A Tradition In Texas Art Since 1996
DAVID DIKE FINE ART TEXAS ART AUCTION
Saturday, October 25, 2025 at 10:00 AM CST 4887 Alpha Road, Suite 210, Farmers Branch, Texas 75244
AUCTION LOCATION
David Dike Fine Art 4887 Alpha Road, Suite 210 Farmers Branch, TX 75244 near Alpha Road and Inwood Road
AUCTION PREVIEW
David Dike Fine Art 4887 Alpha Road, Suite 210 Farmers Branch, TX 75244
M-F, October 6–October 24 10am-5pm
AUCTION DATE
Saturday, October 25, 2025 Doors open at 9:00am; Bidding starts promptly at 10:00am, CST
BIDDING OPTIONS
Live In-Person Bidding
Live On-Line Bidding via LiveAuctioneers.com
Phone and Absentee Bidding
For an absentee/phone bid form or for online internet bidding access, please visit www.daviddike.com
IN REMEMBRANCE
Bill Cheek
Jack and Gail Davis
Dorothy Garland David Wildman
4887 Alpha Rd., Suite 210 Farmers Branch, Texas 75244 Phone: 214-720-4044 Email: info@daviddike.com Website: www.daviddike.com
Hours: Monday – Friday 10:00 AM – 5:00 PM Saturday by Appointment Please Contact the Gallery for More Information
AUCTIONEER: JASON BROOKS, TEXAS LICENSE
1. EVERETT SPRUCE (Am. 1908-2002)
A Portfolio of Eight Paintings, I Blaffer Series of Southwestern Art
19 x 17
$200 - $300
5(a). JAMES STOVALL MORRIS (Am. 1898-1973)
New York City, 1928
watercolor on paper 11 1/2 x 8 1/2
signed across bottom: New York City, J.S. Morris 1928
$600 - $1,200
7(a). DONALD STOLTENBERG (Am. 1927-2016)
Royal Exchange gouache on paper 11 1/4 x 15 1/2
signed lower right: Stoltenberg; label on verso: Kanegis Gallery, Boston, MA
$400 - $800
2. OCTAVIO MEDELLIN (Am. 1907-1999)
Xtol: Dance of the Ancient Mayan People; Murals from the Temple of the Tigers [Temple of the Jaguar] at Chichen Itza, Yucatan, Mexico, published by the Dallas Museum of Fine Arts in 1947
portfolio containing 11 block prints 13 5/8 x 10 1/2
signed on remarks page: Octavio Medellin, Xmas 1955
$400 - $800
5(b). JAMES STOVALL MORRIS (Am. 1898-1973)
New York City, 1928 watercolor on paper 8 1/2 x 11 1/2 signed across bottom: New York City, J.S. Morris 1928
7(b). DONALD STOLTENBERG (Am. 1927-2016)
Abstract Buildings, 1958
gouache on paper 11 x 15 1/2
signed lower left: Stoltenberg ‘58
3. COREEN SPELLMAN (Am. 1905-1978)
A Glimpse of Blue Serge Hill, Texas Women’s University, Denton, TX, 1928
serigraph 17 1/4 x 27 1/4
$300 - $600
6(a). GEORGE KING BOURKE (Am. 1858-1930)
A Quiet Smoke in the Wild West, © 1899
watercolor on board 14 x 10 signed across bottom: A Quiet Smoke in the Wild West, copyright 1899 by Geo K. Bourke, Arizona
$800 - $1,200
8. CAMILLE CAMERON WUNSCH (Am. 20th Cent.)
Winter Pasture, 1963 serigraph 7 3/4 x 15 1/2
signed across bottom: Winter Pasture, Camille Cameron Wunsch ‘63
$300 - $600
4. ALAMO FLAG, 1824 fabric 24 1/2 x 38 1/2
label on verso: A Selection from Gallery of the Republic in the Four Seasons Hotel, Austin, TX
$800 - $1,200
6(b). GEORGE KING BOURKE (Am. 1858-1930)
An Arizona Cow Catcher, © 1900 watercolor on board 10 x 13 1/2
signed across bottom: An Arizona Cow Catcher, copyright 1900 by Geo. K Bourke
9. UNKNOWN ARTIST (Am. 20th Cent.)
Longhorns and Astrodome serigraph 12 1/2 x 9 3/4
$150 - $300
10(a). HUGH BRECKENRIDGE
(Am. 1870-1937)
Study for Sunday Morning, c. 1926 pencil on paper 6 x 8 titled lower left: “Sunday Morning”; stamped lower right: Estate of Hugh H. Breckenridge
$1,000 - $2,000
10(e). HUGH BRECKENRIDGE (Am. 1870-1937)
Across the Harbor, ed. 50, December 1923
etching 7 7/8 x 7 signed across bottom: Across the Harbor, Hugh H Breckenridge, 36/50; stamped lower left: Estate of Hugh H. Breckenridge
11(d). HUGH BRECKENRIDGE (Am. 1870-1937)
Two Trees pencil on paper 6 7/8 x 5 stamped on verso: Estate of Hugh H. Breckenridge
10(b). HUGH BRECKENRIDGE (Am. 1870-1937)
Gloucester Fishing Boats, c. 1923 pen, ink and pencil on paper 6 x 8 stamped lower left: Estate of Hugh H. Breckenridge
10(c). HUGH BRECKENRIDGE (Am. 1870-1937)
Gloucester Fishing Boats, ed. 50, 1923 etching 5 7/8 x 7 7/8
signed across bottom: Gloucester Fishing Boats, Hugh H. Breckenridge, 29/50; stamped lower left: Estate of Hugh H. Breckenridge
11(a). HUGH BRECKENRIDGE (Am. 1870-1937)
Housetops, 1889 pencil on paper 5 1/4 x 6 7/8 signed lower right: Breck 8/89; stamped on verso: Estate of Hugh H. Breckenridge
$800 - $1,200
12(a). ROBERT DEMACHY (French 1859-1936)
Study, 1906 - From Camera Work halftone 7 7/8 x 6
note on verso: Robert Demachy, Study, Oct. 1906, 16:15, Gum; Halftone, From Camera Work
$400 - $800
11(b). HUGH BRECKENRIDGE (Am. 1870-1937)
Double Sided: House Amongst Trees and Man with Knapsack on verso, 1889 pencil on paper 6 x 9 signed lower right: Breck 8/89; stamped on verso: Estate of Hugh H. Breckenridge
12(b). HUGH BRECKENRIDGE (Am. 1870-1937)
Nude Study, c. 1914 pencil on paper 8 1/2 x 6 5/8 stamped lower right: Estate of Hugh H. Breckenridge
10(d). HUGH BRECKENRIDGE (Am. 1870-1937)
Gloucester Harbor, ed. 50, c. 1923 etching 5 7/8 x 7 7/8 signed lower right: Hugh H. Breckenridge, 25/50; stamped lower left: Estate of Hugh H. Breckenridge
11(c). HUGH BRECKENRIDGE (Am. 1870-1937)
Trees Along Fence pencil on paper 6 7/8 x 5 stamped on verso: Estate of Hugh H. Breckenridge
12(c). LAWTON PARKER (Am. 1868-1954)
The Bather
etching 6 x 8 1/4
signed across bottom: The Bather, Lawton Parker
13. EDWARD T. HURLEY (Am. 1869-1950)
Chicago Ice on River, 1934 etching plate 12 x 8 1/2
signed in plate lower left: ET Hurley -34-
$500 - $1,000
17. LUIGI KASIMIR (Austro-Hungarian 1881-1962)
Porte St. Denis, Paris, ed. 250, 1925
color etching 20 3/8 x 15 1/2
signed across bottom: 104/250, Luigi Kasimir
$400 - $800
14. GERALD GEERLINGS (Am. 1897-1998)
Grand Canal, America, 1933 etching 11 7/8 x 8 7/8
signed lower right: Gerald K. Geerlings
$500 - $1,000
18(a). JOSEPH PENNELL (Am. 1857-1926)
Down Sansom Street, 1912
lithograph 22 x 16
signed in plate: J Pennell 1912; signed in pencil lower right: J Pennell, Sansom Street
$400 - $800
19. BOARDMAN ROBINSON (Am. 1876-1952)
Horse Auction, 1939
lithograph 8 3/4 x 12 1/2
inscribed across bottom: For Otis Dozier 39, Boardman Robinson
$600 - $1,200
20. HORACE O. ROBERTSON (Am. 1886-1970)
Liberty Church, ed. 25, 1940
lithograph 9 x 11 3/4
signed across bottom: Liberty Church, 25, H O Robertson, 1940
$750 - $1,000
15. LLOYD GOFF (Am. 1908-1982)
Akard St.–Dallas, Texas, 1932 etching 6 x 5 3/8
signed across bottom: Akard St. – Dallas, Tex., Lloyd L. Goff ‘32; and inscribed: To “Jackie” with love – Lloyd.; label on verso: Panhandle-Plains Historical Museum
$400 - $800
EXHIBITED: Urban Texas, PanhandlePlains Historical Museum
18(b). JOSEPH PENNELL (Am. 1857-1926)
New York City etching 11 3/4 x 6 7/8 signed lower middle: Jo Pennell
21. HORACE O. ROBERTSON (Am. 1886-1970)
Dockers Riverside Hotel-Shawneetown, ed. 35, 1941
lithograph 9 1/4 x 12
signed across bottom: Dockers Riverside Hotel-Shawneetown, H O Robertson 41, 35 prints
$400 - $800
16. G. HUNLEY (Am. 20th Cent.)
Chicago World’s Fair, ed. 9, 1933 etching 12 1/2 x 9
signed across bottom: 9/9, G Hunley 33
$400 - $800
18(c). FRANK ARMINGTON (Canadian 1876-1941)
The American Church of Paris, 1931 lithograph 11 x 9
signed in plate across bottom: Frank M. Armington, 1931, The American Church of Paris; signed in pencil lower right: Frank M Armington 31
22. HENRY M. O’CONNOR (Am. 1891-1975)
Pair: Broadway & Columbus Circle, 1916
pencil on paper each: 6 1/2 x 5
signed and titled lower left: Broadway, HM; signed across bottom: Columbius Circle, Henry O’Connor, 1916
$200 - $400
23. MERRITT MAUZEY (Am. 1898-1973)
Oasis, ed. 15
lithograph 10 x 13 7/8
signed across bottom: Oasis, Ed 15, Merritt Mauzey
$500 - $1,000
EXHIBITED: The 14th Annual Exhibition of American Lithography, Jan 12th – Jan 30th, 1942, The Print Club, 1614 Latiner St, Phil, PA
27. LUCILLE JEFFRIES (Am. 1903-1950)
Ghost Range, ed. 25
lithograph 14 3/4 x 10 3/4
signed across bottom: Ghost Range, Ed 25, Lucille Jeffries
$400 - $800
31. BARBARA MAPLES (Am. 1912-1999)
Ghost Town - Rosemont, Colorado, ed. of 25
lithograph 11 x 13 7/8
signed on mat: Ghost Town – Rosemont, Colorado, Ed. 25, Barbara Maples
$400 - $800
24. MERRITT MAUZEY (Am. 1898-1973)
Southern Memories, ed. 30
lithograph 11 x 14
signed across bottom: Southern Memories, 11/30, Merritt Mauzey
$500 - $1,000
25. MERRITT MAUZEY (Am. 1898-1973)
Frisky Critters, ed. 20 lithograph 7 1/2 x 12 1/2
signed across bottom: Frisky Critters (Ed 20), Merritt Mauzey
$500 - $1,000
26. MERRITT MAUZEY (Am. 1898-1973)
Lord & Master, ed. 15
lithograph 10 x 14 3/4
signed across bottom: Lord & Master (Ed 15), Merritt Mauzey
$500 - $1,000
28. BERTHA LANDERS (Am. 1907-1996)
Mexican Funeral
lithograph 12 x 14 3/4
signed across bottom: Mexican Funeral; and inscribed: To Siddie Joe with love from Bim - Bertha Landers
$400 - $800
29. BERTHA LANDERS (Am. 1907-1996)
Early Morning lithograph 12 3/4 x 14 1/4 signed across bottom: Early Morning, Bertha Landers
$400 - $800
30. BERTHA LANDERS (Am. 1907-1996)
Maria Rosa of Coyotepec lithograph 12 x 9 1/4
signed across bottom: Maria Rosa of Coyotepec, Bertha Landers
$300 - $600
32. LUCILE LAND LACY (Am. 1901-1994)
Stovepipe Lane, ed. 25
lithograph 9 3/4 x 11 1/4
signed across bottom: 16/25, Stovepipe Lane, Lucile Land Lacy
$1,000 - $2,000
33. PETER HURD (Am. 1904-1984)
Sermon from Revelations, ed. 250 lithograph 9 7/8 x 13 3/8 signed across bottom: Sermon from “Revelations”, Peter Hurd
$1,000 - $1,500
PROVENANCE: John L. Nau, III, Houston, TX
34. PETER HURD (Am. 1904-1984)
Day’s Work, ed. 100
lithograph 11 x 8
signed across bottom: Peter Hurd, 44/100, Day’s Work; label on verso: Carlin Galleries, Fort Worth, TX
$500 - $1,000
35. BLANCHE MCVEIGH
(Am. 1895-1970)
Merry Go Round, ed. 50
aquatint 10 1/4 x 13 3/4
signed across bottom: Merry Go Round, 50 prints, Blanche McVeigh
$600 - $1,200
36. BLANCHE MCVEIGH (Am. 1895-1970)
Fishing, ed. 50
aquatint 11 x 13 3/4
signed across bottom: Fishing, 50 prints, Blanche McVeigh
$600 - $1,200
39. BLANCHE MCVEIGH (Am. 1895-1970)
The Alamo etching 3 7/8 x 3 signed in plate lower left: B McV
$200 - $400
40. MARIAN HEBERT (Am. 1899-1960)
Victim of the Elements, ed. 35 etching 8 1/4 x 9 1/2
signed across bottom: Victim of the Elements, 11/35, Marian Hebert; and inscribed: To Don and Shirley Sonnedecker
$600 - $1,200
37. BLANCHE MCVEIGH (Am. 1895-1970)
Boy Reading, ed. 50
aquatint 8 x 10 signed across bottom: Boy Reading, 50 prints, Blanche McVeigh
$500 - $1,000
note: This is the only known print of this image to come to market.
41. MARIAN HEBERT (Am. 1899-1960)
Cottonwoods, Lucerne Valley etching 6 5/8 x 9 5/8
signed across bottom: Cottonwoods, Lucerne Valley, Marian Hebert
$600 - $1,200
38. BLANCHE MCVEIGH (Am. 1895-1970)
The Norther etching 6 1/2 x 9
signed across bottom: The Norther, Blanche McVeigh
$300 - $600
42. MARIAN HEBERT (Am. 1899-1960)
Lady’s Slipper Orchid, ed. 35, 1941 etching 6 5/8 x 4 7/8
signed across bottom: Lady’s Slipper Orchid, 4/35, Marian Hebert, 1941
$600 - $1,200
43. GENE KLOSS (Am. 1903-1996)
Wind Cloud
aquatint etching 7 1/2 x 15
signed across bottom: Wind Cloud, Gene Kloss
$300 - $600
44. CONSTANCE FORSYTH (Am. 1903-1987)
Very White Cloud aquatint and drypoint 12 5/8 x 9 7/8
signed across bottom: Very White Cloud, C Forsyth; note on verso: Very White Cloud, aquatint and drypoint, Constance Forsyth, Dept. of Art, University of Texas, Austin, 12, Texas
$900 - $1,200
45. JERRY BYWATERS (Am. 1906-1989)
Rehearsal – Dallas Symphony –Members of the String Ensemble, 1946 ink on paper 8 x 15
$600 - $1,200
(Am. 1921-1995)
Ziefeld Follies Rehearsal, 1957
ink and gouache on paper 11 x 14
signed lower right: Sardella
$300 - $600
46. LOUIS SARDELLA, JR.
49. WILLIAM LESTER (Am. 1910-1991)
Building and Power Lines, 1932
lithographic crayon on paper 9 x 11 1/4
signed on mat: WM Lester, 1932
$800 - $1,200
52. FLORENCE MCCLUNG (Am. 1894-1992)
Back of the Bullring
watercolor on paper 10 3/4 x 15
Estate label on verso: Art Estate of Florence White McClung
$500 - $1,000
53. MAY SCHOW (Am. 1895-1976)
Bus Stop, 1948
watercolor on paper 17 x 13
signed and dated lower right: May Schow 1948
$1,500 - $3,000
47. THOMAS HART BENTON (Am. 1889-1975)
Island Hay lithograph 10 x 12 1/2
signed lower right: Benton; label on verso: Associated American Artists, 711 Fifth Ave., New York 22, NY
$2,000 - $4,000
50. CHARLES BOWLING (Am. 1891-1985)
Winter Evening, ed. 28, 1939
lithograph 9 5/8 x 11 5/8
signed across bottom: Winter Evening, 28/4, Chas T. Bowling ‘39
$800 - $1,200
48. THOMAS HART BENTON (Am. 1889-1975)
Self-Portrait, ed. 300 lithograph 19 1/2 x 13 3/4
signed across bottom: Ed/300, Benton; attached to verso: Certificate of Authenticity, Associated American Artists
$2,000 - $2,500
51. FLORENCE MCCLUNG (Am. 1894-1992)
Texas Star lithograph 12 7/8 x 16 7/8
signed across bottom: Texas Star, Florence McClung
$800 - $1,200
54. PAUL RODDA COOK (Am. 1897-1972)
Cocktail Hour, 1932
watercolor on paper 22 1/2 x 30 7/8
signed upper left: Paul Rodda Cook
$1,000 - $2,000
PROVENANCE: A.C. Cook–The Hock Shop Collection, Fort Worth, TX; John L. Nau, III, Houston, TX
EXHIBITED: The Hockshop Collection: Texas Artists of the Past, Panhandle-Plains Historical Museum, Canyon, September 13-November 9, 1997; The Hock Shop Collection: Rediscovering Texas Artists of the Past, Greater Denton Arts Council, Denton, January 24-March 6, 1998; Texas in My Soul: A.C. Cook & the Hock Shop Collection, Tyler Museum of Art, July 27-October 26, 2008 and San Angelo Museum of Fine Arts, November 20-January 18, 2009.
55. OTIS DOZIER (Am. 1904-1987)
Jackrabbit, ed. 30, 1987
color lithograph 16 1/2 x 22
signed across bottom: 9/30, Jack Rabbit, Otis Dozier ‘87
$1,500 - $3,000
57. OTIS DOZIER (Am. 1904-1987)
Wild Turkey, ed. 30, 1987
color lithograph 29 1/2 x 21 1/2
signed across bottom: 29/30, Wild Turkey, Otis Dozier ‘87
$1,000 - $2,000
60. OTIS DOZIER (Am. 1904-1987)
Gold Train, ed. 50, 1943
lithograph 8 x 15
signed across bottom: Ed. 50, Gold Train, Otis Dozier ‘43
$800 - $1,200
56. OTIS DOZIER (Am. 1904-1987)
Rooster, ed. 30, 1987
color lithograph 17 x 29
$1,000 - $2,000
58. OTIS DOZIER (Am. 1904-1987)
Mountain Landscape, 1948
woodblock print 4 1/2 x 6
signed lower right: Dozier ‘48
$200 - $400
61. OTIS DOZIER (Am. 1904-1987)
Saddling Wild Horse, 1942
lithograph 11 x 11
signed across bottom: Saddling Wild Horse, Dozier ‘42
$800 - $1,200
59. OTIS DOZIER (Am. 1904-1987)
Horses, 1937 linocut 4 1/2 x 6 1/2
signed across bottom: Horses, Otis Dozier; signed in plate lower right: Otis Dozier ‘37
$800 - $1,200
62. KELLY FEARING (Am. 1918-2011)
Tiger Day and Night, ed. 32, 2001
solar print 11 3/4 x 16
signed across bottom: 21/32, Tiger Day and Night, Kelly Fearing, 2001; Label on verso: Valley House Gallery, Dallas, TX
$300 - $500
63. TOM LEA (Am. 1907-2001)
Title Page Ornament, 1958
india ink 11 3/4 x 10 1/2
signed lower left: Title page ornament, Tom Lea 1958
$3,000 - $6,000
66. ROBERT MACDONALD GRAHAM (Am. 1919-2003)
Construction, 1952
gouache on paper 14 1/2 x 21 1/2
signed and dated lower left: Robert MacD. Graham 1952
$1,000 - $2,000
PROVENANCE: A.C. Cook–The Hock Shop Collection, Fort Worth, TX; John L. Nau, III, Houston, TX;
note: Graham studied at the Kansas Art Institute under Thomas Hart Benton who included five of Graham’s work in a 1940 student exhibition, Kansas City Regional Art. Graham taught art at the University of Texas at Austin from 1951-55 during which time he completed this work.
69. VERONICA HELFENSTELLER (Am. 1910-1964)
Guatemala, c. 1948
mixed media on paper 9 x 11 1/2
signed lower right: V Helfensteller
$1,500 - $3,000
64. TOM LEA (Am. 1907-2001)
Cowboy Singing, 1934
dry brush and india ink on paper 19 x 25
signed lower right: Tom Lea 1934
$10,000 - $15,000
EXHIBITED: Tom Lea – Master Draftsman, Feb 17May 13, 1994, Adair Margo Gallery, El Paso, TX.
PUBLISHED: Tom Lea – Master Draftsman exhibition catalog, plate #11.
67. EDWARD MUEGGE (BUCK) SCHIWETZ (Am. 1898-1984)
The Old Merritt Place on the South Fork, 1976 pencil on paper 12 1/2 x 15 1/2
signed across bottom: The Old Merritt Place on the South Fork, EM Schiwetz, 9/1/76
$1,000 - $2,000
note: Bill Reaves said Schiwetz and his wife bought a place, about 30 acres, on the South Fork Guadalupe River near Hunt, TX.
65. TOM LEA (Am. 1907-2001)
Thoughts for an Arizona Mural, Camelback Inn, Scottsdale, AZ, 1937
pen & india ink on paper 3 1/2 x 14 5/8
signed lower right: Thoughts for an Arizona mural, Tom Lea 1937
$8,000 - $12,000
68. JOHN ALEXANDER (Am. b. 1945)
Queen for a Day, ed. 30, 1986 (Peregrine Press) lithograph 38 x 28
signed across bottom: Queen for a Day, 5/30, John Alexander
$2,500 - $5,000
70(a). VERONICA HELFENSTELLER (Am. 1910-1964)
Rock Formation etching 6 x 7 7/8
signed across bottom: Rock Formation, V Helfensteller; label on verso: Oakland Art Gallery, Municipal Auditorium, Oakland, CA
$500 - $1,000
70(b). VERONICA HELFENSTELLER (Am. 1910-1964)
Beauty & The Beasts
handcolored etching 5 x 4
signed across bottom: Beauty & The Beasts, V Helfensteller
note: lots: 71 – 73. The Spellman Museum is operated by the Forney Historic Preservation League, a 501c3 nonprofit organization. Any proceeds from the sale of these pieces will be directed back into the art collection for framing, conservation, and maintenance. You can learn more about the museum at historicforney.org
71. COREEN SPELLMAN (Am. 1905-1978)
Old Inge House
lithograph 8 x 12
Estate stamped lower right: Estate of Coreen Mary Spellman
$800 - $1,200
74. COREEN SPELLMAN (Am. 1905-1978)
The School Slide, c. 1947 gouache and pastel on illustration board 20 x 13
signed lower right: Coreen Spellman
$800 - $1,200
EXHIBITED: Texas Fine Arts Society Annual Exhibition 1947 (label on verso)
78. MARY DOYLE (Am. 1904-2000)
Still Life with Grapes, 1956 silkscreen 11 5/8 x 18 1/8
signed across bottom: Still Life with Grapes, /20, Mary Doyle ‘56
$500 - $1,000
72. COREEN SPELLMAN (Am. 1905-1978)
Old Into New lithograph 8 1/2 x 9 1/2
$800 - $1,200
75. COREEN SPELLMAN (Am. 1905-1978)
Rooftops, (1) - July 14
watercolor on paper 19 1/2 x 24 1/2
dated lower right: (1) - July 14
$2,000 - $4,000
76. COREEN SPELLMAN (Am. 1905-1978)
Little Chapel in-the-Woods watercolor on paper 11 x 17 1/2
signed lower right: Coreen Spellman
$1,000 - $2,000
79. HELEN MARIE SPELLMAN (Am. 1911-2000)
Still Life with Eggplant, c. 1930s watercolor on paper 10 x 14 1/4
signed lower right: H. M. Spellman
$400 - $800
73. COREEN SPELLMAN (Am. 1905-1978)
Road to Montezuma
lithograph 7 x 9
$800 - $1,200
77. COREEN SPELLMAN (Am. 1905-1978)
Bowl and Fruit Forms, 1958 watercolor on paper 15 x 22
signed across bottom: Bowl and Fruit Forms, Coreen Mary Spellman ‘58
$3,000 - $5,000
80. KATHLEEN BLACKSHEAR (Am. 1897-1988)
Untitled (Head of a Man) watercolor and graphite on paper 10 x 12
Estate Stamped on verso
$1,500 - $2,500
PROVENANCE: Florence Arquin Samuel A. Williams thence by descent to Carol Williams Collection; Private Collection, Texas
81. ETHEL SPEARS (Am. 1903-1974)
Self-Portrait with a Tree watercolor on paper 16 x 10 3/4
$2,000 - $3,000
82. BILL BOMAR (Am. 1919-1991)
Desert Entrance
watercolor on paper 11 x 8 1/4
signed lower right: BB
$800 - $1,200
86. BROR UTTER (Am. 1913-1993)
Three Wooden Boats, 1954
watercolor on paper 22 x 29 1/2
signed and dated lower right: Bror Utter 2/54
$1,000 - $2,000
83. BILL BOMAR (Am. 1919-1991)
Taos Magic Landscape
watercolor on paper 10 3/4 x 14 3/4
signed lower right: BB
$1,000 - $2,000
87. BROR UTTER (Am. 1913-1993)
Glenrose, 1962
watercolor on paper 13 1/2 x 10 1/2
signed lower right: Bror Utter, 3/9/62
$800 - $1,200
90. MCKIE TROTTER (Am. 1918-1999)
Abstract Landscape
charcoal and pencil on paper 6 1/2 x 14 1/2
signed lower right: McKie Trotter
$200 - $400
84. KELLY FEARING (Am. 1918-2011)
Death & Transfiguration, 1945 casein and colored pencil on paper 11 x 13 1/4
signed lower right: Kelly Fearing; titled with note on verso: Death & Transfiguration. In Bill Bomar’s apartment, Chelsea Hotel, New York City
$1,500 - $2,500
88. BROR UTTER (Am. 1913-1993)
The Three Graces, 1946 pencil on paper 10 1/2 x 14 signed lower left: Bror Utter ‘46, #8A
$500 - $1,000
91. DICKSON REEDER (Am. 1912-1970)
Nero’s Monocle, 1960 watercolor and gouache on paper 10 3/4 x 5 3/4
signed lower right: Dickson Reeder ‘60
$800 - $1,200
PROVENANCE: Estate of Flora Blanc Reeder, Estate Lot#279;
EXHIBITED: TCU Dickson Reeder Retrospective, 1988
85. KELLY FEARING (Am. 1918-2011)
Hibernation, 1947
watercolor on paper 9 1/2 x 12 1/2
signed and dated lower right: Kelly Fearing 1947; titled, signed and dated on verso: Hibernation, Kelly Fearing 1947
$3,000 - $4,000
PROVENANCE: John L. Nau, III, Houston, TX
89. BROR UTTER (Am. 1913-1993)
Two Vases, ed. 30 etching with aquatint 5 x 7 1/2 signed across bottom: Two Vases, 8/30, Bror Utter
$400 - $800
92(a). DICKSON REEDER (Am. 1912-1970)
Cthonic, Unique, 1960 etching 8 x 6 7/8
signed across bottom: Unique, Cthonic, Dickson Reeder
$600 - $1,200
PROVENANCE: Estate of Flora Blanc Reeder
92(b). DICKSON REEDER (Am. 1912-1970)
Cthonic – Black and White, Unique, 1960 etching 8 x 6 7/8
signed across bottom: Unique, Cthonic, Dickson Reeder
PROVENANCE: Estate of Flora Blanc Reeder
93. WILLIAM LESTER (Am. 1910-1991)
Abstract, 1965
mixed media on paper 23 1/2 x 17 1/2
signed and dated on verso: WM Lester (S. L.), 1965
$1,000 - $2,000
97. GENEVA FLORES HART (Am. 1906-2008)
Street Scene, 1953
gouache on board
25 1/2 x 19 1/4
signed lower right: G. Flores Hart ‘53
$400- $800
94. JOY ADAMS (Am. 1909-1989)
On the Road to Salon, ed. 30, 1952
color etching 17 1/2 x 24
signed across bottom: On the Road to Salon, 3/30, Joy Adams ‘52
$800 - $1,200
98. GENEVA FLORES HART (Am. 1906-2008)
Elks National Veterans Memorial, Chicago
acrylic on canvas 25 x 19
$400- $800
95. DAVID BROWNLOW (Am. 1915-2008)
Sailboats
watercolor and gouache on paper 14 1/2 x 21 1/2
signed lower left: David Brownlow
$800 - $1,200
99. GENEVA FLORES HART (Am. 1906-2008)
City Fire
gouache on paper 15 1/2 x 19 1/2
$300- $500
96. B. JENKINS (Am. 20th/21st Cent.)
Abstract, ed. 20 etching 15 1/2 x 9
signed across bottom: 1/20, B. Jenkins
$300 - $600
100. GENEVA FLORES HART (Am. 1906-2008)
Artist Studio gouache on paper 20 1/2 x 12 1/4
$300- $500
101. GENEVA FLORES HART (Am. 1906-2008)
Church Group
gouache on paper 15 3/4 x 19 1/2
$300 - $600
102. JANET TURNER (Am. 1914-1988)
Some Past is Present, ed. 50 etching with hand coloring 8 x 14 5/8
signed across bottom: Some Past is Present, 49/50
$400 - $800
103. MARY LIGHTFOOT (Am. 1889-1970)
West Coast Birds
silkscreen print 16 x 11
signed and titled on mat: West Coast Birds, Mary Lightfoot
$300 - $600
104. MARY LIGHTFOOT (Am. 1889-1970)
Banana Plant, ed. 50
lithograph 12 3/4 x 10 1/4
signed across bottom: Banana Plant, 47/50, Mary Lightfoot
$400 - $800
105. ALEXANDRE HOGUE (Am. 1898-1994)
Appaloosa, 1958
watercolor on paper 20 5/8 x 28
signed and dated lower left: Alexandre Hogue 1958
$5,000 - $7,000
PROVENANCE: A.C. Cook, Fort Worth, TX; John L. Nau, III, Houston, TX
107(a). GEORGE GRAMMER (Am. 1928-2019)
Blue Chalice and Pots
watercolor on paper 17 x 13 3/4
signed and titled on verso: G Grammer, Blue Chalice and Pots
$1,500 - $3,000
109. CONSTANCE FORSYTH (Am. 1903-1987)
Dogwoods in Bloom, 1927
watercolor on paper 13 1/2 x 9 1/2
signed lower right: Constance Forsyth ‘27
$400 - $800
106(a). GEORGE GRAMMER (Am. 1928-2019)
Image Emerge
polymer on paper 11 1/4 x 13 1/2
signed lower left: Grammer; titled and signed on verso: Image Emerge, George Grammer
$1,500 - $3,000
107(b). GEORGE GRAMMER (Am. 1928-2019)
Artemisia & Marigolds
acrylic, watercolor and pencil on paper 13 3/4 x 8 3/4
signed lower right: G. Grammer; signed and titled on verso: G. Grammer, Artemisia and Marigolds
1904-1993)
Pink Geranium pastel on paper 11 x 10
signed lower left: Walton
$400 - $800
106(b). GEORGE GRAMMER (Am. 1928-2019)
Blue Rising polymer on paper 11 1/4 x 8 3/4
signed lower right: Grammer; titled and signed on verso: Blue Rising, George Grammer
107(c). GEORGE GRAMMER (Am. 1928-2019)
Artemisia & Marigolds
acrylic, watercolor and pencil on paper 12 x 8 1/8
signed and titled on verso: Artemisia & Marigolds, G. Grammer
111. EMILY GUTHRIE SMITH (Am. 1909-1986)
Poppies
gouache on paper 8 x 7
signed across bottom: Poppies, Emily Guthrie Smith
$600 - $800
106(c). GEORGE GRAMMER (Am. 1928-2019)
Blue Through
polymer on paper 11 1/4 x 8 3/4
signed lower right: Grammer; titled and signed on verso: Blue Through, George Grammer
108. WILLIAM KIENBUSCH (Am. 1914-1980)
Abstract in Blues, 1962 oil pastel on paper 8 x 9 3/4
signed lower right: Kienbusch 62
$500 - $1,000
(Am. 1894-1991)
Cherry Blossoms
watercolor and oil on paper 11 x 9 1/2
signed lower right: Elder
$300 - $600
110. JESSIE WALTON (Am.
112. INEZ STAUB ELDER
113. CHARLES UMLUAF (Am. 1911-1994)
Angelina Umlauf gouache on paper 17 x 23
signed lower right: C. Umlauf; titled on verso: Angelina Umlauf
$1,000 - $2,000
114. LOUIS OSCAR GRIFFITH (Am. 1875-1956) On the Brazos pastel on paper 6 x 9
signed lower right: L.O. Griffith
$800 - $1,200
115. JANE SAVAGE (Am. 1898-1989)
Sailboats Docked on the Shore, 1929 pastel on paper 4 x 8
signed lower left: Jane Savage – 29
$600 - $1,200
PROVENANCE: Private Collection, Houston, TX
116. REVEAU BASSETT (Am. 1897-1981)
Two Ducks pastel on paper 5 x 5 3/8
signed lower left: Reveau Bassett
$700 - $900
PROVENANCE: John L. Nau, III, Houston, TX
117. ANNE WEARY (Am. b. 1952)
Swimming Hole pastel on paper 8 x 11 3/4
signed lower left: Anne C Weary
$800 - $1,200
118. ANNE WEARY (Am. b. 1952) The Mallards pastel on paper 5 3/4 x 7 3/4
signed upper left: Anne Weary
$600 - $800
120. MARY APPLE (Am. 1937-2001)
Portrait of a Woman charcoal on paper 23 1/2 x 13
signed lower right: M. Apple
$200 - $400
121. PERRY NICHOLS (Am. 1911-1992)
Portrait of an Artist graphite and ink on paper 10 1/2 x 8
Estate Stamped on verso
$400 - $600
119(a). JENNIE HADDAD (Am. 1906-1996)
Abstract watercolor on paper 5 1/2 x 7 1/2
signed lower left: Jennie Haddad; estate stamped on verso: From the Estate of Jennie Haddad, registration #311
$400 - $800
119(b). JENNIE HADDAD (Am. 1906-1996)
Orange and Blue Abstract, 1974 watercolor and acylic on paper 18 x 24 signed lower right: Jennie Haddad; signed and dated on verso: Jennie Haddad 1974
122(a). MYRTLE JEAN MCLANE (Am. 1878-1964)
Portrait of a Woman watercolor on paper 11 x 7 1/2
signed lower right: Myrtle McLane
$400 - $800
122(b). HERMAN HYNEMAN (Am. 1849-1907)
A Woman Reading engraving 11 1/2 x 7
signed lower right: H N Hyneman
123. BRYAN PETERSON (Am. 20th/21st Cent.)
Cowboy and Aliens
print on paper 18 x 18
signed across bottom: Cowboy and Aliens, Bryan Peterson
$1,000 - $2,000
124. BRYAN PETERSON (Am. 20th/21st Cent.)
Hook ‘Em Horns
print on paper 17 3/4 x 18
signed across bottom: Hook ‘Em Horns, Bryan Peterson
$1,000 - $2,000
125. BRIAN RICE (United Kingdom b. 1936)
Geometric Radio, ed. 200, 1969 screenprint 11 x 10 1/2 signed across bottom: 187/200, Brian Rice
$400 - $800
127(a). WILLIAM (BILL) LUMPKINS (Am. 1908-2000)
Abstract - Santa Fe, 1950
watercolor on paper 6 1/2 x 9 3/4
signed lower right: Bill Lumpkins 50
$400 - $800
127(b) . ROGER L. STEELE (Am. 1945-2012)
Skitoo Bush Rider Escaping, 1977
color lithograph 16 x 29 3/4
signed across bottom: Skitoo Bush Rider Escaping, Roger L Steele, IMP, ‘77
129. JOHN Z. THOMAS (Am. 1935-2021)
Two Heads, 2009
colored pencil on paper 18 x 25
signed across bottom:
Two Heads, John Z. Thomas, 12/09
$400 - $800
126. LARRY STARK (Am. 1940-2024)
Hawaii, ed. 50, 1972
photo screenprint 6 1/4 x 9 1/4
signed across bottom: 38/50, “Hawaii”, Photograph by Jim Gillespie, L Stark 72 $300 - $600
128. JOHN Z. THOMAS (Am. 1935-2021)
Pair: Circle Abstractions, 1968 pencil on paper each: 18 x 18 both signed lower right: John Z Thomas 68
$400 - $800
130(a). JOHN Z. THOMAS (Am. 1935-2021) Cliff, 1966
pencil on paper 13 x 16 1/2
signed lower right: John Z. Thomas/66
$400 - $800
130(b). JOHN Z. THOMAS (Am. 1935-2021)
Rocky Cliff, 1966
pencil on paper 9 1/2 x 13 1/4
signed lower right: John Z. Thomas – 66
130(c). JOHN Z. THOMAS (Am. 1935-2021)
Treeline
pencil on paper 14 x 25 1/2
signed middle right: John Z. Thomas
131(a). RALPH COBURN
(Am. b. 1923)
Composition, 1949
ink on paper 10 1/2 x 8
signed and dated on verso: Coburn 1949
$2,000 - $4,000
131(b). RALPH COBURN (Am. b. 1923)
Composition, c. 1950 ink on paper 8 x 10 1/2
132(a). RON TAYLOR CROUCH
(Am. 20th/21st Cent.)
December 1974
acrylic on paper 12 x 10
signed lower right: R Taylor Crouch, Dec 1974
$800 - $1,200
133. MICHAEL GLOECKNER
(Am. 1915-1989)
Snow Moon, Cornwall, Connecticut, 1973
watercolor on paper 14 1/4 x 12 1/4
signed across bottom: Snow Moon, Cornwall, Connecticut, MG 73
$400 - $800
131(c). RALPH COBURN (Am. b. 1923)
Untitled, c. 1950 ink on paper 8 x 10 1/2
132(b). RON TAYLOR CROUCH (Am. 20th/21st Cent.)
Certain Ambiguities Recently Brought to Light, 1975
acrylic on paper 14 x 10
signed across bottom: Certain Ambiguities Recently Brought to Light, R Taylor Crouch, Feb 75
134. JOHN GOODYEAR (Am. 1930-2019)
Geometric Shapes, 1974
gouache on paper 22 x 22
signed lower right: John Goodyear 1974
$400 - $800
132(c). RON TAYLOR CROUCH (Am. 20th/21st Cent.)
Rectangles, ed. 6, 1975 etching 11 3/4 x 8 7/8
signed across bottom: 1/6, R Tay Crouch 12-75
135. VEICHWAN (Am. 20th/21st Cent.)
Figures pencil on paper 14 1/4 x 16 1/2
signed lower right: Veichwan
$300 - $600
136. ROBERT PREUSSER (Am. 1919-1992)
Balanced Energy, (ROP 25), 1937 watercolor on paper 5 x 4
signed middle right: Robert Preusser; label on verso: Parkerson Gallery, Houston, TX and ACME Fine Art and Design 38 Newbury St., Boston, MA
$600 - $1,200
137. ROBERT PREUSSER (Am. 1919-1992)
Abstract
ink on paper 8 1/2 x 10 3/4 signed lower right: Preusser
$500 - $800
139(a). HANNES BECKMANN (Am. 1909-1977)
2nd Day of Creation pencil on paper 5 7/8 x 7 1/2 signed lower right: h. b.
$600 - $1,200
140(a). ARTHUR OSVER (Am. 1912-2006)
Interplay, 1977
ink wash on rice paper on canvas board 14 x 12
signed lower left: A Osver; signed and titled on verso: Arthur Osver, “Interplay”, 4/77
$800 - $1,200
138. ROBERT PREUSSER (Am. 1919-1992)
Abstract
ink on paper 8 1/2 x 11 signed lower right: Preusser
$500 - $800
139(b). HANNES BECKMANN (Am. 1909-1977) In Garden Eden pencil on paper 5 7/8 x 7 1/2 titled upper right: In Garden Eden; signed lower right: h. b.
140(b). ILYA BOLOTOWSKY (Am. 1907-1981)
Linear Composition, 1950 pencil on paper 8 1/2 x 8 1/2 signed lower right: Ilya Bolotowsky 50
141(a). DWINELL GRANT (Am. 1912-1991)
Linear Forms, 1948 ink on paper 14 x 10 1/4 signed and dated lower left: DG 48
$400 - $800
139(c). HANNES BECKMANN (Am. 1909-1977)
Bauhaus Drawing pencil on paper 4 x 3 1/2 signed lower right: h. b.
141(b). DWINELL GRANT (Am. 1912-1991)
Untitled, 1941
colored pencil on paper 8 x 10 1/2 signed lower left: DG 41; label on verso: Spanierman Modern, New York, NY
CASETA
CASETA— The Center for the Advancement and Study of Early Texas Art is a statewide 501(c)(3) nonprofit organization formed in 2003 to promote the preservation, study, and appreciation of Texas visual art and its history. CASETA focuses on art produced by artists who were born in and/or lived and worked in Texas through 40 years prior to the present date, currently 1985.
Throughout the year, CASETA presents public programs to advance interest, learning, and enjoyment of Early Texas Art, including an annual Symposium hosted each year in a different city in Texas. In conjunction with the Symposium, the Texas Art Fair hosts premier art dealers from around the State.
CASETA is supported through annual memberships, contributions, and special initiatives generously donated to CASETA for inclusion in this auction with the net proceeds to benefit CASETA.
visit www.caseta.org to learn more about caseta, become a member or make a contribution.
143. EDWARD EISENLOHR (Am. 1872-1961)
A Texas Hillside oil on board 10 x 14
signed lower right: E.G. Eisenlohr; titled and signed on verso: A Texas Hillside, EDW. G. Eisenlohr, Dallas, Texas
$5,000 - $10,000
144. EDWARD EISENLOHR (Am. 1872-1961)
Church at Selma, June 1940 oil on canvas board 12 x 18
signed lower left: E.G. Eisenlohr; titled and signed on verso: Church at Selma, June 1940, E.G. Eisenlohr
$12,000 - $18,000
145. GERARDUS GUDE (Am. 1865-1958)
Dallas, TX
oil on canvas 28 x 22
signed lower left: Gude
$3,000 - $6,000
142.
(Am. 1930-2019)
Untitled metal 11 x 14 x 10
$300 - $500
$800 - $1,200
PROVENANCE: A.C. Cook, Fort Worth, TX; John L. Nau, III, Houston, TX
MORTON RACHOFSKY
146. MAURICE HENRY BERNSON (Am. 1920-1998)
Leafless Tree, 1954 oil on canvas 24 x 18 signed lower right: Maurice Bernson ‘54
Born in Canadian, Texas, Bernson held his first solo exhibition there in 1948. His studies included the Palo Duro School of Art and the Cranbrook Academy of Art, among others.
147. REVEAU BASSETT (Am. 1897-1981)
Mallards #28, 1960 oil on canvas board 12 x 16 signed lower left: Reveau Bassett; titled on verso: Mallards #28
$3,000 - $6,000
148. REVEAU BASSETT (Am. 1897-1981)
Ducks In Flight pastel on paper 8 x 10 signed lower right: Reveau Bassett
$1,500 - $3,000
149. REVEAU BASSETT (Am. 1897-1981)
Landscape oil on board 8 x 10 signed lower right: Reveau Bassett
$1,000 - $2,000
note: Accompanied by a letter of authentication from Mrs. Reveau Bassett (Virginia).
150. REVEAU BASSETT (Am. 1897-1981)
A Barn in Snow oil on canvas board 8 x 9 7/8 signed lower right: Reveau Bassett
$800 - $1,200
151. LOREN MOZLEY (Am. 1905-1989)
Ronda, 1969-70
watercolor on paper 21 x 29
signed lower right: Mozley 69-70, Ronda
$4,000 - $6,000
152. LOREN MOZLEY (Am. 1905-1989)
Salamanca, Mexico
oil on canvas board 11 1/2 x 13 1/2
signed lower right: Mozley
$10,000 - $15,000
152
153. HARRY ANTHONY DEYOUNG (Am. 1893-1956)
No. 5 Green, Breckenridge Golf Course, San Antonio, TX oil on canvas 36 x 40
signed lower right: Harry Anthony DeYoung; label on verso: Chicago Galleries Association
$15,000 - $20,000
154. EMMA RICHARDSON CHERRY (Am. 1859-1954)
Between Showers, France oil on board 14 x 17
signed lower right: E Richardson Cherry; signed and titled on verso: Between Showers, France, E. Richardson Cherry, 608 Fargo Ave., Houston, Tex $2,000 - $4,000
155. SAMUEL ZIEGLER (Am. 1882-1967)
Texas Bluebonnets oil on canvas 16 x 20 signed lower right: Sam Ziegler $3,000 - $6,000
156. VICTOR VALDÉS (Am. 1922-2012)
Cityscape, 1958 oil on canvas 30 x 18
signed lower right: Victor Valdés ‘58
$1,500 - $3,000
EXHIBITED: TFAA Annual Spring Jury Exhibition 1959 (label attached to verso)
Hudnal
oil on masonite 23 3/4 x 30
signed lower right: F McClung; signed on verso: Florence McClung, 4508 Lorraine, Dallas, TX
$15,000 - $25,000
Nationally recognized painter and printmaker, Florence McClung was born in St. Louis and, at the young age of three, moved to Texas with her family. As a child she took drawing lessons from Frank Reaugh and a budding interest in art was formed. She graduated from Bryan High School in Dallas. In 1917 she married Rufus A. McClung and together they had a son, Elliott McClung. As a young wife and mother, her keen interest in art did not wane. She studied still life painting with Jessie Davis and soon began to work under the guidance of Frank Klepper. In McClung’s painting, Klepper’s Studio on Fairmount at Dallas, Texas, 1930-31 (Lot 160.), one is given an inside view into his studio. To the upper right is Klepper’s painting, Catfish, c. 1928, which came up for sale in the 2015 David Dike Fine Art Texas Art Auction and set a record sales price of $23,500 for his work that still stands today.
McClung continued her studies at the Art Institute of Dallas with Olin Travis and Thomas Stell. In 1929, she accepted an offer from John H. Burma, president of Trinity University, then located at Waxahachie, to teach and serve as the head of the art department. She fulfilled this role until 1942. Around 1931 or 1932, she started studying with Alexandre Hogue in Oak Lawn, and later in Taos, NM. McClung exhibited her art throughout Texas and nationally, receiving awards and recognition. Her work rose in the ranks of the Texas Regionalists, and beyond, despite working in a time that was marked by discriminatory practices towards women artists. Early in 1940, one of her paintings, Lancaster Valley, 1936, was acquired by the Metropolitan Museum of Art.
157. FLORENCE MCCLUNG (Am. 1894-1992)
In 1985, while she was still living, the Dallas Museum of Art mounted an exhibition, Lone Star Regionalism: The Dallas Nine and Their Circle, 1928-1945. Significantly, she was the only woman painter and printmaker to be included in the exhibition and catalog that recognized the important accomplishments of the Texas Regionalists. McClung’s Triple Underpass, 1945 painting came up for sale in the 2018 David Dike Fine Art Auction. Selling for $252,000, it set a new auction record for her work and doubled and, in some cases, tripled the auction records of her male contemporaries. Clearly, her work is still cutting paths and opening doors. Curators and collectors have discussed mounting a retrospective of her work; an idea still held dearly by many.
Her works are represented in the permanent collections of museums throughout the United States, including the Metropolitan Museum, New York; the Library of Congress, Washington, D.C.; the Dallas Museum of Art; the Panhandle-Plains Historical Museum, Canyon; the Mint Museum, Charlotte, North Carolina; the High Museum, Atlanta; the Ogden Museum, New Orleans; and the Delgado Museum, New Orleans.
Sources: Making the Unknown Known Edited by Victoria Hennessy Cummins and Light Townsend Cummins, Texas A&M University Press / College Station, © 2024; Lone Star Regionalism: The Dallas Nine and Their Circle, 1928-1945 by Rick Stewart, the Dallas Museum of Art, © 1985; Florence McClung: Pioneer Texas Artist and Educator by Fred R. Kline, Texas State Historical Association, Oct 1, 1995
Old Dairy – Denison, Texas, Preston Rd. Dairy oil on canvas 24 x 30
signed lower right: F. McClung; note on verso: Old Dairy –Denison, Texas, Preston Rd. Dairy, Florence McClung, 4508 Lorraine, Dallas, TX
$15,000 - $25,000
158. FLORENCE MCCLUNG (Am. 1894-1992)
159. FLORENCE MCCLUNG (Am. 1894-1992)
Reverchon Park before it was a Park, Dallas, Texas oil on canvas 15 3/4 x 19 1/2
signed & titled on verso: Florence Elliott McClung, Reverchon Park before it was a Park, Dallas, Texas
$4,000 - $8,000
160. FLORENCE MCCLUNG (Am. 1894-1992)
Klepper’s Studio on Fairmount at Dallas, Texas, 1930-31 oil on canvas 24 x 20
signed lower left: F McClung; titled on verso: Kleppers Studio on Fairmount at Dallas, Tex, 1930-31
161. FLORENCE MCCLUNG (Am. 1894-1992)
Princess Feather oil on canvas 23 1/2 x 19 1/2
$4,000 - $8,000 162
signed lower left: F. McClung; signed and titled on verso: McClung, 4507 Gilbert St., Dallas, TX, title: Princess Feather
$3,000 - $6,000
EXHIBITED: Feb 3, Oak Cliff Fine Arts; Hockaday Solo Show
162. FLORENCE MCCLUNG (Am. 1894-1992)
Heat Lover – Dead Cow –My Plant oil on canvas 30 x 24
signed lower right: Florence McClung; signed and titled on verso: Heat Lover – Dead Cow – My Plant, Florence McClung, 4508 Lorraine, Dallas, Texas
$3,000 - $6,000
EXHIBITED: Shown in Solo Show at Hockaday School
163. FLORENCE MCCLUNG (Am. 1894-1992)
Made from Wiggly Line Composition
oil on canvas 29 1/2 x 23 1/2 signed lower left: F McClung; titled on verso: Made from Wiggly Line Composition
$4,000 - $8,000
164. FLORENCE MCCLUNG (Am. 1894-1992)
Serape & Water Jug, 1935 oil on canvas 30 x 23 3/4 signed lower left: F McClung; signed on verso: Serape & Water Jug, Mar 35, Florence McClung, 4507 Gilbert St., Dallas, Texas
$4,000 - $8,000
165. FLORENCE MCCLUNG (Am. 1894-1992)
East Texas Barn, 1940 oil on canvas board 20 x 16 signed lower left: F McClung
$2,000 - $4,000
166. JERRY BYWATERS
(Am. 1906-1989)
West 57th, New York – Night, 1928 oil on board 12 x 9
titled and signed on verso: No. 78, West 57th, N.Y. - Night, 1928, by Gerald Bywaters; label on verso: PanhandlePlains Historical Museum, Canyon, TX
$1,500 - $3,000
EXHIBITED: Texas Impressionism, Panhandle-Plains Historical Museum, Canyon, TX
166_A. SAMUEL ZIEGLER (Am. 1882-1967)
Casino Beach (The Rocket) oil on canvas 14 x 16
signed lower right: SP Ziegler; titled on verso: The Rocket
$4,000 - $6,000
PROVENANCE: A.C. Cook, Fort Worth, TX; John L. Nau, III, Houston, TX;
167. CHARLES BOWLING (Am. 1891-1985)
Summer Moonlight, White Rock Lake oil on canvas board 11 3/4 x 16
signed lower left: Chas T. Bowling; signed on verso: Summer Moonlight, by Chas T. Bowling, 4428 Travis St.
$9,000 - $12,000
166_A
Notes that Ziegler typed in the late 1950s or early 1960s about the work offer a rare insight into his artistic inspiration and process: In 1911 he witnessed a fireworks display at Delaware Water Gap, Pennsylvania “when the Whistler ‘nocturne idea’ still echoed in my art consciousness. The initial sketch that I completed the next morning passed through a long period of neglect only to be reconditioned a quarter of a century later in Texas,” (suggesting a. c. 1936 date.) He then added by hand the comment that recently he had adopted the title of “The Rocket” to the painting because of “unprecedented progress and interest in space flight.”
168. OTIS DOZIER (Am. 1904-1987)
Rooster with Red Flowers, 1946
oil on masonite 24 x 18
signed lower right: Otis Dozier ’46; titled on verso: Rooster with Red Flowers
$15,000 - $25,000
169. OTIS DOZIER (Am. 1904-1987)
Grasshopper, 1980 oil on canvas 24 x 36
signed lower right: Otis Dozier ’80
$10,000 - $15,000
170. OTIS DOZIER (Am. 1904-1987)
Misty Morning, 1986 oil on canvas 36 x 40
signed and dated lower right: Otis Dozier 1986
$3,000 - $6,000
171. DEFORREST JUDD (Am. 1916-1993)
Sweet Notes, 1947 oil on board 32 3/4 x 21 1/2 signed and dated lower right: DeForrest Judd 47
$10,000 - $12,000
PROVENANCE: A.C. Cook, Fort Worth, TX; John L. Nau, III, Houston, TX;
EXHIBITED: The Hock Shop Collection: Rediscovering Texas Artists of the Past, Greater Denton Arts Council, Denton, TX, January 24-March 6, 1998
172. WILLIAM LESTER (Am. 1910-1991)
White Road
oil on board 22 x 27 1/2
signed and titled on verso: WM Lester, White Road
$10,000 - $15,000
173. WILLIAM LESTER (Am. 1910-1991)
Edge of the Water oil on masonite 22 x 28
signed and titled on verso: WM Lester, “Edge of the Water”
$10,000 - $15,000
DAVID DIKE FINE
Dallas born artist Olin Travis began painting at an early age, studying under Frank Reaugh and Vivian Aunspaugh. In 1909, he left Dallas to study at the Art Institute of Chicago and later became an associate instructor. He also became an instructor and the director of the Chicago Commercial Art School and worked as a commercial artist before returning to Dallas with his wife, Kathryne Hail Travis, in 1923. Together, he and Kathryne founded the Dallas Art Institute in 1926 and taught through the Ozark Summer School which they established in Cass, Arkansas.
An important artist and teacher, Travis’s influence was significant in the Dallas Nine group of artists and beyond. During his lifetime, Travis’s paintings were featured in numerous shows throughout Texas, New York, and Colorado and 20+ solo exhibitions were mounted. Today, his work can be found in the following collections: Dallas Museum of Art, TX; Elisabet Ney Museum and Texas Fine Arts Association, Austin, TX; Art Museum of South Texas, Corpus Christi, TX; and Marion Koogler McNay Art Museum, San Antonio, TX to name a few.
Sources: Texas Artists and Artisans by Vic Roper © 2017; Earth & Sky, The Pastels of Josephine Oliver Travis (1908-1991), 2007 Exhibition at the Tyler Museum of Art.
Entrance to Chicago –Evening, 1961 oil on masonite 23 3/4 x 35 3/4 signed lower right: Olin Travis, 1961; signed and titled on verso: #482, Entrance to Chicago – Evening, 1961, by Olin Travis
$25,000 - $50,000
PROVENANCE: Estate of Olin Herman Travis; Susan L. Travis Collection, Ruidoso, NM by descent
174. OLIN HERMAN TRAVIS (Am. 1888-1975)
175. OLIN HERMAN TRAVIS (Am. 1888-1975)
Cotton Patch, Ozark, Arkansas, 1916 oil on canvas 16 x 28
signed lower right: Olin Herman Travis
$4,000 - $8,000
176. OLIN HERMAN TRAVIS (Am. 1888-1975)
Arkansas Morning oil on board 10 x 14 label on verso: Authenticated by David Hail Travis, son of Olin H. Travis
$1,500 - $3,000
PROVENANCE: Estate of Kathryne Hail Travis
177. OLIN HERMAN TRAVIS (Am. 1888-1975)
Tree Sketch oil on board 12 x 16 label on verso: Authenticated by David Hail Travis, son of Olin H. Travis
$1,500 - $3,000
PROVENANCE: Estate of Kathryne Hail Travis
178. OLIN HERMAN TRAVIS (Am. 1888-1975)
“Foster” a Student oil on board 16 x 11 3/4 signed and titled on verso: Painted by Olin Herman Travis, “Foster” a Student posed for this $1,500 - $3,000
PROVENANCE: Estate of Kathryne Hail Travis
179. KATHRYNE HAIL TRAVIS (Am. 1894-1972)
Colorado Wildflowers oil on canvas 25 x 30 signed lower left: Kathryne Hail Travis
$4,000 - $8,000
PROVENANCE: Estate of Edna Jane Travis; Susan L. Travis Collection, Ruidoso, NM by descent
180. KATHRYNE HAIL TRAVIS
(Am. 1894-1972)
Capitan Mountains, New Mexico
oil on canvas board 12 x 16
signed lower right: Kathryne Hail Travis
$2,500 - $5,000
PROVENANCE: Estate of Kathryne Hail Travis
181. ED BEARDEN (Am. 1919-1980)
Country Siding in Winter, 1954 oil on masonite 24 x 30 signed lower right: Ed Bearden ‘54
$8,000 - $12,000
PROVENANCE: Bill and Mary Cheek Collection Dallas, TX; Current: Private Collection;
EXHIBITED: Survey of Texas Artists, Sept 7 – Nov 9, 1991, Longview Museum and Arts Center, Longview, TX
182. MERRITT MAUZEY (Am. 1898-1973)
Olsen’s oil on masonite 24 x 30 signed lower right: Mauzey
$14,000 - $18,000
PROVENANCE: Collection of the artist, Merritt Mauzey; Dr. William Potts purchased from the artist; Bill Cheek Collection, Dallas, TX; Current: Private Collection, Austin, TX
note: Verso, in Merritt Mauzey’s hand: Sketch made of John Sealy Hospital around 1935 . . . an old man lived in the boat and said that he had lived by the Sea all his life and would die by the Sea. He had a Scandinavian brogue so I called the sketch “Olsen’s.” This oil was made from the 12 x 16 sketch.
183. JOSÉ ARPA (Am. 1858-1952)
Fuente De La Coba, 1910 oil on canvas 20 x 30
signed lower left: Fuente De La Coba, J Arpa, 1910
$50,000 - $80,000
184. JOSÉ ARPA (Am. 1858-1952)
Feria de Sevilla oil on wood panel
8 5/8 x 10 5/8
titled and signed lower left: Feria de Sevilla, J. Arpa; $4,000 - $8,000
EXHIBITED: Jose Arpa: Spanish Painter in Texas, Panhandle-Plains Historical Museum, Canyon, TX
note: on verso – Jose Arpa: Spanish Painter in Texas, Panhandle-Plains Historical Museum; Harry Halff Fine Art, San Antonio, TX
185. ELEANOR ONDERDONK (Am. 1884-1964)
Autumn – San Antonio, TX oil on canvas board 16 x 19 3/4
signed lower left: E. Onderdonk
$4,000 - $8,000
San Antonio born artist Julian Onderdonk is notably the one of the most highly valued Texas impressionist painters of the early 20th century. His career began early, as he was the son of Robert Jenkins Onderdonk, a prominent portrait painter and teacher of the San Antonio area.
Julian, moved to New York in 1901 where he studied with William Merritt Chase, the Art Students League of New York, Robert Henri, and other influential artists. For a few years, he divided his time between Texas and New York, sometimes working under various pseudonyms, but in 1909 he moved back to San Antonio for good. It was there in the Hill Country of Texas that his genius flourished. Emily Ballew Neff describes Onderdonk’s sensitive and breathtaking works from this time period in her essay in Julian Onderdonk: A Catalogue Raisonné (Halff, 2016).
Paintings of the flat and brush-filled arid lands of Southwest Texas appear to feature a lacy, filigree screen across the canvas. Onderdonk painted landscapes that are lyrical and complex, filled with strong color harmonies, shimmering light effects, delicate brushwork, and reflective of a temperament keenly in tune with the distinctive and varied qualities of the Texas Countryside.
Onderdonk’s paintings were widely exhibited across the country throughout his lifetime. Posthumously and most recently there have been several major retrospectives at the Museum of Fine Arts, Houston; The Dallas Museum of Art; and the San Antonio Museum of Art. His works can be found in the following collections: El Paso Museum of Art, TX; Dallas Museum of Art, TX; Witte Memorial Museum, San Antonio, TX; Stark Museum of Art, TX; San Antonio Museum of Art, TX; Ogden Museum of Southern Art, LA; Amon Carter Museum of Art, TX; and the Museum of Fine Arts, Houston, TX to name a few.
Sources: Texas Artists and Artisans by Vic Roper; Julian Onderdonk: A Catalogue Raisonné by Harry Halff © 2016 by the Museum of Fine Arts, Houston
1882-1922)
The Brush Country in Winter, Southwest Texas, 1922 oil on board 10 x 13 signed lower left: Julian Onderdonk; titled and signed on verso: The Brush Country in Winter, Southwest Texas, Julian Onderdonk, 1922
$40,000 - $60,000
186. JULIAN ONDERDONK (Am.
187. JULIAN ONDERDONK (Am. 1882-1922)
Early Spring Morning, 1909 oil on panel 6 x 9
signed lower right: Julian Onderdonk; signed and titled on verso: Early Spring Morning, Julian Onderdonk, 1909
$8,000 - $12,000
PROVENANCE: Sallie and Wesley Anderson Collection, Calvert, TX
188. JULIAN ONDERDONK (Am. 1882-1922)
Winter Sunset, 1908 oil on board 6 x 9
signed lower right: Julian Onderdonk; signed and titled on verso: Winter Sunset, Julian Onderdonk, 1908
$8,000 - $12,000
188
189. JULIAN ONDERDONK (Am. 1882-1922)
Live Oak Tree On A Caliche Road
watercolor on paper 7 1/2 x 9 1/2
signed lower right: Julian Onderdonk
$6,000 - $12,000
190. JULIAN ONDERDONK (Am. 1882-1922)
Breaking Wave
watercolor on paper 7 x 9 3/4
signed lower left: Julian Onderdonk
$7,000 - $9,000
191. EVERETT G. JACKSON (Am. 1900-1995)
El Mission Canyon, Baja California oil on canvas 18 x 28
signed lower right: Everett Gee Jackson
$1,000 - $2,000
note: This work is included in Julian Onderdonk: A Catalogue Raisonné by Harry Halff
192. HARRY ANTHONY DEYOUNG (Am. 1893-1956)
Aspens, New Mexico oil on canvas 25 x 30 signed lower right: DeYoung
$5,000 - $10,000
193. HARRY ANTHONY DEYOUNG (Am. 1893-1956)
Lightly Falling Snow oil on canvas 24 x 28
signed lower left: Harry Anthony DeYoung; titled on verso: Lightly Falling Snow
$3,000 - $6,000
$4,000 - $8,000
DAVID DIKE FINE
194. GEORGE GRAMMER (Am. 1928-2019)
Night Flight
oil on canvas 50 x 32
signed lower right: Grammer; titled on verso: Night Flight
Untitled (City at Night) oil on canvas 44 x 30 signed lower right: G.
$4,000 - $8,000
PROVENANCE: Collection of the artist, George Grammer; Private Collection acquired from above
195. GEORGE GRAMMER (Am. 1928-2019)
Grammer
196. GEORGE GRAMMER (Am. 1928-2019)
Building at Night oil on canvas 49 x 32
$4,000 - $8,000
PROVENANCE: Collection of the artist, George Grammer; Private Collection acquired from above
197. GEORGE GRAMMER (Am. 1928-2019)
Night Shift
oil on canvas 34 x 28
signed lower right: Grammer; titled and signed on verso: Night Shift, George Grammer
$2,500 - $5,000
Fort Worth born artist George Grammer is recognized as an important post-World War II modernist painter. He attended Paschal High School where he studied art with Creola Searcy and received early recognition for his artistic abilities. He was awarded a scholarship to Texas Wesleyan College, where he studied with Kelly Fearing, and subsequently was introduced to Dickson Reeder and the Fort Worth Circle group of artists. Later on, he became the youngest member of that group which embraced modernism and abstraction in contrast to realism, which was prioritized by the Dallas Nine and their circle.
In 1952 Grammer moved to Mexico, studying painting at Instituto Allende in San Miguel de Allende. From there he studied at the Art Students League in New York, married June Amos, and settled in New York. He gained representation in galleries in New York, New Jersey, and Maine. Even though he lived on the East Coast for the rest of his life, he maintained close connections with friends and family in Fort Worth and continued to exhibit and receive recognition for his work in his beloved hometown. His most notable body of work began in 1950 and its origin is described in the book Intimate Modernism, Fort Worth Circle Artists in the 1940s (Barker and Myers, 2008).
A chance nighttime bus trip from Jacksboro to Fort Worth provided the inspiration for Grammer’s best-known works. While gazing through the bus window into the darkness, he was suddenly captivated by the patterns of light emanating from a distant oil-drilling rig. The image of the illuminated rig became the basis for a series of abstract paintings of nighttime industrial scenes.
Two retrospective exhibitions have highlighted his legacy — George Grammer: Full Circle held in 2017 at Texas Wesleyan University in Fort Worth co-curated by BB Moncrief and Carter Bowden, and Texas Moderns: George Grammer, co-curated by Patrick Kelly and Scott Barker for The Old Jail Art Center in Albany in 2014. Grammer’s works can be found in the permanent collections of the Amon Carter Museum of American Art, Dallas Museum of Art, Modern Art Museum of Fort Worth, Longview Museum of Fine Arts, Old Jail Art Center, and San Antonio Art League & Museum.
Sources: Intimate Modernism, Fort Worth Circle Artists in the 1940s by Scott Grant Barker and Jane Myers, Amon Carter Museum of American Art, Fort Worth, 2008.
198. GEORGE GRAMMER (Am. 1928-2019)
A City in the Sunset oil on canvas 28 x 34 signed lower right: Grammer; signed on verso: George Grammer
$2,000 - $4,000
PROVENANCE: Collection of the artist, George Grammer; Private Collection acquired from above
199. GEORGE GRAMMER (Am. 1928-2019)
Big City Night watercolor on paper 12 x 9
signed lower right: Grammer; titled and signed on verso: Big City Night, George Grammer
$600 - $1,200
200. GEORGE GRAMMER (Am. 1928-2019)
Sky Slice City Street watercolor on paper 12 x 9 signed lower right: Grammer; titled and signed on verso: Sky Slice City Street, George Grammer $600 - $1,200
201. GEORGE GRAMMER (Am. 1928-2019)
Near Times Square watercolor on paper 12 x 9 signed lower right: Grammer; titled and signed on verso: Near Times Square, George Grammer
$600 - $1,200
203. GEORGE GRAMMER (Am. 1928-2019)
Winter Hill, 1954
oil on board 24 x 18 3/4
signed lower right: Grammer 54; signed and titled on verso: George Grammer, Winter Hill; label on verso: Rental Gallery
Fort Worth Art Center
$1,500 - $3,000
204. GEORGE GRAMMER (Am. 1928-2019)
Eucalyptus and Artichoke Thistle oil on canvas 30 x 24
signed lower right: Grammer; titled and signed on verso: Eucalyptus and Artichoke Thistle, George Grammer
$1,000 - $2,000
205. GEORGE GRAMMER (Am. 1928-2019)
Blue Bobette
oil on canvas board 12 x 9
signed and titled on verso: George Grammer, Bobette
$400 - $800
202. GEORGE GRAMMER (Am. 1928-2019)
Mexican Garden WallPlumbago Flowers and Cypress, 1952
gouache on paper 23 x 14 1/2
signed lower right: Grammar ‘52; titled on verso: Mexican Garden Wall - Plumbago Flowers and Cypress, 1952
$2,000 - $4,000
206. DICKSON REEDER (Am. 1912-1970)
The Cook oil on canvas 45 x 30 Label on verso: By Dickson Reeder, Ft. Worth, Tex, “The Cook”; Estate of Flora Blanc Reeder, Estate Lot #116
$4,000 - $8,000
PROVENANCE: Estate of Flora Blanc Reeder, Estate Lot #116
207. OLIVE PEMBERTON (Am. 1923-2023)
Girl in Red Sweater, 1959 casein on panel 11 1/2 x 23 signed upper right: Olive Pemberton ‘59
$800 - $1,200
EXHIBITED: Fort Worth Community Arts Center
208. KELLY FEARING (Am. 1918-2011)
Sea Breeze oil on canvas 36 x 24 signed lower right: Kelly Fearing
$4,000 - $6,000
PROVENANCE: John L. Nau, III, Houston, TX
209. KELLY FEARING (Am. 1918-2011)
Hummingbird oil on canvas 8 x 10 signed upper right: Kelly Fearing
$1,500 - $2,500
210. MARJORIE JOHNSON LEE (Am. 1911-1997)
The Old House, 1944 oil on canvas 33 x 22
signed lower left: M. Johnson
$10,000 - $15,000
LITERATURE: Dictionary of Texas Artists, 1800-1945, compiled by Paula L. Grauer & Michael R. Grauer, ©1999, Texas A&M University Press, College Station. Illustrated as plate 94 on page 133.
211. CYNTHIA BRANTS (Am. 1924-2006)
Morning at the Lake, 1982 oil on canvas 24 x 40
signed lower right: C Brants; titled and signed on verso: “Morning at the Lake”, 1982, C Brants
$3,000 - $6,000
212. CYNTHIA BRANTS (Am. 1924-2006)
Landscape at Granbury, 1984 oil on canvas 20 x 28
signed lower right: C Brants; titled and signed on verso: Landscape at Granbury, 1984, C Brants
$2,500 - $5,000
213. MCKIE TROTTER (Am. 1918-1999)
Exits, 1950 casein on board 16 x 20 signed and dated lower right
$1,500 - $3,000
PROVENANCE: Estate of the artist; William Reaves Fine Art, Houston, TX; Private Collection, Houston, TX
EXHIBITED: McKie Trotter: Back Again at Last, William Reaves Fine Art, October 3-28, 2008.
LITERATURE: McKie Trotter: Back Again at Last, William Reaves Fine Art, October 3-28, 2008. Illustrated as Plate 49 in the catalogue.
214. MCKIE TROTTER (Am. 1918-1999)
Stela in a Red Landscape
acrylic on canvas 22 7/8 x 17 1/2 signed and titled on verso: Trotter, Stela in a Red Landscape
$1,500 - $3,000
215. MCKIE TROTTER (Am. 1918-1999)
Earthscape #19
acrylic on canvas 13 3/4 x 16
signed lower left: Trotter; titled and signed on verso: Earthscape #19, Trotter
$800 - $1,200
216. MCKIE TROTTER (Am. 1918-1999)
Vertical - Horizontal, 1952 gouache on paper 11 x 23 titled and signed upper right: “Vertica – Horizontal” McKie Trotter 52; signed lower right: McKie Trotter 52 $800 - $1,200
217. MCKIE TROTTER (Am. 1918-1999)
Sketch for a Winterscape oil on masonite 8 x 10 signed lower right: Trotter; signed and titled on verso: Trotter, “Sketch for a Winterscape”
$800 - $1,200
218. MCKIE TROTTER (Am. 1918-1999)
Landscape In Grays, 1960 oil on masonite 7 3/4 x 11 7/8
signed lower left: Trotter; signed and titled on verso: Trotter, “Landscape In Grays”, 1960 $800 - $1,200
DAVID DIKE
219. DOROTHY HOOD
(Am. 1918-2000)
Last Tixo’s Void, 1982 oil on canvas 70 x 60 signed and titled on verso: D. Hood, Last Tixo’s Void
$30,000 - $40,000
220. BEN L. CULWELL (Am. 1918-1992)
Opening, No. 56-4, 1956-75 oil, lacquer, and glass on masonite 24 x 48 signed on all four corners: BLC; signed and titled on verso: No. 56-4, “Opening” 1956-75, Ben L. Culwell
$25,000 - $35,000
221. BEN L. CULWELL (Am. 1918-1992)
Feedback, No. 54-1, 1954-63 oil, lacquer, and glass on masonite 30 1/4 x 24 1/4 signed on all four corners: BLC; signed and titled on verso: “Feedback”, No. 54-1, 1954-63, Ben L. Culwell; label on verso: McNay Art Institute, San Antonio, TX
$20,000 - $30,000
222. BEN L. CULWELL (Am. 1918-1992)
Abstraction, c. 1958 oil, lacquer, and glass on masonite 62 x 12 1/2
$8,000 - $12,000
221 222
223. ROBERT PREUSSER (Am. 1919-1992)
Luminary Landscape oil and mixed media on canvas 36 x 49 1/2
signed lower right: Preusser; signed and titled on verso: Preusser, Luminary Landscape; label on verso: Cambridge Art Association
$6,000 - $8,000
224. ROBERT PREUSSER (Am. 1919-1992)
Arctic Region, 1985-90 mixed media on canvas 50 x 24
signed lower right: Preusser ’85/’90; signed and titled on verso: Preusser, Arctic Region, 1985 completed 1990
$2,500 - $5,000
225. ROBERT PREUSSER (Am. 1919-1992)
House in Abstraction, 1932 oil on canvas laid down on board 16 x 12
signed lower left: Robert Preusser; label on verso: ACME Fine Art and Design, 38 Newbury St., Boston, MA
$2,000 - $4,000
226. ROBERT PREUSSER (Am. 1919-1992)
Untitled, 1937 watercolor on paper 9 x 12 signed and dated lower right: Preusser 1937
$800 - $1,200
227. ROBERT PREUSSER (Am. 1919-1992)
RP66, (ROP 20), 1937 watercolor on paper 19 7/8 x 13 7/8 signed and dated upper left: Robert Preusser 1937; label on verso: ACME Fine Art and Design, 38 Newbury St., Boston, MA
$1,500 - $2,500
228. SEYMOUR FOGEL (Am. 1911-1984)
Untitled, 1959 oil on masonite 60 x 48
signed lower left: Fogel ‘59
$25,000 - $35,000
229. SEYMOUR FOGEL (Am. 1911-1984)
Untitled (Black Squares) oil and sand on masonite
48 3/8 x 24
signed upper left: Fogel; label on verso: Portico New York, INC, New York, NY
$1,500 - $3,000
Seymour Fogel studied at the National Academy of Design in New York and the Art Students League under Leon Kroll and George Brandt Bridgeman where he mastered realism and executing the human form. Diego Rivera took him on as an assistant to complete a mural at Rockefeller Center. In the 1930s Fogel traversed the country by train rendering imagery from the Great Depression, these works have landed in collections such as the National Gallery in Washington, D.C. and the Ogden Collection in New Orleans, LA. In 1946 started his professorship in the art department at the University of Texas at Austin where he joined the ranks of forward thinking modernist painters. This first decade of modernist outpouring included 6 series: pastiche, mother and child, seraphic, limestone, flagellant, and multi-style.
230. SEYMOUR FOGEL (Am. 1911-1984)
Untitled, c. 1980 oil on board 7 1/2 x 10
signed lower right: Fogel; label on verso: Portico New York, Inc., New York, NY
$1,500 - $3,000
SEYMOUR FOGEL (Am. 1911-1984)
Untitled, c. 1975-80 oil on board 7 3/4 x 10 1/2
signed lower right: Fogel; estate stamped on verso: estate of Seymour Fogel; label on verso: Portico New York, Inc., New York, NY
$1,500 - $3,000
231.
232. SEYMOUR FOGEL (Am. 1911-1984)
Untitled (Limestone Eye) conte crayon on paper 26 x 48 signed lower right: Fogel
$1,000 - $2,000
233. SEYMOUR FOGEL (Am. 1911-1984)
Woodland Eros Drawing IV, c. 1971
conte crayon on illustration board 39 1/4 x 29 1/4
$2,500 - $5,000
234. SEYMOUR FOGEL (Am. 1911-1984)
Untitled, 1978 painted wood construction 51 1/4 x 11 1/2 x 14 1/4 signed on base: Fogel ‘78
$2,000 - $4,000
235. SEYMOUR FOGEL (Am. 1911-1984)
Untitled (circle abstract) oil on paper 4 1/4 x 4 3/8 signed on mat: SF2413; label on verso: Portico New York, INC., New York, NY
$800 - $1,200
236. MICHAEL FRARY (Am. 1918-2005)
Pertaining to Still Life, 1958 oil on masonite 22 x 30 signed lower right: Frary
$6,000 - $8,000
237. MICHAEL FRARY (Am. 1918-2005)
Still Life with White Pitcher, c. early 1950s oil on masonite 16 x 20 signed lower right: Frary; titled on verso: Still Life with White Pitcher
$3,000 - $5,000
PROVENANCE: Private Collection, Dallas, TX purchased from the artist in the mid-1990s
238. MICHAEL FRARY (Am. 1918-2005)
Spectre of the Arch oil on masonite 15 3/4 x 31 1/2 signed lower right: Frary; label on verso: Dallas Museum of Fine Arts, Rental Program; Pan American Galleries, San Antonio, TX; note on verso: Betty McLean Gallery
$2,000 - $4,000
239. BILL REILY (Am. 1930-2014)
Breakfast oil on board 20 x 16
signed lower center: B Reily
$2,000 - $4,000
PROVENANCE: Bill Reily, collection of the artist; William Reaves Fine Art, Houston, TX; Private Collection, Houston, TX.
EXHIBITED: Rediscovering Reily: Splendid Renderings of a San Antonio Modernist, William Reaves Fine Art, February 1-16, 2008.
240. STEPHEN RASCOE (Am. 1924-2008)
Still Life oil on board 12 x 18
signed lower right: S. Rascoe
$800 - $1,200
241. RALPH WHITE (Am. 1921-2004)
Spacescape, 1966 acrylic on masonite 31 3/4 x 47 3/4 signed lower right: R White
$7,000 - $9,000
242. WARD LOCKWOOD (Am. 1894-1963)
Southwest Landscape oil on canvas 36 x 48
signed lower right: Lockwood
$4,000 - $8,000
243. WARD LOCKWOOD (Am. 1894-1963)
Native Trout, c. 1939
watercolor on paper 15 x 19 1/2
signed lower right: Lockwood; titled on verso: Native Trout
$2,000 - $4,000
EXHIBITED: Ward Lockwood, San Francisco Museum of Art, 1939 (label on verso)
244. WARD LOCKWOOD (Am. 1894-1963)
New Mexico Landscape oil on paper 18 1/2 x 24
signed lower right: Lockwood; Estate number on verso: #466
$3,000 - $5,000
245. BOYER GONZALES, JR. (Am. 1909-1987)
Abstract Landscape oil on board 14 x 19
signed lower right: B. Gonzales
$4,000 - $8,000
247. CHESTER TONEY (Am. 1925-1960)
Abstract, 1956 oil on board 24 x 30
signed lower right: Chester Toney 56
$3,000 - $6,000
246. WARD LOCKWOOD (Am. 1894-1963)
Untitled
tempera on paper 19 x 27
signed lower right: Lockwood
$1,500 - $3,000
This work is reproduced as plate no VI-9 in the book, Ward Lockwood 1894-1963, by Charles C. Eldredge, © The Univ. of Kansas Museum of Art. From the book, “The drawing style of the coastal sketches was more happily translated to a series of abstractions which Lockwood produced about 1950. In these abstractions there is a new delicacy and a feeling for an overall, uniform image. In this the drawings show affinities with the intricate constructions etched by Ynez Johnston, whose work was admired and collected by Lockwood. The abstraction also evokes memories of Paul Klee’s fantastic drawings, a source which had particular impact on Lockwood.”
note: Albright lived in Dalhart, Texas for several years. Interested in adobe structures, he designed many replicas for the city including his own studio.
248. LLOYD ALBRIGHT (Am. 1896-1950)
Basking In Sunlight, c. mid 1930s
oil on board 12 x 14
signed lower right: L Albright; titled and signed on verso: Basking in Sunlight, Lloyd L Albright; label on verso: The Hock Shop Collection: Rediscovering Texas Artists of the Past, Jan 24 - Mar 6, 1998, The Meadows Gallery, The Center for the Visual Arts, Greater Denton Arts Council
$4,000 - $6,000
PROVENANCE: A.C. Cook–The Hock Shop Collection, Fort Worth, TX; John L. Nau, III, Houston, TX;
EXHIBITED: The Hock Shop Collection: Rediscovering Texas Artists of the Past, Greater Denton Arts Council, Denton, January 24-March 6, 1998;
249. ROLLA TAYLOR (Am. 1872-1970)
Mission San José, San Antonio, TX
oil on canvas board 20 x 24
signed lower left: Rolla Taylor
$6,000 - $12,000
250. ROLLA TAYLOR (Am. 1872-1970)
Mission Concepción, San Antonio, TX oil on canvas 12 x 16
signed lower right: R.S. Taylor
$4,000 - $8,000
251. HUGO POHL (Am. 1878-1960)
Mission San José oil on board 4 1/2 x 7 1/2
signed lower right: Pohl
$2,000 - $4,000
252. CHARLES BERKELEY NORMANN (Am. 1903-1985)
Waller Creek, Austin, TX
oil on board 20 x 24
signed lower right: Chas. Berkeley Normann
$1,500 - $3,000
253. PAUL RODDA COOK (Am. 1897-1972)
Mission San José, c. 1930s watercolor on paper
9 3/4 x 13 3/4
signed lower left: Paul Rodda Cook
$800 - $1,200
254. DAWSON
DAWSON-WATSON (Am. 1864-1939)
Road through the Bluebonnets, 1926 oil on canvas 24 x 32
signed lower left: Dawson-Watson ‘26
$25,000 - $35,000
255. DAWSON
DAWSON-WATSON (Am. 1864-1939)
Prickly Pear Cactus and Bluebonnets, 1929 oil on canvas board 21 x 16
signed lower right: Dawson-Watson ‘29
$12,000 - $18,000
256. DAWSON
DAWSON-WATSON (Am. 1864-1939)
Olgo Diferente, 1931 oil on canvas 21 x 16
signed lower right: DawsonWatson ’31; signed and titled on verso: Olgo Diferente, frame designed & carved by Dawson-Watson, 1932
$8,000 - $12,000
257. DAWSON
DAWSON-WATSON (Am. 1864-1939)
A View of the Haystacks oil on canvas 24 x 20 signed lower right: Dawson-Watson
$5,000 - $10,000
258. DAWSON
DAWSON-WATSON (Am. 1864-1939)
Sailboat, 1932 watercolor on paper 14 x 21
signed lower left: Dawson-Watson 32
$2,500 - $3,500
PROVENANCE: John L. Nau, III, Houston, TX
259. ROLLA TAYLOR (Am. 1872-1970)
San Antonio River Scene, c. 1928 oil on canvas board 15 3/4 x 19 7/8
signed lower right: Rolla S. Taylor; note on verso: Purchased direct from Rolla Taylor, June 1928 $2,500 - $5,000
260. PORFIRIO SALINAS (Am. 1910-1973)
Texas Bluebonnet Landscape oil on canvas 18 x 20
signed lower right: P Salinas
$15,000 - $25,000
261. PORFIRIO SALINAS (Am. 1910-1973)
The Other Road to Hondo oil on canvas 16 x 21 signed lower right: Porfirio Salinas
$18,000 - $25,000
262. ROBERT WOOD (Am. 1889-1979)
Spring in the Hill Country oil on canvas board 16 x 22 signed lower left: Robt Wood
$10,000 - $15,000
263. PORFIRIO SALINAS (Am. 1910-1973)
Autumn in the Texas Hill Country oil on canvas 25 x 30
signed lower right: P. Salinas
$15,000 - $20,000
264. PORFIRIO SALINAS (Am. 1910-1973)
Autumn in Texas, c. 1942 oil on canvas 16 x 20
signed lower left: Porfirio Salinas
$5,000- $7,000
PROVENANCE: Salinas gifted this painting to his English teacher, Sallie May Gettmann, San Antonio, TX; Mr. & Mrs. Clark Lauderdale Collection, Dallas, TX by descent
265. PORFIRIO SALINAS (Am. 1910-1973)
Autumn in the Hill Country oil on canvas 9 x 12
signed lower left: Porfirio Salinas
$4,000 - $6,000
266. PORFIRIO SALINAS (Am. 1910-1973)
El Cordores, Spain oil on canvas 16 x 12
signed lower left: Porfirio Salinas
$4,000 - $6,000
267. ROBERT LOUGHEED (Am. 1910-1982)
Bay Circus Ponies oil on board 12 x 16
signed lower right: R. E. Lougheed; titled on verso: Bay Circus Ponies
$4,000 - $8,000
268. FRED DARGE (Am. 1900-1978) A Friendly Encounter –Navajo Reservation, Arizona oil on canvas board 16 x 20 signed lower right: F Darge; titled on verso: A Friendly Encounter – Navajo Reservation, Arizona
$8,000 - $12,000
269. FRED DARGE (Am. 1900-1978) Going Home oil on canvas 18 x 24
signed lower right: F Darge; Label on verso: Lawrence Art Galleries, Dallas, TX $5,000 - $10,000
270. FRED DARGE (Am. 1900-1978)
Going to Work, Arroyo Seco, New Mexico
oil on canvas board 12 x 16
signed lower right: F. Darge; titled on verso: Going to Work, (Arroyo Seco, New Mexico)
$2,000 - $4,000
271. FRED DARGE (Am. 1900-1978)
Horse and Rider
oil on canvas board 8 x 10
signed lower right: F Darge
$800 - $1,200
272. FRED DARGE (Am. 1900-1978)
Bull, Cow and Calf bas-relief wood carving 9 x 19
signed lower left: F Darge
$4,000 - $6,000
273(a). FRED DARGE (Am. 1900-1978)
Two Riders and Pack Horse oil on canvas board 6 1/3 x 8 signed lower right: F Darge
$1,500 - $3,000
273(b). FRED DARGE (Am. 1900-1978)
Horse and Rider oil on board 4 3/4 x 6 signed lower right: F Darge
273(a)
273(b)
274(d)
274(a). FRED DARGE (Am. 1900-1978) A Mariachi Band oil on board 4 3/4 x 5 1/2 signed lower right: F Darge
$1,000 - $2,000
274(b). FRED DARGE (Am. 1900-1978)
Portrait of a Man oil on board 5 1/2 x 4 3/4 signed lower right: F Darge
274(c). FRED DARGE (Am. 1900-1978)
Street Vendor oil on board 4 3/4 x 5 1/2 signed lower right: F Darge
274(d). FRED DARGE (Am. 1900-1978)
Matador and Bull oil on board 4 3/4 x 5 1/2 signed lower right: F Darge
275. FRED RED HARRIS (Am. 1910-1979)
Just Visiting, 1966 oil on canvas board 23 3/4 x 30 signed lower right: F Harris 66; signed and titled on verso: Just Visiting, Fred Red Harris, 1966 $3,000 - $6,000
276. HENRY BALINK (Am. 1882-1963)
Tony and His Horses oil on canvas 15 x 16 1/4 signed lower left: Henry C. Balink
$10,000 - $15,000
277. WAYNE BAIZE (Am. b. 1943)
Spring Fever, © pastel and gouache on paper 24 x 18
signed lower left: Wayne Baize © $8,000 - $12,000
278. WAYNE BAIZE (Am. b. 1943)
The Palomino, © pastel on paper 12 x 16
signed lower left: Wayne Baize © $3,000 - $6,000
279. WARREN ROLLINS (Am. 1861-1962)
Moqui Indian Oraibi, Arizona
oil on canvas 14 x 10
signed lower right: W. E. Rollins
$3,000 - $6,000
280
280. JOE GRANDEE (Am. 1929-2021) McNelly – Rangers In Pursuit, 1989 © oil on canvas 24 x 30
signed lower left: Joe Grandee 89 ©; titled on verso: McNelly –Rangers In Pursuit, 1989
$2,500 - $5,000
281. JOE GRANDEE (Am. 1929-2021)
U.S. Gragoon – Period 1847, 1980
gouache on paper 18 x 24
signed lower right: J Grandee © 1980
$500 - $800
282. JOE GRANDEE (Am. 1929-2021)
Dismounted Dragoon, 1963 oil on canvas 30 x 22
signed lower right: Joe Grandee, JG ©
$800 - $1,200
283. EDMUND KINZINGER (Am. 1888-1963)
Taxco Woman oil on masonite 26 1/4 x 20
Estate Stamped on verso
$4,000 - $6,000
284. EDMUND KINZINGER (Am. 1888-1963)
Portrait of a Man
pastel on paper 24 3/4 x 19
Estate stamped: Estate of Edmund Daniel Kinzinger
$1,500 - $3,000
285. CLYDE HERON (Am. 1929-1999)
Mexican Fort, 1985 oil on canvas 20 x 30 signed lower left: Clyde Heron © 85 $1,000 - $2,000
286. STANLEY LONG (Am. 1892-1972)
Fence Riders
watercolor on paper 16 x 20 signed lower left: Stanley M. Long; label on verso: Joseph Sartor Galleries, Dallas, TX $800 - $1,000
287. AUGUST LENOX (Am. 1908-1986)
Railroad Target Shoots on the Buffalo Plains oil on canvas 24 x 40 signed lower right: Lenox
$2,000 - $4,000
288. AUGUST LENOX (Am. 1908-1986)
The Coming of the Bone Pickers oil on canvas 24 x 40 signed lower left: Lenox
$2,000 - $4,000
289. JOSE VIVES-ATSARA (Am. 1919-2004)
Patio Y Casas, Catalonia, Spain, 1975 oil on canvas 16 x 20
signed lower left: VivesAtsara; signed on verso: Patio Y Casas, Catalonia, Spain by Vives-Atsara (75)
$4,000 - $8,000
290. JOSE VIVES-ATSARA (Am. 1919-2004)
Sunrise in Jamaica, West Indies, 1967 oil on canvas board 16 x 20
signed lower right: VivesAtsara; signed on verso: Sunrise in Jamaica, West Indies by Vives-Atsara (67)
$4,000 - $8,000
291. JUANITA MONTGOMERY (Am. 1913-1997) Cantina Olympia oil on canvas 16 x 12 signed lower right: Juanita Montgomery
$900 - $1,200
292. CAROLYN ROSE HARPHAM (Am. 1910-1969)
Old House, San Antonio, TX, 1930 oil on board 13 x 17
signed lower right: Rose Harpham ‘30
$600 - $900
(Am. 1872-1970) El
Shack
on canvas board 15 1/2 x 19 1/2 signed lower left: Rolla Taylor
$1,000 - $2,000
294. FRANZ STRAHALM (Am. 1879-1935)
Mexico Landscape oil on board 13 1/2 x 21
signed lower right: F Strahalm
$2,000 - $3,000
293. ROLLA TAYLOR
Paso
oil
295. MARY K. SLOAN (Am. 1924-2014)
Turning Basin’s Oil Tanks, c. 1965
oil on hardboard 24 x 36
signed lower right: Mary Sloan
$4,000 - $6,000
296. MARGARET PUTNAM (Am. 1913-1989)
Pleasant Drive San Antonio (Abstract)
oil on canvas 30 x 36 signed and titled on stretcher: Pleasant Drive San Antonio, M. Putnam; label on verso: Roughton Galleries, Dallas, TX; Estate stamped on verso: Estate of Margaret Putnam
$2,000 - $4,000
297. FRED MITCHAM (Am. 1917-2004)
Landscape, 1958
oil on canvas board 17 x 23 signed lower right: Fred Mitcham ‘58
$1,000 - $2,000
Mary Sloan’s vibrant and expressive style can be seen throughout a variety of mediums including but not limited to oil, mosaic, and watercolor. Having lived in both San Miguel de Allende, Mexico and Santa Fe, New Mexico before moving back to Texas, she was inspired and deeply influenced by nature. In both Desert Landscape and River Rocks Sloan’s desire to find balance between the beauty and brutality of nature is a profound influence in her work. As she stated, “there is much of nature’s constant struggle or combat yet beyond, behind, or near a struggle there is usually a stabilizing thing of beauty of strange conformity” (Sloan, Discovery).
298. MAURICE SCHMIDT (Am. b. 1936)
Old Farmers Market in San Antonio oil on canvas 9 x 12 signed upper left: Schmidt; titled on verso: Old Farmers Market in San Antonio
$1,000 - $2,000
299. LAURA BUCHANAN (Am. 1872-1967)
Summer Afternoon oil on canvas 18 x 22 signed lower right: L Buchanan
$2,000 - $3,000
note: Sloan’s works can be found in the following collections: Witte Museum, TX; Beaumont Museum, TX; Grumbacher Collection, NY; and Jefferson Museum, TX as well as others. Solo exhibitions include: Olla Podria, Dallas, TX; Men of Art Guild, San Antonio, TX; Texas Artist Association, Wichita Falls, TX.
300. OCTAVIO MEDELLIN (Am. 1907-1999)
The Sitting Girl
hammered lead 17 1/2 x 19 x 14 1/4
$6,000 - $8,000
PROVENANCE: Octavio Medellin, collection of the artist; Private Collection, OK acquired from the artist
EXHIBITED: Octavio Medellin 1996 Legend Award Artist, Dallas Visual Arts Center, Aug 16 – Oct 4, 1996
301. MIMI MURPHEY (Am. 1912-1985)
Woman and Child, 1943
bas-relief wood carving
52 x 18 1/2 x 2 signed on verso: Mimi Murphey 1943
$8,000 - $12,000
302(a). CLYDE CONNELL (Am. 1901-1998)
Red Clay Series, No. 1, 1990
mixed media on wood
75 1/2 x 7 x 1 1/4
signed on verso: Clyde Connell, No. 1, CC, 1990
$8,000 - $12,000
302(b). CLYDE CONNELL (Am. 1901-1998)
Red Clay Series, No. 2, 1990
mixed media on wood
75 1/2 x 7 x 1 1/4
signed on verso: Clyde Connell, No. 2, CC, 1990
302(c). CLYDE CONNELL (Am. 1901-1998)
Red Clay Series, No. 3, 1989
mixed media on wood
62 3/4 x 6 3/4 x 1 7/8
signed on verso: Clyde Connell, No. 3, 1989, CC
303. CLYDE CONNELL (Am. 1901-1998)
Stone Collection, 1982
mixed media on wood
24 1/2 x 13 1/4 x 15 1/2
signed on base: Clyde Connell, 1982
$1,500 - $3,000
304. HERI BERT BARTSCHT (Am. 1919-1996)
Figure, 1962
bronze 15 x 5 1/2 x 4 5/8
signed on base: HB ‘62
$3,000 - $5,000
305. CHARLES UMLUAF (Am. 1911-1994)
Dance & Learning
plaster 18 1/2 x 17 x 6 1/4
$1,000 - $2,000
306. CARLYN RAY (Am. b. 1981)
Indian Paintbrush Under The Texas Sky, 2023 fused glass 48 x 12 1/2 x 3 3/4 signed lower right: Carlyn Ray
$4,000 - $8,000
This glass sculpture from Carlyn Ray’s “Fusion Panel” series showcases vibrant colors inspired by North Texas wildflowers. Handcrafted from upcycled ribbon cane glass in her Dallas studio, each piece is meticulously trimmed, arranged, and fused to create a unique interpretation of Texas’s natural beauty.
307. JON FLAMING (Am. b. 1962)
Triumph Tower, 1997 mixed media 47 1/2 x 7 x 7 signed on verso: Jon Flaming 1997
$1,000 - $2,000
308. ED STORMS (Am. 1924-1987)
Curved Planes
bronze 9 x 9 x 6
$1,000 - $2,000
309. MELVIN WARREN (Am. 1920-1995)
Texas Rangers on Patrol ©, ed. 150, 1972
bronze 12 x 7 x 22 signed on base: Melvin C. Warren, CA ©, Texas Rangers on Patrol, 140/150, 1972
$1,500 - $3,000
310. JACK BRYANT, SR. (Am. 1928-2012)
Winning Stroke, ed. 20, 1979
bronze 9 x 11 1/2 x 4 3/4 signed on base: Jack Bryant © 79, Winning Stroke, 2/20
$400 - $800
311. HARRY LEE GIBSON (Am. 1890-1966)
Olin Travis plaster 21 x 8 x 8 1/2 signed on base: Harry Lee Gibson, Sculptor
$400 - $800
312. CHARLES PEBWORTH (Am. 1926-2019)
Down Please
stainless steel on wood 14 1/2 x 21 1/2
signed upper right: C. Pebworth; signed and titled on verso: C. Pebworth, Down Please
$400 - $800
313. CHARLES PEBWORTH (Am. 1926-2019)
Turn Me On
stainless steel and copper on wood 17 3/4 x 14 7/8
signed center right: C. Pebworth; titled and signed on verso: Turn Me On, C Pebworth
$400 - $800
314. WILLI GUTMANN (Switzerland 1927-2013)
Sculpture metal 5 1/2 x 6 1/4
$1,000 - $2,000
315. PIERRE JULES MENE (French 1810-1879)
The Arab Falconer bronze 27 x 8 1/2 x 8 1/2 signed on base: P. J. Mene, F. Barbedienne
$2,000 - $3,000
316. GREG KINNEY
(Am. 20th/21st Cent.)
Yellow House, 2025 ceramic 7 3/4 x 8 x 5 signed on base: Kinney 25
$600 - $1,200
317. TIARA JENKINS (Am. 20th/21st Cent.)
Pitcher and Cup, 2024 ceramic with glaze pitcher: 7 3/4 x 7 x 5; cup: 3 7/8 x 3 3/4 x 3 3/4 signed and dated on base: Made In Texas, TNJ, 2024, Tiara
$100 - $200
318. WILLIAM H. HUDDLE (Am. 1847-1892)
Portrait, 1874
charcoal on paper 18 x 15 signed lower right: WM H. Huddle (Pinxt) New York, Dec 1874
$1,000 - $2,000
319. WAYMAN ADAMS (Am. 1883-1959)
Portrait of Frank Reaugh oil on canvas 25 x 22 note on verso: Authenticated by Kathryne Hail Travis. This painting was done as a classroom demonstration at the Dallas Art Institue.
$5,000 - $10,000
PROVENANCE: Estate of Kathryne Hail Travis
320. SANTA DURAN (Am. 1909-2002)
Portrait of Xavier Gonzalez oil on canvas board 24 x 18 signed lower right: Santa Duran
$3,000 - $6,000
321. SANTA DURAN (Am. 1909-2002)
Portrait of Jose Arpa, 1925 oil on board 23 1/2 x 17 1/4 signed lower right: Santa Duran 1925
$3,000 - $6,000
322. LUCILLE JEFFRIES (Am. 1903-1950)
Martinique Woman watercolor on paper 21 x 16 signed on mat: Martinique Woman, L. Jeffries
$2,000 - $5,000
323. SETH FLOYD CREWS (Am. 1873-1958)
Mona “Liza”, c. late 1930s oil on board 13 1/2 x 10 1/2
signed lower right: Floyd Crews; titled on verso: Mona “Liza”; label on verso: Joseph Bender Art & Antiques, El Paso, TX
$600 - $1,200
PROVENANCE: A.C. Cook-The Hock Shop Collection, Fort Worth, TX; John L. Nau, III, Houston, TX;
Crews settled in El Paso in 1925 and became known for his portraiture. He maintained the Floyd Crews Studio in the city’s renowned Hotel Cortez, now listed on the National Register of Historic Places.
324. STEPHEN SEYMOUR THOMAS (Am. 1868-1956)
Wood Carving Shop, 1896 oil on canvas 25 x 32
signed lower right: S. Seymour Thomas – 1896
$4,000 - $8,000
325. HAROLD RONEY (Am. 1899-1986)
Snowy Landscape by the Lake oil on canvas 18 x 21
signed lower right: Harold A Roney
$2,000 - $4,000
326. ALLEN TUCKER (Am. 1866-1939)
Winter In The City oil on canvas 14 x 11
signed lower left: Tucker label on verso: Hirschl & Adler Galleries, Inc., New York, NY
$2,000 - $4,000
327. BENSON MOORE (Am. 1882-1974)
The Valley in Winter, 1925 oil on canvas 20 x 24 signed lower left: Benson B. Moore
$1,500 - $3,000
325
328. GEORGE AMES ALDRICH (Am. 1872-1941)
Brittany Mill oil on masonite 30 x 36
signed lower left: G. Ames Aldrich; titled on verso: Brittany Mill
$4,000 - $8,000
EXHIBITED: Hoosier Salon 1928, Marshall Fields, Chicago
329. GEORGE AMES ALDRICH (Am. 1872-1941)
Saw Mill oil on board 15 1/4 x 15 1/2 signed lower right: G Ames Aldrich; signed and titled on verso: G Ames Aldrich, Saw Mill
$2,500 - $5,000
330. GEORGE AMES ALDRICH (Am. 1872-1941)
Twilight, River Elaune, 1918 oil on canvas 20 x 24
signed lower right: G. Ames Aldrich, 1918; titled and signed on verso: Twilight, River Elaune; label on verso: Robert Henry Adams Fine Art, Chicago, IL
$2,500 - $5,000
331. GEORGE AMES ALDRICH (Am. 1872-1941)
Water Mill
oil on canvas 25 x 30
signed lower left: G. Ames Aldrich
$2,000 - $4,000
332. GEORGE AMES ALDRICH (Am. 1872-1941)
A Village in Winter oil on masonite 20 x 24 signed lower right: G Ames Aldrich
$1,000 - $2,000
333. MURRAY BEWLEY (Am. 1884-1964)
Three Reflective Children, c. 1930 oil on canvas 40 1/4 x 34 1/4
signed lower right: Murray Bewley
$4,000 - $8,000
334. EMMA RICHARDSON CHERRY
(Am. 1859-1954)
Portrait, 1902
oil on canvas board 20 x 10
signed upper right: E. Richardson Cherry 1902
$1,000 - $2,000
335. JEAN MACLANE (Am. 1878-1964)
Portrait of a US Soldier oil on canvas 41 x 31 signed lower right: Jean MacLane
$600 - $1,200
336. LOUISE CAMERON WALTER (Am. 20th Cent.)
Pair of Miniature Portraits, 1906 & 1907 oil on porcelain each: 4 3/4 x 3 1/2
signed lower right: L Cameron Walter, 1906; signed lower right: L Cameron Walter, Paris ‘07
$1,000 - $2,000
AWARDED: Academie Julian, Prix Julian, Dames Miniature Prix, Mlle. Walter 1906; Academie Julian, Prix Julian, Dames Miniature Prix, Mlle. Walter, 1907. The miniatures are framed with the medals.
337. ELIZABETH GARDNER BOUGUEREAU (Am. 1837-1922)
A Girl and Her Puppy oil on canvas 13 3/4 x 10 3/4 signed lower left: Elizabeth Gardner Bouguereau
$5,000 - $10,000
338. EMILY GUTHRIE SMITH (Am. 1909-1986)
Portrait – A Girl with Braids oil on canvas 14 x 11 1/2 signed lower left: Emily Guthrie Smith
$1,000 - $2,000
339. JEAN MACLANE (Am. 1878-1964)
Ready for the Bath, 1921 oil on canvas 30 x 25 signed upper left: Jean MacLane 1921; titled on verso: Ready for the Bath
$3,000 - $6,000
340. JEAN MACLANE (Am. 1878-1964)
Baby with a Bell, 1909 oil on canvas 25 x 20 signed lower left: M Jean McLane Johanson, 1909
$1,500 - $3,000
341. J. MOUNIER (French 19th Cent.)
The Blue Hat oil on canvas 8 1/4 x 6 1/4 signed lower right: J. Mounier
$400 - $800
342. HERMAN HYNEMAN (Am. 1849-1907)
Why Don’t He Come!, 1886 oil on canvas 14 x 10
signed lower right:
H.N. Hyneman 1886
$2,000 - $4,000
343. HERMAN HYNEMAN (Am. 1849-1907)
In the Greenhouse, 1897 oil on canvas 26 x 20
signed lower right:
H.N. Hyneman 97
$2,000 - $4,000
344. HERMAN HYNEMAN (Am. 1849-1907)
Rendezvous at the Savoy Plaza, 1899 oil on canvas 16 x 12
signed lower right:
H.N. Hyneman 1899
$1,500 - $3,000
345. HERMAN HYNEMAN (Am. 1849-1907)
Portrait of a Woman, 1883 oil on canvas 10 1/4 x 8
signed and dated lower left:
H.N. Hyneman 1883
$1,000 - $2,000
346. HERMAN HYNEMAN (Am. 1849-1907)
Woman with Fan, 1882 oil on canvas 16 x 12
signed lower left: H.N. Hyneman 1882
$800 - $1,200
347. HERMAN HYNEMAN (Am. 1849-1907)
Girl with Book oil on canvas 22 x 18 signed lower right: H.N. Hyneman
$800 - $1,200
348. ALEXANDER HARRISON (Am. 1853-1930)
Two Bathers on a Beach oil on canvas 40 x 39 1/2 signed lower right: A Harrison
$4,000 - $8,000
349. MURRAY BEWLEY (Am. 1884-1964)
Siesta oil on canvas 18 x 20
signed lower right: Murray Bewley; label on verso: Grand Central Art Galleries, INC., 15 Vanderbilt Ave., New York, NY
$1,000 - $2,000
350. FRANZ RUMPLER (Austrian 1848-1922)
Nude oil on wood panel 12 1/2 x 19 signed lower right: F Rumpler
$800 - $1,200
351. JOSEPH TOMANEK (Am. 1889-1974)
Semi-Nude at the Edge of a Pond oil on board 17 x 14 signed lower right: Jos. Tomanek
$1,000 - $2,000
352. JOHN CHRISTEN JOHANSEN (Am. 1876-1964)
Wood Sprite oil on canvas 14 x 12
signed lower right: John C. Johansen; label on verso: John C. Johansen, Studio 5, East 9th St. NY, Wood Sprite, Owned by Prof. J. Lawrence Laughlin, Chicago, IL
$1,500 - $3,000
353. DONALD VOGEL (Am. 1917-2004)
Study of Bathers, 1948-64 oil on canvas board 5 x 8 signed on verso: D. Vogel, 1948-64
$300 - $600
354. FRANK MYERS BOGGS (Am. 1855-1926)
Petit Pont, Paris oil on paper 10 1/2 x 14
signed lower right: Boggs
$1,500 - $3,000
355. PAUL CORNOYER (Am. 1864-1923)
Harbor at Gloucester oil on board 8 x 10
signed lower left: Paul Cornoyer; label on verso: Kenneth Lux Gallery, New York, NY
$3,000 - $6,000
356. JOHN JOSEPH ENNEKING (Am. 1841-1916)
Fog on the Mountain Tops oil on wood panel 8 7/8 x 12 signed lower right: Enneking
$800 - $1,200
357. S. L. MAHOOE (Am. 20th Cent.)
Afterglow – Peaks of Otter from College Hill, Lynchburg, VA oil on canvas 12 x 16 signed lower right: S. L. MaHooe; titled on verso: Afterglow–Peaks of Otter from College Hill, Lynchburg, VA $300 - $600
358. GLENN COOPER HENSHAW (Am. 1880-1946)
A City in the Rain pastel on paper 13 1/2 x 8 1/2 signed lower right: Henshaw
$800 - $1,200
359. GEORGE MACRUM (Am. 1878-1970)
Autumn Afternoon oil on wood panel 8 x 10 signed lower left: GH Macrum; signed and titled on verso: G.H. Macrum, Autumn Afternoon
$400 - $800
360. MARY MACCORD (Am. 1864-1955)
The Garden Pergola mixed media on paper 5 x 7 signed lower right: Mary Nicholena MacCord
$1,500 - $3,000
361. LEROY IRELAND (Am. 1889-1970)
Still Life oil on canvas 30 x 25 signed lower right: LeRoy Ireland
$2,500 - $5,000
362. RALPH ROWNTREE (Am. 1889-1992)
Still Life pastel on paper 21 x 17 signed lower right: Ralph S Rowntree
$600 - $1,200
363. JEAN MACLANE (Am. 1878-1964)
Delphiniums oil on canvas 35 x 20 signed lower right: Jean MacLane
$1,000 - $2,000
364. JEAN MACLANE (Am. 1878-1964)
Petunias, 1933 oil on board 15 x 20 signed lower right: Jean MacLane 33 $1,000 - $2,000
365. ELLA MEWHINNEY (Am. 1891-1975)
Floral Still Life with Teal Vase oil on canvas 20 x 24 signed lower right: Ella K. Mewhinney
$2,500 - $5,000
366. URSULA LAUDERDALE (Am. 1879-1933)
Floral Still Life oil on canvas 24 x 20 signed lower right: Ursula Lauderdale
$1,000 - $2,000
LITERATURE: Dictionary of Texas Artists, 1800-1945, compiled by Paula L. Grauer & Michael R. Grauer, ©1999, Texas A&M University Press, College Station. Illustrated as plate 90 on page 132.
367. PETER HOHNSTEDT (Am. 1872-1957)
House in the Bayou oil on canvas 27 x 34
signed lower right: PL Hohnstedt
$2,500- $5,000
368. ROBERT WOOD (Am. 1889-1979)
Texas Bluebonnets
oil on canvas board 24 x 36
signed lower left: Robert Wood; signed on verso: Robert Wood
$6,000 - $8,000
369. ROBERT WOOD (Am. 1889-1979)
Autumn Landscape oil on canvas 25 x 30
signed lower left: Robt Wood
$4,000 - $8,000
370. ROBERT WOOD (Am. 1889-1979)
Aurora
oil on canvas 18 x 24
signed lower right: Robert Wood
$2,500 - $3,500
371. ROBERT WOOD (Am. 1889-1979)
Sunset Over the Lake oil on canvas 24 x 36
signed lower left: Robt. Wood
$4,000 - $6,000
372. GERALD HARVEY (Am. 1933-2017)
Autumn Texas Landscape oil on canvas 11 x 14
signed lower left: G. Harvey; label on verso: Country Store Gallery, 1304 Lavaca St., Austin, TX
$3,000 - $6,000
373. DWIGHT HOLMES (Am. 1900-1986)
Ranch Near San Angelo, 1954
oil on canvas board 24 x 48
signed lower left: Dwight C. Holmes ‘54
$5,000 - $10,000
374. DWIGHT HOLMES (Am. 1900-1986)
Bluebonnets Between Brady & Fredericksburg, TX, 1976 oil on canvas 25 x 30
signed lower left: Dwight C. Holmes ’76; titled on verso: Bluebonnets Between Brady & Fredericksburg
$3,000 - $6,000
375. DWIGHT HOLMES (Am. 1900-1986)
Autumn in West Texas oil on canvas board 20 x 24 signed lower left: Dwight C. Holmes
$1,000 - $2,000
376. WALTON LEADER (Am. 1877-1966) In Austin, Texas oil on canvas 16 1/4 x 20 signed lower right: M. W. Leader; note on verso: Traded a picture I had in my solo show in Eliz Ney Museum. This man was so anxious for one of my pictures in that show.
$1,500 - $3,000
377. ROLLA TAYLOR (Am. 1872-1970)
Bluebonnets near San Antonio, TX oil on canvas board 12 x 16 signed lower right: Rolla Taylor
$3,000 - $6,000
378. WILLIAM A. SLAUGHTER (Am. 1923-2003)
Morning Light, 1993 oil on canvas 12 x 16
signed lower left: W. A. Slaughter; titled on verso: Morning Light
$3,000 - $6,000
379. ALICE CHILTON (Am. 1891-1978)
Bluebonnets in the Hill Country oil on canvas 16 x 32 signed lower left: Alice Chilton
$6,000 - $8,000
380. GEORGE KOVACH (Am. b. 1942)
Bluebonnet Run © oil on canvas 30 x 40
signed lower right: G Kovach ©; titled on verso: Bluebonnet Run
$3,000 - $5,000
381. D. WARDLOW (Am. 20th Cent.)
Landscape with Rainbow and Prickly Pear, © 1986 oil on canvas 30 x 40
signed lower right: D. Wardlow © 1986
$1,000 - $2,000
382. HUGO HERBECK (Am. 1923-2009)
Hill Country Bluebonnets, 1966 oil on canvas 24 x 30
signed lower left: Hugo Herbeck – 1966
$2,000 - $3,000
383. WILLIAM R. THRASHER (Am. 1908-1997)
Texas Bluebonnets oil on canvas 24 x 36
signed lower left: W. R. Thrasher
$3,000 - $5,000
384(a). MARY GLOVER (Am. 20th Cent.)
Bluebonnet Landscape oil on canvas 8 x 10
signed lower left: Mary Glover
$800 - $1,200
384(b). MARY GLOVER (Am. 20th Cent.)
Autumn Landscape oil on canvas 8 x 10 signed lower right: Mary Glover
385. BEULAH DRIVER (Am. 1881-1964)
Bluebonnets in the Hill Country oil on canvas 28 x 45 signed lower left: B. Driver
$1,000 - $2,000
386. ELOISE POLK MCGILL (Am. 1868-1939)
Bluebonnets and Spring Flowers oil on canvas board
11 1/2 x 17 1/2
signed lower right: EP McGill
$3,000 - $6,000
384(a)
384(b)
387. PAUL RODDA COOK (Am. 1897-1972)
Prickly Pear Cactus oil on canvas 8 x 9 3/4
signed lower left: Paul Rodda Cook
$1,500 - $3,000
388. ANNA KEENER (Am. 1895-1982)
Southwest Texas Landscape oil on board 7 1/2 x 10
signed lower left: Anna E. Keener
$400 - $800
389. INEZ STAUB ELDER (Am. 1894-1991)
House on the Hill oil on canvas board 8 x 9
signed lower left: Inez Staub Elder
$500 - $1,000
390. PORTIA RAGLAND MCIVER (Am. 1892-1980)
Texas Coast, c. 1918 oil on canvas board 8 1/4 x 15 1/4 signed lower right: Portia Ragland
$300 - $500
391. ADRIAN BREWER (Am. 1891-1956)
Pecan Trees – Beaumont, TX, 1925
oil on panel 6 7/8 x 8 1/2
signed lower right: Adrian Brewer ’25; signed and titled on verso: Pecan TreesBeaumont, Texas, Feb 10, 1925, Adrian Brewer
$1,000 - $2,000
Portia Ragland was raised in Dallas where she attended Dallas High School and then the University of Texas, which she graduated from in 1914. She studied under Vivian Aunsbaugh and was a member of the Aunsbaugh Art Club. She frequently exhibited and won prizes in the Dallas Woman’s Forum throughout the 1910s and 1920s as well as early Dallas Allied Arts Exhibitions.
391
Smith was a well-known artist in New York City before moving to Galveston in 1923. He exhibited at the Annual Texas Artists Exhibition in Fort Worth from 1925 to 1928. A painting by Smith is in the Texas Capitol Historical Art Collection in Austin.
392. KIM DOUGLAS WIGGINS (Am. b. 1960)
Sangre de Cristo, 1994 oil on canvas 48 x 36 signed lower right: KD Wiggins 94
$8,000 - $12,000
393. HARRY CARNOHAN (Am. 1904-1969)
Landscape oil on wood panel 16 x 20 signed lower right: H Carnohan
$1,500 - $3,000
394. JOHN GUERIN (Am. 1920-2006)
Landscape oil on canvas 20 x 25 signed lower right: Guerin
$1,500 - $3,000
395. EUGENE (GEAN) SMITH (Am. 1851-1928)
Pastoral Landscape watercolor on paper 14 x 19 7/8 signed lower right: Gean Smith
$1,500 - $3,000
PROVENANCE: A.C. Cook, Fort Worth, TX; John L. Nau, III, Houston, TX;
EXHIBITED: Texas Before the Boom, 1850-1900: Selections from the Bobbie and John Nau Collection, Pearl Fincher Museum of Fine Arts, Spring, August 23-December 13, 2014
396. JOSEPHINE MAHAFFEY (Am. 1903-1982)
Chapel, New Mexico oil on masonite 32 x 20 1/2 signed lower right: J. Mahaffey
$1,000 - $2,000
397. JOSEPH CAIN (Am. 1920-1980)
Landscape, 1940 oil on canvas board 19 3/4 x 15 3/4 signed lower right: Joseph Cain, 1940
$800 - $1,200
398. STANLEY BIELECKY
(Am. 1903-1985)
Into the New Age oil on canvas 48 x 40
signed lower left: Stanley Bielecky
$3,000 - $6,000
399. SAUL KOVNER (Am. 1904-1981)
Hot Summer Night, 1948 oil on canvas 25 x 30
signed lower left: Saul ‘48
$1,500 - $3,000
EXHIBITED: New York: Empire City in the New Age of Urbanism, Grand Central Art Galleries, New York City, Dec 14, 1988Jan 26, 1989
400. HARDY MARTIN (Am. 1942-2022)
Peaceful Evening oil on canvas 16 x 20
signed lower right: Hardy Martin; signed and titled on verso: Peaceful Evening, Hardy Martin
$1,000 - $2,000
401. HARDY MARTIN (Am. 1942-2022)
Bicentennial Celebration oil on board 25 x 29 3/4
signed lower right: Hardy Martin
$1,000 - $2,000
402. WILLIAM WAITHE (Am. 1933-1992)
The Happening Outside Ballentine Bar oil on canvas 20 x 36
signed lower right: Waithe
$400 - $800
403. DAN WINGREN (Am. 1923-1998)
Bad Day for a Festival, 1959 oil on canvas 25 x 30
signed lower right: Dan Wingren 59; signed and titled on verso: Dan Wingren, “Bad Day for a Festival” 1959
$1,000 - $2,000
404. WILLIAM FETT (Am. 1918-2006)
The Duo, 1945-50 oil on canvas 40 x 20 signed lower left: Wm Fett, ‘45 -‘50; titled and signed on verso: The Duo, Wm Fett, 6/9/46; label on verso: Nickol Fine Arts, Mishawaka, IN $1,000 - $2,000
405. CLAUDE BENTLEY (Am. 1915-1990)
Abstract, 1962 oil on canvas 18 x 16 signed lower left: Claude Bentley; signed and dated on verso: Claude Bentley, 1962
$300 - $600
406. HARVEY CROPPER (Am. b. 1931)
Flowering Tree oil and mixed media on wood panel 13 x 20 signed and titled on verso: HC, Flowering Tree
$600 - $1,200
407. ROY FRIDGE (Am. 1927-2007)
The Moth and The Flame watercolor on paper 10 x 8 signed lower right: Fridge; label on verso: Carter Bowden Antiques
$400 - $800
408(a). GREGORY C. PALMER (Am. 20th Cent.)
Abstract Landscape, 1970 oil on canvas 8 x 10 signed on verso: Gregory C. Palmer, 1970 $400 - $800
408(b). MATRAY (Am. 20th Cent.)
April 12, 1966 oil on canvas 9 x 11 7/8 signed lower left: Matray; signed and titled on verso: Matray, 4-12-66
408(a)
409. ROBERT ELLISON, JR. (Am. b. 1932)
Prekerpt, 1974 - ‘76
oil on canvas 48 x 48
signed and titled on verso: Bob Ellison, 66 Allen St., NYC, Prekerpt, May 1974, Sept 1975, Feb 1976, June 1976
$400 - $800
410. FREDERIC KAROLY (Am. 1898-1987)
Blue Grass, 1949
oil on canvas 26 x 30
signed and titled on verso: “Blue Grass”, Fredric Karoly, 8-28-49
$600 - $1,200
411. ETIENNE ROUDENKO (Am. 1897-1987)
Abstract
oil on board 20 x 30
signed lower left: E. Roudenko
$400 - $800
412. ETIENNE ROUDENKO (Am. 1897-1987)
Abstract
oil on board 13 7/8 x 24 7/8
signed lower right: Etienne Roudenko
$400 - $800
413. JANET SHOOK (Am. 1912-1983)
Abstract, 1964
mixed media collage on masonite 20 x 17 3/4
signed lower left: J Shook ‘64
$1,000 - $2,000
414. RALPH COBURN (Am. b. 1923)
Garden, 1984
acrylic on canvas 15 7/8 x 20
signed and titled on verso: Coburn, Garden, 1984
$3,000 - $6,000
415. GERALD JOHNSON (Am. 1944-2009)
Abstract, 1986 oil on canvas 30 x 29 signed and dated lower right: G. Johnson, 4-86
$1,000 - $2,000
416. HANNES BECKMANN (Am. 1909-1977)
Façade, 1961 oil on masonite 18 x 30
signed lower left: h.b. 61; titled and signed on verso: Façade, 1961, Hannes Beckmann; label on verso: American Painting, 1962, The Virginia Museum of Fine Arts, Richmond, VA
$1,000 - $2,000
EXHIBITED: American Painting, 1962, The Virginia Museum of Fine Arts, Richmond, VA
417. RON TAYLOR CROUCH (Am. 20th/21st Cent.)
Angular Composition, 1974 oil on canvas 45 x 30 signed on verso: R Taylor Crouch 1974
$2,000 - $4,000
418. MICHAEL BANE (Am. b. 1955)
Abstract Composition, 2018 acrylic on paper 45 1/2 x 30 1/2 signed lower right: M Bane 2018
$400 - $800
419. RALPH COBURN (Am. b. 1923)
Pair: Abstract, c. 1956 collage on paper 9 1/2 x 12 3/8 both signed on verso: Coburn c. 1956
$2,500 - $5,000
420. PETER FORAKIS (Am. 1927-2009)
62 FM 25
oil on canvas 9 1/2 x 13 1/2
signed and titled on verso: P Forakis, 62 MF 25
$400 - $800
421. MARY APPLE
(Am. 1937-2001)
Abstract oil on masonite 30 x 40 signed on verso: Apple
$1,000 - $2,000
422. MARK JOHNSON (Am. b. 1971)
Blue Green Color Study pastel on paper 5 1/2 x 7 1/2
signed lower right: J; label on verso: Arts Alive! Local Artists’ Co-op Gallery
$200 - $400
423(a). JOHN GRILLO (Am. 1917-2014)
Abstract #11, 1959 oil on masonite 12 x 11 3/8 signed and dated on verso: Grillo, #11, 1959
$2,000 - $4,000
423(b). JOHN GRILLO (Am. 1917-2014)
Abstract, 1959 oil on masonite 8 3/4 x 11 1/2
signed lower right: Grillo ‘59; signed on verso: Grillo 59
a).
Hanging Panels #18, 2007
painted steel 9 1/2 x 11 x 2
signed on verso: Eric Tillinghast, Hanging Panels #18, March 2007; label on verso: Charlotte Jackson Fine Art, Inc., Santa Fe, NM
$600 - $1,200
b).
Hanging Panels #31, 2007
painted steel 10 x 12 1/2 x 2
signed on verso: Eric Tillinghast, Hanging Panels #31, April 2007; label on verso: Charlotte Jackson Fine Art, Inc., Santa Fe, NM
424(a)
424(b)
423(a)
423(b)
424(
ERIC TILLINGHAST (Am. b. 1974)
424(
ERIC TILLINGHAST (Am. b. 1974)
428. PAM BOWMAN (Am. 20th/21st Cent.)
Roland-Garros, The Crowd, 2025
acrylic on canvas 20 x 28
signed lower left: PB; signed and titled on verso: Pam Bowman, Roland-Garros, The Crowd, 2025
$800 - $1,200
429(a). VAN DYKE JONES (Am. b. 1953)
Rex Quick to Split © acrylic and prisma on canvas 32 x 26
signed lower right: © Van Dyke Jones
$1,000 - $2,000
429(b). VAN DYKE JONES (Am. b. 1953)
If it were anyone other than Rex, Jack would never allow these mid-nite rides, ed. 36, 1988
color lithograph 17 1/2 x 15
signed across bottom: If it were anyone other than Rex, Jack would never allow these mid-nite rides. 14/36, Van Dyke Jones, 1988
425. JUDITH SEAY (Am. b. 1949)
Golden Memories
oil and metal leaf on canvas 48 x 35 3/4
signed lower right: Judith Seay; titled on verso: Golden Memories
$3,000 - $5,000
426. AVERY KELLY (Am. b. 1987)
Roadrunner in the Bluebonnets, © 2024 oil on canvas 36 x 36
signed lower right: Avery Kelly; signed and titled on verso: Roadrunner in the Bluebonnets © 2024, Avery Kelly
$600 - $1,200
427. PAM BOWMAN (Am. 20th/21st Cent.)
Deconstructed Water Lilies, 2025
acrylic on canvas 16 x 16
signed lower left: Pam Bowman; signed and titled on verso: Pam Bowman, Deconstructed Water Lilies, 2025
$300 - $600
429(a)
429(b)
430. VICTOR LEMAY (Am. 1903-1965)
Portrait of an Orange House in Victoria, Texas, 1965 oil on canvas board 24 x 30
signed lower right: LeMay 65
$1,000 - $2,000
431. VICTOR LEMAY (Am. 1903-1965)
Windswept Trees in Rockport, Texas
oil on canvas board 20 x 23 1/4
signed lower right: LeMay
$1,000 - $2,000
432. CHESTER SNOWDEN (Am. 1900-1984)
Abstract oil on canvas 13 3/4 x 17
signed lower right:
Chester Snowden
$400 - $800
433. CHESTER SNOWDEN (Am. 1900-1984)
City Scene oil on canvas board 8 x 10
signed lower right: Snowden
$400 - $800
434. CHESTER SNOWDEN (Am. 1900-1984)
Geese in Winter Snow oil on board 16 x 12 signed lower right: Snowden
$300 - $500
435. ED STORMS (Am. 1924-1987)
Sonic Boom, 1962 oil on canvas 26 x 20 signed lower left: Storms ‘62 $1,000 - $2,000
436. ED STORMS (Am. 1924-1987)
Nude oil on wood panel 28 x 19 signed lower left: Storms
$600 - $1,200
437. ADAIR RAMSEY SUTHERLAND (Am. 1930-2018)
Red Building & Green Shed casein on masonite 20 x 24 signed on verso: Adair Ramsey $500 - $800
438. ADAIR RAMSEY SUTHERLAND (Am. 1930-2018)
Red Building & Cellar casein on masonite 20 x 24 signed on verso: Adair Ramsey $500 - $800
439. ADAIR RAMSEY SUTHERLAND (Am. 1930-2018)
Found Object Still Life casein on masonite 24 x 30 signed on verso: Ramsey $600 - $1,200
440. ADAIR RAMSEY SUTHERLAND (Am. 1930-2018)
Driftwood & Yellow Paper Still Life casein on masonite 30 x 24 signed on verso: Adair Ramsey $600 - $1,200
441. ADAIR RAMSEY SUTHERLAND (Am. 1930-2018)
Lute Still Life casein on masonite 24 x 30 signed on verso: Adair Ramsey $600 - $1,200
442. PATTIE EAST (Am. 1894-1994) Red Slippers oil on canvas 16 x 20 $3,000 - $6,000
443. L. EDMOND KLOTZ (Am. 1888-1947)
Evening Shade oil on canvas board 20 x 14
signed lower left: L. Edmund Klotz
$2,000 - $4,000
444. L. EDMOND KLOTZ (Am. 1888-1947)
Along the Garden Path oil on board 17 7/8 x 13 3/4
signed lower left: L. Edmund Klotz
$1,000 - $2,000
445. CAROLINE HELENA ARMINGTON (Am. 1875-1939)
Les Peupliers a St. Efflain oil on wood panel 9 3/8 x 7 1/2 signed lower left: Caroline Armington; titled and signed on verso: Les Peupliers a St. Efflain, Bretagne, Caroline Armington
$1,000 - $2,000
446. FRANCIS F. BROWN (Am. 1891-1971)
Hillside Landscape
gouache on board 15 7/8 x 19 3/4
signed lower left: Francis F. Brown
$400 - $800
447. GAIL SHERMAN CORBETT (Am. 1871-1952)
Painting of Paris Street oil on canvas 24 x 35 1/2
signed lower right: G. Sherman
$400 - $800
448. GAIL SHERMAN CORBETT (Am. 1871-1952)
Winter View of the Louvre from Tuileries Garden oil on canvas 20 x 16 signed lower left: G. Sherman
$400 - $800
449(a). BELA DETIREFORT (Am. 1894-1993)
Horse Carriage in Central Park, 1952 oil on canvas board 9 x 12 signed lower right: DeTirefort ‘52
$800 - $1,200
449(b). BELA DETIREFORT (Am. 1894-1993)
Horse Carriage in New York City oil on board 4 7/8 x 7 signed lower left: Bela DeTirefort
449(c). BELA DETIREFORT (Am. 1894-1993)
New York City Scene, 1952 oil on canvas board 9 x 12 signed lower left: DeTirefort ‘52
450. JESSIE ALINE WHITE (Am. 1889-1988)
Rubber Plant Still Life oil on canvas 26 x 22 signed lower left: Jessie Aline White $1,500 - $3,000
451. JESSIE ALINE WHITE (Am. 1889-1988)
Snake Plant Still Life oil on canvas 26 x 22 signed lower left: Jessie Aline White $1,500 - $3,000
452. FORD RUTHLING (Am. 1933-2015)
Brown & White Rabbits on Grass, 1973 oil on canvas 24 x 30 signed lower right: Ford Ruthling ’73; titled on verso: Brown & White Rabbits on Grass, Sept ‘73 $3,000 - $6,000
453. DAVID BROWNLOW (Am. 1915-2008)
Vanishing Trees oil on masonite 45 3/4 x 24 signed lower left: David Brownlow $1,200 - $2,500
454. LUIS EADES (Am. 1923-2014)
Opuntia, 1975 oil on canvas 32 x 48 signed and titled on verso: Luis Eades, ’75, Opuntia $400 - $800
455. GERALD FARM (Am. b. 1935) No Parking, 1989 oil on masonite 18 x 30 signed lower left: G. Farm ‘89 $800 - $1,200
456. DUKE HORN (Am. 20th/21st Cent.)
Queen Satyrica (What if God Were One of Us?), 2014
acrylic and oil on canvas 36 x 48
signed lower right: D. Horn
2014; signed on verso: “Queen Satyrica” (What if God Were One of Us?), Duke M. Horn, Studio 8
$2,000 - $4,000
AWARDED: Texas Visual Arts Association’s “Best of Show” 2015
457. DUKE HORN (Am. 20th/21st Cent.)
National Narcissism, 2008-09
acrylic and oil on canvas 36 x 24 signed and titled on verso: “National Narcissism” 2008-09, Duke M. Horn
$1,000 - $2,000
EXHIBITED: New Texas Talent Show, 2010; 2022 TACA Show, Craighead-Green Finalist in the Fort Worth Community Arts Center
458. UNKNOWN ARTIST (Am. 21st Cent.)
Double Portrait with Shadow Self oil on board 24 x 19 1/2
$400 - $800
459. GARY RICHARDSON (Am. 20th Cent.)
Fishing, 1996
oil on canvas 23 1/2 x 36 1/2
signed lower right: GAR 96
$1,500 - $3,000
460. GARY RICHARDSON (Am. 20th Cent.)
New Orleans Street Scene oil on canvas 21 3/4 x 45
$1,500 - $3,000
461. E. FARWELL (Am. 20th Cent.)
Friday Night Going to the Movies, 1963
watercolor on paper 11 x 13
signed and dated lower right: E. Farwell ‘63 $800 - $1,200
462. GEORGE BIDDLE (Am. 1885-1973)
Tea Time, 1931 oil on canvas 14 1/4 x 10
signed lower left: Biddle 1931
$1,500 - $3,000
466. BERNARD VETTER (Am. b. 1940)
Windmill and Stock Tank watercolor on paper
15 1/2 x 25 1/4
signed lower right: B. Vetter
$500 - $1,000
467. JOHN WALKER AND ROXANNE MOORE (Am. 20 Cent.)
By the Evening Star, 1990 casein on illustration board 40 x 20
signed lower right: Walker Moore; signed and titled on verso: By the Evening Star, 1990, Roxanne Moore & John Walker
$1,000 - $2,000
468. BUD BIGGS (Am. 1906-1985)
Market Scene watercolor on paper 21 x 29
signed lower left: Bud Biggs
$1,500 - $3,000
469. BENJAMIN EISENSTAT (Am. 1915-2001)
Today
acrylic on illustration board
10 x 18
signed lower right: B Eisenstat; titled and signed on verso: “Today” Feb 22, Eisenstat
$400 - $800
463. FRANKLIN CLAY MCGAUGHY, JR. (Am. 1931-2021)
A Buck in the Forest watercolor on paper 22 x 30 signed lower right: McGaughy $600 - $1,200
464. FRANKLIN CLAY MCGAUGHY, JR. (Am. 1931-2021)
Cover for Progressive Farmer, 1962
oil on masonite 24 x 21
signed lower left: McGaughy
$2,000 - $4,000
465. LEE GILDEA (Am. 20th Cent.)
A Good Start, 1975 watercolor on board 12 x 16
signed across bottom: A Good Start, L. Gildea ‘75
$300 - $600
470. JAMES RICHARD BLAKE (Am. 1932-2020)
TI Plants, Fort Worth, 1964 oil on canvas 25 x 25
signed lower right: James R. Blake; titled and signed on verso: TI Plants, Fort Worth, April, 1964, James R. Blake
$1,500 - $3,000
471. BOBBI SUE WINBORN (Am. 1940-2013)
OId Homestead, Hillsboro, TX, 1975
oil on masonite 25 x 30
signed lower right: B. Winborn 1975
$1,000 - $2,000
472(a). JANE MCCULLOCH (Am. 20th/21st Cent.)
Sunset pastel on paper 12 x 20
signed lower right: Jane McCulloch
$800 - $1,200
472(b). JANE MCCULLOCH (Am. 20th/21st Cent.)
White Poppy pastel on paper 13 x 9
signed lower right: Jane McCulloch; label on verso: Carlin Galleries, Fort Worth, TX
473. H. AGUINO (Am. 20th Cent.)
Pink Hedgehog Cactus oil on canvas 24 x 20
signed lower left: H. Aguino
$2,500 - $5,000
474. PEARLE SHOCKLEY (Am. 1881-1959)
Dallas County Wild Flowers oil on canvas 32 x 30
signed lower left: Pearle Shockley
$500 - $1,000
472(a)
472(b)
475. MARY G. PREMINGER (Am. 1920-1997)
Lexington Ave. oil on canvas 51 1/4 x 34 1/2 signed lower left: M Gardener; titled and signed on verso: Lexington Ave., Mary Preminger, 155 E. 76th St., New York City 10021
$400 - $800
476. UNKNOWN ARTIST (Am. 20th Cent.)
Cubist Portrait oil on canvas 28 x 14
$400 - $800
477. ROBERT MCAN (Am. b. 1958)
Texture and Glitter plastic and glitter on panel 16 x 16
$400 - $800
478. MICHAEL BANE (Am. b. 1955)
The Queen oil on board 10 x 8
$600 - $1,200
479(a) & (b). MICHAEL BANE (Am. b. 1955)
Pair: The Red Dot and Label Holder oil on board each: 6 x 6
$400 - $800
479(a)
479(b)
480. KENNETH MILTON CHAPMAN (Am. 1875-1968)
Two Trees, Santa Fe, 1914 oil on canvas 8 x 10
signed lower right: KMC 1914
$800 - $1,200
PROVENANCE: From the estate of Kenneth Milton Chapman’s granddaughter in Santa Fe, NM
481. KENNETH MILTON CHAPMAN (Am. 1875-1968)
Hillside in Santa Fe, 1914 oil on canvas 8 x 10
signed lower right: KMC 1914
$800 - $1,200
PROVENANCE: From the estate of Kenneth Milton Chapman’s granddaughter in Santa Fe, NM
482. KENNETH MILTON CHAPMAN (Am. 1875-1968)
Treeline, Santa Fe, c. 1914 oil on canvas 8 x 10
signed lower right: KMC
$800 - $1,200
PROVENANCE: From the estate of Kenneth Milton Chapman’s granddaughter in Santa Fe, NM
483. KENNETH MILTON CHAPMAN (Am. 1875-1968)
Autumn, Santa Fe, 1914 oil on canvas board 8 x 10 signed lower left: KMC 1914 $800 - $1,200
PROVENANCE: From the estate of Kenneth Milton Chapman’s granddaughter in Santa Fe, NM
484. DENVER MOORE (Am. 1937-2012) Tree Full of Life acrylic and glitter on canvas 24 x 18 signed lower right: Denver Moore
$2,500 - $3,500
485. MAMIE DESCHILLIE (Am. b. 1920) Cows oil on board 14 x 20 signed lower center: Mami Deshillie $800 - $1,200
486. NINA PEEPLES (Am. 1897-1979)
The Old Tree watercolor on paper 9 x 11 1/2 signed lower right: N Peeples
$500 - $1,000
TERMS AND CONDITIONS OF AUCTION
AUCTIONEER.
1. The following, as amended by any posted notices, specific bills of sale or similar instruments relating to a transaction or oral announcements during the sale, constitutes the entire terms and conditions on which property listed in the catalogue shall be offered for sale or sold by the auctioneer conducting the sale on behalf of any consignor for whom we act as agent. DDFAA (as subsequently defined), which is not an auctioneer, is facilitating the auction and arranging any resulting transaction. In these Conditions of Sale, “We” and “Our” refer to DDFAA.
BID PRICES AND BUYER’S PREMIUM.
2. As used herein the term “bid price” means the price at which a lot is sold to the purchaser and the term “purchase price” means the aggregate of (a) the bid price, (b) A PREMIUM PAYABLE BY THE PURCHASER OF 22% of the hammer price (or 27% if bidding via LiveAuctioneers.com online) and (c) unless the purchaser is exempt by law from the payment thereof, any Texas or local sales tax (or compensating use tax of another state) and applicable taxes. DDFAA has been authorized by the consignor to retain, as part of our remuneration, the premium payable by the purchaser.
3. Bids will be accepted in whole dollar amount in accordance with the schedule below:
Under $500
$500 – $2,000
$2,000 – $5,000
$5,000 – $10,000
$50
$100
$250
$500
$10,000 – $20,000 $1,000
$20,000 – $50,000 $2,500
$50,000 – $100,000 $5,000
Over $100,000 $10,000 No “buy” or “unlimited” bids will be accepted. CONDUCTING THE AUCTION.
4. On the fall of the auctioneer’s hammer, the highest bidder shall be deemed to have purchased the offered lot, and title to the lot shall pass to the purchaser, in accordance with all of the conditions set forth herein and thereupon the purchaser (a) assumes full risk and responsibility therefore (b) if requested will sign a confirmation of purchase, and (c) will pay the purchase price in full in cash for all lots purchased. To prevent misdelivery and inconvenience in settlement of a purchase, no lot may be transferred. All property shall be removed from our premises at the purchaser’s expense immediately following the sale. If not so removed we may, as an accommodation to the purchaser, transfer the property to a public warehouse or other premises under our control at the purchaser’s sole risk and expense.
5. Each sale made pursuant to these Conditions of Sale will be deemed to constitute a grant of security interest by the purchaser to us in, and we may retain as collateral security for the purchaser’s obligations to us or our assignee, any of the purchaser’s property in our possession, and we may apply against such obligations all monies held or received by us for the account of, or owing to, the purchaser. Each purchaser consents to the filing of public notices or our lien. Whenever the purchaser pays only a part of the total purchase price for one or more lots purchased, we may apply such payments, in our sole discretion, to the lot or lots we choose. Payment will not be deemed made in full until we have collected all amounts due in cash or good funds represented by cleared checks or cashier checks. If the foregoing conditions or any other applicable conditions herein are not complied with, in addition to other remedies available to us and the consignor by law, including but without limitation, the right to hold the purchaser liable for the purchase price, we at our option may either (a) cancel the sale, retaining as liquidated damages all payments made by the purchaser or (b) resell the property with a three day notice to the original defaulting purchaser, and in such event the purchaser shall be liable for the payment of any deficiency plus all costs and expenses of both sales, our commission at our standard rates, all other charges due hereunder, attorney’s fees and incidental damages; or (c) take any measures we deem necessary. If DDFAA must resell the property, the original defaulting purchaser will be held responsible for any deficiencies in the purchase price, including any and all associated expenses including reasonable attorney’s fees, warehousing, commissions or any other costs associated with the default. No actions by us or any third party before or after the auction shall be deemed a waiver of any of the foregoing.
6. We reserve the right to withdraw any property at any time before the actual sale. Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered in the catalogue and no lot shall be divided for sale.
7. Jason Brooks, TXS 16216, is the auctioneer that will preside over the auction.
8. We reserve the right to reject any bid from any bidder. The highest bidder acknowledged by the auctioneer shall be the purchaser. In the event of any dispute between bidders, or in the event the auctioneer doubts the validity of any bid, the auctioneer shall have sole and final discretion either to determine the successful bidder or to re-offer and resell the article in dispute. If any dispute arises after the sale, our sales records shall be conclusive in all respects.
9. If we are prevented by fire, theft or any reason whatsoever from delivering any property to the purchaser, our liability shall be limited to the sum actually paid therefore by the purchaser and shall in no event include any incidental or consequential damages.
10. Some lots are offered subject to a “reserve,” which is an undisclosed minimum price below which the lot will not be sold. If a lot is offered subject to a reserve, the auctioneer may
implement such reserve by bidding on behalf of the consignor, whether by opening bidding or continuing bidding in response to other bidders until reaching the reserve.
11. ALL STATEMENTS CONTAINED OR IN ANY BILL OF SALE, INVOICE OR ELSEWHERE, OR MADE BY THE AUCTIONEER, AS TO AUTHORSHIP, PERIOD, CULTURE, SOURCE, ORIGIN, MEASUREMENT, QUALITY, RARITY, PROVENANCE, IMPORTANCE, EXHIBITION AND LITERATURE OF HISTORICAL RELEVANCE OR PHYSICAL CONDITION ARE QUALIFIED STATEMENTS OR OPINION AND NOT REPRESENTATIONS OR WARRANTIES. WE AND CONSIGNORS MAKE NO REPRESENTATION AND WARRANTIES AS TO WHETHER THE PURCHASER ACQUIRES ANY COPYRIGHTS, INCLUDING BUT NOT LIMITED TO, ANY REPRODUCTION RIGHTS IN THE PROPERTY. No employee or other agent of the auctioneer, David Dike Fine Art, L.L.C., Dike Management, LLC, David Dike Fine Art Auction, David Dike Fine Art or of David Dike (collectively “DDFAA”) is authorized to make on behalf or that of the consignor any representation or warranty, oral or written, with respect to any property. Prospective bidders should inspect the property before bidding to determine its condition, size and whether or not it has been repaired or restored.
12. THE PURCHASER EXPRESSLY ACKNOWLEDGES AND AGREES THAT IN NO EVENT SHALL WE BE LIABLE FOR ANY DAMAGES INCLUDING, WITHOUT LIMITATION, ANY COMPENSATORY, INCIDENTAL OR CONSEQUENTIAL DAMAGES. IN NO EVENT WILL OUR LIABILITY OR THE LIABILITY OF DDFAA TO A PURCHASER EXCEED THE PURCHASE PRICE ACTUALLY PAID.
DELIVERY; SHIPPING; AND HANDLING.
13. All deliveries will be shipped COD unless otherwise agreed to by purchaser and DDFAA. If packing and handling of purchased lots is done by us, it is done at the entire risk of the purchaser. We are not liable for any acts or omissions of carriers or packers, including those we may recommend. Such carriers or packers may carry their own insurance and any claim for loss or damage should be addressed directly to them. No items will be shipped unless we specifically agree to do so.
14. Unless prior arrangements have been made with DDFAA, there may be a seven day waiting period if purchasing artwork with a personal or company check. To avoid delay of this sort, bidders are encouraged to prearrange check approval or establish a line of credit with DDFAA by calling (214) 720-4044 no later than 5:00 pm on Friday, October 24, 2025 There will be no exceptions. Bank card purchases will be honored at our option.
MISCELLANEOUS.
15. These Conditions of Sale and the purchaser’s and our respective rights and obligations hereunder are governed by Texas law. By bidding at an auction, whether in person or by agent, telephone or other means, the purchaser or bidder agrees to be bound by these Conditions of Sale and to consent to the exclusive jurisdiction of the state courts of, and the federal courts sitting in, the State of Texas. All of our obligations under these Conditions of Sale and the obligations of purchaser to pay, are performable in Dallas, Dallas County, Texas.
16. These Conditions of Sale shall bind the successors and assigns of all bidders and purchasers and inure to the benefit of our successors and assigns. No waiver, amendment or modification of the terms hereof (other than posted notices or oral announcements during the sale) shall bind us unless specifically stated in writing by us. If any part of these Conditions of Sale is for any reason invalid or unenforceable, the rest shall remain valid and enforceable.
17. As a service to those wishing to place bids, we may at our discretion accept bids without charge in advance of sale by telephone, or in writing on bidding forms available from us. “Buy” bids will not be acceptable; all bids must state the highest bid price the bidder is willing to pay. As noted above, a premium payable by the purchaser will be added to the bid price. In the event identical bids are submitted, the earliest will take precedence. Absentee bids shall be executed in competition with other absentee bids, any applicable reserve and bids from the audience. Successful absentee bids may not be acknowledged, but sale results and selling prices for any lot may be obtained by telephoning us during normal business hours. We assume no responsibility for failure to execute these bids for any reason whatsoever.
18. As a convenience to our clients, we furnish pre-sale estimates for all lots included in the catalogue. These are intended as an approximate guide to current market value, and should not be interpreted as a price or as an appraisal. The final bid may well be less or more than any estimate printed.
19. EXCEPT AS EXPRESSLY PROVIDED ABOVE, ALL PROPERTY IS SOLD “AS-IS” AND NEITHER THE AUCTIONEER, DAVID DIKE, THE DAVID DIKE FINE ART AUCTION, DAVID DIKE FINE ART, L.L.C. OR DIKE MANAGEMENT LLC, NOR THE CONSIGNOR NOR THE AGENT OF ANY OF THEM MAKES ANY REPRESENTATION OR WARRANTY, EXPRESS OR IMPLIES, AS TO THE TITLE, MERCHANTABILITY, FITNESS OR CONDITION OF THE PROPERTY OR AS TO THE CORRECTNESS OF DESCRIPTION, GENUINENESS, ATTRIBUTION, PROVENANCE OR PERIOD OF THE PROPERTY OR AS TO WHETHER THE PURCHASER ACQUIRES ANY COPYRIGHTS OR OTHER INTELLECTUAL PROPERTY RIGHTS IN LOTS SOLD OR AS TO WHETHER A WORK OF ART IS SUBJECT TO THE ARTIST’S MORAL RIGHTS OR OTHER RESIDUAL RIGHTS OF THE ARTIST.
20. All rights to this catalogue are reserved. Some of the images may be the subject of copyright or other rights of the artist or owner. No part of this catalogue may be reproduced without permission.
ADAMS, JOY 94
ADAMS, WAYMAN 319
AGUINO, H. 473
ALBRIGHT, LLOYD 248
ALDRICH, GEORGE AMES 328, 329, 330, 331, 332
ALEXANDER, JOHN 68
APPLE, MARY 120, 421
ARMINGTON, FRANK 18(c)
ARMINGTON, CAROLINE H. 445
ARPA, JOSÉ 183, 184
ARTIST, UNKNOWN 9, 458, 476
BAIZE, WAYNE 277, 278
BALINK, HENRY 276
BANE, MICHAEL 418, 478, 479
BARTSCHT, HERI BERT 304
BASSETT, REVEAU 116, 147, 148, 149, 150
BEARDEN, ED 181
BECKMANN, HANNES 139, 416
BENTLEY, CLAUDE 405
BENTON, THOMAS HART 47, 48
BERNSON, MAURICE HENRY 146
BEWLEY, MURRAY 333, 349
BIDDLE, GEORGE 462
BIELECKY, STANLEY 398 BIGGS, BUD 468
BLACKSHEAR, KATHLEEN 80
BLAKE, JAMES RICHARD 470
BOGGS, FRANK MYERS 354
BOLOTOWSKY, ILYA 140(b)
BOMAR, BILL 82, 83
BOUGUEREAU, ELIZABETH G. 337
BOURKE, GEORGE KING 6
BOWLING, CHARLES 50, 167
BOWMAN, PAM 427, 428
BRANTS, CYNTHIA 211, 212
BRECKENRIDGE, HUGH 10, 11, 12(B) BREWER, ADRIAN 391
BROWN, FRANCIS F. 446
BROWNLOW, DAVID 95, 453
BRYANT, SR., JACK 310
BUCHANAN, LAURA 299
BYWATERS, JERRY 45, 166 CAIN, JOSEPH 397
CARNOHAN, HARRY 393
CHAPMAN, KENNETH M. 480, 481, 482, 483 CHERRY, EMMA RICHARDSON 154, 334
CHILTON, ALICE 379
COBURN, RALPH 131, 414, 419 CONNELL, CLYDE 302, 303 COOK, PAUL RODDA 54, 253, 387 CORBETT, GAIL SHERMAN 447, 448 CORNOYER, PAUL 355
CREWS, SETH FLOYD 323 CROPPER, HARVEY 406
CROUCH, RON TAYLOR 132, 417 CULWELL, BEN L. 220, 221, 222 DARGE, FRED 268, 269, 270, 271, 272, 273, 274
DAWSON-WATSON, DAWSON 254, 255, 256, 257, 258 DEMACHY, ROBERT 12(a)
DESCHILLIE, MAMIE 485
DETIREFORT, BELA 449
DEYOUNG, HARRY ANTHONY 153, 192, 193 DOYLE, MARY 78
DOZIER, OTIS 55, 56, 57, 58, 59, 60, 61, 168, 169, 170
DRIVER, BEULAH 385
DURAN, SANTA 320, 321
EADES, LUIS 454
EAST, PATTIE 442
EISENLOHR, EDWARD 143, 144
EISENSTAT, BENJAMIN 469
ELDER, INEZ STAUB 112, 389
INDEX
ELLISON, JR., ROBERT 409
ENNEKING, JOHN JOSEPH 356
FARM, GERALD 455
FARWELL, E. 461
FEARING, KELLY 62, 84, 85, 208, 209
FETT, WILLIAM 404
FLAMING, JON 307
FOGEL, SEYMOUR 228, 229, 230, 231, 232, 233, 234, 235
FORAKIS, PETER 420
FORSYTH, CONSTANCE 44, 109
FRARY, MICHAEL 236, 237, 238
FRIDGE, ROY 407
GEERLINGS, GERALD 14
GIBSON, HARRY LEE 311
GILDEA, LEE 465
GLOECKNER, MICHAEL 133
GLOVER, MARY 384
GOFF, LLOYD 15
GONZALES, JR., BOYER 245
GOODYEAR, JOHN 134
GRAHAM, ROBERT M. 66
GRAMMER, GEORGE 106, 107, 194, 195, 196, 197, 198, 199, 200, 201, 202, 203, 204, 205
GRANDEE, JOE 280, 281, 282
GRANT, DWINELL 141
GRIFFITH, LOUIS OSCAR 114
GRILLO, JOHN 423
GUDE, GERARDUS 145
GUERIN, JOHN 394
GUTMANN, WILLI 314
HADDAD, JENNIE 119
HARPHAM, CAROLYN ROSE 292
HARRIS, FRED RED 275
HARRISON, ALEXANDER 348
HART, GENEVA FLORES 97, 98, 99, 100, 101
HARVEY, GERALD 372
HEBERT, MARIAN 40, 41, 42
HELFENSTELLER, VERONICA 69, 70
HENSHAW, GLENN COOPER 358
HERBECK, HUGO 382
HERON, CLYDE 285
HOGUE, ALEXANDRE 105
HOHNSTEDT, PETER 367
HOLMES, DWIGHT 373, 374, 375
HOOD, DOROTHY 219
HORN, DUKE 456, 457
HUDDLE, WILLIAM H. 318
HUNLEY, G. 16
HURD, PETER 33, 34
HURLEY, EDWARD T. 13
HYNEMAN, HERMAN 122(b), 342, 343, 344, 345, 346, 347
IRELAND, LEROY 361
JACKSON, EVERETT G. 191
JEFFRIES, LUCILLE 27, 322
JENKINS, B. 96
JENKINS, TIARA 317
JOHANSEN, JOHN CHRISTEN 352
JOHNSON, GERALD 415
JOHNSON, MARK 422
JONES, VAN DYKE 429
JUDD, DEFORREST 171
KAROLY, FREDERIC 410
KASIMIR, LUIGI 17
KEENER, ANNA 388
KELLY, AVERY 426
KIENBUSCH, WILLIAM 108
KINNEY, GREG 316
KINZINGER, EDMUND 283, 284
KLOSS, GENE 43
KLOTZ, L. EDMOND 443, 444
KOVACH, GEORGE 380
KOVNER, SAUL 399
LACY, LUCILE LAND 32
LANDERS, BERTHA 28, 29, 30
LAUDERDALE, URSULA 366
LEA, TOM 63, 64, 65
LEADER, WALTON 376
LEE, MARJORIE JOHNSON 210
LEMAY, VICTOR 430, 431
LENOX, AUGUST 287, 288
LESTER, WILLIAM 49, 93, 172, 173
LIGHTFOOT, MARY 103, 104
LOCKWOOD, WARD 242, 243, 244, 246
LONG, STANLEY 286
LOUGHEED, ROBERT 267
LUMPKINS, WILLIAM (BILL) 127(a)
MACCORD, MARY 360
MACLANE, JEAN 335, 339, 340, 363, 364
MACRUM, GEORGE 359
MAHAFFEY, JOSEPHINE 396
MAHOOE, S. L. 357
MAPLES, BARBARA 31
MARTIN, HARDY 400, 401
MATRAY 408(b)
MAUZEY, MERRITT 23, 24, 25, 26, 182
MCAN, ROBERT 477
MCCLUNG, FLORENCE 51, 52, 157, 158, 159, 160, 161, 162, 163, 164, 165
MCCULLOCH, JANE 472
MCGAUGHY, JR, FRANKLIN C. 463, 464
MCGILL, ELOISE POLK 386
MCIVER, PORTIA RAGLAND 390
MCLANE, MYRTLE JEAN 122(a)
MCVEIGH, BLANCHE 35, 36, 37, 38, 39
MEDELLIN, OCTAVIO 2, 300
MENE, PIERRE JULES 315
MEWHINNEY, ELLA 365
MITCHAM, FRED 297
MONTGOMERY, JUANITA 291
MOORE, BENSON 327
MOORE, DENVER 484
MOORE, ROXANNE 467
MORRIS, JAMES STOVALL 5
MOUNIER, J. 341
MOZLEY, LOREN 151, 152
MURPHEY, MIMI 301
NICHOLS, PERRY 121
NORMANN, CHARLES B. 252
O’CONNOR, HENRY M. 22
ONDERDONK, ELEANOR 185
ONDERDONK, JULIAN 186, 187, 188, 189, 190
OSVER, ARTHUR 140(a)
PALMER, GREGORY C. 408(a)
PARKER, LAWTON 12(c)
PEBWORTH, CHARLES 312, 313
PEEPLES, NINA 486
PEMBERTON, OIVE 207
PENNELL, JOSEPH 18
PETERSON, BRYAN 123, 124
POHL, HUGO 251
PREMINGER, MARY G. 475
PREUSSER, ROBERT 136, 137, 138, 223, 224, 225, 226, 227
PUTNAM, MARGARET 296
RACHOFSKY, MORTON 142
RASCOE, STEPHEN 240
RAY, CARLYN 306
REEDER, DICKSON 91, 92, 206
REILY, BILL 239
RICE, BRIAN 125
RICHARDSON, GARY 459, 460
ROBERTSON, HORACE O. 20, 21
ROBINSON, BOARDMAN 19
ROLLINS, WARREN 279
RONEY, HAROLD 325
ROUDENKO, ETIENNE 411, 412
ROWNTREE, RALPH 362
RUMPLER, FRANZ 350
RUTHLING, FORD 452
SALINAS, PORFIRIO 260, 261, 263, 264, 265, 266
SARDELLA, JR., LOUIS 46
SAVAGE, JANE 115
SCHIWETZ, EDWARD M (BUCK) 67
SCHMIDT, MAURICE 298
SCHOW, MAY 53
SEAY, JUDITH 425
SHOCKLEY, PEARLE 474
SHOOK, JANET 413
SLAUGHTER, WILLIAM A. 378
SLOAN, MARY K. 295
SMITH, EMILY GUTHRIE 111, 338
SMITH, EUGENE (GEAN) 395
SNOWDEN, CHESTER 432, 433, 434
SPEARS, ETHEL 81
SPELLMAN, COREEN 3, 71, 72, 73, 74, 75, 76, 77
SPELLMAN, HELEN MARIE 79
SPRUCE, EVERETT 1
STARK, LARRY 126
STEELE, ROGER L. 127(b)
STOLTENBERG, DONALD 7
STORMS, ED 308, 435, 436
STRAHALM, FRANZ 294
SUTHERLAND, ADAIR R. 437, 438, 439, 440, 441
TAYLOR, ROLLA 249, 250, 259, 293, 377
THOMAS, JOHN Z. 128, 129, 130
THOMAS, STEPHEN S. 324
THRASHER, WILLIAM R. 383
TILLINGHAST, ERIC 424
TOMANEK, JOSEPH 351
TONEY, CHESTER 247
TRAVIS, KATHRYNE HAIL 179, 180
TRAVIS, OLIN HERMAN 174, 175, 176, 177, 178
TROTTER, MCKIE 90, 213, 214, 215, 216, 217, 218
TUCKER, ALLEN 326
TURNER, JANET 102
UMLAUF, CHARLES 113, 305
UTTER, BROR 86, 87, 88, 89
VALDÉS, VICTOR 156
VEICHWAN 135
VETTER, BERNARD 466
VIVES-ATSARA, JOSE 289, 290
VOGEL, DONALD 353
WAITHE, WILLIAM 402
WALKER, JOHN 467
WALTER, LOUISE CAMERON 336
WALTON, JESSIE 110
WARDLOW, D. 381
WARREN, MELVIN 309
WEARY, ANNE 117, 118
WHITE, JESSIE ALINE 450, 451
WHITE, RALPH 241
WIGGINS, KIM DOUGLAS 392
WINBORN, BOBBI SUE 471
WINGREN, DAN 403
WOOD, ROBERT 262, 368, 369, 370, 371
WUNSCH, CAMILLE C. 8
ZIEGLER, SAMUEL 155, 166_A
