W&L DEPARTMENT OF MUSIC
Polyphony
AMPED AND ACADEMIC: THE HISTORY OF GLAM ROCK
1970-1990
SOUND ADVICE: ALUMNI SHARE THEIR STORIES AND TIPS
SONOKLECT SEASON: BOLD NEW WORKS, LEGENDARY PERFORMANCES
A Note from Greg
DEPARTMENT HEAD
PolyPhony magazine is back and better than ever after its fouryear hiatus! Visiting professor of music and administrator of music operations, Anthony Cincotta, has worked throughout the year to resuscitate this publication so we can get the word out about all the good things that are going on in the Department of Music.
Construction of choral and instrumental rehearsal rooms, a component of the Washington and Lee’s Strategic Plan that was launched in 2018, hit a snag in 2023 when the Lexington Planning Commission denied the university’s request to construct the addition between Wilson Hall and McLaughin Street. The project appears to be back on track thanks to the work of new university architect, Drew Kepley, who proposed locating the addition off the northwest corner of Wilson Hall, well away from the street. He is working on preliminary drawings at present.
The Bradford C. Gooch ’58 Endowment for Music funded conference travel for 16 students during the year. In November, pianist An Shelmire ’25 became the first W&L student to compete in the Virginia Music Teachers Association Concerto Competition at Virginia State University; five students attended the College Orchestra Directors Association National Conference in January, and 10 went to the American Choral Directors Association National Conference in March.
The best news of the 2024–2025 academic year is that the number of declared music majors exceeded 20 for the first time (22 to be exact). This marks the third consecutive year of enrollment increases in the Department of Music. There has also been an uptick in the number of students enrolled in applied lessons.
We bid farewell to Synthia Smout, who retired from her position as ensemble logistics coordinator after 20 years of service to the department. She has provided invaluable support to our departmental ensembles through library management, score rental and distribution, hiring professional players, and making travel arrangements. Thank you, Synthia, and best wishes for a welldeserved change of pace in your life!
Finally, professor Owen Collins of the Department of Theater, Dance, and Film Studies began his service as interim head of the Department of Music on July 1. A 23-year W&L faculty member and former department head, professor Collins is a respected colleague who will provide fine leadership for our department during the interim period.
I am happy to have served as interim head of this department for the last two-and-a-half years, and I look forward to ongoing contributions through teaching for the remainder of my career.
Polyphony
department head
Gregory Parker administrative assistant
Erin Phillips
editors + contributors
Anthony Cincotta
Kelsey Goodwin
Brian Laubscher
Laura Lemon
Jessica Luck
designer
Billy Chase publisher
Wilson Hall
Washington and Lee University
100 Glasgow Street Lexington, Virginia 24450
music@wlu.edu
wlu.edu/music
Gregory Parker Professor of Music
gregory parker
DEPARTMENT HEAD
PROFESSOR OF MUSIC
gregory Parker began his 41st year in Part-time church music ministry and his third year as worship leader at Manly Memorial Baptist Church in Lexington in September 2024. Also in September, he served as an external reviewer for a promotion candidate at Oakland University. In November, Main Street Lexington came calling, inviting him to lead caroling again for its annual Candlelight Christmas Processional and Tree Lighting on the 30th of that month. Participation in this event has grown to over 1,000 people in recent years. In March, he collaborated with professor Jemma Levy of the Department of Theater, Dance, and Film Studies to host Vivian Majkowski, professor of voice, speech, and text at the University of Houston for a public speaking workshop.
On July 1, Parker became the university marshal at W&L. In this role, he will chair the Public Functions Committee, participate in logistical planning of the university’s formal academic occasions, and bear the university mace as the leader of academic processions. With this appointment, he will have carried the mace and served as head marshal at all three institutions where he has been a full-time faculty member.
During the summer, he began a review of the writings of Richard Miller, one of the most consequential voice teachers of the modern era. Miller, who served as a professor of voice at Oberlin Conservatory for 40 years, wrote eight books on vocal pedagogy. Parker studied with Miller in 1996 during an intensive summer study program at Texas Christian University. Also, he continued research into his Huguenot ancestors, tracing their movements from France to Galway, Ireland, across the Atlantic to Orange County, North Carolina, and eventually to North Alabama, where he was born.
What are you listening to?
“I’m listening to a lot of Sam Cooke, Motown, and Emmanuel Pahud.”
ANTHONY CINCOTTA
“Currently I’m listening to a ton of Billy Strings, Dead & Company, Stravinsky (particularly Firebird), and Beethoven 6. When all else fails, the Tom Petty Pandora station gets put on!”
CHRIS DOBBINS
“NPR Weekend Edition (I am an NPR nerd!) where they were interviewing one of the Tiny Desk finalists Eph See whose submitted song, ‘Malachi the Uber Driver,’ was inspired by a late-night talk with their Uber driver about the very real struggle of being an artist.”
LACEY LYNCH
“I’ve been listening to “How I Got Over” by The Roots and ‘It’s Blitz!’ by the Yeah Yeah Yeahs.”
NICHOLAS GREER-YOUNG
“I’m listening to Eric Clapton’s ‘Unplugged’ album from the early ’90s.”
SHANE LYNCH
“‘The George Burns and Gracie Allen Show’”
TERRY VOSBEIN
akiko konishi anna billias
ASSISTANT PROFESSOR OF MUSIC PIANO
akiko konishi enjoyed a Productive academic year teaching an accomplished group of piano students and presenting in conferences nationwide, most notably at the Virginia Music Teachers Association State Conference and at the Los Angeles event, PopCon 2025: Pop Music, Fashion, and Style at the Edge, hosted by the Thornton School of Music at the University of Southern California. She also taught a new course about glam rock and glam metal in the Winter Term, and the biennial spring travel abroad course about Haydn and Mozart, as she explored Prague and Vienna with her students this Spring Term. She feels fortunate to have been invited to play on campus as a featured performer in the Leading Lives of Consequence capital campaign as well as the Marlbrook Chamber Players concert. Upcoming engagements include a guest artist masterclass and solo recital at Carleton College and chamber performances with acclaimed artists such as violinists Almita Vamos and Nurit Pacht and cellists Caroline Stinson (Duke University) and Felix Wang (Vanderbilt University).
Konishi looks forward to many exciting opportunities for W&L pianists next season, particularly the guest artist masterclasses and the annual piano program recital in March 2026.
LECTURER IN MUSIC COLLABORATIVE PIANIST
With grace and a heart created for listening, anna Billias allows music to flow through like a gentle river. Her musicality brings stories, healing, and connection to all who attend her many performances. In 2024, she was honored to share her gifts in moments reaching from the whispering winds of Ireland’s Dingle Music Festival, where she performed her bassoon-piano duet with Heather Dobbins, to the sacred space of a service honoring the memory of Martin Luther King Jr.
When she traveled to Crimea, she did not go with grandeur but rather with open hands. She joined renowned artist of Ukraine Anna Bratus in stitching together the fragile threads of unity through their shared melodies. Throughout the halls of embassies and cultural centers, her music became a bridge to unity through the healing power of beautiful classical music.
As a teacher, she walks in full support of her students, celebrating their steps as graciously as her own. In chamber ensembles, choir tours, and the quiet corners of retirement communities, she does not play merely for the applause, but rather for the glow in a listener’s eyes—the unspoken thank you that is shared between a performer and her audience, turning strangers into friends.
For her, music is the quiet act of giving, the sacred exchange of breath, the way a single note can tremble in the air and make the world feel less alone. Music contains the great power unity, providing a common ground and shared experience of beauty from which healing and understanding spring forth.
anthony cincotta II
VISITING ASSISTANT PROFESSOR OF MUSIC, ADMINISTRATOR OF MUSIC OPERATIONS
this Past academic year, anthony cincotta ii joined the music faculty at Washington and Lee University, where he taught aural skills and Introduction to Music. Throughout the year, he gave presentations and performances on local, regional, and national stages. Notably, he joined the Lynchburg Symphony Orchestra during their “Rhapsody in Blue at 100” concert; he presented his research, “Reevaluating Student Engagement,” at the International Saxophone Symposium, organized by the United States Navy Band; and he performed at the College Music Society’s MidAtlantic Regional Conference, showcasing a solo concerto, “kenosis,” by friend and colleague, Ryan Keebaugh, and collaborating with the critically acclaimed H2 saxophone quartet. In April, Cincotta had the opportunity to perform as the soloist with the W&L Wind Ensemble for Claude T. Smith’s “Fantasia.”
This summer, Cincotta is excited to record his first album, “Whispers of Stillness,” which will include the first recording of Keebaugh’s concerto, “kenosis.” Looking ahead to the Fall Term, Cincotta will expand his teaching responsibilities to include applied saxophone lessons and improvisation. He has also been accepted to perform at the College Music Society’s 2025 National Conference, where he will present his recital “Expanding Horizons: Celebrating Underrepresented Composers for Saxophone & Piano.” Additionally, he looks forward to collaborating with W&L colleague Anna Billias for their joint faculty recital, “Kaleidoscopic Colours,” on Oct. 5, 2025.
Cincotta lives in Lexington, Virginia, with his wife, Anna (third grade teacher at Harrington Waddell Elementary School), and their loving dog, Boomer.
chris dobbins
ASSOCIATE PROFESSOR OF MUSIC DIRECTOR OF INSTRUMENTAL PROGRAMS
c hris d obbins has enjoyed an exciting and productive academic year. He began the academic year by taking the office of president of the College Orchestra Directors Association (CODA), an organization in which he had previously served as regional vice president, president-elect, and president as well as national secretary, national vice president, and national vice president-elect. His primary responsibility as president was to plan and run the 2025 National Conference, which was successfully held at the University of Nebraska Omaha in January 2025.
Guest appearances during the 2024-25 season included: the Central Conference Honor Band in Grand Island, Nebraska, a weeklong residency at Universidad de Antioquia in Medellin, Colombia, the Hastings College Honor Band in Hastings, Nebraska, the Roanoke College Concert Band, and a residency at Jacksonville University including conducting the Jacksonville University Symphony Orchestra.
Dobbins looks forward to continuing his service to CODA as the immediate past president and as an advisor to the Women’s Advocacy Initiative of CODA. Upcoming highlights include a weeklong residency with band and orchestra conducting students and the Symphony Orchestra at the Universidad de Antioquia, research in Dingle, Ireland, and the preparation of several premiere works for the Fall Term.
lacey r. lynch
LECTURER INDIANA MUSIC CANTATRICI
l acey r . l ynch joined the music faculty at Washington and Lee University in the fall of 2022 as the conductor of the treble choir, Cantatrici. Professor Lynch also assists with the Choral Conducting Mentorship Program (CCMP).
Outside of W&L, she is a proud public-school educator, currently teaching PK-5 general music at Natural Bridge Elementary School (NBES), where she has hosted numerous practicum students and student teachers from W&L and Southern Virginia University (SVU) in her music classroom. Lynch is also the artistic director of the Rockbridge Youth Chorale (RYC). This past November, the RYC Youth Choir workshopped with Andre Thomas and Brandon Boyd and performed alongside the W&L University Singers, SVU Chamber Choir, and Grace Episcopal Chancel Choir in a joint concert for the community. In February, Lynch was invited to conduct the District V Middle School Honor Choir working with 100-plus students in grades 6-8 from the Lexington/Rockbridge area and all the way north to Harrisonburg.
This summer, Lynch will complete her Orff Level II coursework at the University of Missouri, St. Louis. She completed her Orff Level I coursework at Appalachian State University in 2023 and her Kodály Level I coursework at James Madison University in 2015. She is excited to have this official training under her belt as she mentors many music education students from both W&L and SVU in her classroom at NBES, at W&L in the CCMP and choral program, as well as through the RYC Student Conducting Internship Program.
nicholas greer-young
LECTURER INDIANA MUSIC APPLIED DOUBLE BASS
nicholas greer-young joined the Washington and Lee faculty as lecturer in music, applied double bass in January 2025. In May 2025, they graduated with their Doctor of Musical Arts degree from James Madison University. Greer-Young recently became the director of operations for the Artemis Bass Initiative, a new nonprofit dedicated to providing support for women and nonbinary bassists through formalized mentorship. As an orchestral training program in collaboration with the Symposium for Women and Nonbinary Bassists at the Curtis Institute, it is an online seminar series and provides grants that facilitate participation in summer festivals and the purchase of new instruments. In addition to their administrative role, Greer-Young also serves as an Artemis mentor, supporting four to five up-and-coming collegiate bassists and recent graduates.
In the past academic year Greer-Young has maintained a busy performing schedule. Highlights include a performance recital and lecture recital at James Madison University as well as performances of “Tosca” and “The Rite of Spring” with the Richmond Symphony. They will soon release a recording of the “Sonata for Double Bass and Piano” by Ruth Gipps to accompany their new critical edition of the work in collaboration with U.K.-based bass music publisher Recital Music. Beyond performing and scholarship, Greer-Young has taken up bow making, completing their first bass bow this past December. This summer, they look forward to attending the International Society of Bassists Convention at Florida State University and getting acquainted with the community surrounding their new home in Staunton.
shane lynch
PROFESSOR OF MUSIC DIRECTOR OF CHORAL ACTIVITIES
shane lynch, Professor of music and director of choral activities at Washington and Lee University, has been appointed lead instructor for the International Conducting Course at the prestigious 2025 Cork International Choral Festival. Celebrated since 1954, this festival attracts choirs from around the globe.
This year’s International Choral Conducting Course marks its third edition, where Lynch will collaborate with international expert Anna Fűri, lecturer of music at the Liszt Academy Kodály Institute in Hungary, to mentor experienced conductors in the art and philosophy of choral conducting. “This is a tremendous honor for me,” Lynch stated, expressing his enthusiasm for the opportunity to work alongside accomplished peers and prepare participants for performing with the esteemed Chamber Choir Ireland.
In addition to his instructive role, Lynch will serve on the jury for the Fleishman International Choir Competition, evaluating choirs from around the world and aiding in the selection of award recipients during the festival.
terry vosbein
PROFESSOR OF MUSIC, COMPOSITION, MUSIC THEORY; UNIVERSITY JAZZ ENSEMBLE
as i say every year — and With all sincerity — this past year has been the best one yet.
In November, two of my works were premiered by the Vosbein Magee Big Band in Wilson Hall: “Luna Leaps In,” an original big band composition inspired by my Siberian husky, Luna, and a new arrangement of the evocative film noir classic “Portrait of Jennie.” “Luna Leaps In” was also performed by the University Jazz Ensemble later in the season.
In February, my composition “Wanderlust” was premiered as part of the SonoKlect concert series, alongside a performance of my second piano trio by the internationally acclaimed Los Tres Músicos. I have been writing for this trio since 1997, and it was a thrill to have them back on campus and to hear their artistry bring my music vividly to life.
In the fall, I was honored to dust off my electric bass and perform in a powerful presentation of André Thomas’ “Mass” — a rollicking and moving gospel work — conducted by the composer himself and featuring the combined choirs of Washington and Lee University and Grace Episcopal Church.
My transcription for wind ensemble of Stravinsky’s “The Rite of Spring,” published by Neil A. Kjos Music Company, continues to see frequent performances worldwide, including a recent appearance in the Canary Islands this past November.
BY SHANE LYNCH
i t has been a busy season for the W& l choral P rogram. t he year kicked off as usual with the University Singers’ Midnight Rehearsal, an annual tradition since 2013—well over a decade at this point. As we prepped the “Washington and Lee Hymn” and this year’s work, “Caedmon’s Hymn,” we reflected, as we always do, that Baccalaureate, which always closes with a hymn, would be here before we knew it. As is always the case, the year flew by and that reflection was a true as it ever has been.
s e P tember saW the annual choir retreat at Wilderness Adventure at Eagle Landing, prepping us for the many early moments of the season. These included our normal events such as Parents and Family Weekend and the Fall Choral Concert but also additional special events. The University Singers performed for the Leading Lives of Consequence campaign kickoff event in the University Chapel, where the amazing gift by Bill Miller ’72 was announced, and the Glee Club and Cantatrici wowed the audience at the closing dinner. The University Singers also joined forces with the top choir from Southern Virginia University, the Grace Episcopal Church Choir, and members of the community to celebrate the life of renowned music educator Robert Glidden, a longtime supporter of the W&L choral program. Leading this celebration was the legendary André Thomas, who led the combined choirs in performing his “Mass.” Finally, the Fall Term wrapped up with Holiday Pops and Lessons and Carols. ’Twas a busy fall, indeed!
Winter allowed things to slow down a bit to focus on more detailed projects. The MLK Remembrance Concert was held in Wilson Hall, closing with King’s own words played to the audience. The University Singers then undertook a home-and-home concert series with the Virginia State University Concert Choir under the direction of Craig Robertson, with one set of workshops and concerts occurring in Richmond at River Road Church and one set in Wilson Hall. As far as I can tell, it was the first artistic collaboration in this manner between W&L and VSU in the vast history of both schools.
The Winter Choral Concert allowed Glee Club and Cantatrici to shine through several sets of music, culminating with the Bach cantata “Christ lag in Todesbanden,” complete with orchestra. The members of the Choral Conducting Mentorship Program (CCMP) were amazing in this concert, highlighting their leadership in rehearsal, programming, and conducting in the concert. I was so proud of them, as when a few moments of unexpected crazy occurred (live performance!), they kept their mettle and continued on with aplomb. The CCMP, one of our signature programs in music at W&L, does the school proud at every performance of the choral program.
Finally, the University Singers prepped for their tour of Croatia and Slovenia in April. Stunning does not begin to describe the locations, venues, and music we were able to share. Traveling during the passing of Pope Francis, we were fortunate enough to have music in our tour program to honor his legacy in these dominantly Catholic countries at the cathedral venues we were performing in, with the students rising to the occasion on René Clausen’s phenomenal “In Pace.” Stops in Dubrovnik, Split, and Zagreb, Croatia, all led to amazing experiences and performances, with crystal blue water and amazing historical and natural places to explore. We then moved on to Ljubljana, Slovenia, where we were able to share a concert with the world-renowned KGBL Chamber Choir conductor Ambrož Čopi. Following the viewing of an amazing series of caverns, we closed the tour with a concert in the round, being able to sing to one another as well as the audience. It was truly a stunning trip. Alums should be on the lookout in 2028, when the
University Singers will tour through Spain and Portugal, which will be complete with a companion tour through the Office of Lifelong Learning (details to come)!
And then the year came to a close, as it always does, with the Commencement Concert and Baccalaureate, where we were able to share our music with our friends and family for one last time. The Commencement Concert was a little extra special for me this year, as my parents were in attendance for one of the concerts for the first time since before the pandemic. With my aging father struggling with the travel that is required to get from Montana to Virginia, there were definitely a few tears knowing it may be his last time for such a trip.
It was a wonderful, challenging, and, in the end, epic year. Next year looks to be even greater, with a potential tour in February that should provide a true once-in-a-lifetime experience for the singers along with a few announcements for future goals that are extraordinarily exciting — more information is to come on both soon. In the meantime, I am thankful to all of you for being a part of the choral family at W&L. I know it is cliché, but it really does matter. The older I get, the more I believe this. And there will be so much to come, both for the current students and for our passionate alums, as we move to the second half of the 2020s. I look forward to seeing everyone in the fall at Young Alumni Weekend, when I will be back while on my sabbatical for the fall. The choirs are in the safe hands of the amazing Olivia (Shaves) Arnold ’17 and Lacey Lynch, and I look forward to coming back to a bigger and better choral program in January. ■
The Keys to Success
Piano Program Recital performers: Nicholas Rizzo
Lui
Timmy Nguyen
An
THE W&L PIANO PROGRAM completed another year packed with unforgettable performances.
Three pianists presented their senior recitals, another student appeared as a concerto soloist with the University Orchestra, and a showcase group was featured in the annual Piano Program Recital titled “Superstars: Piano Virtuosos Through the Ages” to wide acclaim. In addition, students worked with renowned guest artists Boris Berman (Yale University) and David Riley (University of Oregon) in piano master classes through the Concert Guild and SonoKlect series.
The upcoming 2025–2026 season will bring more exciting opportunities, including a world premiere of a commissioned piano trio by Houston-based composer Marcus Maroney and guest masterclasses by noted pedagogues Nicola Melville (Carleton College) and J.Y. Song (Juilliard). Stay tuned! ■
Akiko Konishi
Juyoung Kim
Award Highlights
Outstanding Pianist Award
Yuchen Qian ’25
An Shelmire ’25
Senior Recitals
Lui Blomberg ’25
Yuchen Qian ’25
An Shelmire ’25
MTNA Young Artist Competition
Virginia State Division
An Shelmire ’25, second prize
W&L Concerto – Aria Auditions Selected Winner
Juyoung Kim ’26
’25,
Blomberg ’25,
’27,
’26, Yuchen Qian ’25, Colin Soukup ’28,Camille Ramos ’26, Sylvia Churchill ’27,
Shelmire ’25, Olesia Soukhoveev ’26, John Paul Hammond ’27 (guest tenor) ,Colin Looby ’25 (guest tenor) Not pictured: Sam Mitten ’27
Back row left to right: Ayame Merkel ’28, Paris Guerrero ’27, Anna Waters ’25, Chris Dobbins, Heather Dobbins, Bill Zheng ’26. Front row: Lui Blomberg ’25, Daniel Volodarsky ’27.
BY CHRIS DOBBINS
THE REST IS HISTORY
THE INSTRUMENTAL CONDUCTING MENTORSHIP PROGRAM ENJOYED A WILDLY SUCCESSFUL YEAR.
the students in the instrumental conducting Mentorship Program enjoyed a wildly successful year. ICMP had a record number of performances with our ensembles, and many of our members also attended the College Orchestra Directors Association conference in Omaha, Nebraska.
The fall started with three student performances with the University Wind Ensemble. Daniel Chandler ’25 and Lui Blomberg ’25 combined to give an outstanding performance of Gustav Holst’s iconic “Second Suite in F.” Students were also fortunate to get to participate in a masterclass with Camilo Toro, director of orchestras at Universidad de Antioquia in Medellin, Colombia. The fall continued with a number of performances at the annual Holiday Pops concert: Ava GianGrasso ’26, Daniel Volodarsky ’27, Blomberg, Anna Waters ’25, Hallie McMurdie ’27, and Chandler gave excellent performances of pieces with the University Wind Ensemble and University Orchestra.
Winter Term started with a trip to the College Orchestra Directors Association conference in
Omaha. Our own Chris Dobbins, as president of CODA, was responsible for the conference and for the first time had sessions geared specifically toward students. Ayame Merkel ’28, Paris Guererro ’27, Blomberg ’25, Waters, Bill Zheng ’26, and Volodarsky travelled to Omaha to learn and listen to concerts and sessions from important members of our field.
Winter Term continued with the University Wind Ensemble concert. Students conducting a number of pieces on this concert included Blomberg, Waters, Chandler, Zheng, and An Shelmire ’25. Following closely after, the University Orchestra concert featured Guererro, McMurdie, and Volodarsky. Both concerts were extremely well-received, and the students performed admirably!
ICMP looks forward to another busy year next year as we welcome new members and continue our focused balance on music both new and old. We hope you can catch a concert in which these wonderful students will be featured! ■
WINNER’S CIRCLE
Departmental Awards
Choral Award
Kristina Ayers ’25, Matthew Flynn ’25, Adelaide Loving ’25
Music Production Award
Isabel Duarte ’26, Meredith Harron ’26
Piano Award
Yuchen Qian ’25, An Shelmire’25
University Orchestra Award
Neil Kansal ’25
University Wind Ensemble Award
Lui Blomberg ’25, Daniel Chandler ’25
Robert Stewart Award
(Outstanding Music Major)
Anna Waters ’25
Fine Arts Area Awards
Class of 1964 Award
Heidi Thiessen ’25
Todd Jones Award
Paris Guererro ’27, John Paul Hammond ’27, Colin Looby ’26
Adelaide Loving ’25
Kristina Ayers ’25
Anna Waters ’25
Colin Looby ’26
John Paul Hammond ’27
Lui Blomberg ’25
Paris Guerrero ’27
Polyphony
Amped Academic and MUS 122
W&L’S
CULTURE, HISTORY, AND SELF-EXPRESSION.
BY ANTHONY CINCOTTA II
GLAM ROCK COURSE CRANKS UP THE VOLUME ON
t his W inter term, Washington and l ee University’s Department of Music took a bold turn into the colorful and rebellious world of glam rock and glam metal with a groundbreaking new course—MUS 122: Game Changers in Rock:
Glam Rock and Glam Metal 1970-1990. Led by assistant professor Akiko Konishi, the class offered students an immersive journey into a musical movement that not only transformed sound but also reshaped cultural attitudes toward identity and self-expression.
Throughout the term, students examined the evolution of glam from the theatricality of David Bowie and Marc Bolan to the gritty, rebellious energy of bands like the New York Dolls, Alice Cooper, and the rise of heavy metal icons such as Quiet Riot, Bon Jovi, and Poison. The course contextualized these artists within broader sociohistorical frameworks, exploring how cultural shifts, fashion, and societal norms influenced — and were influenced by — their music and presentation.
The course provided a comprehensive look at how glam rock and glam metal served as both a reflection and an agent of change in social attitudes during their respective eras. “I particularly enjoyed the high level
of interest and insight students showed toward the readings and in-class discussions,” explained Konishi.
A highlight of the class was the innovative final project, where students had the opportunity to demonstrate their understanding creatively. They could research and perform a piece by an artist from the glam movement, showcasing not only their musical skills but also their grasp of the cultural context behind the work. Many students delivered well-researched performances that captured the flamboyance and expressive spirit of the genre. “I was floored by the dedication and energy during the final project performances,” Konishi said.
This course not only expanded students’ musical knowledge but also emphasized the importance of cultural literacy and innovation in understanding musical history. With a syllabus rich in both theory and performance, Konishi’s class illustrated how music can be a catalyst for societal reflection and change—an apt lesson for the next generation of music enthusiasts and scholars.
As the term wrapped up, the glitter settled, and the echoes of the student performances faded, it was clear that Game Changers in Rock shined brightly enough to become a dazzling and enduring staple in W&L’s Music Department. ■
Left to right: Alex Preziotti ’25 and Charlie Somervell ’28 performing “I Was Made for Lovin’ You” by KISS; Hailee Wing ’28 and Zaria Daniels ’26 performing “Is This Love” by Whitesnake; Jessie Zhang ’26 and Mac Palmer ’26 performing “Coming Home” by Cinderella.
A STELLAR YEAR FOR THE UNIVERSITY JAZZ ENSEMBLE
t he u niversity j azz e nsemble recently concluded another outstanding season, marked by musical growth, exciting collaborations, and heartfelt farewells to a talented group of graduating seniors.
The year began with a high-energy performance during Family Weekend, setting an upbeat tone for the season ahead. In October, the UJE Rhythm Section provided a lively set of jazz for a major campus fundraising dinner, showcasing the group’s versatility and professionalism.
November brought the ensemble’s annual collaboration with the renowned Vosbein Magee Big Band. This partnership offered students the valuable opportunity to participate in masterclasses and rehearse alongside seasoned professional musicians. Senior members Josh Brown, Josh Caraballo, Lui Blomberg, Thomas Leggett, and Anna Waters delivered standout solo performances with VMBB during the joint concert, earning well-deserved recognition.
In a historic first, UJE was featured in the university’s Martin Luther King Jr. Day Concert—a moving tribute to Dr. King’s enduring legacy. The ensemble performed
works by Thad Jones and Mary Lou Williams and collaborated with the University Singers on the “Gloria” from Andre Thomas’s “Mass”, marking a significant milestone in UJE’s history.
The final concert of the year included a special appearance by the Rockbridge County High School Jazz Combo, who opened the program with a fiery set. Later, they joined UJE on stage for a spirited joint finale — an original piece composed by Vosbein for the occasion — that brought the house to its feet. Adding to the excitement, UJE bassist and brilliant multi-instrumentalist Alex Price ’26 contributed a brand-new funky arrangement of the song “Soul Soup,” while guitarist Thomas Leggett ’25 delivered a fiery performance of “Breezin’.”
As the season draws to a close, the University Jazz Ensemble bids a fond farewell to its graduating seniors. Their musicianship, leadership, and spirit have left an indelible mark on the group, and they will be deeply missed.
To learn more about the history and activities of the University Jazz Ensemble, visit universityjazzensemble.com.
Sound Advice
ALUMNI SHARE THEIR STORIES, TIPS, AND TRICKS OF THE TRADE
Christian Martine ’14
Major: Business Administration Instrument: voice
“Lean into liberal arts and find a creative outlet that fills you up. Use the opportunity you have as a student not just to train for your future vocation but to explore the richness of your gifts and potential. It has made my life so much richer and taught me lessons I have woven into my personal and professional practices.”
Jonathan Barlett ’04
Major: Journalism Instrument: voice
“Audition for a musical. Go abroad. Invite your friends to performances. See as much live music as you can. … Find ways to make music a lifelong pursuit.”
Susanna Craib-Cox ’96
Major: English Instrument: voice and oboe
She says that the Music Department played a large part in her life by helping her develop discipline for tasks, listening to others on a team, and collaboration. Still involved with music, she currently helps produce music events at local church while her daughter sings in her school’s choir.
Lindsey Thagard ’21
Majors: English and Music Instrument: guitar
She says her involvement in the Music Department “further solidified that music needed to be at the center not just of her personal life but her professional life as well.”
Kathryn Huntley ’18
Major: Business Administration Instrument: voice
“As with most things, you get out what you put in. Intentionally engaging with peers and faculty can create lasting connections. I meet up with my choir friends all the time. ... I’m filling out this survey now in the Dallas airport as I fly to Ohio for a choir friend’s baby shower.”
Scott Brisendine ’90
Majors: Philosophy and Music Instrument: guitar guest performances coordinator
“Studying music at W&L was a tremendous boost to my confidence and abilities in all aspects of my education and life. … Understanding basic musical vocabulary and structure will enhance your life and make you a more well-rounded person.”
SonoKlect Season Shines
WITH BOLD NEW WORKS AND LEGENDARY PERFORMANCES
sonoklect Presented a season bursting With creative energy and musical excellence, offering two unforgettable events that showcased both legendary artistry and adventurous new compositions.
The opening concert welcomed jazz guitar legend Royce Campbell for a stunning performance of his original works. Known for his lyrical playing and sophisticated harmonic language, Campbell brought a deeply personal, expressive voice to each piece. Backing him was the acclaimed Vosbein Magee Big Band, whose lush, sensitive accompaniment elevated the evening to extraordinary heights. Together, they brought Campbell’s rich and evocative arrangements to life, earning enthusiastic applause from a packed house. The concert was professionally recorded and is now available through Max Frank Music, offering listeners a chance to revisit this memorable night—or experience it for the first time.
The season’s momentum continued with the long-anticipated return of Los Tres Músicos to the SonoKlect stage. This internationally celebrated trio—featuring violinist Jasper Wood, cellist Jesús Morales, and pianist David Riley—delivered a dazzling performance that included the world premiere of Terry Vosbein’s newest chamber work, “Wanderlust.” The composition took listeners on an emotional and sonic journey, blending rhythmic drive with moments of quiet, intimate beauty.
In addition to their concert appearance, Los Tres Músicos spent time on campus in residency, offering invaluable master classes and mentoring sessions to Washington and Lee University music students. Their insights, drawn from years of international performance and teaching, made a lasting impact on aspiring musicians and offered a rare behind-the-scenes look at the artistry of professional chamber performers.
Explore the complete history of SonoKlect, with audio, video, programs, and more at sonoklect.com ■
Upcoming Events
*Details: www.wlu.edu/music or 540-458-8852. Free unless noted. Most events in Wilson Concert Hall. Tickets: 540-458-8000. Livestream at livestream.com/wlu.
Tickets are NOT required
Tickets are required
FRI., SEPT. 26
Tickets are free but required Non-perishable food exchange Livestream
Concert Guild: Nicola Melville, piano
SUN., SEPT. 28 Faculty Recital: William McCorkle, organ
SAT., OCT. 4 SonoKlect: Matt Niess and The Capital Bones All-Brass Big Band
SUN., OCT. 5 Faculty Recital: Anthony Cincotta, saxophone; Anna Billias, piano
FRI., OCT. 17 Fall Choral Concert
FRI., OCT. 24 Parents and Family Weekend Choral Concert
SAT., OCT. 25 Parents and Family Weekend Instrumental Concert
SAT., NOV. 1 Concert Guild: Maroney Trio
SUN., NOV. 2 Marlbrook Chamber Players
MON., NOV. 3 University Wind Ensemble Concert
THURS,. NOV. 6 University Jazz Ensemble +
NOV. 7
NOV. 13
NOV. 15 Bluegrass Ensemble Concert
SUN., NOV. 16 Senior Recital: Colin Looby ’26, tenor
DEC. 2
THURS., DEC. 4 Lessons & Charols (Grace Episcopal)
SAT., JAN. 24 Concert Guild: JACK Quartet
JAN. 25 MLK Jr. Remembrance
SAT., FEB. 7 Concert Guild: Manasse/Nakamatsu Duo
SAT., FEB. 14 SonoKlect: Transient Canvas
SUN., FEB. 15 Faculty Recital: Akiko Konishi, piano
TUES., MAR. 3 University Singers Tour Home Concert
SUN., MAR. 8 Piano Program Recital
FRI., MAR. 13 Senior Recital: Meredith Harron ’26, mezzo-soprano
SUN., MAR. 15 Senior Recital: Bill Zheng ’26, percussion
FRI., MAR. 20
THURS., MAR. 26
SAT., MAR. 28 Senior Recital: Isabel Duarte ’26, soprano
SUN., MAR. 29 Senior Recital: Ava GianGrasso ’26, violin
FRI., APR. 3 Senior Recital: Nat Bersett ’26, bass
SAT., APR. 4 Senior Recital: Garrison Famiglio ’26, bass-baritone
MON., APR. 6
WED., APR. 8
THURS., APR. 9
Jazz Ensemble + RCBB
FRI., MAY 8 Concert Guild: Anita Graef, cello
SUN., MAY 10 Faculty Recital: Anime e Grazia
TUES., MAY 12 Faculty Recital: Collaborative Recital
TUES., MAY 26
p.m.
Offering diverse ensembles, applied lessons, state-ofthe-art facilities, and global performance opportunities. Majors and minors available. Experience vibrant concerts, mentorship, and a supportive musical community. Visit wlu.edu/music-department to learn more.
