David Dike Fine Art Texas Art Auction • Catalogue • Fall 2021

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A Tradition In Texas Art Since 1996

DAVID DIKE FINE ART TEXAS ART AUCTION Saturday, October 30, 2021 at 10:30 AM CST



A Tradition In Texas Art Since 1996

DAVID DIKE FINE ART TEXAS ART AUCTION Fall Auction: Saturday, October 30, 2021 at 10:30 AM CST

Wildman Art Framing: 1715 Market Center Boulevard, Dallas, Texas 75207

Auction Preview Open Daily Monday-Friday, October 11 – October 29, 2021, 10am-5pm Wildman Art Framing

Auction Date and Location Saturday, October 30, 2021 Doors open at 9:30 am; Bidding starts promptly at 10:30am, CST Wildman Art Framing

Bidding Options Bidding options available via LiveAuctioneers.com Absentee and live phone bidding available. For the absentee/phone bid form and online internet bidding access, please visit: www.daviddike.com

2613 Fairmount • Dallas, Texas 75201 • Phone: 214-720-4044 • Fax: 214-720-4469 • Email: info@daviddike.com • Website: www.daviddike.com Hours: Monday – Friday 10:00 AM – 5:00 PM • Saturday by appointment Please Contact the Gallery for More Information AUCTIONEER: LOUIS MURAD OF MURAD AUCTIONEERS • LOUIS MURAD TXS 13362


TERMS AND CONDITIONS OF AUCTION The following, as amended by any posted notices, specific bills of sale or similar instruments relating to a transaction or oral announcements during the sale, consti­tutes the entire terms and conditions on which property listed in the catalogue shall be offered for sale or sold by Murad Auctions, the auctioneer conducting the sale on behalf of any consignor for whom we act as agent. DDFAA (as subsequently defined) is not an auctioneer and is not conducting the auction or arranging any resulting transaction. In these Conditions of Sale, “We” and “Our” refer to Murad Auctions. 1. As used herein the term “bid price” means the price at which a lot is sold to the purchaser and the term “purchase price” means The aggregate of (a) the bid price, (b) A PREMIUM PAYABLE BY THE PURCHASER OF 20% of the hammer price (or 25% if bidding via LiveAuctioneers.com online) and (c) unless the purchaser is exempt by law from the payment thereof, any Texas or local sales tax (or compensating use tax of another state) and applicable taxes. Murad Auctions has been authorized by the consignor to retain, as part of our remuneration, the premium payable by the purchaser. 2. On the fall of the auctioneer’s hammer, the highest bidder shall be deemed to have purchased the offered lot, and title to the lot shall pass to the purchaser, in accordance with all of the conditions set forth herein and thereupon the purchaser (a) assumes full risk and responsibility therefore (b) if requested will sign a confirmation of purchase, and (c) will pay the purchase price in full in cash for all lots purchased. To prevent misdelivery and inconvenience in settlement of a purchase, no lot may be transferred. All property shall be removed from our premises at the purchaser’s expense immediately following the sale. If not so removed we may, as an accommodation to the purchaser, transfer the property to a public warehouse or other premises under our control or the control of DDFAA at the purchaser’s sole risk and expense. Each sale made pursuant to these Conditions of Sale will be deemed to constitute a grant of security interest by the purchaser to us in, and we may retain as collateral security for the purchaser’s obligations to us or our assignee, any of the purchaser’s property in our possession, and we may apply against such obligations all monies held or received by us for the account of, or owing to, the purchaser. Each purchaser consents to the filing of public notices or our lien. Whenever the purchaser pays only a part of the total purchase price for one or more lots purchased, we may apply such payments, in our sole discretion, to the lot or lots we choose. Payment will not be deemed made in full until we have collected all amounts due in cash or good funds represented by cleared checks or cashier checks. If the foregoing conditions or any other applicable conditions herein are not complied with, in addition to other remedies available to us and the consignor by law, including but without limitation, the right to hold the purchaser liable for the purchase price, we at our option may either (a) cancel the sale, retaining as liquidated damages all payments made by the purchaser or b) resell the property with a three day notice to the original defaulting purchaser, and in such event the purchaser shall be liable for the payment of any deficiency plus all costs and expenses of both sales, our commission at our standard rates, all other charges due hereunder, attorney’s fees and incidental damages; or (c) take any measures it deems necessary. If Murad Auctions must resell the property, the original defaulting purchaser will be held responsible for any deficiencies in the purchase price, including any and all associated expenses including reasonable attorney’s fees, warehousing, commissions or any other costs associated with the default. No actions by us or any third party before or after the auction shall be deemed a waiver of any of the foregoing. 3. We reserve the right to withdraw any property at any time before the actual sale. Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered in the catalogue and no lot shall be divided for sale. 4. The auction will be conducted by Louis Murad TXS 13362. We reserve the right to reject any bid 2

from any bidder. The highest bidder acknowledged by the auctioneer shall be the purchaser. In the event of any dispute between bidders, or in the event the auctioneer doubts the validity of any bid, the auctioneer shall have sole and final discretion either to determine the successful bidder or to re-offer and resell the article in dispute. If any dispute arises after the sale, our sales records shall be conclusive in all respects. 5. If we are prevented by fire, theft or any reason whatsoever from delivering any property to the purchaser, our liability shall be limited to the sum actually paid therefore by the purchaser and shall in no event include any incidental or consequential damages. 6. Some lots are offered subject to a “reserve,” which is an undisclosed minimum price below which the lot will not be sold. If a lot is offered subject to a reserve, the auctioneer may implement such reserve by bidding on behalf of the consignor, whether by opening bidding or continuing bidding in response to other bidders until reaching the reserve. 7. ALL STATEMENTS CONTAINED OR IN ANY BILL OF SALE, INVOICE OR ELSEWHERE, OR MADE BY THE AUCTIONEER, AS TO AUTHORSHIP, PERIOD, CULTURE, SOURCE, ORIGIN, MEASUREMENT, QUALITY, RARITY, PROVENANCE, IMPORTANCE, EXHIBITION AND LITERATURE OF HISTORICAL RELEVANCE OR PHYSICAL CONDITION ARE QUALIFIED STATEMENTS OR OPINION AND NOT REPRESENTATIONS OR WARRANTIES. WE AND CONSIGNORS MAKE NO REPRESENTATION AND WARRANTIES AS TO WHETHER THE PURCHASER ACQUIRES ANY COPYRIGHTS, INCLUDING BUT NOT LIMITED TO, ANY REPRODUCTION RIGHTS IN THE PROPERTY. No employee or other agent of Murad Auctions, the auctioneer, David Dike Fine Art, L.L.C., Dike Management, LLC, David Dike Fine Art Auction, David Dike Fine Art or of David Dike (collectively “DDFAA”) is authorized to make on behalf or that of the consignor any representation or warranty, oral or written, with respect to any property. Prospective bidders should inspect the property before bidding to determine its condition, size and whether or not it has been repaired or restored. THE PURCHASER EXPRESSLY ACKNOWLEDGES AND AGREES THAT IN NO EVENT SHALL WE BE LIABLE FOR ANY DAMAGES INCLUDING, WITHOUT LIMITATION, ANY COMPENSATORY, INCIDENTAL OR CONSEQUENTIAL DAMAGES. IN NO EVENT WILL OUR LIABILITY OR THE LIABILITY OF DDFAA TO A PURCHASER EXCEED THE PURCHASE PRICE ACTUALLY PAID. 8. All deliveries will be shipped COD unless otherwise agreed to by purchaser and Murad Auctions. If packing and handling of purchased lots is done by us, it is done at the entire risk of the purchaser. We are not liable for any acts or omissions of carriers or packers, including those we may recommend. Such carriers or packers may carry their own insurance and any claim for loss or damage should be addressed directly to them. No items will be shipped unless we specifically agree to do so. 9. Unless prior arrangements have been made with Murad Auctions, there may be a seven day waiting period if purchasing artwork with a personal or company check. To avoid delay of this sort, bidders are encouraged to prearrange check approval or establish a line of credit

with Murad Auctions by calling (214) 720-4044 no later than 5pm on Friday, October 29, 2021. There will be no exceptions. Bank card purchases will be honored at our option. 10. These Conditions of Sale and the purchaser’s and our respective rights and obligations hereunder are governed by Texas law. By bidding at an auction, whether in person or by agent, telephone or other means, the purchaser or bidder agrees to be bound by these Conditions of Sale and to consent to the exclusive jurisdiction of the state courts of, and the federal courts sitting in, the State of Texas. All of our obligations under these Conditions of Sale and the obligations of purchaser to pay, are performable in Dallas, Dallas County, Texas. 11. These Conditions of Sale shall bind the successors and assigns of all bidders and purchasers and inure to the benefit of our successors and assigns. No waiver, amendment or modification of the terms hereof (other than posted notices or oral announcements during the sale) shall bind us unless specifically stated in writing by us. If any part of these Conditions of Sale is for any reason invalid or unenforceable, the rest shall remain valid and enforceable. 12. As a service to those wishing to place bids, we may at our discretion accept bids without charge in advance of sale by telephone, or in writing on bidding forms available from us. “Buy” bids will not be accep­table; all bids must state the highest bid price the bidder is willing to pay. As noted above, a premium payable by the purchaser will be added to the bid price. In the event identical bids are submitted, the earliest will take precedence. Absentee bids shall be executed in competition with other absentee bids, any applicable reserve and bids from the audience. Success­ful absentee bids may not be acknowledged, but sale results and selling prices for any lot may be obtained by telephoning us during normal business hours. We assume no responsibility for failure to execute these bids for any reason whatsoever. 13. As a convenience to our clients, we furnish pre-sale estimates for all lots included in the catalogue. These are intended as an approximate guide to current market value, and should not be interpreted as a price or as an appraisal. The final bid may well be less or more than any estimate printed. 14. EXCEPT AS EXPRESSLY PROVIDED ABOVE, ALL PROPERTY IS SOLD “AS-IS” AND NEITHER MURAD AUCTIONS, THE AUCTIONEER, DAVID DIKE, THE DAVID DIKE FINE ART AUCTION, DAVID DIKE FINE ART, L.L.C. OR DIKE MANAGEMENT LLC, NOR THE CONSIGNOR NOR THE AGENT OF ANY OF THEM MAKES ANY REPRESENTATION OR WARRANTY, EXPRESS OR IMPLIES, AS TO THE TITLE, MERCHANT­ ABILITY, FITNESS OR CONDITION OF THE PROPERTY OR AS TO THE CORRECTNESS OF DESCRIPTION, GENUINENESS, ATTRIBUTION, PROVENANCE OR PERIOD OF THE PROPERTY OR AS TO WHETHER THE PURCHASER ACQUIRES ANY COPYRIGHTS OR OTHER INTELLECTUAL PROPERTY RIGHTS IN LOTS SOLD OR AS TO WHETHER A WORK OF ART IS SUBJECT TO THE ARTIST’S MORAL RIGHTS OR OTHER RESIDUAL RIGHTS OF THE ARTIST. 15. All rights to this catalogue are reserved. Some of the images may be the subject of copyright or other rights of the artist or owner. No part of this catalogue may be reproduced without permission.


We wish to take this opportunity to thank all of our patrons and friends who have championed, encouraged, assisted, promoted, recommended, and endorsed the Texas Art Auction and David Dike Fine Art throughout the years. We wouldn’t be here without you!

AUDREY DIKE FRAMING

2613•B FAIRMOUNT DALLAS, TEXAS 75201 (214) 914-3085 audreydikeframing@gmail.com audrey-dike-framing.business.site

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1. BOOKS Collection of 7 Texas and American Art Books $500 - $800

2. BERNHARDT WALL

(Am. 1872-1956) Mission Concepión, 1929 etching 9 3/4 x 11 3/4 signed across bottom: Mission Concepión, Wall, 1929

3. EDWARD BOREIN

(Am. 1872-1945) Breaking the Branco etching 5 x 4 signed lower right: Edward Broein

$1,000 - $2,000

$500 - $1,000

This lot is accompanied by a book: Edward Borein, Cowboy Artist by Harold G. Davidson

6a. UNKNOWN PHOTOGRAPHER

6b. UNKNOWN PHOTOGRAPHER

4. HORACE OAKLEY ROBERTSON

(Am. 1886-1970) Very Warm for March, ed. 20, 1940 lithograph 9 1/8 x 11 7/8 signed across bottom: Very Warm for March, 27, HO Robertson, 1940

$600 - $1,200

This image was exhibited in the Lone Star Printmakers Exhibition, Dallas Museum of Art, 1940. This image is in the collections of: the Dallas Museum of Art, and Southern Methodist University, Dallas, TX.

5. BOARDMAN ROBINSON

(Am. 1876-1952) Horse Auction, 1939 lithograph 8 3/4 x 12 1/2 signed across bottom: For Otis Dozier 39, Boardman Robinson

$600 - $1,200

Two Photo prints, 6a and 6b. first: First Fort Worth City Council Members, 04/15/1925 left to right back row: L.P. Card, Mayor H.C. Meacham, William Bryce, G.T. Renfro, W.E. Austin, W. Monning, Sr. front row: Willard Burton, A.E. Thomas, T.B. Hoffer - Courtesty, University of Texas At Arlington Library

second: Depression Era Run on Guaranty State Bank, Main St., Fort Worth, TX, c. 1930s each photo 10 1/4 x 13 1/4

$200 - $400

7. PETER HURD

(Am. 1904-1984) Geologist using the Brunton Compass near Lauder, Wyoming, 1946 watercolor on paper 4 1/2 x 6 1/2 signed lower right: P.H.

$400 - $800

10. VAUGHAN WYATT

(Am. 20th Cent.) Indian Portrait graphite on paper 8 x 10 signed lower right: Vaughan Wyatt

$100 - $200

8. PETER HURD

(Am. 1904-1984) Boxing Match, Madison Square Garden, January, 1965 watercolor on paper 5 1/2 x 7 1/4 signed upper left: Peter Hurd, Madison Square Garden, January 1965

$600 - $1,200

Accompanied by four pen and ink sketches. Each 3 x 5 and signed: PH

This lot is from the Western Art Collection of William Moore Noble, Sr. 9. BESS HUBBARD

(Am. 1896-1977) Juan of Taos, ed. 50 lithograph 16 x 12 signed across bottom: Juan of Taos, Ed. 50, To Evelyn from Bess Hubbard

$400 - $800

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DAVID DIKE FINE ART

TEXAS ART AUCTION

For more information please see page 67.

11. CHARLES BANKS WILSON

(Am. 1918-2013) North to Abilene, ed. 100, 1992 lithograph 9 3/4 x 13 signed across bottom: ed. 100, North to Abilene, Charles Banks Wilson - 92

$300 - $600


14. GRANVILLE BRUCE

(Am. 1903-1989) Old Oak Tree charcoal on paper 6 x 8 1/2 signed lower right: Granville Bruce

12. GRANVILLE BRUCE

(Am. 1903-1989) The Longhorn charcoal and white chalk on paper 12 x 12 signed lower right: Granville Bruce

$600 - $1,200

$300 - $600

15. CHESTER SNOWDEN

(Am. 1900-1984) Houses in a Landscape graphite on paper 7 x 9 signed lower left: Snowden

$200 - $400

13. GRANVILLE BRUCE

(Am. 1903-1989) Rose Window of San José Mission, San Antonio, Texas charcoal and white chalk on paper 13 1/2 x 10 signed lower left: Granville Bruce

$400 - $800

18. REVEAU BASSETT

(Am. 1897-1981) Deer and Buck lithograph 10 x 13 signed lower right: Reveau Bassett

16. ROBERT SCHROPE (DADDY-O) WADE

(Am. 1943-2020) Kitty’s Cowgirls, 2003, ed. 50/50 limited edition ink jet print on paper 18 x 26 7/8 signed across bottom: 50/50, “Kitty’s Cowgirls,” © Bob Wade ‘03

$3,500 - $5,000

$500 - $1,000

19. DEFORREST JUDD

(Am. 1916-1993) The Sinners, 1941 lithograph 8 1/2 x 11 signed across bottom: The Sinners, 2-12, DeForrest H. Judd ‘41

$1,000 - $2,000 17. DONG KINGMAN

(Am. 1911-2000) Los Alamos, San Antonio, Texas watercolor on paper 15 x 21 1/2 signed lower right: Kingman, San-A.N.

$1,000 - $2,000

21. WILLIAM CURTIS ELLIOTT (Am. 1909-2001) Portrait of a Man linocut 12 x 7 1/4 signed lower right: W. Elliott

20. MICHAEL G. OWEN, JR.

$600 - $1,200

(Am. 1915-1976) Indian charcoal on paper 15 x 15 signed lower right: Mike Owen

22. MARCIA BANKS

(Am. Bn. 1934-) Portrait of Gergana, 1996 charcoal on paper 34 x 23 signed across bottom: Gergana, 4/96, M. Banks

$600 - $1,200

This lot is accompanied by the book: M. Banks by Banks & McColley

$1,000 - $2,000

This drawing was created as a study for a work called Evolution of the West, 1961 which was commissioned by the City of El Paso, TX. It was installed in a fountain in San Jacinto Plaza, El Paso, TX. “Four bronze plaques that graphically portray the evolution of the West and the men who had a part in it are now displayed in the new fountain in San Jacinto Plaza. The Indian, who was here first; the Spanish Conquistador, who came looking for the famed cities of gold, the Franciscan Monk, who found a treasure here much different from the one the Conquistadores were looking for, and the hardy Plainsman, who finally settled the country and helped make it what it is today.” - The El Paso Times, Friday, May 26, 1961

ORIGINAL PRINTS, DR AW IN GS, B O OK S & FOLIOS

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23. MERRITT MAUZEY

(Am. 1897-1973) Crop Talk, ed. 17/18 lithograph 10 x 12 signed across bottom: Crop Talk, 17/18, Merritt Mauzey

$500 - $1,000

24. MERRITT MAUZEY

(Am. 1898-1973) Around the Bend, ed. 20 lithograph 9 1/2 x 11 3/4 signed across bottom: Around the Bend, ed 20, Merritt Mauzey

(Am. 1897-1973) Cotton Yard, ed. 10/20 lithograph 10 x 12 signed across bottom: Cotton Yard, 10/20, Merritt Mauzey

26. MERRITT MAUZEY

$1,000 - $2,000

$500 - $1,000

29. MERRITT MAUZEY

30. MERRITT MAUZEY

$500 - $1,000

$500 - $1,000

33. MERRITT MAUZEY

34. CHARLES BOWLING

$500 - $1,000

$1,000 - $2,000

(Am. 1897-1973) Ed’s Place, ed. 20 lithograph 9 3/4 x 13 3/4 signed across bottom: Ed’s Place, ed. 20, Merritt Mauzey

(Am. 1897-1973) Road to Blackwell, ed. 20 lithograph 10 1/4 x 14 3/4 signed across bottom: Road to Blackwell, ed. 20, Merritt Mauzey

$600 - $1,200

28. MERRITT MAUZEY 27. MERRITT MAUZEY

25. MERRITT MAUZEY

(Am. 1898-1973) Trip to Gin, ed. 20 hand-colored lithograph 11 1/2 x 15 3/4 signed across bottom: Trip to Gin, ed. 20, Merritt Mauzey

$2,000 - $3,000

(Am. 1897-1973) To Port, ed. 3/17 lithograph 10 1/4 x 12 signed across bottom: To Port, 3/17, Merritt Mauzey

(Am. 1897-1973) Cotton Oil Mill, ed. 30 lithograph 9 3/4 x 11 1/2 signed across bottom: Cotton Oil Mill, ed. 30, Merritt Mauzey

$500 - $1,000

31. MERRITT MAUZEY

(Am. 1897-1973) Jess, ed. 20 lithograph 10 1/2 x 16 1/2 signed across bottom: Jess, ed. 20, Merritt Mauzey

$1,000 - $2,000

32. MERRITT MAUZEY

(Am. 1897-1973) West Texas Snow, ed. 25 lithograph 9 3/4 x 14 signed across bottom: West Texas Snow, ed. 25, Merritt Mauzey

$500 - $1,000

35. CECIL CASEBIER

(Am. 1922-1996) Untitled, 1963 charcoal on paper 25 x 36 signed lower left: CL Casebier

$2,000 - $3,000

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DAVID DIKE FINE ART

TEXAS ART AUCTION

(Am. 1897-1973) Tragedy by the Sea, ed. 25 lithograph 9 3/4 x 11 3/4 signed across bottom: Tragedy by the Sea, ed. 25, Merritt Mauzey

(Am. 1891-1985) Lost, ed. 15 lithograph 10 x 12 signed across bottom: “Lost” (Ed. 15), Chas T. Bowling

36. COREEN SPELLMAN

(Am. 1905-1978) Nude, ed. 1/25 lithograph 6 x 8 3/4 signed across bottom: 1/25, “Nude”, C.M. Spellman

$800 - $1,200


37. BLANCHE MCVEIGH

39. BLANCHE MCVEIGH

(Am. 1895-1970) Rejected, ed. 50 aquatint 8 7/8 x 11 3/4 signed across bottom: Rejected, 50 prints, Blanche McVeigh

(Am. 1895-1970) The Little Bridge, ed. 50 etching 8 x 9 7/8 signed across bottom: The Little Bridge, 50 prints, Blanche McVeigh

$600 - $1,200

Associated American Artists label on reverse.

$800 - $1,200

40. BLANCHE MCVEIGH

(Am. 1895-1970) Painting in the Park, ed. 25 etching 9 x 6 7/8 signed across bottom: Painting in the Park, 25 prints, Blanche McVeigh

38. BLANCHE MCVEIGH

(Am. 1895-1970) Accepted, ed. 50 aquatint 11 3/4 x 8 3/4 signed across bottom: Accepted, 50 prints, Blanche McVeigh

$800 - $1,200

$600 - $1,200

Associated American Artists label attached on reverse.

41. BLANCHE MCVEIGH

(Am. 1895-1970) Outskirt of Town, ed. 50 etching 7 x 8 3/4 signed across bottom: 50 imp, Outskirt of Town, Blanche McVeigh

$800 - $1,200

43. BLANCHE MCVEIGH 42. BLANCHE MCVEIGH

(Am. 1895-1970) Merry Go Round, ed. 50 aquatint 10 x 13 3/4 signed across bottom: Merry Go Round, 50 prints, Blanche McVeigh

(Am. 1895-1970) Idle Hour Club etching 9 x 6 7/8 signed across bottom: Idle Hour Club, Blanche McVeigh

$800 - $1,200

44. BLANCHE MCVEIGH

(Am. 1895-1970) Lawdy, Lawdy - A Rumor aquatint 8 x 9 3/4 signed in plate: “Lawdy, Lawdy - A Rumor,” Blanche McVeigh

$300 - $600

$600 - $1,200

45. OTIS DOZIER

(Am. 1904-1987) Farm House woodblock print 4 x 5 1/2

48. OTIS DOZIER

$400 - $800

47. OTIS DOZIER

(Am. 1904-1987) Saddling Wild Horse, 1942, ed. 20 lithograph 12 x 12 signed across bottom: Saddling Wild Horse, Ed. 20, Otis Dozier ‘42

(Am. 1904-1987) Cowboy and Steer, 1934, ed. 9/30 lithograph 9 1/2 x 13 1/2 signed across bottom: Cowboy + Steer, 9/30, Otis Dozier, ‘34

$1,500 - $3,000

$600 - $1,200 46. OTIS DOZIER

(Am. 1904-1987) Owl, 1987, ed. Artist Proof lithograph 15 x 10 3/4 signed across bottom: Artist Proof, Owl, Otis Dozier ‘87

$600 - $1,200

ORIGINAL PRINTS, DR AW IN GS, B O OK S & FOLIOS

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52. REVEAU BASSETT 51. FLORENCE MCCLUNG

(Am. 1894-1992) Texas Farm, ed. 2/10, 1944 hand-colored lithograph 11 1/4 x 14 1/4 signed across bottom: Texas Farm, 2/10, ‘44, F. McClung

49. OTIS DOZIER

(Am. 1904-1987) Three Cows on Hill, 1966 ink and pencil on paper 8 x 6 1/2 signed lower right: Dozier ‘66

$600 - $1,200

(Am. 1897-1981) Cloud Shadows –Johnson Ranch, 1922 pastel on paper 4 x 6 1/4 signed lower right: Reveau Bassett, 9/22

$800 - $1,200

$1,500 - $2,500 50. OTIS DOZIER

(Am. 1904-1987) Corn, 1957 ink and pastel on paper 11 x 7 1/2 signed lower right: Dozier ‘57

$1,000 - $2,000

56. ALEXANDRE HOGUE 55. ALEXANDRE HOGUE

(Am. 1898-1994) Primordial, 1964, ed. 19/20 lithograph 16 x 21 1/2 signed across bottom: Primordial, 19/20, Alexandre Hogue – Imp–1964

53. JERRY BYWATERS

(Am. 1906-1989) Old Building at Leadville, Colorado, 1945, ed. of 35 lithograph 10 x 14 signed across bottom: Old Buildings – Leadville, Colorado, 35 Edition, Jerry Bywaters ‘45

$2,000 - $3,000

(Am. 1898-1994) Penetente Morada, 1941, ed. 51 lithograph 9 x 13 signed across bottom: Penetente Morada, 51, Alexandre Hogue-1941

$2,500 - $5,000

$1,200 - $2,400 54. ALEXANDRE HOGUE

(Am. 1898-1994) McFarlin Library – University of Tulsa, 1954, ed. 20/55 lithograph 10 1/2 x 14 1/4 signed across bottom: McFarlin Library-University of Tulsa, 20/55, Alexandre Hogue - 1954

$1,000 - $1,500

59. BARBARA MAPLES 57. ALEXANDRE HOGUE

(Am. 1898-1994) Liberators, 1943 lithograph 11 1/2 x 15 1/4 signed across bottom: Liberators, Alexandre Hogue-1943

(Am. 1912-1999) Pale Moon (Ursuline Academy, Dallas), 1945 gouache on paper 26 1/4 x 16 1/2 signed lower right: Barbara Maples

58. ALEXANDRE HOGUE

(Am. 1898-1994) On the Back Stretch, 1935, ed. 148/150 serigraph 9 1/2 x 18 signed across bottom: On the Back Stretch, 148/150, Alexandre Hogue, 1935

$800 - $1,200 DAVID DIKE FINE ART

(Am. 1911-1992) Southland Center Under Construction, 1957 watercolor and ink on paper 29 x 21 signed lower left: Perry Nichols 57

$3,000 - $5,000

$1,000 - $2,000

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60. PERRY NICHOLS

TEXAS ART AUCTION

This work was published in a Dallas Morning News article (attached to verso) announcing Barbara Maples solo show at the Dallas Museum of Fine Arts in 1947. exhibited: Dallas Allied Arts Exhibition 1945 (prize), Dallas Museum of Fine Arts, Dallas, TX; Texas General/Texas Painting and Sculpture Exhibition 1945; Barbara Maples Solo Exhibition 1947, Dallas Museum of Fine Arts, Dallas, TX; Paul Rogers Harris Exhibition, 1996 & 1997, Dallas, TX

$4,000 - $8,000

exhibited: Celebrating Early Texas Art: Treasures from Dallas – Fort Worth Private Collections, 1900 - 1960, 2005, Fort Worth Community Arts Center


61. EVERETT SHINN

(Am. 1876-1953) Washington Square pastel on paper 11 1/4 x 5 3/4 signed lower left: E Shinn

$8,000 - $12,000

Labels on reverse: Goldfield Galleries, Los Angeles, CA; Property of Brigham Young University, Acquired from Mahonri Young Collection; Maxwell Galleries, San Francisco, CA; Hall Galleries, Fort Worth, TX.

62. JULIAN ONDERDONK

(Am. 1882-1922) Memory Apr. 23-1921 (Blooming Cactus) graphite and white chalk on paper 7 x 10 1/2 inscribed lower left: Memory, Apr-23-1921

$2,000 - $4,000

provenance: Eleanor Onderdonk San Antonio, TX; exhibited: #32, La Sirena Gallery, San Antonio, TX; note: Harry Halff will include this work in the addendum list for the Julian Onderdonk Catalog Raisonné. A letter from Harry Halff is included with this lot.

63. JESSIE ALINE WHITE

(Am. 1889-1988) Calla Lilies graphite on paper 28 x 22 signed lower right: Jessie Aline White

$1,000 - $2,000

The following Gentling offset lithographs, Lots 64-69, hung in the Bird Café in the historic Land Title Building at 155 East 4th St. in Fort Worth, TX.

65. SCOTT & STUART GENTLING

66. SCOTT & STUART GENTLING

$1,000 - $2,000

$1,000 - $2,000

(Am. 20th Cent.) Chuck-Will’s-Widow, Plate: XLV offset lithograph 19 x 25 1/2

(Am. 20th Cent.) Cliff Swallow, Plate: XLIV offset lithograph 19 x 25 1/2

67. SCOTT & STUART GENTLING

64. SCOTT & STUART GENTLING

(Am. 20th Cent.) Flammulated Owl, Plate: XXXII offset lithograph 25 1/2 x 19

(Am. 20th Cent.) Rufous-Sided Towhee, Plate: XXXV offset lithograph 25 1/2 x 19

$1,000 - $2,000

$1,000 - $2,000

69. SCOTT & STUART GENTLING (Am. 20th Cent.) Snow Geese, Plate: VII offset lithograph 19 x 25 1/2

$1,000 - $2,000

70. JANET TURNER

68. SCOTT & STUART GENTLING

(Am. 20th Cent.) Rivoli’s Hummingbird, Plate: XLII offset lithograph 25 1/2 x 19

$1,000 - $2,000

(Am. 1914-1988) Red-Shouldered Hawk Family, ed. 42/155 (Edition variable) serigraph 30 x 22 1/4 signed across bottom: Red Shouldered Hawk Family, 42/155 (EV), Janet Turner NA imp.

$1,000 - $2,000

71. JANET TURNER

(Am. 1914-1988) Tundra Series: Snowy Owls, 1978-79, ed. 84/185 serigraph 29 x 22 1/4 signed across bottom: Snowy Owls, 84/185, Janet Turner NA imp. ‘78-’79

$1,000 - $2,000

ORIGINAL PRINTS, DR AW IN GS, B O OK S & FOLIOS

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72. JOHN ALEXANDER

(Am. Bn. 1945-) Woodpecker Sleeping, 2001 watercolor on paper 6 1/2 x 7 signed across bottom: Woodpecker, John Alexander

$2,000 - $3,000

73. JANET TURNER

(Am. 1914-1988) Monkey lithograph 12 1/2 x 15 signed across bottom: Monkey, J. Turner

$400 - $800

74. JULIO LARRAZ

(Am. Bn. 1944-) Mandragola, ed. State Proof etching 23 3/4 x 31 1/2 signed across bottom: State proof, Mandragola, Larraz

$2,000 - $4,000

75. VALTON TYLER

(Am. 1944-2017) The Father + Mother + Their Illiterate (Child), 1971 aquatint and line etching on paper 35 3/4 x 23 3/4 signed across bottom: Artist Proof, The Father + Mother + Their Illiterate, Valton, Imp. 71

76. AVERY KELLY

(Am. 20/21st Cent.) Burrowing Owls, ed. 5/10 linocut on paper 6 1/4 x 14 signed across bottom: 5/10, Avery Kelly

$300 - $600

$1,500 - $2,000 77. EMILY RUTLAND

(Am. 1890/94-1983) My Animals watercolor and gouache on paper 13 1/2 x 20 1/2 signed lower right: Rutland

78. CLYDE CONNELL

(Am. 1901-1998) Look What We Did!, 1989 ink on paper 30 x 22 1/2 signed lower right: CC 1989

$1,500 - $3,000

$4,000 - $8,000

provenance: Clyde Connell Studio; Private Collector purchased in 1993 from Barry Whistler Gallery.

80. STELLA SULLIVAN 79. DICKSON REEDER

(Am. 1912-1970) Allmfeira, Extreme Unique, 1960 etching with color 17 1/2 x 13 1/3 signed across bottom: Extreme Unique, Allmferia, Dickson Reeder 60

(Am. 1924-2017) Summer Houses, Galveston, TX, 1972, ed. 3/14 serigraph 18 x 22 signed across bottom: “Summer Houses” 3/14, Stella Sullivan 1972

$1,500 - $3,000

Clyde Connell is a Louisiana born artist whose family (the Dixons) were planters and had a plantation. She became a full time artist only in her 60’s, compared herself to William Faulkner in that she wanted to create important art using the local environment. However, living with her husband TD Connell in the small cabin on Lake Bistineau near Shreveport, LA limited her resources. Paper became a popular medium of choice for Connell on which she created in collage and drawing. Her big breakthrough as an artist hit later in life, when she was in her 70’s, via Texas. She shared her work with Murray Smithers of the Delahunty Gallery in Dallas, TX. Her sales rocketed across Dallas and Houston and her energized esteem landed her a show at the important Manhattan, NY venue the Clocktower Gallery; The New York Times review to follow was an impressed and positive one. From that point on, her work has been recognized on the national level.

$800 - $1,200

81. BILL BOMAR

(Am. 1919-1991) Rock Strata watercolor on paper 20 x 26 signed on reverse: Bill Bomar

$1,500 - $3,000

82. ZOÉ DAVIS

(Am. 1911-1996) Leaf Harmony pastel on paper 12 1/2 x 16 1/2 signed lower right: Zoé Davis

$800 - $1,200

exhibited: Artist Guild of Texas

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83. ROBERT JENKINS ONDERDONK (Am. 1852-1917) Landscape with a Creek watercolor on paper 8 x 12 signed lower left: R J Onderdonk

85. OLIN HERMAN TRAVIS

(Am. 1888-1975) Two Nudes oil on paper 12 x 16 signed lower right: Olin Travis

$1,500 - $3,000

$1,000 - $2,000

86. BROR UTTER

(Am. 1913-1993) Canal with Boats watercolor and pen and ink on paper 22 x 30 signed lower right: Bror Utter

$3,000 - $5,000

84. JAMES STOVALL MORRIS

(Am. 1898 - 1973) double sided: side a: Landscape with Abstract Figures side b: Landscape with Abstract Figures watercolor on paper 11 x 14 3/4 signed lower left on side A: Morris

$800 - $1,200

89. GEORGE GRAMMER

90. WILLIAM CURTIS ELLIOTT

$2,500 - $5,000

$600 - $900

(Am. 1928-2019) Riding for the City, 1953 mixed media on paper 18 x 24 signed lower right: Grammer 1953

87. NINA PEEPLES

(Am. 1897-1979) Nude gouache on paper 9 1/2 x 4 1/4 signed lower right: Nina Peeples

$600 - $1,200

(Am. 1909-2001) West Texas watercolor on paper 14 1/2 x 21 1/4 signed lower right: W Elliott

88. KELLY FEARING

(Am. 1918-2011) Gold Bird Holding a White Rock, 1977 gold leaf and ink 12 x 10 signed lower right: Kelly Fearing, 1977

$1,500 - $3,000

92. JOSEPHINE MAHAFFEY

(Am. 1903-1982) Juice of Grapes watercolor on paper 21 1/4 x 29 signed lower right: Juice of Grapes, J. Mahaffey

$1,000 - $2,000

94. JOSEPHINE MAHAFFEY (Am. 1903-1982) Colonial Country Club, Fort Worth, TX watercolor on paper 29 x 21 signed lower right: JM

$1,000 - $2,000

93. JOSEPHINE MAHAFFEY 91. CHESTER SNOWDEN

(Am. 1900-1984) Roustabouts oil on board 18 x 12 signed lower right: Snowden

$1,000 - $2,000

(Am. 1903-1982) Melon, c. 1974 watercolor on paper 21 x 29 signed lower right: JM

$1,000 - $2,000

exhibited: The TX Watercolor Society, McNay Art Institute, January 1974

ORIGINAL PRINTS, DR AW IN GS, B O OK S & FOLIOS

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CASETA

LOTS: 95 –101

CASETA—The Center for the Advancement and Study of Early Texas Art is a statewide 501(c)(3) nonprofit organization formed in 2003 to promote the preservation, study, and appreciation of Texas visual art and its history. CASETA focuses on art produced by artists who were born in and/or lived and worked in Texas through 40 years prior to the present date. Throughout the year, CASETA presents public programs to advance interest, learning, and enjoyment of Early Texas Art, including in 2021 a free, virtual Fall Forum (October 1-2). CASETA’s 18th Annual Symposium will be hosted in Dallas in late spring, 2022. CASETA is supported through annual memberships, contributions, and special initiatives. Members generously donated the following seven works of art to CASETA for inclusion in this auction with the net proceeds to benefit CASETA. 95

96

95. JESSIE DAVIS

(Am. 1887-1969) Untitled - Creek Scene oil on board 12 x 9 signed lower left: Jessie Davis

visit www.caseta.org to learn more about caseta, become a member or make a contribution.

$800 - $1,200

96. NOE PEREZ

(Am. Bn. 1958-) Study for Fence Line Blooms, 2020 oil on linen panel 10 x 12 signed lower left: N. Perez

$2,000 - $4,000

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97

98

99

100

97. JOSEPHINE OLIVER

(Am. 1908-1991) On the Canadian, c. late 1920s pastel on paper each 3 1/4 x 7 3/4 both signed lower right: J Oliver

$1,500 - $3,000

98. KELLY FEARING

(Am. 1918-2011) Saint with Butterflies, c. 1955 mixed media on board 50 1/2 x 11 1/2 signed lower right: Kelly Fearing

$3,000 - $6,000

99. DWIGHT C. HOLMES

101

(Am. 1900-1986) Willows oil on canvasboard 12 x 16 signed lower left: Dwight C. Holmes

$1,000 - $2,000

note on reverse: “Willows” From under old Caddo St. Bridge looking North. By Dwight C. Holmes

100. COREEN MARY SPELLMAN (Am. 1905-1978) Construction Tile House lithograph 11 x 15 3/4 estate stamped lower left: Estate of Coreen Mary Spellman

$500 - $1,000

101. AL BARNES

(Am. 1937-2015) The Derolick, c. 1975 oil on canvas 24 x 36 signed lower left: Barnes

$2,500 - $3,500

This concludes the selection of paintings donated by CASETA members. I N S U P P O RT O F C A S E TA

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102

104

102. CHARLES TAYLOR BOWLING (Am. 1891-1985) Untitled, 1942 watercolor on paper 10 x 11 1/2 signed lower right: Chas T. Bowling 42

$3,000 - $5,000

103. CHARLES TAYLOR BOWLING (Am. 1891-1985) Untitled, circa 1942 watercolor on paper 10 x 12 signed lower right: Chas T. Bowling

$3,000 - $5,000

104. CHARLES BOWLING (Am. 1891-1985) Cypress watercolor on artists’ paper 10 x 13 1/4 signed lower right: Chas T. Bowling

105

103

$1,500 - $2,000

105. LILLIAN TROTTER

(Am. 1872/74-1968) The Barn pastel on paper 5 1/2 x 8 signed lower left: Trotter

$500 - $1,000

106

106. LILLIAN TROTTER

(Am. 1872/74-1968) The Old Inn pastel on paper 5 x 7 3/4 signed lower left: Trotter

$500 - $1,000

exhibited: Dallas Woman’s Forum Exhibition of Texas Art, Dallas, TX

107

107. LILLIAN TROTTER

(Am. 1872/74-1968) The Old Pine Tree pastel on paper 8 x 4 signed lower left: Trotter

108

$500 - $1,000

108. LILLIAN TROTTER

(Am. 1872/74-1968) Trumpet Vine, 1925 pastel on paper 8 1/2 x 4 1/4 signed lower right: Trotter

$500 - $1,000

exhibited: Frank Reaugh Art Club Semi-Annual Exhibition of Members, Dec 12 to Dec 21, 1925

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109

109. FRANZ STRAHALM (Am. 1879-1935) Sunrise at Possum Kingdom Lake, 1933 oil on canvas 22 x 28 signed lower right: Franz Strahalm, 1933

$4,000 - $8,000

110. FRANZ STRAHALM (Am. 1879-1935) Quiet Meadows, 1931 oil on canvas 28 x 36 signed lower right: Franz Strahalm

$8,000 - $12,000

note on reverse: W.R. Fine Galleries label with note: “Quiet Meadows” by Franz Strahalm. An authentic original from a scene about seven miles below Austin, Texas. Painted in 1931

110

111

112

111. JESSIE DAVIS

(Am. 1887-1969) House in the Woods oil on canvas 12 x 11 signed lower right: Jessie Davis

$1,000 - $2,000

112. HARRIS SHELTON (Am. 1896-1976) Untitled Landscape oil on canvas 24 x 32 signed lower right: Harris Shelton

$3,000 - $5,000

FINE PAINTINGS AND SCULP TURE

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A Selection of Paintings from the Reaves Collection of Texas Art LOTS: 113–167 David Dike Fine Art is pleased to offer a selection of 50 works from the collection of long-time Texas art collectors and advocates, Linda and William Reaves.

The Reaves have been active as collectors in the Texas art community for over four decades. The couple assisted in the formation and growth of the Center for Advancement and Study of Early Texas Art (CASETA), and subsequently operated one of the state’s foremost Texas art galleries in Houston for over a dozen years. Since 2017 they have served as General Editors of the Joe and Betty Moore Texas Art Series at the Texas A&M University Press, co-authoring or co-editing eight books on Texas art as well as contributing to other publications related to the field. They currently serve as independent art researchers and curators of Texas art. Most recently the couple has partnered with the J. Wayne Stark Galleries at Texas A&M University to develop the Texas Art Project, curating and underwriting an important new exhibition series of Texas art at the university.

114

113

113. BROR UTTER

(Am. 1913-1993) TCU Locker Room, 1951 watercolor and ink on paper 20 x 13 signed lower right: Bror Utter ‘51

$8,000 - $12,000

114. COREEN MARY SPELLMAN

115

(Am. 1905-1978) Purina Store watercolor on paper 22 x 16 signed lower right: Coreen Mary Spellman

$5,000 - $10,000

115. JOSEPHINE MAHAFFEY

(Am. 1903-1982) Trinity River Trees, Fort Worth, TX, 1930 oil on masonite 16 1/2 x 15 1/2 signed lower right: J Mahaffey

$1,500 - $3,000

A portion of the proceeds from the sale of these works will support the Reaves Endowment for Texas Art and Education at Texas A&M University, providing long-term financial support for the Texas Art Project. 16

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116

116. JOSÉ ARPA

(Am. 1858-1952) Churabusco Mexico monoprint with mixed media 6 1/2 x 8 3/4 signed lower right: Jose Arpa, Churabusco Mex

117

$3,000 - $6,000

Interior of Churubusco Church in Mexico. exhibited: Galveston Art League, Galveston, Texas, 1924. published: Panhandle-Plains Historical Museum, 2016. Jose Arpa: A Spanish Painter in Texas. Canyon, TX, page 53.

118

117. MARY BONNER

(Am. 1887-1935) Jessie, c. 1928 watercolor and pencil on paper 8 1/2 x 10 signed lower right: Mary Bonner

$4,000 - $8,000

provenance: Estate of Bill Reily; Private Collection acquired from above.

119

118. JOSE CISNEROS

exhibited: Restless Heart: Early and Contemporary Texas Regionalism January 25-April 7, 2013, San Angelo Museum of Fine Arts, San Angelo, TX

Possibly done in conjunction with illustrations published in The Hands of Cantu by Tom Lea (1964), Little Brown Company; somewhat similar to image on cover

(Am. 1910-2009) Cattle Drive pen and ink and watercolor on paper 12 1/2 x 23 signed lower right: J. Cisneros, El Paso

$6,000 - $12,000 119. TOM LEA

(Am. 1907-2001) Conquistador, c. 1962 ink and watercolor wash 20 x 25 signed lower left: Tom Lea

$25,000 - $35,000

120. CECIL CASEBIER

(Am. 1922-1996) Sheep, 1952 mixed media on paper 23 x 28 signed lower right: C. L. Casebier ‘52 titled on reverse: Sheep

$8,000 - $12,000

120

This painting was created the same year as Casebier’s oil painting West Texas which shares the same subject matter, and was awarded the 1952 Onderdonk prize, San Antonio Art League & Museum, San Antonio TX

121

121. CECIL CASEBIER

(Am. 1922-1996) The Frame Maker, 1953 oil on board 15 x 9 signed lower right: C.L. Casebier ‘53

$4,000 - $8,000

It is believed this painting is a portrait of Leopoldo Gonzales who was an artist and frame maker.

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122

122. FRANK REAUGH

(Am. 1860-1945) Cattle in Draw pastel on paper 5 x 8 signed lower right: F. Reaugh

$8,000 - $12,000

exhibited: Restless Heart: Early and Contemporary Texas Regionalism January 25-April 7, 2013, San Angelo Museum of Fine Arts, San Angelo, TX

This pastel is similar to an image published in 1985, Frank Reaugh: Painter to the Longhorns. Joe and Betty Moore Texas Art Series, no. 7. Texas A&M University Press, College Station TX, Plate 10, p. 49 note: A similar work was in the possession of the Dallas Historical Society at the time Linda and William Reaves purchased this work.

123. FRANK REAUGH

123

(Am. 1860-1945) Milling Cattle – Study pastel on paper 4 1/2 x 8 1/2 signed lower right: F. R.

$8,000 - $12,000

note on reverse: “I hereby certify this pastel painting was made by Frank Reaugh – Virginia Bassett/wife of Reveau Bassett/Estate item given to Reveau /Part of 24 hours with the herd sketches.” provenance: Estate of Verlena Bush (Frank Reaugh Expert) acquired the work in 1976 via Sartor Galleries, Dallas TX; Linda and William Reaves acquired in 1999 via David Dike Fine Art, Dallas TX

This pastel is similar to images in Prose Sketches to Accompany the Series of Paintings by Frank Reaugh titled Twenty-Four Hours with the Herd. Frank Reaugh (1934), Dallas TX, text regarding this image follows: “The sixth picture, MILLING CATTLE, is an early morning scene…”; 1985 Frank Reaugh: Painter to the Longhorns. Joe and Betty Moore Texas Art Series, no. 7. Texas A&M University Press, College Station TX, Plate 40, p. 108-109.

124

124. JESSIE DAVIS

(Am. 1887-1969) West Texas Mesa pastel on paper 3 x 6 1/2 signed lower right: J. Davis

$1,000 - $2,000

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125

125. ROBERT WOOD

(Am. 1889-1979) Texas Bluebonnet Landscape, c. 1950 oil on canvas 25 x 30 signed lower right: Robert Wood

$20,000 - $30,000

exhibited: Restless Heart: Early and Contemporary Texas Regionalism January 25-April 7, 2013, San Angelo Museum of Fine Arts, San Angelo, TX

126. PORFIRIO SALINAS (Am. 1910-1973) Hill Country Fall, 1948 oil on canvas 30 x 36 signed lower left: Porfirio Salinas

$20,000 - $30,000

note from linda and william reaves: Our first Texas painting

127. REVEAU BASSETT

(Am. 1897-1981) Ducks in Flight (Rising Mallards), c. 1940 oil on canvas 24 x 20 signed lower left: Reveau Bassett

$14,000 - $18,000

exhibited: 1932 Solo exhibition at Highland Park Gallery. provenance: Rising Mallards was formerly in the collection of Oak Cliff Society of Fine Art; Private Collection current.

126

127

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128

128. ROLLA SIMS TAYLOR

(Am. 1872-1970) Rock House in Shadow oil on canvas 10 x 14 signed lower right: Rolla Taylor

$2,000 - $4,000

provenance: Linda and William Reaves acquired this painting from Blair Carnahan

129. BEN CARLTON MEAD

(Am. 1902-1986) Photographing the Grand Champion, 1946 oil on canvas 30 x 38 signed lower right: Ben Carlton Mead

$20,000 - $30,000

exhibited: Ben Carlton Mead: A Centennial Exposition April 13 – September 8, 2002, Panhandle Plains Historical Museum, Canyon, TX; Restless Heart: Early and Contemporary Texas Regionalism January 25-April 7, 2013, San Angelo Museum of Fine Arts, San Angelo, TX; image in Invitation and Gallery Guide

129

published: 1947 Amarillo Fat Stock Show Catalogue; image reproduced on cover

Historical information received from Michael Grauer: In this painting, Mead tried to show the last-minute efforts to make the champion look as good as possible for the photographer. He also depicted, from memory, several important Panhandle-area people: Grover Hill, Undersecretary of Agriculture under President Franklin D. Roosevelt, has his back to the viewer; Facing Hill is Hugh Gouldy of Gouldy Brothers Feed Store; to Hill’s left, Mead wanted to depict William (Wm.) Gouldy, Hugh’s cousin, but did not know him well enough.

130

130. SETH FLOYD CREWS (Am. 1873-1958) The Mail Man oil on canvas 23 x 30 signed lower left: Seth Floyd Crews

$5,000 - $10,000

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131

131. DAWSON DAWSON-WATSON (Am. 1864-1939) Boats in Harbor, 1931 oil on canvas 36 x 40 signed lower right: Dawson-Watson ‘31

$15,000 - $25,000

exhibited: Safe Harbor, solo show at San Antonio Gallery, 1937.

132. ELLA MARIE KOEPKE MEWHINNEY (Am. 1891-1975) Blue and Gold (Painted Pastures), c.1927 oil on canvas 14 x 17 signed lower right: Ella Mewhinney

$8,000 - $12,000

exhibited: (as Painted Pastures) Now & Then: Contemporary and Early Texas Artists Aug 22 – Sept 20, 2007, Texas State University Department of Art & Design Galleries, San Marcos TX; (as Blue and Gold) 2012–14. Texas Impressionism: Branding with Brushstroke and Color, 1885–1935, this exhibition traveled to the following locations: Panhandle-Plains Historical Museum, Canyon TX Apr 7–Sept 4, 2012; The Grace Museum, Abilene TX Sept 22, 2012–Jan 13, 2013; Tyler Museum of Art, Tyler TX Feb 8–May 6, 2013; The Witte Museum, San Antonio TX June 15–Sept 8, 2013; Art Museum of Southeast Texas, Beaumont TX Sept 27, 2013–Jan 5, 2014 published: Texas Impressionism: Branding with Brushstroke and Color, 1885 – 1935, Panhandle-Plains Historical Museum (2012), Canyon TX, Plate 69.

132

133. HARRY ANTHONY DEYOUNG

(Am. 1893-1956) Red Buds, c. 1932 oil on canvas 20 x 24 signed lower left: DeYoung

$4,000 - $8,000 133

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134

135

136

134. GAITHA BROWNING

(Am. 1912-1992) Untitled - Desert Sunrise, c. 1950 oil on board 6 ½ x 20 signed lower left: G Browning

$2,000 - $4,000

137

135. ROBERT HARRISON (Am. Bn. 1949-) Bluebonnets oil on canvas 20 x 24 signed lower left: Robert Harrison

$3,000 - $6,000

136. DOLLIE ELIZABETH SPIDEL NABINGER

(Am. 1905-1988) Oak and Bluebonnets, c. 1938 oil on canvas 29 x 36 signed lower left: D. S. Nabinger

$4,000 - $8,000

137. FRANZ STRAHALM (Am. 1879-1935) Pecos River, c. 1928 oil on canvas 19 x 28 signed lower right: Franz Strahalm

$4,000 - $8,000

information from michael grauer: Pecos series referenced in Fisk (1928); Information from Vic Roper, Strahalm exhibited Brazos River Near Glenn Rose in 1931.

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138

139

140

138. HUGO POHL

(Am. 1878-1960) Mission Conception oil on artists’ board 4 1/2 x 7 signed on reverse: Pohl, Texas

$2,000 - $3,000

139. CALLA LILLY MAGILL (Am. 1891-1958) Widow Waite’s Cow, 1940 oil on canvas 30 x 40 signed lower left: Magill

$6,000 - $12,000

exhibited: Madonnas of the Prairie: Depictions of Women in the American West April 12 – August 20, 2014, Panhandle Plains Historical Museum, Canyon, TX and Traveled to National Cowboy Heritage Center, Oklahoma City OK

141

140. ANCEL E. NUNN

(Am. 1928-1999) Barn with Poster, 1969 oil on masonite 12 x 24 signed lower right: Ancel E. Nunn 1969

$8,000 - $12,000

exhibited: Ancel E Nunn Retrospective Exhibition Sept 10 – Oct 15, 1972, Tyler Museum, Tyler TX

141. MORRIS WALTON LEADER

(Am. 1877-1966) East Texas Hills, c. 1948 oil on canvas 25 x 30 signed lower right: Walton Leader

$4,000 - $8,000

exhibited: Restless Heart: Early and Contemporary Texas Regionalism January 25-April 7, 2013, San Angelo Museum of Fine Arts, San Angelo, TX

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142

143

142. GEORGE GRAMMER

(Am. 1928-2019) Rigs Near and Far acrylic on paper 17 1/2 x 11 1/2 signed lower right: Grammer

$4,000 - $8,000

143. DAVID BROWNLOW (Am. 1915-2008) Church oil on masonite 48 x 12 signed lower left: David Brownlow

$4,000 - $8,000

exhibited: English Cathedral at 1957 Texas General, Dallas, TX

144. MCKIE TROTTER

(Am. 1918-1999) Earthscape #11, 1960 casein on masonite 32 x 48 signed lower left: McKie Trotter

$10,000 - $15,000

exhibited: Texas in the Abstract Aug 22-Oct 13, 2019, TAMU Stark Galleries, College Station, TX note on reverse: For 17th Annual Denver Art Museum

144

145. FLORA BLANC REEDER

(Am. 1916-1995) Portrait of Bill (Bill Bomar), c. 1944 oil on canvas 30 x 24 signed lower right: Flora Blanc

$8,000 - $14,000

exhibited: 1944 Fort Worth Local Artists Exhibition, Fort Worth TX; 7th Texas General Exhibition, 1945-46, Dallas Museum of Fine Arts, Dallas TX provenance: Linda and William Reaves acquired from the Bill and Mary Cheek Collection, Dallas TX published: This painting is illustrated on page 108, plate 11 in the book: Dictionary of Texas Artists, 1800-1945, Compiled by Paula L. Grauer & Michael R. Grauer © 1999 by the Panhandle-Plains Historical Society

145

146. DONALD STANLEY VOGEL

(Am. 1917-2004) Girl in Yellow Holding Black Cat, 1945 oil on board 36 x 30 signed lower right: D. Vogel

$8,000 - $12,000

exhibited: 7th Texas General Exhibition Nov 11 – Dec 3, 1945, Dallas Museum of Fine Art, TX, (oil) #57; recommended for purchase prize

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147

147. EVERETT SPRUCE

(Am. 1908-2002) Padre Wave at Sunrise, c. 1968 oil on masonite 46 x 40 signed lower left: Spruce

$20,000 - $30,000

provenance: Acquired from Everett Spruce’s daughter, Alice Spruce Meriwether. exhibited: Texas in the Abstract Aug 22 – Oct 13, 2019, TAMU Stark Galleries, College Station TX published: This painting is illustrated on page 44, fig. 1.61 in the book: Texas Made Modern The Art of Everett Spruce by Shirley Reece-Hughes, Texas A&M University Press, College Station, Copyright © 2020 by Amon Carter Museum of American Art

148. WILLIAM LESTER

(Am. 1910-1991) Bull Creek, 1952 oil on masonite 20 1/2 x 26 1/2 signed on reverse: Wm Lester

$10,000 - $15,000

exhibited: 1952 Fall Membership Exhibit, Texas Fine Arts Association; Restless Heart: Early and Contemporary Texas Regionalism January 25-April 7, 2013, San Angelo Museum of Fine Arts, San Angelo, TX

148

149. WARD LOCKWOOD

(Am. 1894-1963) Southwestern No. 32, 1955 oil on canvas 30 x 40 signed lower right: Lockwood 55

$15,000 - $20,000 150

exhibited: Texas Modern: The Rediscovery of Early Texas Abstraction (1935 – 1965) January 18 – March 3, 2007, Baylory University Martin Museum of Art, Waco, TX published: Baylor University (2007). Texas Modern: The Rediscovery of Early Texas Abstraction (1935-1965). Texas Art Books, Austin TX, Fig. 3, p. 21

149

150. OTIS DOZIER

(Am. 1904-1987) Winking Owl, 1963 oil on masonite 24 x 24 signed lower right: Otis Dozier

$14,000 - $18,000

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151

151. JOHN ERICKSON

(Am. 20th Cent.) Test Flight, 1952 oil on canvas 24 x 44 signed lower left: Erickson ‘52

$5,000 - $10,000

exhibited: First Light: Local Art and the Fort Worth Public Library 1901-1961, A Centennial Exhibit, October 2001, Fort Worth Public Library, Fort Worth, TX.; Galveston Art Center, Galveston, TX; Texas in the Abstract August 22-October 13, 2019, TAMU Stark Galleries, College Station, TX. published: First Light: Local Art and the Fort Worth Public Library 1901-1961 catalog, page 33

152. BARNEY DELABANO

(Am. 1926-1997) Pier at Crystal Beach, c. 1970 oil on canvas 32 x 44 signed lower right: Barney Delabano by BTD

152

$4,000 - $8,000

exhibited: Old Friends: Ed Bearden and Barney Delabano September 1995, David Dike Fine Art, Dallas TX; 2006 Art Center, Palestine, TX, May 2006 (notarized info from Barbara Delabano in envelope on reverse).

note: From Barbara Delabano, wife of the artist.“This work hung in our dining room and was based on a scene from a family vacation.”

153. XAVIER GONZALEZ

(Am. 1898-1993) Ice House oil on canvas 30 x 40 signed lower right: X. G. notes on reverse: Exhibited in New York, NY and El Paso, TX

153

$5,000 - $10,000

exhibited: 1953 Pennsylvania Academy of Fine Art, Philadelphia, PA; 1959 New Orleans 331 Gallery Solo Show. note on reverse: Exhibited in New York, NY and El Paso, TX

154. MICHAEL FRARY

(Am. 1918-2005) Mystic Mountain, 1950 oil and collage on board 12 1/2 x 24 signed lower right: Frary

$2,500 - $5,000

155. STEPHEN T. RASCOE

(Am. 1924-2008) Driftwood, c. 1958 oil on board 22 x 47 signed lower right: S. Rascoe

154

155

$3,000 - $6,000

exhibited: Seascape in 1957 Corpus Christi Art Foundation (prize); Tideland Sunrise in 1958 Texas Fine Arts Association; Driftwood and Sea Birds and Sea Birds and Driftwood at Nye Gallery in 1958 Solo exhibition.

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156

156. EDITH MAE BRISAC (Am. 1894-1974) Back Yards, c. 1935 oil on canvas 27 x 36 signed lower right: Brisac

$8,000 - $12,000

exhibited: 1935, Joseph Sartor Galleries, Dallas, TX

157. LUIS ERIC EADES

(Am. 1923-2014) Iguana in my Backyard, 1956 casein on paper 11 1/2 x 17 1/2 signed lower right: Louis Eades ‘56

$1,500 - $3,000

provenance: Acquired from the artist; Private Collection current.

159

157

160

158. EDMUND DANIEL KINZINGER

(Am. 1888-1963) Portrait, 1938 oil on masonite 23 x 17 signed upper left: EDK 38

158

$5,000 - $10,000

159. VERONICA HELFENSTELLER

(Am. 1910-1964) Church at Terlingua, c. 1949 mixed media on paper 10 1/2 x 14 3/4 signed lower right: Helfensteller

$4,000 - $8,000 161

160. HERB BOOTH

(Am. 1942-2014) The Money Run, c. 1970 watercolor on paper 22 x 29 signed lower right: Herb Booth

$2,500 - $5,000

note: Likely exhibited due to label on reverse.

161. A. D. GREER

(Am. 1904-1998) Valley View, 1985 oil on canvas 20 x 24 signed lower left: © A. D. Greer - 85

$4,000 - $8,000

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162

163

162. EVERETT SPRUCE (Am. 1908-2002) Angora Goat mixed media on paper 9 3/4 x 11

$3,000 - $6,000

provenance: Linda and William Reaves acquired from Everett Spruce’s daughter, Alice Spruce Meriwether.

163. KATHLEEN BLACKSHEAR

(Am. 1897-1988) Portrait of Richard Gould, 1932, ed. of 7 lithograph 11 1/5 x 7 1/4 signed across bottom: Richard Gould, Kathleen Blackshear

$1,500 - $2,500

exhibited: 11th Annual Exhibition of Works by Houston Artists at the Museum of Fine Arts Houston, TX, January 13-February 3, 1935; First Annual Texas Print Exhibition, Dallas Print Society/DMFA, 1941

164

164. OTIS DOZIER

165

(Am. 1904-1987) Blue Andulusia, 1936 graphite on paper 11 x 8 signed on reverse: Dozier ‘36

$1,000 - $2,000

165. MARY AUBRY KEATING

(Am. 1894-1953) Chili Stands at Night, c. 1930s wood block print 6 x 4 1/2 signed lower left: M.A.K.

$500 - $1,000

A watercolor with the same title was exhibited in the 1933 Watercolor Exhibition, San Francisco, CA

166. ELIZABETH WALMSLEY

166

(Am. 1900-1993) On the Beach, 1946 color stencil print 12 1/2 x 9 signed lower right: Elizabeth Walmsley 1946

167

$400 - $800

provenance: Linda and William Reaves acquired this work from the artist’s estate.

167. ELIZABETH WALMSLEY (Am. 1900-1993) On the Beach, c. 1946 watercolor on paper 14 x 20

$1,500 - $3,000

provenance: Linda and William Reaves acquired this work from the artist’s estate.

This concludes the selection of paintings from the Reaves Collection of Texas Art. 28

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168

168. OLIN HERMAN TRAVIS (Am. 1888-1975) Cotton Patch, Ozark, Arkansas, 1916 oil on canvas 16 x 28 signed lower left: Olin Herman Travis

$3,000 - $6,000

169. OLIN HERMAN TRAVIS (Am. 1888-1975) Markham’s Cabin oil on canvas 18 x 24 signed lower left: Olin Herman Travis

$2,500 - $5,000 169

170. OLIN HERMAN TRAVIS

170

(Am. 1888-1975) Untitled oil on board 8 x 10 signed lower left: Olin Travis

$800 - $1,200

171. MERRITT MAUZEY

(Am. 1897-1973) Haystacks and Powerlines oil on masonite 12 x 16 signed lower left: Mauzey

$8,000 - $12,000

172. MERRITT MAUZEY

(Am. 1897-1973) Zinnias oil on masonite 30 x 23 3/4 signed upper left: Mauzey

171

$6,000 - $9,000 172

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173

173. REVEAU BASSETT (Am. 1897-1981) Mallards In Flight oil on canvas 25 x 30 signed lower right: Reveau Bassett

$20,000 - $30,000

174. REVEAU BASSETT

(Am. 1897-1981) Ducks in Flight oil on canvas 24 x 30 signed lower left: Reveau Bassett

$25,000 - $35,000 175. TOM BROWN

(Am. 1859-1916) Along the San Antonio River, c. 1900 oil on board 8 1/2 x 16 signed lower right: Tom Brown

$4,000 - $8,000

exhibited: Texas Impressionism Exhibition, Panhandle-Plains Historical Museum

175

174

176

176. RICHARD LENTZ

(Am. 1857-1930) Sunset Landscape on the Trinity, 1895 oil on canvas 10 x 15 signed lower right: R Lentz 95

$8,000 - $12,000

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177

178

177. HARRY CARNOHAN (Am. 1904-1969) Windmill pastel on paper 10 x 13

$15,000 - $25,000

exhibited: Symphony of Shade and Light: Frank Reaugh and His Students, Sept 14 – Oct 21, 2001, The McKinney Avenue Contemporary, Dallas, TX published: This pastel is illustrated on page 112, plate no. 26 in Dictionary of Texas Artists, 1800-1945, Compiled by Paula L. Grauer & Michael R. Grauer © 1999 by the Panhandle-Plains Historical Society

178. ALEXANDRE HOGUE (Am. 1898-1994) Shelf Rock #3, 1967 mixed media on paper 20 1/2 x 28 1/4 signed lower right: Alexandre Hogue, 1967

$14,000 - $18,000

provenance: Brad Place purchased this work directly from Hogue; Estate of Brad Place acquired from above via inheritance 2015-2018; Private collection, Dallas, TX 2018-Present.

Alexandre Hogue is an important and influential American Regionalist artist. During the 1950s to the 1970s, Hogue created a series of watercolors based on scenes from sketching trips to Sand Creek in Osage Hills State Park near Bartlesville, OK. Through these and other works from this time, he was experimenting and pushing the boundaries of his media. He was seeking to unite abstract brush strokes, and a painterly approach, with the structure and foundation of representation. In this piece he captured, with exuberant colors, the life force of the water coursing through the shelf rock as it carved out new pathways.

note: Brad Place joined the University Tulsa Art Department in 1947. In 1963, he succeeded Hogue as Department Chair and served until his retirement in 1986.

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179

179. JOSÉ ARPA

(Am. 1858-1952) Fuente De La Coba, 1910 oil on canvas 20 x 30 signed lower left: Fuente De La Coba, J Arpa, 1910

$60,000 - $80,000

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180

180. JOSÉ ARPA

(Am. 1858-1952) Mission San José, San Antonio, Texas, c. 1927 oil on canvas 18 x 24 signed lower left: José Arpa, San Antonio, Texas

$25,000 - $35,000 181. JOSÉ ARPA

(Am. 1858-1952) Los Reyes Catolicos reciben a Cristobal, 1885 oil on canvas 24 x 47 signed lower right: Arpa, Roma 85

$4,000 - $8,000

181

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182

182. JULIAN ONDERDONK

(Am. 1882-1922) Late Afternoon on the San Marcos River at Martindale, Texas, 1912 oil on canvas 30 x 40 signed lower right: Julian Onderdonk

$100,000 - $150,000

provenance: LJ Martindale was Lieutenant Governor of Texas. His son James Bruce Martindale married Stella Lee Story.

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Stella Lee Story Martindale was born in 1870s (died in 1937). In 1906 the family moved from Martindale to San Antonio. In 1912 James Bruce and Stella Lee Story Martindale returned home to Martindale, TX to commission Julian Onderdonk to paint this scene of the dam on the San Marcos River near their home. They had three children: Olive Martindale Legean, Howard Martindale and James Bruce Martindale, Jr (1916-1987). Stella Lee Story Martindale passed in 1937 and James Bruce Martindale passed 1939. The painting went to their daughter Olive M. Legean by her will. Olive Legean gave the painting to her daughter Catherine Legean, who then loaned the painting out and it was lost for a brief period. Olive then paid an art dealer in Houston $900 to get the painting back. Bruce Martindale, Jr. should have been direct descendant of the painting, but he purchased the painting from his sister, Olive Legean in the 1960s. James Bruce Martindale, Jr. passed away in 1992, James Bruce Martindale III inherited the painting. This painting is included and pictured as cat. No 623 on page 185 of Julian Onderdonk A Catalogue Raisonné, by: Harry Halff © 2016 by the Museum of Fine Arts, Houston.

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183

183. JULIAN ONDERDONK

(Am. 1882-1922) Road Through the Hills, c. 1912-1913 gouache on paper 10 x 8 signed lower left: Julian Onderdonk

$30,000 - $40,000

provenance: Private Collection, Dallas, TX, Current. This painting is included and pictured as cat. No 664 on page 193 of Julian Onderdonk A Catalogue Raisonné, by: Harry Halff © 2016 by the Museum of Fine Arts, Houston.

184. JULIAN ONDERDONK (Am. 1882-1922) On the Beaverkill River, N.Y., 1909 oil on board 9 x 12 signed lower right: Julian Onderdonk

$10,000 - $15,000

185. ROBERT JENKINS ONDERDONK (Am. 1852-1917) Guadalupe Shrine, Mexico City oil on board 8 x 11

$3,000 - $5,000

184

185

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186

186. ROBERT JENKINS ONDERDONK

(Am. 1852-1917) Mexican Man Sitting by the Fire watercolor on paper 7 x 8 3/4 signed lower left: R. J. Onderdonk

$8,000 - $12,000

187. ROBERT JENKINS ONDERDONK

(Am. 1852-1917) Untitled Landscape, 1893 oil on canvasboard 11 3/4 x 21 3/4 signed lower right: R. J. Onderdonk, 1893

$9,000 - $12,000

Robert Onderdonk became a permanent resident of Dallas from 1889-1895. His artistic production during that period was divided between North Texas landscapes and portraiture. In 1893 Onderdonk was selected to organize and lead the Art Students League of Dallas. He regularly took his students to Old City Park and Turtle Creek, which were both accessible to his studio on Elm via streetcar. At the time, Turtle Creek was an undeveloped wild area on the outer edge of the city. wThis 1893 painting fits the description of Dallas Old City Park as described in “Centennial History of the Dallas, Texas Park System” with its broad areas of mowed lawn, gravel trails, rustic fence, and wandering creek.

187

188

189

188. ROBERT JENKINS ONDERDONK

(Am. 1852-1917) Wooded Landscape, 1895 oil on board 10 1/2 x 7 1/2 signed lower left: Onderdonk 95

$4,000 - $8,000

189. EDWARD EISENLOHR

(Am. 1872-1961) Untitled, 1899 oil on board 12 x 9 1/2 signed upper right: Eisenlohr ‘99

$2,500 - $5,000

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190

190. PORFIRIO SALINAS

(Am. 1910-1973) Bluebonnet Hill – Near San Antonio, Texas, 1937 oil on canvas 25 x 30 signed lower left: Porfirio Salinas

$40,000 - $60,000

191. PORFIRIO SALINAS

(Am. 1910-1973) Quiet Stream with Deer, 1944 oil on board 47 1/4 x 68 1/2 signed lower left: Porfirio Salinas 1944

$30,000 - $50,000

191

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192

192-A

192. PORFIRIO SALINAS

(Am. 1910-1973) Fall in the Hill Country oil on canvas 20 x 30 signed lower left: P. Salinas

$10,000 - $15,000

192-A. PORFIRIO SALINAS (Am. 1910-1973) Autumn oil on canvas 12 x 16 signed lower left: Porfirio Salinas

$4,000 - $6,000

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193

193. ROBERT WOOD

(Am. 1889-1979) Bluebonnet Landscape, 1943 oil on canvas 25 x 30 signed lower right: Robert Wood 43

$15,000 - $25,000

194. ROBERT WOOD

(Am. 1889-1979) Bluebonnet Landscape near Boerne, TX, c. 1930’s oil on canvas 16 x 20

$6,000 - $10,000

provenance: During the 1930s, Fred Gardner lived in a boarding house with Robert Wood and accepted these two paintings as rent payment from Wood; Mr. & Mrs. Elis Burkhardt purchased the paintings from Mrs. Fred Gardner; Sandy Courrier acquired from above via inheritance, current.

194

195

A letter of authenticity, dated July 25, 1975, from Florence Wood Brumaghin, daughter of Robert Wood, accompanies this work. Robert Wood reviewed a photograph of this painting in July of 1975, and wrote on the back of the photograph, “This subject was painted by me, Robert Wood.”

195. ROBERT WOOD

(Am. 1889-1979) Huermann Road oil on artist’s board 12 x 16 signed lower right: Robt. Wood

$4,000 - $6,000

provenance: During the 1930s, Fred Gardner lived in a boarding house with Robert Wood and accepted these two paintings as rent payment from Wood; Mr. & Mrs. Elis Burkhurdt purchased the paintings from Mrs. Fred Gardner; Sandy Courrier acquired from above via inheritance, current.

196

196. ROLLA SIMS TAYLOR

(Am. 1872-1970) Pecos River Valley oil on canvas 24 x 32 signed lower left: Rolla Taylor

$10,000 - $15,000

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197

198

199

197. ROLLA SIMS TAYLOR

(Am. 1872-1970) Irish Flats oil on canvas 24 x 30 signed lower right: Rolla Taylor

$8,000 - $12,000

198. FLORENCE MCCLUNG

(Am. 1894-1992) Old Homestead, ca. 1950 oil on canvasboard 16 x 20 signed lower right: F. McClung

$4,000 - $8,000

199. ROBERT WOOD (Am. 1889-1979) A So’ Wester oil on canvas 24 x 36 signed lower right: Robert Wood

$8,000 - $12,000

200

201

200. ROBERT WOOD

(Am. 1889-1979) Texas Bluebonnet Landscape oil on canvasboard 12 x 24 1/4 signed lower right: R. Wood

$3,000 - $6,000

201. PAUL SCHUMANN (Am. 1876-1946) Wave oil on canvas 16 x 22 signed lower right: Paul R. Schumann

202

$6,000 - $10,000

202. CLARA PANCOAST

(Am. 1872-1959) Lost Maples oil on board 16 x 19 3/4 signed lower right: CC Pancoast

$2,000 - $4,000

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203

203. HENRIETTE WYETH (Am. 1907-1997) Azaleas, 1965 oil on canvas 12 x 16 signed lower left: Henriette Wyeth

$10,000 - $20,000

204. ROBERT VONNOH

(Am. 1858-1933) Study-Moonrise No. 5 oil on canvas 20 x 36 signed lower left: Vonnoh

$20,000 - $30,000

204

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205

205. LEON GASPARD

(Am. 1882-1964) The Bridge-Russia oil on canvasboard 25 x 22 signed lower left: Leon Gaspard

$100,000 - $200,000

provenance: Leon Gaspard, (artist); Private Collection, Lubbock, TX acquired from above circa 1940 via Fenn Gallery Santa Fe, NM; Private collection, Dallas, TX acquired from above via inheritance, current.

Leon Shulman Gaspard is known for his identifiable loose impressionist renderings in bright colors of peasant life, which convey his skilled eye for balanced soft yet bright palates and directional brushwork application. The Smolensk Bridge is a prevalent subject for the artist as he painted versions of this heavily trafficked foot and carriage bridge in Smolensk, Russia. Painting this locale during the winter allows dramatic contrast of the colorful peasant dress against the winter white snowscape. The Smolensk Cathedral’ colorful domes flower up on the horizon, adding depth to the painting. 206. LEON GASPARD (Am. 1882-1964) The Blue Sari, 1938 oil on canvasboard 16 1/2 x 12 1/4 signed lower left: Leon Gaspard, 1938

$30,000 - $40,000

206

Gaspard was born in Vitebsk, outside of Moscow, in 1882. His father was a fur and rug trader, resulting in Leon’s early travels across parts of Asia. During WWI he served in the French Air Force, married, and later moved to the US with his wife. The couple made their way to Taos, New Mexico in 1918 where he joined the burgeoning art scene. He continued to travel and explored parts of Mongolia during which time he amassed inspiration that are the themes of his paintings. Throughout his career, Gaspard was well represented, and his paintings fervently collected for their exotic subject matter. He was represented by Stendahl in Los Angeles and Milch and Reinhardt in New York to name a few. Today his works remain a mainstay in American and International fine art collections. His Taos School involvement connects him to collectors of the American Southwest. Gaspard’s work can be found in the following collections: New Mexico Museum of Art; Panhandle-Plains Historical Museum; Art Institute of Chicago; Phoenix Art Museum; and Colorado Springs Fine Arts Center to name a few.

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208

207

207. DICKSON REEDER

provenance: This painting remained in Dickson Reeder’s private collection until his death in Fort Worth, TX in 1970. It was bequeathed to his son David Reeder in 1970, and remained in his collection until he gave it to his son Brian Curry in 2004. It was purchased by Rainone Galleries, Inc., from Dickson Reeder’s grandson Brian Curry, January 1, 2005. Then purchased from Rainone Galleries, Inc., by Dr. and Mrs. Ralph Plemons of Arlington, TX., March 11, 2010. Current: Private Collection, San Antonio, TX.

(Am. 1912-1970) Self Portrait of Dickson Reeder, c. 1940 oil on canvas 44 3/4 x 30

$25,000 - $35,000

208. LUCIE HARRIS LOCKE (Am. 1904-1989) Portrait of a Woman oil on canvas 11 3/4 x 10 1/4

$1,500 - $3,000

note on reverse: From the estate of Lucie Harris Locke – Elizabeth Locke Clark

209. LUCIE H. LOCKE

(Am. 1904-1989) Corpus Christi Power Station, 1940 oil on canvasboard 12 x 16 signed lower right: Lucie H. Locke, 1940

$2,000 - $3,000 209

210

exhibited: Urban Texas: Changing Images of an Evolving State, Panhandle-Plains Historical Museum, Sept 27, 2007–Feb 17, 2008

210. ED BEARDEN

(Am. 1919-1980) Nude, 1946 oil on masonite 31 1/4 x 20 1/2 signed lower right: Ed Bearden ‘46

$2,500 - $5,000

provenance: Bearden Family Collection 1946-2015; Dallas Collection 2015-Present. Fran Bearden (wife of Ed Bearden) loved this portrait and said the subject was a frequent guest to the SMU art department in the late 1940s.

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211

212

211. BROR UTTER

(Am. 1913-1993) Hero with a Shield, 1960 acrylic on paper 28 1/4 x 22 1/2 signed lower right: Bror Utter 1960

$3,000 - $6,000

212. BROR UTTER

(Am. 1913-1993) Seated Harlequine oil on masonite 22 x 17 signed lower right: Utter

$8,000 - $12,000

213. LIRL TREUTER (Am. 1922-2001) Apartment, 1947 oil on canvas 20 x 14 signed lower right: Lirl Treuter, 1947

$1,500 - $3,000

Treuter studied at Texas Wesleyan University under Kelly Fearing, University of Texas, and Texas Christian University. She is considered one of Kelly Fearing’s most successful students from his Fort Worth tenure. She exhibited in The 12th Annual Exhibition of Texas Painting and Sculpture, Oct 7-29, 1950, Dallas Museum of Fine Arts in Dallas TX; and Texas Fine Arts Association 1951–53.

213

214

214. GEORGE GRAMMER

(Am. 1928-2019) Dockside Crane in Toronto Harbor, c. 1963 oil on board 29 1/2 x 19 3/4 signed lower right: Grammer

$8,000 - $12,000

published: This work is illustrated in Cranes: A Study in Power and Grace, Fortune Magazine, January 1963., p. 110.

In this painting, Grammer depicted a 300-ton dockside crane designed by Ewbank, Tupper & Assocs., located in Toronto harbor. Grammer noted, “I came back after dark to watch freight being unloaded from a vessel. The weather had given way to rain and sleet, hampering the work considerably but providing a dramatic shroud for the spotlight patterns. Winter coal had been piled in black mountains on the next pier, lending a deeper contrast to the whole, creating visual excitement. This, I decided, was the way I wanted to paint it.” Cranes: A Study in Power and Grace, Fortune Magazine, January 1963., p. 110.

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215

Everett Franklin Spruce, a native of Conway, Arkansas, moved to Texas by way of scholarship to the Dallas Art Institute when he was 17 and immediately became a force in the North Texas art scene. Spruce is known as being part of the burgeoning group of young artists named the “Dallas Nine” — originally titled as such in 1932. Decades after this group’s acclaim was celebrated, the “Nine” grew, adding many more talented artists. Over seven decades of painting, Spruce achieved well-deserved acclaim at every stage, his works reveal his continued exploration and growth as an artist. The major turning in his career came when he was hired to be on faculty in the newly formed Art Department at the University of Texas, Austin. Spruce was among a group of select artists who reformed the department, which elevated the reputation of Texas art nationally. Spruce played a key role in this reform, and his artwork reflects that advancement even today.

215. EVERETT SPRUCE

(Am. 1908-2002) The Lost Boat, 1943 oil on masonite 29 1/2 x 35 1/2 signed lower left: E. Spruce

$40,000 - $60,000

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216

216. EVERETT SPRUCE

(Am. 1908-2002) Prairie Night –Eclipse of the Moon, 1970 oil and crayon on canvas 35 1/2 x 40 signed lower left: Spruce

$40,000 - $60,000

exhibited: 1979 Retrospective Exhibit 1950-1979, Archer M. Huntington Gallery, University of Texas, Austin, TX

The Amon Carter Museum of American Art presented: Texas Made Modern: The Art of Everett Spruce, May 30 – September 20, 2020. The book: Texas Made Modern: The Art of Everett Spruce by Shirley Reece-Hughes was released in conjunction with the show and describes the latter decades of Spruce’s career. During this time, he created some of his most poignant and evocatively elevated work. Reece-Hughes quotes Spruce (page 73) on joining the UT department as, “my first real opportunity to concentrate on the business of being a painter.” Reece-Hughes explains Spruce’s technique in depicting the land and sky as having a “profound ability to show how it felt to be in the prairie.” This painting represents the culminations of his unique style and is part of a rare collection of prairie works from the 1970’s. The impact of this painting goes beyond Spruce’s own perceptions in the mystery of the lunar prairie moment; a viewer looking closely can appreciate the sensory experience Spruce must have felt. Prairie Night – Eclipse of the Moon represents Spruce’s mastery of atmospheric representation in rendering the rare Texas phenomena of lunar light on the prairie, his admirable technique transcends today. Spruce’s work can be found in the following collections: Whitney Museum of American Art, NY; Metropolitan Museum of Art, NY; Dallas Museum of Art, TX; The Pennsylvania Academy of the Fine Arts, PA; Panhandle-Plains Historical Museum, TX; and the Newark Museum, NJ to name a few.

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217

217. EVERETT SPRUCE

(Am. 1908-2002) Man with Fish Net, c. 1948 oil on board 20 x 16 signed lower right: E. Spruce

$15,000 - $20,000

Mortimer Levitt Gallery label attached to verso.

For Spruce, the mountain landscape was a significant theme he explored in his work throughout his career. In Lot 218, he presented the mountain as a large, nearly monolithic, form that anchors the composition. As part of his practice, Spruce loved walking and hiking in nature to experience firsthand the vast nuances of the terrain and moody changing weather. He would steal away for inspiration and come back and try to capture more of the essence of the landscape than what can be seen with the naked eye. Over this mountain terrain he captured strong geometric forms yet softened their edges by dry brush and scumbling techniques. Patches of yellow ocher, taupe, teal green, burgundy, and orange pop through the strong blacks and mid-tone grays of the landscape. This painting is framed in a Douglass frame.

218. EVERETT SPRUCE

(Am. 1908-2002) Southwest Texas, c. 1948 oil on masonite 25 x 30 signed lower left: E. Spruce

$50,000 - $70,000

provenance: Purchased directly from Spruce by Joseph Robert Baffler (Head of Architecture Department University of Texas during the late 1940s) 1948-1955; Dr. Richard T Baffler (son), who was Professor of Geological Services 1975-2003 University of Texas, acquired from above via inheritance; Private collection, Dallas, TX 2016-Present.

218

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219

219. WILLIAM LESTER (Am. 1910-1991) Green Cliff oil on masonite 24 x 36 signed on reverse: Green Cliff, WM. Lester

$24,000 - $28,000

220. WILLIAM LESTER

(Am. 1910-1991) Woods and Rocks, 1931 oil on board 18 x 20 signed lower left: WM. Lester

$20,000 - $30,000

221

220

222

221. CECIL CASEBIER

(Am. 1922-1996) Man with Canvas, 1957 oil on masonite 48 x 36 signed lower right: CL Casebier 57

$4,000 - $8,000

exhibited: Celebrating Early Texas Art: Treasures from Dallas – Fort Worth Private Collections, 1900-1960, 2005, Fort Worth Community Arts Center.

222. CECIL CASEBIER

(Am. 1922-1996) The Yellow Building, 1971 oil on masonite 30 x 20 signed lower right: CL Casebier ‘71

$4,000 - $8,000 48

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223

223. KELLY FEARING

(Am. 1918-2011) The Wood Gathers, 1947 oil on canvas 20 x 28 signed lower right: Kelly Fearing ‘47

$30,000 - $40,000

224. KELLY FEARING

(Am. 1918-2011) Still Life with Foot and War News, 1942 oil on board 14 x 17 signed lower left: K Fearing, 1942

$3,000 - $4,000

This painting was purchased directly from the artist. Kelly explained he had just moved to Fort Worth and was working at the Consolidated Vultee Bomber Factory where he met other members of the Fort Worth Circle. The letter on the table was addressed to his parents in Louisiana. The newspaper headlines contain the words, “…to declare war on Japan.” Kelly explained the cigars in the cup were to symbolize “Fat Cats” making all the decisions. The severed foot and seashell symbolize the surrealism of the entire situation and mark the artist’s fascination with the surrealist leanings of his newfound friends in the Fort Worth Circle. It is a very early example of Fort Worth School Art at the beginning of the war.

224

225. KELLY FEARING 225

(Am. 1918-2011) Rainy Winter Evening, 1941 watercolor on paper 15 1/2 x 19 1/2 signed lower right: Kelly Fearing ‘41

$3,000 - $6,000

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226

226. KELLY FEARING

(Am. 1918-2011) Kite Flyer in a Place of Light, 1965 oil on canvas 36 x 24 signed lower right: Kelly Fearing

$3,000 - $6,000

McNay Art Museum label attached to verso.

227. KELLY FEARING

(Am. 1918-2011) Woman with Aquarium, c. 1970 oil on canvas 32 x 25 signed lower left: WM Kelly Fearing

$4,000 - $6,000

228. KELLY FEARING

(Am. 1918-2011) Wiseman with Owls pastel with gold and silver leaf 22 x 17 1/4 signed lower right: Kelly Fearing

$1,200 - $2,000

227

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229

Ben Culwell was a Texas painter who had several abstract expressionist works in the 1946 national exhibition Fourteen Americans at the Museum of Modern Art in New York. Dorothy Miller edited the catalogue of artists for the show and describes them as “All are concerned not only to utter the unique and spontaneous experience of the artists, but to make that experience embody the moods and intentions of our time.” -Dorothy Miller, Fourteen Americans, 1946, pg. 8. Job II exemplifies a unique period in Culwell’s oeuvre. Much of his works are non-objective, abstract and highly emotional. This is conveyed with thick layers and varied tempos of paint application. His early works reflect the turmoil of American youth and their role in WWII. Job II, created around 1962, reflects an advancement in his work. In Katie Robinson Edwards book, Midcentury Modern Art in Texas, she describes Now II, a similar work to Job II, as well as his 1960’s period as, “In the mid-1940’s Culwell retained the German-inspired Expressionism of his war time mixed-media works that were exhibited at MoMa in New York, later shifting into the equally expressive but wholly unique, multifaceted style, apparent in the higher key in his 1960’s work.” Much like Now II, Job II as Edwards describes is, “meticulously gridded geometrical areas in play with free flowing pours.” -pg. 81.

229. BEN L. CULWELL

(Am.1918-1992) Job II, No. 62-2, c. 1962 oil and mixed media on masonite 34 x 48 1/4 signed on all four corners: BLC

$30,000 - $40,000

exhibited: Ben Culwell Solo Retrospective, 1977; McNay Art Museum, San Antonio, TX

Today, Culwell’s paintings are in the following collections: Museum of Modern Art, New York, NY; Dallas Museum of Art, TX; Marion Koogler McNay Art Museum, TX; Museum of Fine Arts, Houston, TX; The Menil Collection, TX.

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230

230. BEN L. CULWELL

(Am.1918-1992) Non-Being in Being, 1956 oil and mixed media on masonite 24 x 30 signed on all four corners: BLC

$15,000 - $25,000

231. BEN L. CULWELL

(Am.1918-1992) Untitled, c. 1957 acrylic on paper 17 x 23

$3,000 - $6,000

231

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232

232. DOROTHY HOOD

(Am. 1918-2000) Perceptors oil on canvas 36 x 48 signed upper right: D. Hood

$16,000 - $25,000

233. JENNIE HADDAD

(Am. 1906-1996) New England Pond, c. late 1950s oil on canvas 60 x 45 signed on reverse: New England Pond, Jennie Haddad

$15,000 - $25,000

exhibited: 30th Annual Dallas County Exhibition of Painting, Drawing & Sculpture, Dallas Museum of Fine Arts, Dallas, Texas, 1959.

233

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234

234. DAVID BATES

(Am. Bn. 1952-) Lulu, 2007-2008 oil on canvas 24 x 30 signed lower right: BATES

$40,000 - $60,000

54

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235

235. EDMUND DANIEL KINZINGER

(Am. 1888-1963) Beach Ball, 1934 oil on canvas 26 x 39 signed lower right: EDK 34

$15,000 - $20,000

236. JACK BOYNTON

(Am. 1928-2010) Structure & Eclipse, 1955 watercolor on paper 14 x 20 signed upper left: Boynton ‘55

$6,000 - $12,000

236

lot 236, letter from jack boynton: Bill Reaves asked me to send you a history of my watercolor Structure & Eclipse which you recently purchased… and thank you by the way. I think it is the only watercolor that I did until the early ‘70’s. In 1955, the Grumbacher Co. asked me to do a watercolor which would be exhibited on a circuit of their stores (etc.?). My motivation was a free set of watercolors plus paper. The invitation (as best I remember) came from Lon Hellums who had the only art supply store in Ft Worth, TX. My problem was in working with the transparency of watercolor and little or no experience with it (I had been working primarily with oil and casein). In those days, I worked from careful sketches. There was a deadline so instead of developing an original sketch for the watercolor, I lifted the idea from one of my earlier casein paintings. When completed it went on Grumbacher’s circuit and I never saw it again for 20 years. Somewhere in the ‘70’s I asked a Grumbacher dealer here to find it for me, which they couldn’t do until I asked for payment (I gave them a high price for the moment), after which it reappeared magically. Structure & Eclipse was done at a time when I read a lot of science fiction and my work of that time reflected that interest. As to where it has been shown, you’d have to ask Grumbacher. Again, thank you. Sincerely, jb Dec 3, 2007 FINE PAINTINGS AND SCULP TURE

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237

238

237. ROBERT PREUSSER

(Am. 1919-1992) Interlocking Planes, 1956 oil on masonite 16 x 32 signed lower middle: Preusser

$12,000 - $18,000

238. ROBERT PREUSSER

(Am. 1919-1992) Oceanside, 1959 oil on canvas 40 x 32 signed lower right: Preusser

$15,000 - $25,000

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239

239. ROBERT PREUSSER

(Am. 1919-1992) Germination, 1965 oil and mixed media on canvas 46 x 20 signed lower right: Preusser

$2,000 - $4,000

240. ROBERT PREUSSER

(Am. 1919-1992) Angular Drawing ink on paper 11 x 8 1/2 signed lower right: Preusser

$600 - $1,200

241. ROBERT PREUSSER

(Am. 1919-1992) Tubular Shapes and Lines ink on paper 8 1/2 x 11 signed lower middle: Preusser

240

$600 - $1,200

241

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242

242. CHRISTINA KERCHEVILLE

243

244

245

(Am. 1906-1989) Taos Saint oil on masonite 21 1/4 x 9 1/3 signed lower right: Kercheville

$1,500 - $3,000

243. SEYMOUR FOGEL

(Am. 1911-1984) Untitled (Geometric Totem), c. 1970s mixed media relief sculpture 30 x 24

$6,000 - $12,000

244. SEYMOUR FOGEL

(Am. 1911-1984) Untitled, 1975 encaustic, crayon and mixed media on paper 40 x 30 signed lower right: Fogel 75

$3,000 - $5,000

245. SEYMOUR FOGEL

(Am. 1911-1984) Core-Shaft encaustic, crayon and mixed media on board 20 x 14

$1,500 - $3,000 58

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246

246. ROBERT KELLY

(Am. Bn. 1956-) Parable XIV-b, 1998 oil and mixed media on canvas 80 x 60 signed on reverse: R. Kelly

$10,000 - $15,000 247. KATHLEEN BLACKSHEAR

(Am. 1897-1988) Branches and Leaves pastel on paper 19 x 25 signed on reverse: K.B. and Inventory Number

$1,500 - $3,000

248. KATHLEEN BLACKSHEAR

(Am. 1897-1988) Giraffe gouache on paper 22 1/4 x 29 signed lower right: Blackshear

$5,000 - $8,000

249. KATHLEEN BLACKSHEAR

(Am. 1897-1988) Strange Creature oil on canvas 11 x 5 1/4

$2,000 - $3,000

Accompanied by a letter of authentication from the Estate of Kathleen Blackshear and Ethel Spears.

247

249

248

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251

250

250. ETHEL SPEARS

(Am. 1903-1974) Still Life, c. 1959 oil on canvas 16 1/8 x 18 1/8 estate number attached to verso: ESB11

$1,000 - $2,000

252

exhibited: The Art Institute of Chicago, Sixty-second Annual Exhibition by Artists of Chicago and Vicinity, 1959 provenance: Estate of Ethel Spears and Kathleen Blackshear

251. ETHEL SPEARS

(Am. 1903-1974) Bird Nest in a Tree oil pastel and acrylic on paper 29 1/2 x 21 1/4

253

$2,000 - $4,000

Estate number attached to verso: ES693 Accompanied by a letter of authentication from the Estate of Kathleen Blackshear and Ethel Spears.

252. ETHEL SPEARS

(Am. 1903-1974) Merry-Go-Round watercolor on paper 13 x 17 signed lower left: Ethel Spears

$1,000 - $2,000

253. ETHEL SPEARS

(Am. 1903-1974) Shell, 1951 acrylic and gouache on artists’ board 14 x 11

$1,000 - $2,000

Accompanied by a letter of authentication from the Estate of Kathleen Blackshear and Ethel Spears.

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254

254. OTIS DOZIER

(Am. 1904-1987) Fisherman’s Place, 1985 oil on canvas 36 x 48 signed on reverse: Dozier 1985

$8,000 - $12,000 255. OTIS DOZIER This lot is accompanied by a sketch of the painting, pencil on paper, 5 x 7, signed lower right: Dozier ‘85

(Am. 1904-1987) Cow with Two Black Birds, 1954 oil on canvas 30 x 40 signed lower left: Otis Dozier ‘54

$6,000 - $12,000

256. DEFORREST JUDD (Am. 1916-1993) Abstract, 1962 oil on masonite 36 x 24 signed lower right: DeForrest Judd ‘62

$3,000 - $6,000

257. LOREN MOZLEY

(Am. 1905-1989) Baroque Façade, Zacatecas oil on canvas 32 x 25 signed lower right: Mozley

255

$4,000 - $8,000 256

257

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258

259

260

258. OTIS DOZIER

(Am. 1904-1987) Giant Cowbird and Corn, 1971, ed. 1/6 bronze 10 x 4 1/2 x 5 1/2 signed on base: Otis Dozier, 1971, 1/6

262

$1,500 - $3,000

259. CHARLES UMLAUF

(Am. 1911-1994) Torchbearer bronze 52 x 18 x 13 signed on base: C. Umlauf

261

$8,000 - $12,000

260. CHARLES UMLAUF

(Am. 1911-1994) Singer, 1947 bronze 10 1/2 x 8 3/4 x 7 signed on base: C. Umlauf

$3,000 - $6,000

261. CHARLES UMLAUF (Am. 1911-1994) Nun plaster 39 x 13 x 12

$6,000 - $8,000

262. CHARLES UMLAUF (Am. 1911-1994) St. Francis plaster 28 1/2 x 6 x 4 3/4

$4,000 - $6,000

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263

264

263. CHARLES UMLAUF (Am. 1911-1994) Washington plaster 37 x 7 x 7

$6,000 - $8,000

264. CHARLES UMLAUF (Am. 1911-1994) Lincoln plaster 37 x 7 x 7

$4,000 - $6,000

265. CHARLES UMLAUF (Am. 1911-1994) Faith & Wisdom plaster 19 x 7 x 6 1/4

$2,000 - $4,000

266. CHARLES UMLAUF (Am. 1911-1994) Dance & Learning plaster 17 x 9 x 6 1/4

$2,000 - $4,000

266

265

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267

267. MIGUEL ZAPATA

(Sp. Bn. 1940-) Seal of Texas – Top Section of the Texas Door styrofoam and plaster on board 25 3/4 x 73 x 3 1/2

$4,000 - $8,000

268. MIGUEL ZAPATA (Sp. Bn. 1940-) Texas Door, 2002 bronze 20 3/4 x 11 1/2 signed lower left: Zapata 02, P/A

$4,000 - $8,000

published: Miguel Zapata, Texas Door, 2013, Commissioned for the Performing Arts Center, Texas State University-San Marcos by Valley House Gallery, page 8

268

Miguel Zapata, Texas Door, 2013 catalog included with this lot.

269. MIGUEL ZAPATA

(Sp. Bn. 1940-) Sleeping Inquisitor, c. late 1990s styrofoam, plaster, & paint mounted on board 25 1/2 x 70 1/2

$3,000 - $6,000

270

270. MIGUEL ZAPATA (Sp. Bn. 1940-) Figure on Horseback bronze 22 1/8 x 13 1/2 signed upper middle: Miguel Zapata

$2,000 - $4,000

269

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271

272

271. MIGUEL ZAPATA

(Sp. Bn. 1940-) American Indian on Horse mixed media on cardboard 72 x 43 1/2

$10,000 - $15,000

272. VIVES ATSARA

(Am. 1919-2004) Texas Still Life, 1962 oil on canvasboard 30 x 24 signed lower right: Vives Atsara

$6,000 - $12,000

Joseph Sartor Galleries label attached on reverse.

273. JOSÉ ACEVES

(Am. 1909-1968) Scene from the Mexican War, 1936 oil on canvas 16 x 33 signed lower left: José Aceves, 1936

$3,000 - $5,000

274. BARBARA GARVIN

(Am. Bn. 1936-) Snow Wheeling Home oil on canvas 18 x 24 signed lower right: Garvin B.R.

$1,500 - $3,000 273

274

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275

275. BRUCE R. GREENE

(Am. Bn. 1953-) Trailside Treasures, 1997 oil on canvas 36 x 40 signed lower right: Bruce R. Greene, CA, ©

$6,000 - $12,000

provenance: Princeton Bardwell Collection, Baton Rouge, LA 1997 – Current; Commissioned by Princeton Bardwell.

276. FILASTRO MOTTOLA (Am. 1915-2008) Washing Clothes oil on canvas 24 x 48 signed lower right: Mottola

$2,500 - $5,000

277. LAJOS MARKOS

(Am. 1917-1993) The Rustlers, 1971 oil on canvas 24 x 36 signed lower left: L Markos

$4,000 - $8,000

exhibited: Sandor’s Hungarian Restaurant in Houston, Texas.

276

277

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From the Western Art Collection of William Moore Noble, Sr. LOTS: 278–291 William “Bill” Noble, Sr., was born in Texas City, Texas and fought in World War II in the South Pacific in the Air Force at the age of 16. When he was 26, he started his first bank in Victoria, Texas called American Bank of Commerce and eventually expanded his banks to Sinton, Texas City and Johnson City Texas. Bill’s passions were banking, ranching, hunting, and deep-sea fishing. In 1970, at the age of 43, after a dinner with the late President Lyndon Johnson at the LBJ ranch; Bill bought the Johnson City Bank and LBJ’s exotic game ranch. LBJ became a close friend and inspired Bill into collecting Western Artists such as Melvin Warren and G. Harvey. Bill spent over 30 years on the Great Barrier Reef in Australia catching record size Black Marlin in addition to keeping a boat in Bimini and Rockport, Texas. Towards the end of his life, he divided his time between Rockport and Fredericksburg, Texas.

278

278. GERALD HARVEY

(Am. 1933-2017) The Drive, 1968 oil on canvas 16 x 20 signed lower right: G. Harvey

$5,000 - $10,000

279. MELVIN C. WARREN

(Am. 1920-1995) The Vanishing Breed, 1965 oil on canvas 24 x 30 signed lower left: Melvin C. Warren 1965

$6,000 - $12,000 279

Lot 10 on page 4 is also from the Western Art Collection of William Moore Noble, Sr.

W I L L I A M M O O R E N O B L E , S R . W E S T E R N A RT CO L L EC T I O N

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280

281

283

282

280. MELVIN C. WARREN (Am. 1920-1995) Riding for the Mexican Border, 1966 oil on canvas 16 x 20 signed lower right: Melvin C. Warren 1966

$4,000 - $6,000

281. HARVEY JOHNSON

(Am. 1921-2005) Border Riders, 1974 oil on canvasboard 20 x 24 signed lower left: H.W. Johnson, CA © 74

$1,500 - $2,000

282. BARBARA GARVIN

(Am. Bn. 1936-) Snowlight oil on canvas 18 x 24 signed lower left: Garvin, B. R.

284

$700 - $900

283. H. JASON

(Am. 20th Cent.) Two Cowboys Approaching Town oil on canvas 24 x 30 signed lower left: H. Jason

$1,000 - $2,000

284. SHEP CHADHORN

(Am. 20th Cent.) Lone Indian Stealing Horses, 1975 oil on board 16 x 20 signed lower left: S. Chadhorn ‘75

$600 - $1,200

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285

286

285. KARIN HOLLEBEKE

(Am. Bn. 1950) Lone Indian in Pursuit of Mustangs oil on canvas 24 x 20 signed lower right: K. Hollebeke ©

$800 - $1,200

286. MEL H. BRADSHAW

(Am. 20/21st Cent.) Dust Wind oil on masonite 19 1/2 x 15 1/2 signed lower left. M.H. Bradshaw © “Dust Wind”

$1,000 - $2,000

287. JOE RADER ROBERTS (Am. 1925-1982) Early Risers oil on canvas 24 x 30 signed lower left: Joe Rader Roberts

$900 - $1,800

288. GARY NIBLETT

287

(Am. Bn. 1943-) Horse and Rider, 1979 oil on board 16 x 20 signed lower right: Gary Niblett ‘79

$1,500 - $2,000

288

W I L L I A M M O O R E N O B L E , S R . W E S T E R N A RT CO L L EC T I O N

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289

289. GERALD MCCANN

(Am. 1916-1995) Indians in Pursuit of the Cowboys, 1975 oil on board 19 1/2 x 29 1/2 signed lower left: Gerald McCann ‘75

$900 - $1,200 290. PROZIO

(Am. 20th Cent.) A Thrown Rider acrylic on board 12 x 14

$1,000 - $2,000

291. WILLIAM ZIVIC

(Am. Bn. 1930-) A Top Hand, 1977 ink and gouache on board 16 x 12 signed lower left: W. Zivic ‘77

$500 - $1,000

291

290

This concludes selections from the William Moore Noble, Sr. Western Art Collection. 292

Texas native Trent Tate graduated from the University of Texas at Austin and moved to Hollywood to pursue scriptwriting for movies. After becoming disenchanted with Hollywood and his ability to creatively influence the direction of his screenplays, he returned to Texas and shifted his focus to one of his early passions, painting. In his works, he vividly captures western landscapes. He now lives in Austin, and takes painting trips throughout the West, traveling to Colorado, Montana, Texas, and Mexico.

292. TRENT TATE

(Am. Bn. 1969-) Figure Standing in a Field tempera on paper board 24 x 38 signed lower left: TST

$600 - $900

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293

294

293. FRED MASON

(Am. 20th/21st Cent.) River Crossing oil on canvasboard 24 x 18 signed lower left: R Fred Mason

$600 - $1,000

294. GRANVILLE BRUCE (Am. 1903-1989) Out of the Canyon oil on canvas 17 3/4 x 26 signed lower right: Granville Bruce

$4,000 - $8,000

295. GRANVILLE BRUCE

(Am. 1903-1989) Afternoon Showers, Davis Mountains oil on canvas 14 x 20 signed lower left: Granville Bruce

295

$4,000 - $8,000

296. GRANVILLE BRUCE

(Am. 1903-1989) Live Oak Country of Texas watercolor on paper 14 1/4 x 21 signed lower right: Granville Bruce

$600 - $1,200

297. DAVID GRIFFIN (Am. Bn. 1952-) Two Cowboys In Evening Light oil on canvas 30 x 24 signed lower right: David Griffin

$1,500 - $3,000

296

297

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298

298. GAYLE TATE

(Am. Bn. 1944-) T. Norton Taxidermy, R. Hall, Var Antelope oil on panel 42 x 42 signed lower right: G.B. Tate

$6,000 - $8,000

299. GAYLE TATE

(Am. Bn. 1944-) Hunting oil on panel 34 x 26 1/2 signed lower right: G.B. Tate

$6,000 - $8,000

299

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300

300. JAMES TENNISON

(Am. Bn. 1955-) The Friesian, 2012 oil on canvas 36 x 48 signed lower right: Tennison

$10,000 - $20,000

James Earl Tennison, a native of Fort Worth, specializes in portraits and representational art. The official breed of the Friesian horse is always black, has a thick mane and tail, and long, silky hair on the lower legs. It has great presence and carries itself with elegance. 301. BOB W. DAVIS

(Am. 19/20th Cent.) SIOUX, 1971 oil on masonite 24 x 36 signed lower right: Bob W. Davis 1971

$1,500 - $3,500

302. JOE BEELER

(Am. 1931-2006) Duck Hunter oil on canvas 25 x 30 signed lower left: Joe Beeler

$3,500 - $5,000 301

303. GEORGE BOUTWELL

(Am. Bn. 1943-) House in the Fall Landscape gouache on paper 8 x 17 1/2 signed lower left: G. Boutwell

$600 - $800

302

303

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304

306

304. KIM DOUGLAS WIGGINS (Am. Bn. 1960-) Sangre de Cristo, 1994 oil on canvas 48 x 36 signed lower right: KD Wiggins 94

$10,000 - $15,000

305

305. LUIS EADES

(Am. 1923-2014) Triptych on a Maundy Thursday Theme, 1954 oil on canvas 40 x 76 signed lower left: Luis Eades

$6,000 - $8,000

left panel: Morning: Peter and the Cock, oil on canvas, 40 x 18, signed on reverse: Luis Eades ‘54 center panel: Evening: Agony in the Garden, oil on canvas, 40 x 40, signed lower left: Luis Eades right panel: Night: The Potter’s Field, oil on canvas, 40 x 18, signed on reverse: Luis Eades ‘54

306. LUIS EADES

(Am. 1923-2014) Woman in a Landscape, 1961 oil on canvas 20 x 24 signed lower right: Luis Eades ‘61

$1,500 - $3,000

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From the Estate of Sam and Helga Feldman Provenance: Sam and Helga Feldman acquired the following sculptures directly from the artist in 1990.

The following collection of Isaac Smith sculptures are being sold to benefit the Feldman Foundation supporting various important charities.

LOTS: 307–315 307. ISAAC SMITH

(Am. 1944-2016) White Heron carved wood and paint 22 1/2 x 23 x 6 1/4 signed on base: Isaac Smith

$1,000 - $2,000 307

309

308

308. ISAAC SMITH

(Am. 1944-2016) Scarlet Macaw on a Tall Stump carved wood and paint 55 1/2 x 11 x 9 1/2 signed on base: Isaac Smith

$1,500 - $3,000

309. ISAAC SMITH

(Am. 1944-2016) Bald Eagle carved wood and paint 23 x 6 1/4 x 6 1/2 signed on base: Isaac Smith

$1,500 - $3,000

310. ISAAC SMITH

(Am. 1944-2016) Gray Sea-Bird carved wood and paint 11 1/2 x 13 3/4 x 6 1/2 signed on base: Isaac Smith

$500 - $1,000

311. ISAAC SMITH

310

(Am. 1944-2016) Baby Crocodile carved wood and paint 8 1/4 x 24 1/4 x 5 3/4 signed on base: Isaac Smith

$600 - $1,200 311

I S A A C S M I T H S C U L P T U R E S F R O M T H E E S TAT E O F S A M A N D H E L G A F E L D M A N

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312. ISAAC SMITH

(Am. 1944-2016) Owl carved wood and paint 13 x 5 1/2 x 5 1/3 signed on base: Isaac Smith

312

313

$600 - $1,200

313. ISAAC SMITH

(Am. 1944-2016) Owl on Stump carved wood and paint 17 3/4 x 6 1/2 x 5 1/2 signed on base: Isaac Smith

$600 - $1,200

314. ISAAC SMITH

(Am. 1944-2016) Salamander carved wood and paint 2 x 10 3/4 x 6 1/4 signed on base: Isaac Smith

$300 - $600

315. ISAAC SMITH

(Am. 1944-2016) Red Crab carved wood and paint 6 x 9 1/2 x 8 signed on base: Isaac Smith

$400 - $800

314

315

This concludes the selection of Isaac Smith Sculptures from the collection of Sam and Helga Feldman with the exception of Lot 322, also being sold to benefit the Feldman Foundation.

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316. ISAAC SMITH 316

(Am. 1944-2016) Longhorn carved wood and paint 16 1/2 x 35 x 22 5/8 signed on base: Isaac Smith

317

$2,000 - $3,000

317. GLENNA GOODACRE (Am. 1939-2020) Little Indian Girl bronze 15 1/2 x 8 x 7 signed on base: Goodacre

$1,500 - $3,000

318. MICHAEL CUNNINGHAM (Am. 20th Cent.) Untitled – Biomorphic Form bronze on stone base 23 1/2 x 14 x 12

$2,500 - $5,000

319. MICHAEL CUNNINGHAM

318

(Am. 20th Cent.) Untitled, 1-8 bronze 11 x 12 x 7 1/3 signed on base: M.C. 1-8

$2,500 - $5,000

320. JOSEPH HAVEL

(Am. Bn. 1954-) Of 100 Flowers, 1991 mixed media 41 x 28 x 17

$10,000 - $15,000

provenance: Joseph Havel Studio; Private Collector purchased in 1993 from Barry Whistler Gallery.

320 319

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321

321. VALTON TYLER

(Am. 1944-2017) Bathers, 2003 oil on canvas 36 x 60 signed on reverse: Valton Tyler, “Bathers” 2003

$8,000 - $12,000

322. ISAAC SMITH

(Am. 1944-2016) Two Wolves Hallowing at the Moon with other Animals acrylic on paper 28 1/2 x 22 1/2 signed lower left: Isaac Smith

$400 - $800

provenance: Sam and Helga Feldman acquired directly from the artist in 1990.

From the Estate of Sam and Helga Feldman sold to benefit the Feldman Foundation, supporting various important charities. 323. BERNICE SIMS

(Am. 1926-2014) Selma Bridge March oil on masonite 18 x 24

323

$800 - $1,200

322

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324

326

324. XAVIER GONZALEZ (Am. 1898-1993) New York, 1970 oil on canvas 30 x 40 signed lower right: XG

$1,500 - $3,000

325. XAVIER GONZALEZ

(Am. 1898-1993) Cairo, Egypt mixed media on paper 22 x 29 signed lower right: Xavier Gonzalez, Cairo

$1,500 - $3,000

325

326. L EOPOLDO GONZALEZ, JR. (Am. Bn. 1921-) Captive, 1960 oil on masonite 48 x 29 signed lower right: Leopoldo ‘60

$2,000 - $3,000

exhibited: 22nd Annual Texas Painting & Sculpture, 1960, Dallas Museum of Fine Arts, (won honorable mention); San Antonio Art League – Witte Memorial Museum; Beaumont Art Museum; Museum of Fine Arts of Houston, TX.

327. L EOPOLDO GONZALEZ, JR. (Am. Bn. 1921-) Fire Ant, 1958 oil on board 23 x 46 signed lower right: Leopoldo-58

$4,000 - $6,000

327

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328

328. FRANK KLEPPER

(Am. 1890-1952) Mission Concepión, San Antonio, Texas oil on canvas 28 x 27 1/2 signed lower left: Klepper

$10,000 - $15,000

exhibited: Celebrating Early Texas Art: Treasures from Dallas – Fort Worth Private Collections, 1900-1960, 2005, Fort Worth Community Arts Center

329. FRANK KLEPPER

(Am. 1890-1952) Floral Still Life oil on canvas 20 x 24 signed lower left: Klepper

$1,500 - $3,000

Label on reverse: High Museum of Art, Atlanta, G.A.

330. MARGARET MELLOTT

(Am. 1923-2018) Mother and Child, 1962 casein on masonite 24 x 18 signed on reverse: M. Mellott

$600 - $1,200

331. POLLY HOFFMAN

(Am. 1890-1949) Coreopsis oil on board 12 x 15 3/4 signed lower right: Polly Hoffman

$1,000 - $2,000

330

329

331

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332

332. EANGER IRVING COUSE (Am. 1866-1936) Aspen Symphony, 1902 oil on panel 12 x 9 signed lower right: Couse

$2,000 - $4,000

Accompanied by a letter of authenticity from Virginia Couse Leavitt, Taos, NM. exhibited: A Retrospective Showing of paintings by E. Irving Couse, courtesy of K.W. Couse, Son, Panhandle Plains Historical Museum, Canyon, Texas, 1967

333

333. EANGER IRVING COUSE (Am. 1866-1936) Taos Landscape, c. 1903 oil on canvas 7 x 9 signed lower left: Couse

334

$1,500 - $3,000

334. CONRAD BUFF

(Am. 1886-1975) Red Woods oil on artist’s board 7 1/2 x 12 1/4 signed lower right: Conrad Buff

$1,000 - $2,000

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335

335. DWIGHT C. HOLMES (Am. 1900-1986) Early Fall – Perdernales River, 1980 oil on canvas 24 x 30 signed lower left: Dwight C. Holmes ‘80

$3,000 - $6,000

336. DWIGHT C. HOLMES (Am. 1900 - 1986) Mule Deer – West Texas oil on canvas 25 x 30 signed lower left: Dwight C. Holmes

$2,000 - $4,000

provenance: Private Collection, Fort Worth, TX, acquired from Dwight Holmes Estate, San Angelo, Texas.

337. DWIGHT C. HOLMES

(Am. 1900-1986) Twining Canyon, NM, 1948 oil on canvas 16 x 12 signed lower left: Dwight C. Holmes ‘48

336

$1,000 - $2,000

note on reverse: Northern New Mex. 10 ml N.W. of Taos N.M. in Twining Canyon. To my very good friend – Carl Hoppe

338. FREDERICK JARVIS (Am. 1868-1944) Autumn Afternoon Landscape oil on canvas 18 x 24 signed lower left: W. Frederick Jarvis

$800 - $1,200

337

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338

TEXAS ART AUCTION


339

339. EUGENE THURSTON (Am. 1896-1993) Cloud Shadows, Ghost Ranch, NM, 1950 oil on canvas 24 x 30 signed lower right: Eugene Thurston

$4,000 - $8,000

340. EUGENE THURSTON

(Am. 1896-1993) The Grand Tetons, Wyo, 1975 oil on canvasboard 16 x 20 signed lower left: Eugene Thurston

$2,500 - $3,500

341. ARIETTA LOIS TIDWELL

(Am. 1906-1988) Arizona Landscape oil on masonite 20 x 24 signed lower right: Lois Tidwell

$800 - $1,200

342. ELOISE POLK MCGILL

(Am. 1868-1939) Mountain Landscape oil on canvasboard 9 1/4 x 13 1/4 signed lower left: E. P. McGill

340

$400 - $800

341

342

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343

344

343. DOLLIE NABINGER

(Am. 1905-1988) Texas Bluebonnet Landscape oil on canvas 24 x 36 signed lower left: D.S. Nabinger

$2,500 - $5,000

344. DOLLIE NABINGER (Am. 1905-1988) Bluebonnet Landscape oil on canvas 24 x 36 signed lower right: D.S. Nabinger

$2,000 - $4,000

345. HALLIE B. CRANE RIPPETEAU

(Am. 1866-1951) Bluebonnet Landscape oil on canvasboard 12 x 18 signed lower right: H. C. Rippeteau

$400 - $800

346. DON WARREN

346

(Am. 1910-1973) Bluebonnet Landscape oil on canvas 24 x 36 signed lower left: Don Warren

$2,000 - $4,000 345

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347

347. WILLIAM SLAUGHTER (Am. 1923-2003) Bluebonnet Landscape oil on canvas 16 x 20 signed lower right: W. A. Slaughter

$3,000 - $6,000

348. HELEN SHMOLDAS (Am. 1917-2021) No. 816, Egrets and A Friend, 1979 oil on canvas 20 x 24

$1,500 - $3,000

349. MARY GLOVER

(Am. 20th Cent.) Bluebonnet Trail oil on canvas 18 x 24 signed lower right: Mary Glover

$1,000 - $2,000

350. MARY GLOVER

(Am. 20th Cent.) Spring in the Hill Country oil on canvas 12 x 16 signed lower left: Mary Glover

$1,000 - $2,000

348

349

350

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351

352

351. THOMAS L. LEWIS

(Am. 1907-1978) Coastal Landscape, 1942 oil on canvas 22 1/4 x 36 signed lower right: Thos L. Lewis ‘42

$2,000 - $4,000

352. FREMONT ELLIS (Am. 1897-1975) Taos Ranch, N.M. oil on masonite 9 x 12 signed lower right: Fremont Ellis

$1,500 - $3,000

353. FRED DARGE

(Am. 1900-1978) West Texas oil on canvasboard 9 1/2 x 11 3/4 signed lower right: F. Darge

353

$800 - $1,200

354. KATHRYNE HAIL TRAVIS (Am. 1894-1972) Distant Mountains, California, 1944 oil on canvasboard 10 x 13 1/4 signed lower left: Kathryne Hail Travis

$300 - $500

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354


356

355

355. MAUD WORK

(Am. 1883-1943) Texas Bluebonnets oil on canvasboard 12 x 15 signed lower right: Maud Work

$800 - $1,200

356. MAUD WORK

(Am. 1883-1943) Cedar Hill oil on canvasboard 10 x 12 signed lower right: M Work

$1,000 - $2,000

357. JOHN ELLIOT JENKINS (Am. 1868-1937) Spring Texas Landscape oil on canvasboard 18 x 24 signed lower left: John Elliot Jenkins

$1,500 - $3,000 357

358. JOHN BOB PAYNE

(Am. 1883-1962) La Villita Contraste, 1957 oil on canvasboard 12 x 16 signed lower right: John Bob Payne

$1,200 - $1,800

358

John Bob Payne was an important early San Antonio painter who was inspired to paint by his friend Julian Onderdonk in 1914. His studio was in La Villita where this painting was executed. It shows San Antonio’s oldest 300 year old historic neighborhood, La Villita in the foreground with the old Tower Life Building/ Transit Building, built in 1927, towering above the city. He was a member of the River Art Group in San Antonio and organized their first show in 1943. Also exhibited at The Coppini Academy of Fine Arts, and was President there in the 1950’s, as well as the Texas Artist’s Circuit Exhibition 1953 and San Antonio local artist’s exhibition in 1954. He is primarily self taught showing a unique plein-air style capturing the light, colors, and movement of the South Texas landscape.

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359

360

359. SALLIE GILLESPIE (Am. 1898-1991) West Texas Landscape oil on canvas 30 x 36 signed lower right: Sallie Gillespie

$3,000 - $5,000

360. HUGO HERBECK

(Am. 1923-2009) Spring Hills at Bandera, Texas, 2006 oil on canvas 24 x 30 signed lower left: Hugo Herbeck, 2006

$2,000 - $4,000

Hugo Herbeck was one of only two artists who studied and went out to paint with Porfirio Salinas.

361

361. ELLA MARIE KOEPKE MEWHINNEY (Am. 1891-1975) A Country Road oil on artists’ board 10 x 12 signed lower right: Ella K. Mewhinney

$2,000 - $4,000

362. RONALD DELBERT ENRIGHT

(Am. 1921-1983) Late Summer Landscape oil on canvas 24 x 36 signed lower left: R. D. Enright

$2,000 - $4,000

363. A. D. GREER

(Am. 1904-1998) Granite Shoals oil on canvas 20 x 24 signed lower right: A. D. Greer

$3,000 - $6,000

362

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TEXAS ART AUCTION


364

364. ARTHUR WEAVER

(Am. 1918-2008) Oil Drilling Scene, Texas – Early Evening, 1962 oil on canvas 28 x 42 signed lower left: A. Weaver 1962

$4,000 - $6,000

365. DAN WINGREN

(Am. 1923-1998) Weeds Burning, 1951 oil on canvas 20 x 16

$600 - $1,200

366. HARRY WORTHMAN (Am. 1909-1989) Mexico City, 1968 oil on canvasboard 8 x 16 signed lower right: Harry Worthman, 1968

$800 - $1,200

367. CHARLES BOWLING (Am. 1891-1985) Winter Moon Rise, 1961 oil on canvasboard 10 x 8 signed lower right: Chas T. Bowling, 1961

365

$1,000 - $2,000 366

367

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369

368. MICHAEL FRARY

(Am. 1918-2005) Man working on an Oil Rig watercolor on paper 29 x 21 1/2 signed lower right: Frary

$2,000 - $3,000

368

369. MICHAEL FRARY

(Am. 1918-2005) Jamaican Ore Ship at Aransas Pass, 1965 watercolor on paper 22 x 30 signed lower right: Frary

$2,000 - $3,000

370. LUIS ERIC EADES

(Am. 1923-2014) Departure for the Island, 1950 oil on canvas 24 x 34 signed lower left: Luis Eades ‘50

370

$2,000 - $3,000

371. MICHAEL FRARY

(Am. 1918-2005) Time and the Hour #1, 1965 oil on board 24 x 20 signed lower right: Frary

$2,000 - $4,000

exhibited: RGK Show, November 1995

372. ANCEL NUNN

(Am. 1928-1999) Through a Glass Darkly, 1973 acrylic on panel 14 x 9 signed lower right: Ancel E Nunn 1973

372

$1,500 - $3,000

exhibited: Ancel Nunn: Recent Work, 7/14/74 - 8/18/74, Tyler Museum of Art, Tyler TX

371

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373

374

373. DONALD STANLEY VOGEL

(Am. 1917-2004) Rowing on a Sunday oil on masonite 30 x 36 signed lower right: D. Vogel

$4,000 - $8,000 375

376

374. ADELE THOMASON

(Am. 20th Cent.) Iris oil on canvas 26 x 23 signed lower left: A. Thomason

$800 - $1,200

provenance: Private Collection; previously Mr. & Mrs. Francis Holiday Collection.

375. RON DAMIEN GARCIA

(Am. 20th/21st Cent.) Julie In the Bay of Bengal, 1991 oil on canvas 50 1/4 x 34 signed lower right: Damien ‘91

$4,000 - $8,000

376. RON DAMIEN GARCIA

(Am. 20th/21st Cent.) Pasha, 1983 oil on canvas 50 x 46 signed lower left: Damien 83

$2,500 - $5,000

FINE PAINTINGS AND SCULP TURE

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377

378

379

380

377. ISABEL CARTWRIGHT

(Am. 1885-1966) Portrait of a Boy, 1923 oil on canvas 36 x 30 signed lower left: Isabel Branson Cartwright, 1923

$2,000 - $4,000

378. EMILY GUTHRIE SMITH

(Am. 1909-1986) Portrait of Maryanne, 1952 oil on canvas 26 x 19 signed upper right: Emily Guthrie Smith, 1952

$2,000 - $3,000

379. MURRAY BEWLEY

(Am. 1884-1964) Portrait oil on canvasboard 34 x 28 signed lower right: Murray Bewley

$3,000 - $6,000

380. GEORGIE (GEORGIA) CARR

(Am. 1903-1999) Portrait of a Black Woman oil on canvas 20 x 16 signed on reverse: George Carr

$600 - $900

provenance: Bill and Mary Cheek Collection label on verso

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381

382

381. HOWARD THAIN

(Am. 1891-1970) Marjorie oil on canvas 24 x 20 signed lower left: Howard Thain

$500 - $1,000

382. HOWARD THAIN

(Am. 1891-1970) Lavinia at Seventeen oil on canvasboard 16 x 12 1/2 signed lower right: Howard Thain

$300 - $600

Joseph Sartor Galleries sticker on reverse

383. CARL BENTON COMPTON (Am. 1905-1981) Floral Still Life on a Stool oil on canvas 29 x 23

$2,000 - $4,000

384. BEULAH DRIVER

(Am. 19/20th Cent.) Zinnia Still Life oil on canvas 22 x 28 signed lower right: B. Driver

$400 - $800

383

384

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385

385. ALBERT LAKE

(Am. 1903-1990) Danilova, 1957 oil on canvas 52 x 52 signed upper right: Lake 57

$4,000 - $8,000

386. HECTOR BERNAL

(Am. 20th/21st Cent.) A Woman feeding Doves in a Landscape, 2012 oil on masonite 18 x 34 signed lower right: Bernal, 2012

$1,500 - $3,000

Hector Bernal was born in Cd. Juarez, Chih. and has lived in El Paso since 1959. He attended Aoy Elementary and graduated from Bowie High School in 1968. He worked as an illustrator in retail advertising in the Popular and the White House department stores. But painting has always been his passion. He has recieved many awards and recognition for his work. He works full-time as a painter in El Paso. His work has been sold to local collectors as well as art collectors in Europe, New York, Houston, and Dallas. In 2007, Bernal was selected to represent The Chamizal National Memorial in Washington DC with one of his works. What he created was beautiful and well recieved in Washington. Bernal traveled by special invitation to The White house to take part in a reception hosted by former first lady Laura Bush to honor contributing artists.

94

386

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387

388

387. ROBERT ROGAN

(Am. 1922-2020) Refinery, c. 1980 oil on canvas 42 x 50 signed lower right: Rogan

$6,000 - $8,000

388. ROBERT ROGAN

(Am. 1922-2020) Still Life with Fruit, 1963 oil on board 28 x 45 signed lower right: Rogan

$1,500 - $3,000

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389

389. PAM BOWMAN

(Am. 20th/21st Cent.) Morning Reflections acrylic on canvas 48 x 48 signed on reverse: Pam Bowman

$2,000 - $4,000

390. PAM BOWMAN

(Am. 20th/21st Cent.) Wimbledon - Centre Court Stands, 2021 acrylic on canvas 24 x 30 signed lower right: Pam Bowman

$800 - $1,200

391. TERRY MACSPARRAN (Am. 1897-1973) Pink and Turquoise acrylic on paper 23 x 29

$600 - $800

392. TERRY MACSPARRAN (Am. 1897-1973) Untitled - Abstraction acrylic on paper 23 x 29

$600 - $800

393. TERRY MACSPARRAN (Am. 1897-1973) Black and Purple acrylic on paper 23 x 29

$600 - $800

exhibited: 50th Annual San Antonio Artists Exhibition, April 6-27, 1980, McNay Art Institute, San Antonio, Texas

390

391

392

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TEXAS ART AUCTION


394

395

394. REG LOVING

(Am. 20th/21st Cent.) Cañoncito, 1994 acrylic on canvas 50 x 40 signed on reverse: Cañoncito, 1994, Reg Loving

$3,000 - $6,000

395. REG LOVING

(Am. 20th/21st Cent.) Black Mesa acrylic on canvas 24 x 24 signed lower left: Loving

$1,000 - $2,000

396. REG LOVING

(Am. 20th/21st Cent.) Arequa 2 acrylic on canvas 30 x 40 signed lower right: Loving

396

$2,500 - $5,000

397. REG LOVING

(Am. 20th/21st Cent.) Bemsha III acrylic on canvas 30 x 36 signed lower left: Loving

$2,000 - $4,000

397

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398

398. MARLIN LINVILLE

(Am. 1950-2001) Follow the River oil on canvas 20 x 24 signed lower right: Linville

$1,500 - $3,000

399. RICHARD STOUT

(Am. 1934-2020) Landscape, 1962 oil on canvas 23 x 30 signed lower right: R Stout

$2,000 - $4,000

400. JOHN F. ENSER

(Am. 1898-1968) Town in the Mountains oil on canvasboard 12 x 16 signed lower right: John F. Enser

$1,000 - $2,000

399

401. NICHOLAS BREWER

(Am. 1857-1949) Cattle Grazing in Evening Light oil on canvas 14 x 21 signed lower left: NR Brewer

$2,000 - $4,000

402. ROBERT JEROME HILL (Am. 1878-1942) Austin, Texas pastel on paper 7 x 11 signed lower right: R Jerome Hill

$500 - $1,000 400

401

402

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403

403. DON PARKS

(Am. Bn. 1943-) The ‘50 Jimmy, 1989 oil on canvasboard 8 3/4 x 12 signed lower right: DL Parks ©’89

$1,000 - $2,000

404. JACK B. ERWIN

(Am. 1920-2009) Red Barn Service Station, Texas Hill Country oil on masonite 24 x 18 signed lower right: J. B. Erwin

$800 - $1,500

Texas born John “Jack” Erwin was a painter, watercolorist and craftsperson. He studied architecture at UT Austin. Became a member of the American Watercolor Society. He was encouraged by his good friend and painting companion, Reveau Bassett. He served in the US Navy during WWII and Korea. His work was exhibited in Dallas Museum of Fine Art, Allied Arts, California Watercolor Society among others. His work is in private and museum collections around Texas, including the Panhandle Plains Museum in Canyon Texas. He was also an accomplished violin maker.

404

405

405. JACK BARNETT

(Am. Bn. 1944-) Field in Morning Mist, 2015 oil on canvas 22 x 28 signed lower right: Jack Barnett ‘15

$1,000 - $2,000

406. JACK BARNETT

406

(Am. Bn. 1944-) Landscape, 1996 oil on masonite 12 x 12 signed lower right: Jack Barnett ‘96

$600 - $1,200

FINE PAINTINGS AND SCULP TURE

99


407

407. KARL UMLAUF

(Am. Bn. 1939-) Big Bend Flash Flood oil on masonite 18 x 29 1/2 signed lower right: K Umlauf

408

$2,000 - $3,000

408. KARL UMLAUF

(Am. 1911-1994) Landscape pastel on paper 7 1/2 x 11 1/2 signed lower right: Karl Umlauf

$600 - $1,200

409. JIM HOWARD RABBY (Am. 20th Cent.) Landscape oil on canvas 30 x 40 signed lower left: J. Howard Rabby

409

$1,000 - $2,000

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410

410. PAUL MAXWELL

(Am. 1925-2015) Man at Sea oil on canvas 24 x 48 signed lower left: P Maxwell

$1,500 - $2,500

411. EDMUND DANIEL KINZINGER

(Am. 1888-1963) Freight Boats in South France, St. Tropez, 1931 oil on board 16 1/2 x 12 signed lower right: EDK-31

$3,000 - $5,000

412. EDOUARD LEON

(Fr. 1873-1968) Sail Boats in the Harbor, 1891 watercolor on paper 13 1/2 x 19 1/2 signed lower right: Edouard Leon 91

411

$1,500 - $3,000

412

FINE PAINTINGS AND SCULP TURE

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413

413. JENNIFER P. LANGLEY (Am. 20th/21st Cent.) Late Morning, 2020 oil on canvas 16 x 20 signed lower right: J. P. Langley ‘20

$800 - $1,500

414. JERRY “SEBO” DANIEL

(Am. Bn. 1935-) Big Mama, 2010 oil and mixed media on canvas 20 x 23 1/2 signed lower right: Sebo ‘10

$1,500 - $3,000

415. VIVIAN AUNSPAUGH (Am. 1869-1960) Untitled, 1952 oil on canvas 24 x 30 signed lower left: VL Aunspaugh, 1952

414

$1,500 - $3,000

416. ANNE C. WEARY

(Am. Bn. 1952-) South Texas Longhorn pastel on paper 7 3/4 x 10 1/2 signed lower right: Anne C. Weary

$400 - $800

417. ANNE C. WEARY

(Am. Bn. 1952-) Charolais Cattle at Dusk pastel on paper 8 1/2 x 12 3/4 signed lower right: Anne C. Weary

$400 - $800

416

415

417

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418

418. DOUGLAS CLARK (Am. 20/21st Cent.) Old Rip, ed. 4/20 bronze 23 1/2 x 12 x 13 signed across bottom: Douglas Clark © 4/20

$7,000 - $9,000 419

419. DOUGLAS CLARK

(Am. 20/21st Cent.) Half Time, ed. 3/25 bronze 9 1/4 x 15 x 7 1/2 signed across bottom: Douglas B. Clark, © 3/25

$1,800 - $2,400

420. DOUGLAS CLARK

(Am. 20/21st Cent.) Escaramuza, ed. 4/50 bronze 5 1/2 x 5 8/9 x 2 3/4 signed across bottom: Douglas Clark, 4/50 ©

$400 - $700

421. JACK BRYANT

420

(Am. 1929-2012) Soppin, Ed. 43/50 bronze 8 x 6 x 6 signed across base: Soppin by Jack Bryant, 43/50

$400 - $800

422. RYAN J. VOJIR

(Am. 20th/21st Cent.) Cowboys on a Cattle Run Parading the herd at the Fort Worth Stockyards, 2021 oil on canvas 16 x 20 signed lower left: Vojir

$500 - $1,000

422

421

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423

424

423. JUDITH SEAY

(Am. 20th/21st Cent.) Intangible Inspirations oil and metal leaf on wood panel 48 x 36 signed on verso: Judith Seay

425

$4,000 - $8,000

424. JUDITH SEAY

(Am. 20th/21st Cent.) Wrestling Angels, 1991 oil and mixed media on canvas 35 1/2 x 48 signed lower right: Judith Seay ‘91

426

$4,000 - $6,000

425. FRED SAMUELSON (Am. 1925-2015) Spring Rain oil on canvas 14 x 16 signed lower left: Fred Samuelson

$600 - $900

426. JANET MOYER

(Am. 20th Cent.) Abstraction, No. 1 oil on artists’ board 11 x 9 signed lower right: J. Moyer

$400 - $800

exhibited: Art Department of Beaumont Womans Club, 1940s

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427

428

427. EMILY DILLARD

(Am. 1879-1968) Apple Blossom Bouquet oil on canvas 24 x 20 signed lower right: EM Dillard

$1,000 - $2,000

428. RAMON FROMAN (Am. 1908-1980) Purple Iris oil on canvas 24 x 18 signed lower left: Ramon Froman

$1,000 - $2,000

429. RAMON FROMAN (Am. 1908-1980) White Iris and Peony Bouquet oil on canvas 24 x 18 signed lower right: Ramon Froman

$1,000 - $2,000

430. JESSIE DAVIS

429

(Am. 1887-1969) Young Black Boy pastel on paper 25 x 19 signed lower right: Jessie Davis

$500 - $700

431. EDMUND DANIEL KINZINGER

(Am. 1888-1963) Portrait of a Woman, 1941 oil on canvas 26 x 20 signed lower left: EDK 41

$1,500 - $3,000

431

430

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432

432. MCKIE TROTTER

(Am. 1918-1999) Night Arrangement, 1949 oil on canvas 30 x 21 signed lower right: McKie Trotter 1949

$6,000 - $8,000

433

433. PAUL E. MAXWELL

(Am. 1925-2015) Still Life oil on canvas 14 1/4 x 12 signed lower left: P. Maxwell

$800 - $1,200

434. AL ALFRED JACKSON

(Am. 1940-2001) Still Life oil on canvas 16 x 20 signed lower right: Al Jackson

$500 - $1,000

435. DAVID SANDERS (Am. 1936-2013) Bread and Cheese oil on canvas 11 x 14 signed lower right: David Sanders

$500 - $800

436. KATHLEEN SAVAGE (Am. 20th Cent.) Still Life oil on panel 8 x 13 3/4 signed lower right: Kathleen Savage

$400 - $800

434

435

436

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437

437. PAT TRIVIGNO

(Am. 1922-2013) The Caged Ones oil on masonite 40 x 17 1/2 signed lower right: Trivigno

$1,000 - $2,000

438

provenance: Part of the Dallas Museum of Fine Arts Loan program. exhibited: World Assembly of Youth 1951, Invitation Exhibition, Ithaca, N.Y., Young Painters U.S.A.

438. KEITH MCINTYRE

(Am. 1925-1997) The Gulls oil on artists’ board 16 1/2 x 17 3/4 signed lower right: McIntyre

$800 - $1,200

439. AVERY KELLY

(Am. 20/21st Cent.) Roadrunner Family, 2019 oil on canvas 24 x 36 signed lower right: Avery Kelly

$600 - $1,200

440. PAUL MAXWELL (Am. 1925-2015) Bird, 1960 ink and mixed media 26 1/2 x 18 3/4 signed lower right: P Maxwell ‘60

$1,000 - $2,000 440

439

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441

441. SHIRLEY PULLEY KELLERMAN

(Am. 1928-2013) Bus Stop, c. 1980 oil on canvas 36 x 40 signed lower left: S. Kellerman

$2,000 - $4,000

442. RUBY WILLESS WAMPLER

(Am. 20th Cent.) Turtle Creek in the Fall, 1972 oil on canvas 30 x 40 signed lower right: Ruby Willess Wampler - 72

$1,500 - $3,000

This work was painted on commission in 1972 by Mesquite artist Ruby Willess Wampler. Mrs. Wampler was the fashion editor for the Titche’s department store chain and a charter member of the Southwestern Watercolor Society. The painting was created as a gift to a lady, Margaret Sullivan, who lived in University Park, a few blocks from Turtle Creek. 442

444

443. RALPH WHITE, JR.

(Am. 1921-2004) Incident on 5th St., The Fire at TH Williams in 1951 watercolor on paper 24 x 36 signed lower right: R White

$1,500 - $3,000

exhibited: Watercolor USA, about 1953

444. DOUGLAS CLARK (Am. 20/21st Cent.) North Texas Spring oil on canvas 11 x 14 signed lower left: Douglas Clark ©

445

$500 - $800

445. JESSIE DAVIS

(Am. 1887-1969) Bachman Lake, August 1948 watercolor on paper 14 1/2 x 10 1/2 signed across bottom: Bachman Lake, Jessie Davis, 8-48

443

$250 - $500

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446

447

446. KATHY HINSON

(Am. Bn. 1948-) Floral Garden with Birdbath oil on canvas 10 x 8 signed lower right: K Hinson

$300 - $600

447. KATHY HINSON

(Am. Bn. 1948-) McClain Adobe oil on canvas 10 x 8 signed lower right: K Hinson

$300 - $600

448. KATHY HINSON

(Am. Bn. 1948-) Hill Country Road oil on canvas 8 x 10 signed lower left: K Hinson

$200 - $400

449. FRIED PAL

(Am. 1893-1976) Laura oil on canvas 30 x 24 signed upper left: Fried Pal

448

$2,000 - $4,000

450. BEULAH DRIVER

(Am. 19/20th Cent.) Apple Blossoms in Spring oil on canvas 24 x 30 signed lower right: B. Driver

$400 - $800

450

449

FINE PAINTINGS AND SCULP TURE

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451

451. MARCIA HUTCHISON

(Am. 20th/21st Cent.) Rooster oil on canvas 20 x 16 signed lower right: Marcia H

$500 - $1,000

452. MARCIA HUTCHISON

(Am. 20th/21st Cent.) White and Blue Rooster oil on canvas 20 x 16 signed lower right: Marcia H

$500 - $1,000

452

453. DUKE HORN

(Am. 20th/21st Cent.) Life Carousel Series #7, 2016 acrylic and oil on canvas 16 x 20 signed middle left: D. Horn 2016

$600 - $1,200

454. DUKE HORN

(Am. 20th/21st Cent.) Delicious Pinwheels, 2019 oil on canvas 20 x 16 signed lower right: D. Horn 2019

$500 - $800

453

454

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455

455. PAT COLVILLE

(Am. Bn. 1931-) Woman in a Yellow Dress, 1955 oil on masonite 20 x 47 3/4 signed lower right: Pat Colville–55

$1,000 - $2,000

456. RONALD THOMASON (Am. 1931-2011) The Old Way watercolor on paper 5 1/4 x 7 1/8 signed lower right: Ronald Thomason

$600 - $1,200

457. LINDA MILLER 456

(Am. 20th/21st Cent.) The Shell oil on canvas 9 x 10 1/4

457

$300 - $600

458. PERRY NICHOLS

(Am. 1911-1992) Still Life oil on board 13 3/4 x 7 estate stamped on reverse

$600 - $1,200

459. JAMES FROMME (Am. 20th Cent.) Still Life oil on canvas 24 x 20

$800 - $1,200 458

460. HENRI GADBOIS

(Am. 1930-2018) Daisy Floral Still Life, 1966 oil on canvas 14 x 10 signed lower right: Henri Gadbois ‘66

$400 - $800 459

460

FINE PAINTINGS AND SCULP TURE

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INDEX OF ARTISTS ACEVES, JOSÉ 273 ALEXANDER, JOHN 72 ARPA , JOSÉ 116, 179, 180, 181 ATSARA , VIVES 272 AUNSPAUGH, VIVIAN 415 BANKS, MARCIA 22 BARNES, AL 101 BARNETT, JACK 405, 406 BASSETT, REVEAU 18, 52, 127, 173, 174 BATES, DAVID 234 BEARDEN, ED 210 BEELER, JOE 302 BERNAL , HECTOR 386 BEWLEY, MURRAY 379 BLACKSHEAR, KATHLEEN 163, 247, 248, 249 BOMAR, BILL 81 BONNER, MARY 117 BOOKS 1 BOOTH, HERB 160 BOREIN, EDWARD 3 BOUTWELL , GEORGE 303 BOWLING, CHARLES 34, 102, 103, 104, 367 BOWMAN, PAM 389, 390 BOYNTON, JACK 236 BRADSHAW, MEL H. 286 BREWER, NICHOLAS 401 BRISAC, EDITH MAE 156 BROWN, TOM 175 BROWNING, GAITHA 134 BROWNLOW, DAVID 143 BRUCE, GRANVILLE 12, 13, 14, 294, 295, 296 BRYANT, JACK 421 BUFF, CONRAD 334 BYWATERS, JERRY 53 CARNOHAN, HARRY 17 7 CARR, GEORGIE (GEORGIA) 380 CARTWRIGHT, ISABEL 37 7 CASEBIER, CECIL 35, 120, 121, 221, 222 CHADHORN, SHEP 284 CISNEROS, JOSE 118 CLARK , DOUGLAS 418, 419, 420, 444 COLVILLE, PAT 455 COMPTON, CARL BENTON 383 CONNELL , CLYDE 78 COUSE, EANGER IRVING 332, 333 CREWS, SETH FLOYD 130 CULWELL , BEN 229, 230, 231 CUNNINGHAM, MICHAEL 318, 319 DANIEL , JERRY “SEBO” 414 DARGE, FRED 353 DAVIS, ZOÉ 82 DAVIS, JESSIE 95, 111, 124, 430, 445 DAVIS, BOB W. 301 DAWSON-WATSON, DAWSON 131 DELABANO, BARNEY 152 DEYOUNG, HARRY ANTHONY 133 DILLARD, EMILY 427 DOZIER, OTIS 45, 46, 47, 48, 49, 50, 150, 164, 254, 255, 258 DRIVER, BEULAH 384, 450 EADES, LUIS ERIC 157, 305, 306, 370 EISENLOHR, EDWARD G. 189 ELLIOTT, WILLIAM CURTIS 21, 90 ELLIS, FREMONT 352 ENRIGHT, RONALD DELBERT 362 ENSER, JOHN F. 400 ERICKSON, JOHN 151 ERWIN, JACK B. 404 FEARING, KELLY 88, 98, 223, 224, 225, 226, 227, 228 FOGEL , SEYMOUR 243, 244, 245 FRARY, MICHAEL 154, 368, 369, 371 FROMAN, RAMON 428, 429 FROMME, JAMES 459 GADBOIS, HENRI 460 GARCIA , RON DAMIEN 375, 376 GARVIN, BARBARA 274, 282 GASPARD, LEON 205, 206 GENTLING, SCOTT & STUART 64, 65, 66, 67, 68, 69 GILLESPIE, SALLIE 359 GLOVER, MARY 349, 350 GONZALEZ , XAVIER 153, 324, 325 GONZALEZ , JR., LEOPOLDO 326, 327

112

DAVID DIKE FINE ART

GOODACRE, GLENNA 317 GRAMMER, GEORGE 89, 142, 214 GREENE, BRUCE R. 275 GREER, A. D. 161, 363 GRIFFIN, DAVID 297 HADDAD, JENNIE 233 HARRISON, ROBERT 135 HARVEY, GERALD 278 HAVEL , JOSEPH 320 HELFENSTELLER, VERONICA 159 HERBECK , HUGO 360 HILL , ROBERT JEROME 402 HINSON, KATHY 446, 447, 448 HOFFMAN, POLLY 331 HOGUE, ALEXANDRE 54, 55, 56, 57, 58, 178 HOLLEBEKE, KARIN 285 HOLMES, DWIGHT 99, 335, 336, 337 HOOD, DOROTHY 232 HORN, DUKE 453, 454 HUBBARD, BESS 9 HURD, PETER 7, 8 HUTCHISON, MARCIA 451, 452 JACKSON, AL ALFRED 434 JARVIS, FREDERICK 338 JASON, H. 283 JENKINS, JOHN ELLIOT 357 JOHNSON, HARVEY 281 JUDD, DEFORREST 19, 256 KEATING, MARY AUBRY 165 KELLERMAN, SHIRLEY P. 441 KELLY, AVERY 76, 439 KELLY, ROBERT 246 KERCHEVILLE, CHRISTINA 242 KINGMAN, DONG 17 KINZINGER, EDMUND DANIEL 158, 235, 411, 431 KLEPPER, FRANK 328, 329 LAKE, ALBERT 385 LANGLEY, JENNIFER P. 413 LARRAZ , JULIO 74 LEA , TOM 119 LEADER, MORRIS WALTON 141 LENTZ , RICHARD 176 LEON, EDOUARD 412 LESTER, WILLIAM 148, 219, 220 LEWIS, THOMAS L. 351 LINVILLE, MARLIN 398 LOCKE, LUCIE HARRIS 208, 209 LOCKWOOD, WARD 149 LOVING, REG 394, 395, 396, 397 MACSPARRAN, TERRY 391, 392, 393 MAGILL , CALLA LILLY 139 MAHAFFEY, JOSEPHINE 92, 93, 94, 115 MAPLES, BARBARA 59 MARKOS, LAJOS 27 7 MASON, FRED 293 MAUZEY, MERRITT 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 171, 172 MAXWELL , PAUL 410, 433, 440 MCCANN, GERALD 289 MCCLUNG, FLORENCE 51, 198 MCGILL , ELOISE POLK 342 MCINT YRE, KEITH 438 MCVEIGH, BLANCHE 37, 38, 39, 40, 41, 42, 43, 44 MEAD, BEN CARLTON 129 MELLOTT, MARGARET 330 MEWHINNEY, ELLA MARIE 132, 361 MILLER, LINDA 457 MORRIS, JAMES STOVALL 84 MOTTOLA , FILASTRO 276 MOYER, JANET 426 MOZLEY, LOREN 257 NABINGER, DOLLIE 136, 343, 344 NIBLETT, GARY 288 NICHOLS, PERRY 60, 458 NUNN, ANCEL E. 140, 372 OLIVER, JOSEPHINE 97 ONDERDONK , JULIAN 62, 182, 183, 184 ONDERDONK , ROBERT J. 83, 185, 186, 187, 188 OWEN, JR., MICHAEL G. 20 PAL , FRIED 449 PANCOAST, CLARA 202 PARKS, DON 403

TEXAS ART AUCTION

PAYNE, JOHN BOB 358 PEEPLES, NINA 87 PEREZ , NOE 96 POHL , HUGO 138 PREUSSER, ROBERT 237, 238, 239, 240, 241 PROZIO 290 RABBY, JIM HOWARD 409 RASCOE, STEPHEN T. 155 REAUGH, FRANK 122, 123 REEDER, DICKSON 79, 207 REEDER, FLORA BLANC 145 RIPPETEAU, HALLIE B. C. 345 ROBERTS, JOE RADER 287 ROBERTSON, HORACE O. 4 ROBINSON, BOARDMAN 5 ROGAN, ROBERT 387, 388 RUTLAND, EMILY 77 SALINAS, PORFIRIO 126, 190, 191, 192, 192-A SAMUELSON, FRED 425 SANDERS, DAVID 435 SAVAGE, KATHLEEN 436 SCHUMANN, PAUL 201 SEAY, JUDITH 423, 424 SHELTON, HARRIS 112 SHINN, EVERETT 61 SHMOLDAS, HELEN 348 SIMS, BERNICE 323 SLAUGHTER, WILLIAM 347 SMITH, ISAAC 307, 308, 309, 310, 311, 312, 313, 314, 315, 316, 322 SMITH, EMILY GUTHRIE 378 SNOWDEN, CHESTER 15, 91 SPEARS, ETHEL 250, 251, 252, 253 SPELLMAN, COREEN MARY 36, 100, 114 SPRUCE, EVERETT 147, 162, 215, 216, 217, 218 STOUT, RICHARD 399 STRAHALM, FRANZ 109, 110, 137 SULLIVAN, STELLA 80 TATE, TRENT 292 TATE, GAYLE 298, 299 TAYLOR, ROLLA SIMS 128, 196, 197 TENNISON, JAMES 300 THAIN, HOWARD 381, 382 THOMASON, ADELE 374 THOMASON, RONALD 456 THURSTON, EUGENE 339, 340 TIDWELL , ARIETTA LOIS 341 TRAVIS, OLIN HERMAN 85, 168, 169, 170 TRAVIS, KATHRYNE HAIL 354 TREUTER, LIRL 213 TRIVIGNO, PAT 437 TROTTER, LILLIAN 105, 106, 107, 108 TROTTER, MCKIE 144, 432 TURNER, JANET 70, 71, 73 T YLER, VALTON 75, 321 UMLAUF, CHARLES 259, 260, 261, 262, 263, 264, 265, 266 UMLAUF, KARL 407, 408 UNKNOWN ARTIST 6 UTTER, BROR 86, 113, 211, 212 VOGEL , DONALD STANLEY 146, 373 VOJIR, RYAN J. 422 VONNOH, ROBERT 204 WADE, ROBERT (DADDY-O) 16 WALL , BERNHARDT 2 WALMSLEY, ELIZABETH 166, 167 WAMPLER, RUBY WILLESS 442 WARREN, MELVIN C. 279, 280 WARREN, DON 346 WEARY, ANNE C. 416, 417 WEAVER, ARTHUR 364 WHITE, JESSIE ALINE 63 WHITE, JR., RALPH 443 WIGGINS, KIM DOUGLAS 304 WILSON, CHARLES BANKS 11 WINGREN, DAN 365 WOOD, ROBERT 125, 193, 194, 195, 199, 200 WORK , MAUD 355, 356 WORTHMAN, HARRY 366 WYATT, VAUGHAN 10 WYETH, HENRIETTE 203 ZAPATA , MIGUEL 267, 268, 269, 270, 271, 291


front cover , detail : page 51 , lot 229 – ben culwell • inside front cover , detail : page 42 , lot 205 – leon gaspard inside back cover , detail : page 31 , lot 178 – alexandre hogue • back cover , detail : page 46 , lot 216 – everett spruce gallery director : tiara jenkins • catalogue design : winshipphillips . com • photography : phil bailiff essays for lots : 205, 206, 215, 216, & 229 - anne kelly lewis , isa am


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