ARTISTIC DIRECTOR, MELISSA M. YOUNG PRESENTS
Photo by Brian Guilliaux
LINCOLN HALL, PORTLAND STATE UNIVERSITY OCT 20-22 THU -SAT | 8PM Supported by: whitebird.org
FESTIVAL:22 ARTIST: JULIENNE DOKO | PHOTOGRAPHER: JOHN DOMINÉ PUSH/FOLD PRESENTS FESTIVAL:22 2 WORLD-PREMIERES | 4 PORTLAND-PREMIERES NOVEMBER 17-20 HAMPTON OPERA CENTER WWW.PUSHFOLD.ORG/UNIONPDX SCAN WITH PHOTO TICKETS & INFO White Bird greatly appreciates the support of the following foundations and government arts agencies: White Bird thanks all of our Community Partners: THE VOLUNTEERS OF WHITE BIRD
WELCOME BACK TO WHITE BIRD UNCAGED
It is our distinct pleasure to welcome you back to White Bird Uncaged at PSU/Lincoln Hall, nearly three years since our last show in this excellent space for dance. For us it is perfect for the long-awaited return of this Series to coincide with the White Bird premiere of Dallas Black Dance Theatre. One word stands out to us as we enjoy tonight’s show with you: resilience. Each work in this program shows us what is possible when we persevere, and nowhere is that more apparent than in LIKE WATER, the celebratory new work by Darrell Grand Moultrie that closes the evening.
From modern dance to aerial dance to contemporary ballet and beyond, tonight’s program forcefully demonstrates this company’s commitment not only to diversity of culture, but also diversity of style and legacy. This is a group that will never rest on its laurels, and through its nearly 50 year history has shown time and again a penchant for diving into unfamiliar territory.
Please join us back here at Lincoln Hall next month, when Shay Kuebler’s Radical System Art returns to White Bird with Momentum of Isolation. Conceived in 2018 on themes of loneliness and digital life, this work has only grown more relevant over time. With striking lighting design and sly humor, it is an experience not to be missed. Don’t forget, the holidays are right around the corner! Our Holiday Pack is on sale now through the end of the year, and it makes the perfect gift. See all three shows in our 2nd annual WE ARE ONE Festival for just $70! Please visit whitebird.org/gift for more information.
Board of Directors
Paul King, President
Walter Jaffe, Secretary, Treasurer
Leroy E. Bynum, Jr.
Graham Cole
Ken Edwards
Kim Allchurch Flick
Sandra Holmes
Lisa Mangum
Shawn K. Mangum
White Bird Team
Walter Jaffe and Paul King, Co-Founders
Graham Cole, Executive Director
Christopher Carvalho, Director of Patron Services and Communication
Jeff Forbes, Technical Director
Deanna Reeves, Communication Manager
Gretchen Westlight, Operations Manager/Executive Assistant Natalie Anthony, Graphic Designer
Lauren Bayard, Poster Volunteer Coordinator
Stephanie Sussman, White Bird Archivist
Walter Jaffe, Co-Founder
Paul King, Co-Founder
Graham Cole, Executive Director
Nancy & George Thorn, Founding Board Members Emereti
Photo by Jingzi Zhao
ARTISTIC DIRECTOR: Melissa M. Young EXECUTIVE DIRECTOR: Zenetta S. Drew FOUNDER: Ann M. Williams
Carmen Cage
Hana Delong Sierra Noelle Jones
Elijah W. Lancaster
DANCERS:
Bianca Melidor Daniel Palladino Jessica Popoff
Terrell Rogers, Jr.
Controller: Mafe Massengale
Sean J. Smith De’Anthony Vaughan Isabel Wallace-Green McKinley Willis
Academy Registrar / Jr. Accountant: DeAngela Christian Sr. Grant Manager: Kristen Y. Vogel
Annual Fund Manager: Jessamyn Efken
Senior Director, Marketing and Public Relations: Jessica DeTiege
Executive Assistant to the Executive Director: Taylor Solice Communications & Community Engagement Manager: Ramona Logan
Social Media Manager: Gianni Alexander Database Manager: John Trimble
Ticket Sales Manager: Jazzay Jabbar Graphic Designer / Brand Manager: Jonathan Harlos Video Editor / Jr. Graphic Designer: Aleah Pilot
The official and exclusive airline of Dallas Black Dance Theatre. This project is made possible by a grant from the Association of Performing Arts Professionals, made possible through support from The Andrew W. Mellon Foundation.
ABOUT DALLAS BLACK DANCE THEATRE: Founded in 1976 by Ann Williams, Dallas Black Dance Theatre’s mission is to create and produce contemporary modern dance at the highest level of artistic excellence through performances and educational programs that bridge cultures and reach diverse communities. As the largest and oldest continuously operating professional dance company in Dallas, DBDT is the fourth-largest Black dance company in the nation, the ninth-largest contemporary modern dance company, and ranked 40th among the nation’s leading ballet companies.
Under the direction of the Artistic Director, Melissa M. Young, the contemporary company consists of 14 professional, full-time dancers performing a mixed repertory of modern, ballet, jazz, and ethnic works by nationally and internationally known choreographers.
Located in the thriving downtown Dallas Arts District, DBDT has performed worldwide for over 4.5 million arts patrons and 2.7 million students in 31 states and 16 countries on five continents. The performances include two Olympics (1996 & 2012), the nation’s most prestigious venues (Lincoln Center, Kennedy Center, Broadway, Jacob’s Pillow), and for such luminaries as Her Majesty Queen Elizabeth II and South African President Nelson Mandela. Since the pandemic began in 2020, DBDT performances have also been viewed virtually in over 30 countries. The Company has been recognized by the National Endowment for the Arts as an American Masterpiece Touring Artist (2008) and received the Texas Medal of the Arts Award for Arts Education (2017).
For more details about Dallas Black Dance Theatre visit www.DBDT.com
TONIGHT’S PROGRAM
Absolute Rule
A collaborative duet choreographed by Elisa Monte and David Brown investigates the coming together and going apart of various emotions during the course of a relationship. Elisa Monte describes it as a look into the “push and pull of emotional forces that surround the interaction of two people.”
CHOREOGRAPHERS : Elisa Monte and David Brown (World Premiere 1992, DBDT Premiere 1994)
DANCERS: Jessica Popoff & De’Anthony Vaughan
ORIGINAL LIGHTING DESIGN:
LIGHTING RECREATION:
Johansen
PAUSE
Bodies as Site of Faith and Protest
The importance of the Civil Rights Movement was that it gave the hope for equality to all Americans, no matter their race, creed, or gender. Speeches from this era not only served as a vehicle for social change, but also for selfassertiveness. This work explored the idea of bodies uniting in protest through faith. Dr. Martin Luther King’s speech “We Shall Overcome” becomes the embodiment of faith and protest; my research situates itself within the metatextual location of moving bodies alongside and within his speech.
CHOREOGRAPHER : Tommie-Waheed Evans
Greg Smith
COSTUMES:
ORIGINAL
DANCERS: Carmen Cage, Hana
Bianca Melidor, Daniel Palladino,
De’Anthony
Isabel
Sierra
INTERMISSION
White Bird is minding our carbon footprint, and offering a digital program online to supplement a slimmed-down printed program. Please scan the QR code to the right, or visit https://www.whitebird.org/dallas-black-dance-theatre to learn more about the company and the artists.
J.
Craig Miller
Aaron
MUSIC:
Beth Thomason—Designes Unique
LIGHTING DESIGN: Pavel Perebillo LIGHTING RECREATION: Aaron Johansen
Delong,
Noelle Jones, Elijah W. Lancaster,
Jessica Popoff, Terrell Rogers, Jr., Sean
Smith,
Vaughan,
Wallace-Green, McKinley Willis
WATER
What to Say? Notes on Echo and Narcissus Legend tells us that Echo’s love is unrequited, that self-consumed Narcissus chooses instead his reflection as a source of ardor so great he starves to death staring at it. What to Say? addresses the nuances that might have existed the possibilities that the complexities of male/female relationships may have changed very little since this ancient nymph/hunter bond. CHOREOGRAPHER : Jamal Story (DBDT Premiere 2015) MUSIC: This Bitter Earth/On the Nature of Daylight by Max Richter & Dinah Washington COSTUME DESIGN: Jamal Story COSTUME CONSTRUCTION: Beth Thomason—Designes Unique ORIGINAL LIGHTING DESIGN: Milton T. Tatum, Jr. LIGHTING RECREATION: Aaron Johansen ECHO AND NARCISSUS: Hana Delong and Terrell Rogers, Jr. LIKE
“This work is created in celebration of our resilience. We’ve been through a lot, but we still take flight. We celebrate the ground we stand on and each second we’re here. Like Water, we can’t survive without love, compassion, and human connection.” —Darrell Grand Moultrie (World Premiere August 4, 2021) CHOREOGRAPHER : Darrell Grand Moultrie MUSIC: Rodrigo Y Gabriela and Petr Aleksander COSTUME DESIGN: Eugenia Stallings ORIGINAL LIGHTING DESIGN: Pavel Perebillo and Minh Nguyen LIGHTING RECREATION: Aaron Johansen MOVEMENT I: Carmen Cage, Hana Delong, Sierra Noelle Jones, Elijah W. Lancaster, Bianca Melidor, Daniel Palladino, Jessica Popoff, Terrell Rogers, Jr., Sean J. Smith, De’Anthony Vaughan, Isabel Wallace-Green, McKinley Willis MOVEMENT II: The Company MOVEMENT III: The Company LIKE WATER was commissioned by Jacob’s Pillow as the inaugural recipient of the Joan B. Hunter New Work Commission. PAUSE
MELISSA M. YOUNG is a Honduran American from Santa Ana, California. This marks her twenty-ninth season with Dallas Black Dance Theatre (DBDT). Ms. Young started her career at DBDT as a dancer for eleven seasons, then ascended to Rehearsal Director, Academy Director, Associate Artistic Director, and Interim Artistic Director. She was appointed Artistic Director in September 2018. Ms. Young received her business education from Orange Coast College and is a Fellowship recipient and Certificate Program graduate of The Ailey School. She received additional training at the National Ballet School of Canada in Toronto and Amsterdam University of the Arts in the Netherlands. Young has been an adjunct instructor (Lester Horton Dance Technique) at Southern Methodist University, Texas Woman’s University, and Abilene Christian University.
Ms. Young has served as a board member and advisory panelist for regional and national arts organizations. She is a 2022 Leadership Arts Institute Class graduate, a program of Business Council for the Arts in Dallas County, a member of the International Association of Blacks in Dance, Inc., and has served on IABD’s Next Generation Committee.
Ms. Young has been presented with awards from DBDT, The Dallas Weekly, South Dallas Dance Festival, Dance Council of North Texas, Texas Association for Health, Physical Education, Recreation and Dance (TAHPERD), and the South Central District Conference of the National Association of Negro Business and Professional Women’s Clubs, Inc. for her significant contributions to dance.
ABOUT WHITE BIRD
Our Values Excellence in Performance Diversity in Movement Accessibility and Inclusiveness Generosity of Spirit Dedication to Community Fiscal Responsibility
Our Equity Commitment
White Bird believes in the transformative power of movement and its capability to uplift, inspire, and unite. Historically, institutionalized performing arts were built within a system of ingrained racism, sexism, ableism, ageism, and transphobia, with the result being a field that does not prioritize the voices of marginalized groups. Our commitment is to break down these structures and to foster a community that not only represents a diverse range of individuals, but gives equal access and value to their voices.
The entire staff and board at White Bird understand that systemic social norms are inherently biased. We acknowledge the unique nuances between equity, diversity, and inclusion (EDI), and recognize the added complexities of addressing these concepts in a historically oppressive region such as Oregon. Our vision is an ecosystem where the power of the arts is able to impact and inspire all communities, while simultaneously uniting each individual in a shared human experience.
CARMEN CAGE A native of Jacksonville, Florida, Carmen began her pre-professional training at the Jacksonville Center for the arts and the Douglas Anderson School of the arts. She is a 2018 graduate of SUNY Purchase Conservatory of Dance, with a Bachelors of Fine Arts in Dance, and a minor in Arts Management. Carmen has performed renowned works by Kevin Wynn, Doug Varone, Martha Graham, Trisha Brown, Christopher L. Huggins, Levi Marsman and José Limón. She has completed intensives at The Ailey School, Dance Italia, Movement Invention Project, Bates Dance Festival and Dallas Black Dance Theatre. She has performed at the Kuandu Arts Festival in Taipei Taiwan, New York live Arts, New York City Center, and Peridance Capezio Center. Carmen joined Dallas Black Dance Theatre in 2021.
HANA DELONG Hana Delong, began her dance training in Orlando, FL. She studied dance at the Dr. Phillips High School Dance Magnet and the Orlando Ballet. She received her Bachelor of Fine Arts in Dance from Adelphi University and was a scholarship student at The Ailey School. She has performed with Alvin Ailey American Dance Theater in Memoria and Revelations Cast of 50 and has performed pieces by choreographers such as Ulysses Dove, Matthew Rushing, Darrell Grand Moultrie, Margo Sappington, and Ray Mercer. Hana joined Dallas Black Dance Theatre in 2015.
SIERRA NOELLE JONES Sierra Noelle Jones, from Fort Washington, MD is a 2015 honors graduate of Virginia Commonwealth University where she earned a Bachelor of Fine Arts in Dance & Choreography. She graduated from Baltimore School for the Arts (2011) and received her training through Donna’s Dance A Company, The Dance Institute of Washington, and Dance Theatre of Harlem’s Pre-Professional Residency program. Sierra has performed in works by Dianne McIntyre, Elisa Monte, Ulysses Dove, Matthew Rushing and Darrell Grand Moultrie. She also performed two seasons with DBDT: Encore! and is a member of Alpha Kappa Alpha Sorority, Incorporated. She is also currently the director of the Junior Performing Ensemble within DBDA. Sierra joined Dallas Black Dance Theatre in 2017.
ELIJAH W. LANCASTER Born in Port Au Prince, Haiti, Elijah began his formal dance training at the age of seven at Aspire Dance in Arkansas. As well as Prestige Dance Company in Tulsa, OK. He furthered his training at The Ailey School, where he graduated from the Certificate Program in 2018. Since then, he’s performed with XY Dance Project, Ailey II, and the Black Iris Project. He’s also appeared in Alvin Ailey’s Memoria during the Alvin Ailey American Dance Theater’s 2016, 2017, 2022 New York City Center seasons. Mr. Lancaster has attended summer intensives at Complexions Contemporary Ballet, Gelsey Kirkland Academy of Classical Ballet, and the Joffrey Ballet School. He’s had the opportunity to work with choreographers Travis Wall, Amy Hall Garner, Darrell Grand Moultrie, Andrea Miller, and Robert Battle. This is Elijah’s debut season with Dallas Black Dance Theatre.
BIANCA MELIDOR Bianca received her dance training at the Gwinnett Ballet Theater under the artistic direction of Lisa Sheppard Robson and Wade Walthall. Bianca furthered her training at Point Park University, with professors Jason McDole, Judith Leifer-Bentz, and many others. In 2018, Bianca graduated from Point Park receiving her Bachelor in Fine Arts with Magna Cum Laude. Having been part of a conservatory directed under Ruben Graciani and Garfield Lemonius, Bianca has had opportunities to work with choreographers such as Troy Powell, Sidra Bell, Helen Simoneau, Kiesha Lalama and many others along with performing works by Mark Morris and José Limón. In addition, Bianca has spent many of her summers training at intensives like Alvin Ailey American Dance Theater, Mark Morris Dance Group, Ballet West, Atlanta Ballet, and Dallas Black Dance Theatre. Along with her training, Bianca enjoys teaching students of all ages in ballet, jazz, modern, and Haitian folklore dance. Bianca joined Dallas Black Dance Theatre in 2021.
DANIEL PALLADINO Originally from Canada, Daniel Palladino began his dance training at the age of nine. Daniel received his dance education while attending Victoria School of The Arts, Shelley’s Dance Company directed by Shelley Tookey, and The Kore Dance Studio directed by Alexander Chung. Daniel has attended many summer study programs throughout North America, some of which include The Boston Conservatory, Point Park University, Alvin Ailey American Dance Theater, and Springboard Danse Montreal. Daniel received his International Baccalaureate diploma in dance in 2018. As a result of that process, he was given the opportunity to perform his own choreographed duet at The National High School Dance Festival in Pittsburgh in 2018. Daniel attended the University of the Arts in Philadelphia on a full tuition scholarship, obtaining his BFA in Dance. While studying there, Daniel has been involved in many performances and was given the opportunity to dance in the music video, “Roots – Feel It (You Got It)” directed by Alan Ferguson. Daniel has worked with choreographers Jeffery Page, Helen Pickett, Juel D. Lane, Mark Caserta, Helen Simoneau, Tommie-Waheed Evans, Sidra Bell, and Stacey Tookey. This marks Daniel’s debut with Dallas Black Dance Theatre.
CHARLES MICHAEL PATTERSON Born and raised in Trinidad & Tobago, Charles moved to the United States at the age of ten. He began his dance training at the Boston Arts Academy and after-school program Jeannette Neill studio. Charles received his Bachelor of Fine Art in Ballet Pedagogy from The Boston Conservatory on full scholarship. Mr. Patterson has been awarded scholarships to summer intensives such as American Ballet Theatre, Dance Theatre of Harlem, and The Juilliard School. Charles accepted his first company contract dancing with Complexions Contemporary Ballet 2016–2017 season as an apprentice. Charles joined Dallas Black Dance Theatre in 2018.
JESSICA POPOFF A native of Garden City, MI Jessica started her pre-professional training at Angie Hahn’s Academy of Dance. She is a 2019 graduate from the University of Oklahoma where she earned her Bachelors of Fine Arts in Ballet Pedagogy. There, Jessica had the opportunity to perform works by Trey McIntyre, David Hochoy, and Alejandro Cerrudo. She has also trained at BalletMet, Hubbard Street Dance Chicago, and Dallas Black Dance Theatre summer intensives. Jessica joined Dallas Black Dance Theatre in 2021.
TERRELL ROGERS, JR. A native of Baltimore, MD, is a recent graduate from Point Park University Conservatory of Performing Arts under the direction of Garfield Lemonius. He began his dance training with the Ava Fields Dance Company under the direction of Ava Fields. He later received a full scholarship to study at Johns Hopkins Peabody Conservatory. He has attended summer intensives at Complexions Contemporary Ballet and Dallas Black Dance Theatre. During his time at Point Park, he trained and performed works by master choreographers and teachers, José Limón, Lucinda Childs, Jennifer Archibald, Ori Flomin, Judith Leifer-Bentz, Garfield Lemonius, Jason McDole, and Kiesha Lalama. Terrell joined Dallas Black Dance Theatre in 2021.
SEAN J. SMITH (Rehearsal Assistant) A proud Canadian, Sean trained with Goh Ballet Academy, Ballet British Columbia’s Mentor Program and The Ailey School. He has performed with Bruce Wood Dance Project, Rhythmic Souls Tap Company and African American Repertory Theater. Sean has performed with Dallas Theater Center in The Wiz (2011) and Hairspray (2018). Sean has taught the Lester Horton technique for Ailey Athletic Boys (AAB), Dallas Black Dance Academy, and Southern Methodist University. Sean has choreographed two works for Dallas Black Dance Theatre: Monologues (2013) and Interpretations (2017) and one work for DBDT: Encore!, Dollhouse (2015). Sean joined Dallas Black Dance Theatre in 2010.
DE’ANTHONY VAUGHAN Born in Kansas City, MO, De’Anthony was drawn into dance by his grandmother at the age of three. She ran a performing arts school and introduced him to all forms of dance. He attended Kansas City Friends of Alvin Ailey and the Kansas City Ballet School. He continued his training in New York City at The Ailey School on scholarship. Prior to joining Dallas Black Dance Theatre, he was a member of the Von Howard Project. He is currently the director of the Senior Performing Ensemble within DBDA. De’Anthony joined Dallas Black Dance Theatre in 2014.
ISABEL WALLACE-GREEN
Originally from Houston, Texas, Isabel Wallace-Green began dancing at Houston Ballet Academy. She graduated summa cum laude from Fordham University/The Ailey School with a BFA in Dance and African/ African American Studies. She has performed with Alvin Ailey American Dance Theater at New York City Center, New Chamber Ballet, Urban Souls Dance Company, and was an Ensemble member of the Radio City Christmas Spectacular. Isabel attended summer programs at Boston Ballet School, Dance Theatre of Harlem, and Abraham.In.Motion. She has performed works by choreographers Alvin Ailey, Ephrat Asherie, Adam Barruch, Earl Mosley, and Elizabeth Roxas-Dobrish. Isabel joined Dallas Black Dance Theatre in 2021.
McKINLEY WILLIS Ms. Willis is a Dallas native and began her training with the Dallas Black Dance Academy and Özsoy’s School of Ballet. She is a graduate of Booker T. Washington HSPVA, and in the midst of her time there she received the Texas Commission on the Arts Young Masters scholarship. In 2015 she received her Bachelor of Fine Art in Modern Dance Performance with a minor in Health and Exercise Science from the University of Oklahoma. She made her debut with the Bruce Wood Dance Project in 2011 as an apprentice, and again as a performing member in 2015. McKinley joined Dallas Black Dance Theatre in 2015.
Photo by Brian Guilliaux
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