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WAR OF NERVES: PSYCHOLOGICAL LANDSCAPES OF THE COLD WAR September 16, 2018 to January 13, 2019 A


WENDE

MUSEUM O F T H E C O L D WA R

INTRODUCTION For forty years, two superpowers faced each other with fear, distrust, and nuclear brinkmanship. The “war of nerves” between East and West involved the promise of mutually assured destruction and an uneasy détente. The Cold War also took place on an individual level, as governments sought to influence their own as well as enemy populations, and experimented with controlling people’s minds, involving both science and pseudo-science. War of Nerves looks at the psychological landscapes in East and West. The exhibition is structured around five sections. A Climate of Fear examines different responses to the frightening new prospect of nuclear war, and the comfort of an organized response. Know Your Enemy explores the role of film in creating stereotypes of the enemy, including the enemy within. At the center of the exhibition, Mind Control looks at the invention of the idea of “brainwashing” and the attempted subversion of individual willpower in the battle for Cold War hegemony. The effect of global politics on children’s psyches is addressed in A Cold War Childhood. The final section, Dissent and Activism, showcases responses from protestors, including members of the medical professions, who refused to accept nuclear war as a possible outcome of the battle of ideologies. The Cold War was not only a period of armed standoff but also a project to shape minds both collectively and personally. While the Cold War now indicates a historical period, Cold War narratives – and nuclear threats – continue to inform and shape our world. This exhibition wants to provoke discussion as much as historical reflection. Curated by Danny Birchall and Joes Segal Curatorial consultants: David Welch and Kate Dollenmayer Exhibition design and development: Amanda Roth War of Nerves is a collaboration with Wellcome Collection, London. Special thanks to the following individuals and institutions for loaning works for the exhibition: Wellcome Collection, London; Taras Young, Anthony Dunne and Fiona Raby, Magnolia Editions, Julie Saul Gallery, Suzanne Treister, Annely Juda Fine Art, P.P.O.W. Gallery, New York, Chris Wyrick,Yevgeniy Fiks, Concord Media, Hidden Persuaders, Las Vegas News Bureau, Johnston Press

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A CLIMATE OF FEAR The Second World War ended in 1945 with the devastation of the Japanese cities of Hiroshima and Nagasaki, as the U.S. demonstrated its powerful nuclear bombs. The Soviet Union did not lag far behind, successfully testing its first nuclear weapon in 1949. As the arms race between the world’s two superpowers accelerated, the threat of a deadly global war became increasingly real, held back only by the threat of “mutually assured destruction” and, especially in the Western world, the rise of war-weary public opinion. For some people, the fear of nuclear destruction was an unbearable source of mental stress. For others, more personal fears were symbolized by the threat of the atomic bomb. But preparation for the worst could also become part of social life. Civil defense activities, including medical preparations for the aftermath of an attack, paradoxically and somewhat perversely strengthened the bonds of civilian society.

Atomic Clouds

The image of the atomic mushroom cloud, first witnessed in Japan, became familiar through U.S. nuclear tests in the 1950s. A mixture of fear and elation about this powerful new phenomenon is expressed in the photo of Miss Atomic Bomb, the winner of a beauty pageant held in Las Vegas, near the site of the atomic tests.

George R. Caron, Atomic cloud over Hiroshima, August 6, 1945, 1945, United States

Don English, Miss Atomic Bomb, 1957, United States Courtesy Las Vegas News Bureau

Military personnel observing one of the tests in the Buster-Jangle Series, November 1, 1951, 1951, United States

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Charles Levy, Atomic Cloud Rises Over Nagasaki, Japan, August 9, 1945, 1945, United States

The “Baker� explosion, part of Operation Crossroads, a nuclear-weapon test by the U.S. military at Bikini Atoll, Micronesia, July 25, 1946, 1956, United States

Operation Upshot-Knothole Grable at the Nevada Test Site, May 25, 1953, 1953, United States

Bruce Conner, Bombhead, 2002, United States Courtesy of Magnolia Editions, Oakland, CA, and Conner Family Trust, San Francisco

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Front page of The Lancashire Evening Post, Thursday, August 15, 1957, United Kingdom

Dunne & Raby/Michael Anastassiades, Huggable Atomic Mushroom: Priscilla, 37 Kilotons, Nevada, 1957, from the series Designs for Fragile Personalities in Anxious Times, 2004–5, United Kingdom

Courtesy of Johnston Press

Courtesy of Anthony Dunne and Fiona Raby

Protect and Survive

Civil defense encouraged civilian populations to anticipate the terror of a nuclear attack. Being prepared, and taking medical precautions for the aftermath, allowed for a sense of control over the uncontrollable.

Anti-Radiation Shelters, 1978, Soviet Union Wende Museum

Makeshift Shelters and Prefabricated Shelters with Simplified Equipment, 1978, Soviet Union Wende Museum

Two posters from “General knowledge to protect against nuclear attack: emergency measures at the time of a nuclear explosion” series, 1971, China Wellcome Collection, London

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Life Magazine, January 12, 1962, United States Wende Museum

Popular Science, September 1959, United States Wende Museum

Federal Civil Defense Administration, Emergency Shelter Medical Kit C, early 1960s, United States Wende Museum

Selected items from three medical emergency boxes stored in the nuclear shelter underneath the Capitol building, Washington, DC. The boxes, marked with the Civil Defense logo, contained among other things aspirin, penicillin,Vaseline, laxatives, eye and nose drops, thermometers, surgical pads, and instructional booklets. They were rediscovered in 2011 in the attic of the Russell Office Senate Building.

Obsessed with a possible nuclear Armageddon, Albanian state leader Enver Hoxha commissioned more than 170,000 concrete bunkers to be built throughout the country between the 1960s and the 1980s. Elian Stefa and Gyler Mydyti, A Qendra Zjarri bunker in the Albanian Alps at Valbona , from Concrete Mushrooms, 2012

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Blast door entrance to the bunker (open and closed), n.d., United States, Courtesy The Greenbrier

The nuclear shelter underneath The Greenbrier, a luxury resort in White Sulpher Springs, West Virginia was built for members of the United States Congress. This bunker was constructed from 1958 to 1962, and the location was kept a secret until 1992.

Civil Defense as a Way of Life

The short-lived Protect and Survive Monthly encouraged individuals to think about, and prepare for, surviving a nuclear attack.

State Office for Atomic Security and Radiation Protection of the German Democratic Republic Field Office, n.d., East Germany Wende Museum

The Defense of the Homeland - A Sacred Duty, circa 1980, Soviet Union Wende Museum Protect and Survive Monthly, issue 4, April 981, United Kingdom

Protect and Survive Monthly, Issue 8, August 1981, United Kingdom

Protect and Survive Monthly, issue 9, September 1981, United Kingdom

Courtesy Taras Young, coldwar.org.uk

Courtesy Taras Young, coldwar.org.uk

Courtesy Taras Young, coldwar.org.uk

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Chris Wyrick, Dog of War, 2015, United States

Peace Council of the GDR, Nuclear Power for Life, 1954, East Germany

Courtesy of the artist

Wende Museum

British Telecom, Loudspeaker Unit WB1400, part of Cold War Early Warning System, 1980s, United Kingdom Courtesy Taras Young coldwar.org.uk

Federal Civil Defense Administration, Duck and Cover, n.d., United States

Federal Civil Defense Administration, Facts About Fallout, n.d., United States

Wende Museum

Wende Museum

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Federal Civil Defense Administration,Auxiliary Police helmet, n.d., United States Wende Museum

DP-22 V Dosimeter and Charger set, 1950s, Soviet Union Wende Museum

Radioactivity Caution Warning Light, n.d., East Germany Wende Museum

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KNOW YOUR ENEMY

With these photographs, Hauswald allows a peek into the countercultural side of public life in the In theimages 1980s,ofalternative During the Cold War, propaganda was employed by both sides to GDR. construct the enemylifestyles that reinforced existing such punk,and although by to the lack stereotypes. The cinema was particularly suited to the battle for as hearts minds.strongly Westerndiscouraged movies pointed the Socialist Unity Party, became an ever more of political and economic freedoms and human rights in the East; Soviet Bloc films pointed to greed, corruption, and visible of everyday life.both sides of the Iron Curtain. racism in the West. No less important was the crusade against thepart internal enemy on However, films also became a medium for protest against stereotypes, both in the East and the West.

The Challenge of Ideas (1961), United States They Shall Not Pass (1952), Czechoslovakia

Destinies of Women (1952), East Germany

What Can We Do About It? (The Threat of Communism) (1960), United States

Shooting Range (1979), Soviet Union

Psychological Operations in Support of Internal Defense and Development Assistance Programs (1968), United States

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MIND CONTROL The Korean War (1950–53) gave birth to the new idea of “brainwashing”: the systematic control of others’ minds that could change worldviews and political allegiances. Both sides pursued the elusive science of mind control in largely secretive programs, while also accusing each other of employing underhanded methods in the laboratory and at large. Brainwashing, and associated conspiracy theories, became ubiquitous plot devices in popular culture. For the subjects of real-life brainwashing experiments, the effects could be traumatic and far-reaching.

The War in Korea

Two films, made for the Hidden Persuaders research project at Birkbeck College, University of London, explore the origin of the idea of brainwashing in the Korean War of 1950–53. Every Man Has His Breaking Point highlights Ronald Reagan’s role, first as actor and then as politician, in the framing of the American POW experience. David Hawkins: A Battle of the Mind looks at the story of an American soldier who chose to move to China at the end of the war.

Every Man Has His Breaking Point, Phil Tinline (director), United Kingdom, 2017 Courtesy Hidden Persuaders, Birkbeck, University of London

David Hawkins: A Battle of the Mind, Nasheed Faruqi (director), United Kingdom, 2017 Courtesy Hidden Persuaders, Birkbeck, University of London

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Fact and Fantasy

While journalist Edward Hunter popularized the idea of brainwashing, academics and psychologists like Robert Jay Lifton looked for its basis in political practices. Popular comics and films delighted in showing the machinations of mind-turning.

“Come to the Commies!�, from Captain America, Issue 75, May 1954, United States

Edward Hunter, Brainwashing:The Story of Men who Defied It, 1958, United States

Wende Museum

Wende Museum

Robert Jay Lifton,Thought Reform and the Psychology of Totalism, 1961, United States Wende Museum

United Artists, The Manchurian Candidate lobby card, 1962, United States Wende Museum

Warner Brothers,, A Clockwork Orange lobby card, 1972, France Wende Museum

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House on Fire

Sarah Anne Johnson’s grandmother Velma Orlikow was an unwitting participant in CIA-funded brainwashing experiments by Dr. Ewen Cameron at McGill University in the mid-1950s. Johnson’s House on Fire series explores the long-term traumatic effects on Orlikow and her family, especially the struggle to cope with everyday life after returning to a domestic environment.

Sarah Anne Johnson, Living Room, 2009, United States

Sarah Anne Johnson,Observation Room, 2009, United States

Courtesy of Julie Saul Gallery, New York

Courtesy of Julie Saul Gallery, New York

Metaphors of the Mind

Mind control need not be a literal process of coercion: widespread social and political conformity and self-censorship can also feel like a form of constraint.

Mikhail Nikolaevich Rozhdestvin, “They Say it Helps...”, 1990, Soviet Union Wende Museum, The Tom and Jeri Ferris Russian Collection

The crumbling stone woman smoking a cigarette is watching the television show “120 Minutes” with parapsychologist Allan Chumak, who claimed to possess healing powers through the medium of television. 12

Aleksandr Amelin, XX Century, 1977, Soviet Union Wende Museum, The Tom and Jeri Ferris Russian Collection


Alexandr Lozenko, Unison View, 1988, Soviet Union Wende Museum, The Tom and Jeri Ferris Russian Collection

Karpov v. Korchnoi

The 1978 World Chess Championship took place in Baguio City in the Philippines. Players Anatoly Karpov and Viktor Korchnoi were both Russian, but Korchnoi had defected to the West in 1976, and the championship became a Cold War grudge match. Psychology and propaganda eclipsed the chess itself, as Karpov was charged with receiving secret messages via pots of yogurt, and his assistant was accused of telepathic interference with Korchnoi’s gameplay. On the board is the final position of the last game of the match, won by Anatoly Karpov

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The Tarot of Conspiracy

These works from the two series Hexen 2039 and Hexen 2.0 by artist Suzanne Treister show how the reality and fantasy of brainwashing have become entangled in the complicated web of twentieth-century history. The “Mind Control” diagram is a document from Treister’s alter-ego Rosalind Brodksy, who works for the Institute of Militronics and Advanced Time Interventionality. It brings together British military intelligence files with information from other sources, examining mind-control research and programs on both sides of the Iron Curtain. The tarot cards from Hexen 2.0 are part of a series of 78 “alchemical drawings” highlighting interconnected institutions and programs from the twentieth century and beyond. The cards chosen here highlight methods of mind control used in the West’s Cold War institutions, including the CIA’s MKUltra mind-control program; the psychedelic drug LSD; and the confluence of state and psychiatry at the Tavistock Institute.

Suzanne Treister, Hexen 2039/Diagram/Mind Control, 2006, United Kingdom Courtesy the artist, Annely Juda Fine Art, London and P.P.O.W., New York

Suzanne Treister, Hexen 2.0/Tarot, 2009-2011, United Kingdom Courtesy the artist, Annely Juda Fine Art, London and P.P.O.W., New York

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A COLD WAR CHILDHOOD In both East and West, the politics of Cold War competition crept into the playthings, heroes, and youth events that shaped childhoods. Military toys and dolls reflected the armed camps on either side; sporting competitions stood for partisan prestige; and spaceships, astronauts, and cosmonauts stretched youngsters’ imaginations about the future. The formation of adult identities and allegiances depended on ideas embedded in childhood play and activities. Beyond the domestic environment, being part of a youth movement such as the Young Pioneers could be a training ground for future political participation.

Toys and Dolls

“Cowboys and Indians” may look familiar to Western eyes, but in East Germany, Indianer playthings and films also carried an implicit criticism of the United States’ racism and occupation of Native American lands. Toy dolls allow children to imagine and anticipate future adult professions through play. The contrast between an American and a German soldier doll here is striking.

Cowboy and Indian toys, n.d., East Germany, Wende Museum

Toy soldier doll, n.d., East Germany, Young Pioneer doll, n.d., East Germany, Mattel, Army Barbie: United States Beauties Collection, 1989, United States All dolls from Wende Museum collection

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Tanks and Guns

In the wake of widespread nuclear armament, many simple toys were rebranded for the atomic age. Pistols became rayguns and pirate masks turned into space goggles.

Atomic Gun, n.d., Japan Wende Museum

John Henry Products, Atomic Chief, circa 1947, United States Wende Museum

Games

Douglas Malewicki’s Nuclear War card game satirizes the idea of the Cold War as a deadly strategic competition. Players can attack each other with both propaganda and weapons, but it is possible for the game to end with total destruction and no winners.

Douglas Malewicki, Nuclear War, 1965, United States Wende Museum

Spika, Luna Board Game, 1966, East Germany Wende Museum

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Third World Festival of Youth and Students for Peace, 1951, East Germany Wende Museum

Pablo Picasso,World Festival of Youth and Students for Peace, 1951, French Wende Museum

World Festival of Youth and Students for Peace, Fourth Festival – Bucharest, 1953, Romanian Wende Museum Girl Scouts of America Uniform, 1960s, United States Wende Museum

Konstantin Aleksandrovich Prokhorov, Yuri Gagarin in Artek, n.d., Soviet Union Wende Museum

I. Solomennyi, We Are for Peace, 1951, Soviet Union Wende Museum

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Ĺžoimii Patriei uniform (communist youth club), n.d., Romania Wende Museum


Free German Youth/Young Pioneers Erfurt Regional Music Corps flag, n.d. East Germany Wende Museum

V. Khramov, For Anti-Imperialist Solidarity, Peace and Friendship!, 1989, Soviet Union Wende Museum

Banner for Young Pioneers and Schoolchildren, n.d., Soviet Union Wende Museum Pioneer Team “Landler Jenő”, 1968, Hungary Wende Museum

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Youth Technology, 1961, Soviet Union Wende Museum

Youth Technology, 1959, Soviet Union Wende Museum

World Festival Locations, 1973, East Germany Wende Museum

Come to Jugendweihe! 1956, East Germany Wende Museum

Everything’s Going Berserk

In child psychotherapist Lynn Barnett’s short film, she talks to young people about their impressions of the precarious state of the world. The message she has for their parents is that we must take our fears seriously before we can resolve them.

Everything’s Going Berserk, Lynn Barnett (director), 1989, United Kingdom. Courtesy Concord Media / Lynn Barnett

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Atomic Playgrounds

The space race between East and West inspired a new era of play in the 1960s. Playground designers adapted the forms of rocket ships, radar installations and other military vehicles into new kinds of play equipment. Some survived into the 21st century and became well-loved local icons such as “Rocket Ship” Park in Richardson, Texas.

Nels Olsen, Rocket in Levy Lowry Memorial Park, Princeton, Missouri, 2011, United States

Dave Fischer, Rocket Hill Park, Hutchinson, Minnesota , 2008, United States

Nathan Beach,The Rocketship Slide at Heights Park in Richardson, Texas, 2006, United States

Abbamouse, Child’s first radar defense station, 2008, United States

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DISSENT AND ACTIVISM From the very start of the Cold War there was fierce opposition to the idea of permanent military deterrence. The first World Congress of Intellectuals in Defense of Peace was held in Poland in 1948, and the UK’s Campaign for Nuclear Disarmament was formed in 1957. The ramping up of Cold War tensions in the 1980s sparked a resurgence in the peace movement and prompted mass demonstrations for peace across Europe. Peace activists targeted civil defense preparations in particular, attempting to expose the folly of being prepared for a nuclear conflagration that would be essentially impossible to survive. While in the West, the peace movement drew on anti-establishment activism, in the East the countercultural peace movement typically appropriated state rhetoric for its own purposes.

Movements for Peace

Global peace movements naturally called attention to the fragility of the planet, and the dangers to humans living on it. International Physicians for the Prevention of Nuclear War brought together medics from both sides of the Iron Curtain, and won the Nobel Peace Prize in 1985.

International Physicians for the Prevention of Nuclear War, Gemeinsam Leben, nicht gemeinsam sterben! Maintain Life on Earth!, 1986, West Germany Wellcome Collection, London International Physicians for the Prevention of Nuclear War, Dem Leben und der Gesundheit verpflichtet / Committed to Life and Health, 1980s, West Germany Wellcome Collection, London

Hideo Toyomasu, Save Life on Earth, 1980s, Japan Wellcome Collection, London

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Warning to the People of the World – Ebermannstadt Hiking Friends, 1979, East Germany Wellcome Collection, London

Local Authorities and the Bomb

In the UK, local authorities took responsibility for municipal civil defense, including distributing information to local residents. Some municipalities produced straightforward civil defense guides. Others were in the democratic control of left-wing parties, who used the opportunity to emphasize the dangers of preparing for nuclear war in a series of pamphlets that copied the format of civic defense material.

Leeds City Council, Leeds and the Bomb, 1983, United Kingdom

Ben Hayden, Ben’s Bunker Book, 1984, United Kingdom

Courtesy Taras Young, coldwar.org.uk

Courtesy Taras Young, coldwar.org.uk

Scientists Against Nuclear Arms, Ground Zero:The Short-Term Effects of a Nuclear Attack on the West Midlands, 1982, United Kingdom Courtesy Taras Young, coldwar.org.uk

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Embassy Protest Signs

Protest wasn’t always what it seemed. These multi-language signs attached to the American Embassy in Moscow took the form of anti-American protest elsewhere, in this case clearly with the official sanction and approval of the government.

USA in South Vietnam, 1965, Soviet Union Wende Museum

America, get out of Asia, 1965, Soviet Union Wende Museum

Death to Yankee Imperialism, 1965, Soviet Union Wende Museum

Down with the United States imperialists, 1965, Soviet Union Wende Museum

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Confronting Fear

The resurgent peace movement of the 1980s focused some of its rhetoric on the horrors of nuclear destruction. Confronting the fear of an apocalypse could also mean refusing to be afraid of challenging the status quo.

The radioactive symbol refers to the explosion in the Chernobyl Nuclear Power Plant in Soviet Ukraine, April 1986, which spread radioactive fumes over large parts of Europe and the Soviet Union.

Alexander Grigorevich Vaganov, From Where Will It Blow Now?, 1991 Soviet Union Wende Museum, The Tom and Jeri Ferris Russian Collection

Chernobyl, after 1986, Soviet Union Wende Museum, The Tom and Jeri Ferris Russian Collection

Bob Light and John Houston, Gone with the Wind, 1980s, United Kingdom Wende Museum, The Tom and Jeri Ferris Russian Collection

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Medics Against the Bomb

The Medical Campaign Against Nuclear Weapons was formed in 1980 and grew to a membership of around 3,000 from the professional medical community. MCANW campaigned across the UK, often counterposing the cost of weapons against the cost of healthcare. Their campaigning material emphasized the ineffectuality of being “prepared,� as medical providers, for the aftermath of nuclear war, and the moral imperative to ensure that it never happened.

Judith Richardson-Dawes / Medical Campaign Against Nuclear Weapons, The Nuclear Mentality, 1989, United Kingdom

Medical Campaign Against Nuclear Weapons, The Medical Consequences of Nuclear Weapons, 1982, United Kingdom Wellcome Collection, London

Wellcome Collection, London

Medical Campaign Against Nuclear Weapons, MCANW activists with banner, 1980s, United Kingdom Wellcome Collection, London

Tangram / Medical Campaign Against Nuclear Weapons, This Is the Enemy, 1980s, United Kingdom Wellcome Collection, London

Coventry and Warwickshire Medical Campaign Against Nuclear Weapons, Arms or Health?, 1980s, United Kingdom Wellcome Collection, London

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Joe-1 Cruising in Washington, D.C.

In this series of prints from Yevgeniy Fiks’ project Homosexuality Is Stalin’s Atom Bomb to Destroy America (2012), a cutout image of the first Soviet nuclear-test explosion is posed at a number of known gay cruising sites (popular covert meeting spots) in Washington, D.C. The 1950s was a period of paranoia and persecution of suspected communists and homosexuals working for the U.S. government, and many politicians sought to explicitly link the two. Fiks explores, among other things, the irony that homosexuality was also criminalized in Stalin’s Soviet Union.

Yevgeniy Fiks, Joe-1 Cruising in Washington, DC (Monument Grounds 3), 2012, United States

Yevgeniy Fiks, Joe-1 Cruising in Washington, DC (Near Lincoln Memorial 3), 2012, United States

Yevgeniy Fiks, Joe-1 Cruising in Washington, DC (Lafayette Park), 2012, United States

Yevgeniy Fiks, Joe-1 Cruising in Washington, DC (Margarets), 2012, United States

All works from Joe-1 Cruising in Washington, DC courtesy the artist

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Profile for Wende Museum

War of Nerves: Psychological Landscapes of the Cold War  

Beyond missiles, bombs and politics, the Cold War was a war of the mind. But as two great powers struggled for the ultimate victory, how wer...

War of Nerves: Psychological Landscapes of the Cold War  

Beyond missiles, bombs and politics, the Cold War was a war of the mind. But as two great powers struggled for the ultimate victory, how wer...