Isabella Farrell

GrRrLs GrRrLs

Isabella Farrell - Graduate Collection

Grrrls is inspired by feminist punk and the Riot Grrl movement of 90s. This collection aims to explore the connections between punk and feminism and highlight the contribution of women to the punk movement. The history of feminism is often broken-down into three waves each with different ideals and objectives. The First Wave advocated for the right vote throughout the 1850’s till the 1910s while the Second Wave fought for equal work rights and sexual liberation during the 1960s and 1970s (Grady, 2018). The Riot Grrrl movement is often considered an integral part of Third Wave Feminism which aimed to dismantle damaging perceptions of women as well as fight against domestic violence and sexual abuse and took place during the 1990s (Grady, 2018).

Punk first emerged in the early 1970s as a counterculture fuelled by discontent with societal norms (Peacock 2021). It encapsulated more than just an aesthetic and was built around music scenes, personal identity and political ideology which transformed it from more than just a fashion movement into a lifestyle and belief system (Peacock 2021). Some punk beliefs include freedom of choice, DIY ethics and anti-establishment views which were often expressed through punk rock music, zines and fashion (Peacock 2021).

One pioneer of the punk movement and its fashion is Vivienne Westwood. Often called the ‘mother of punk’, Westwood opened up boutique ‘Sex’ in 1974 with Malcom McLaren (Cartledge 2013). Over the next decade, the shop underwent many name changes but became the centre of the punk fashion scene in London, often providing clothes for the pioneering London punk band ‘The Sex Pistols’ which McLaren managed (Cartledge 2013). The clothes were inspired by S&M and bondage aesthetics and included many tropes of punk fashion including safety pins, studs, chains, distressed clothes and prints with bold political messages (Victoria and Albert Museum 2017). After parting ways with McLaren in the 1980s, Westwood had a slew of successful shows during the 1990s which explored the use of corsetry as outerwear and how its once restrictive nature could be reinvented to bring liberation to women in the modern day (Victoria and Albert Museum 2017).

the and movement. with right to fought 1970s integral damaging violence 2018). fuelled encapsulated scenes, from system DIY expressed 2021). Vivienne the Over became clothes McLaren and including political with shows and liberation 2017).

The Riot Grrrl movement began in Olympia Washington during the early 1990s and was led by Kathleen Hanna, the lead singer of Riot Grrrl band Bikini Kill (Jiji, 2021). Unlike the feminism of the past, the Riot Grrrl movement wanted to embrace femininity and girliness and reclaim the words and aesthetics for themselves. Typically, feminine clothes such as baby doll dresses and ‘girly’ colours such as pink and white were embraced as a way to redefine how femininity was viewed while misogynist words such as ‘bitch’ and ‘slut’ were used in the names of bands and songs as a way to reclaim their power in the name of women (Jiji, 2021). These ideas about sexism and the patriarchy were often passed through Riot Grrrl Zines which were handmade pamphlets that were often exchanged at Riot Grrrl concerts (Havlin, 2016). The Riot Grrrl movement is a prime example of the intersection between feminism and punk. The influence of punk in the Riot Grrrl movement can be seen though how garagerock style music and controversial clothing was used to convey a political message advocating for equality and individual freedom.

This collection aims to use punk aesthetics to expose society’s treatment of women through the archetype of a wedding dress. By repurposing lingerie items that have had contradicting meanings of purity and immorality throughout history such as white lace bras, corsets and body-hugging silhouettes, the hypocrisy of gender expectations and double standards is exposed. The traditional wedding dress silhouette has been deconstructed in each body to highlight how society’s expectations of women are limiting. An original font has been designed for this collection which utilizes traditional chaotic punk typography aesthetics. This font has been used to create the original print for this collection which utilises common misogynistic words and phrases that women hear every day. The content and typography of the print aim to emphasise the ugly oppression that women face daily in a patriarchal

society. Additionally, thrifted bras were recycled to create an original texture for this collection. During Second Wave Feminism, bras became a tangible symbol of the abstract nature of female oppression as they were seen as a physical restriction of the female body for the male gaze. To create the original texture for this collection, donated white lace bras were literally deconstructed in order to figuratively dismantle feminine oppression. Denim was featured heavily in this collection due to its strong ties to the punk aesthetic but also for its stark contrast to traditional bridal fabrics such as lace, tulle and satin which are often soft and flowy compared to the thick rigidness that denim provides. Other popular punk characteristics were also adopted including chains, belts and lace ups to highlight the constraints that women experience in a patriarchal society. The colour palette for this collection was also heavily inspired by its concept. As the traditional colour of brides for its connotations of purity and innocence, white features heavily. By creating unconventional punk-inspired wedding dresses, these connotations are contradicted thus highlighting the duplicity of feminine gender construction. Black, the antithesis of white, was also used as in the context of feminine wedding wear, it further highlights the opposing nature of feminine stereotypes.

DeVeLoPmEnT

bOdY oNe BoDy OnE bOdY

White Denim, 100% Cotton, Rathdowne $15/m

White Top Poplin, 100% Cotton, Rathdowne $12/m

Originally Developed Textile on Denim

Originally Developed Print, Florence Net Base Cloth, 100% Polyester, Bags of Love Printers, $50/m

Originally Developed Print, Florence Net Base Cloth, 100% Polyester, Bags of Love Printers, $50/m

Black Denim, 100% Cotton, Rathdowne $15/m

Various Chains, Metal and Plastic, Jimmy Buttons, Spotlight, Bunnings

tHrEe BoDy ThReE bOdY

ReDiTs CrEdItS

Concept References

Cartledge, F 2013, ‘Punk Fashion’, Love to Know, viewed 31 August 2022, <https://fashion-history.lovetoknow. com/clothing-types-styles/punk-fashion>.

Grady, C 2018, ‘The waves of feminism, and why people keep fighting over them, explained’, Vox, viewed 30 June 2022, <https://www.vox.com/2018/3/20/16955588/feminism-waves-explained-first-second-third-fourth>.

Havlin, L 2016, ‘The Riot Grrrl Style Revolution’, AnOther Magazine, viewed 30 June 2022, <https://www. anothermag.com/fashion-beauty/8279/the-riot-grrrl-style-revolution#:~:text=Riot%20Grrrls%20railed%20 against%20commercial,passivity%20from%20engagement%20with%20style>.

Jiji, T 2021, ‘Before Girl Power Was Popular the Riot Grrrls Made it Punk’, L’Officiel USA, L’Officiel, viewed 30 June 2022, <https://www.lofficielusa.com/pop-culture/riot-grrrl-movement-history-punk-feminism>.

Peacock, T 2021, ‘Punk Politics: Fighting The Power, From Sex Pistols To Anti-Flag’, uDiscover Music, viewed 31 August 2022, <https://www.udiscovermusic.com/stories/punk-politics-music-rebellion/>.

Victoria and Albert Museum 2017, ‘Vivienne Westwood: punk, new romantic and beyond’, Victoria and Albert Museum, V&A, viewed 31 August 2022, <https://www.vam.ac.uk/articles/vivienne-westwood-punk-new-romanticand-beyond>.

Concept Image References

‘Kathleen Hanna in Bra Performing in 1993’, 1993. [photograph] Another Mag. Available at: https://www. anothermag.com/fashion-beauty/8279/the-riot-grrrlstyle-revolution [Accessed 30 June 2022].

‘Kathleen Hanna in Yellow shirt and Underwear Performing in 1993’, 1993. [photograph] Another Mag. Available at: https://www.anothermag.com/fashionbeauty/8279/the-riot-grrrl-style-revolution [Accessed 30 June 2022]. [Accessed 30 June 2022].

Blashill, P, n.d. ‘Babes In Toyland’. [photograph] Walker Art Centre. Available at: https://walkerart.org/ magazine/cindy-sherman-babes-in-toyland-punk-rock Brice, L, 1993. ‘Kathleen Hanna performs in Bikini Kill wearing minidress in 1993’. [photograph] Sonic Editions. Available at: https://www.soniceditions.com/ image/bikini-kill [Accessed 30 June 2022].

Brice, L, 1995. ‘Corin Tucker performing apart of Sleater Kinney’. [photograph] Getty Images. Available at: https://www.gettyimages.com.au/detail/newsphoto/sleater-kinney-at-free-2-fight-event-of-the-riotgrrrl-news-photo/1158058442?adppopup=true [Accessed 30 June 2022].

Demarchelier, D, 2014. ‘Josephine Le Tutour in the Vera Wang 2014 Fall Bridal Campaign’. [photograph] Vera Wang. Available at: https://www.trendhunter. com/trends/happy-bride [Accessed 30 June 2022].

Fales Library NYU, 2013. ‘Bikini Kill Zine no. 2 circa 1991’. [photograph] The Guardian. Available at: https://www.theguardian.com/music/gallery/2013/ jun/30/punk-music [Accessed 30 June 2022].

Fales Library NYU, 2013. ‘Riot Grrrl Zine no. 1, Molly Neuman and Allison Wolfe, July 1991’. [photograph] The Guardian. Available at: https://www.theguardian. com/music/gallery/2013/jun/30/punk-music [Accessed 30 June 2022].

Fales Library NYU, 2013. ‘Riot Grrrl Zine no. 2, Molly Neuman and Allison Wolfe, July 1991’. [photograph] The Guardian. Available at: https://www.theguardian. com/music/gallery/2013/jun/30/punk-music [Accessed 30 June 2022].

Graham, P, 1993. ‘Carrie Brownstein of Excuse 17 performing in 1993’. [photograph] New York Times. Available at: https://www.nytimes.com/ interactive/2019/05/03/arts/music/riot-grrrl-playlist. html [Accessed 30 June 2022].

Graham, P, 1994. ‘The First Two Records by Bikini Kill Album Cover’. [photograph] Wikipedia. Available at: https://en.wikipedia.org/wiki/The_C.D._Version_of_ the_First_Two_Records [Accessed 30 June 2022].

Hanna, K, n.d. ‘Bikini Kill We Don’t Need You Zine’. [photograph] Another Mag. Available at: https://www. anothermag.com/fashion-beauty/8279/the-riot-grrrlstyle-revolution [Accessed 30 June 2022].

Lindbergh, P, 2012. ‘Isabeli Fontana as a runaway bride for the April 2012 Issue of Vouge Paris’. [photograph] Vouge France. Available at: https://www.trendhunter. com/trends/isabeli-fontana-vogue-paris-april-2012 [Accessed 30 June 2022].

Mazur, K, 1990. ‘Courtney Love Performing in Blue Babydoll dress in 1990’. [photograph] Getty Images. Available at: https://www.gettyimages.com.au/detail/ news-photo/courtney-love-news-photo/81515062 [Accessed 30 June 2022].

Peterson, C, 1989. ‘L7’. [photograph] Dazed. Available at: https://www.dazeddigital.com/photography/ gallery/19244/10/charles-peterson [Accessed 30 June 2022].

Roberts, E, 1993. ‘Kat Bjelland performing with Babes in Toyland in 1993’. [photograph] Getty Images. Available at: https://www.gettyimages.com.au/detail/newsphoto/kat-bjelland-from-babes-in-toyland-performslive-on-stage-news-photo/85847722?adppopup=true [Accessed 30 June 2022].

Rosenberg, H, 1990. ‘Smell the Magic by L7 LP cover’. [photograph] Wikipedia. Available at: https:// en.wikipedia.org/wiki/File:Smell_The_Magic.jpg [Accessed 30 June 2022].

Smith, E, 1993. ‘Pottymouth by Bratmobile Album Cover’. [photograph] Wikipedia. Available at: https://en.wikipedia.org/wiki/ File:BratmobilePottymouthcover.jpg [Accessed 30 June 2022].

Steinfeldt, J, 1992. ‘Kat Bjelland of Rock band Babes in Toyland performs in Minneapolis’. [photograph] Getty Images. Available at: https://www.gettyimages. com.au/detail/news-photo/kat-bjelland-of-rockband-babes-in-toyland-performs-at-the-newsphoto/1299001517?adppopup=true [Accessed 30 June 2022].

Unwerth, EV, 1994. ‘Live Through This by Hole Album Cover’. [photograph] Wikipedia. Available at: https:// en.wikipedia.org/wiki/File:Hole_-_Live_Through_ This.png [Accessed 30 June 2022].

Willsher, A, 1994. ‘Courtney Love Performing in Pink Dress in 1994’. [photograph] Getty Images. Available at: https://www.gettyimages.com.au/detail/newsphoto/singer-songwriter-and-guitarist-courtney-loveperforming-news-photo/491741263?adppopup=true [Accessed 30 June 2022].

ReDiTs CrEdItS

Trend Image References

Figure 1.1. Dragone, S, 2022. ‘Look 57 of the Andreas Kronthaler for Vivienne Westwood Spring 2023 readyto-wear collection.’ [photograph] Vogue. Available at: https://www.vogue.com/fashion-shows/spring2023-ready-to-wear/andreas-kronthaler-for-viviennewestwood/slideshow/collection#57 [Accessed 8 October 2022].

Figure 1.2. Fior, F, 2022. ‘Look 22 of the Simone Rocha Spring 2023 ready-to-wear collection.’ [photograph] Vogue. Available at: https://www.vogue.com/fashionshows/spring-2023-ready-to-wear/simone-rocha/ slideshow/collection#22 [Accessed 8 October 2022].

Figure 1.3. Hodakova, 2022. ‘Look 31 of the Hodakova Spring 2023 ready-to-wear collection.’ [photograph] Vogue. Available at: https://www.vogue.com/fashionshows/spring-2023-ready-to-wear/simone-rocha/ slideshow/collection#22 [Accessed 8 October 2022].

Figure 1.4. Dragone, S, 2022. ‘Look 36 of the Yohji Yamamoto Spring 2023 ready-to-wear collection.’ [photograph] Vogue. Available at: https://www.vogue. com/fashion-shows/spring-2023-ready-to-wear/yohjiyamamoto/slideshow/collection#36 [Accessed 8 October 2022].

Figure 1.5. Montag, I, 2022. ‘Look 26 of the Ashlyn Spring 2023 ready-to-wear collection.’ [photograph] Vogue. Available at: https://www.vogue.com/fashionshows/spring-2023-ready-to-wear/ashlyn/slideshow/ collection#26 [Accessed 8 October 2022].

Figure 1.6. Dragone, S, 2022. ‘Look 88 of the Antonio Marras Spring 2023 ready-to-wear collection.’ [photograph] Vogue. Available at: https://www. vogue.com/fashion-shows/spring-2023-ready-to-wear/ antonio-marras/slideshow/collection#88 [Accessed 8 October 2022].

Figure 2.1. Evans, JL, 2022. ‘Look 39 of the Mithridate Spring 2023 ready-to-wear collection.’ [photograph] Vogue. Available at: https://www.vogue.com/ fashion-shows/spring-2023-ready-to-wear/mithridate/ slideshow/collection#39 [Accessed 8 October 2022].

Figure 2.2. Fior, F, 2022. ‘Look 27 of the Del Core Spring 2023 ready-to-wear collection.’ [photograph] Vogue. Available at: https://www.vogue.com/fashionshows/spring-2023-ready-to-wear/del-core/slideshow/ collection#27 [Accessed 8 October 2022].

Figure 2.3. Montag, I, 2022. ‘Look 29 of the Dion Lee Spring 2023 ready-to-wear collection.’ [photograph] Vogue. Available at: https://www.vogue.com/fashionshows/spring-2023-ready-to-wear/dion-lee/slideshow/ collection#29 [Accessed 8 October 2022].

Figure 2.4. GCDS, 2022. ‘Look 29 of the GCDS Fall 2022 ready-to-wear collection.’ [photograph] Vogue. Available at: https://www.vogue.com/fashion-shows/ fall-2022-ready-to-wear/gcds/slideshow/collection#29 [Accessed 8 October 2022].

Figure 2.5. Zuhair Murad, 2022. ‘Look 42 of the Zuhair Murad Spring 2023 ready-to-wear collection.’ [photograph] Vogue. Available at: https://www.vogue. com/fashion-shows/spring-2023-ready-to-wear/zuhairmurad/slideshow/collection#42 [Accessed 8 October 2022].

Figure 2.6. Montag, I, 2022. ‘Look 13 of the Dion Lee Spring 2023 ready-to-wear collection.’ [photograph] Vogue. Available at: https://www.vogue.com/fashionshows/spring-2023-ready-to-wear/dion-lee/slideshow/ collection#13 [Accessed 8 October 2022].

Figure 2.7. Fior, F, 2022. ‘Look 9 of the Dilara Findikoglu Spring 2023 ready-to-wear collection.’ [photograph] Vogue. Available at: https://www.vogue. com/fashion-shows/spring-2023-ready-to-wear/dilarafindikoglu/slideshow/collection#9 [Accessed 8 October 2022].

Figure 2.8. Lucioni, A, 2022. ‘Look 81 of the Dolce and Gabbana Spring 2023 ready-to-wear collection.’ [photograph] Vogue. Available at: https://www. vogue.com/fashion-shows/spring-2023-ready-to-wear/ dolce-gabbana/slideshow/collection#81 [Accessed 8 October 2022].

Figure 3.1. David Koma, 2022. ‘Look 3 of the David Koma Resort 2023 collection.’ [photograph] Vogue. Available at: https://www.vogue.com/fashion-shows/ resort-2023/david-koma/slideshow/collection#3 [Accessed 8 October 2022].

Figure 3.2. Fior, F, 2022. ‘Look 4 of the Saint Laurent Spring 2023 ready-to-wear collection.’ [photograph] Vogue. Available at: https://www.vogue.com/fashionshows/spring-2023-ready-to-wear/saint-laurent/ slideshow/collection#4 [Accessed 8 October 2022].

Figure 3.3. Burberry, 2022. ‘Look 70 of the Burberry Spring 2023 ready-to-wear collection.’ [photograph] Vogue. Available at: https://www.vogue.com/fashionshows/spring-2023-ready-to-wear/burberry-prorsum/ slideshow/collection#70 [Accessed 8 October 2022].

Figure 3.4. Oberrauch, D, 2022. ‘Look 22 of the Andreadamo Spring 2023 ready-to-wear collection.’ [photograph] Vogue. Available at: https://www. vogue.com/fashion-shows/spring-2023-ready-to-wear/ andreadamo/slideshow/collection#22 [Accessed 8 October 2022].

Figure 3.5. Fior, F, 2022. ‘Look 22 of the Miu Miu Spring 2023 ready-to-wear collection.’ [photograph] Vogue. Available at: https://www.vogue.com/fashionshows/spring-2023-ready-to-wear/miu-miu/slideshow/ collection#22 [Accessed 8 October 2022].

Figure 3.6. Fior, F, Lanzi, P & Salvatore, D, 2022. ‘Look 22 of the Stella McCartney Spring 2023 ready-to-wear collection.’ [photograph] Vogue. Available at: https:// www.vogue.com/fashion-shows/spring-2023-readyto-wear/stella-mccartney/slideshow/collection#22 [Accessed 8 October 2022].

Figure 3.7. Lucioni, A, 2022. ‘Look 23 of the Dolce and Gabbana Spring 2023 ready-to-wear collection.’ [photograph] Vogue. Available at: https://www. vogue.com/fashion-shows/spring-2023-ready-to-wear/ dolce-gabbana/slideshow/collection#23 [Accessed 8 October 2022].

Figure 3.8. Viero, A, 2022. ‘Look 15 of the Elena Velez Spring 2023 ready-to-wear collection.’ [photograph] Vogue. Available at: https://www.vogue.com/fashionshows/spring-2023-ready-to-wear/elena-velez/ slideshow/collection#15 [Accessed 8 October 2022].

ReDiTs CrEdItS cReD

Styling Image References

(Body 1 Ear Cuff). Viero, A, 2022. ‘Detail Look 1 from the Givenchy Fall 2022 ready-to-wear collection’. [photograph] Vogue. Available at: https://www.vogue. com/fashion-shows/fall-2022-ready-to-wear/givenchy/ slideshow/details#1 [Accessed 27 October 2022].

(Body 1 Hair) Nielsen, H, 2012. ‘Elin Kling for Cover Magazine’. [photograph] Cover Magazine. Available at: https://www.pinterest.com.au/ pin/195062227603048169/ [Accessed 27 October 2022].

(Body 1 Leg Treatment) Lucioni, A, 2022. ‘Look 1 from Giambattista Valli Fall 2022 ready-to-wear collection’. [photograph] Vogue. Available at: https://www. vogue.com/fashion-shows/fall-2022-ready-to-wear/ giambattista-valli/slideshow/collection#1 [Accessed 27 October 2022].

(Body 1 Makeup). Grillo, A, 2022. ‘Detail Look 27 from the Tom Ford Spring 2023 ready-to-wear collection’. [photograph] Vogue. Available at: https://www.vogue. com/fashion-shows/spring-2023-ready-to-wear/tomford/slideshow/details#27 [Accessed 27 October 2022].

(Body 1 Necklace Layer 1) Farrell, I, 2022. ‘Grrrls Body One Jewellery Styling’ [photograph], unpublished photograph.

(Body 1 Necklace Layer 1) Oscar De La Renta, 2022. ‘Look 15 from Oscar De La Renta Fall 2022 readyto-wear collection’. [photograph] Vogue. Available at: https://www.vogue.com/fashion-shows/fall2022-ready-to-wear/oscar-de-la-renta/slideshow/ collection#15 [Accessed 27 October 2022].

(Body 1 Necklace Layer 2) Farrell, I, 2022. ‘Grrrls Body Two Jewellery Styling’ [photograph], unpublished photograph.

(Body 1 Shoes). Marc Jacobs, 2022. ‘Look 20 from the Marc Jacobs Fall 2022 ready-to-wear collection’. [photograph] Vogue. Available at: https://www. vogue.com/fashion-shows/fall-2022-ready-to-wear/ marc-jacobs/slideshow/collection#20 [Accessed 27 October 2022].

(Body 2 Bracelets) Shinyone, 2022. ‘Lots of Bangles’. [photograph] Pinterest. Available at: https://www. pinterest.com.au/pin/537828380510147645/ [Accessed 27 October 2022].

(Body 2 Earrings) Fior, F, 2022. ‘Look 27 from the Philpp Plein Spring 2023 ready-to-wear collection’. [photograph] Vogue. Available at: https://www. vogue.com/fashion-shows/spring-2023-ready-to-wear/ philipp-plein/slideshow/collection#26 [Accessed 27 October 2022].

(Body 2 Hair) Gay, BJ, 2018. ‘Play it as it lays Hair Detail shot’. [photograph] Document Journal. Available at: https://www.documentjournal.com/2018/09/playit-as-it-lays/ [Accessed 27 October 2022].

(Body 2 Makeup) Grillo, A, 2022. ‘Detail Look 122 from the Versace Spring 2023 ready-to-wear collection’. [photograph] Vogue. Available at: https://www. vogue.com/fashion-shows/spring-2023-ready-to-wear/

Photography Credits

versace/slideshow/details#122 [Accessed 27 October 2022].

(Body 2 Necklace) Farrell, I, 2022. ‘Grrrls Body Two Jewellery Styling’ [photograph], unpublished photograph.

(Body 2 Shoes) Montag, I, 2022. ‘Detail Look 64 from the Victoria Beckham Spring 2023 ready-to-wear collection’. [photograph] Vogue. Available at: https:// www.vogue.com/fashion-shows/spring-2023-readyto-wear/victoria-beckham/slideshow/details#64 [Accessed 27 October 2022].

(Body 3 Bracelet) Selfridges, n.d. ‘Mini Bas Relief brass, Swarovski pearl and cubic zirconia necklace’. [photograph] Selfridges. Available at: https://www. selfridges.com/AU/en/cat/vivienne-westwoodjewellery-man-bas-relief-brass-swarovski-pearl-andcubic-zirconia-necklace_R03834599/ [Accessed 27 October 2022].

(Body 3 Earrings) Fortis, F, 2022. ‘Beauty Look 12 from Prabal Gurung Fall 2022 ready-to-wear collection’. [photograph] Vogue. Available at: https://www.vogue. com/fashion-shows/fall-2022-ready-to-wear/prabalgurung/slideshow/beauty#12 [Accessed 27 October 2022].

(Body 3 Face Covering) Viero, A, 2022. ‘Detail Look 65 from Thom Browne Spring 2023 ready-to-wear collection’. [photograph] Vogue. Available at: https:// www.vogue.com/fashion-shows/spring-2023-ready-towear/thom-browne/slideshow/details#65 [Accessed 27 October 2022].

(Body 3 Lace Up Styling) Nuvonu, 2021. ‘1920’s Cropped Corset Buckle Top’. [photograph] Depop. Available at: https://www.depop.com/products/ nuvonu-absolutely-stunning-vintage-1920s-cropped/ ?epik=dj0yJnU9ck8zSEd5eGw3UzdrZnV0MkczTHk 5X2hLTzBFWHJmeVgmcD0wJm49Sk8zR2R1Q1R2 U2MwUmREcXdlUW43USZ0PUFBQUFBR05fUjFz [Accessed 27 October 2022].

(Body 3 Makeup) Fortis, F, 2022. ‘Beauty Look 15 from Dries Van Noten Spring 2023 ready-to-wear collection’. [photograph] Vogue. Available at: https://www. vogue.com/fashion-shows/spring-2023-ready-to-wear/ dries-van-noten/slideshow/beauty#15 [Accessed 27 October 2022].

(Body 3 Necklace) Vivienne Westwood, n.d. ‘Mini Bas Relief Pearl Choker’. [photograph] Vivienne Westwood. Available at: https://www.viviennewestwood.com/ en/women/jewellery/necklaces/mini-bas-relief-pearlchoker-silver-6303000602P131P131.html [Accessed 27 October 2022].

(Body 3 Shoes) Farrell, I, 2022. ‘Windsor Smith Lace Up Knee High Boots’ [photograph], unpublished photograph.

(Body 3 Veil) Oberrauch, D, 2022. ‘Look 2 from Richard Quinn Spring 2023 ready-to-wear collection’. [photograph] Vogue. Available at: https://www. vogue.com/fashion-shows/spring-2023-ready-to-wear/ richard-quinn/slideshow/collection#2 [Accessed 27 October 2022].

Designer and Creative Direction: Isabella Farrell @isa_farr.designs Model: Topaz Tung @topaztung Photographer: Julia Sou @juliaasou