BAROMETER
Contents
Frederiksen’s Final FarewellOscar F, Year 13
What it means to be a prefect and why you should consider it - Timothy N, Year 9
Dear England Drama TripFelipe E, Year 10
A Night to Remember: Wetherby’s 10th Anniversary Headmaster’s Gala - Felix W, Year 12
Meeting Peter Doig - Freddie T, Year 10
The Process of How I Make My Movies - Samuel D, Year 8
The Eternal Fountains of The Eternal City - Domenico C, Year 9
The Age of EnglightenmentMinh B, Year 10
Roman Theatre - Sami F, Year 7
Competitive RowingBenedict S, Year 10
How Running Can Improve Your Day to Day Life - Luke T, Year 10
A Very Serious Review of the Minecraft Movie - Lewis C, Year 10
Steam Trains - Joshua L, Year 7
The NSSA Ski Championships -Josh K, Year 9
Malo Gusto - Josef A, Year 9
Virat Kohli Retires from Test Cricket: The End of an EraAditya D, Year 12
Foods of Cambodia - Henry C, Year 7
Cafes of Marylebone - Thomas C, Year 9
Eurovision 2025 - Daniel A, Year 12
Deleted Doesn't Mean Gone: The Truth About Your Digital Footprint - Santi Q, Year 9
Cover photograph - Arthur M, Year 13
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Oscar F, Year 13 writes...
Seven years ago, I walked through the doors of Hannah House for the first time — small, nervous, and probably late. I remember being shown around by the school’s first set of sixth formers and thinking they seemed about a hundred years older than me. It didn’t occur to me that one day, I’d be standing where they stood — that this place would become something I’d find hard to leave.
I worked it out the other day: I’ve been here for roughly 1,856 days. Sat through 312 assemblies. Submitted 1,090 Firefly tasks (some to a higher standard than others). And while I spent a fair amount of time counting down — to holidays, to exams being done, to the end of the week — what’s strange is that now I just wish I’d slowed it all down.
Because the things I miss already aren’t necessarily the big, impressive moments. They’re the small ones. The loud, ridiculous conversations in the corridor. The teacher who stayed behind to explain something again — not because they had to, but because they cared. The unremarkable days that turned out to be really good ones, just because of who you spent them with.
If you’re reading this and you’re still somewhere in the middle of it all — don’t rush through it. Don’t count it down too quickly. You won’t remember every lesson, but you’ll remember how it felt to grow up here. That’s what lasts.
It’s easy to treat school as just a
Frederiksen’s
stepping stone; we talk a lot about how it’s something to get through before we reach the ‘real world’. But looking back, I think this was the real world — just a very specific, intense, often hilarious version of it. And I’ve been lucky to spend these seven years somewhere that let me be myself, even when I didn’t quite know who that was yet.
So, to the teachers who kept me afloat — and occasionally sane —
thank you. To the boys I’ve spent the last seven years with, I think we’ve said enough sentimental stuff to each other in the last few weeks, but again, thank you.
And to Wetherby, in all its eccentric, brilliant chaos — thank you.
Seven years later, I know I won’t get days like these again. And I’m grateful for every single one.
WHAT IT MEANS TO BE A PREFECT AND WHY YOU SHOULD CONSIDER IT
Timothy N, Year 9 writes...
Becoming a prefect is more than just wearing a badge or having a title. It’s about stepping up to take responsibility, being a role model for others, and helping the school community run smoothly. As a current prefect, I’d like to share what the role really involves, what it feels like, and why I’d strongly recommend it to anyone in Years 7 to 11 thinking about their future in school.
So, what is a prefect?
A prefect is a student chosen to take on extra responsibilities around school. Prefects are trusted to support both staff and students, and we’re often selected based on our behaviour, leadership skills, and the example we set. We are expected to be mature, dependable, and approachable. It’s not just about being the “best” student — it’s about showing you care about Wetherby and want to make a difference.
What’s it like being a prefect?
Honestly, it can be both rewarding and challenging. As prefects, we help out in a range of ways — from assisting teachers during school events and organising queues to helping younger students who might be lost, worried, or just need someone to talk to. We’re often on duty during breaks or lunchtimes, and we’re expected to be professional and respectful at all times. Even though some of these tasks are currently only set for the older year prefects, I’m sure they will become responsibilities for middle school prefects someday too.
The role also helps you grow as a person. I’ve become more confident speaking up on stage, and I’ve learned how to manage situations calmly and responsibly. Sometimes it can be tiring balancing prefect duties with schoolwork, but it teaches you excellent time management skills.
What roles do we fulfil?
Prefects often take on leadership roles during assemblies, tutor time, and school events. We might help organise charity drives, guide visitors during open evenings, or lead by example in enforcing school rules. In a way, we’re like a bridge between students, teachers, and newcomers to the school.
Would I recommend it to others? Absolutely. If you’re in Year 7 to
11 and looking for a way to stand out, develop new skills, or make a positive impact on school life, becoming a prefect is one of the best opportunities you’ll get. It’s a great experience to mention on applications, whether that’s for future leadership roles in school or even college later on.
More than that, it’s genuinely fulfilling to know you’re trusted and relied upon by such a wide range of people. You become someone others look up to — and that’s a great feeling.
So, if the opportunity comes your way, go for it. You’ll learn, grow, and make a difference — not just in school, but in yourself too.
Felipe E, Year 10 writes...
Dear England is a play written by James Graham, which chronicles Sir Gareth Southgate’s time in charge of the England men’s football team. It begins with Sam Allardyce being sacked after being filmed making controversial comments at a dinner he was paid to attend. Gareth, at the time the manager of the U21s, had been performing very well in youth tournaments and was given the chance to act as caretaker manager for England’s qualification fixtures ahead of the 2018 World Cup in Russia.
For most on the trip, it was simply a fun evening out at the theatre. For us GCSE Drama students, however, this was also a crucial part of our preparation for the written exam at the end of Year 11, where we need to analyse a live theatre production and use accurate quotations to support our points. That was very much our main aim!
Now to the actual play itself. As
DEAR ENGLAND DRAMA TRIP
mentioned above, Gareth initially takes on the role of caretaker, but he and his assistant, Steve Holland, manage to guide England through the qualification stages. Gareth also brings in a sports psychologist to help improve the team’s mentality, but the coaches at St George’s Park are horrified by this decision — something conveyed brilliantly through their acting. Nevertheless, the psychologist’s methods prove successful, as England win their first ever World Cup penalty shootout against Colombia in the quarterfinals. However, an underrated England side falls short against an experienced Croatian team in the semi-finals.
The focus then shifts to the (delayed) Euro 2020 campaign. This is also when we hear the name of the play spoken for the first time. The play incorporates historical context too, including Matt Hancock’s now-famous slogan: “You must stay at home to protect the NHS and save lives.” This part of the play felt a little more rushed than the
section covering the 2018 World Cup, as the playwright needed to condense three tournaments into a single act.
One moment that is given particular focus is the abhorrent racism directed at Bukayo Saka, Marcus Rashford, and Jadon Sancho after they missed penalties in the final shootout. From there, the play quickly moves through the 2022 World Cup in Qatar — including Harry Kane’s crucial missed penalty — and on to the Euros in 2024, where Spain ultimately proved to be the better side and deserved winners of the tournament.
The play closes with Sweet Caroline, as the players thank Gareth Southgate following his resignation as England manager after the summer’s Euros.
A big thank you must go to Miss Twomey, Mr Tibbles, Miss Garcia, and Miss Ramnarine for taking us to the theatre for a wonderful night out!
a night to remember: wetherby’s 10th anniversary headmaster’s Gala
The 10th Anniversary Headmaster’s Gala: A Night to Remember
The iconic Dorchester Hotel ballroom came alive a few weeks ago as Wetherby celebrated a milestone moment: its 10th Anniversary Headmaster’s Gala. A decade of excellence, community, and enormous growth was marked in spectacular style, with a night filled with music, heartfelt speeches, and togetherness.
From the moment guests stepped into the venue, the atmosphere was one of celebration. The Wetherby Jazz Band set the tone perfectly, providing a smooth and sophisticated repertoire during the cocktail hour that welcomed teachers, current students, alumni, and parents alike.
The gala was no small affair. Dozens of Wetherby teachers attended — even some former teachers — many catching up with past pupils now scattered across the globe. Sixth formers mingled with their teachers, while some of the school’s earliest graduates made a special trip back to celebrate.
The first major speech was given by Oscar, our Head Boy, who shared his personal journey from a nervous Year 7 student to the confident young man he is today, soon to begin a new chapter at the University of Edinburgh. His story, filled with both humour and heartfelt reflection, captured the transformation that many Wetherby boys experience as they pass through the school. As he looked back on his incredible journey, it became a moment of deep reflection for many of us in Year 12, realising that our own
time here is also running out.
Central to the evening was a moving speech by Mr Garvey, who has overseen the school in its most recent chapter. Reflecting on what makes Wetherby truly unique, Mr Garvey described the school as a “family school,” perfectly summarising the closeknit community that defines life at Wetherby.
The evening also featured a special segment with video messages from former prefects around the world, who beamed in their congratulations and shared memories of their time at Wetherby. From Boston to Bocconi, Georgetown to as far afield as Thailand, these alumni painted a vivid picture of how far the school’s impact reaches. Their messages were funny, nostalgic, and filled with warmth — not to mention showcasing how international Wetherby’s network has become.
Of course, the night wouldn’t have been possible without the tireless efforts of the Parent-Teacher Association. A huge thank you goes to Kimiko, Asmaa, Lisa,
Felix W, Year 12 writes...
and Andrea for their incredible organisation and attention to detail. The event ran seamlessly, planned to the minute, making the evening not only enjoyable but genuinely unforgettable.
Beyond the celebration, the gala had a deeper purpose: to raise funds for the Gold Standard Charitable Trust. This important initiative helps support several Wetherby boys currently on bursaries, ensuring that the opportunity to benefit from a Wetherby education is open to those who might not otherwise be able to access it. The generosity shown throughout the evening was inspiring, with silent auction items and donations raising an impressive £60,000 for bursaries.
Happy 10th Anniversary, Wetherby. Here’s to the next decade!
MEETING PETER DOIG
Freddie T, Year 10 writes...
Meeting Peter Doig in his East London studio was an experience that stayed with me long after I left its creative confines. From the moment I arrived, his warm smile and hospitality made it clear that art was not just his profession — it is what makes his life truly enjoyable.
Stepping into his studio felt like entering a universe of creativity, filled with massive, sometimes larger-than-life canvases and paintings. The studio itself was unconventional, having once been a social club that Doig refurbished and transformed into the remarkable creative space it is today. I was privileged to wander
among his many works, some stretching nearly as tall as the walls themselves — a testament to his ambitious artistic vision.
One of the most striking aspects of our conversation centred on his unique method of using pigment powders. Doig explained how these finely mixed pigments, when combined with traditional oil mediums like mat-medium, give his paintings a captivating colour and texture. He meticulously mixes these powders to create stunning colours and depths, which, for Doig, isn’t just a technique but a way to evoke emotions that are both raw and deeply resonant.
Throughout our tour of the studio,
Doig was eager to share insights into his creative process. He spoke about how the scale of his work reflects his desire to capture the monumental beauty of nature and his memories. His willingness to let me see the space where ideas are born and nurtured spoke volumes about his commitment to art.
Leaving the studio, I felt an enduring connection to his work — a feeling that perhaps art has the power to transform not just spaces, but lives. My visit to Peter Doig’s studio wasn’t just a backstage tour; it was a glimpse into an artist’s world, where every pigment and every brushstroke stand as a testament to his creative expression.
Samuel D, Year 8 writes...
THE PROCESS OF HOW I MAKE MY MOVIES
I’ve been making films since March 2023. At the time, they were PowerPoint stop-motion animations where I used real-life photos for backgrounds and drew characters on MS Paint. I played sound effects in the background, but this wasn’t very reliable — I had to skip through the ones that were too long and manually flip through the slides. My first movie was called The Wormwoods™, which followed a family of four kids and two parents defecting to Miami and the adventures they had there. I finished it on 31st April 2023, and it was so popular that I made a sequel where they go on a world tour! That was my longest project, taking almost a year to make — from May 2023 to February 2024.
In between, I made a short film called Bunny of Magic and The Gumball Movie in 2023. In March, I created another short called Jumpscares, and then I started The Wormwoods 3™, where the family takes a road trip across the USA, hunted by an old foe. It had the longest running time so far — 65 minutes — and I finished it on 5th June 2024.
I began to wonder if I could make the films play automatically without flipping through slides and have sound effects appear at the right time. That’s when I discovered a video editing program called CapCut. I started by recording my logo and the 20th Century Fox intro. In August, I founded DWK, owned by FOX®, which included three divisions: Dwekman Studios (for making movies), Dwekman Studios Sound
System (for sound systems), and DWK Cinema (for cinemas).
I started out by recording the whole film without sound, except for me speaking in the background, using the OBS recording program. I dragged the files into CapCut, adjusted the volume, and cut out the parts I didn’t want. I then added sound effects, music, and even end credits. I shortened the songs and sound effects to line up perfectly with the action. After rendering it (saving it as an MP4 — basically a full movie), I could send it to people without them having to flip through slides, and with all the sound effects and music in place, I had made my first ever selfplaying movie. Now, my films are no longer watched on PowerPoint but on Media Player. Who knows — maybe it’s only a matter of time before my movies are on Netflix!
After that, I made The Wormwoods 4: A Christmas Special™, which I produced as a movie, recording different scenes separately to avoid making each recording too long. I finished it in November. For The Wormwoods™ series and other movies, I still use real photos for backgrounds. But for the Wormwoods™ films, I continue to draw characters in MS Paint, while for all my other films, I use photos of real people from the internet.
Currently, I’ve turned The Wormwoods™, The Wormwoods 4: A Christmas Special™, and Fasty (which is still in production) into full movies produced like the ones in the photo — no longer in PowerPoint. I still plan to turn the rest of my earlier films into movies either after Fasty is finished or during its production.
THE ETERNAL FOUNTAINS OF THE ETERNAL CITY
Domenico C, Year 9 writes...
Beyond the opulence of the Trevi Fountain and the many other architectural masterpieces of the Eternal City lie the ubiquitous and unassuming nasoni.
A nasone is a type of water fountain found in Rome, Italy, which continuously provides a flow of fresh water from one of the country’s main suppliers, Acea. The name literally means “big nose,” although these fountains are sometimes called fontanelle, meaning “little fountains.” Their numbers have declined from a peak of around 5,000 in the mid20th century to around 2,500–2,800 today.
A typical nasone is shaped like a cylindrical column, commonly made of cast iron, with a water spout protruding from the central section, often resembling a nose— hence the name. While this is the most iconic design, other variants do exist but are less well-known.
Using the nasoni is simple: water flows continuously, so you can drink directly from the spout. However, there is also a small hole at the top of the spout—if you block the main spout, the water shoots upward, turning the nasone into a drinking fountain (which explains its second name), allowing you to drink from the stream.
History
The first nasoni appeared around 1872–1874, shortly after the annexation of the Papal States into the Kingdom of Italy and the transfer of the capital from
Florence to Rome. Before 1870, Rome had suffered numerous cholera outbreaks, including two global epidemics and a sudden outbreak in August 1837. This was largely due to poor water and sanitation systems at the time.
Following Italian unification, a nationwide modernisation project was launched to turn the fledgling country into a modern state that could rival powers like Britain and France. Urban development included restoring ancient Roman aqueducts, improving infrastructure, and, in Rome, installing the nasoni. For the time, these fountains symbolised the revitalisation of Rome—from a backward, struggling city to a
modernised capital fit for the new Italian kingdom.
The nasoni may not have emerged solely from a need for clean water. The Roman Empire was renowned for its advanced water systems, including aqueducts, basins, and fountains. During this period of strong national pride, the Kingdom of Italy may have seen the nasoni as a deliberate call back to the grandeur of the Roman era—an echo of the last time Italy had stood united as a powerful state.
How They Work
The nasoni operate using an ancient and simple Roman system.
Most are supplied by the Acqua Vergine aqueduct, which draws water from reserves nearby, including Lake Bracciano, the second largest lake in the Lazio region.
Water is distributed through underground channels, reaching the nasoni as a steady stream. Some of the water is drunk or used to fill bottles, but any unused water isn’t recirculated—instead, it is repurposed for community uses such as gardening. Only water left over after this step is wasted.
Key Traits of the Nasoni
Promote Hygiene: The constant water flow prevents bacteria from forming in the pipes.
High-Quality Water: Sourced from Roman aqueducts, the water is the same supply used for Roman housing—safe and refreshing.
Environmentally Friendly: Helps reduce plastic waste by encouraging reusable bottles.
Cultural Significance: Balances historical importance with modern-day utility.
Accessibility: In hot weather, a nasone is usually nearby, offering instant refreshment.
Captivating Design: Their ingenuity and charm often delight tourists.
Problems and Criticisms
Some criticise the nasoni for their continuous water flow, which seems wasteful.
The upkeep—including water usage, repairs, and updates—is expensive for the government and Acea.
During droughts, Acea occasionally shuts off the nasoni,
which can be harmful to animals and the homeless who rely on them.
Variants of the Nasoni
While most nasoni have the classic cylindrical design, there are decorative versions often found in culturally significant areas. Some fountains feature wolf heads (representing the she-wolf from the legend of Rome’s founding), and others have multiple spouts instead of one.
In 2015, Acea introduced modern “Casa dell’Acqua” kiosks, bringing the nasone into the 21st century. These hubs provide both still and sparkling water and even offer phone charging stations!
So next time you find yourself in the Eternal City, remember—a nasone is always near!
THE AGE OF ENLIGHTENMENT
Minh B, Year 10 writes...
The Age of Enlightenment, spanning from the late 17th to the early 19th century, marked a transformative period in human history—especially in the field of science. Often described as the “Age of Reason,” this era championed rational thought, empirical evidence, and the belief that human intellect could understand and improve the world. Scientific inquiry became more systematic, rigorous, and widespread, laying the groundwork for the modern scientific method.
At the heart of Enlightenment science was the Scientific Revolution, which had already begun in the previous century with figures like Galileo Galilei and Isaac Newton. Enlightenment thinkers built upon their legacy, promoting a worldview grounded
in observation and reason.
Newton’s Principia Mathematica had a particularly profound influence, presenting the universe as governed by natural laws that could be discovered through mathematics and experimentation.
Scientific societies and academies flourished during this time, such as the Royal Society in London and the Académie des Sciences in Paris. These institutions provided a platform for scientists—then known as natural philosophers— to share discoveries, develop theories, and collaborate across borders. The spread of printed books and journals allowed knowledge to circulate more widely than ever before, reaching both intellectual elites and the growing educated public.
Enlightenment science was also characterised by its practical
applications. Advances in chemistry by Antoine Lavoisier, in electricity by Benjamin Franklin, and in biology by Carl Linnaeus helped not only to expand knowledge but also to influence technology, agriculture, medicine, and industry. There was also a shift in how science was perceived. No longer the domain of the mystical or the elite, it became a symbol of progress, human potential, and societal improvement.
However, it is important to note that Enlightenment science was not free from its limitations. It often excluded women and marginalised voices, and it sometimes supported colonial exploitation under the guise of “scientific exploration.” Despite these issues, the Age of Enlightenment remains a pivotal moment in the history of science—an era that reshaped how
Sami F, Year 7 writes...
In 13 AD, theatre in Pompeii was completely different from how it is today. Firstly, you could not simply arrive at any time. A performance was a rare event that only happened a few times a year, typically during festivals and holidays. When it did happen, there would be a series of plays lasting the whole day, and the entire town would be on holiday. Even slaves and farmers—who would usually be working—were allowed to attend, although they had to ask permission from their masters and usually ended up with a worse view of the play (along with women).
Theatres were usually outdoors, so a large awning, manned by experienced sailors, would be put up to protect spectators from the intense Pompeian sun. The venue was also designed with an upward slope so that spectators further back could see over the heads of those in front. Unfortunately, the seats were made of stone, so many people brought cushions to avoid sitting on a hard surface for long periods. Scented water was
sprayed by attendants between plays, as many of the spectators would sweat during the shows.
One of the most common types of performance was the pantomime—although very different from what we think of today, often being entirely serious. The stories were based on Greek mythology, and all the characters were mimed and danced by a single actor wearing a mask, while a chorus sang lyrics
ROMAN THEATRE
in the background. Instruments such as the lyre, trumpet, and double pipes were also played in an orchestra to provide a beat for the singing. Actors in these plays were mostly enslaved people or freedmen, and many gained loyal fans because of their acting skills and stamina.
Short comic plays often took place at the end of longer performances, and the actors who appeared in them were always male. They wore linen masks, painted and covered in plaster, to allow the audience to easily recognise each character. These plays had a small cast of characters who were very easily recognisable, such as Maccus the clown and Pappus, the naïve old man. They focused on Italian country life and often included slapstick humour and many rude jokes. Depictions of famous comic actors, such as the statue of “Sorex,” have been discovered in the ruins of Pompeii, and graffiti on walls lists the names of other popular actors.
COMpetitive rowing
Benedict S, Year 10 writes…
Rowing competitively is a demanding and exhilarating sport that combines endurance, strength, technical skill, and teamwork. Whether on tranquil rivers or purpose-built courses like Dorney Lake, competitive rowing challenges athletes to push their physical and mental boundaries, all while working in perfect harmony with their teammates. It is not just a test of individual fitness but a showcase of synchronisation and strategy.
At its core, rowing is a race against time and rivals. Boats, known as shells, can be manned by one (singles) to eight rowers, each wielding one or two oars depending on the discipline— sweep rowing or sculling. The ultimate goal is simple: to cross the finish line first. But the execution is anything but simple. Athletes must master precise movements, from the explosive leg drive at the catch to the fluid recovery phase, repeating the stroke cycle hundreds of times over a typical 2,000-metre race.
Training for competitive rowing is rigorous. Athletes spend hours on the water and in the gym, developing cardiovascular fitness, muscular endurance, and technical proficiency. Off-water
training includes ergometer sessions (on rowing machines), weightlifting, and cross-training, often supported by sports science methods like lactate threshold testing and video analysis of technique. The mental aspect is just as critical—rowers must endure intense physical pain while maintaining focus and cohesion, particularly in team boats.
Teamwork is a cornerstone of competitive rowing. In boats with multiple rowers, success depends on unity. Each athlete must match the stroke rate, power, and rhythm set by the stroke seat—the rower closest to the stern who dictates the pace. Any misalignment can disrupt the boat’s balance and speed. Coxed boats also feature a coxswain, who steers, motivates, and implements race strategy, acting as the on-water coach and leader.
Competitions range from local regattas to prestigious national
and international events like the Henley Royal Regatta, Head of the Charles, and the Olympic Games. Races are typically structured in heats, semi-finals, and finals, with crews advancing based on time or placement. The margins can be razor-thin, with some races won by fractions of a second, making precision and performance under pressure crucial.
Beyond the physical challenge, rowing instils values that extend far beyond sport. Discipline, resilience, and cooperation are inherent to the training process. Athletes learn to set goals, embrace discomfort, and trust their teammates implicitly. Many rowers describe the sport as addictive—the rhythmic motion, the early mornings, the constant pursuit of the perfect stroke all combine to create a unique and deeply fulfilling experience.
In essence, competitive rowing is a symphony of motion, strength, and willpower. It demands everything from its athletes—early mornings, blistered hands, and relentless commitment. But for those who rise to the challenge, it offers unparalleled rewards: the thrill of racing, the bond of the team, and the satisfaction of achieving something greater than oneself.
HOW RUNNING CAN HELP YOU IMPROVE YOUR DAY TO DAY LIFE
Luke T, Year 10 writes…
Running can induce calmness and reduce stress and anxiety. It is one of the simplest forms of exercise, yet it has some of the most helpful and drastic effects. It also allows you to be present in the moment and not think about anything else. This is due to running’s wide range of benefits: it helps with weight loss, physical resilience, and cardiovascular health, and also has several mental benefits, including increased self-esteem (as you see yourself getting physically and mentally stronger) and reduced stress, as your body releases endorphins which make you feel happy and give you a sense of accomplishment. This helps ensure that you feel a sense of purpose every day of your life.
Running is also a great entry point into sport in general. If you want to get more invested in sport but don’t know where to start, running will help. It may be hard at first, but it will help you overcome hurdles that other people often
face later on. Running is a solo sport, so when you underperform, you only have yourself to blame and don’t fall into bad habits of pinning your mistakes on others, as can happen in team sports. Although running is a solo sport, it also allows you to meet new people as you start to recognise friendly rivals, helping you build up a healthy competitive spirit.
Running can also become part of your identity and is an excellent stepping stone into other sports. For almost any sport, running is essential—or at least improved cardiovascular health will aid you. Whether it’s football, where you get too tired by the end of each match, or rugby, where you want to make long, clean breakaways down the side of the field, running will help.
Running is also a simple form of exercise, as previously mentioned, and can be done anywhere with almost any gear. All you need is a pair of trainers and a bit of effort, and you can begin.
Overall, running gives you a sense of accomplishment and brings more purpose to your life. It’s a great way to get into sport, helps improve your ability to perform in other sports, and is simple and accessible—easily done anywhere and at any time.
A very serious review of the Minecraft movie...
Lewis C, Year 10 writes...
I’d say there are three things that best sum up the Minecraft movie: references to Minecraft, Jack Black saying things in a funny way, and a plot you’ll probably forget very quickly. If I had to describe it in one sentence, it would be this: I remembered the jokes more than the plot. If this film were a burger, the plot would be the sesame seeds on top of the bun.
The Plot
The basic plot revolves around five people. Steve—a man who quit his boring office job to go mining before somehow ending up in Minecraft. Garrot—a man running an ’80s arcade store, trying to stop his business from being evicted. Natalie—an orphan trying to take care of her overly creative younger brother, who I mostly remember as the actress who played Piper Fritz-Amobi from A Good Girl’s Guide to Murder. Henry—Natalie’s younger brother, trying to express his creativity and intellect despite the frustrating barrier known as the real world. And finally, Dawn— their neighbour in the housing estate after they move into town, who also works as an animal transporter.
The plot properly kicks off when they accidentally end up in Minecraft, bringing the “Orb of Destruction” (despite it being shaped like a cube) with them and promptly destroying the only thing that can reopen the portal back home.
The Jokes
There’s a subplot that seems to
exist purely for comedic purposes, where a village ends up in the real world, gets hit by Henry’s school vice principal, and—in an attempt to avoid a lawsuit—she ends up on a date with one of the villagers. Occasionally, it cuts back to this date, and you get to see a divorced alcoholic have dinner with someone whose entire vocabulary mainly consists of “Heh.” And somehow, the date goes well.
At the end, the villager starts speaking English and is voiced by Matt Berry—which is honestly the best way to tie off that subplot.
Then there are two types of jokes after that. The first is Jack Black saying literally anything, and if you’ve seen people’s cinema reactions to the line “Chicken Jockey,” you’ll know that somehow just saying something ridiculous can make audiences go berserk. The second type is pure absurdity. For example, a piglin is called General Chungus. Enough said.
The References
The opening scene, after Jack Black’s narrated prologue, is absolutely packed with references. There are cameos from multiple Minecraft YouTubers. The villager has a Swedish accent—because Mojang, the studio that made
Minecraft, is from Sweden. Redstone is called “Mumbo Jumbo,” which is a nod to the popular Minecraft YouTuber. A pig walks by wearing a crown and is called a legend—this is a heartfelt tribute to Technoblade, a Minecraft YouTuber who passed away from cancer.
At one point, Steve says, “First we mine, then we craft. Let’s Minecraft.”
And finally, in the post-credit scene, the actor for Alex—the second Minecraft default skin—is revealed.
Final Notes
If you’re in the mood to witness a masterclass in storytelling and cinema, don’t watch the Minecraft movie… unless you’re either drunk or running on two hours of sleep. As a film, it’s terrible compared to what else you could spend your time watching.
But if you want to see what happens when you give Tenacious D’s marketing team a huge budget to make a movie just to advertise a new song at the end? Watch it. It’s genuinely funny, and—out of all the movies I’ve seen—it’s the only one where I didn’t zone out even once.
Joshua L, Year 7 writes...
In 1933, Robert the Tank Engine was built in Bristol for the purpose of transporting coal around the Lamport Ironstone Mines in Northamptonshire.
The mine closed in 1969, and after that, he spent his days going up and down heritage railways, taking people along rural lines. After years of this, he was retired and sent off to London in 1993, left sitting in Beckton. Eventually, he moved to his current home in Stratford, where every time I visit, I wonder how he was made.
BUT NO LONGER DO I HAVE TO WONDER!
I’ve found out that he was built alongside many other steam trains by the Avonside Engine Company. He was even friends with Thomas the Tank Engine, appearing on the show!
And honestly... I would love to
see a reboot of the show—but not some boring version for toddlers. I mean a Transformers x Robert the Tank Engine crossover, with epic fight scenes, full-on character arcs, six seasons, two spin-off shows, a blockbuster movie, and even comics. The whole shebang!
Imagine if Robert became part of pop culture. Picture a world where life revolves around him— the government run by Robert, buildings built by Robert, the food all Robert-themed, and the national anthem just being Robert!
Or what if Robert became a superhero? “Your friendly neighbourhood tank engine!”
Even better—what if he starred in Transformers: Rise of Robert? He’d have a bunch of one-liners like:
“I’m
steam rolling!”
“CHUG
ALONG!”
STEAM TRAINS
“WE’RE GOING STEAMPUNK!”
Or maybe... he could be the villain! Like Megamind, but with steam and wheels. Or a stoic powerhouse, like Kingpin from Spider-Man, busting his way through walls just to reach the hero.
What if he kept adding scrap metal to himself to make himself bigger, and his ultimate goal was to defeat the hero and steal their parts—becoming the ultimate Super Train! He could split himself into mini trains, all connected through a hive mind, filling every train track in the world.
His evil plan? To wipe out the joy of discovering new trains— making sure no train lover ever has the thrill of riding something new again!
Now that would be a story worth telling.
THE NSSA INDOOR SKI CHAMPIONSHIPS
Josh K, Year 9 writes...
On an unusually sweltering Monday morning, under the supportive leadership of Mr Davey, eight of us journeyed to the Snow Centre in Hemel Hempstead to represent Wetherby in the National Schools Snowsports Association’s Indoor Ski Championships. This event is an alpine slalom race featuring participants from schools all over England, Wales, and Scotland.
Wetherby entered two teams, drawn from across the senior year groups, to compete in a highly competitive field of 152 skiers. As reigning champions, our school has a proud history in this competition, having won it before and frequently securing second and third place finishes.
Even though this wasn’t my first race, I can confidently say the nerves never get any easier. The level of competition is always consistently high, keeping the pressure on us. This year, it was clear the other schools meant business—some competitors
arrived dressed head to toe in bespoke slalom race gear emblazoned with their school insignia. They looked like they’d just stepped off an Olympic podium.
Despite our bubbling nerves, it felt soothing to escape the blistering London heat and step into the Snow Centre—a giant ice box where we would once again battle for the top spot.
Participating in the slalom competition was an exhilarating but nerve-wracking experience. The course was set with brightly coloured bendy poles, and the challenge was to weave through them as fast as possible, shifting
your weight from ski to ski in perfect rhythm. Each competitor took their turn, launching down the slope with fierce determination, trying to maintain both balance and speed. Fear, dopamine, and adrenaline surged through you as you raced the clock, every second counting.
The competition consisted of two timed races, giving each skier two opportunities to log their fastest time. After a brief warm-up to find our ‘ski legs,’ it was time to race. When you finish the first run, you breathe a quick sigh of relief for not wiping out and immediately start analysing the course to figure out how to go faster on the second attempt. That second run is where you really push yourself, aiming to shave off every possible fraction of a second. With every twist and turn, the thrill of competing against others—and against the clock—fuels a fierce determination to give it your all.
After an exciting day, Wetherby placed 7th and 8th. To have both teams finish in the top ten out of all the schools was a fantastic result—and we’re already looking forward to returning next year to reclaim the title.
MALO GUSTO
My persuasive speech is about why I believe Malo Arthur Gusto is one of the best players in the Premier League. Throughout last season and this season, Malo Gusto has been starting as a rightback for Chelsea FC, consistently putting in solid performances and standing out as one of their best players. While defenders generally don’t receive the credit they deserve, certain players possess both exceptional defensive and attacking abilities, setting them apart from the average footballer. Chelsea’s versatile right-back, Malo Arthur Gusto, has repeatedly shown his outstanding skill in both areas.
Malo Gusto was born in 2003 and is just 21 years old. He grew up in Lyon in very poor conditions and has spoken about how he could barely afford to eat every day. He made his professional debut for his childhood club, Lyon, before joining Chelsea in 2023.
I believe Gusto is the best rightback in the league because he has been consistent throughout both
this season and last season. Even though he hasn’t scored any goals or produced many assists like right-backs Pedro Porro or Trent Alexander-Arnold, he consistently works hard both in attack and defence. He has excellent technical ability, is confident on the ball, and can deliver pinpoint passes over 100 yards. He has even had a few near-goals this season from outside the box.
A lot of people might disagree with me and say that players like TAA or Pedro Porro are the best right-backs in the league because they can shoot, assist, and defend better than Gusto—and their stats may back that up. They’ve also won more trophies than Gusto, but the truth is they’ve played far more games than him. TAA is widely regarded as the best right-back in the league, and maybe even in the world, but Gusto doesn’t receive the credit he deserves for all the hard work he puts in—or the potential he has to become the very best.
One final reason why Malo Gusto is the best right-back in the league is because of the
incredible “undercover” work he does. Some fans see him as one of the backbones of the Chelsea team, yet his brilliance often goes unnoticed. He truly is amazing on and off the ball, but few people realise it. He’s like a secret agent—one of the best in the world, but hidden in plain sight. He can dribble like Messi, shoot like Ronaldo, and defend like Maldini. When he sets his mind to something, nothing can stop him. His unique ability to do everything the world’s best players can do makes him truly special.
In conclusion, I believe Malo Gusto is the best right-back in the league. He’s often overlooked, yet he delivers consistently and has the mentality of a champion. He might not be the biggest—Kerkez probably takes that title. He might not be the fastest—that’s likely Pedro Porro. And he might not be the smartest—that’s probably Trent Alexander-Arnold. So, if he’s not the biggest, fastest, or smartest right-back in the league, how does Malo Arthur Gusto become the best?
Josef A, Year 9 writes...
Virat Kohli retires from test cricket: the end of an era
Aditya D, Year 12 writes...
In a move that has sent shockwaves through the cricketing world, Virat Kohli has announced his retirement from Test cricket. The decision, confirmed by the man himself in a heartfelt social media post, marks the end of a remarkable chapter in the history of the game. Kohli, known for his unmatched passion, fierce competitiveness, and extraordinary skill, leaves behind a legacy that has permanently etched his name among the greats of Test cricket.
Why Kohli Called Time on His Test Career
While many had speculated about his potential retirement in recent months—especially given his absence from some Test series and an increased focus on whiteball cricket—Kohli’s decision is rooted in several factors. At 36, he cited the physical and mental demands of the longest format as a key reason for stepping away. In his statement, he reflected on the intense commitment Test cricket requires:
“To give everything to the red-ball
game, day in and day out, takes a toll. I’ve always believed in giving 120% every single session, and I feel the time has come to make space for the next generation.”
However, many believe his decision also stems from a deeper, unresolved conflict with the BCCI—particularly during Sourav Ganguly’s tenure as president. The tension began in 2021 when Kohli stepped down as T20 captain. Soon after, the BCCI removed him from the ODI captaincy—a move that even surprised Kohli himself. When Ganguly claimed the board had asked Kohli not to quit T20 leadership, Kohli publicly contradicted him, revealing a serious communication breakdown.
Though the full details never emerged, the episode signalled a clear erosion of trust. Kohli later stepped down as Test captain as well, and though he continued to play, his relationship with the administration never quite recovered. This uneasy dynamic may have accelerated his decision to walk away from the format he loved most.
A Glorious Career in Whites
Virat Kohli’s Test career is one for the history books. Since making his debut in 2011, he played 113 Tests, scoring over 8,700 runs at an average of nearly 50—a feat achieved by only a handful of modern cricketers. His 29 Test centuries place him among India’s finest, and his dominance in all conditions—from the seaming pitches of England to the fast tracks of Australia—showcased his adaptability and technique.
Kohli’s peak years as a Test batsman were nothing short of spectacular. His 2018 tour of England, where he scored 593 runs in five matches, silenced critics and demonstrated his mental toughness. Equally memorable was his century at Perth in 2018, where he battled not just the Australian pace attack but also hostile crowds, reaffirming his status as a modernday gladiator.
However, Kohli’s influence wasn’t limited to the scoreboard. As captain, he redefined Indian Test cricket. Taking over the reins in 2014, he transformed a relatively fragile team into a dominant force, especially overseas. Under his leadership, India won a historic series in Australia in 2018-19— their first ever—and reached the top of the ICC Test rankings. His emphasis on fitness, aggression, and fast bowling depth reshaped the Indian mindset in red-ball cricket.
A Massive Loss for the Test Arena
Kohli’s retirement leaves an
undeniable void in Test cricket. He was more than just a run machine; he was a symbol of Test cricket’s vitality in an age increasingly dominated by shorter formats.
His infectious energy, animated celebrations, and verbal duels with opposition players added drama and fire to the traditional format, drawing in fans who might otherwise have overlooked the longer game.
With the bat, he brought flair, technical brilliance, and consistency. With his presence, he brought intensity and star power. Without him, the game loses one of its greatest ambassadors— someone who proudly proclaimed, “I love Test cricket more than any other format.”
A Legacy That Endures
Virat Kohli’s Test career may be over, but his impact will endure. Young cricketers in India and around the world have been inspired by his approach: fearless, disciplined, and relentlessly competitive. His journey from a promising Delhi lad to a global cricket icon is a testament to hard work and self-belief.
As India looks ahead to a new generation of red-ball players, they do so standing on the shoulders of a giant. Test cricket will miss Kohli—the elegance of his cover drives, the roar after reaching a milestone, the fire in his eyes after a wicket. The whites may be folded away, but his legacy in the format will shine for decades to come.
Kohli’s retirement feels both fitting and premature. Fitting because he leaves the game at a time when he can still walk tall, with his head held high. Premature
because Test cricket—especially Indian cricket—still needed him. His absence will be felt not just in the middle order, but in the dressing room, where his fire and leadership were irreplaceable.
As much as his achievements deserve celebration, it’s hard not to reflect on how his journey was clouded by politics and mismanagement in his final years.
Had the fallout with Ganguly and the BCCI been handled with more transparency and mutual respect, the farewell might have come under happier circumstances.
Even so, Kohli walks away with his legacy intact—as a legend of Test cricket, and as a man who never backed down, on or off the field.
Foods of cambodia
Henry C, Year 7 writes...
In the Easter holidays, I visited Cambodia, also known as the Kingdom of Wonder, with my family. I had heard that there were a lot of fantastic foods to try there, and I couldn’t wait to taste as much as possible during our trip. I ate a lot of exhilarating dishes in this incredible country, and I believe they will make your stomach rumble as you read on!
We stayed in three beautiful hotels.
The first was the Anjali Hotel in Siem Reap, home to the ancient site of Angkor Wat in northwest Cambodia. We stayed there for three days. One midday, after a refreshing swim in the sweltering heat, my family and I were sitting by the pool looking at the menu. That’s when I saw it—crickets! I just had to order them to see what these tiny creatures tasted like. They arrived a little while later, and thankfully, they lived up to my expectations. They were scrumptious! They tasted just like crisps—so crunchy, so good! They were lightly fried
with lemongrass... my mouth is watering just thinking about them.
If I ever lived in Cambodia, I could definitely see them becoming the kind of snack I’d eat on my way home from school, buying them from the Cambodian version of a corner shop! In Siem Reap town, there were mobile stalls where you could select the insects you wanted by weight, and they’d fry them up for you as a takeaway.
Next, we stayed at the Golden Beach Resort on Koh Rong Island. While we were only there for three days, it was my favourite of the three places. It had a worldclass beach and a fantastic ocean for swimming. The water was so blue and clear! I didn’t try many exotic dishes there, but just you wait until I tell you about our final destination...
For the final part of our trip, we stayed in the Cambodian capital, Phnom Penh, where I ate the two craziest foods you’ll ever hear of! Both times, we ate at the Touk Restaurant and
Bar. On the first night, I ordered chicken elbow (I know what you’re thinking—chickens don’t have elbows?! I thought so too!), and it was fabulous! Deep-fried and delicious! The second time we went, I ordered duck tongue— which was also very nice indeed. There were about 30 on my plate, again fried to perfection. This experience showed me that nothing is wasted in Asian cuisine, which is, I believe, much more sustainable for the planet. I would definitely recommend trying as many exotic foods as you can if you ever happen to be in Cambodia. The menu prices were never too expensive either, which made it easier to be adventurous!
While we were there, it also happened to be Khmer New Year. Everyone was in such a good mood, with their water guns and baby powder, and the streets were absolutely packed! It was truly special to visit during such a joyful public holiday.
CAFES OF MARYLEBONE
Thomas C, Year 9 writes...
A subject to which you may have given little thought—and, to be fair, neither did I—until a couple of months ago when my dad told me and my little brother that we’d pop into Nkora (69 Welbeck Street), near school, to grab breakfast. It was a way of resuming a Friday morning tradition we used to have when I was in prep school, before registration.
At first, I thought it would be a waste of time—I could just have cereal at home. But once we got there, we grabbed a couple of pastries and had a wonderful time. My little brother then suggested that we do it again the following Friday, and it has since become a really lovely routine, marking the start of the weekend.
These cafes are often passed by without much thought. But the rule we set was that they had to be independent places—chain coffee shops already have more than enough trade. While these smaller cafes might not always have the “wow” factor of their corporate neighbours, they are amazing
places to catch up with friends, get some work done, or simply grab a bite to eat. They often serve not only fantastic food but also create an extraordinary atmosphere. Many are socially minded too, supporting independent coffee companies or offering jobs to those who might otherwise struggle to find training or work. They’re home to exciting new flavours, intriguing coffee brewing methods, and bold interior design—as well as making the world a better place. A win-win on all fronts!
We’ve now visited over ten cafes (and counting) just off Oxford Street and near Bond Street Tube station, so we’re not late for registration. Let me highlight a couple of my favourites—though, to be honest, every one of them has been worth a visit.
White Mulberries, 54 Paddington Street.
What I loved about this café was the amazing hazelnut croissant. It was to die for—the perfect start to the day.
Bonne Bouche, 2–3 Thayer Street. The nougat roll here was nothing short of sensational. It had just the right amount of sweetness and a texture so soft it melted in my mouth.
Having originally doubted this bonding time with my dad and brother, I now really look forward to it. I’m even excited at the idea of exploring more cafes nearer Baker Street too.
Eurovision
Daniel A, Year 12 writes...
On Saturday, Europe (and Australia) were treated to opera, Europop, dance music, and everything in between. The 69th annual Eurovision Song Contest took place in Basel, Switzerland last week, beginning with two semi-finals before the grand final on Saturday.
For the uninitiated, the Eurovision Song Contest takes place yearly and is hosted by the previous edition’s winner. It features a grand final of 26 countries performing three-minute musical numbers. The competition has minimal regulations on the songs, which means Eurovision brings a huge variety of styles. Voting comes in two forms: jury voting and televoting. Each country nominates a jury of music experts to award points to other countries, while the televote comes from fans watching at home and in the stadium. The scores from both sources are combined to give a final result.
Semi-Final 1
Semi-Final 1, held on Tuesday evening, went largely as the bookies expected. Ukraine’s “Bird of Prey” featured simple but powerful staging, taking first place with its moving love song. Novelty acts also saw success on Tuesday: Finland’s “Bara Bada Bastu” (which translates to “Just Take a Sauna”) featured an onstage sauna, with the bandmates revelling in its relaxing power.
Estonia’s “Espresso Macchiato” was another novelty hit, as performer Tommy Cash delivered the line, “Life is like spaghetti: it’s hard until you make it.” The biggest shock of the night came when 51-year-old DJ Gabry Ponte qualified for the grand final representing San Marino with “Tutta l’Italia,” a song playfully mocking Italian culture.
Semi-Final 2
Semi-Final 2 followed on Thursday, with multiple big-name entries surprisingly eliminated. Australia’s novelty performance of “Milkshake Man” was a fan favourite and tipped for a topfive finish, but fell at the first hurdle—finishing ten points shy of qualification. Despite its preshow hype, it earned just two televote points, demonstrating the unpredictability of Eurovision audiences. Another surprise came when Czechia’s Adonxs failed to qualify with his dramatic ballad “Kiss Kiss Goodbye.” A missed cue saw him enter the chorus late, which likely cost him crucial jury points. Other highlights from this
round included Israel’s dramatic “New Day Will Rise,” which won the semi-final, and Austria’s “Wasted Love,” performed by JJ, who would go on to win the contest.
The Grand Final
The Grand Final took place on Saturday evening, featuring 26 countries—from San Marino and Luxembourg to Germany and the UK. The show opened with Norway’s “Lighter,” performed by 19-year-old Kyle Alessandro. With spectacular dancing and pyrotechnics, it set the tone for an exciting evening. Highlights from the first batch included eventual second- and third-place finishers: Israel’s “New Day Will Rise” and Estonia’s “Espresso Macchiato.” After a brief break, it was the UK’s turn. Remember Monday performed “What the Hell Just Happened?”, a theatrical number about waking up after a chaotic night out. With clever staging that included walking across a broken chandelier, the trio brought their West End experience to the fore.
While the result wasn’t strong, the performance itself was a surprise highlight—if a little too ‘busy’ to connect with voters.
Following the UK, Austria’s JJ took to the stage with “Wasted Love,” a haunting ballad about unrequited love. A Vienna Opera singer, JJ performed atop a small, rocking boat in a turbulent sea—a powerful metaphor for emotional instability. His stunning vocals and evocative staging won the night.
A short lull followed, broken by Finland’s Erika Vikman and her fan-favourite “Ich Komme,” which ended with her dancing above the stage on a giant microphone. This marked the halfway point of the competition.
The second half featured more memorable entries, including Germany’s “Baller”—the country’s first German-language entry in over 15 years—and Greece’s “Asteromata,” which unexpectedly finished sixth.
Malta’s controversial “Serving” delighted the crowd but underwhelmed juries and viewers alike, finishing 17th. Personally, I found it catchy and relaxed— perfect easy listening.
The final performance came from Albania’s “Zjerm,” a folk-inspired number that closed the show with energy and tradition.
Voting & Results
As voting began, I crossed my fingers for Remember Monday. But it wasn’t to be: the UK received the dreaded “nul points” from both the jury and the televote. Meanwhile, JJ’s triumph meant that Eurovision 2026 will be held in Vienna.
While Eurovision may not be everyone’s cup of tea, this year’s edition delivered a wide array of songs, styles, and performances. It was a wonderful celebration of music and culture. I encourage everyone to listen to this year’s soundtrack—there really was something for everyone.
DELETED DOESN’t MEAN GONE: THE TRUTH ABOUT YOUR DIGITAL FOOTPRINT
Santi Q, Year 9 writes...
You download an app. Use it for a bit. Then you get bored. One day, you hit uninstall. That’s it, right? It’s gone. In this digital age, that isn’t the case.
Today, deleting an app doesn’t always mean deleting everything—especially not your data. Behind the surface of every app is a hidden trail of information you’ve left behind. What you clicked, when you logged in, where you were—it’s all still stored somewhere. And even if you’ve logged out or moved on, your digital footprint could still be wandering around without you.
What Happens When You Delete an App?
When you uninstall an app, what you’ve really done is just remove the shortcut to their servers from your device. The app is gone from your screen, yes—but the data it collected while you used it is still sitting on the company’s servers. Think of it like throwing away the key to a locker—your data is still there; you just don’t see it anymore.
Most apps collect things like:
Your name, email, and phone number
What you do inside the app
Your location (even in the background)
Device information (battery level, model, IP address, screen time)
Sometimes even your photos or
microphone usage (if you gave permission)
And that data? It’s often stored indefinitely.
You Are What You Click
Here’s where it gets worse: companies don’t just track what you do in their app—they often follow you around the internet even after you’ve left.
They use tools like:
Cookies (small files that track which websites you visit)
Tracking pixels (invisible images that record when you open a page or email)
Device fingerprints (your screen size, browser, and settings all combine to create a unique digital “you”)
These tools help build a profile of your interests—your habits, your shopping choices, your late-night random searches. That’s why ads always seem to know exactly what you were just thinking about.
And it doesn’t stop when you delete one app. Your online identity is scattered across dozens of platforms, interconnected in ways you don’t even realise.
“Delete” Doesn’t Always Mean Gone
Even if you go the extra step and delete your account, that doesn’t guarantee your data vanishes. Many companies:
Keep your information for “legal” or “analytics” purposes
Store anonymised versions of your data
Don’t actually delete anything unless you specifically request it— and even then, they might delay or ignore the request
It’s a bit like trying to un-send a letter after it’s already been delivered. Once your data is out there, you lose control over what happens to it.
So… What Can You Actually Do?
The good news is, you don’t have to go completely off-grid to protect yourself. But being smarter about your digital footprint helps.
Limit permissions—only allow apps access to what they really need
Use privacy-focused browsers or search engines
Avoid linking every app to your Google, Apple, or Facebook accounts
Regularly clear cookies and browser history
Use guest mode or incognito for casual browsing
And before installing anything new, ask yourself: does this app really need my data—or does it just want it?
WRITE FOR US
Do you have something you’d like to write about?
Is there a passion or interest you’d like to share with others?
Is there a cause you would like to draw attention to?
Would you like to report on school events?
Are you a great photographer or artist?
Send your articles (and images to go with them) to nicola.bradley@wetherbysenior.co.uk, or ask to be added to the team on Teams where you can submit it directly.
A submission deadline will be set each half term, so get writing so your article can be included!