Walaa mutawalli portfolio by Walaa Mutawalli

Walaa Mutawalli Interior Architecture

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Art Education- Interior Design with IC nA t eTr IiI o rN as D UU O NAfrrcohmi t eU cQt Uu r ien aMt aTkhk oa m A R T I C I P A Tl I- A OuLMr aD UE nVi Ev eLrOs iPt yMME aNy T2 0 1 3 EE D Q E dCuAc T a t iO on h , S a u d i P R OA Ft EUSmSmI OA N

J e ff e r s o n U n i v e r s i t y & P h i l a d e l p h i a Arabia. nHi vE eL rOs Ri t’ yS , DUESGA R. E E MBG AAUPSCA T E(R3’.S1 6D/ E4 G ) RGEr Ea d u a t i n g i n t h e y e a r GPA (3.70/4) Graduation May 2018 2013 s img an s w i t h IA n rt te rEi d ou r cAartci ho int -e cI nt ut er er i oa rt D T he o t ino nU nf ri o J Ee dffue cr as o v emr sUi tQyU &i nP hMi al ak dk ea lhp, hSi aa u d i A r a b i a . U n i Sv teur d s iyt yA, bUr So Aa .d PAA ( (33. .7106/ /44) ) GGr raadduuaat ti ionng Mi na yt h2e0 1y 8e a r GGPM e rEv a t i o n P r o g r a m a t 2 0 1HA3i Ss tToErRi ’cSa lDPErGe Rs E the Preservation Institute I nNtaenr ti o u rc kAertc h( Ui tnei cvteur rsei t ay t oTf h Fol m o raisd a , S t Jue2dff0ye1 r7As bo rno U a dn i v e r s i t y & P h i l a d e l p h i a University, USA. HM i sAt So Tr iEcRa’lS PDr eE sGeRr Ev Ea t i o n P r o g r a m a t GPA (3.70/4) Graduation May 2018 the Preservation Institute icokHreEtAL r(OcURhn’i iStveeD crtEsuG NI an ntBet Aur C i rtReyE aoEtf TF hl oo rmi da as , 2J0e1ff7e r s o n U n i v e r s i t y & P h i l a d e l p h i a rvtd EsdiAut byc r,aotUa i SodAn .- I n t e r i o r D e s i g n w i t h USnAti u e ry E d u c a t i o n r or amd u U aQtUi o inn MMaayk k2 a0 h1 ,8 S a u d i G P A ( 3 . 7 0 / 4 ) fG HAi sr at ob ri iac. a l P r e s e r v a t i o n P r o g r a m B Aa G Ct PHt AhE eL( O Dr)Ev aG EdEnu Iant si nt i, t 2u 0t e1 3 3P.Rr1e’ 6Ss/e4 G trRiao Nantucket (University of Florida) Art Education- Interior Design with Study Abroad Education from UQU in Makkah, Saudi A Hr ai sbtioa r. i c a l P r e s e r v a t i o n P r o g r a m GaPtA t h ( 3e. 1P6r /e4s )e rGvraatdi ou na t Ii nn s, t 2i t0u1t3e Nantucket (University of Florida)

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I nm n oAv la- tQi o e na ey u 2r 0s h1 i3p Y o u t h A t -U m u rna aUn nd i vE en rt sr iet py r M - TAht eU Lmi g h t i n g D e s i g n W o r k o pa yf r2o0m1 3C & C m A l - Q u r a U n i v e r s i t syh M Lighting LLC, 2018 - IDEC 2018 Annual Conference - Interior A T T EI NDnD EdDAu nc an tuoarl s CCoonuf ne cr ei ln Bc eo s-t oI nn t e r i o r E EC D e s- i g D e s i g Br os h s ti o - I n n o v a tni oEnd ua cnadt oE rnst rCeopur ne cn iel u p nY M o ua tr hc h 2U 0 8i gAhl t- iQnugr aD eUsni igvne rWs o - tT h em1Lm A i tryk sMhaoyp 2f 0r o 1m 3 C&C

Interior Design Mentor for undergraduate

Lighting LLC, 2018 en TCh eA tnL, ni 2gu 0h - sI tD-uEd a 1lt i8Cn og nDf ee rsei g nn c eW- o Irnk tsehroi op r f r o m C & C L i g h t i n g L L C , 2 0 1 8 Design Educators Council Boston March 2 0P 1A8R T I C I P A T I O N e or CDoens isghno w I n t -e rNi o M ei nn tPohr i lf aodr eul pn hd iear g2 r0a1d6u, a t e 2 0 1 7 , a n d 2 0 1 ht0 i ib1 f n( I m a t iCv&i tCy ) -s t-TuhTdeheen L iteg,xh2 ni8 gt i o D ne8soi g Wp o r ikns th oo pf Cf rr oe m Lighting LLC, 2018 - DesignWithLight a national student P Re hA T tICRC TheIA P IP Ti N i oTnI n gCAsIdP gI O n - lA Ni g o osOw i nNc Po hmi p l aedt ei tl ipohni a 2 0 1 6 , 2- 0T1-h7eP, aearn d 2 0 1 8 i pi ta itoend oi n i or ne aot fi v i t y ) xt hi ci b f (TI h mep reixnht i b o if t C - H e st i o g fn CF ruetautri ev si t Cy h ( IO mKp rDi n ) wa li lt eh n agne a r t w o r k - DesignWithLight a national student - RR e d erI stPii A g n i n g P a u l J . sGi u t m ai n Library Pl iA g -hTtPIi aC n g dc eiTpsI aiOgtNen dc oi nm D p e t i tgi no W n thLight a T hnoa m a s J e ff e r s o n U n i v e r s i t y - P a r tti icoi np aa lt es dt ui dn e Tn ht el i eg xhht ii bn igt ido ens iogf n tC inor ,eF au wtthiuvi rti eht sy a) Cwlhii atghlhl tea nnfigxaet rut rwe o r k Hcp OorKm (- I m i nDpt e ost if g

at the Preservation Institute Nantucket (University of Florida)

- HOK Design Futures Challenge - Redesigning Paul J. Gutman Library T h o m a s J e ff e r s o n U n i v e r s i t y

SKILLS

SOCIAL WORK VOLUNTEERING

AutoCAD

- Alamal Almanshod Center for Special Need as a teacher assistant for 4 weeks, 2009

SketchUp

- Temple University for the international studenT. 2015, 2017

3ds Max Rendering

and

- Chestnut Hill Conservancy Historical Society as Lighting Designer. 2018

Revit

Adobe Creative Suite M i c r o s o f t O ffi c e S u i t e Space planning Detail oriented Sketching

AWARDS A member of Tau Sigma Delta honor society of Architecture and Allied Art from Philadelphia University & T h o m a s J e ff e r s o n U n i v e r s i t y , 2 0 1 8

Strong ability to work under pressure to meet deadlines Quick learner E a s y t o a d a p t i n d i ff e r e n t e n v i r o n m e n t s Good social interaction and human relationships

TABLE OF CONTENTS THE HIJAZY CULTURAL CENTER

NEXUS DESIGN CENTER

SEASIDE ENVIRONMENTAL CENTER

WELLNESS CENTER FOR LOW INCOME COMMUNITY

HOK FUTURES CHALLENGE Blocking Digram Diagram show the aroma movement through the space

Concept Statement Our concept is aroma. In addition, we tried to capture the aromatic movement of the beer on the change of the oor pattern, the calling, and on the furniture. For the color scheme, we used a combination of cinnamon golden, honey caramel color, egg white and rich black. The style of the space, we can say it is a mixture of industrial and modern.

1st oor Digram

2nd oor Digram

BAKERY

SKETCH JOURNAL & ILLUSTRATING MY BRAND (ADOBE ILLUSTRATOR)

49 57-61

The Hijazy Cultural Center, Al Saggaf Palace In Saudi Arabia, globalization, the discovery of fossil fuels, and advancements in transportation have had a significant positive impact on creating communities that are more tolerant and understanding of other cultures.These advancements come with a number of drawbacks, most of all the disappearance of personal and cultural identity. Therefore, Al-saqqaf Palace, one of the last standing historical sites in Mecca, has been designed as a prototype of an initiative to create a cultural center whose aim is to promote Saudi Hijazi culture.

First Floor

Dance Performance Space

Location: Al Saqqaf Palace is a historic palace located in Makkah, west of Saudi Arabia. It was the center of the government under the reign of King Abdulaziz and King Saud bin Abdulaziz. It is also one of the oldest buildings in Makkah with an Islamic architecture, because it contains many artistic elements and decorations.Al-Saqqaf Palace is located in the northeast of Makkah in the Al-Abtah neighborhood in Al-Maabda neighborhood. It consists of two floors and has a main entrance with its front façade and two secondary entrances on either side of the main façade.The palace consists of a number of residential units and service buildings for the palace built in different historical periods beginning in 1927 CE and ending at the end of the reign of King Abdul Aziz, but some of these buildings date back to the era of King Abdul Aziz, some of them built after his death. These palaces, buildings and residential units were built on an area of approximately 26,909.8 Square Feet, separated by the Royal Palace Road, which is called Al-Saqqaf Street. It is bordered on the north and west by Um Al-Qura Street, on the south by Al-Malawi neighborhood and on the east by Malawi Street.

Consept Statment: The concept of this project is driven from merging the Historical with the Modern Architecture to create a place that gives you the nostalgia of the past but also, encourages you to create a bright future.

Inspiration: I was inspired by looking into the traditional Hijazi Style and then modernizing it by looking into Carlos Scarpa’s work.

Second Floor

Third Floor

Prayer Room

Meditation Garden Adjacent to the Prayer Room

Entrance Courtyard

Historical Archive Museum

Details drawing of the Planter and the Water FeaturePlanter

Details drawing of the Amphitheatre Stairs

Kids Workshop

Cafe

Adult Workshop

THE HIJAZY CULTURAL CENTER

NEXUS DESIGN CENTER

SEASIDE ENVIRONMENTAL CENTER

WELLNESS CENTER FOR LOW INCOME COMMUNITY

Blocking Digram

HOK FUTURES CHALLENGE

Diagram show the aroma movement through the space

1st oor Digram

2nd oor Digram

BAKERY

SKETCH JOURNAL & ILLUSTRATING MY BRAND (ADOBE ILLUSTRATOR)

49 57-61

NEXUS DESIGN CENTER This project is a Collaborative Studio between Architecture, Sustainable Design, and Interior Architecture students. The goale of this project is to create a NEXUS Design Center for Philadelphia and Jefferson University. Here, I was responsible for the interior design part, but in general each design decision has to be approved by the other members. This aspect help to create a connection between inside, outside and the sustainable strategies that we used in this project. For this project we were asked to desgin the building acording to the four design matrix that our Professor Rob Fleming developed, which is consist of ( Experience, Performance, System, and Culture). Also, we should have a green certified building we choose to have it as a LEED Platinum. The consept of this project was created from a combination between two blocks that presents the relationship between: a rigid mass which represents the architectural aspects from Philadelphia University, and the medical motional aspect from Jefferson University.

Facade Elevation Development

1ST FLOOR. GALLERY SPACE: RECEPTION

Bio Roof with Solare Panle

Solar Shimney for Enhanced Stack Ventilation

ROOF

6th FLOOR

5th FLOOR PRIVATE SECTION

Offices and Studios

4th FLOOR

Events Place with Outdoor Terrace

Seminars Space & Library/ Lounge & Gallery

3ed FLOOR

2nd FLOOR

PUBLIC SECTION

Reception & Library/ Lounge & Gallery

Living Machin & Educational Gallery

1st FLOOR

BASEMENT

2nd FLOOR. FLOOR. GALLERY SPACE

1ST FLOOR. GALLERY SPACE & THE OPENING BASEMENT. Opining/ Living Machin/Reception

2nd FLOOR. Monumental stairs/ Opining

3rd FLOOR. Monumental stairs/ Opining/ Livivng Machine BASEMENT. Opining/ Living Machin

THE HIJAZY CULTURAL CENTER

NEXUS DESIGN CENTER

SEASIDE ENVIRONMENTAL CENTER

WELLNESS CENTER FOR LOW INCOME COMMUNITY

Blocking Digram

HOK FUTURES CHALLENGE

Diagram show the aroma movement through the space

1st oor Digram

2nd oor Digram

BAKERY

SKETCH JOURNAL & ILLUSTRATING MY BRAND (ADOBE ILLUSTRATOR)

49 57-61

Seaside Environmental Center

This project is a research/visitor center which is located at Delaware, louse. The purpose of this project is to educate the citizens about global warming and the locale natural ecology of the area.

t is a research/visitor center our visit to the site,louse. I noticed catedDuring at Delaware, the existing building did not provide a se of rainwater this project is to management. Therefore, I was interested in creating water conservation e citizens about global and management. Furthermore, the solution for thisnatural project provides an nd the locale ecology interesting stopping place for the park . visitor by having the shading/ water rainwater collection terrace.

visit of the site, I noticed the ilding did not provide a management. Therefore, I sted in water conservation gement. Furthermore, the this project provides an stopping place for the park aving the shading/ water ollection terrace.

Floor Plan Scale: 1’= 0’.1/8”

Private

Public

Semi private

Babel Diagram

views circulation Parti digram

Section BB Scale: 1’= 0’.3/16”

Section BB Scale: 1’= 0’.3/16” Section BB Scale: 1’= 0’.3/16”

RAINWATER HARVESTING/ SHADING DEVICE

RECEPTION AREA

OUTDOOR SPACES

EXHIBITION NEAR THE TIXONOME EXPERIMENTAL TABLE

MULTIPURPOSE ROOM

RESOURCE LIBRARY

Green dsgin Stratgies:

Alternative Green Energy Sources -Geothermal -horizontal hot water heating Waste Mangenment - Constraction waste mangement -Modular constraction Recycling and Compostingt

Water coservation/Mangement - indigenouse plants - rain water colecting and tretment for errgation, toilet and heating and cooling - Low flow fixture Indoor Air Quality -Low VOC paints and materials -Oprable Windows (crose+ stke vintlation) -Ventilation Systems (HRV)

FF&E -Triple Glasing window and doors - LED light -Occupancy and vacancy sensors -Energey star equpments -Bike Racks - Reclamed Wood - Porus pavment and footers which has littile impact on nature

Finishes:

Coeten Steel

Porous Pavement

Reclaimed Wood Localy

Native Plants for the Landscape:

Recycled Polyester

Interface Carpet

LED Lighiting

THE HIJAZY CULTURAL CENTER

NEXUS DESIGN CENTER

SEASIDE ENVIRONMENTAL CENTER

WELLNESS CENTER FOR LOW INCOME COMMUNITY

Blocking Digram

HOK FUTURES CHALLENGE

Diagram show the aroma movement through the space

1st oor Digram

2nd oor Digram

BAKERY

SKETCH JOURNAL & ILLUSTRATING MY BRAND (ADOBE ILLUSTRATOR)

49 57-61

WELLNESS CENTER FOR LOW INCOME COMMUNITY

Concept Statement Concept Statement

This project is designed for low income people From my research I found that most of low î ˘is project is designed for low income people, income people are single mothers who need my research I found thatfamily, mostand of low income tofrom have more connection with their people are single mams whom need to most important with themselves.

have more connection with their family, a nd most important with them self.

Inspiration Therefore, I was inspired by landscape Inspiration which has the aspect of visual architecture, connection and has more relaxing home feeling.

î ˘erefore, I was inspired by landscape architecture, which has the aspect of visual connection and has more Scheam relaxing home feeling. Color For my color scheam, I choose: blue, oreng, and green which are colores we notiset alot in Color Scheam nature. Moreover, green and blue has a soothising and aspect. And for oreng, itblue, will give Forcalming my color scheme I choose orange, and green energy and happiness.

which is colores we noticed a lot in nature. More over, green and blue has a soothising and comeing aspect. And for orange, it will give energy and happiness.

FIRST FLOOR. COURTYARD

GREEN ROOF

SLOPED ROOF FOR PV PANELS

ROOF LEVEL

YOGA & MEDITATION

CLASSROOMS

FINANCIAL COACH LIFE COACH

ART & CRAFT WORKSHOP

SECOND FLOOR

TEACHING KITCHEN FARMER MARKET

CAFESHOP

OFFICES CLINIC ENTRANCE WITH OUTDOOR GARDEN KINDERGARTEN

FIRST FLOOR 7

AXON 1 12" = 1'-0"

FIRST FLOOR. COURTYARD

FIRST FLOOR. WAITING AREA

SECOND FLOOR. ART AND CRAFT WORKSHOP

THE HIJAZY CULTURAL CENTER

NEXUS DESIGN CENTER

SEASIDE ENVIRONMENTAL CENTER

WELLNESS CENTER FOR LOW INCOME COMMUNITY

Blocking Digram

HOK FUTURES CHALLENGE

Diagram show the aroma movement through the space

1st oor Digram

2nd oor Digram

BAKERY

SKETCH JOURNAL & ILLUSTRATING MY BRAND (ADOBE ILLUSTRATOR)

49 57-61

This project is a design competition for “HOK Future” Challenge. the building is located at Philadelphia, on the intersection of Noble st. and Ridge AVE. We had to desgin a Browary for this building. This competition. I entered this competition with my friend Rana. Our team name team is “WR”.

Bl Diagram show the aroma movement through the space

Concept Statement 41

Our concept is aroma. In addition, we tried to capture the aromatic movement of the beer on the change of the oor pattern, the calling, and on the furniture. For the color scheme, we used a combination of cinnamon golden, honey caramel color, egg white and rich black. The style of the space, we can say it is a mixture of industrial and modern.

PLANS

PERSPECTIVE OF MECHANDISE

SPECTIVES

Perspective of Outside Seating PERSPECTIVE OF ENTER SECTION BETWEEN

PERSPECTIVE OF OUTSIDE SEATINGMECHANDISE AND GAMINIG AREA

PERSPECTIVE OF MAIN ENTRANCE

PERSPECTIVE OF OUTSIDE SEATING

Perspective of Gaming Area PERSPECTIVE OF GAMING AREA

PERSPECTIVE OF TASTIN

NG ROOM

Perspective of Tasting Room

MOOD BOARD

FURNITURES

LIGHTING

MATERIALS

THE HIJAZY CULTURAL CENTER

NEXUS DESIGN CENTER

SEASIDE ENVIRONMENTAL CENTER

WELLNESS CENTER FOR LOW INCOME COMMUNITY

Blocking Digram

HOK FUTURES CHALLENGE

Diagram show the aroma movement through the space

1st oor Digram

2nd oor Digram

BAKERY

SKETCH JOURNAL & ILLUSTRATING MY BRAND (ADOBE ILLUSTRATOR)

49 57-61

BAKERY Concept Statement

My concept is based on aroma. I used curvilinear lines and organic shapes to emphasize the movement of aroma through space.

Inspiration

My research for this project involved visiting local bakeries. I was inspired by the smells of fresh baked breads and pastries and wanted to incorporate this quality into my design.

FIRST FLOOR PLAN SCALE: 1’.0”= 0’.1/4”

REFLECTED CEILING PLAN SCALE: 1’.0”= 0’.1/4”

Color Theory

I chose an analogous color scheme to represent the concept of aroma. I incorporated colors used in baking that produce aroma such as chocolate, rose, espresso and cream. esp SECOND FLOOR PLAN SCALE: 1’.0”= 0’.1/4”

Branding

REFLECTED CEILING PLAN SCALE: 1’.0”= 0’.1/4”

SKETCHES

Millwork Details

PERSPECTIVE FROM LEVEL ONE

PERSPECTIVE FROM LEVEL TWO PERSPECTIVE FROM LEVEL TWO

THE HIJAZY CULTURAL CENTER

NEXUS DESIGN CENTER

SEASIDE ENVIRONMENTAL CENTER

WELLNESS CENTER FOR LOW INCOME COMMUNITY

Blocking Digram

HOK FUTURES CHALLENGE

Diagram show the aroma movement through the space

1st oor Digram

2nd oor Digram

BAKERY

SKETCH JOURNAL & ILLUSTRATING MY BRAND (ADOBE ILLUSTRATOR)

49 57-61

OBSERVATION CONTOUR DRAWING

These two drawing were an exercise for drawing a perspective in different places with different angle. The aim was of this assignment is using the pencil as a measuring tool to translate the dimensions into a 2D drawing. From this assignment, I learned how to draw a quick, and readable perspective.

SKETCH JOURNAL

This exercise consisted of drawing a weekly sketches of famous furniture pieces using different media for rendering. Through this exercise, I learned how to use: color pencil, marker ink, but we used mostly photoshop. Through the use of Photoshop, I learned how to use my knowledge from the previous exercise we had. Such as, contouring the space, and adding shadow and light. And harness in this knowledge by using different type of brushes and color shade.

SKETCH JOURNAL

Hal Ply Wood Jasper Morrison 2014 Walaa Mutawalli April,7/2016

SKETCH JOURNAL

ILLUSTRATING MY BRAND (ADOBE ILLUSTRATOR)

The purpose of this assignment is learning how to create logos â&#x20AC;&#x153;brandâ&#x20AC;? for our work by using Illustrator. This assignment was in different stages. I begin by exploring the program by using different brushes and playing with the line thickness. After that, I narrowed my choices down into two of my favorites. Next, I start refining the one that I liked the most. Finally, I did some more editing and created a composition of three schemes: grayscale, color, and the logo with a black background.

ILLUSTRATING MY BRAND (ADOBE ILLUSTRATOR)

WalaaMutawalli

Logo Design Walaa Mutawalli INTD 208: Presentation Techniques 4/15/2016 Instructor: Jake Tucci

WalaaMutawalli