Craft Forms 2018

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Craft Forms 2018 Committee 2018 Chairs, Franz Rabauer & Josephine Schmidt

Jess Tolbert (NC) Staplewear Series

Furniture. 18.5” x 20” x 44”

Wood, urushi, mother-ofpearls, gold foil. 25.6” x 5.1” x 2.36”

Mary Ellen Fogwell Jane Gardner Christina Haas Patti Hallowell Victoria Kavalerov Bozena Korczak

Maureen McAleer Mary McAndrew Jean McKinney Abby Ober Ellen Plotkin Anne Schmitt

Joanie Sweeney Marianne Tebbens Susan Teti Bob Thomason Traudi Thomason Orysia Marie Trevison

CRAFTFORMS

Mary Webb Henry Winsor Josephine Winsor Maria Wolfe

Juror’s Statement Perry Allen Price

A Special Thank You To Our Sponsors and Patrons

December 8, 2018 - JANUARY 26, 2019

Laura Strand (IL) Autumn Reflections II

Handwoven, painted warp and weft. 40” x 26”

Adam Whitney (VT) Sea Monster Stirrup Cups Fine silver. 4.25” x 3.125” x 3.125”

Courtney Starrett & Susan Reiser (NY) Modern Dowry Teapot: Silver plated nylon polymide (3D print). 9.5” x 8.5” x 8.5”

Metal. 12” x 7” x 5”

Glass powder, sheet glass. 62” x 62” x .5”

(CA)

Basketry: coiling. 21” x 23” x 6”

Earthenware. 4” x 6.5” x 6.5”

Carolyn Zeitler (CA) Ichirinzashi Bethany Wood (IA) Look-out, Look-in

Melinda K.P. Stees (OH)

Coulter Pine Needles and Raffia. 10” x 10” x 2”

Sterling silver, tyvek. 7.5” x 13” x 1”

Grandad

Fiber, knitted yarn. 31” x 24”

Aric Verrastro (WI) Aggregate

Steel, copper, polyester cord, thread, acrylic paint. 19” x 6.5” x 4”

Makiko Takahashi (Japan)

Jason Stein (NC) Self-Centered

Brass Found Objects, Stainless Steel, Copper. 12” x 10” x .5”

Denise Yaghmourian

Grandad

Glass, resin, iron core, paint. 17” x 14” x 15”

Susan J. Gerrity Agency, Inc.

Ice Bars Luges Logos

It’s All About The Journey

Kaname Takada (OH) Double Walled Bowl 2916

Few opportunities, other than the open juried exhibition, exist in the field of contemporary craft to engage with the current interests of its constituents. Museum exhibitions must be planned years in advance, with artists and objects that are, to a large extent, known quantities. Even the commission of new work comes with some sense of the final product. In smaller shows such as Craft Forms, one has the opportunity to see new work by voices familiar and unfamiliar. This venue provides an egalitarian opportunity available to artists with academic training, as well as the selftaught, and requires only a single object rather than a body of work for an exhibition or sale.

E. M.A. Opticians, Inc.

Rob Capone

Peggy Wiedemann

(AZ)

Jennifer Walrath (PA) Eyes Copper. 4” x 6” x 6”

Black and Red Hive

Fabric, thread, eyelets on wood panel. 53” x 53” x 2”

Rebecca Zweibel (FL) Clarity Earthenware, slip, terra sigillata, wax. 7” x 12” x 6”

Executive Director Houston Center for Contemporary Craft Houston, TX

When I am asked to serve as a juror for exhibitions such as Wayne Art Center’s 24th Annual Craft Forms, I readily admit that I am a glutton for punishment. This is an adept phrase, as I am insatiable for such opportunities and admittedly rarely turn down the request. Nonetheless, it is a difficult and not inconsequential task, and one for which there is no correct action.

JiEun Yoon (VA) Cadence

MJ Tyson (NJ) 93 Crestwood Road

2018

24rd International Juried Exhibition of Contemporary Fine Craft

Staples, steel, stainless steel. 2.25” x 2.25” x 1.25”

Mike Skiba (CO) Calliope Walnut. 13.5” x 6” x 6”

Wanxing Wang (Ontario) Perspective Bench

Yuan Yi (Taiwan) Shadow Monsters-Treasure Boxes

Frank Bernard Bob Campbell Nancy Campbell Deborah Cassidy Chris Darway Deanna Doane

WAY N E

Philadelphia Devon

The virtual manner in which objects are selected leaves something to be desired, of course, and is certainly no comparison to a studio visit or other opportunity to view a work in person. However, the occasion to see a remarkable breadth of work outweigh the negatives. Without fail, every show presents more outstanding work worthy of inclusion than can be physically incorporated into the exhibition. Too frequently a work of minute detail or subtlety may be overlooked when juxtaposed with bold work easily reproduced in photographs.

SUSAN SCOVILL photography

MAGAZINE Davis Trachtenberg, Inc. Dayton Lock Company LLC Oliver Heating, Cooling, Plumbing, & Electrical

Starbucks, Paoli Steven & Lee

Suburban Garden Club Susquehanna International Group, LLP

Barbara Berry Charlie and Sally Brodhead Bill & Laura Buck Patrick & Patricia Burke Norman and Susan Cohn

Brian Daggett and Franz Rabauer Carole Haas Gravagno Christina Haas John and Janet Haas Alan and Ann McIlvain Tom and Christine Nerney

Ted and Anne Peters Josephine M. Schmidt Blanche and Ted Torphy Thomas and Penelope Watkins Mary E. Webb

Frank Bernard Penny Bernick Bob Campbell Jim and Phyllis Cobb

Harry and Lyn Groome Tony and Lynn Hitschler Vadim and Victoria Kavalerov Wade and Wendy McDevitt

Leonard and Sally Randolph Marianne Tebbens John and Gerry Tuten

Peggy Wiedemann It’s All About The Journey

List incomplete at printing

Craft Forms Sponsorships benefit Wayne Art Center’s exhibitions, educational and outreach programs. 413 Maplewood Ave, Wayne, PA, 19087 610-688-3553 www.craftforms.org

presented by

Wayne Art Center

For my own humble contribution to this series, I am drawn to those works which undoubtedly speak skill of their makers, yes, but most importantly ask questions of the viewer and challenge our understanding of an object’s conception and creation. Any juried exhibition is only as strong as the work entered, and it is a testament to the reputation and value of this series to the field seen in the remarkable pieces on view. It was my pleasure to be a part of Craft Forms 2018.

Director’s Statement Nancy Campbell

Executive Director Wayne Art Center Wayne, PA

Since our founding in 1930, Wayne Art Center has grown into a vital cultural resource, welcoming artists from all over the world, who share their passion and commitment to the visual arts with our local community. As we have matured, we have experienced periods of great harmony and economic strength, as well as times of tremendous discord. In fact, the global unrest pervasive today is arguably the worst in history. Wayne Art Center takes great pride and responsibility in remaining a positive constant in the lives of our students, our artists, our members and the community at large. Bringing Craft Forms to this community year after year allows us to celebrate our reach as an institution and our interconnectedness as a culture, despite the times. Now in its 24th year, Craft Forms has also evolved. What began as a modest exhibition of local artisans has become one of the premiere contemporary craft exhibitions in the United States. Today Craft Forms is dedicated to enhancing the public’s awareness of fine contemporary craft while providing a venue for established and emerging artists to share their creative endeavors. As such, we continue to attract some of the most well-known and respected professionals in the fine craft world. This year, we were fortunate to engage Perry Allen Price, Executive Director, Houston Center for Contemporary Craft, who graciously accepted our invitation to jury Craft Forms 2018. We are grateful for his efforts in selecting a diverse range of work for this year’s exhibition. Mr. Price selected 109 works from a pool of more than 800 entries, submitted by more than 400 artists representing 31 states and five countries. We are equally delighted to present CAST: Art and Objects, cocurated by Jen Townsend and Renee Zettle-Sterling, artists and authors of CAST: Art and Objects Made Using Humanity’s Most Transformational Process. Their presentation of casting and how it transcends all aspects of the world we live in, compliments Craft Forms’ breadth. Both exhibitions substantiate our mission: to afford artists and the broader population an interdisciplinary venue to explore, share and learn, while fostering a sense of community for arts education. We are proud to participate in a shared role in introducing new artists to Wayne Art Center and communicating their journey and the art of making, which is so crucial in a world seemingly so removed from our roots.


Bill Abendroth (IL) Industrial Strength Tea Wood. 9” x 10” x 6”

Lucy Derickson (DC) Devices for a First Date, detail 2

Elissa Armstrong (VA) Still Optimistic, Oyster Plate for Two (detail 1)

Pewter, aluminum prints. 24” x 144” x 12”

Clay, glaze and luster. 12” x 12” x 2.5”

Lucrezia Bieler (FL) The Thistle, The Fox and The Bee

One sheet of black paper cut with scissors. 13” x 10.5” x 1”

Ann Clarke (NY) Math Note Fulled knit wool. 70” x 52” x 0.5”

Rachel David (LA) Pectoral Cross of the Circular Economy

Lauren Eckert (PA) A Virtual Body 2 3D printed nylon. 9.5” x 12.5” x 11.7”

Copper, brass, steel, magnets, antique bear fur. 36” x 36” x .25”

Addison de Lisle (ME) Isthmus I

(CA)

Old Soul - detail1

Beth Blankenship (AK) A Bering Sea Story Gail Baar (IL) Body Language 7

Machine embroidery on water-soluble fiber. 8” x 6.5” x 6.5”

Fiber art. 23” x 23”

Steven Ford & David Forlano (PA) Shell Necklace (020)

The Lion Tamer

Amanda Bartlett (TX) Pressure Hand-pierced brass, powder coat, patina. 12.5” x 7.5” x 3”

JoAnn Camp (GA) Appalachian SpringThe Trail (cafe) Fiber/mixed. 31” x 23”

Cast bronze, gilding metal, sterling silver, brass, & enamel. 3.25” x 4” x 0.5”

Barbara Baur (PA) Formosa Stern Rail Bracelet

BR Delaney (NY) Fulcrum

Glass filled polyamide, gold plated bronze infused steel. 8.9” x 6.7” x 4.6”

Cords of cotton, polyester and rayon. 19” x 19” x 4”

(PA)

Two Finger Ring with Pyrite Jewelry. 2” x 2” x 1”

BR Delaney (NY) Triptych Chandelier Walnut, ebony, steel. 38” x 24” x 24”

Copper. 17” x 11” x 12”

Polly Giacchina (CA) Specimens

Ceramic. 26.5” x 18” x 14”

Robly Glover (TX) Flirtation Tea Servers 2018 Sterling silver, rubber. 15” x 6” x 4.5”

Karen Henderson (VT) Storm Lifting

Handwoven, shibori dyed, with hand stitching. 40” x 70”

Molly Johnson (OH) Dark Entropy White stoneware. 11” x 21.5” x 9”

Stanton Hunter (CA) Intimate Corners #71 Ceramic. 7” x 5” x 3”

Dan Mirer (PA) Bubble Channels

Jamie Kirkpatrick (CO) Swirling Seedpot

John Lutz (PA) Transitions Stool

American black walnut. 28” x 18” x 18”

Lauren McAdams Selden (TX) Puerto Rico

Masa Sasaki (GA) Blue One Eyed Alien Jar 9-18

Michael Poness (MD) “Here I Dreamt I was an Architect”

Philip Renato (MI) Cromo Alla Patria

Stoneware. 5.25” x 6” x 6”

Chrome plated copper, photoacrylate. 12” x 4” x 4”

Fibers. 18” x 24” x 1”

Monel 400, steel, sterling silver. 1.75” x 9” x 20.75”

Joe Muench (IA) “Drawn”

Michael Rohde (CA) Heart Tapestry: wool, silk, natural dyes. 36” x 32”

Dorothy McGuinness David Knopp (MD) Slingshot Baltic birch plywood. 18” x 72” x 24”

Daniel Kornrumpf (GA) No Mold Gold Teeth (w/ detail)

Danny Kamerath (TX) Spalted Hackberry 3 Spalted Hachberry. 8” x 7” x 6.5”

Hand embroidered on linen. 42” x 36” x 2”

Wence Martinez (WI) Ojo de Agua Flateweave tapestry. 44” x 41”

Triform1

Sarah Perkins (MO) Ice Crystal Container

Mimi Logothetis (NC) Override Hand built porcelain. 20” x 8” x 4”

John Sheridan & Carolyn GrewSheridan (OR) Swing

Silver, enamel. 8” x 6” x 6”

Mike Mentz (OH) Orbital Flow

Suzanne Pretty (NH) Fish Train

Glass, brass. 12.5” x 13” x 5.75”

Woven tapestry. 21.5” x 29” x .5”

Salvaged marble. 12” x 18” x 7”

Glass: blown, sculpted, and assembled, string. 15.75” x 6.25” x 6.25”

Fiber, art quilt. 48” x 77”

(MD)

Kris Marubayashi (CA) Caldera Clay. 5” x 10” x 10”

Betsy Meyer (NC) Very Wabi Sabi Weaving. 31.5” x 23.25”

Cherry wood. 24” x 18” x 21”

Lasercut polyester. 46.85” x 37.4”

Watercolor paper, acrylic paint, waxed linen thread. 7” x 10” x 10”

Assembled blown glass, enamel paint. 36” x 36” x 10”

Sebastian Martorana

Sandra Sell (AR) Finding Space

Karina Presttun (Norway) Moody Hoodie

(WA)

Permanent Separation Anxiety

Claire Kelly (RI) Perigee

Patricia KennedyZafred (PA) Steel Town: First Shift

Coiled pine needle vessel. 11” x 7” x 7”

Steel, paint. 7.5” x 30” x 3”

White earthenware, burnished terra sigillata. 9” x 11.5” x 10.5”

Benjamin Kellogg (ME) Clasp

Barbara Osborne (WA) The Fisher King

Tate Newfield (NY) Anu

Jewelry - Sterling silver, concrete, felt. 3” x 3” x .75”

Soneware. 15” x 13” x 3”

Steven Erickskon (NY) Cleric Collar Chair

Mixed stoneware clays. 11” x 13.5” x 7”

Allison Jones (PA) Panton Pin

Robbie Heidinger (MA) Indian Hollow Botanical

Woven cotton thread. 70” x 159”

Hot-Sculpted and SandBlasted Granularé Glass. 6” x 16” x 7”

Hand-fabricated copper, pierced, silicone breast implant, Swarovski crystals (621), bead-blasted, patina. 7.75” x 7.75” x 2.5”

Fiber sculpture. 24” x 40” x 3”

Steve Donegan (PA) Garden Phase (tryptic)

Davin Ebanks (IN) Luminous Form: Pink Champagne & Lace (detail 1)

Holland Houdek (NY) Nelumbo Mastoplasty (Lotus® Breast Implant)

Fiber. 49.5” x 44”

Glass, sand, steel (frame). 48” x 9” x 3”

Elizabeth Keller (SC) Dragonwell Tea #2 w/ 2 Cups

Catherine Grisez (WA) Dignifier

Danielle Embry (AZ) Can We Build a Safe House

Enamel on copper, sterling silver, wood, photograph. 8” x 10” x 3.5”

Ash, brass. 18” x 62” x 22”

Al Canner (CO) Speckled Digits

Wood, suede, brass. 12” x 11” x 3”

Taesu Kim (South Korea) Inside

Akebia vines, rattan, encaustic medium. 11” x 11” x 2.25”

Valerie MaserFlanagan (MA) Mind Shift

3D printed with Projet660 3D printer, glass. 19.7” x 8.66” x 10.24”

Embroidered fabric. 6.25” x 3.5”

Prickly Blue

Matthew Coté (PA) Landscape XXVI (Front)

Porcelain 6” x 11” x 11.25”

Glass 11” x 12” x 11”

Soda fired, stoneware clay with slips and glazes. 20” x 7” x 4”

Enamel, copper, plastics, hair, fiber, foam beads. 18” x 14” x 4”

(MD)

Polymer clay, nylon coated stainless steel wire, brass wire. 4” x 1.4” x 1.1”

Leah Kaplan (PA) Light Funnel

Laurel Izard (IN) The Magician 2

Kate Furman (SC) Entangled Jeffrey Lloyd Dever

Mahlon Huston (NY) Vista Chair with Foot Stool

Erica Hoosic (OH) Soiling Seed Burst

Polymer, sterling silver. 9” x 8” x 1.75”

Ceramic. 17” x 6” x 4”

Hand woven wedge weave and eccentric weave tapestry. 46” x 34”

Christopher Darway

Textile. 77” x 31.5” x 1”

Louise Deroualle (NM) Reluctant, detail 1

Kari Lonning Hairy Akebia Basket (for the wall)

Aya Oki (CA) Fate IX

(CT)

Ash, cotton cord, stain & oil urethane finish. 32” x 22” x 40”

Wood-fired stoneware with cast and incised elements. 22” x 10” x 10”

Various woods, milk paint. 25” x 16” x 7”

(NC)

Various scorched woods, resin, magnets. 68” x 64” x 5”

Sculptural jewelry box, jewelry: 18k gold, sterling silver, shells, feathers. 5” x 3” x 2”

Deborah Corsini (CA) Fire/Water

Elizabeth Alexander-Spencer

Morgan Hill (NC) Restore Your Agency II

Auguste Elder (NY) Canopic Urn: To/Fro

Mark Del Guidice (MA) Either Way

Liz Alpert Fay (CT) Run, Jump, Wiggle

Gabrielle Gould (FL) Camouflage Nesting Box w/ Black Eyed Susans & Dappled Thrush

Silver. 3” x 6” x 2”

Glass. 22” x 13” x 5”

Walnut, mahogany, salvaged wood, brass, acrylic. 24” x 15” x 5.5”

Fiber/Mixed Media. 12” x 12” x 1.5”

Forged formed and fabricated steel. 28” x 22” x 1”

Adam Atkinson (NC) Weight (detail 1)

Mark Abildgaard

Susan Finer (NC) Overgrowth 4

Elizabeth Odiorne (AZ) There’s A Lot Going On Screen print on linen. 30” x 30”

Kenny Pieper (NC) Amber Satin Goblet Study Blown glass and wood. 42” x 26” x 6”

Mary Raivel (MD) Ellipses Choker

Brass, spray paint, nyloncoated steel wire. 16” x .85” x .65”

David Rozek (PA) The Node Collection Wall Gunmetal

Wood, nylon rope, copper rivets. 16” x 46” x 5”

Ceramics. 30” x 27” x 5”

Rhett Russo (NY) Dunejar2 Ceramic. 5” x 11” x 5”

Teresa Shields (PA) Red Pepper

Embroidery floss french knots on felted wool. 8” x 8” x 1.5”