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03.28.2026 SNR Heath Program Notes

Page 1


ABOUT THE ARTIST

Jude Heath, studio composition

Jude Heath is a senior studio composition major at West Chester University He has played and cowritten in several bands on multiple instruments, including the West Chester-based indie/funk group Papyrus on bass guitar and, currently, the alternative rock band Ephemera on electric guitar, keys, and vocals His current songwriting style is a blend of 1990s-2000s alternative and indie rock, with subtle touches of classical-inspired arrangements and singer-songwriter-esque lyricism and melodies.

FRAME OF MIND

Dreaming lucidly with no control

And nowhere to go

All night the words I say I can’t write I’m petrified

Static buzz in my ears is all I hear

Nothing is clear

Scarlet light in my eyes is all I see

It’s too much for me

Sometimes I can’t help but wonder If I’m just washed up before I even start

But I know I can’t go on like this, so I’ll

Just wait for a change in my frame of mind

This is my final stand, my final will

So, I’m sitting still

Verses, chords and revelations of mine

And this one last line

I’m slamming my head into the wall

This isn’t poetry

So, I’ll close my eyes and let go

Sometimes I can’t help but wonder If I’m just washed up before I even start

But I know I can’t go on like this, so I’ll

Just wait for a change in my frame of mind

WHAT HAS A BOTTOM AT THE TOP?

As the lights flicker in my room

I stare at the silhouette of my door

Try as I might, there’s no one there

Helping me past this anymore

Lights consume me from hollow screens

I hope and pray there’s a point to my waiting

For time cruel time to move on

While silently thinking, “save me”

I’ve heard this line before

“You haven’t been yourself”

But when the hours go on and on and on

What will I do?

Watch the candle burn from both ends

I smell the dripping wax on the wooden floor

Change the scenery, change my mind

Burning pages of empty scores

As the lights flicker in my room

I stare at the silhouette of my door

Try as I might, there’s no one there

Helping me past this anymore

I’ve heard this line before “You haven’t been yourself”

But when the hours go on and on and on

What will I do?

SETTING SUN

On the phone inebriated

Regretting one more decision

Looking for a meaning

Can you hear me droning on?

Judgmental pills watch me laughing

The cackles are sycophantic

Maybe I’m just romantic

The pressure’s building now

Sometimes I wonder If life is more than this Silent saunters through the night

Tripping when I speak

Hearing what you wish to be

Is this who you are?

Chasing a setting sun

I think we should go to sleep

Carving one happy moment

Abandon all emotion

Mindlessness and commotion

Just living another hour

Sipping from a broken glass

While chewing on crooked teeth

I’d rewind time just to see

If there’s no other way out

Sometimes I wonder

If life is more than this

Silent saunters through the night

Tripping when I speak

Hearing what you wish to be

Is this who you are?

Chasing a setting sun

I think we should go to sleep

Love once known, love once gone

I know just how you feel

Nearing tears on the line

Quiet, holding on

Chasing a setting sun

I think we should go to sleep

Hearing what you wish to be

Is this who you are?

Silent saunters through the night

Tripping when I speak

Sometimes I wonder

If life is more than this

DID I HEAR A SOUND?

Tiles and carpets on the floor

Dog laying down, legs against the door

Hours down, with a few hours more to pass

Empty minds, with cars running out of gas

Oh, did I hear a sound?

Oh, I miss when you’d howl

Don’t pull hard, you’re breaking down your spine

On and off eating, deteriorating mind I need you boy to stay

As I feel your footing slip away I know you’ll have to go

But always know I’ll stay

Oh, did I hear a sound?

Oh, I miss when you’d howl

It’s hard to see

Every night

Your eyes’ light

Waning

Fading

I WROTE A SONG L

I wrote a song last night

Before you called and I told you

How much I want to die

To tell the truth, I felt ashamed

In being blunt, I’ll hold you back

Over something that will always remain

So, drown me out Don’t pull me in I’m still the same

And I’m scared I always will

I want to change I want to better

But I know it’s a bumpy road

Being who I should know I am

I wrote a song last night

It wasn’t long, just a couple lines

Of everything that’s on mind

With a few words I’d never say I fear that when you truly know What’s in my head, you’ll never stay

I want to change I want to better

But I know it’s a bumpy road

Being who I should know I am

But that doesn’t change

My resolve

But it’s hard to carry on

When I don’t know who I am

Baby, I love you

I just don’t know what to say When time moves along Will every gift I gave stay?

It’s finally getting warmer outside

But my heart’s still frozen cold

Just began to forgive my younger self

But I can’t seem to come to terms with getting old

Who am I kidding?

I’ve lost the plot

My world is spinning

Don’t know where to go

But I’m getting a little warmer

Because as you lean on my shoulder

I start to feel

Like this could be real

It’s getting a little warmer I wish I could tell her

How I feel

Like this could be real

Can’t use the weather anymore

As an excuse

The sun’s shining bright

But I don’t feel alright

Who am I kidding

I’m doing just fine

The world will keep spinning

So, I’ve got to try

To get a little warmer

Because as you lean on my shoulder

I know I feel

That this is real

Thing’s getting a little warmer

I finally went and told her

How I feel

Like I know it’s real

OPEN SEA

Ask me tomorrow

Just what you’re doing here

Watch it sway, your golden hair

I swear I notice you

Pictures are all I have

It’s like you never left

But you say it’s just the same

And I shouldn’t doubt you anymore

Cars swim in an open sea

As vast as I can be

Don’t fear to lose your place

Just please remember my face

Driving down these empty roads, I know we’ve been here before

But you take me to the water’s edge

And I don’t know how to feel again

Cars swim in an open sea

As vast as I can be

Don’t fear to lose your place

Just please remember my face

I’m sorry I let it show

This cancer eating at my bones

You tell me “I love you”

With a strange way of showing

But time has a funny way

Of punching back at me

My indifference is just to save face

Though this could be my mistake

Because baby, I love you

And I know that you see it,

But it’s hard to say

When you leave me behind every time

ST. JOSEPH (ETC.)

Help me sleep or turn me off

I can’t dream at all

Air grows thing as walls close in

Hold me as I fall

As I feel you fade away, fade away

Stay because you know it’s never enough, never enough

I want more

I want more

Wake up dead or close to it

You seem far away

As the sun still burns my bloodshot eyes, It singes off my name

As I feel you fade away, fade away

Stay because you know it’s never enough, never enough

I want more

I want more

SNOWED UNDER

Feel the rain fall

Down on my face

Drip all over me

Drench the ground

Dousing windowsill

Sick and molding

All over me

Lost and found

It’s all the same

Anyway

It’s all the same

Anyway

It’s all the same

Anyway

It’s all the same

Anyway

Fall in love

Face in flush

Esoteric lines

In my mind

This is wrong

I shouldn’t be here

Anymore

I’m snowed under

Dialed radio

White noise

Consuming

All my heart

Open windows

Feel the rain

Enter inside

All my heart

It’s all the same

Anyway

It’s all the same

Anyway

It’s all the same

Anyway

It’s all the same

Anyway

GOODBYE IS ALWAYS THE HARDEST PART

Riding the midnight train home

Eyes follow all the yellow lights Reflect on all you’ve given me But you’ve taken more than I’ve seen

Yesterday I couldn’t live Without you always by my side But that’s the worst part of love It disappears without goodbye

Nostalgia has a strange magic That binds and blinds you with its gaze But taking time to unwind alone These ideas are nothing but a haze

Something’s got to give And it can’t be me anymore So, all that I can say to you Is goodbye

Hold on my love

Is this what I want Memory is spent From looping scenes of us

Why don’t you go carry on? And I’ll do what’s best for me I can’t push you any further Without rubberbanding your way So just go off and rot And I’ll accept you who’ve become I have nothing left To say to you

Hold on my love Is this what I want Memory is spent From looping scenes of us

FrameofMind

The riff on the rhythm guitar was written on a quiet midnight in my room during winter break. Simultaneously inspired by The Bends-era Radiohead and the Irish band The Frames, the structure and the instrumental blend were both plotted out that night. The lyrics chronicle the struggle to fight through writer’s block and the racing thoughts and distractions that attempt to pull attention away from the current task at hand (with hints of indecision thrown in for good measure).

WhatHasaBottomattheTop?

After a long musical drought with little songwriting progress, this track was written and fully recorded in two weeks at the end of the fall semester. It was heavily influenced by the growing number of emo songs my friends and my sister were playing for me, along with bands like The Strokes, which were re-entering my rotation for the first time in years. Because of my continual delays in my senior project’s productivity at the time, writing and recording this song was easily one of the most satisfying mini-projects I have finished in my time at college.

SettingSun

Version one of this song was originally written for the ILLUSTRIOUS Dr. Maggio in his songwriting class. The original exercise used only two chords and was intended to focus on wordplay and funky word combinations to draw the listener in. Months later, I returned to the song to add more harmonic movement, expand the lyrics, and refine some of the nonsense lyricism I had originally written. The result is a piece that touches on themes of alcohol addiction as a means of avoidance of personal responsibility and emotional self-confrontation

DidIHearaSound?

I came up with the opening guitar riff for this in early 2024, along with the rest of the structure and most of the vocal melodies. The lyrics went through several renditions, most of which were about my continuing struggles with insomnia. Recently, though, I was inspired to write about my family’s dog, Remy, whose health struggles have been severe and have affected everyone in the house (especially mom and dad). My biggest inspiration for this song was Drive by R.E.M., with the middle 8 coming from playing around with Radiohead’s Electioneering on my own time.

IWroteaSongLastNight

This song was written when I was facing a time of depression and deep insecurity about my abilities and contributions to people as a friend, partner, and musician. I felt this song was a great opportunity to play my primary instrument, which sparked my love for performing, while also pushing me to be honest about the headspace my depressive episodes put me in. My playing was heavily influenced by Billy Joel and Elton John, while the lyrical content and melodies were influenced by Father John Misty and early 2000s Coldplay.

Warmer,JoshDubois

“Warmer is a song exploring themes of existential dread, while also acknowledging how genuine love can pull oneself out of their own head. I wrote this song at a time when my life was starting to turn around, and dread was transforming into hope, and I wanted to translate that feeling into music. This is one of the first songs I ever composed with my band (Ephemera), and it will always hold a special place in my heart.” – Josh Dubois (2026)

OpenSea

The confusion felt when trying to find your place in someone’s life is the heart of this song. The opening line was lifted directly from the album Ask Me Tomorrow by the band Mojave 3 (great album, by the way), with the rest of the lyrics flowing smoothly after. I knew I wanted a dramatic shift in the second half of the song, but the idea to make it 6/8 started from me struggling to strum in 4/4 one fateful 2 AM writing session. I then realized I loved the happy accident that occurred and decided to keep it. Also, here’s a fun Jude fact: this song was performed last fall semester by the Studio Music Ensemble here at West Chester University!

St.Joseph(etc.)

Another fun Jude fact: this is the oldest song being performed in this recital! The basic structure and most of the riffs were conceptualized and organized in one night in early 2024 by both me and one Garrett Frock (on drums with us this evening) at his house in Rising Sun, Maryland. Trying to quickly figure out lyrics that would go along with the instrumental we made, Good Guy Dylan (on bass with us this evening) and I got to work in his house in Rising Sun, Maryland, to quickly write something based on our shared experience with insomnia at the time. Finally, the lead guitar part was finished by Chuckie (on guitar with us this evening) at his house in Rising Sun, Maryland, a few days later, and, especially for this recital, I added the bridge and the final, fullest chorus.

SnowedUnder

Something in 5/8!! I had a blast writing something more progressive rock-based and getting additional writing help for the drums by Garrett Frock (again, on drums this evening). I wanted to write something that combined an offkilter groove with distortion to make for an entrancing listening and playing experience. I was most heavily inspired by American Football, Porcupine Tree, and 2000s Radiohead for this one, son.

GoodbyeisAlwaystheHardestPart

The opening of this song and the vocal melody came to me while I was writing lyrics for Frame of Mind back in December of last year. As the song formed and its own lyrics progressed, it felt right to me to put this song at the very end of the program. It also felt satisfying to me to use this and Frame of Mind as the bookends to this show since they were written so close together, and they share themes of indecision regarding important personal choices, albeit in different categories.

ACKNOWLEDGEMENTS

I would like to thank my parents first and foremost for their constant support and encouragement over the past seven years of my musical journey. I would also like to thank my grandparents as well for the constant love and support they have given me. Grandpop, I’m not sure if I would’ve played piano if I hadn’t heard you play on the upright at your house when I was younger. I also want to thank my music teachers from my days of just figuring everything out back home in Cecil County, especially Andrew Dickinson, Jon Luther and Seth Tillman. Thank you to all the music teachers and mentors that I have been blessed to have here during my time at the Wells School of Music Most of all, I want to thank Dr. Devin Arne. This whole project would have been impossible without your guidance and mentorship, along with your continued support and encouragement in the face of my own doubt and uncertainty.

I must further acknowledge my peers both here at West Chester and back home that have truly inspired me to be the best version of myself possible, as both a musician and a friend. Thank you as well to my good friends Garrett Frock, Dylan VanDyke, Chuckie Martin and Josh Dubois for their kindness and patience with me as I’ve anxiously and haphazardly prepared this music for us to play. Lastly, I would like to thank my girlfriend Savanna for her unending emotional support and helping hand in every step of the writing process. Thank you, everyone. I love all of you dearly.

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