Sniffin' Glue Issue #12 Fanzine Redux

ISSUE #12

SNIFFIN’ GLUE! & OTHER ROCK’N ROLL HABITS...

FOR AROUND AUG/SEPT. ‘77

MESSAGE YOUR GLORIOUS LEADER IS A ONE YEAR OLD SORT OF THE WORD IS BOTTLE

“HEY LITTLE RICH BOY TAKE A GOOD LOOK AT ME!”

CREATED BY MARK PERRY

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SINGLE OUT NOW

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GARY GILMORE’S EYES BORED TEENAGERS

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Issue 12. (Or fifteen if ya count 3 1/2, 7 1/2 and Sniffin’ Snow).

We got a fair bit of response to eleven, (I liked the line somebody wrote, in answer to Sandy Robertson’s bit, about if Clash lose their struggle then Patti Smith won’t be able to continue hers but unfortunatly we lost the actual letter along with a rake of others when our offices were turned over one night last week) a lot though were reruns of whats already bin said and its alright to know theres a lot going the same way.

There should be a single free in this issue, (aint sure at time of typing), which is of Marks band. Pouring back the profits. God, we’re so morl.

Sniffin Glue: Danny Baker/ Mark P (he aint sure if he’s comin’ or goin’)/Harry Murlowski. thanks; angie/erica/suesie(though I aint sure why) and Tony whose initial escapes me concertoftheyeargoestoalternativeforthe irduke pubgigsseeitaintjustthespotsincognito

ROUGH TRADE ROUGH TRADE ROUGH TRADE ROUGH TRADE ROUGH TRADE ROUGH TRADE ROUGH TRADE Geoff, Richard and Steve, directors of the Rough Trade Multi Million pound Conglomerate wish to announce that they are now trading in the best reggae records that can be found as well as the hardest core glue stained sounds of the new wave.

Anyone interested in acquiring these records as a wholesale item, as a mail order customer or from the shop itself...

Please write or call at ROUGH TRADE, 202 Kensington Park Road, London, W.11. phone 01-727-4312 Remember: This is the organisation that doesn’t give a shit about Joe Public

GENERATION X NEW SINGLE YOUR GENERATION DAY BY DAY CHS 2165

generation generation generation generation generation generation generation generation generation generation generation generation generation generation generation generation generation generation generation generation generation generation generation generation generation generation generation generation generationgeneration generation generation generation generation generation generation generation generation generation generation generation generation generation generation generation generation generation generation Mail order copies from Rough Trade Records 202 Kensington Park Road. London W 11 (7274312) 70p + 10p Pop

REAL REALROCK ROCK‘N” ‘N” ROLL ROLLIS ISREBEL REBEL MUSIC MUSIC -IF IFROCK ROCK’N’ ’N’ROLL ROLL AIN’T AIN’TREBEL REBEL MUSIC MUSIC THEN THENIT ITAIN’T AIN’T REAL REALROCK ROCK‘N’ ‘N’ ROLL! ROLL!

It’s time to wake up and emerge from the cocoon. When the new-wave first took shape it drew strength, in the search for solid identity, from the everything that went before was shiz’ attitude. It bolstered the force of the music and brought the seventies to life. Rock n’roll ain’t just started and the new-wave is the rock n’ roll of today. It’s not the only influence, with bands like Clash and the Slits looking to reggae for much of their inspiration, but the Pistols, the Ramones and more are power-packed seventies rock n’ roll bands.

As a DJ I attempt to turn new-wave

gigs into rock ‘n’ roll experiences. The Heartbreakers are always a great band to work with, because Eddie Cochran is as fundamental to their outlook as are the Pistols. For the sake of us all, lets hope that their proposed gig with Shakin’ Stevens proves to be a success.

Of course for many people into the now bands, Presley, Carl Perkins, the Beatles, Sones, Seeds, Who...were making their most vital sounds beofre musical awareness set in. But what’s that matter. Iggy, MC5 and the New York Dolls have all found favour with people not there the first time around.

It’s all down to an appreciation of what they were saying and how they were saying it, in their own times. Music is a perfect medium for shoving two fingers up at the establishment. Once it becomes respectable in loses all its potency.

That’s what occured during the seventies. All the aggression had faded and rock stars seemed more interested in becoming lax exiles or partying it up with royalty that looking after their fans who after all had put them on the top.

What they needed was a firm boot up the arse. And that’s what they got. No more farting about, just now, honest rockin’, brought back on the intimate level of the band and their audience. Back to the roots, expressed in a contemporary manner. Yes the music of today has a sound of its own, but the underlying spirit is the same.

Frustration and boredom. Unlike recent trends through this time its spewed out from deprivation, from low wages and long dole queues..

Make no mistake, this ain’t the first new-wave, and if it’s the last, then what’s the point carrying on. But things have to move on. If they stand still they become extinct.

Take Presley, known to most of us in his flash Las Vegas or all-American boy eras. But in the fifties he was an outrage, who offended the public morality and was looked upon as a corrupting influence. It’s ironic that straight society and its’ media that today

slags off Johnny Rotten and mourns the death of Elvis, once considered Presley a social outcast. Short memories they’ve got!

It is sometimes this bigotry towards the sounds of the fifties and sixties that brings about strange reactions at new-wave gigs to the inclusion of such material. You don’t have to have been there to enjoy it. We’re all children of rock ‘n’ roll. It’s so exciting being involved with music right there and now, but rock ‘n’ roll hasn’t started in the seventies, neither, I hope, has it ended.

Barry Myers

A BIT BIT ON ON CHISWICK CHISWICK Right, this bit isn’t going to be a detailed history of CHISWICK and it ain’t even up to date but I just thought that they deserved a thing in the mag seeing as, in the early days, they were only guys who wanted to know about SG. The first CHISWICK record came out in 1975 and it was:

VINCE TAYLOR BRAND NEW CADILLAC (S2).

Yes, Rock ‘n roll at it’s best. Just don’t ask questions why Chiswick released it. It was made in 1959 and it’s one of the best couple of minutes of rock music I’ve ever heard in my life. B-side is a slower job - ‘Pledging My Love’ . The best was yet to come.

THE COUNT BISHOPS SPEEDBALL (EP SW1).

THE 101’ersKEYS TO YOUR HEART (S2).

At the time the band were a 4 piece, Mike Spenser-vocals, harp, Paul Balbi-drums, Steve Lewins-bass, Johnny Guitar-guitar & Zen-guitar. The were the best R&B band in the country and still are. This EP features 4 standards‘Route 66’ , ‘I Aint Got You’ , ‘Beautiful Delilah’ and ‘Teenage Letter’. It was a great start. I remember going into Rock On in Soho Market and seeing the dapey little CHISWICK label. What’s this? I asked and he told me it was his label. The geezer I asked was Roger Armstrong. he started Chiswick with Ted Carroll.

They were on their way.

Strummer before he was STRUMMER. By the time this had been released the 101’ers had split.

‘Keys’ is, I reckon, the best pub-rock song ever recorded. The flip, ‘5 Star Rock ’n’ Roll Petrol’ , confirms that even if Joe didn’t form a band called the Heartdrops, who were to become the Clash, he would still be there. Do you got what I mean?

THE GORILLAS SHE’S MY GAL (S4)

ROCKY SHARPE & THE RAZORS (EP SW6)

After months of waiting the Gorillas were finally released on the world (apart from doing a single with Penny Farthing as the Hammersmith Gorillas). ‘She’s My Gal’ is a rousing foot-stomper just like the old Slade singles. This band were gonna be big. They had the power and the songs to make a great album. Live they were great, they filled a gap which had long been open, for a fun rock band for teenagers. ‘Why Wait ’Til Tomorrow’ is on the flip.

Don’t worry about this EP. It don’t need any help from noone.

The Razors were finished when this was released. The cover’s cute (really!) and the music is soft and boppin’. Great for late night walks in the park, ‘Drip Drop’ , ‘What’s Your Name’ , ‘So Hard To Laugh’ and ‘That’s My Desire’.

THE BISHOPS TRAIN, TRAIN / TAKING IT EASY (S5) The Bishops without Spenser, I couldn’t believe it. They just about pass without him. Both songs are good but teh vocals are weak, very weak...CHISWICK were cruising.

CHISWICK CONTINUED...

LITTLE BOB STORY (SW7) French mini bloke and band. Monte de wotsit rock n’ roll with a neat sound. At the time this was released Little Bob was everywhere. Playing every gig in sight. At first he was great but I reckon that he’s played too much. This is good to remember im by ‘I’m Crying’, ‘Come On Home’ , ‘I Need Money’ and ‘Baby Don’t Cry’. Great titles...

THE GORILLAS GATECRASHER (S8) It was funny when this was released.

I was expecting more but I didn’t think was as stunning as ‘She’s My Gal’ . It was still going in the right direction but Jesse Hector flipped and they broke up. I mean, it was a pity’ cause this band were one of the best.

What it was all about was a fucking great star-Jesse. This guy was amazing, turning head-over-heels on stage while still playing his guitar!

He would have murdered ‘em at the Rainbow. Yeah, if only he could have got that far. The story ends with them doin’ ‘Gorilla Got Me’. It seems ages ago, it was so recent.

RADIO STARS DIRTY PICTURES (S9)

THE COUNT BISHOPS BABY YOU’RE WRONG (S12)

This is the only Chiswick I just don’t want to talk about. I consider this to be their dark ages. Pass...

The new, new Bishops with vocalist Dave Tice who comes from Australia and looks like Paul Rogers (slightly). In this context these tracks don’t work (B-side is ‘Stay Free’) but on the album they’re great. I waited with bated breath and I had to wait two months consoling myself with the odd playing of the ‘Speedball’ EP.

THE RADIATORS FROM SPACE TELEVISION SCREEN (S10) In SG9 Steve Mick (remember this housewife/owner) said this single was a moronic mess. Well, it ain’t that bad infact it’s more than interesting as is:

SKREWDRIVER YOU’RE SO DUMB (S11) I consider these two singles CHISWICK’s first ventures into “punk”. The Radiators are from Ireland and Skrewdriver from Blackpool. Both singles are similar, they’re both hard and fast but they have the same trouble, no suss.

It’s like if you talk like this it’s like you’re trying to be high and mighter or something but it’s a plain fact that although both these bands are comitted up to their highbrows they are behind. I wished the Chiswick mob had looked in London for new bands.

Both these bands sound as though they’ve been recorded too early for their own good and that’s a shame.

MOTORHEAD MOTORHEAD (S13) The best 12 inch ever released and the most relevent ever released.

Motorhead need the space. This thing is pure power. Somebody had to get them on plastic, I’m glad it was Chiswick. Motorhead bring tears to your eyes as they career through their theme song. The name, by the way, is taken from ‘Motorhead’ Sherwood who was a sax player for the Mothers of Invention.

THE RINGS I WANNA BE FREE (S14) Chirst, this is a burner. Good’ yes a classic R&B, fast, breakneck, ex-Fairies, now split. Right game, the Gorillas, the 101’ers, the Razors and now the Rings all split.

Bad luck... I hope they have better luck with MOTORHEAD!!!

Look, all I can say about CHISWICK is listen to the fuckers and make yer own fucking mind up or wait Giovanni Dadamo or any of them cunts tell you what to listen to... right, this whole piece was an exercise in how to bore the pants of you while reviewing records that you’ve probably already heard or got. Writing is for cunts who are scared to show the faces. They’ve learnt their craft in journalist school or English Language and they can’t wait to tell you waht they think and half of you out there take it in, don’t believe a fucking word. It’s not just the nationals that are bullshitting. Take yer average fanzine (yes, there is a few about) writer. All he is is some frustrated rock star who would love to grow up and become another teenage prodigy like Nick Kent or Jane Suck. Well bollocks to that, if you want to fight, really fight, don’t bullshit yer way through print. That’s why the GLUE should stop stop right now...stop right now...

IF YOU REALLY WANNA DESTORY, LEAVE YOUR JOB OR SCHOOL OR ANYTHING YOU ARE INVOLVED IN AND GO AND SIT IN THE ROAD AND WAIT TILL A BIG LORRY COMES ALONG. THAT’S RIGHT DESTORY YOURSELF YOU STUPID CUNT. STOP READING SG NOW AND BURN YOUR COPY , ALL BURNT COPIES ARE TO BE LEFT IN ROUGH TRADE OR SENT TO US (YOU CAN AFFORD 7P). I want you to burn Sg 12 and burn it good. No I’m not mucking about I’m just being HONEST, AND IT HURTS!!!

A Piece by MARK PERRY

NEW WAVE

£2.45 £2.45 £2.45 £2.45 £2.45

RAMONES - JUDY IS A PUNK

DEAD BOYS - SONIC REDUCER

PATTI SMITH - PISS FACTORY

NEW YORK DOLLS - PERSONALITY CRISIS SKYHOOOKS - HORROR MOVIE

RUNAWAYS - HOLLYWOOD LITTLE BOB STORY - ALL OR NOTHING

TALKING HEADS - LOVE GOES TO BUILDING ON FIRE RICHARD HELL AND THE VOID-OIDS - LOVE COMES IN SPURTS THE BOOMTOWN RATS - LOOKIN’ AFTER NO. 1 THE DAMNED - NEW ROSE

NEW YORK DOLLS - WHO ARE THE MYSTERY GIRLS?

DEAD BOYS - ALL THIS AND MORE RUNAWAYS - CHERRY BOMB

RAMONES - SUZY IS A HEADBANGER

FLAMIN’ GROOVES - SHAKE SOME ACTION

1977 SNIFFIN’ GLUE ©