Syd Jerome: Fall/Winter 2015

Page 24

music

Listen Up!

Rhiannon Giddens

That’s not a typo. Australian native Nicky Murphy calls himself Chet Faker as an homage to the jazz trumpeter and vocalist Chet Baker. An electronic musician, Faker uses multi-track layering and echoes of early house music to produce an infectious yet mellow sound. His vocals have an emotive, slightly spaced-out quality that can put audiences in a happy trance. This is danceable party music. It’s also baby-making music. Play it with caution.

The co-founder and leader of the Carolina Chocolate Drops says her calling is to breathe new life into old songs. Rhiannon Giddens does it remarkably well—with the Chocolate Drops; as a member of the New Basement Tapes, the T-Bone Burnett project that set rediscovered Bob Dylan lyrics to music; and on her first solo album, released this year. While she switches with ease between banjo and fiddle, Giddens’ main instrument is her glorious voice. She performs songs by Nina Simone, Dolly Parton and obscure folk singers and blueswomen of the early 20th century, as well as tunes of her own. Trained in opera, Giddens can deliver a song in any style with utter conviction.

The album: Built on Glass

Deeper dives: “Melt” and

The album:

“1998,” two songs from Built on Glass that will take up residence in your head

Go-to song: “Shake Sugaree,” a cover of an

Whether you prefer to stream on Spotify or still feel compelled to “own it” via iTunes, this new music is essential listening. By Mark Dowden Chet Faker

Go-to song: “No Diggity,” his 2011 cover of a Blackstreet song from the ’90s

Tomorrow Is My Turn

old Elizabeth Cotton tune Deeper dives: “Cornbread and Butterbeans” with the Carolina Chocolate Drops and “Forever Young” as a duet with Iron & Wine

Marti Jones

A musical chameleon, Marti Jones has written and recorded in various styles, from jangle pop to Southern-style soul, since the mid-80s. She took time off to raise a daughter with her husband, the producer Don Dixon, and in recent years she has focused more on painting than performing. But last year saw the release of a new album consisting entirely of original bossa nova tunes. They prove to be the perfect vehicles for Jones’ light, clear voice, as refreshing as a caipirinha on the beach. The album:

You’re Not the Bossa Me Go-to song:

“You Solve Me”

Deeper dives: “Black Coffee in Bed,” Jones’ cover of the Squeeze classic; “I Love the Sound of Breaking Glass”

Leon Bridges

Leon Bridges was working as a dishwasher, writing songs and singing at open-mic nights around Fort Worth, when he released two demo songs on Soundcloud in late 2014; Columbia Records signed him in December, and he soon found himself touring with Sharon Van Etten. Bridges’ sound has been said to resemble the ’60s soul and gospel stylings of Otis Redding and Sam Cooke. Certainly he sings from the heart, and you’re likely to find yourself singing along. The album: Coming Home Go-to song: “Coming Home”

Deeper dives: “Lisa Sawyer” and “Brown Skin Girl”

Rediscovered with pleasure Each of these dozen songs is a classic in its genre and of its day. This is a fairly chill mix, punctuated by some rawness (courtesy of Heartless Bastards) and energetic high points (The Stones! The Kinks!). Try this playlist during cocktail hour or on a country drive. “This Tornado Loves You” by Neko Case “Shine” by Daniel Lanois “Any Major Dude Will Tell You” by Steely Dan “I Wish I Knew How It Would Feel” by Studio Rio and Nina Simone

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“Sway” by Heartless Bastards “My Buddy” by Chet Baker “Out of Time” by The Rolling Stones “Lover, You Should’ve Come Over” by Jeff Buckley

“Do You Realize?” by The Flaming Lips “Pueblo Nuevo” by Buena Vista Social Club “Feels Like Rain” by John Hiatt “Victoria” by The Kinks

Nina Simone

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