make no representations or warranties regarding such parties or their services.

You expressly release Wright from any and all liability arising from your use of any third-party website or services.

Storage, Abandonment and Related Charges All purchased Lots not collected from Wright’s facilities by buyer or buyer’s authorized agents within thirty (30) days following the Sale Date will become subject to storage fees of not less than $ 5 per day. A late payment fee equal to 1.5 % per month may be assessed on any Buyer Costs remainingx unpaid thirty (30) days following the Sale Date. If a purchased Lot has not been collected from us within sixty (60) days after the Sale Date, and Wright has not consented to continue to store the Lot, the buyer will be deemed to have defaulted under these Terms, and, in addition to any other remedies we may have at law or equity, we shall be entitled to foreclose on the Security Interest by selling such Lots and using the proceeds from such sale for any purpose (including payment of storage fees and administrative expenses of handling such matter), without any further liability to the buyer. You agree that this remedy is reasonable in light of the costs Wright would have to incur to continue to store and process purchased Lots after sale.

Breach If a buyer fails to make timely payment as required in these Terms, or breaches any other covenant, representation or warranty in this Agreement, we shall be entitled, in our discretion, to exercise any remedies legally available to us, including, but not limited to, the following: i. cancellation of the sale of the Lot to the non-paying buyer, including the sale of any other Lot to the same buyer (whether or not paid); ii. reselling the Lot, at public or private sale, with or without reserve; iii. retention of all amounts already paid by the buyer to Wright, which shall constitute a processing and restocking fee (which you acknowledge would be reasonable in light of the costs Wright would have to incur to process your breach and attempt to re-auction or resell the Lot); iv. rejection of any Bids by the buyer at future auctions; v. setting-off any amounts owed by Wright to the buyer in satisfaction of unpaid amounts; and/or vi. taking any other action we deem necessary or appropriate under the circumstances.

Confession of Judgment If you default on payment of one or more Purchase Price Bids under this Agreement, you hereby authorize any attorney to appear in a court of record and confess judgment against you in favor of Wright for the payment of such Purchase Price Bids and all related Buyer Costs. Accordingly, the confession of judgment may be without process and for any amount due on this Note including collection costs and reasonable attorneys’ fees. This authorization is in addition to all other remedies available to Wright.

3 Limited Warranty “As Is”, “Where Is”. Except as expressly stated below, each Lot is sold “as is” “where is”, with no representation or warranty of any kind from any party (including Wright or the consignors of the Lots), express or implied, including warranties of merchantability, fitness for a particular purpose and non-infringement.

Because you are responsible for satisfying yourself as to condition or any other matter concerning each purchased Lot, you are advised to personally examine any Lot on which you intend to bid prior to the auction and/or sale. As a courtesy, condition reports for any Lot are available from Wright prior to the sale, but Wright assumes no responsibility for errors and omissions contained in any such report, a Wright Catalog or other description of a Lot that may be available on the Wright website. Any statements made by Wright with respect to a Lot (whether in a condition report, a Wright Catalog or on the Wright website), whether orally or in writing, are intended as statements of opinion only, are not to be relied upon as statements of fact and do not constitute representations or warranties of any kind.

Authorship Warranty Subject to the following terms and conditions, Wright warrants, for a period of two (2) years following the date of sale, the information presented in a Wright Catalog with respect to Authorship of any Lot is true and correct, so long as the name of the Author is set forth unqualifiedly in a heading in Bold type in the applicable and most current Wright Catalog. The term “Author” or “Authorship” means the creator, designer, culture or source of origin of the property, as the case may be, as specifically identified in Bold type in the applicable and most current Wright Catalog, and shall not include any supplemental text or information included in any other descriptions (whether or not in the Wright Catalog).

Exclusions from and Conditions to the Authorship Warranty Notwithstanding, this warranty is subject to the following: i. The benefits of this warranty are only available to the original buyer of a Lot from Wright, and not to any subsequent purchasers, transferees, successors, heirs, beneficiaries or assigns of the original buyer. ii. This warranty shall not apply to any Lot for which a Wright Catalog description states that there is a conflict of opinion among specialists as to Authorship. iii. This warranty shall not apply to any Lot for which, at the time of sale, the statements regarding Authorship made by Wright conformed with the generally accepted opinion of scholars, specialists or other experts, despite the subsequent discovery of information that modifies such generally accepted opinions. iv. The buyer must provide written notice of any claim under this warranty to Wright (validated by no fewer than two (2) written opinions of experts whose principal line of business is the appraisal and authentication of art, antiquities, design objects or other valuable objects similar to the Lot) not later than thirty (30) days after becoming aware of the existence of such a claim, an in any event no later than two (2) years following the date of sale, and must return the Lot subject to such claim to Wright in the same condition as at the time of the original sale. Wright reserves the right to appoint two independent specialists to examine the Lot and evaluate the buyer’s claim prior to buyer’s receipt of any remedy pursuant to this warranty.

Buyer’s Only Remedy for Authorship Warranty Breach The buyer’s sole remedy, and Wright’s sole liability, under this warranty shall be the cancellation of the sale of the Lot in question, or (if the sale has already concluded) the refund of the purchase price originally paid by such buyer for the Lot in question (not including any late fees, taxes, shipping, storage or other amounts paid to Wright in accordance with these Terms). Buyer hereby waives any and all other remedies at law or equity with respect to breaches of this warranty.

Limit of Liability In no event shall wright be liable to you or any third party for any consequential, exemplary, indirect, special, punitive, incidental or similar damages, whether foreseeable or unforeseeable, regardless of the cause of action on which they are based, even if advised of the possibility of such damages occurring. With respect to any sale of a lot, in no event shall wright be liable to you or any third party for losses in excess of the purchase price paid by you to wright for such lot to which the claim relates.

4 Rescission or Voiding of Sale by Wright If we become aware of an adverse claim of a third party relating to a Lot purchased by you, we may, in our discretion, rescind the sale. Upon notice of our election to rescind a sale, you will promptly return such Lot to us, at which time we will refund to you the Hammer Price and Buyer’s Premium paid to us by you for such Lot. This refund will represent your sole remedy against us and/or the consignor in case of a rescission of sale under this paragraph, and you agree to waive all other remedies at law or equity with respect to the same.

If you do not return such Lot to us in accordance with this paragraph, you agree to indemnify, defend and hold Wright, its officers, directors, employees, agents and their successors and assigns, harmless from any damages, costs, liabilities or other losses (including attorney’s fees) arising as a result of such third party claim.

5 Copyright Notice Wright and its licensors will retain ownership of our intellectual property rights, including, without limitation, rights to the copyrights and trademarks and other images, logos, text, graphics, icons, audio clips, video clips, digital downloads in, and the “look and feel” of, the Wright website and each Wright Catalog. You may not obtain any rights of ownership, use, reproduction or any other therein by virtue of these Terms or purchasing a Lot. You may not use any of our trademarks or service marks in any way.

6 Severability If any provision of these Terms is held by any court to be invalid, illegal or unenforceable, the invalid/ illegal/unenforceable aspect of such provision shall be disregarded and the remaining Terms enforced in accordance with the original document and in accordance with applicable law.

7 Governing Law These Terms shall be governed by and interpreted in accordance with the law of the State of Illinois and,

by Registering to Bid or Bidding in the Wright Auction (whether personally, by telephone or by agent), the you agree to submit to the exclusive jurisdiction of the state and federal courts located in Cook County, Illinois in connection with any matter related to these Terms, the Wright Auction or other sale of a Lot to you by Wright.

8 Expenses In addition to the foregoing, you agree to pay to Wright or Seller on demand the amount of all expenses paid or incurred by Wright and Seller, including attorneys’ fees and court costs paid or incurred by Wright or Seller in exercising or enforcing any of its rights hereunder or under applicable law, together with interest on all such amounts at 1.5 % per month (the “Enforcement Costs”) within thirty (30) days of the buyer’s receipt of Wright’s invoice for such Enforcement Costs.

9 Definitions The following terms have the following meanings: Author and Authorship have the meanings given in Section 3. Bidding, Bid or place a Bid means a prospective buyer’s indication or offer of a price he or she will pay to purchase a Lot at a Wright Auction which conforms with the provisions of Section 1. Buyer Costs has the meaning given in Section 2. Buyer’s Premium means the following for any Lot: (i) 25 % of the Hammer Price (or part thereof) up to and including $ 100,000; (ii) 20 % of the Hammer Price (or part thereof) in excess of $ 100,000 up to and including $ 1,000,000; and (iii) 12 % of the Hammer Price (or part thereof) in excess of $ 1,000,000.

An additional premium will be added to any successful bid accepted through a third-party site.

Hammer Price means the price for a Lot established by the last bidder and acknowledged by the auctioneer before dropping the hammer or gavel or otherwise indicating the bidding on such Lot has closed. Lot means the personal property offered for sale by Wright, whether at a Wright Auction, Private Sale, Wright Now Sale or otherwise. Passed Lot is a Lot which does not reach its reserve or otherwise fails to sell at a Wright Auction. Private Sale is a non-public, discrete sale of a Lot (such Lot typically not being exhibited by Wright).

Purchase Price Bid means the bid submitted by a Buyer for a Lot which is accepted as the Hammer Price, or in the case of Private Sales or Wright Now Sales, the price accepted by Wright for the sale of such Lot.

Register to Bid or Registering to Bid means providing Wright with your complete, accurate contact information (including address, phone and email) and a current, valid credit card number (including security code), and (i) in the case of phone or absentee bidders, a properly completed Wright bid form and (ii) in the case of online bidders, registration with such authorized third-party online auctioneer service providers described on our website on the How to Bid page. Reserve has the meaning given in Section 1. Sale Date means, in the case of Wright Auctions, the date of the closing of bidding for a particular Lot and acceptance of the Purchase Price Bid for such Lot; in the case of all other sales by Wright, the date Wright agrees in writing to sell a Lot to a buyer.

Security Interest has the meaning given in Section 2.

Seller means the owner of a Lot offered for sale at a Wright Auction, Private Sale, Wright Now Sale or other sale administered by Wright.

Terms has the meaning given in the Introduction to this Agreement. Wright Auction means the sale of Lots to the public through competitive bidding administered

by Wright (including sales administered through a third-party Internet auctioneer authorized by Wright).

Wright Catalog means the design catalogs published

by Wright which features Lots available at particular Wright Auctions. Wright Now Sale is a sale of a Lot consigned to Wright by a third party, either posted on Wright’s website directly or solicited after a Lot fails to sell at auction.

Index

A

M

Adnet, Jacques 231 – 232 Amino, Leo 181 – 182 Arman 195

Måås-Fjetterström, Märta 281, 288 Magnusson Grossman, Greta 285 Mangiarotti, Angelo 252 – 254, 263 Matégot, Mathieu 105, 114 Motte, Joseph-Andre 230 Mouille, Serge 112, 139

B Bertoia, Harry 160 – 161, 164 – 166, 168 – 169 Breuer, Marcel 233 – 235 C Cadestin, Michel 127 Campana, Fernando and Humberto 188 – 191 Capron, Roger 109 Castle, Wendell 185 – 186 Chiesa, Pietro 268

N Nakashima, George 174 – 180 Nelson & Associates, George 284 Nilsson, Barbro 286 Noll, Odile 119 O Ohira, Yoichi 196 P

D de Lucchi, Michele 193 E Ellis, Harvey 224 Elvgren, Gil 290 Evans, Paul 162, 170, 247 – 251

Paley, Albert 183 – 184 Parisi, Ico and Luisa 266 Perriand, Charlotte 151 – 158 Platner, Warren 289 Prabhawalkar, A.R. 124 Prouvé, Jean 100 – 101, 106, 110 – 111, 113 – 132 R

F Falkenstein, Claire 163 Fontana Arte 269 – 270 Frank, Josef 274 Frankl, Paul 225 G Gabriel, René 229 Gardella, Ignazio 262 H Hoffmann, Josef 221 – 222

Rie, Lucie 173 Rietveld, Gerrit 237 Robsjohn-Gibbings, T.H. 197 – 216, 241 – 242, 245 Rodrigues, Sergio 276 – 279 Ruelland, Jacques and Dani 128, 136 S Sarfatti, Gino 261, 264 – 265 Scott Brown, Denise 236 Sottsass, Ettore 192 Springer, Karl 238, 246 Sullivan, Louis 223 T

J Jacobsen, Arne 282 Jeanneret, Pierre 115 – 116, 118, 122 – 124, 126, 129 – 131, 133 – 135, 145 – 146, 149 – 150 Johnson, Philip 283 Jouve, Georges 102 – 104, 107 – 108, 117, 120 – 121, 137 – 138, 140 – 144, 147 – 148 K Kagan, Vladimir 239 – 240, 243 – 244 Kjaer, Bodil 287 L Lalanne, François-Xavier 187 LaVerne, Philip and Kelvin 217 Laurent, Georges 127 Léger, Fernand 125 Levy, Arik 194

Tilche, Paolo 255 – 260 Turner, Robert 171 – 172 Tynell, Paavo 273, 275 V Valabrega, Vittorio 271 Vautrin, Line 218 – 220 Venturi, Robert 236 Voulkos, Peter 159, 167 W Wegner, Hans J. 280

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