SOS ANSWERED IN LIVINGSTON
PARAMUS NEW-BUILD SHINES BRIGHT
MONTVILLE REDO HONORS PAST
COLONIAL REVIVAL
It’s more than a Pool, it’s a Lifestyle.
THIS NO-BOXES-UNDER-THE-BED MOMENT WAS BROUGHT TO YOU
LANDSCAPE MAINTENANCE
“Total Concepts’ level of reliability, responsiveness, and hands-on management is unmatched. They eliminate the need to coordinate multiple vendors and give me complete confidence that my home is cared for inside and out.”
- Alfred Colontoni, Colts Neck
The Only Landscape Company You Will Ever Need.
For over 40 years the Total Concepts team has been beautifying and maintaining prestigious properties throughout the Garden State. Our premier landscape solutions provide a true white glove experience that exceeds all expectations.
Precision Turf Management
Mowing, Edging, Fertilization, Aeration, Weed And Pest Management, Irrigation Services
Ornamental Gardens and Plant Health Care Plantings, Pruning, Trimming, Mulching, Soil Conditioning, Clean-Ups
Outdoor Living Care
Meticulous Hardscaping Cleaning and Repair, Personalized Landscape Lighting Installation and Repair, Expert Drainage, Mature Tree Care, Irrigation Installation and Repair
Other Services Include: Mosquito, Flea and Tick Solutions, Deer Controls, Fence Maintenance and Snow Services
“I am truly grateful for the opportunity to help you beautify and maintain your property. No matter the need — large or small — you can trust that both you and your landscape will receive our full attention, expertise, and unwavering dedication throughout every season.”
- Ken Lerner, President, Total Concepts
For full-service care on all your outdoor living spaces, call Total Concepts today at (732) 294-1272 or visit totalconcepts-nj.com.
MARCH 2026
TRIUMPH IN TENAFLY
| 34
Giving a five-bedroom colonial just enough drama, designer Abby Gruman had to please the toughest of all clients: herself.
ANCESTRAL HOME |
42
The 114-year-old Montville house had been in the family for six generations. The task? To honor its history while refreshing both functionality and visual appeal.
TURNING TO A FRIEND | 48
When three children made for tight quarters, a Livingston couple knew just where to send an SOS: a designer who’d been in their lives since childhood.
LET’S BE DIFFERENT |
56
While a dark, moody look would be shunned by some, it was just the ticket for a busy South Orange couple as they sought to renovate a bathroom and kitchen.
A WARMER TAKE ON MODERN |
60
With Scandinavian-inspired materials, dramatic sculptural lighting and a refined openness, a custom Paramus new-build achieves a fresh, contemporary ease.
Interior designer Abby Gruman upgrades the look of her own Tenafly colonial.
Photo by Donna Dotan.
DEPARTMENTS
GUIDE | 15
What’s up, what’s new and what to do.
ASK THE EXPERTS | 20
Three local pros discuss embracing black window frames, keeping white-oak floors clean and mixing old and new furniture.
MATERIAL WORLD | 22
Tactile finishes and hand-worked details create depth without excess.
HOT STUFF | 24
Make a statement this season with patterns that speak for themselves.
NEW & NOTEWORTHY | 26
Farmhouse-inspired pieces bring natural textures and timeless craftsmanship into a modern home.
TREND REPORT | 28
Bring the soothing hues of nature into your home any time of the year.
TOP CHOICES
| 70
These elegant bedroom vanities beauty, balance and a touch of your daily routine.
FINISHING
TOUCH | 72
A built-in home library can be a cozy, serene retreat—and an elegant showcase for the stories you treasure.
60 56 34 26
WORDS CAN’T CONVEY IT ALL
RITA
GUARNA EDITOR IN CHIEF
RITA.GUARNA@WAINSCOTMEDIA.COM
WHEN YOU SIT WHERE I SIT, YOU SEE A LOT OF PHRASES GO BY, and you’re bound to see some of them a second time—and a third. A piece of art in a home “makes a statement.” A design element “adds interest.” And what do you leave when a designer suggests an aesthetic choice you wouldn’t ordinarily embrace? Why, your “comfort zone,” of course.
It’s my job as editor to minimize repetitions and clichés, and I do what I can. Only twice in this issue—I promise—will you hear from homeowners who wished to avoid a “cookie-cutter” approach. (A rebellious part of me dreams of the day when a contrarian client says, “I demand a cookie-cutter house!”)
But sometimes, frankly, these oft-used phrases keep popping up because they work. They’re our best stab at describing in prose what really must be seen. (It’s a good thing our magazine is also full of expert, lush photographs.) Words can’t fully encapsulate interior design. Maybe that’s why artificial intelligence hasn’t yet replaced the human designer, and for my money isn’t likely to any time soon.
In each NJ HOME issue, we describe how design ideas were applied and explain what challenges were overcome along the way. On page 48, for example, meet a Livingston couple who needed more space. They were able to transform a large, little-used attic into three kids’ bedrooms, a playroom and two full baths. Luckily, their designer happened to be an old friend. And yes, they were one of the families who refused to go “cookie-cutter.”
Designers Julie and Darren China weren’t old pals of South Orange homeowners Jessica and Jeremy Samon, whose quest to avoid a “cookie-cutter” kitchen and master bath is recounted on page 56. But their builder introduced them to these pros, and it was a happy match. They opted for a “dark and moody” look but, as you’ll see, the design really goes beyond what those words can impart.
Homeowner Abby Gruman (page 34) didn’t have to verbalize her goals for her designer, because that designer was herself. Still, she’d taken on a challenge—one she met, she says, by “using color and a lot of texture.” On page 42, read how a 114-year-old Montville home that had been in one family for six generations was refreshed. And for a Paramus home (page 60), a woman designer relished the chance to work with what she calls “a badass woman builder.”
Learn how to protect wood floors in a kitchen on page 20. And on page 72, read about creating a stunning built-in home library. Those books you cherish may yet live on to help tell a new visual story—even if they’re full of mere words.
Given the limits of language, perhaps in a future issue I should abandon text and fill this column with sketches instead. It’s a bit out of my comfort zone, but I’m sure it would make a statement.
Enjoy this issue!
Editor In Chief RITA GUARNA
Creative Director STEPHEN M. VITARBO
Senior Associate Editor DARIUS AMOS
Assistant Editor KIRSTEN MEEHAN
Contributing Editors
MARISA SANDORA CARR, RICHARD LALIBERTE, DONNA ROLANDO, NAYDA RONDON
Contributing Photographers
DONNA DOTAN, SHANNON DUPRE, RAQUEL LANGWORTHY, LINDA PORDON
Publishing Staff
Publisher THOMAS FLANNERY
Advertising Account Executives
PENNY BOAG, JODI BRUKER, CHRISTIE COLVILLE, MARY LIMA, PEARL LISS
Marketing, Digital & Operations
Director Of Marketing & Digital Media
NIGEL EDELSHAIN
Director of Operations
CATHERINE ROSARIO
Advertising Services Director
JACQUELYNN FISCHER
Circulation Manager
KATHLEEN WENZLER
Production Artist CHRIS FERRANTE
Accounting
KASIE CARLETON, URSZULA JANECZKO, STEVEN RESNICK
Office Manager MARIA MARTUCCI
Published by
Chairman CARROLL V. DOWDEN
President & CEO MARK DOWDEN
Senior Vice Presidents
EDWARD R. BURNS, LIZETTE CHIN, THOMAS FLANNERY, RITA GUARNA
Vice Presidents
NIGEL EDELSHAIN, NOELLE HEFFERNAN, MARIA REGAN, STEVEN RESNICK
NJ HOME magazine is published by Wainscot Media, 1 Maynard Drive, Park Ridge, NJ 07656. Copyright© 2026 by Wainscot Media LLC. All rights reserved.
Editorial Contributions: Write to Editor, NJ HOME, 1 Maynard Drive, Park Ridge, NJ 07656; telephone 201.782.5730; email rita.guarna@wainscotmedia.com. The magazine is not responsible for the return or loss of unsolicited submissions.
Subscription Services: To inquire about a subscription, to change an address or to purchase a back issue or a reprint of an article, please write to NJ HOME, Circulation Department, 1 Maynard Drive, Park Ridge, NJ 07656; telephone 201.573.5541; email fern.meshulam@wainscotmedia.com.
Advertising Inquiries: Contact Thomas Flannery at 201.571.2252 or thomas.flannery@wainscotmedia.com.
Pendant lights, of course, are always in style—they’re one of the simplest ways to make a space extraordinary. But 2026 trend forecasts predict that these jewels are going to get even more dramatic. Imagine lights that double as sculptural art, intentionally eye-catching and each a statement piece all its own. Sculptural light fixtures can also cast light in ways that more minimalist options can’t, making the light and shadow play in a space an intentional effect.
Take this starburst brass option (above), available at Ethan Allen, which will reflect light off its spokes for a glittering effect, or this geometric Zurie Mercury light, also from Ethan Allen, which will certainly coax the eyes of your guests upward.
THE GUIDE
What’s up, what’s new and what to do.
SUSTAINABLE ELEGANCE
ART UNDERFOOT
Author, designer and HGTV star Leanne Ford has partnered with Loloi Rugs on a collection that reflects her signature approach to interiors: effortless, soulful and modern. Known for her layered neutrals and “lived-in” elegance, Ford brings a distinctly personal sensibility to the collaboration, translating vintage influences and handcrafted character into rugs designed for real homes, not showrooms. The result is a lineup that balances softness with structure, offering timeless patterns, subtle texture and a relaxed palette that complements both contemporary and classic spaces. These rugs will anchor a room, not dominate it, adding warmth, depth and authenticity to spaces where beauty and everyday life intersect.
Renowned designer Paul Delaisse brings many things to his projects—master’s-level training from the Royal Academy of Fine Arts in Antwerp, Belgium, an eye for organic sculptural elegance and a passion for green design, for starters. He brings all that and more to his two new collaborations with Rowe Furniture.
In the Nova collection, you’ll find living-room and kitchen furniture that strikes the perfect balance between sleek and rustic. It’s inspired by nature and created from stained, sustainably sourced teak wood, with every effortless curve evoking the organic.
In Kindred, solid mahogany takes center stage. The dark color and vertical reeded pattern make this collection vintageinspired but never old-fashioned. Find dining room furniture in addition to coffee tables, end tables and ottomans.
MARCH HOME SALES
Housing activity in New Jersey slows during winter months, but market cooling doesn’t necessarily mean inactivity. Both buyers and sellers, for instance, benefited from the rising but limited inventory (less competition means more negotiating power), says John Terebey, Realtor with the Terebey Relocation Team in Marlton. Will that trend carry over into spring? For guidance, check out these real estate statistics from March 2025:
9,814
The number of single-family homes for sale, up 7.7 percent from 2024.
3,750
The number of single-family homes closed, down 1.9 percent from the previous year.
7,084
New listings for single-family homes, up 14.4 percent from March 2024.
$738,498
The average sale price of a single-family home, up 14.8 percent from the third month of 2024.
43
The average number of days on the market, up 2.4 percent from the year before.
Source: New Jersey Association of Realtors
MUST-READS
Spring is knocking on the door, and Flowering Outdoors: Gardens & Parties (Rizzoli 2026, $50) is a perfect read to welcome the new season. Author Margot Shaw offers inventive ideas for incorporating blooms into terraces, loggias, patios and balconies, as well as chic guidance for al fresco entertaining. From container styling and architectural garden elements to simple yet stunning party arrangements, the inspiration in this tome is for anyone looking to bring botanical elegance to the home.
Flowers, of course, can be more than decoration—they’re cultural markers and living reflections of how we connect to the natural world. In Flora Culture: How Flowers Shape Our World (Rizzoli 2026, $45) author Christin Geall explores this relationship through a collection of essays and imagery that spans continents, traditions and design disciplines. With personal insight on sustainability, aesthetics, history and craft, the book offers an artful look at how plants influence the way we design, live and see the world around us.
In a time defined by environmental awareness and intentional choices, Homes for Our Time: Sustainable Living (Taschen 2026, $80) by Philip Jodidio offers a global perspective on how residences can be both beautiful and ecologically responsible. This volume showcases homes that prioritize energy efficiency, natural materials and thoughtful integration with their landscapes, proving that sustainability and style are compatible and complementary.
THE WORLD IS CALLING
Browsing galleries, connecting with curators and discovering new artists to create your perfect art collection is always rewarding, but it’s often a slow process. What if the world’s best could be at your fingertips all at once—and you could explore great cities at the same time? International art fairs offer just that. For the best, the brightest and the most exclusive of the art world, take part in:
• ARCOmadrid, March 4–8, Madrid, Spain.
(Pictured) This international contemporary art fair gathers more than 1,300 artists and over 200 galleries.
More info: ifema.es
• The European Fine Art Foundation (TEFAF) Maastricht, March 14–19, Maastricht, the Netherlands. Everything
from paintings by the Old Masters to contemporary artists will be on display.
More info: tefaf.com
• Art Basel Hong Kong, March 27–29, Hong Kong, China. See a showcase of the features from premier galleries from Asia and beyond, focusing on contemporary works.
More info: artbasel.com
• SP–Arte, April 8–12, São Paulo, Brazil. The leading art fair in Latin America will present hundreds of artists at the beautiful Ciccillo Matarazzo Pavilion. More info: sp-arte.com
• Artexpo New York, April 9–12, New York. This fine-art trade show will allow you to browse work from 400 premier galleries
and emerging artists from around the planet.
More info: redwood artgroup.com
• Art Düsseldorf, April 17–19, Düsseldorf, Germany. Though focused on living and contemporary artists, this fair also reflects the art-historical relevance of the city. More info: art-dus.de
ASKING ABOUT STONE
Sometimes numbers speak for themselves. That’s why Artistic Tile, a luxury tile and stone brand with showrooms in Shrewsbury, Paramus and across the U.S., compiles its Luxury Surface Report. It surveys more than 35 interior designers across the country for insights on the current landscape and future of stone and tiles in design. Key points:
• 81.1 percent of those surveyed have increased their use of natural stone slabs over the past 10 years.
• 76.7 percent report that half their clients ask for stone as a focal piece in projects.
• 75.8 percent used stone in more than half of their projects.
• Outside of kitchens and bathrooms, designers say the most popular spaces to integrate stone are foyers and entryways, outdoor spaces and wine cellars.
• The most popular stone finish was honed, which took 84.8 percent of the
vote. Next was leathered at 42.4 percent.
• White remains a popular color for stone, but green tied with it for first place in the survey, followed by a tie between blue and beige/ brown as a close second.
• The most common alternatives to natural stone tile were porcelain, ceramic and terrazzo. For slabs? Quartz and wood.
• In the future, the responding designers are most excited to see natural stone slabs and tile integrated into furniture, wall coverings and ceiling applications.
IS THIS TECH TEMPTING?
It’s never too early to make list—many must-haves debut Consumer Electronics Show held annually every January Vegas. These three home products, for example, premiered at year’s CES:
• Seattle Ultrasonics’ C-200 world’s first ultrasonic knife, ing a blade that vibrates more than 30,000 times a second. makes cutting, slicing and ping easier—less effort, sticking and cleanup. The best part that you don’t feel, hear or the blade’s vibrations.
• SwitchBot has introduced Onero H1, a household designed to complete involve grasping, pushing, opening and organizing. It has arms, hands, wheeled base and multiple cameras to help it do laundry, operate an espresso machine, put away groceries and more. And with artificial intelligence, the robot do other tasks.
• You can be the fairest with the NuraLogix Longevity Mirror, which can scan and estimate more than health metrics, including and stress load, sleep quality, diabetes risk and even mental health.
SUBTLETY’S COMEBACK
Color capping is shaping up to be this year’s refined response to color drenching, the all-over, single-shade look that dominated interiors in 2025. While color drenching immerses a room in one uniform hue from walls to trim to ceiling, color capping introduces nuance by layering multiple tones from the same color family, often moving from lighter shades on the walls deeper hues overhead and on the ceiling. This tonal progression adds architectural depth and visual interest while preserving a cohesive, monochromatic feel. The result is a more tailored, mood-driven approach to color that feels elevated, intentional and perfectly aligned with the year’s shift toward subtle sophistication. “For instance, if you’re designing a living room with walls painted in a warm, rich off-white,” says Jessica Marinelli, owner of White Oak Design House in Englewood, “you can paint the ceiling and the top two feet of the walls in a darker shade of the same color to instantly create depth and character in the space.”
UNBEATABLE BATHROOMS
Good news for your next bathroom redesign: Grohe Spa, known for its precision-engineered faucets and fixtures, and Buster + Punch, makers of sculptural metal hardware such as cabinet pulls and doorknobs, have joined forces in a collaboration in which water, light and touch seamlessly intertwine. This fully integrated bathroom concept unites fixtures, hardware and lighting, combining three of Grohe Spa’s finishes—brushed warm sunset, brushed cool sunrise and matte black—with Buster + Punch’s signature cabinet and door hardware, lighting, sockets and switches. The result: bathrooms, spas and wet rooms where surfaces harmonize and details matter.
WHAT PRO DESIGNERS ADVISE
Answers to questions about mixing old and new furniture, embracing basic black in window frames and keeping white-oak floors, well, almost spotless.
I LOVE THE LOOK OF WHITE OAK AND WANT TO INSTALL WOOD FLOORS IN MY KITCHEN. BUT HOW DO YOU KEEP THEM CLEAN WITHOUT RUINING THE FINISH?
Keeping kitchen wood floors clean is a mix of daily care and weekly maintenance. Kitchens are busy, spill-prone spaces, so protecting wood floors from scratches, moisture and grime helps them stay beautiful for years.
• Daily care: Sweep or vacuum each day to remove dust, crumbs and grit that can scratch the surface. A softbristle broom or a hardwood-safe vacuum works best.
• Weekly cleaning: Once a week, use a damp (not fully wet) microfiber mop with a hardwood-specific cleaner. (I like Bona Hardwood Cleaner.) This lifts grease and residue without harming the wood. Avoid steam mops or generalpurpose cleaners, which can cause warping or cloudiness.
• Spills and protection: Wipe up spills immediately to prevent stains and swelling. Place rugs or mats in high-traffic areas—besides protecting floors they
WE’RE REPLACING SEVERAL WINDOWS, AND I’M DEBATING BETWEEN BLACK AND WHITE. I REALLY LIKE BLACK BUT WORRY THAT IT’LL GO OUT OF STYLE.
Black window frames remain popular across many home styles— not because they’re trendy, but because they’ve become as classic and versatile as white frames. You’ll see them in new builds and remodeling projects, from traditional homes and modern townhouses to contemporary suburban designs.
While black frames rose to prominence through modern architecture, they’ve evolved into one of the most adaptable options in residential design, especially for homes with white or lightcolored siding. They create clean contrast, add definition and make a subtle architectural statement.
In farmhouse and industrial-style spaces, black frames complement textured materials such as wood siding, metal roofing and exposed brick. The result is a subtle contrast that feels balanced, not forced. In traditional homes, they pair beautifully with red brick, stone or stucco, adding distinction without overpowering decorative trim or historic details. Architects and designers value black frames for their clarity, contrast and ability to define openings while integrating seamlessly with a wide range of materials.
Black works effortlessly in contemporary, minimalist and industrial interiors, tying in well with dark fixtures or furniture for a cohesive interior look. White window frames, on the other hand, remain the preferred choice for more traditionally styled homes. They reinforce a timeless aesthetic and blend naturally with colonial, Victorian and classic farmhouse designs. In some cases, black frames can appear too modern or visually heavy for these more historic architectural styles.
—Hong Jin, ASID, AIA, Netta Architects, Mountainside; nettaarchitects.com
add warmth, softness and a pop of color amid a kitchen’s hard surfaces. Felt pads on furniture legs help prevent scuffs and scratches.
With these simple habits, your wood floors can stay clean, durable and full of character, even in the heart of a bustling kitchen.
—Laura Carlucci, ASID Allied, LBC Design, South Orange; lbcdesign.com
I HAVE SOME VINTAGE PIECES OF FURNITURE THAT HAVE SENTIMENTAL VALUE. HOW DO I INCORPORATE THEM INTO MY MODERN SPACE?
Blending sentimental vintage pieces into a modern space can add personality and depth. The key is balance: Pair your vintage items with clean lines, neutral colors and contemporary finishes. Use them as statement pieces—a unique chair, chest or table can become a focal point. Updating upholstery, hardware or lighting nearby can also help old and new feel cohesive. Ultimately, mixing eras creates a curated, meaningful look rather than a showroom space.
—Linda
Granert, ASID, CID, Granert Interior Planning & Design, Midland Park; granertinteriordesignnj.com
Taylor
The Home Depot, multiple locations
RUSTIC REFINED
CAPITAL LIGHTING 19” WIDE PENDANT
Available at Ferguson Home, Mahwah, 201.252.8098
LYRA AREA RUG
Available at Raymour & Flanigan, multiple locations
MILANA 60.3’’ FLOOR LAMP
Farmhouse-inspired pieces bring natural textures and timeless craftsmanship into a modern home.
MADISON PARK SUNNEE ACCENT
ARMCHAIR
Available at Kohl’s, multiple locations
Available at ashleyfurniture.com
Available at Bob’s Furniture, multiple locations HOME ACCENTS ROPE TABLE LAMP
RORA ROUND COFFEE TABLE Available at Raymour & Flanigan
JENNIFER TAYLOR MODERN FARMHOUSE SOFA Available at
A Conversation with Interior Designer DIANE DUROCHER
WHEN DESIGNING A SPACE MEANT TO ENDURE, WHAT CORE PRINCIPLES AND DESIGN CHOICES DO YOU PRIORITIZE TO ENSURE IT REMAINS BEAUTIFUL AND FUNCTIONAL, FEELING TIMELESS RATHER THAN TIED TO A SPECIFIC MOMENT IN DESIGN HISTORY?
A home should reflect each client’s unique lifestyle and story. That is why we design with each client’s individual needs in mind. My guiding principle is to refinish, reupholster, and repurpose whenever possible. Clean lines, whether traditional or contemporary, will never go out of style. It is this timeless approach to design that we embrace.
HOW DO YOU APPROACH DESIGN DECISIONS SUCH AS MATERIALS, FINISHES, AND COLOR PALETTES SO A HOME FEELS FRESH AND MODERN WITHOUT CHASING TRENDS?
Color palettes are among the most trend-driven aspects of design. Unless a client has a strong preference, I typically recommend a neutral foundation—one that provides longevity and flexibility,
Classic interior design is all about timeless elegance—spaces that feel refined, balanced, and quietly luxurious rather than trendy.
Classic interior design means a home is harmonious. Color palettes are soft, warm and timeless. Furniture is rich and comfortable. Materials are authentic and enduring. And every architectural detail—from crown moldings to fireplace mantels—is sophisticated and beautiful.
Diane Durocher, ASID, IIDA, CAPS, CID, is all about classic interior design. Since 1995, Diane has been enhancing homeowners’ lives by creating spaces that reflect their individuality and unique lifestyles. More than anything, Diane strives to design homes that add comfort, bring joy, deliver memories, and increase value.
allowing accent colors to be introduced through artwork, textiles, and accessories that can evolve over time. Balance and scale are fundamental to thoughtful design. Oversized furniture, while popular, can be limiting, often overwhelming a space and leaving little room for other meaningful elements to have a voice. When selecting furniture, I gravitate toward tailored, well-proportioned lines which have longevity. I do embrace oversized artwork, when properly scaled, as it makes a statement and is a main contributor to the ambiance of a room. I also embrace a layered, eclectic approach that is organically curated. Vintage and antique finds give interiors character with a sense of history.
HOW DO YOU BALANCE ELEGANCE AND REFINEMENT WITH COMFORT AND PRACTICALITY…SO A HOME FEELS LIVED-IN AND WELCOMING?
I always “shop” in my client’s home first, considering their existing furniture, artwork, rugs, etc., that they would like to incorporate into their new home, their redesign, or their refresh. This allows us to create an enduring and meaningful
environment. This respects the history of our client’s beloved pieces while breathing new life into them. This ensures that their home truly tells their story. It’s curated, personal, and uniquely theirs.
ARE THERE ASPECTS OF CLASSIC DESIGN YOU CONSIDER ESSENTIAL FOR LONGEVITY, AND WHERE DO YOU ALLOW FLEXIBILITY TO REFLECT A CLIENT’S PERSONALITY OR LIFESTYLE?
Clean lines, regardless of style and whether traditional or contemporary, will always have longevity. Color palettes may come and go but foundational neutrals will always be in style.
MARCH 2026
“The quieter you become, the more you can hear.”
—Ram Dass
TRIUMPH IN TENAFLY
Giving a five-bedroom colonial just enough drama, designer Abby Gruman had to please the toughest of all clients: herself.
DESIGN by ABBY GRUMAN/ABBY LEIGH DESIGNS
PHOTOGRAPHY by DONNA DOTAN
TEXT by DONNA ROLANDO
Previous page: This Tenafly colonial’s dining room evokes drama with its hand-painted, charcoal-and-gold wallcovering. This page: From the bubble chandelier to the custom table, the breakfast nook derives warmth from mixing metals. Opposite: A modern kitchen with attention to details was one of this home’s selling points.
ANEW-CONSTRUCTION
colonial in Tenafly was off to a good start, modern and elevated. Still, at least one of the new owners couldn’t wait to tweak the look. That’s no surprise, because homeowner Abby Gruman doubles as CEO of Abby Leigh Designs, and design is her life.
“We renovated different parts to make it our own,” says Gruman who, with backing from husband Jeremy, pursued this labor of love for a family that includes two school-age children. The project essentially started right after their 2020 arrival and forged on through the summer of 2025 with a projection TV and a fireplace in a new outdoor entertainment zone.
Because the five-bedroom colonial already stood out as unique, Gruman was selective in where to infuse a personal touch. The dining room, one of the first rooms to greet visitors, had to “make a big statement,” she says. She accomplished that with hand-painted wallcovering by Porter Teleo in charcoal with golden lines.
She kept the drama going with gold and black lamps by Kelly Wearstler on a modern oak credenza by Bernhardt, which with its antique-border mirror from Arteriors declares that “Old meets new.” Metallic threading in a Holly Hunt fabric also glamorizes the Artistic Frame chairs without sacrificing comfort.
For the family eager to entertain, the gray oak table by Homenature was chosen not only for the warmth of wood but because it extends for gatherings—a functional must. More than eye candy, the bubble handblown-glass chandelier from Lindsey Adelman scores for
A burst of bright from an abstract by graffiti artist Sean “LayerCake” Sullivan and a “think outside the box” coffee table are a few ways designer Abby Gruman says she kept boredom at bay in the family room.
not competing with the wallpaper, which the designer calls “the star of the show.” The kitchen was another opportunity to reflect individuality through lighting as seen in a polished-nickel bubble chandelier by Apparatus in the breakfast nook and three brass pendants by Kelly Wearstler over the dark-gray island.
“One of the reasons I bought the home was that I fell in love with the kitchen right away,” says Gruman. She was particularly smitten by the two-tone gray cabinets, a distinctive complement to the builder’s quartzite backsplash and counters. She also lets her taste shine by mixing metals in the lighting and handcrafted Desiron table of limewash oak over satin nickel. “It makes it more interesting, and it also adds that warmth that I really wanted,” she explains.
Comfort is king in the breakfast nook chairs, featuring a durable
geometric pattern by Kravet, while the island barstools from Mark Albrecht are woven leather. Cascade Roman shades in sheer greige offer privacy and texture.
In the family room, the fireplace is the focal point—sitting below the TV in a people magnet of a space—but Gruman deemed the pre-existing black wall too dark and heavy. Lightening up the space is a limewash plaster finish, which also kicks in texture. For this hangout room to function, she introduced two contemporary sofas by Holly Hunt and swivel chairs by Homenature, all in a cream chevron pattern by Kravet and subtle enough to invite a pop of color. Look for blues in the handmade abstract rug by Stark Carpet as well as work by graffiti artist Sean “LayerCake” Sullivan. Horse photographs abutting the fireplace traveled from her former NYC apartment and give “every space a sophisticated feel.”
This page: One of the newest improvements to this Tenafly home is an outdoor entertainment zone, with a big oak table and counter/cooking area that includes a pizza oven. Opposite: Scenic Landscaping gave the remodeled backyard with a projection TV viewing area its natural beauty.
Finding boredom in convention, she also ventured “outside the box” with the custom coffee table’s organic shape. The redesign meets its mark of being family friendly yet sophisticated, she says.
Husband Jeremy’s favorite feature is the outdoor entertainment zone, “his haven,” which the family (and friends) christened this past summer, Gruman says. Taking center stage is the projection TV, flanked by vertical wooden slats, and a waterfall edge of quartzite topping the gray-porcelain fireplace. Black and white create contemporary contrasts for the viewing section, a nest of durable furniture from RH/Rove Concepts gracing a bluestone patio.
Jeremy also loves grilling in the outdoor kitchen, which provides a jet-mist, granite-slab countertop by Artistic Tile for cooking and savoring what’s piping hot from the pizza oven. Gruman pumped up party potential with a large oak table and counter area featur-
ing mesh-seat barstools, hoping for what she calls “timeless design with a modern edge.”
“We’re so thrilled with how it came out and can’t wait until summer to use it again,” she adds.
After investing a few years in styling her home her way, Gruman is happy—but not ready to wrap it up. She is, after all, a designer, and there’s no place like home to redesign. Next up is the basement, where she imagines a movie theater, a gym and a built-in bar.
Looking back, designer-homeowner Gruman turns an obvious observation on its head. “I think when you’re designing your own home, there’s always a little added pressure,” she reflects. “Sometimes it’s easier to work for a client than yourself. I overcame that by taking risks—and by using color and a lot of texture.”
ANCESTRAL HOME
The 114-year-old Montville house had been in the family for six generations. The task? To honor its history while refreshing both functionality and visual appeal.
DESIGN by TIFFANY ACOSTA, GRAYSCALE HOMES
PHOTOGRAPHY by RAQUEL LANGWORTHY
TEXT by RICHARD LALIBERTE
IT’S ONE THING TO RENOVATE A HISTORIC HOME. IT’S QUITE ANOTHER to renovate a home where generations of one family have lived for more than a century. “My great-great-great-grandfather built our house in 1911,” says Meagan Hollerith. “We have photos of it going up with horses pulling loads of wood.”
Hollerith bought the house from her parents in April 2022. She and her husband Spencer envisioned raising their now-8-year-old son and 6-year-old daughter in a charmed place overflowing with heritage.
When the home was constructed in then-rural Montville Township, extended family lived in two other nearby homes, creating a multigenerational neighborhood tied to a working apple orchard. Hollerith’s house kept being passed down, and she grew up in it. “I had definite ideas about what I wanted to change,” Hollerith says. She also had convictions about what not to change.
“The task was to balance old and new,” says Tiffany Acosta, chief executive officer and lead designer at Grayscale Homes in Montclair. “A guiding principle was integrating fresh details but letting original details hold space.”
Interior rooms are rich in dark, vintage millwork—ceiling beams, board-and-batten walls, window and door frames, patterned floor—that hadn’t been altered through six generations. Owners of historic homes often cover dark wood with brighter hues. “But painting woodwork was out of the question,” Hollerith says. “I wanted the bones to stay old-looking—and to brighten with design styles that Tiffany brought in.”
Some changes had already occurred. A garage for automobiles had been added long ago. Hollerith had updated the kitchen and bathrooms. But the heart of the project—living room, dining room, expanded den and added mudroom—awaited Acosta’s vision.
This page: In a Montville home built in 1911, a newly added mudroom includes ceiling beams, board-andbatten walls and wood-framed doors and windows to make the space congruent with the rest of the interior. Opposite: Rounded edges in furniture such as the dining room table and chairs, all from Four Hands, balance and brighten the look created by vintage dark wood and straight lines. A ceiling light fixture from Arteriors strikes a modern note that harmonizes with the home’s traditional atmosphere.
“Functionality was a motivator,” says Hollerith, who enlisted an experienced family friend as contractor.
For example, a window that originally had looked outdoors but now pointlessly offered a view into the garage became a built-in bookcase. Another set of windows became castiron doors that open onto an expanded, wraparound porch.
The new, highly practical mudroom and enlarged den were blank canvasses with few original details to preserve. Acosta added harmonious touches such as wood ceiling beams while having a freer hand to employ light colors and more modern designs.
But refreshing the historic living and dining rooms relied on two key tools: furniture and lighting. “We leaned into modernizing with curvature,” Acosta says. “With all the wood panels and beams, there were a lot of straight lines. Playing with shapes makes things feel more curated.”
Rounded elements include the contemporary dining-room table and chairs, a buffet, an arched cabinet, the living-room ceiling light fixture, sofas and chairs, a side table and the porch double doors. “It’s a lot of curves in one space but it doesn’t feel that way because everything is surrounded by a lot of structure,” Acosta says. Light upholstery and floor coverings further brighten the atmosphere.
Hollerith says she’s “thrilled” with the results of what she calls “a labor of love,” completed a year after she and her husband bought the house.
“The project felt like a huge responsibility to those previous generations,” Acosta says. “I feel we paid the house justice and respect. I’m proud of what we did there.”
New details, such a built-in bookcase that replaced a window next to the fireplace, were carefully constructed to look as if they had always been there. Curves found in sofas from Studio McGee, swivel chairs from Pottery Barn and a ceiling light fixture from Arteriors help keep the room’s heavier structural elements from feeling ponderous. A layered floor covering consisting of a base rug and a patterned top rug, both from Surya, stands out against the wood floor’s herringbone pattern.
TURNING TO A FRIEND
When three children made for tight quarters, a Livingston couple knew just where to send an SOS: a designer who’d been in their lives since childhood.
DESIGN by KATE JACOBOWITZ, KATE SUSANNAH HOME PHOTOGRAPHY by SHANNON DUPRE/DD-REPS
TEXT by DONNA ROLANDO
Previous page: For a hospitable Livingston couple, a full, workhorse bar with bronze-finish tiles makes entertaining easy. This page: The bar room stands out for jewel-like ceiling lighting and a black-metal-bordered open doorway. Opposite: Two seating areas accompany the bar, each with its own vibe.
WHENTHE STORK HAD COME a-calling three times, a Livingston couple realized it was time for action. Their original four-bedroom ranch was now a full house, falling short on functionality for family life and the parties they love to host. Already prepared for this moment, they had two aces in the hole: a spacious attic just waiting to be reimagined and a good friend in the design business, Kate Jacobowitz of Livingston’s Kate Susannah Home.
“We really love our street, we love our neighborhood, and we love the home,” says homeowner Sarah Schonfeld. “We bought the house six weeks before COVID and paid a really great price for it. We just didn’t want to move.”
So Schonfeld and her highschool sweetheart, aka husband Evan, turned to Plan B, making full use of their huge attic, now transformed into three kids’ bedrooms, a playroom and two full baths. The impact on the main floor was equally magical, as it added a full floor of living space, with the gem being a bar room “people love hanging out in,” Schonfeld says. Many existing spaces, like the dining and living rooms, also saw redesigns, and the project, completed in summer 2025, raised the bedroom count to five.
Making full use of what Schonfeld calls her friend’s “amazing eye,” the project team from the get-go welcomed Jacobowitz, along with Parsippany’s Express General Contractors and Livingston’s SIH Architectural Design. Their goal? “We wanted the rooms to be great for entertaining but also fine for when the kids have all their friends over,” says their designer. (In other words, more entertaining.)
Of course, friendship with a designer is no guarantee of simpatico design thinking. But Jacobowitz
An organic-shaped mirror and a Regina Andrew bronze stick chandelier deliver drama to the dining room, while the spacious oak table always has room for one more.
says she knew what her clients wanted without a word. She sums it up as “a bridge between contemporary, young and fun” on the one hand and “classic” on the other. “They wanted it to feel unique and special to them, as opposed to a cookie-cutter house.”
For that distinctive edge, the couple was willing to be nudged outside their comfort zone, which for Schonfeld, gravitates to gray. Jacobowitz’s shining success in that regard is the bar room, which joins two former bedrooms for what Schonfeld calls “a fun, easy space to entertain in.”
The full workhorse bar reflects the sun, with bronze-finish ribbed tiles under a distinctive arch—something the couple might never have imagined, says Jacobowitz. Flanked by custom, gray-wash oak cabinets—one a wine fridge, the other for decorative bottles—the bar is the “nucleus of the room,” equipped with everything from icemaker to dishwasher, she adds.
“Amazing” to Sarah Schonfeld is how her friend divided the bar room into two distinct sitting areas. One lounge area features a curved, gray-velvet sofa with brass legs by Interior Define, black boucle chairs (Safavieh) and a kidney-shaped nesting table by West Elm. The other boasts a velvet sofa “you can really sink into,” the designer says, as well as two textured-fabric swivel chairs, all Safavieh, and a Four Hands natural-wood table for a playful touch.
In one spot, wood panels evoke a library charm—to Evan’s delight— and is ideal for relaxing with whiskey. Yet the room is also fun, which Jacobowitz underscores with colorful pillows and abstract art augmented by gilded-finish sconces from Hudson Valley.
Jacobowitz confides that the large, rectangular space with loads of open ceiling was a challenge to tame. But she cut it down to size with grids of surface-mount lighting like a “jewel” on the char-
coal paint. A matte-black shade chandelier from Visual Comfort adorns the entrance over a marble serving/game table from CB2. Another distinctive feature is the metal-and-glass partition door that frames the entrance.
Originally the dining room said “ho-hum” with white walls, but Jacobowitz warmed it up with Phillip Jeffries’s faux wood grain, which made the millwork and coffered ceiling “really pop.” A pedestal oak table is generous with guests but also comfortable for family, with its velvet chairs, all by Vanguard. An oversized mirror makes a “cool” companion, she says, for Four Hands’s linen-wrapped black console. For modernity, a Regina Andrew bronze stick chandelier helps elevate this entry-area room’s first impression.
In the redesigned living room, Jacobowitz sent white another wakeup call, preserving the stone fireplace, but infusing drama into the built-in shelves with a burntcharcoal, faux-wood wallcovering, also Phillip Jeffries. The extremely functional, L-shaped sectional by Crate & Barrel follows suit with its ochre yellow and rust pillows for a “nice, earthy tone,” the designer adds. Completing the scene are an ottoman in Kravet’s vinyl shagreen, a custom oak coffee table, the client’s abstract art and woven curtains for texture. Off-white walls with gray undertones harmonize with the kitchen, which shares this open space.
“I wouldn’t have done any of this,” confesses Schonfeld, who calls herself “very boring” in terms of design instincts. Her friend the designer, she says, “appropriately pushed us, and working with her was great.”
This homeowner is pleased to report that “we’re still friends.”
This page: Phillip Jeffries’s faux wood wallpaper gives previously humdrum white shelving a riveting upgrade. Opposite page: A natural oak coffee table created by millworker Michael Cornell rests above a shagreen ottoman by Upholstery Unlimited.
LET’S BE DIFFERENT
While a dark, moody look would be shunned by some, it was just the ticket for a busy South Orange couple as they sought to renovate a bathroom and kitchen.
DESIGN by JULIE AND DARREN CHINA, IDEA SPACE ARCHITECTURE + DESIGN PHOTOGRAPHY by RAQUEL LANGWORTHY
TEXT by
MARISA SANDORA CARR
IFTHERE’S ONE THING JESSICA AND JEREMY SAMON KNEW THEY DIDN’T want in their new kitchen and master bath in South Orange, it was a “cookie-cutter” design. They wanted something different. Something unique—dark and moody. Their builder suggested that they meet with Julie and Darren China of Idea Space in Maplewood, whose design and architecture work had been described as “interesting,” with a clean and modern look.
Says Jessica: “Everything we saw from them didn’t look like all of the typical renos with the white marble.” A promising match was made.
The designers started upstairs in the 1998 center-hall colonial, converting an unnecessarily large, poorly laid-out bathroom and two smaller closets into a large walk-in closet and a more modern master bathroom with a large walk-in shower, something that had topped the couple’s wish list. They also added windows that revealed the New York City sky-
line. “I love the new shower with the view,” says Jessica. “I wake up really early, and there’s just this amazing sunrise while you’re showering. We did invest in some good, top-down blinds though,” she adds with a laugh.
Charcoal-gray porcelain tile was selected for the floors to give the room the dark, moody look the homeowners sought. But the custom, natural-walnut vanity and framed medicine cabinets “really warm up the space,” says Julie China, “and are a nice contrast to the cooler tone finishes.” The bathroom became a luxurious, spa-like retreat for two busy professionals with demanding jobs to come back to at the end of the day.
Like the old bathroom, the home’s kitchen had a bland, ’90s, builder’s-grade look. “It was very vanilla,” says Darren, “and not in line with the Samons’ aesthetic.” So they set out to create something darker and more contemporary. After showing the Samons lots of dark colors and various wood tones, they landed on natural walnut for the upper cabinets and a blue-gray color below, bringing both of those into the island as well, with ribbed walnut paneling on the ends to add interest. Caesarstone white quartz countertops and a white undulated tile backsplash provided contrast, preventing the kitchen from looking too dark.
Julie kept the creativity coming with modern light fixtures, including a minimal LED pipeline fixture over the island, a matte black fixture with a brass interior over the sink and a faceted natural wood veneer pendant over the dining table. The end result of this makeover was exactly what the homeowners desired.
“We’ve never seen a kitchen like our kitchen,” says Jeremy. “It’s completely unique.”
There’s a lot to love about the Samons’ new kitchen in South Orange, but if homeowner Jeremy had to pick one favorite thing, he says, “I love the cabinets and how the wood is cut the long way so you see all the veining and it all lines up.” By shrinking an overly large laundry room that was behind the kitchen, Julie and Darren China of Idea Space were able to create a large walk-in pantry for the Samons, who enjoy cooking and entertaining. In the master bathroom, they got rid of a large jacuzzi tub that wasn’t used, added a large shower and gave the space a modern makeover with Haisa blue natural stone wall tiles, a custom walnut double vanity and gray porcelain tiles laid in a herringbone pattern on the floor.
A WARMER TAKE ON MODERN
With Scandinavian-inspired materials, dramatic sculptural lighting and a refined openness, a custom Paramus new-build achieves a fresh, contemporary ease.
DESIGN by CARLI GROMMET, CG STUDIO INTERIORS, AND AGNES WANAT, AT HOME DEVELOPERS
PHOTOGRAPHY by LINDA PORDON
TEXT by NAYDA RONDON
SOME HOMES BEGIN WITH A CLIENT’S WISH LIST. Others start as a feeling. A Paramus residence recently rose from the latter—an instinctive pull toward light, warmth and serenity that found form in wood, stone and sweeping glass. For Agnes Wanat, founder and principal builder for Paramusbased At Home Developers, the 7,850-squarefoot custom build emerged precisely that way: a vision she felt compelled to conjure long before a buyer—or the first beam—was in place.
To make the one-year project happen, Wanat partnered with Robert Zampolin of Westwood-based Zampolin & Associates Architects. He helped channel her bold ideas into a coherent structure defined by dramatic
A blend of sculptural curves, clean lines and warm woods brings modern softness to this openconcept space in a six-bedroom Paramus home. Creamy textures and Sherwin-Williams Natural White unify the family room and kitchen into one harmonious, heart-of-the-home gathering spot.
ceilings, airy architectural flow and window placements that celebrate the play of light.
For the interiors, Wanat sought a designer whose aesthetics matched hers and found a creative partner in Nashville-based Carli Grommet of CG Studio Interiors.
“Although there are many gifted designers in our area, Carli’s style aligned perfectly with the direction of this project,” Wanat says.
Grommet embraced the opportunity. “We wanted this build to stand out from others in the area with a fresh, luxurious and modern-leaning vibe,” she says. Together, she and Wanat created an interior dialogue rooted in Scandinavian design—natural light, clean lines, warm woods and soft tex-
tures—then deepened it with moodier accents and lighting to introduce drama.
Completed in July 2025, the six-bedroom, eight-bath home features roof peaks and a Miami-modern tinted glass front door. Outside, marble steps, ordered plantings and a pool lined with stepping stones and synthetic turf project resort-like polish. Inside, the spaces soar with vaulted ceilings and oversized windows that welcome in the landscape.
Although the house was designed without a buyer, Wanat worked with trusted real estate agents to secure a contract before the foundation was poured. The clients, she says, were fully invested in the creative direction. “They embraced the process and allowed the design to unfold naturally.”
This page: Minimalism gains richness through quiet detail. A boucle chair and airy white oak shelves turn a simple corner into a peaceful still life. Opposite: The fireplace wall—“jumbo-sized” porcelain tile with a travertine look—brings subtle depth to the family room. “We wanted something with movement and texture that was still soft on the eyes,” the designer explains, “and this was the perfect material for it.”
The foyer sets the tone for that vision. A floating staircase—white oak treads, black stringers and metal balusters— ascends beneath a gold globe chandelier suspended within a 20-foot vaulted ceiling. “It’s clean, neutral and striking,” Wanat says. “A perfect first impression.”
But achieving this “effortless” perfection was anything but. As a woman in a male-dominated field, Wanat was ever at the ready; an unflappable, hands-on presence ensuring that every detail landed seamlessly. When installers veered from the staircase plan, she stepped in immediately, guiding an onsite adjustment that ultimately improved the original design.
“Sometimes the best ideas come from those unexpected moments,” she says.
Throughout the spaces, Grommet and Wanat moved in sync, selecting materials and finishes that could shift in mood yet speak the same visual language.
“Every material and detail had to be not just beautiful, but also connected from one space to the next,” Grommet says. Their most theatrical collaboration is the dining room, enveloped in Sherwin-Williams Iron Ore. A white oak, herringbone ceiling plays against the richness of a custom, 11-foot fluted wine wall crafted by Wallington-based Marwood Carpentry. A bespoke bar with integrated LED lighting whispers a speakeasy-like vibe, while an aged brass, ET2 chandelier brings an artful spark.
In contrast, the kitchen and family room offer a more
This page: Natural oak cabinetry framed in matte black becomes a curated display for everyday essentials. Opposite: Soft neutrals and intentional simplicity create a Scandinavian state of mind in the kitchen. A hand-finished, Venetian plaster hood introduces texture; the waterfall quartz island grounds with graceful presence.
This page: A sleek wet bar, illuminated shelving, luxe Brizo hardware, Mitzi pendants and gold stools add glamour to cocktail hour. Opposite: A custom wine wall of white oak, fluted panels creates a striking architectural backdrop. Gold racks hold “floating” bottles, turning storage into sculpture. Over the table, Ferguson Home’s rope “necklace” lights—alabaster cylinders linked by brass—cast a singular glow.
measured calm. Custom white oak and off-white cabinetry in SherwinWilliams Natural White stretches to 11 feet, its simplicity enriched by Top Knobs gold hardware. A curved, Venetian plaster hood introduces texture as a quartz waterfall island grounds the space. Rope-hung, Kuzco Lighting linear pendants echo the home’s gentle curves as a continuous quartz backsplash mirrors the countertops for a seamless finish.
The family room extends the quiet harmony with an accent ceiling bathed in LED light and white oak shelving illuminated from within. A travertine-look, porcelaintile fireplace surround adds subtle movement and Andersen sliding doors glide open toward the poolside marble patio, extending interior and outdoor comfort.
This interplay—serenity balanced by drama, grounded forms paired with sculptural elements— creates the home’s defining rhythm. “The way the main floor flows from space to space is one of my favorite things,” Grommet says. “The rooms feel cohesive, but each has its own identity. And the lighting—always so fun to select—is dynamic and beautiful.”
For Grommet, collaborating with Wanat offered another layer of meaning. “As a woman in construction, I work with many wonderful builders, but it’s rare to work alongside a badass woman builder,” Grommet explains. “Our ‘woman’s touch’ and attention to detail really shine through in this home.”
For Wanat, the project still holds an emotional pull. “Handing the homeowners the keys and seeing their excitement—that’s what stays with you,” she says. “Every time I drive by and see the house—its presence, the architecture—I’m reminded of why I love what I do.”
BEDROOM BEAUTIES
These elegant bedroom vanities bring beauty, balance and a touch of glamour to your daily routine.
BURL
Available at West Elm, multiple locations
PIERCE & WARD
WOOD VANITY
Available at colemanfurniture.com
Available at luxedecor.com
Available at The Home Depot, multiple locations
colemanfurniture.com
TABLE WITH TOUCHSCREEN LIGHTED MIRROR Available at Target, multiple locations
MICHAEL AMINI LONDON PLACE CREAMY PEARL VANITY WITH MIRROR
MICHAEL AMINI MALIBU CREST BLUSH VANITY WITH MIRROR Available at
MICHAEL AMINI VILLA CHERIE CARAMEL BIRCH WOOD VANITY TABLE SET WITH MIRROR
YOOCOZZ MAKEUP VANITY
BENJARA LEE 1-PIECE GRAY MAKEUP VANITY TABLE
YOUR BOOKS ARE BEAUTIFUL
A built-in home library can be a cozy, serene retreat—and an elegant showcase for the subjects and stories you treasure.
HOW DO
WE IDENTIFY PEOPLE WITH DISCERNING taste? Perhaps we look to their art collection, the wines and spirits they reach for or the food they serve when they entertain. But don’t you also try to sneak a peek at their bookshelves?
Many of us accumulate books over the years—perhaps more than we know what to do with. If we’re smart we keep many of them shelved neatly in view, knowing that the colorful variety of their spines can be a visual treat. So why not make your books the star of a space? A library resplendent in built-in bookshelves will not only display your volumes; it will also create a serene getaway spot in which you can enjoy them.
Says Sun Ju Valenta, principal designer at Sun Valenta Design in Madison: “A dedicated library transforms a home, offering more than just shelves—it creates a sanctuary. It’s a place to curl up with a favorite novel, dive into your work or enjoy quiet moments. Built-in shelves signal thoughtful design and add a touch of sophistication to any space.”
How to make yours beautiful? Start with the shelves, advises Margo Gardner of Montclair’s Margo Gardner Interior Design. “There’s a warmth and coziness factor with built-in shelves that’s harder to achieve with freestanding bookcases,” she says. “Built-in shelves create a sense of permanence, history and stability. Plus, they can be totally customized to your storage needs.”
Not only your storage needs. Valenta suggests making shelving as beautiful as it is functional. “I enjoy a two-tone bookshelf,” she says. “Painting the interior a contrasting shade from the face frame adds warmth and visual interest, while wallpapering the backs of the shelves lets you introduce pattern and personality.” Don’t skimp on lighting: “Integrated shelf lighting instantly elevates and draws the eye,” she says. “Add artwork, framed photos and other decorative elements to break up the shelves and add personality.”
Other essentials, says Gardner, are “cozy seating, a gorgeous rug and accent tables for books and beverages.” Valenta agrees that comfortable seating is key, adding that “a cozy armchair, a reading nook or a small sofa invites lingering. Add a throw, a planter and cushions for warmth.”
There is a cost involved, of course, and some effort, and one quickly learns the quantitative limits of a specific set of shelves. But the surface that holds your books in view does double duty—it’s handy storage and an appealing visual array, all in one. How is that not a win-win?
