Crescendo Issue 2, 2024

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CRESCENDO

Magazine of the Herbert and Nicole Wertheim School of Music & Performing Arts

Making an Impact

FIU Latin Choral Festival Unites

International Voices

Musical Theatre Shines On Tour In Italy

Director'sNote

Dear music enthusiasts,

Welcome to the second issue of Crescendo Magazine from the FIU Wertheim School of Music & Performing Arts (The Wertheim)! As the Director of The Wertheim, I am thrilled to share the latest developments and achievements from our vibrant community

This year marks an exciting expansion for us. We are proud to launch our new Musical Theatre program, adding another dynamic dimension to our rich tapestry of musical education. Our commitment to innovation continues with the introduction of our first course in Music Therapy, a step forward in providing holistic and transformative learning experiences for our students.

At The Wertheim, we remain dedicated to fostering creativity, excellence, and a deep appreciation for the diverse world of music. Our esteemed faculty, with their extensive experience and artistic prowess, are here to guide and inspire our students through both traditional and contemporary musical landscapes.

Our comprehensive curriculum is designed to enhance technical skills, critical thinking, and an understanding of music's cultural and historical significance. Beyond academics, our students thrive in a lively environment filled with performance opportunities across various ensembles and our dynamic concert series featuring worldclass artists.

As you explore this magazine, I invite you to delve into the stories of our exceptional faculty and students, and discover the exciting new programs and initiatives shaping our future.

Thank you for being a part of The Wertheim community, where we continue to innovate, create, and perform with passion and dedication.

Musically yours,

Karen S. Veloz, Ph.D.

Director, FIU Wertheim School of Music & Performing Arts

CRESCENDO MAGAZINE

Herbert and Nicole Wertheim School of Music & Performing Arts

Florida International University

Modesto A. Maidique Campus 10910 SW 17th St., Miami, FL 33199

Creative Director, Karen S. Veloz

Digital Design & Art Director, Michelle Vires

Director, Karen S. Veloz

Graduate Program Director, Joel Galand

Administrative Services, Patricia Armado

Account Manager, Michelle R. Vires

Program Manager, Yusimay L. Gonzalez

Sr. Events Manager, Nathalie Brenner

Technical Director, Paul Steinsland

Music Librarian, Enrique Caboverde

Student Services, David Fernandez

Academic Advisor, Jessica A. Diaz

FIU Music Hour Performances: The show takes place every Tuesday, 11am – 12pm, as a live performance and broadcast in the WDNA Jazz Gallery on historic Coral Way

Cover: Musical Theatre students, FIU faculty, and Broadway veteran

Eric Jordan Young pose after a successful Sondheim performance as part of the FIU Music Festival last November.

A Visit with Jon Secada in Production Studio

Led by FIU Faculty member

music business students were treated to an unforgettable visit from none other than music icon

Joel Someillan,
Jon Secada!

Composer Orlando Jacinto Garcia Endows Music Scholarship

OrlandoJacintoGarcia,anesteemedComposerin ResidenceandDistinguishedUniversityProfessoratFIU,has profoundlyshapedthelandscapeofcontemporaryclassical music.Withacareerspanningover37yearsatFIU,Professor Garciaisrenownedforhisinnovativecompositionsthat oftenreflecthisCubanheritage,makingsignificant contributionstoboththeacademicandmusical communities.

The recent launch of The Orlando Jacinto Garcia Composition Scholarship Endowment was announced during a retrospective concert celebrating Professor Garcia's 70th birthday and his remarkable tenure at FIU This special event featured the exceptional talents of pianist Lindsay Garritson and FIU's Artist in Residence Ensemble, the acclaimed Amernet String Quartet

We invite you to contribute today! Your support is crucial in continuing the tradition of excellence and cultural exploration that Professor Garcia has fostered throughout his career. By donating, you are investing in the future of music composition at FIU and ensuring that students have the resources and opportunities they need to succeed.

DONOR’S IRCLE

C

Dr.Herbert&NicoleWertheim IMPRESARIO

$1Million-$10Million

CONDUCTOR

$250,000-$999,999

Miami-DadeCulturalAffairsCouncil

Gala&StanleyM.Cohen

COMPOSER

$100,000-$249,000

AT&TFoundation

Douglas&SusanWartzok

EvelynK.Spitalny

AdeleNeumann+ LaLagunaHoldingCompany,LLC.

VIRTUOSO

$50,000-$99,999

Benjamin&KelleyAlston

Ann&GordonGettyFoundation

JameyAebersold

SCHOOL OF MUSIC SUPPORTERS

Wertheim Scholarships

Institutional Music Scholarships

Undergraduate Presser Scholar Award

Kenneth G.& Adele Neumann Music Scholarships

Felix Memorial Music School Endowment

Spector-Lieff Music School Endowment

Herbert Wertheim Performing Arts School Endowment

FIU Arts Council Music School Endowment

FIU Arts Council Music School Endowment

School of Music Faculty Scholarship

Joel Glaser String Scholarship

Jazz Studies Program

Nancy and David Uber Music Scholarship

School of Music String Education Scholarships

The Jim Hacker Scholarship Fund for Musical Excellence

Mike Orta Jazz Piano Scholarships

Benjamin and Kelley Alston Music Scholarship Endowment.

The Orlando Jacinto Garcia Composition Scholarship Endowment Scholarshp amounts vary

Wind Ensemble Director Dr. Brenton F. Alston Endows Music Scholarship to Honor Legacy

Dr Brenton F Alston, our FIU Wind Ensemble Director, has been a dedicated faculty member since 2013. His commitment to excellence is evident in the ensemble's innovative programming and numerous world premieres.

To honor his parents, who supported his musical studies, Dr. Alston established the Benjamin and Kelley Alston Music Scholarship Endowment This endowment will provide scholarships for music majors, ensuring their inspiring story motivates future generations.

To celebrate this endowment, the FIU Wind Ensemble, in collaboration with the FIU Choirs, presented a heartfelt concert last April. This moving evening featured two world premieres, captivating the audience with their emotional depth.

One premiere was James Syler's "Stories from the Golden Hour," featuring spoken word by FIU vocalist Dr. Vindhya Khare. This piece honors Dr. Alston’s parents and symbolizes the later years of life when memories and stories are especially poignant. The chamber cantata, blending spoken word, chamber music, and choral traditions, narrates six stories about land, hard work, justice, family, death, and homegoing

The Alstons, children of tobacco farmers from Conway, South Carolina, built a family, persevered through challenges, and lived long lives, passing away within six months of each other. Their story inspires us to remember, fight for what is right, live with dignity, and celebrate life. Each story in the composition highlights a characteristic of them, introduced by a third-person narrator.

Their life began in the country, reminding us that no one truly owns the land. It sings for those who can hear it and is where we ultimately end. The piece celebrates their work ethic with rhythmic language that never gives up. It reminds us to stand up for justice, as Kelley and Benjamin did, referencing segregation, the murder of Emmett Till, and Dr. Martin Luther King. There is a nostalgic remembrance from a child’s point of view about a summer night filled with mystery and meaning An old spiritual style quietly waits and listens as the end nears, and finally, a simple hymn speaks to the hope of meeting again.

C DONOR’S IRCLE

ENSEMBLE

$25,000-$49,999

MartinW.Spector&AnnS.Lieff

Men’sOperaGuild

FootlightersFoundation

GoldnerFamily

GeorginaDieterDennisFoundation

OrlandoJacintoGarcia

CHAMBER PLAYER

$10,000-$24999

ChopinFoundationoftheUnitedStates

DianeAshley

LadySuzannaP.&CarletonTweed CharitableFoundation,Inc.

OceanBank

ThePresserFoundation

SOLOIST

$5,000-$9,999

FIUWertheimSchoolofMusic&PerformingArtsFaculty

+deceased Names are listed as of March 2024. If you see any errors to this listing, please contact music@fiu.edu

“Music is my life. It talks through me; it lives in me. Having a scholarship is reassurance that I am not alone in the pursuit of my dreams as a musician.”

-Edgar Sanfeliz-Botta, Institutional Scholarship

“It’s a really good opportunity for a lot of people like me who wouldn’t otherwise be able to have experiences like those that I’ve had performing with the FIU Jazz Big Band in South Florida and beyond.

-Edgar Sanfeliz-Botta, Institutional Scholarship

FIULATINCHORALFESTIVAL UNITESINTERNATIONAL VOICES

The 2024 FIU Latin American Choral Festival, presented by the Wertheim School of Music, recently celebrated a significant milestone in Latin American musical heritage. Titled "Our Voices, Our Roots," the four-day event, held from April 18-21, at the Wertheim School of Music and Comber Hall at the Church of the Little Flower in Coral Gables, brought together an international array of voices and showcased the rich and diverse choral repertoire of Latin America from the 20th and 21st centuries.

The festival, a vibrant celebration of Latin American choral music, aimed to uplift and highlight Latin American musicians. It featured a series of captivating performances, insightful pre-concert talks, and highlighted the cultural richness of the region.

Showcasing Global and Local Talent

The festival brought together a stellar lineup of international choirs and soloists, including the FIU Concert Choir under the direction of Dr Erynn Millard, Cusib Global led by Maria Guinand and Alberto Grau, Amazonia directed by Anaida Carquez Soler, and Encantus Voices guided by Maibel Troia. These ensembles, along with our FIU alumni and students created an exciting blend of traditional and contemporary music, setting the stage for an enriching cultural experience.

Carlos Silva (tenor) and Juan Tomas Martinez (baritone), acclaimed Venezuelan soloists, delivered powerful performances that captivated the sold-out audience. Their interpretations of Latin American classics were complemented by the FIU Symphony Orchestra, led by conductor Javier Mendoza, particularly in the festival’s highlight, the 70th-anniversary performance of "Cantata Criolla."

Cantata Criolla: Celebrating a Masterpiece

As the festival’s highlight, "Cantata Criolla" took center stage in a special 70th-anniversary performance. This masterpiece, written by Venezuelan composer Antonio Estévez in 1954, is a landmark of Latin American music, seamlessly blending folk rhythms with classical music traditions. "Cantata Criolla" tells the story of Florentino, a llanero (plainsman), who engages in a singing duel with the Devil. This dramatic and evocative piece embodies the rich cultural tapestry of Venezuela and the broader Latin American heritage The performance, led by conductor Javier Mendoza and featuring the FIU Symphony Orchestra along with renowned Venezuelan soloists Carlos Silva (tenor) and Juan Tomas Martinez (baritone), was a powerful testament to the enduring legacy of Latin American music.

The Power of Choral Music

The festival also featured engaging pre-concert talks that provided deeper insights into the transformative power of choral music.

One notable session, titled "Bound for Life by Choral Music: The Cusib Global Case," led by Alina Agüero, Nahyemir Giannotti, Carlos Martínez Pereira, Rafael Márquez, and Edna Ruckhaus, explored how participation in choral music can shape individuals and communities. These discussions emphasized the role of choral music in professional development and the fostering of enduring bonds of brotherhood.

A Platform for Latin American Voices

Karen Veloz, Director of the Wertheim School of Music, emphasized the festival's significance in bringing such an event to South Florida. "The festival not only celebrates the cultural diversity and richness of Latin American music but also serves as a platform for fostering cross-cultural understanding and appreciation. South Florida, with its vibrant Latin American community, is the perfect setting for this celebration of music and heritage."

Initiatives like the FIU Latin American Choral Festival exemplify our university's commitment to global reach and community engagement. They serve as a vital bridge, connecting diverse cultures and fostering a deeper understanding and appreciation of the rich musical traditions that define Latin America. Through the festival's showcase of choral works spanning different periods and styles, we not only preserve but also promote these cultural treasures

Furthermore, these events underscore FIU's integral role within the South Florida community. Our dedication to cultural enrichment and community engagement is evident in our efforts to bring world-class musical experiences to local audiences. The festival provides a platform for local and international artists to collaborate, share their talents, and inspire audiences, thereby enriching and strengthening the cultural fabric of our community.

FIUMusicFestival Highlights

OCT 26 - NOV 5, 2023

La Ruta de Don Quixote - A Zarzula World Premiere! An unforgettable journey into the heart of Spanish culture! Miguel de Cervantes' beloved Don Quixote came to life through Rafael Rodriguez Albert’s masterful symphonic interpretation.

1 An unforgettable night! Audiences were captivated by Artist-in-Residence Kemal Gekic's breathtaking performance of Chopin and Liszt!

2 A monumental night! Former FIU President Modesto A Maidique and FIU Wertheim School of Music founder Fredrick Kaufman attended the thrilling world premiere of Kaufman’s Organ Concerto

Frederick Kaufman’s concerto served as a powerful love letter to FIU's remarkable 4,226-pipe Sydell

4 Opening Night dazzled with Strings United! FIU’s renowned Amernet String Quartet, joined by world-class guest artists Ani Kavafian, Thomas Mesa, and Mari Liis Päkk, delivered a thrilling performance of Mendelssohn’s Octet with FIU student musicians.

5 Young artists brought Peter and the Wolf to life with colorful drawings, capturing the magic of Prokofiev’s enchanting tale in a memorable family concert!

6 Alex Norris & FIU Jazz brought the heat last year! Legendary trumpet, soulful rhythms, and unforgettable improvisations lit up the Wertheim stage

7 Broadway star Eric Jordan Young, Jodie Langel, and Musical Theatre students brought Sondheim’s timeless classics to life!

3.
Ida Wertheim Organ.

PLAYINGPANTS: ONEOPERA STUDENT’S JOURNEYINTO ‘TROUSER’ROLES IN"DIDOAND AENEAS"

Opera has always thrived on exaggeration, pushing boundaries, and activating imaginations

The FIU Opera Theater’s production of “Dido and Aeneas” was no exception, as undergraduate mezzosoprano Kali Fong stepped into the boots of Aeneas, a character historically reserved for male singers.

In the opera world, "pants" roles or "trouser" roles have a storied history where female singers traditionally portray male characters. These roles, spanning from Mozart to Massenet, often involved portraying young, romantic, or heroic male figures. While most "pants" roles were designed for female voices, Aeneas is traditionally a role for tenors, making Kali's interpretation a fresh and contemporary perspective.

This year’s production provided a unique opportunity to immerse students in the captivating world of one of the Baroque era's most celebrated operas. Written by the English baroque composer Henry Purcell, the opera tells the tragic tale of Queen Dido of Carthage and the Trojan hero, Aeneas. At the heart of this story, Aeneas grappled with the internal conflict between duty and love, ultimately compelled to abandon Dido.

According to FIU Opera Theater Director Robert B. Dundas, “Students like Kali are studying and applying Baroque performance practice side-by-side with specialists in the field, while also applying their developing vocal technique In addition to doing indepth research of their characters and the history of the opera, they are also learning about a literary masterwork of antiquity, Virgil's Aeneid, and the performance traditions of the Baroque era."

Join us for an interview with Kali as we unravel the intricacies of her journey, the challenges she embraced, and lessons learned by taking on this atypical "trouser" role last February at The Wertheim.

Aeneas is typically a role for a tenor and is not traditionally performed by a woman. How did you prepare for your role as Aeneas?

To research the role, I first began reading Virgil's original story and watched various productions of "Dido and Aeneas " While many featured male actors portraying Aeneas, providing valuable insights into the character, I faced a unique challenge no recordings featuring women in the role of Aeneas. This compelled me to approach the character differently, turning my preparation into a more personal process. Under the mentorship of Professor Dundas and Javier Correa-Salas, I navigated the challenge of becoming a character not typically portrayed by women, especially in this era.

I also started looking into Aeneas's story and the pressures he faced, not just as a man, but as the Prince of Troy His character origin helped me frame his emotions and situation better Did you know that Aeneas is the son of Venus and Anchises? That makes him a demigod. So, I’m learning to step outside of myself to learn the roles of a man, a prince, and a demigod! I had to spend a lot of time learning to to act regal and assertive on top of the typical challenges of a “pants” role.

Have you ever studied arias by other "trouser" characters? How do they differ from this one?

Yes, I have studied as Cherubino from Mozart's "Le nozze di Figaro " Cherubino is one of the most popular pants roles for mezzos, and this character differs from Aeneas in many ways. Unlike Aeneas, Cherubino is a young teenage boy who is just coming into maturity. He is nervous, less assertive, and more reserved. The two characters are opposite - Aeneas is overly confident in himself, and his pride guards him from ever truly expressing his emotions.

What were some of the challenges that you encountered? Was it difficult in getting out of range for your voice type?

This is my first leading role in an opera At first, I lacked confidence in myself and in my portrayal of the character There were moments where I felt behind vocally in my technique and even questioned if I was right for the part. I knew I had to do the character justice, so I worked to overcome these insecurities by pushing myself and constantly adjusting my technique to grow as a singer. I had to work on refining my technique on my lower range and had to brighten my tone to allow the proper resonance and clarity. The text of “Dido and Aeneas” is extremely important to conveying deeper themes and emotions, so I had to work very hard on my diction.

WERTHEIM

MUSIC

ON TOUR! EUROPE & U.S.

USICAL THEATRE AKES INTERNATIONAL PACT IN INAUGURAL AR

cal Theatre students tour in in Parntership with dazione Lucia De Conz

or these students, dreams do come true.

e are thrilled to share that our students in the ertheim Musical Theatre Program recently dazzled udiences across Italy with our faculty, showcasing their lent and dedication on the international stage This xciting journey, in collaboration with Italy's Fundazione ucia De Conz, highlighted the exceptional success of the augural year of the program.

eading this inspiring tour were Helen Tintes, serving as he lead faculty, and Nuria Camino, our brilliant ollaborative pianist. Jessica Diaz, our talented student age manager and music coach, played a pivotal role in he tour's success. The talented student performers cluded Hailey Ferrey, Bell Bell, Jay Hernandez, Patty arcia, Lila Wagner-Gleeson, Lucia Arnold, Ainsley, and J ssica.

ur students were not just performing; they immersed emselves in a series of enriching masterclasses led by teemed professionals Jacopo Zerbo, an authority on alian diction, guided students through the intricacies of erforming a Disney song in Italian Flavia De Strasser, a lebrated Italian stage director, mentored students in tensive scene work. Marianna Batelli, a distinguished ance choreographer, led dynamic dance workshops. hese masterclasses offered our students invaluable ills and experiences that elevated their craft and oadened their artistic horizons.

The tour culminated in two spectacular performances of "Disney Dreams," a delightful show our students diligently prepared as part of RetEventi Cultura 2024. The first performance was on Friday, May 24 at 5 PM in the Pizzocco Hall of the Lucia De Conz Foundation, and the second performance was on Saturday, May 25 at 5 PM at the Teatro San Gaetano in Castion Belluno.

We are immensely proud of our students and faculty for their unwavering dedication to excellence in musical theatre. This tour not only highlighted their incredible talent but also fostered international cultural exchange and artistic growth, embodying the very spirit of our program's mission

Stay tuned for more updates and details about their inspiring performances.

Follow their journey on our social media channels and join us in celebrating the extraordinary achievements of our FIU Musical Theatre students.

@fiumusic @fiuwertheimmt

Our Jazz Combo 1 students took L A by storm this September, teaming up with the Playing for Change Foundation to spread positive vibes and social change through music.

Led by our Wertheim School of Musiic DirecDr. Karen Veloz and Omar Lateef, they hit the city for an unforgettable weekend tour experience.

Big shoutout to Calvin Gay, Michael Mackey, Enrique Pulley, Jake Mongin, and Emily Tang for rocking a killer set at the fabulous home of film producer Sybil Orr and her husband, Michael Orr!

This mission is all about opening doors to higher education for talented, underserved communities The weekend was a whirlwind of unity and impact, leaving a lasting mark on everyone involved.

Thanks for the continued support! Let’s keep celebrating the magic of music to bring people together and change lives.

On Tour! LA Style

On Tour! Wertheim students shine at Santa Fe Opera

During spring break, many of our string and vocal students had an unforgettable tour experience to Santa Fe Opera, marking our ongoing partnership since 2020!

From behind the scenes to center stage, our students delved into a world of artistic wonder and professional growth They explored all areas of the opera center, from production areas to backstage, gaining invaluable insights into the magic of performance creation.

But that's not all! They had the privilege to learn from the masters themselves, including renowned violinist Arnold Steinhardt of the legendary Guarneri String Quartet, and the wonderful soprano Amy Owens, Director of the Young Voices of Santa Fe Opera, who led captivating masterclasses, igniting sparks of inspiration in every note.

The crescendo of their journey? A final concert uniting FIU and Santa Fe Opera's Young Voices Program at St. Francis Auditorium, showcasing music diversity and cultural exchange to the local community.

We are so thankful to our gracious hosts at the Santa Fe Opera for this extraordinary opportunity! We are also very grateful to those who have continued to support our students over the years so they can achieve their dreams of becoming professional musicians in this ever-changing industry

ON THE COVER

Congratulations to Jazz Performance major, Lucia Nunez, who made it on the cover of this year's DownBeat Magazine!

Lucia has been honored in the 47th Annual DownBeat Student Music Awards with an award for Outstanding Performance (vocals) in the undergraduate category.

The DownBeat Student Music Awards are considered the most prestigious awards in jazz education. Since its founding in 1976, hundreds of musicians, music educators and music industry professionals received their first international recognition as DownBeat Student Music Award winners

FIU Jazz Vocal Ensemble on FIUMusic Hour at WDNA
88.9FM
Directed by Lisanne Lyons

Graduate Student Research Makes Impact

Their research has garnered recognition from the FIU University Graduate School, underscoring her dedication and contribution to the academic community.

Congratulations to Libia Montaño, a graduate Voice Performance major, showcased her impressive research at the 2024 Scholarly Forum and Graduate Resource Fair, hosted by the FIU Graduate School. Her research poster, titled "Vocal and Instrumental Symbiosis in the Evolution of the Concerto Form," highlighted her innovative work in the field

Libia also presented a Lecture/Recital on the same topic to students in the Vocal Program, sharing her insights and expertise with fellow students.

Congratulatiions to Hailey Ferry, a graduate assistant in the Musical Theater program, who presented her research on ‘Vocal Flexibility in Musical Theater’ at the 2024 Scholarly Forum and Graduate Resource Fair, hosted by the FIU Graduate School.

AROUND TOWN

FIU Symphony Orchestra

We've been spreading the magic of music across South Florida this season from Miami to Palm Beach!

Performances included the return of the musical event, Polo Symphony, at The Polo Club of Boca Raton, and a sold-out performance at Vizcaya Gardens and Museum on Valentine's Day, where our orchestra played musical treasures against breathtaking backdrops. The highlight was our annual Concerto Competition Concert at The Wertheim, showcasing our finest students

In addition to these stunning performances, we extend a special congratulations to members of our orchestra for stepping into the spotlight at the Seminole Hard Rock Hotel & Casino for an exciting commercial shoot! We're beyond excited to see our students shine on screen, combining classical elegance with rock 'n' roll coolness

The FIU Wertheim Symphony Orchestra‘s Concerto Competition offers all currentlyenrolled undergraduate and graduate orchestral instrumentalists, pianists, and singers a chance to perform as a soloist with the ensemble an internationally-recognized orchestra of over 60 student musicians, conducted by Maestro Javier Jose Mendoza

MEET THE 2024 CONCERTO COMPETITION WINNERS!

Theyhavehelpedmegrowsomuchbecausenothinggoesunnoticed-everymusicalaspect isexaminedingreatdetail.We’resoluckytohavedirectexposuretoexceptionallycapable musicianslikethemwhoareconstantlyholdingustothehighestlevel. -JeromeMcCoy

MEET OUR CONCERTO COMPETITION WINNERS

Michael Cooley, Flute Concerto in D major by Carl Reinecke

A South Florida native, he is majoring in both music performance and computer science. This January, he joined the 2024 FMEA Intercollegiate Band, marking another milestone in his musical career Since then, Michael has become an independent special events performer and has been giving masterclasses This is Michael’s 2nd year at FIU, where he serves as the principal flautist of the FIU Symphony Orchestra and the FIU Wind Ensemble.

Javier Aragon, Horn Concerto no. 2 in E-flat major by W.A. Mozart From Venezuela, he was raised in a family with a deep-rooted musical tradition. There he was a member of the Simón Bolívar Symphony Orchestra, led by Maestro Gustavo Dudamel. He has performed in concert halls such as the Philharmonie in Berlin, Musikverein in Vienna, Carnegie Hall in New York, and The Royal Albert Hall in London.

Jerome McCoy, Viola Concerto by Béla Bartók

A Maryland native, he made his FIU Music Festival debut in 2023 where he had the opportunity to join the Amernet String Quartet and exceptional guest artists, Ani Kavafian, violin; Thomas Mesa, cello; and Mari LiisPäkk, violin, for the impressive Mendelssohn Octet. This year, he earned a coveted spot at the New York String Orchestra Seminar at Carnegie Hall an achievement reserved for the most accomplished string students in the nation.

ALUMNI ON THE RISE

LAURA LEON Coloratura Soprano

The first day in the theater, I like to walk all over the backstage, explore every nook and cranny and loose myself within the backdrops and the props. I like to hide away like a little kid and succumb to the extraordinary experience of being in a full opera production. I'm no longer Laura, I'm an actor, I'm energy, and today, I'm La Catrina.

Laura as Catarina in El Último Sueño de Frida y Diego with Opera Omaha last May

We are proud to celebrate the extraordinary achievements of our alumna, Laura León (M.M., ‘15), whose career is quickly rising in the world of opera. Laura's voice, described as one that "sparkles, seduces, and languishes," has been winning hearts and accolades on prestigious stages.

In addition to her stage successes, Laura has been recognized in numerous prestigious competitions. She was a finalist in the Jensen Foundation Competition in 2018 and 2019, and a finalist in the Giulio Gari Competition in 2019. Laura also earned second place in the Deborah Voigt Rising Stars Competition with Vero Beach Opera, and first place in the Metropolitan Opera Laffont Competition for the District of Florida in 2018. Her accolades include second place in the St. Petersburg Opera Competition in 2018 and 2019, first prize in the NSAL district competition in 2018, and first place in both the Zarzuela de las Americas Competition and the Concerto Competition at Florida International University in 2015.

Laura made a remarkable début as Queen of the Night in Die Zauberflöte with Orchestra Miami under the direction of Elaine Rinaldi. Her talent continued to shine at the Florida Grand Opera, where she performed as Frasquita in Carmen, Mother of Peasant in Before Night Falls, and Cristina Kahlo in Frida

Double Bassist Wins Orchestra Position

What's New?

Last season, Laura's performances included the role of the Moon in Before Night Falls with Opera Southwest, Catarina in El Último Sueño de Frida y Diego with Opera Omaha, and a memorable appearance with the New World Symphony in their Music and the Senses concert.

This season, we are thrilled to see Laura joining Teatro Principal de Alicante in concert and returning to the Florida Grand Opera to once again take on the iconic role of Queen of the Night in their production of The Magic Flute at The Arsht Center.

Her success story is an inspiration to all of us and a shining example of the remarkable potential of our alumni

During her time at FIU, Laura took masterclasses with renowned zarzuela coach Borja Mariño and was a member of the Young Artist Program of the Florida Grand Opera,

Double bassist Zacherie Small (M.M., ‘17) has been selected to join The Orchestra Now Ensemble in New York this fall. During his tenure, lhe will perform at prestigious venues such as Carnegie Hall and Lincoln Center.

His audition was nothing short of spectacular, featuring pieces by classical luminaries like Bottesini, Beethoven, Mozart, Brahms, Britten, Strauss, and Verdi.

At 33, his career already includes fellowships with the Virginia Symphony Orchestra and the Eastern Music Festival, and performances with the Colour of Music Festival Orchestra, Miami Symphony Orchestra, South Florida Symphony Orchestra, and the Civic Orchestra of Chicago.

As Zacherie embarks on this exciting new chapter with The Orchestra Now, the music world eagerly anticipates his contributions!

DARWIN AQUINO Conductor & Composer

It is like a dream come true for a Dominican conductor to be able to work with a professional opera company in the U.S. That, I owe it to FIU music faculty, who entrusted me with conducting one of my first operas – L”Etoile by E. Chabrier!

Darwin Aquino (M.M.,‘15), an esteemed conductor and composer, has emerged as a leading conductor in the classical music world, with a career marked by numerous prestigious accomplishments.

His journey at FIU played a crucial role in shaping his path he conducted fully staged operas and orchestral concerts and participated in masterclasses with distringuished artists such as Neil Varon, Benjamin Zander, Grzegorz Nowak, and more.

Darwin currently serves as the Music Director of the St Louis Philharmonic Orchestra, Conductor for the New Works Collective at Opera Theater of Saint Louis, and Conductor-in-Residence for the Washington University Symphony Orchestra (Department of Music.

Internationally, Aquino has conducted prestigious orchestras, including the Philharmonishes Staatsorchester Mainz and the Saarländisches Staatsorchester in Germany, and has led

performances for The Cleveland Opera and the National Symphony Orchestra of

He also served as Music Director for Winter Opera St. Louis, receiving outstanding reviews for productions such as Verdi’s Il Trovatore, Bizet’s Carmen, and Donizetti’s L’Elisir d’Amore

Aquino has also won numerous prestigious awards, including the Premio Soberano award as Successful Dominican Artist Abroad in 2016 and multiple National Music Prizes in his home country (CARTA News). His dedication to education and mentorship is evident in his worldwide masterclasses, where he shares his expertise with emerging musicians.

This May, Darwin signed with UIA Talent Agency for artistic representation worldwide.
Maestro Darwin Aquino, the Young Artists of the Opera Theater of St Louis, and the St Louis Symphony Orchestra receive a standing ovation for their performance this June
Costa Rica.

Mezzo-Soprano Joins

Opera Orlando’s Studio Artist Program

Cuban-Americn mezzo-soprano Erika Danielle Vasallo (M M , ‘20) has been selected to join Opera Orlando's Studio Artist Program for the upcoming 2024/2025 season

Starting in September, she will be featured in their Orlando premiere of Defiant Requiem: Verdi at Terezín. Erika will then make her company and role debut as an Apparition in Verdi’s Macbeth. Later on in the fall, she will be highlighted as a principal artist, singing the role of Judy in the world premiere of Spicer Carr and Rose Freeman’s Four Lost Santas

We were so thrilled to have Erika return to FIU for the 2021/2022 season for our annual FIU Music Festival where she sang as a soloist in the world premiere of Ernesto Lecuona’s Rumba-Rhapsody along with the FIU Symphony Orchestra, pianist Tomas Tirino, the FIU Concert Choir, Encantus Voices, and Miami Children’s Chorus.

Jazz Artist Roxana Amed Releases 11th Album

Roxana Amed (M.M., ‘18), has become a significant figure in the contemporary jazz scene. An ArgentineAmerican jazz artist born in Buenos Aires and based in Miami, Amed is a Latin GRAMMY® nominee, a Sony Music recording artist, and a Gardel Award winner

Her latest album, "Becoming Human," released this year, is a deeply personal narrative of her artistic evolution and cultural journey. Produced with the support of Chamber Music America's "New Jazz Works" grant and recorded at Miami's legendary Criteria Studios, the album explores the human journey from birth through childhood and youth to the solitude of the artist Accompanied by pianist and arranger Martin Bejerano, bassist Edward Perez, drummer Ludwig Afonso, and Mark Small on sax and reeds, with the addition of Kendall Moore on trombone on several tracks. Together, the ensemble tells a story in eleven original tracks sung in English, Spanish, and lyric-less, offering defining moments of her life.

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Amed's rise in the music world began with her 2021 U.S. debut album, "Ontology," which received critical praise and two Latin Grammy nominations for Best Latin Jazz Album and Best Arrangement This album won the Gardel Award for Best Jazz Album in 2022 in Argentina, marking the first time in 19 years that a vocalist and female producer received this award. This success set the stage for her continued exploration of Latin jazz, notably in her 2022 album "Unánime," which broadened the traditional boundaries of the genre by incorporating diverse South American influences.

Amed has been a tireless advocate for cultural diversity in music, using her platform to spotlight underrepresented genres and artists

Alumnus Emmanuel Shwartzman Returns to Discuss His Role as Music Director of Hamilton

Emmanuel "Manny" Schvartzman, (B.M., '09) has forged a path on Broadway marked by determination and a relentless must-do attitude. Born in Buenos Aires, Argentina, and moving to Miami at a young age, Manny's journey through music has been awe-inspiring, marked by his roles in groundbreaking productions such as "On Your Feet" and his pivotal position in the cultural phenomenon that is "Hamilton."

Manny served as the Music Director for the Philip Company of "Hamilton" for five years, ensuring every performance resonated with the show's dynamic energy. He now leads the Angelica Company, continuing his impactful work.

During his time at FIU, Manny played piano and immersed himself in the vibrant music community, laying the foundation for his future success. This past spring, Manny returned to the Wertheim School of Music Recital Hall, captivating current students with his story. During his visit, he shared invaluable insights into the rigorous preparations for theatrical tours, strategies for achieving industry success, and memorable anecdotes from his career. His reflections underscored the importance of perseverance, inspiring students to pursue their dreams with unwavering commitement.

Manny’s extensive experience included Off-Broadway productions like "REAL MEN" and international projects such as "RENT" in Cuba and "CARMEN LA CUBANA" in Paris With over 100 regional credits, his diverse expertise spanned various musical roles, showcasing his versatility and passion

Beyond his professional achievements, Manny was deeply committed to social equality, using his musical talents to advocate for social causes His passion for recording and audio editing drove him daily as he continually honed his craft.

Manny’s visit to FIU was a powerful reminder of the heights that can be reached with talent, hard work, and determination. FIU proudly celebrated his success and anticipated his ongoing impact on the world of musical theatre. Manny’s generous sharing of knowledge during his visit highlighted the importance of giving back and nurturing future talent, leaving an enduring legacy of inspiration and excellence.

SAYING GOODBYE FACULTY RETIREES FACULTY NEWS

With a blend of both pride and gratitude, we announce the retirement of our esteemed Director of Bands, Mr Barry W Bernhardt After an exceptional career of more than a decade at FIU, Professor Bernhardt has chosen to begin a new chapter in his life, bidding farewell to the institution he has served with unwavering dedication and passion.

Professor Bernhardt boasts a distinguished career spanning three decades, leaving an indelible mark on the world of music From prestigious events such as Bowl Games of America to halftime performances at six NCAA National Championship Football Games, including three Sugar Bowls and three Orange Bowls, his expertise has resonated far and wide.

As the conductor of the FIU Marching Band, Cour Side Players, Panther Gold Performance Ensemb and the FIU Symphonic Band, he has played a pivotal role in shaping the musical culture at the university Through his leadership, he has fostere a culture of musical excellence and community engagement among students, instilling a sense o pride and camaraderie within each ensemble.

One of Bernhardt's most notable achievements a FIU is his instrumental role in reviving the FIU Marching Band. Through his vision and dedicatio he breathed new life into the program, transforming it into a source of pride for the university community

In addition to his role as a conductor, Bernhardt serves as the Area Coordinator for Winds, Brass, and Percussion. In this capacity, he is dedicated t shaping the next generation of musicians, providing mentorship and guidance to students a they hone their craft. His impact has enriched the lives of students and faculty alike.

Professor Bernhardt being honored during his final concert at FIU last April.

GARY CAMPBELL Professor, Saxophone

30 YEARS OF MUSIC EXCELLENCE

After over three decades of dedicated service, we bid farewell to one of our most beloved professors, Gary Campbell, renowned saxophonist, composer, and jazz educator. With a career spanning continents and genres, Professor Campbell leaves a legacy of excellence in music and a profound impact on countless students and colleagues

Born and raised in the vibrant jazz community of Indianapolis, Indiana, Gary Campbell's journey into the world of jazz began under the mentorship of the esteemed David Baker. His passion for music led him to New York City, where he immersed himself in the innovative loft scene of the late '60s and '70s, rubbing shoulders with jazz luminaries such as John Abercrombie, Jan Hammer, and David Liebman

Campbell's remarkable talent on the saxophone caught the attention of audiences and fellow musicians alike, leading to collaborations with icons like Randy Brecker, John Scofield, and Jaco Pastorius. His versatility and virtuosity have graced stages worldwide, from concert halls to jazz festivals, leaving audiences spellbound with his performances.

n 1982, Campbell made Miami his home, quickly establishing himself as a pivotal figure in the city's jazz scene. Collaborating with renowned artists such as Ira Sullivan, Chubby Jackson, and Dr. Lonnie Smith, he enriched the musical landscape of South Florida with his artistry.

As an educator, Campbell's influence has been profound. His tenure at the University of Miami

Professor Campbell’ farewell concert performing the music of his lastest album release

and later at the FIU Wertheim School of Music saw him shaping the next generation of jazz musicians

A three-time Fulbright Scholar, he shared his expertise not only across the United States but also in Latin America and Europe, conducting workshops and performances that inspired countless aspiring musicians.

Beyond the stage and classroom, Campbell's contributions to jazz education are unparalleled He authored five acclaimed books on jazz improvisation, including "Patterns for Jazz" and "Triad Pairs for Jazz," which have become essential texts for students and educators worldwide. His compositions, recorded by esteemed artists such as John Scofield and Ira Sullivan, continue to resonate with audiences globally.

This February, the Miami Jazz Cooperative presented him with the MJC Lifetime Achievement Award in recognition of his career of excellence in jazz education and performance.

Director of Athletic Bands

We are excited to welcome Darryl L. Baker, a proud Miami native, as the new Director of Athletic Bands at FIU! With degrees from Florida A&M University and an impressive tenure as Assistant Director of Marching and Pep Bands, he brings dynamic leadership and a commitment to excellence.

VINCENT CONNOR Visiting Assistant Teaching Professor, Musical Theatre WELCOMING NEW FACULTY

At FIU, Professor Baker is expected to bring his extensive experience, dynamic leadership, and commitment to excellence to FIU’s Band Program. His appointment marks an exciting new chapter for the university’s bands, promising innovative performances and renewed vigor. Professor Baker’s rich background and deep ties to the South Florida community make him an invaluable addition to FIU’s faculty, where he will continue to inspire and elevate the next generation of musicians His proven track record of success and dedication to music education positions him perfectly to lead FIU’s Bands to new heights.

Vincent Connor has been an active storyteller for over thirty years and has worked as a singing actor in musical theater, opera, popular music, and television. He has become a leader in the music industry in his current positions as the artistic director of the Vienna Summer Music Festival and as a producer of the London Summer Music Theatre Academy. Vincent has directed and performed throughout the United States, Canada, Europe, and Asia.

His teaching career specializes in musical theatre, classical voice, crossover singing, and popular music. He has taught at the University of Arizona, UMKC Conservatory, the University of Delaware, the South Florida Conservatory, and Barry University

Mr. Connor holds a bachelor's degree in vocal performance from Florida State University and a Master of Music in vocal performance from the University of Arizona Mr Connor is the co-creator of Mad Hatter The Musical, a project that has received its workshop performance in London’s Leicester Square Theatre, a New York industry presentation at Green Room 42, a fully orchestrated performance with the National Symphony of Quebec in Montreal, and was recently produced at The Herberger Theatre in Phoenix, Arizona. Mad Hatter The Musical is anticipated to be produced in London’s West End and Broadway by 2026

He approaches theatre as a dynamic and evolving art form, known for his innovative productions that redefine and reimagine the theatrical spectacle. His creative vision and commitment to pushing artistic boundaries make him an invaluable addition as the Area Coordinator of the Musical Theatre Program.

AVI NAGIN

Assistant Teaching Professor, Violin

We are proud to announce the promotion of violinist Avi Nagin to the position of Assistant Teaching Professor. A member of the acclaimed Amernet String Quartet, Nagin has extensive experience as a performer and educator, having earned degrees from Yale University and The Colburn School, where he studied under renowned teachers such as Ani Kavafian, Robert Lipsett, Ann Setzer, and Daniel Phillips. His violin and chamber music training also included mentorship from Arnold Steinhardt.

i ill i h

OMARLATEEF

AssistantTeachingProfessor,Trumpet

Omar Lateef has recently been promoted to Assistant Teaching Professor. In his new role, Lateef will teach classical trumpet, direct the FIU University Brass Choir, and serve as the Area Coordinator for the Winds and Percussion Area.

A retired bandleader for Carnival Corporation, the world’s largest cruise line, he has also been a featured guest artist at prestigious venues and events, including the Rostov Russian International Jazz Festival, the Carnegie Hall Jazz Ensemble, the Detroit Symphony Orchestra, and the Moscow Chamber Orchestra.

Lateef is a distinguished alumnus of both Yale University ('05) and The Juilliard School ('03), holding BA and MA degrees from these esteemed institutions

ALDO SALVENT, D.M.A.

Visiting Assistant Teaching Professor, Saxophone

Aldo Salvent (M.M., ‘15) is an award winning saxophonist, composer, arranger, educator, producer and author. He leads the Aldo Salvent Quintet and has toured in more than 20 countries with a variety of artists including Maria Schneider, Paquito D’ Rivera, Brian Lynch, and more.

In 2015 Aldo premiered Da Capo, his first solo album on Dazzle Recordings, receiving outstanding reviews from “All About Jazz” and released his second album Ancestros just two years later He has authored eight instrumental technique books available on Amazon Kindle Books, Apple Books and SheetMusicPlus

Spain

Javier Jose Mendoza

Innovate. Create. Perform.

His research focused on his previous work focusing on Spanish music of the 18th century in both Europe and the Spanish Americas.

Brazil

Michael Eckroth

He developed a collaborative group of works in modern jazz and Brazilian music. In collaboration with Universidade Federal de Minas Gerais in Belo Horizonte and local musicians.

Sandra SanchezAdorno, Ph D

Assistant Professor, Music Education

JayBertolet

Adjunct Professor, Tube & Euphonium

NuriaCamino

Adjunct Professor, Piano & Accompanying

Ludwig Afonso

Adjunct Professor, Jazz Percussion

BrentonF.Alston, D.M.A.

Assistant Teaching Professor, Instrumental Conducting

ryBernhardt

ciate Teaching Professor , Winds, Brass, & Percussion, Director of Bands

As P H

GaryCampbell Professor, Saxophone

JuvenalCorrea-Salas

DavidDolata, Ph.D. Professor, Musicology

JamesDrayton, DMA

Adjunct Professor, Oboe

Adjunct Professor, Collegium Musicum Accompanying

RobertDundas

Associate Professor, Voice

RobertDavidovici Artist-in-Residence & Professor, Violin

JasonCalloway

Associate Teaching Professor, Cello

FranciscoDimas

Adjunct Professor, Trumpet

MichaelEckroth, PhD

Assistant Professor, Jazz Piano

DaveFernandez

Adjunct Professor, Music Appreciation

JohnnyFrias, Ph.D.

Adjunct Professor, Music of the World

JoelGaland, PhD

Associate Professor, Music Theory

FelixGomez Accompanying

LuisGomez

Adjunct Professor, Double Bass

OrlandoJ D.M

JessicaGloria

Adjunct Professor, Music Business FIU Distinguished University Professor, Composition

Robert"Be-Bop" Grabowski

Adjunct Professor, Music History, Jazz

JenChen-Hui Accompanist

FredrickKaufman, D.M.A.

Professor Emeritus, Composition & Founding Director of FIU School of Music

ElissaLakofsky

Adjunct Professor, Flute

OmarLateef VisitingAssistant TeachingProfessor, Trumpet

OmarLateef

VisitingAssistant TeachingProfessor, Trumpet

MichaelKlotz

Teaching Professor, Viola, Amernet String Quartet

DavidHillberry

Adjunct Professor, Music Business

Dr Yueh-YinLiao

Accompanying

Adjunct Professor, Jazz Guitar

Associate Teaching Professor, Violin

VindhyaKha
ThomasLippincott
MarciaLittley

JoseLopez, D.M.A.

Associate Professor,

LisanneLyons rector, Jazz Vocal Ensemble

AviNagin

Assistant Teaching Professor Viola, Amernet String Quartet

Adjunct Professor, Organ

Assistant Professor, Orchestral Conducting

Associate Teaching Professor, Music Business & Director,

omeronas ofessor, ucation

Associate Professor, Music Theory

Assistant

Adjunct Professor,

JoanneSchulte
JacobSudol, PhD
KamillaKent Szklarska,DMA
Piano
Armando Tranquilino,D.M.A.
Adjunct Professor, Music History
MishaVitenson
Teaching Professor, Violin Amernet String Quart
KarenS.Veloz, Ph.D.
The Wertheim
ColinWilliams
Visit Assistant teaching Professor, Classical Percussion
SteffenZeichner, D.M.A.
Adjunct Professor, Jazz Violin
Elean Adjun
JavierJoseMendoza, D.M.A.
Piano

CRESCENDO MAGAZINE

Florida International University

Herbert and Nicole Wertheim School of Music & Performing Arts

10910 SW 17th St , Miami, FL 33199

Florida International University has been fully and continuously accredited by the National Association of Schools of Music since 1996.

Discover more at MUSIC.FIU.EDU.

o

Pictured: Graduate Assistant, Marcelo Santa Cruz Prado, proudly fulfllls his M.M. in Choral Conducting.

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Crescendo Issue 2, 2024 by FIU Wertheim School of Music & Performing Arts - Issuu