The Nature of Things

Page 1

THE NATURE OF THINGS DAVID MORGAN

whitespaceart.com

In the first few lines of Thomas Hardy’s novel

Under the Greenwood Tree, he writes: “To dwellers in a wood, almost every species of tree has its voice as well as its feature... the holly whistles as it battles with itself; the ash hisses amid its quiverings; the beech rustles while its flat boughs rise and fall.”

I read the book many years ago and I think these words have touched a chord with me. I am not a “dweller in a wood”, I live in Exeter which does, however, have many fine trees and setting out to paint them I am conscious of capturing the very nature of them. My encounters with trees leads me onto other subjects - hot summer days, torrential rain, fields and meadows, light on the river, waves breaking, the open moor. Working out what to paint and how to paint is never easy. It is an ongoing battle between artist, nature and paint. When I was in primary school I can remember doing a project with a friend of mine, Mark Boughton. We were allowed to go out each afternoon into the school grounds to sit and watch a swoop of house martins, whilst making notes and drawings of their activities. Perhaps this is where it all began, my interest in nature and of the many things within. David Morgan. 2022 1 Full Flow, River Dart ( cover) oil on board 51 x 61cms

INTRODUCTION
THE NATURE OF THINGS DAVID MORGAN 8 - 15 October & 26 October - 5 November at White Space Art, Totnes Affordable Art Fair, Battersea 20-23 October 2022 view exhibition online whitespaceart.com 2 Breaking Waves oil on board 79 x 123cms
3 Edge of the Meadow oil on canvas 31 x 41cms
4 Summer Valley, Pebblebed Vineyard oil on board 28 x 101cms
5 Bigbury Bay oil on canvas 51 x 61cms
6 Sailing Past Bantham oil on board 65 x 123cms
8 Off the Rocks oil on board 42 x 60cms 7 Morning Tide oil on board 18 x 60cms
9 The Sea, A Windy Day oil on board 61 x 85cms 27. 03. 22 Any amount of wind makes painting outside tricky. Today, despite anchoring everything down, my painting kept getting blown off the easel. It would either hit me in the chest covering me in paint or land upside down on the pebbles, like dropping a buttered piece of toast. I kept picking it up and carried on regardless.
10 Summer River oil on board 100 x 151cms
12 Birch Trees oil on canvas 26 x 21cms 11 Under the Greenwood Tree oil on canvas 21 x 26cms

13

Weeping Willow oil on canvas 21 x 26cms

14 Summer Oak oil on canvas 26 x 21cms

17. 03. 22

Eventually I am out painting this willow on the bank of the River Exe. I have been waiting for it to come into leaf as I wanted to see the light on the river through the leaves. In a month the undergrowth will have grown and the river will be out of view.

15 On Holne Moor oil on canvas 21 x 26cms 16 Summer on the Moor oil on board 15 x 52cms
17 Light on the River oil on canvas 71 x 107cms

Tree, Spring

on board

Oak, Widecombe in the Moor oil on canvas 42 x 60cms

07. 22

I am up on the moor painting this magnificent oak which I had spotted when out walking. Blistering hot few days. The cattle still went about their business though munching away on the ever drying grass.

18 Cherry
oil
36 x 43cms 19 Large
06.

board

06. 22

Fishing has many similarities to painting outside. You can sit for hours on end immersed in your surroundings not realising where the time goes and as I am always saying to my family - it’s not for the fish that I go fishing.

Boats, Turf Locks

on board

x 49cms

07.
21 Sailing
oil
27
20 Fishing oil on
31 x 41cms
22 Rain Clouds, Yar Tor oil on board 41 x 60cms
23 Cloudy Day, Honeybag Tor oil on board 44 x 60cms 11. 05. 22 I always try and get out early when going to paint and on these lovely sunny mornings you feel like the whole world belongs to you. It wasn’t though, as a group of climbers were on the rocks disturbing the peace.

24 Bonjour La Mer! oil on board 59 x 84cms

Published by White Space Art, Totnes to accompany the exhibition The Nature of Things 8 October - 5 November 2022 © White Space Art & David Morgan, all rights reserved 25 Saturday Morning, Bantham oil on board 59 x 84cms

David Morgan was born in Croydon in 1964. He graduated from Winchester School of Art in 1988. In his own words he is “a land, sea and river painter who works en plein air. I love immersing myself in the subject and creating paintings which emit the strong emotions I have for the landscape.”

He is known for his impasto technique and bold use of colour, his depiction of light and the changing weather across the landscape. Although, recent, more contained studies of trees or free flowing Moorland rivers display his curiosity and evolving style.

26 Mevagissey Harbour oil on board 37 x 37cms White Space Art, 72 Fore Street, Totnes, Devon TQ9 5RU t 01803 864088 e info@whitespaceart.com Making art affordable. Spread the cost with an interest free loan from ownart. Representative 0% APR

Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.