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WIERTŁO IZAJASZA

MACIEJ NISZTUK PORTFOLIO

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Maciej Nisztuk EDUCATION: •2008-2011 - Wroclaw Academy of Fine Arts Faculty of Industrial Design evening studies •2005-2011 - Wrocław University of Technology Faculty of Architecture full time •2002-2005 - High-school of Marie Curie Gorzów Wlkp. Profile: Mathematic-physics-informatics ACTIVITY: •Activity in Yello group - art collective on Facoulty of Architecture (installations - Amoeba 2010, workshops) •OSSA Workshops (Kraków 2008) •Activity in Space Unusual Society - design group on Faculty of Architecture (design projects, happenings, architectural competitions) •Two-years course of analog and digital photography - OPT Wrocław •Computer graphic course – OPT Wrocław. ACHIEVMENTS: • eVolo 2012 Skyscraper Competition, honorable mention • PO2 arquitectos internship summary – Foro Habitat Sostenible competition, second prize (PO2 arquitectos internship ) • Loft Design, interior competition, 2011, Gdynia, Poland, special distinction (cooperation with S3NS Architektura) • Sculpting Conception for Graniczne Roundabout, architectural competition, 2009, Wroclaw, Poland, special distinction •“Still Life” - Graphic competition, 2007, Wroclaw, Poland, 1st place SKILLS: •2D graphic programs (Adobe Photoshop, Adobe Illustrator). Samples supplied on request •3D vizualizations (3ds Max, Vue7, Archicad, Artlantis). Samples supplied on request •Extensive knowledge of Autocad programs. •Drawing •Analog and digital photography (photographic atelier, darkroom) FOREIGN LANGUAGES: •English: fluent •German: comunicative •Spanish: basic

PERSONAL INTERESTS: •Architecture, computer graphic, photography, art (drawing), travels, music EXPERIENCE: •11.2011-04.2012: Leonardo internship, PO2 Arquitectos, Madrid, Spain •05.2011-07.2011: S3NS studio, Wrocław, Poland - collaboration •06.2010-09.2010: LLP Erasmus practice, GUALLART ARCHITECTS, Barcelona, Spain •2008 - 2010: BERG, Olesnica, Poland - architecture studio architect assistant, graphic designer •2007 - 2008: PG Project, Wrocław, Poland - architecture studio architect assistant •2007: APA 97, Wrocław, Poland - architecture studio architect assistant, graphic designer •2007: Energotechnika - Project, Knurów, Poland - Design office of energetic and environment protection projects architect assistant wiertloizajasza.cba.pl - personal portfolio annaimaciej.carbonmade.com - interior design portfolio nagrobki.carbonmade.com - funeral design (headstones, gravestones) I declare, that I agree to have my personal data, if it necessary, processed for recruitment process. Czereśniowa 17 Kostrzyn 66-470 Poland Nationality: Polish Mobile phone:+48608688775 E-mail: ofi@tlen.pl Date of birth: 30/01/1986 Marital status: single

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Konstrukt Maciej Nisztuk Akademia Sztuk Pięknych we Wrocławiu wydział AWiWP katedra Wzornictwa Przemysłowego Rok 1 semestr 2 pracownia projektowania form użytkowych

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TOWER OF BABEL In the mercantile world, where money and economy is power, architecture became a product, which can be used in a good way to sell human aspirations. The more spectacular the better. Architecture no longer meets the needs of human living, it becomes a monument to money, prestige, a formal vision, somewhere, leaving behind its subject – human being. This dangerous trend leads to rejection of human as a fundament of architecture. Humanity is being alienated in architecture. Architecture is created only for architecture. Anonymous cold and unfriendly buildings with overwhelming scale. This skyscraper is the ever-living monument of its creators and their aspirations. Skyscraper as an endless tale, monument which is still under construction. Building lives its own life, constantly evolving. Is an accumulation of various trends in architecture. Truly tower of Babel. Skyscraper is basically a mutation of the Palace of Culture and Science, which was established in 1955 in destroyed center of Warsaw (Poland). The building was built in area which was earlier densely built-up by downtown buildings, destroyed during World War 2. The main author was a Soviet architect Lev Rudniew working with a team of Polish architects. The project continues intentions of architects of this building to create a building – monument, the carrier of the Communist idea. Among the inhabitants of Warsaw object arouses many emotions. Although it is the most recognizable symbol of Warsaw as well as some sort of landmark, by its enormity, is a controversial building. It is a symbol of Soviet domination and enslavement of the Polish nation. It also totally misses the terms of local architecture and urban planning. Does not fit the scale and linkage with the surrounding buildings, urban layout and culture of the city. It is a monument of IDEA. A monument of its creators. Hypertrophy of form over content that dominates over the Warsaw. Political and cultural realities have changed, but concept to create monuments in architecture still remains. Ideas have changed but the rules of creation the architecture still remains the same. This project sees the skyscraper as something in constant construction. The building is maze of glued together architectural blocks which are not finished, incomplete or damaged. Building is a response to capitalist approach to architecture. It reveals dystopia which can be create by modern approach to architecture

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CITY ​​WITHIN A CITY – ADAPTATION OF THE PALACE OF CULTURE AND SCIENCE IN WARSAW – MASTER DIPLOMA The thesis subject is a theoretical consideration of the mutual relations and interactions between Space (understood as architectural creation and in the broader context as the entire reality) and Man. Influence and it’s resoults. These considerations are conducted on a hypothetical adaptation of the Palace of Culture and Science on the city inside the building. Space under consideration is Warsaw and its exact center (Parade square). This space had been chosen because of its creation and modification which takes place for centuries. The space, which was shaped by an infinite number of external factors and also, that interact with great force on the people inhabiting it. Interact on many levels (ideologically, semantically, emotionally, etc.). The project intention is to show potential of the Palace of Culture and Science as an urban space. The individual fragments are designed to show the flexibility and sensitivity to changes of the building structure. By changing function of the Palace the flexibility of a Space is being proved. It is also being proved that a human being is able to widely process the Space within existing conditions. The aim is to illustrate the actual and ambiguous, dynamic correlation between man and a Space. This is not an architectural project in the strict sense, although it uses the architectural language. FORM does not matter, because it is not possible to clearly determine the finish formal result of these interactions. There are too many variables and dependencies. This is not an attempt to define patterns of Man-Space relations, their taxonomy or analysis. This study notice the fact, in which all of us are participate consciously or not. We create the Space and the Space creates/defines us Project is divided into three time stages 1. Starting stage, in which the city is being designed: geometrical divisions of functions and zone plans, which occurs also in volume of building. This stage takes place in the space currently available inside the Palace of Culture, using the existing technical infrastructure and economic building base (facilities, parking, etc.). It shows the potential of space through the proposed design solutions. Proposed changes are not revolutionary. The object is not in bad technical condition. The existing infrastructure is sufficient. 2. Space processing stage. Space is being process by inhabitants. City gradually loses its original character, changes occur mainly in the level of individuals. Space locally “adopts” itself to given conditions and temporary needs of individuals. City changes locally. 3. Further space processing stage. By accumulation of point changes city completely loses its original character. Further changes results in disappearance of design intent and lack of readability in functional divisions. The Project shows how the proposed urban space is dynamically changed by the human element. It shows how the city works, how it develops from project stage to its creation. A good analogy can be found in a renaissance ideal cities „mutation” into contemporary city where the original symmetry and order disappears in time. The design principle is contained in the first stage. Next steps shows the Space processing in one out of millions of configurations. Selected path of creation aims to show in a distinct way the existence of dynamic interactions between Man and Space. 9


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SCULPTING CONCEPTION FOR GRANICZNE ROUNDABOUT: Wroclaw in the early XXI century, aspire to occurre on the European map. With this aspiration go hand in hand all the important features of a developing city after a long slumber: dynamics, curiosity, change, openness, roots. The concept tries to combine and present it in space. The dynamic form with implicate order, reflects the spirit of the times in which arises - a movement, individuality, courage. It also shows the aspirations for the future - visibility, modernity and timelessness. The sculpture is connected with the place, with Wroclaw and its inhabitants - open to new, unique, dynamic and characteristics. It uses famous places of Wroclaw to create its structure. Tissue reveals outlines of buildings associated with the City on major axes. They are constantly in motion, every point of view trims the structure or introduces chaos. The viewer has full control of what he watches, when moving he controls what he sees. Along the tram lane sequence of photographs shows life of the Market Square. Dynamic to tram passengers image is created by multiplication - due to the movement.. Animation is a life going on in the center of Wroclaw, part of which are also the people in the vehicle. Sculpture clearly defines the place of the observer in space. It is an information point and gateway to the city. Located on the main route from the airport to the center welcomes visitors with an accent they will not forget.

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GARDEN CONCEPTION FOR DOMAINE DE CHAUMONT-SUR-LOIRE FESTIVAL The garden’s idea reaches the deepest and darkest part of the human psyche – fear, anxiety, threat feeling. Predatory reality reaches and surrounds from everywhere, trying to strip remains of the human’s values. White tree is symbol of false hope towards which in the last moment the man clutch. Whiteness stand out sharply against background, focusing the entire attention on itself. Senility of the tree is a delusion, golden bird, giving hope for better tomorrow but inside empty. Contras colour combination and fluctuating rhythmically surfaces cause lost of perspective depth. Because of that the garden is noticed as the indissoluble wholeness. The garden is a composition of sophisticated wooden structure stained to the shade of black. Beams were made of construction wood ( diameter 10 x 10 cm). Main structural element is a wooden wreath surrounding the garden. It bonds all elements together. Detail of the connection visible on the Detail picture. In the garden’s centre is located old dry tree, impregnated to the white colour. In order to avoid the problem with bedding, it is proposed to exaggerate grown-up tree.

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HOUSE FOR INTROVERT CONCEPT: User Characteristics: Raciona-Intuitive Introvert, age about 30 years, lonely, idealist, a mathematician, individualist seeker, a scientist. Building: Output form is a cube with sides of 7 m. The Cube is divided essentially into two parts: upper residential and lower - construction reduced to a massive reinforced concrete pillar. The residential part is located at a height of 3.5 meters above the bustling pedestrian crossing /crossroad/plaza. User residing inside can (if he wants to) observe from above passersby. If someone is interesting - will be transported into the cube. The space inside has no vertical divisions, only inconspicuous horizontal splits. The user understands volume, where he lives as a whole and therefore it would be a mistake to focus on a particular detail of the interior. External walls form a time-variable structure which dynamic system creates changable interior atmosphere . Wall opening combination reflects internal, higher logic guiding the user. Only he can interpret and guess the layout. Depends on him whether the system at a given moment will change. Each "pixel" consists of three layers: 1. Impenetrable to light, 2. Impenetrable to sound, 3. Permeable to air, impenetrable to sound and light. This allows selection stimulus coming from the outside world according to user's needs. The functional division are movable modular squared frame spaces reduced to structure. They form the floor along with outer coating made of milky glass / frosted translucent plastic. Floor construction offers various possibilities of living space arrangement . At night the squares stand out strongly against the light-permeable floor. Their position is visible from the ground level. It is a kind of abstract inhabitant message understandable only for few. On modular squares furnishings is located - clean, functional, without unnecessary detail. Interior colors are limited to black and white. Communication with the ground level provides an elevator, which is one of the functional modules. By its uncompromising form the building dominates the space. It says simply that a man living in this place is different. Imposes itself by constant change of both walls and floors. Through the structure of the building inhabitant communicates his message to the outside world. 21


schemat 1:500

b elewacja p贸lnocna 22 INDUSTRIAL ARCHITECTURE CONCEPT


a-a 1:200

b-b 1:200

wroclawski park technologiczny

elewacja wschodnia

elewacja zachodnia

orientacja 1:5000

fabryka moni tor贸w LCD rzut 1:200

zagosp. terenu 1:500 elewacja poludniowa

pers pek tywa calo sci

wykonal: maciej nisztuk prowadzacy: dr b. wowrzeczka

wykonal: maciej nisztuk prowadzacy: dr b. wowrzeczka

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Przekrój

Schemat komunikacji podziemnej wraz z parkingami

Plan układu funkcjonalno-przestrzennego terenów w rejonie zespołu 1:2000

LOKALIZACJA P L A N O W A N I E Z E S P O Ł Ó W PROWADZĄCY: Dr inż.arch. Paweł Ogielski

W SKALI MIASTA

Ś R Ó D M I E J S K I C H : R O N D O G R A N I C Z N E AUTORZY: Anna Rychlewska, Anna Sobczak, Maciej Nisztuk Architektura i Urbanistyka, rok IV rok akad. 2008/2009

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P L A PROWAD


N O W A N I E Z E S P O Ł Ó W DZĄCY: Dr inż.arch. Paweł Ogielski

DEVELOPMENT OF THE AREA AROUND ROUNDABOUT GRANICZNE IN WROCLAW Urban tissue is a complex system that combines various functions - communication systems, building, urban greenery, pedestrian and bicycle routes, trade and services. These different elements create network of branches that define the space, leading from main routes to more local. This dependency became an inspiration to create a space based on the tree schema . Its “branches” spread out from the center of the roundabout Graniczne - the development center - and further radially to undeveloped land.

Elewacja północna

Natural features of tree branches have been preserved - their irregular structure, the angles at which they spread and variable width. Because of that terrain has strong tectonic character. After diagram transformation for the purposes of architecture, the branches have become the axes of high greenery for pedestrian communication and cycling. The spaces between them were filled with buildings. Propagated in a natural way streets, form squares and a framework for landmarks.

Elewacja wschodnia

Projekt szczegółowego zagospodarowania w obrębie obszaru zespołu 1:1000

LOKALIZACJA

W SKALI MIASTA

LOKALIZACJA

Ś R Ó D M I E J S K I C H : R O N D O G R A N I C Z N E AUTORZY: Anna Rychlewska, Anna Sobczak, Maciej Nisztuk Architektura i Urbanistyka, rok IV rok akad. 2008/2009

P L A N O W A N I E Z E S P O Ł Ó W PROWADZĄCY: Dr inż.arch. Paweł Ogielski

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W SKALI MIASTA

Ś R Ó D M I E J S K I C H : R O N D O G R A N I C Z N E AUTORZY: Anna Rychlewska, Anna Sobczak, Maciej Nisztuk Architektura i Urbanistyka, rok IV rok akad. 2008/2009

An additional aim to diversify the space is height variation of individual parts, which gives the effect of “waving space”. The green strings were lowered below ground level. These levels align with the ramp across the pedestrian and cycling communication. This applies also to buildings. Their roofs are inclined planes forming a continuation of each other.


DESIGN OF NOWY TARG SQUARE IN WROCŁAW The project is based on chip schematic. The integrated circuit is starting point for both: form and idea of the ​​ project. On one hand, objects that exist on square surface result from chart lines on the other hand, as the name suggests, this system integrates the entire space. It determines the layout of components, both paving, and spatial elements, such as greenery, landscaping elements, communication , or pavilion. The consolidation, however, goes deeper. With delicate surrounding intervention into building elevations, it binds more strongly with the site. The consolidation also goes into the depths - into the underground car park. With a fragmented glass construction and flowing into the interior greenery, we create a Square as one architectural element. What’s more, parking space becomes a unique asset, not only asexual repository for cars. 26


TIPO VT4/1 VT8/2 VT9/2 VT4/3 VT5/3 VT6/3 VT7/3 VT8/3 VT9/3 VT10/3

UDS S.ÚTIL 1 1 1 1 2 1 1 1 1 1

Total

11

VT1/1 VT1/2 VT2/2 VT3/2 VT5/2 VT6/2 VT1/3 VT2/3 VT3/3

1 4 2 1 1 1 1 1 1

Total

13

TIPO

1 1 1 4 3 1 1 1

Total

13

TIPO VT1/1 VT2/1 VT1/2 VT2/2 VT5/2 VT6/2 VT1/3 VT2/3 Total

TIPO

Total

13

1 1 4 3 1 1 1 1

Total

13

1 1 4 3 1 1 1 1

Total

13

Total

TIPO

TOTAL 38,48 41,14 212,2 150,09 52,46 54,77 76,18 69,32 694,64

TOTAL

38,48 41,97 53,05 50,03 52,56 53,44 69,32

38,48 41,97 265,25 150,09 52,56 53,44 69,32 671,11

TOTAL

38,48 41,97 53,05 50,03 52,56 53,44 76,18 69,32

38,48 41,97 212,2 150,09 52,56 53,44 76,18 69,32 694,24

TOTAL

38,48 41,14 53,05 50,03 52,46 54,77 76,18 69,32

38,48 41,14 212,2 150,09 52,46 54,77 76,18 69,32 694,64

UDS S.ÚTIL 1 1 3 3 1 1 2 1 0

TOTAL

38,48 41,97 53,05 50,03 52,56 53,44 76,18 69,32 72,85

38,48 41,97 159,15 150,09 52,56 53,44 152,36 69,32 0

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717,37

UDS S.ÚTIL

VT7/2

2

Total

2

TOTAL

61,65

123,3 123,3

TIPO

UDS SUP.ÚTIL CONST.i comunes TOTAL ut TOTAL const

7 VT1/1 3 VT2/1 4 VT3/1 1 VT4/1 VT1/2 28 VT2/2 20 4 VT3/2 4 VT4/2 3 VT5/2 3 VT6/2 2 VT7/2 1 VT8/2 1 VT9/2 7 VT1/3 7 VT2/3 1 VT3/3 1 VT4/3 2 VT5/3 1 VT6/3 1 VT7/3 1 VT8/3 1 VT9/3 VT10/3 1 T

38,49 41,15 41,98 32,38 57,09 55,95 52,57 53,45 52,47 54,78 61,66 53,32 48,59 79,19 73,33 75,86 68,81 82,32 89,82 94,07 69,39 84,09 96,80

SUP.UTIL SUP.CONST. 334,65 769,26 725,92 679,79 691,62 668,07 691,21 691,61 717,37 123,30

ATICO PLANTA 8 PLANTA 7 PLANTA 6 PLANTA 5 PLANTA 4 PLANTA 3 PLANTA 2 PLANTA 1 PL. BAJA TOTAL SR

VIVIENDAS

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27

nº total

1D

2D

3D

4D

104

15 14,50%

66 63,50%

23 22,00%

0 0%

TOTAL BR

6.092,80

8.802,81

SUP NO COMPEDIF.

SC/SU

211,55 183,43 84,78 104,99 107,63 132,32 99,89 99,13 83,14 675,64

289,94 645,51 900,11 858,53 853,72 804,34 868,73 870,69 902,94 25,81

1.782,50

7.020,32

1,44

< 7.516,00

<1,45 SC/SU

SUP NO COMPEDIF.

701,45 1.608,44 1.346,18 1.346,18

701,45 1.608,44 1.346,18 1.346,18

0,00 0,00 0,00 0,00

3.700,66

5.002,25

5.002,25

0,00

TOTALES SB+BR 9.793,46

13.805,07

6.784,75

7.020,32

1,35

ANEXO I: CUADRO RESUMEN DE SUPERFICIES

PROMOCIÓN: Nuestra Señora de los Ángeles 11.2 FORO HABITAT SOSTENIBLE

LEMA

307,28 1.292,00 1.066,93 1.034,45

389,27 178,36 242,61 46,78 2.309,41 1.616,72 303,81 308,90 227,42 237,44 178,17 77,04 70,20 800,89 741,63 109,60 99,42 237,87 129,77 135,91 100,25 121,49 139,86

8.802,82

SUP.UTIL SUP.CONST.

P. INF. BAJA SOTANO 1 SOTANO 2 SOTANO 3

269,43 123,45 167,92 32,38 1.598,44 1.119,00 210,28 213,80 157,41 164,34 123,32 53,32 48,59 554,33 513,31 75,86 68,81 164,64 89,82 94,07 69,39 84,09 96,80

501,49 828,94 984,89 963,52 961,35 936,66 968,62 969,82 986,08 701,45

6.092,80

PLANTA

hogares

55,61 59,45 60,65 46,78 82,48 80,84 75,95 77,22 75,81 79,15 89,09 77,04 70,20 114,41 105,95 109,60 99,42 118,94 129,77 135,91 100,25 121,49 139,86

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PLANTA

Multifamily social housing. The volume is divided into four separate parts to minimize the visual effect of the mass. The most important part of the building is thecommunication space which also creates green lungs of the object. Through structure perforation and level changing, a unique microenvironment is created, causingthe air to flow through the building. This way we create an attractive breathing common space which encourages integration between neighbors.

682,82

UDS S.ÚTIL

VT1/1 VT2/1 VT1/2 VT2/2 VT5/2 VT6/2 VT1/3 VT2/3

VT1/1 VT3/1 VT1/2 VT2/2 VT3/2 VT4/2 VT1/3 VT2/3 VT3/3

38,48 41,14 41,97 212,2 150,09 53,44 76,18 69,32

38,48 41,14 53,05 50,03 52,46 54,77 76,18 69,32

UDS S.ÚTIL

VT1/1 VT3/1 VT1/2 VT2/2 VT3/2 VT4/2 VT1/3 VT2/3

TIPO

728,88

TOTAL

13

1 1 5 3 1 1 1

TIPO

38,48 212,2 100,06 52,56 52,46 54,77 76,18 69,32 72,85

38,48 41,14 41,97 53,05 50,03 53,44 76,18 69,32

UDS S.ÚTIL

VT1/1 VT3/1 VT1/2 VT2/2 VT3/2 VT4/2 VT2/3

TIPO

786,79

UDS S.ÚTIL 1 1 4 3 1 1 1 1

32,37 53,31 48,58 58,8 160,62 89,81 94,06 68,38 84,08 96,78

38,48 53,05 50,03 52,56 52,46 54,77 76,18 69,32 72,85

UDS S.ÚTIL

VT1/1 VT2/1 VT3/1 VT1/2 VT2/2 VT4/2 VT1/3 VT2/3

PO2 ARQUITECTOS INTERNSHIP SUMMARY – FORO HABITAT SOSTENIBLE COMPETITION, SECOND PRIZE

TOTAL

32,37 53,31 48,58 58,80 80,31 89,81 94,06 68,38 84,08 96,78

TRASTEROS

LOCALES superficies

nº total

útil

construida

computable

6.092,80

8.808,82

7.020,32

superficies útil

0,00

construida

nº total computable

104

GARAJES

superficies útil

construida

532,43

1.080,70

útil

105

RATIO

construida

TOTAL

BR

SR

NUCLEOS COMUNIC.

CONST/ÚTIL

3.921,55

13.805,07

5.002,25

8.802,82

2

1,4458

SUPERFICIES CONSTRUIDAS

superficies

nº plazas

3.168,13

OBSERVACIONES

Project was created during Leonardo da Vinci internship in PO2 arquitectos (Madrid, Spain). I was part of the PO2 design team.


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29 SINGLE FAMILY HOUSING DESIGN


30 MEAT SHOP INTERIOR


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32 NIGHT CLUB INTERIOR


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34 LOFT DESIGN, INTERIOR COMPETITION


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Konstrukt Maciej Nisztuk Akademia Sztuk Pięknych we Wrocławiu wydział AWiWP katedra Wzornictwa Przemysłowego Rok 1 semestr 2 pracownia projektowania form użytkowych

Konstrukt Maciej Nisztuk Akademia Sztuk Pięknych we Wrocławiu wydział AWiWP katedra Wzornictwa Przemysłowego Rok 1 semestr 2 pracownia projektowania form użytkowych

36 INDUSTRIAL CONTAINER & CHAIR DESIGN

Konstrukt Maciej Nisztuk Akademia Sztuk Pięknych we Wrocławiu wydział AWiWP katedra Wzornictwa Przemysłowego Rok 1 semestr 2 pracownia projektowania form użytkowych


Parking na owoce Maciej Nisztuk Akademia Sztuk Pięknych we Wrocławiu wydział AWiWP katedra Wzornictwa Przemysłowego Rok 2 semestr 3 pracownia projektowania produktu

Parking na owoce Maciej Nisztuk Akademia Sztuk Pięknych we Wrocławiu wydział AWiWP katedra Wzornictwa Przemysłowego Rok 2 semestr 3 pracownia projektowania produktu

37 FRUIT VAGINA DESIGN

Parking na owoce Maciej Nisztuk Akademia Sztuk Pięknych we Wrocławiu wydział AWiWP katedra Wzornictwa Przemysłowego Rok 2 semestr 3 pracownia projektowania produktu

Parking na owoce Maciej Nisztuk Akademia Sztuk Pięknych we Wrocławiu wydział AWiWP katedra Wzornictwa Przemysłowego Rok 2 semestr 3 pracownia projektowania produktu


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HomeBirds is a product brand created in PO2 arquitectos (Madrid, Spain). I participated in design and visualizations of Twins. , Lampajara.02 and BirdToy. ( flaco-favor.blogspot.com ) Project was created during Leonardo da Vinci internship in PO2 arquitectos (Madrid, Spain). I was part of the PO2 design team. ( www.po-2.com ) 39


HomeBirds is a product brand created in PO2 arquitectos (Madrid, Spain). I participated in design and visualizations of Twins. , Lampajara.02 and BirdToy. ( flaco-favor.blogspot.com ) Project was created during Leonardo da Vinci internship in PO2 arquitectos (Madrid, Spain). I was part of the PO2 design team. ( www.po-2.com ) 40


HOMELESS HIPSTERS The ‘product’ creation of lifestyle and everyday objects of homeless people. By creating a brand we turn the homeless into society. By giving economic value for homeless, people begin to see them as a kind of subculture. People starts to „copy homelessness.” Economics tames the Problem. Homelessness as a lifestyle / way of life – we do not give them home or immediate assistance, we create long-term program of changing society. We give homeless identity and economic value. Homeless SWOT: Strengths: diversity, „freedom”, outside the society (art, anarchy / punk), „cheap” way of life, „recycling” of civilization wastes. Weaknesses: social stigma, pathologies (dirt, stench, poverty, alcoholism, drugs, lack of perspectives and links with society), lack of identification, social resistance against inclusion of the homeless. Opportunities: good topic for a product (alternative is in fashion) - For the homeless: get rid of the stigma, elimination of pathology, identification, purity, originality; - For society: a new quality, the taming of the problem. Target: the Art, young people in need of identification, the homeless (from homeless to celebrity), government organizations and NGOs Work made for „Almost Home” competition (tesseractcompetitions.com) 4141


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43 GRAPHIC DESIGNS


U-HOUSE VISUALISATIONS Design of U-house was created in PO2 arquitectos (Madrid, Spain). I made visualizations of volume and interiors. Project was created during Leonardo da Vinci internship in PO2 arquitectos (Madrid, Spain). I was part of the PO2 design team. ( www.po-2.com )

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VISUALIZATION OF CULTURAL CENTER. DESIGNED BY ANNA RYCHLEWSKA


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46 DRAWINGS


47 PAINTINGS


48 PHOTOS


49 PHOTOS


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MACIEJ NISZTUK PERSONAL PORTFOLIO Wrocław, Poland ofi@tlen.pl +48 608 688 775 52

Wiertloizajasza Portfolio  
Wiertloizajasza Portfolio  

Portfolio of Wiertloizajasza, Maciej Nisztuk

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