The Guitar Works - Dilermando Reis II

CONTENTS

NOTESABOUT THE TRANSCRIPTIONS Theseten pieces,which appearin print for the first time,weretranscribed directryfrom Dilermando Reis' original recordings.Aside from va se rc Agradat the other nine selectionshaveone recordedversioneach.A roughtranslationiwirr, ,rra .r sobradinho,for it is impossibieto know the exactmeaningD ermando ""."pti." had i., -i.raand the recordingdateappearin parenthesisnext to the title.

Alma Apaixonada / SouIin Love(196grecording) This piece, though written in 3/4, is not exactrya wartz.Dilermando praysit as a sentimentarsong.There are many gracenotes anticipating the bass line. Someare stylistic and somewereprobablyusedto facilitatethe-performance.

Desengano/ Disenchantment (1966recording) This is a greatchoro with a strongmelody.Notethat somegapsin the main merodyare filled in with another one which createsa kind of questionand answer effect.

Eterna Saudade/ EtemalLonging(1963recording) This is one of Reis'typicarwaltzes.written in a minor ket it mustbe prayed srowlyand with a melancholic feeling.Thereis a nice contrastingeffectin trr. iirri ,".r". bu., of the secondsectionwhich areplayedtwice asfast.

Feitigo / Sorcery(1968 recording) My favoriteof Dilermando'schorosisIeifrEo.Muchof its charmisdueto the anticipated bassnotes throughout the piece,which in this casego beyond styristic .rru.ri", to becomean essentialpart of the piece.

tY

')'(,',

j

.:

The rhythm changes suddenly in bars 30 and 31 (second section), which may cause reading problems. These two bars should be played as if they were written thii way: L'islesso tâ‚Źmpo

ll

,e-.

Fim de Festa / End of the Party (1964 recording) Sandrinha / Little Sandra(1970 recording) Reiscomposed many sentimental waltzes in E minor. These two share this characteristic and, besidesthe romantic feeling, have a similar structure.

Gente Boa / GoodPeople(1975 recording) This choro is quite effectivedespitenot havinga strongbassline, sotypical ofthe choro.

It must be played with plenty of swing. pay attention to the pizzicatos (they are very important) and, once more, to anticipated bassnotes.

Rosasde Outono / Autumn Roses(1969 recording) Although played slowly, it differs from the other waltzes in this volume in that it is not sad and has not repeated melodic phrasesin either section. There are some similarities between this piece and Dois Destinos,which is in Volume 1 of this series.

Sobradinho / (1969 recording) This is the only maxixe in this collection. The first section recallsthe well-known sons de Carrilhdes(Soundof Bells),byJolo Pernambuco and must be plaved with the same feeling. The title may refer to a Brazilian city.

VA se tu Agrada / SeeIf YouLike It (1948 and 1971 recorrlings) Both versions of this choro were recorded with z guitars. In this arrangement for solo guitar, I have tried to maintain some of the original feeling. I consider this to be the most difficult piece in the collection.

I wouldlike to thankmy friendsDailorpereira,EdmarFenicio,Hahocunha,lodoBarbosa, Richardudler,Ronoelsimdes,Rubinho,and william Kobatawhohelpedmein variousways. specialthanks to Erasto Reis(Dilermando'snephew)and the entire Reis family flom (SdoPaulo).

Guaratinguetd Thisvolume,onceagain,isdedicated toMr Ronoelsimdes,whoseworkfor thepdsts0 yeafi, hasbeenfundamentalin thepreseruation of theguitarhistory.

IVAN PASCHOITO Aotil2O. 1994

DTLERMANDOREIS(L9L6-L977) DilermandoReis,probablythemostfamousBrazilianpopularguitarist,wasbornin Slo paulostatebut lived most of his life in RiodeJaneiro,whereheworkedactivelyin radio From 1941to 1975he recordedabout20 - 78 rpm and 23 - LPs. and recordings.

He playedall kinds of music and recordedthe compositionsof Bach,Barrios,Tarrega, Gnattali, and Pixinguinha among many others. However,his preferencewas the traditional Brazilian guitar style: doleful waltzesand chorosfull of modulations to "confuse"accompanists,playedwith his unique styleand sound.

He wasa greatcomposeralso.He recordedabout 100of his own compositions,many of which becamereal standardsof Brazilianpopularguitar-like DoisDestinosand se EIaPerguntar.

In 1975he recordedthe LP TheBrazilianGuitarof DilermandoReis,containing his last compositions:chorosand waltzes,of course.

IVAN PASCHOITO Ivan was born in s6o Paulo, Brazii in 1953. Fascinatedwith the sound of Dilermando Reis, he began teaching himself the guitar at the age of 1'2. In 1973, Ivan began transcdbing and arranging the music of Baden Powell, Toquinho, Milton Nascimento, Vinicius de Moraes, and others. His first arrangementswere published in 1984' Ivan's favorite guitarists include: CarlosBarbosa-Lima,Paulinho Nogueira, Dilermando Reis,Garoto (Anibal Augusto Sardinha), and John Williams.

GUITARSOLOPUBLICATIONS 514 Bryant Street SanFrancisco California

94107-1217 USA

Alma Apaixonada Transcribedby Ivan Paschoito (10/91) Andante sostenuto

rJ=rol

Dilermando Reis

OII

a

}.

cantabile

L

ri7l

01971 EDICOES MUSTCATS TAPAJOS LTDA. All RightsControlledand Administeredin the UnitedStatesand Canadaby ColSemsDMI,Inc. InternationalCopydght Secured.A11RightsReserved.

Usedby Permission.Printedin the USA.

GSP-65

'li7

;:a

Q? rl

r

-'r

o9F I

1'T"ff

\r

fr l-

7E'

'l

@

s@

u) ----------------- l?)

GSP-65

(' I

?'

I

@

@ @

cv_

r CII

GSP-65

Desengano Transcribed by

Ivan Paschoito(10/91)

(choro) Dilermando Reis

Adagto1) = 721

@1994GUITAR SOLO PUBLICATIONS (ASCAP) Intemational coptright secured. All rights rese ed.

Photocopying this music is illegal. Printed in the USA.

GSP-65

r0

trfrl.

-l AdUi

CIIT_r CV-.

---------_

CVI

CIV,...i

,l

n+r\-+

0x lr'

cvII

I

l l 2 . 0 x_

f-:^n tt'?

-)J/. ?

-.-../l\--=/

D. C. al Coda 4l

t GSP-65

@ Con

EternaSaudade (waltz)

Transcribedby

Ivan Paschoito(11/91)

Dilermando Reis

Anaante 1J = 34;

'J\d-l

@@71 il

(

I-

an

1\a);

4

0

r

.l--'1 NI

)l

(ASCAP) @1994CUITARSOLOPUBLICATIONS Internationalcopyrightsecured.All rishts reselved.

Photocopyingthis musicis illegal. Printedin the USA.

GSP-65

td4

-12

"l

F dappio movifiento

GSP-65

IJ

D. S. al Coda

GSP-65

't4

Feitico t

(choro)

Transcdbedby

Ivan Paschoito(9/91) Dilermando Reis

Larghetto1J = 69;

rtgorosa

cII

O1992[DICOESMUSICAIS LTDA. Warner/Tamerlane PublishingCorp.

InternationalCopyrightSecured.All RightsReserved.

Usedby I'ermission.Printedin the USA.

I

GSP-65

CIV

C1I

3l'-l +'a

3 r-i .4.

o @

@-,1

-L. z c ' CVII >

>-2

' '=-----.-'-'/

cvI

>T

ben ttu)rcoto -

-

-

-

-

-

l

cn'

ocIIl

,r

,Tf

fi-

'1

v)=

6@

D. S. al Coda

@ coao

GSP-65

16

.r

,-., .

Fim de Festa

rranscribed by Ivan Paschoito(11/91)

(WaltZ)

A n d r n t e1 J = o 6 1

,-rit ,\

^

-

ziT

.q. @ra

@

z,.riTl

r ,.i

a ,\ At1

4)

t,lr

@

zl

4

1)

4 l.--

Ol994GUITARSOLOPUBLICAT]ONS (ASCAP) Internationalcopyrightsecured.Al1rightsreserved.

Photocopyingthis musicis illegal. Printedin t1leUSA.

GSP-65

9-----------4l

cIr

'("1 i GSP-65

@ con

ClI

GSP-65

GenteBoa (choro) Transcdbedby

Ivan Paschoito(10/91) Dilermando Reis

Adagio (,) = 76)

scherzando

cII_

01994 GUITARSOLOPUBLTCATIONS (ASCAP) Intemaiionalcopyrightsecured.All rightsresened.

Photocopyingthis musicis illegal. printedin the USA.

GSP-65

*

crx _ @-__,___r

rcti

. ll.

o----l --E

t-r'at >?ft'

-

?t'

l-V D. S. al Coda

--------l Pizz * Onlv "A" note is tied. notes must be played. "" No iies here. Both "C" and "A"

GSP-65

I--_-t/

cIx-l

Rosasde Outono

Transcribedby

Ivan Paschoito(10/91)

21

(waltz)

Adante1J = 331

Dilermando Reis

0v

Y

f--=.-.----

ta'

I

.\

zl rl

u.+rl!

CIY

na l.

01971 EDTCOESMUSTCAISTAPAJOSLTDA. All RiShts Controiled andAdministered in rne United Statesand Canada by Colgems EMI, Inc. International Copyright Secured. All Rights Reserved.

Used by Permission. printed in the USA.

GSP-65

' -, I I

qlx l-^-. I

4

22

cv /a 3>

0v_

--,-

-4j1-l

-3"""'1

nr

nr

,,-.--\i +'

ol -a-

I

CIII

Jrf.

II; rr

cII-

------------

-r. al), lt

:.)

)

I

4l

i-r

^

Ii t -l

t

'fo 0rv

,5ft

f>.

To-

l | --_=,/

}.

I

C. al Coda tt.l2 I

t

J

a' I

tau.

8rq ' --., 4'

I

\9

GSP-65

$ coao

v't

24

Sandrinha (waltz)

Transcribedby

Ivan Paschoito(11/91) Larghelto1J = 661 tlvII

Dilermando Reis @6

,

@ __

lF.

4t^t ..1 .x'r a'"1

_-____r @--.

P. l\-_=-

rv

"l

01971 EDICOESMUSICAIS TAPAJOSLTDA. All Rights Controlled andAdministered in the United Statesand Canadaby Colgems EMI, Inc. International Copydght Secured. All Rights Reserved.

Used by Permission. Printed in the USA.

GSP-65

25

@@

\1

.'

r

=

i..

q!

_a

{:!

i

\,

@s

,,?l

1'Al

4r

:12

r

4

f.

@

cvIII

I

cvll

.4 (+a

cr\'

GSP-65

I

1l') ,l -nE'

r l\---.-

GSP-65

_=---

27

Sobradinho (maxixe)

Tmnscibed by

Ivan Paschoito(10/91) Adagio1J = 691

'f-'

Dilermando Reis

Ftr l@

0rr-

't @1992 RIGHTSONGMUSIC, INC. Warner/Tamerlane Publishing Corp.

Intemational Copyright Secured. A11Rights Reselved.

Used by Permission. Printed in the USA.

GSP-65

_-,

28

tbtl)a

*r

Tfi

L-/ cIIt

I

CYII

clv

i

crrr

rao

3

,ll'

'L-r----'"e'r D. S. al Codn. c]l

4utt-',

$ Coao

r

ltlt

GSP-65

n.,2

.Nx

-Ve

sete Agrada

29

(choro)

turangedby Ivan Paschoito(11/91)

Dilermando Reis

(J = 63) Larghetto

clv

I

cvI

I

cvII

I

'-

arY -

7

cvII

I

.u

tJ--.f-

(ASCAP) 01994 GUITARSOLOPUBLICATIONS InternationalcopFight secured.All rightsreserved.

Photocopyingthis musicis illegal. Pdntedin the USA.

4' j l -

.TY

c\' +

r

ll

"',._---------..\,rIT

^l

,lT CIV-

@

GSP-65

30

+'

cvII

i

ra-

cv

t't

ctv

I

D. S. al Coda

11.

ltz.

GSP-65

0Ir __--

clv