Complex systems data, regardless of their dimensions, are usually communicated on two-dimensional surfaces, such as in text, statistics, equations, graphs, flowcharts, and feedback diagrams. These classical means of data communication, though explicit and unambiguous, can often be difficult to interpret because of dense formal language conventions of science and math. Dance, as a means to personify complex data, facilitates audience investment in the issues presented, as well as room for creative interpretation of them. The Substantive Challenge: Our immediate challenge was to make impersonal, abstract, and complex data tangible, personal, and simple to interpret. Working closely with an Argentine ant researcher who observed the foraging patterns of Argentine ants in the field enabled us to learn and ensure fidelity of our choreography to the underlying system mechanics. We decided to use dancers to create a live agent-based model that could simulate the foraging patterns of this ant species. By using dancers as agents, we felt challenged to represent the data in ways that were both aesthetic and accurate. The interdisciplinary use of dance in biology allowed us to create a simulation that satisfied high artistic and scientific standards. Thus, we were able to develop a data visualization tool that represented synergies between the parts of the system and the whole in a dynamic and fourdimensional setting. The Tool’s Innovative Contributions: The interdisciplinary use of dance to visualize complex systems data is a new and relatively uncultivated resource. In computer science, ‘agent-based models’ are commonly used to simulate complex systems. These computer models are based on independent ‘agents’ that follow simple rules, with no central control. Dance provides a