Old Masters | June 20 - 25, 2020 by waddingtons

Old Masters J U N E 2 0â&#x20AC;&#x201D; 25, 2 02 0

Old Masters JUNE 20â&#x20AC;&#x201D;25, 2020

bid online at onlineauctions.waddingtons.ca

senior specialist Susan Robertson sr@waddingtons.ca

all lots can be viewed online at www.waddingtons.ca

416-847-6179

tel: 416-504-9100 toll free: 1-877-504-5700

consignment coordinator Alec Kerr ak@waddingtons.ca 416-847-6186

front cover Lot 50 Manner of François Clouet PRINCE CHARLES VII OF FRANCE AS A BOY

front inside

Lot 14 Egisto Manzuoli ADORATION OF THE CHRIST CHILD (AFTER CORREGGIO, C. 1489-1534)

back inside Lot 62 ***Francois “THE DEAF MUTES”

back cover Lot 51 After Johann-Peter Krafft ZRÍNYI KIROHANÁSA SZIGETVÁRBÓL (NIKOLA ŠUBIĆ ZRINSKI’S CHARGE FROM THE FORTRESS OF SZIGETVÁR), 1825

This auction is subject to the Conditions of Sale printed in the back of this catalogue.

1 AFTER SIR JOSHUA REYNOLDS (1723-1792), BRITISH PORTRAIT OF LADY ANNE DAWSON, BUST-LENGTH, AS DIANA Oil on canvas 24 x 20 in — 61 x 50.8 cm PROVENANCE:

Frost & Reed, UK label verso, as “Reynolds School / Portrait of Elizabeth, Duchess of Manchester as Diana”, Registered Stock Number 3005 to label to the frame verso; Estate Collection, Kingston, ON $1,200 — 1,800

2 FOLLOWER OF FRANÇOIS BOUCHER (1703 - 1770), FRENCH YOUNG GIRLS DANCING IN A COURTYARD Oil on canvas 13 x 9.75 in — 33 x 24.8 cm $1,000 — 1,500

3 AFTER SIR JOSHUA REYNOLDS (1723–1792), BRITISH LESBIA / ROBINETTA Oil on canvas 30.5 x 24 in — 77.5 x 61 cm $600 — 800

4 GIUSEPPE MAZZOLINI (1806-1876), ITALIAN THE APPROACHING STORM, CIRCA 1854 Oil on canvas; signed “G. Mazzolini” lower right 24.5 x 19.5 in — 62.2 x 49.5 cm $1,000 — 1,500

5 AFTER PETER PAUL RUBENS (1577-1640), FLEMISH THE GARDEN OF LOVE (AFTER THE ORIGINAL CANVAS OF 1630-1635) Oil on canvas 56 x 72 in — 142.2 x 182.9 cm PROVENANCE:

Westminster Galleries, London, UK according to family records; Family collection, Ottawa; By descent to the present Private Collection, Toronto $5,000 — 7,000

6 ATTRIBUTED TO GIUSEPPE MAZZOLINI (1806-1876), ITALIAN ARIES PERSONIFIED, HER HELMET WITH THE FLYING RAM ORNAMENT WITH HER ELEMENT - FIRE (ALSO KNOWN AS “WINTER”) Oil on canvas 29 x 24 in — 73.7 x 61 cm PROVENANCE:

With Roberts Art Gallery, Toronto gallery label to the frame; The Estate of Barbara Mercer, Toronto $1,000 — 1,500

7 HARRIET MARY FORD (1859-1938), CANADIAN/BRITISH PORTRAIT OF A CARDINAL, 1886 Oil on canvas laid down on wood panel; signed “H M Ford” and inscribed and dated “3 years/ March 1886” verso 20 x 17 in — 50.8 x 43.2 cm PROVENANCE:

Gifted to the present Private Collection, Brampton, ON, circa 1980 $600 — 800

8 CIRCLE OF JEAN-HONORÉ FRAGONARD (1732–1806), FRENCH ÉTUDE DE TÊTES DE FEMME ET D’ENFANT (IN ECSTASY) Oil on canvas with sculpted, arched top; given to the “École Française” and titled to an old unidentified auction label verso, Cat. No. 19. Contained in an arched architectural frame. 13 x 7.25 in — 33 x 18.4 cm PROVENANCE:

Unidentified sale, inscribed “Achète le 21 Mars, 1924, Cat. No. 19 du catalogue 280” with another label inscribed in pen and ink, “Fragonard” verso; Private Collection, St. Catharines, Ontario $800 — 1,200

9 AFTER REMBRANDT HARMENSZOON VAN RIJN (1606-1669), DUTCH SASKIA VAN UYLENBURGH, 1643 Oil on canvas laid down to plywood panel; 19th century copy. 24 x 19.5 in — 61 x 49.5 cm $700 — 900

10 GIOVANNI BATTISTA SANTORO (1809-1895), ITALIAN CHARITAS, 1879 Oil on canvas; signed and dated 1879 on the banner that is further inscribed “Dio benedica l’Italia / Le LL.MM. Umberto 1st Margherita di Savoie...il Principe di Napoli.” Unframed. 30.25 x 20.5 in — 76.8 x 52.1 cm $700 — 900

11 FOLLOWER OF GIOVANNI BATTISTA TIEPOLO (1696 - 1770), ITALIAN THE TRIUMPH OF VENUS Oil on canvas; on a shaped break-arch stretcher. Unframed. Irregular shape 61 x 29.5 in — 154.9 x 74.9 cm PROVENANCE:

The Estate of William Reid, Toronto $800 — 1,200

12 FOLLOWER OF DIEGO VELÁZQUEZ (1599–1660), SPANISH HEAD OF AN ELDER BEARDED MONK LOOKING UPWARD, 1826 Oil on paper; signed with initials “AH” and dated 1826 verso Sheet 15.75 x 12 in — 40 x 30.5 cm $100 — 200

13 ENRICO FANFANI (1824–1885), ITALIAN THE LAST CONFESSION OF BEATRICE CENCI Oil on canvas; signed lower left, titled to label verso 17.5 x 14 in — 44.5 x 35.6 cm $800 — 1,000

14 EGISTO MANZUOLI (19TH CENTURY), ITALIAN ADORATION OF THE CHRIST CHILD (AFTER CORREGGIO, C. 1489-1534) Oil on canvas; Egisto Manzuoli artist studio label to the stretcher, “J.F. Burrell” inscribed in black ink to the canvas verso 32.5 x 26 in — 82.6 x 66 cm PROVENANCE:

The artist studio, Firenze, “Egisto Manzuoli Pittore, Firenze” label to the stretcher; Possibly collection of the British artist J.F. Burrell (Joseph Francis Burrell (1770-after 1854), his name inscribed in black ink to the canvas verso; From the Estate of John L. Boehme, antique dealer and auctioneer, Victoria, B.C., By descent $4,000 — 6,000

15 FOLLOWER OF GUIDO RENI (1575–1642), ITALIAN ST. SEBASTIAN Oil on canvas laid down to board 25 x 20.5 in — 63.5 x 52.1 cm PROVENANCE:

Consignor’s father brought this work to Canada circa 1960 from his parents’ collection, Helsinki; Gifted to his daughter, the present Private Collection, Oakville, ON $1,000 — 1,500

16 AFTER CARLO MARATTA (1625-1713), ITALIAN THE AGONY IN THE GARDEN (19TH CENTURY COPY) Oil on canvas; indistinctly signed with a partial signature by the copyist: “Josef Ri....” inscribed indistinctly in German and inscribed with date: “1800-76” to the top stretcher 16.5 x 20.75 in — 41.9 x 52.7 cm PROVENANCE:

Private Collection, Newcastle, ON $300 — 500

17 FOLLOWER OF PAUL DE VOS (1595-1678), FLEMISH EIN MUTTERPFERDIHT FULLE (FOHLEN) GEGEN WOLFE VERTHEIDIGEN Oil on canvas; titled and indistinctly inscribed in German in pen and ink to an old label to the stretcher: “v. Adam” / “Grand, Antwerp” and indistinctly dated “1711” in pen and ink to the handwritten label verso 12.5 x 15.2 in — 31.8 x 38.7 cm PROVENANCE:

From the Estate of John L. Boehme, antique dealer and auctioneer in La Jolla, California at his two shops: John Boehme Antiques located on La Jolla Blvd., and La Galerie, located on Genter St. in La Jolla, CA from 1972-1985 before moving to Victoria, BC, where he owned Boehme Antiques located at 106 Superior St. in James Bay, Victoria, BC; By descent $2,000 — 3,000

18 ATTRIBUTED TO BARTHOLOMEUS MOLENAER (1610-1650), DUTCH FIGHTING PEASANTS Oil on panel 12.2 x 16.1 in — 31 x 41 cm PROVENANCE:

Maastricht Auction, September 2006, Lot 1105; Private Collection, Vancouver, BC $2,500 — 3,500

19 VICENTE GARCÍA DE PAREDES (1845–1903), SPANISH A ROYAL PROCESSION Oil on canvas; signed lower right 20 x 25.5 in — 50.8 x 64.8 cm $2,000 — 2,500

20 MARIO CARRARO (1896-1978), ITALIAN CARNIVAL AT ST. MARK’S SQUARE; TOWNSPEOPLE AT PALAZZO DUCALE Pair of oils on canvas; each signed lower right Each 59 x 40 in — 149.9 x 101.6 cm PROVENANCE:

From the Estate of Carolyn Box; Private Collection, Toronto $1,000 — 1,500

21 CIRCLE OF JAN PEETERS THE ELDER (CIRCA 1624-1677), FLEMISH IMAGINARY PORT WITH SHIPPING AND FIGURES WORKING WITH RUINS Oil on canvas 22 x 28 in — 53.3 x 69.9 cm $700 — 900

22 ATTRIBUTED TO CORNELIS GERRITSZ DECKER (1625-1678), DUTCH FISHING PARTY AT THE RIVER Oil on oak panel 14.5 x 19.5 in — 36.8 x 49.5 cm PROVENANCE:

Old Masters Galleries Ltd., London, UK; From whom purchased by Mr. E.G. Dentay, Toronto in March 1953 (with the original Canadian Import Certificate and original cost being 35.00 pounds sterling) and with a letter from the Old Masters Galleries dated 30 April 1953 describing this lot as “probably by Cornelis Decker” being from a former collection attributed to him; Gifted to the present Private Collection, Brampton, ON $1,200 — 1,800

23 NEAPOLITAN SCHOOL (19TH CENTURY), ITALIAN A PROCESSION OF MEDIEVAL MUSICIANS IN A CLASSICAL ARCHWAY Watercolour on thick paper. Unsigned. Sheet 7 x 13.75 in — 17.8 x 34.9 cm $150 — $250

24 MANNER OF LUCAS VAN UDEN (1595-1672), FLEMISH FIGURES IN AN EXTENSIVE RIVER LANDSCAPE WITH WINDBREAKS OF TREES IN DISTANCE Oil on canvas 11 x 15.5 in — 26 x 37.5 cm $500 — 700

25 MANNER OF NICOLAS DE LARGILLIÈRE (1656–1746), FRENCH A NOBLEWOMAN IN EMBROIDERED BURGUNDY LACE TRIMMED ELEGANT DRESS WITH BLUE DRAPERY Oil on canvas; indistinctly inscribed “Mont.....” to the bottom stretcher right verso. Unsigned. 32 x 25.5 in — 81.3 x 64.8 cm PROVENANCE:

Private Collection, Toronto $1,000 — 1,500

26 ATTRIBUTED TO GYGORY VASTAGH (VASTAG) THE ELDER (1834-1922) HUNGARIAN AFTER A 17TH CENTURY FLEMISH SCHOOL MASTER BANQUET AFTER THE HUNT (THE BANQUET OF ESTHER?) DESIGN FOR OR AFTER A TAPESTRY?, 1898 Oil with penciled grid lines on canvas with a grain that duplicates a tapestry; strengthened signature and date: “Vastagh Gz. 1898” lower right 64 x 93 in — 162.6 x 236.2 cm PROVENANCE:

Partial Hungarian export paper label to the stretcher; Private Collection, Port Carling, ON, purchased from The Barn, Mississauga, ON about 30 years ago $4,000 — 6,000

27 AFTER SIR PETER LELY (1618–1680), BRITISH PORTRAIT OF LADY ANN HOWARD (IN A RED DRESS WITH A BROWN WRAP, HOLDING A FLOWER, IN A LANDSCAPE), CIRCA 1666-1675 Oil on canvas; titled “Lady Ann Howard” and dated “Ca 1666- ‘75” to the handwritten label to the stretcher 30 x 25 in — 75.6 x 63.5 cm PROVENANCE:

From Broughton Castle sale (home of Lord and Lady Saye and Sele, Banbury, Oxfordshire) inscribed to an old pen and ink handwritten label to the stretcher, with title: “Lady Ann Howard”, as “artist unknown”, dated “circa 166675” and further inscribed: “portrait shown to Director of the National Portrait Gallery”; Private Collection, Toronto, purchased at Sloans & Kenyon Auctioneers & Appraisers, Washington in 2006 as “English School (19th century)” $3,000 — 4,000

28 FOLLOWER OF CASPAR NETSCHER (1639–1684), DUTCH LADY PLAYING A MANDOLIN, 1660 Oil on canvas; bears signature and date 1660 on the table ledge at mid-right, given to Netscher and titled to typed label verso 23 x 19 in — 58.4 x 47 cm PROVENANCE:

Private Collection, Toronto $800 — 1,200

29 ATTRIBUTED TO FRANCOIS XAVIER HENRI VERBEECK (1686-1755), FLEMISH AN ELEGANT MUSICAL CELEBRATION IN A BAROQUE HALL WITH SPECTATORS Oil on panel. Apparently unsigned. Previously given to “Pieter Cornelius Verbeeck” to the nameplate. 9 x 12 in — 22.9 x 30.5 cm PROVENANCE:

Private Collection, Carleton Place, ON $600 — 800

30 FOLLOWER OF ALEX DE ANDREIS (1880–1929), BELGIAN/BRITISH PROUD CAVALIER WITH HIS RIFLE Oil on canvas; indistinctly signed “R.J. Eland?” lower right 29.25 x 24 in — 74.3 x 61 cm $200 — 300

31 MANNER OF BERNARDINO LUINI (1475–1532), ITALIAN SAINT AGNES AND THE LAMB Oil on canvas. Unframed. 18 x 12.75 in — 45.7 x 32.4 cm $1,200 — 1,600

32 CIRCLE OF JAN THOMAS I ROOS (1591-1638), BELGIAN GOAT NURSING HER KID Oil on canvas 20 x 31 in — 50.8 x 78.7 cm PROVENANCE:

Paul Duval Collection, Toronto, acquired at D & J Ritchie Auctioneers, Toronto in the late 1980s/early 1990s $1,000 — 1,500

33 AFTER GUIDO RENI (1575-1642), ITALIAN THE VIRGIN WITH THE SLEEPING CHRIST CHILD Oil on canvas 15.25 x 13.25 in — 38.7 x 33.7 cm PROVENANCE:

D. Dinan, Gilder, New York label to the frame verso; Private Collection, Beamsville, ON $800 — 1,200

34 AFTER GERRIT DOU (1613-1675), DUTCH FIDDLER IN A WINDOW Oil on panel. A 19th century copy. 14 x 10 in — 35.6 x 25.4 cm PROVENANCE:

Private Collection, St. Louis, MO $300 — 400

35 ATTRIBUTED TO JOSEPH DE PAEZ (1720–1790), MEXICAN MADONNA DELLA SEDIA (AFTER RAPHAEL, 1483–1520, ITALIAN) Oil on canvas, a feigned tondo, laid down on masonite; signed “Joseph de Paez” lower right 25.5 x 23.75 in — 64.8 x 60.3 cm $800 — 1,200

36 FOLLOWER OF ANGELIKA KAUFFMANN (1741 - 1807), SWISS THE SHEPHERDS Oil on canvas; given to “Angelica Kauffman” to the old nameplate 29 x 24.5 in — 73.7 x 62.2 cm $500 — 700

37 MANNER OF TITIAN (B. CIRCA 1485–1576), ITALIAN THE TOILETTE OF VENUS Oil on canvas 37.75 x 30.25 in — 95.9 x 76.8 cm PROVENANCE:

Collection of Yosef Drenters, Rockwood Academy, Rockwood, ON, typed label verso; By descent $1,000 — 1,500

38 AFTER REMBRANDT HARMENSZOON VAN RIJN (1606-1669), DUTCH DANAE (DANAYA) Oil on canvas. A commissioned copy by Ukrainian artist Boris Plaksii (1937-2012). 36 x 48 in — 91.4 x 121.9 cm PROVENANCE:

Commissioned from the artist in 1999 by the present Private Collection, Thornhill, ON $1,200 — 1,800

39 FOLLOWER OF TITIAN (B. CIRCA 1485–1576), ITALIAN THE GODDESS FLORA IN A LANDSCAPE Oil on canvas. Unframed. 56 x 38 in — 142.2 x 96.5 cm $700 — 900

40 AFTER FRANS VAN MIERIS THE ELDER (1635–1681), DUTCH THE LUTE PLAYER Oil on panel. A 19th century copy. 14.5 x 11.5 in — 36.8 x 29.2 cm $300 — 500

41 FOLLOWER OF PEETER NEEFFS THE ELDER (B. CIRCA 1578 - D. CIRCA 1661), DUTCH INTERIOR OF THE DOMINICAN CHURCH OF SAINT PAUL IN ANTWERP Oil on panel. Unsigned. 20 x 16 in — 50.8 x 40.6 cm $700 — 900

42 AFTER CASPAR NETSCHER (1639-1684), DUTCH A WOMAN FEEDING A PARROT, WITH A PAGE, 1666, 19TH CENTURY COPY Oil on copper 9.75 x 8 in — 24.8 x 20.3 cm $1,000 — 1,500

43 AFTER JAN ANTHONISZ VAN RAVENSTEYN (1570-1657) AFTER MICHIEL VAN MIEREVELT (1566–1641), DUTCH PORTRAIT OF MAURICE OF NASSAU, PRINCE OF ORANGE, IN GILDED ARMOUR, BUST LENGTH Oil on panel 14 x 12 in — 35.6 x 30.5 cm $1,500 — 2,500

44 18TH CENTURY FLEMISH WASHERWOMEN FOR THE COURT IN AN EXTENSIVE LANDSCAPE WITH RUINS, A MOUNTED KINGSMAN ON GUARD NEARBY, A WOMAN CARRYING A LAMB IN THE LEFT DISTANCE, POINTS THE WAY TO A CASTLE TOWN Oil on canvas 38 x 53 in — 96.5 x 134.6 cm PROVENANCE:

New Orleans Auction Galleries, New Orleans, Louisiana in 2007; From whom purchased by the present Private Collection, Toronto $3,000 — 4,000

45 AFTER JAN ANTHONISZ VAN RAVENSTEYN (1570-1657), DUTCH PORTRAIT OF A LADY WITH LACE COLLAR Oil on cradled panel 23 x 20 in — 58.4 x 50.8 cm $2,000 — 3,000

46 19TH CENTURY, BRITISH HEAD OF A BEARDED MAN: KING LEAR? Oil on canvas; possibly signed with indistinct signature lower right 12 x 9.25 in — 30.5 x 23.5 cm $300 — 500

48 FOLLOWER OF FRANCISCO GOYA (1746–1828), SPANISH MILADY WEARING A VEIL Oil on canvas in a feigned oval, laid down to masonite board. Unframed. 22 x 17 in — 55.9 x 43.2 cm $600 — 800

49 GEORGE SHERIDAN KNOWLES (1863-1931), BRITISH WESTWARD HO! Oil on canvas; signed lower left, signed and titled in pencil to the stretcher 18 x 24 in — 45.7 x 61 cm $1,000 — 1,500

50 MANNER OF FRANÇOIS CLOUET (BORN BEFORE 1522-1572), FRENCH PRINCE CHARLES VII OF FRANCE AS A BOY Oil on canvas, in a feigned oval 21.5 x 18.5 in — 54.6 x 47 cm $4,000 — 6,000

51 AFTER JOHANN-PETER KRAFFT (1780–1856), GERMAN ZRÍNYI KIROHANÁSA SZIGETVÁRBÓL (NIKOLA ŠUBIĆ ZRINSKI’S CHARGE FROM THE FORTRESS OF SZIGETVÁR), 1825 Oil on canvas; indistinctly signed by the copyist “W. Sch..franck”? lower right 29 x 39 in — 73.7 x 99.1 cm PROVENANCE:

Private Collection, Newcastle, ON $2,000 — 3,000

52 ATTRIBUTED TO SIR JOHN HOPPNER (1758–1810), BRITISH PORTRAIT OF AN OFFICER IDENTIFIED AS “LIEUT. COLONEL CHARLES E. FRASER” (AND “LT. COLONEL FRASER”) Oil on canvas; unsigned. Given to the artist and identified as “Lieut. Colonel Charles E. Fraser” on a plaque affixed to the frame recto, with a later typed gallery label on the verso inscribed “John Hoppner R.A./ Lt. Colonel Fraser/ $1,750” attached to the verso 29.25 x 24 in — 74.3 x 61 cm PROVENANCE:

Senator Rupert Davies Collection, Kingston, ON; Mr. and Mrs. Michael Davies, Toronto; Estate Collection, Kingston, ON $2,000 — 3,000

53 19TH CENTURY SCOTTISH SCHOOL MASTER AND HIS DOGS RESTING AFTER THE DAY’S HUNT Oil on canvas. Unsigned. Framed 24 x 30 in — 61 x 76.2 cm PROVENANCE:

Private Collection, Toronto purchased at Stora Kvalitén, Stockholm in 2007 $1,000 — 1,500

54 MANNER OF SIR DAVID WILKIE (1785–1841), SCOTTISH TRONIE OF A SOLDIER IN GORGET AND TAM Oil on board 10 x 8 in — 25.4 x 20.3 cm $150 — 250

55 PRIMITIVE SCHOOL FOLLOWER OF ANTHONIE PALAMEDESZ (1601-1673), DUTCH GUARDROOM INTERIOR WITH CARD PLAYERS Oil on panel. A 19th century panel. 7.75 x 12.75 in — 19.7 x 32.4 cm PROVENANCE:

With MacKenzie & Co., Toronto gallery label verso in 1921; Private Collection, Toronto $200 — 300

56 MANNER OF DAVID TENIERS THE ELDER (1582–1649), FLEMISH A VILLAGE REVEL AROUND A MAYPOLE Oil on canvas 13.25 x 16.5 in — 33.7 x 41.9 cm $1,200 — 1,800

57 ATTRIBUTED TO PATRICK NASMYTH (1787–DIED AFTER 1831), SCOTTISH WOMAN READING UNDER A TREE Oil on British stamped board; signed “Pat. Nasmyth” in pen and ink verso 7 x 9 in — 17.8 x 22.9 cm $300 — 500

58 FOLLOWER OF THOMAS BARKER OF BATH (1769-1847), BRITISH A WOODSMAN AND HIS DOG Oil on canvas 23.75 x 19.75 in — 60.3 x 50.2 cm $200 — 300

59 ATTRIBUTED TO GEORGE MORLAND (1763-1804), BRITISH HORSE TRADERS OUTSIDE AN INN NEAR A TREE HOUSE Oil on canvas; bears initials? GM lower right, given to “G. Morland” to the nameplate, inscribed “Geo Morland?” to the inscribed handwritten label verso 18 x 24 in — 45.7 x 61 cm PROVENANCE:

Property of Captain Carter, Quebec inscribed to a partial handwritten label further inscribed “Geo Morland?” to this label to the frame verso; By descent through the family to the present Private Collection, Dingwall, NS $1,000 — 1,500

60 FOLLOWER OF JOHN CONSTABLE (1776–1837), BRITISH THE WOOD GATHERERS, HAMPSTEAD Oil on panel; given to John Constable and titled to the old nameplate. Unsigned. 16 x 12.5 in — 40.6 x 31.8 cm PROVENANCE:

Senator Rupert Davies Collection, Kingston, ON; Mr. and Mrs. Michael Davies, Toronto; Estate Collection, Kingston, ON $700 — 900

61 CIRCLE OF SIR JOHN HOPPNER (1758–1810), BRITISH YOUNG WOMAN IN HIGH-WAISTED WHITE DRESS SEATED IN CHAIR IN A LANDSCAPE, TREES IN THE DISTANCE Oil on canvas. Unsigned. 29.5 x 24.25 in — 74.9 x 61.6 cm PROVENANCE:

Collection Leighton Hall, Lancashire, England; Collection of Senator Rupert Davies, Kingston, ON; By descent to the present Estate Collection, Kingston, ON $2,000 — 3,000

62 ***FRANCOIS (ACTIVE EARLY 19TH CENTURY), GERMAN/ FRENCH? “THE DEAF MUTES” Oil on panel; given to “C. Francois” and titled to the frame recto, an indistinct handwritten pen and ink label written in German verso, possibly written by the artist certifying the work, inscribed “No. 243” (?) and signed indistinctly “Der Francois” and inscribed in another hand: “C. Francois” to the label, with a red wax collector’s seal to the verso 11.5 x 13.75 in — 29.2 x 34.9 cm PROVENANCE:

John King, Dealers in Works of Art, Carver Guilder and Picture Manufacturer, 83 Renshaw Street, Liverpool label verso; Private Collection, Newcastle, ON $700 — 900

63 FOLLOWER OF JEAN-BAPTISTE GREUZE (1725-1805), FRENCH YOUNG GIRL IN A PINK HAIR SCARF Oil on canvas, painted as an oval on a square stretcher Oval 18.2 x 14.75 in — 46.2 x 37.5 cm $2,000 — 3,000

64 FRANKLIN DULLIN BRISCOE (1844-1903), AMERICAN RESTING LANDSKNECHT, 1882 Oil and mixed media on card; signed and dated 1882 lower right 21 x 15.75 in — 53.3 x 40 cm PROVENANCE:

Sold at Sotheby’s in “The Contents of Giralda from the Collection of the Late Geraldine Rockefeller Dodge At Madison, NJ - October 7 - 11, 1975” printed label verso backing; The Town House Antiques, St. Catharines, ON stamp to paper backing $600 — 800

65 FOLLOWER OF JEAN-ANTOINE WATTEAU (1684–1721), FRENCH GARDEN WITH LOVERS, A DOG AT THE LEFT LOOKS ON Oil on cradled panel 10 x 12 in — 25.4 x 30.5 cm $800 — 1,200

66 CIRCLE OF WILLIAM HOARE (1706–1799), BRITISH WILLIAM LEIGH OF LONGBOROUGH & ADLESTROP. OBT.: 1757. AET. 66 Oil on canvas; titled along the top edge. Unframed. 50 x 40 in — 127 x 101.6 cm $1,200 — 1,800

67 CIRCLE OF CORNELIUS JOHNSON (CORNELIUS JANSSEN VAN CEULEN) (1593–1661), DUTCH/BRITISH PORTRAIT OF A YOUNG WOMAN WITH LONG DARK CURLS IN A 17TH CENTURY GREEN DRESS WITH WHITE RUFFLED AND PLEATED BODICE Oil on copper, sculpted oval. Given to “C. Janssens (1590-1665)” to the liner 9.5 x 7.75 in — 24.1 x 19.7 cm PROVENANCE:

Ex. Coll. Gloria Eisen, Toronto; By descent to her daughter, Guelph, ON $300 — 500

68 HUDSON RIVER SCHOOL (19TH CENTURY), AMERICAN IMAGINARY LANDSCAPE WITH RUINS, ELEGANT FIGURES AND NATIVE AMERICANS PLAYING MUSICAL INSTRUMENTS Oil on canvas laid down to board 33 x 47.5 in — 83.8 x 120.7 cm PROVENANCE:

Estate Collection, Montreal $600 — 800

69 ATTRIBUTED TO JOHN SINGLETON COPLEY (1738-1815), ANGLO-AMERICAN CATHERINE HARVEY (NEE SPRINGETT), DIED 1809, AGE 84, MARRIED RICHARD HARVEY, 1794 Ink and watercolour on paper in a sculpted oval with hand-drawn oval, ruled watercolour matboard; signed and inscribed: “J.S. Copley: Pinx.” and dated 1794 lower left, titled and further inscribed “from Lubel for Lianne?” in an unknown hand in pencil verso Sheet/Image 12.4 x 10.4 in — 31.5 x 26.5 cm; 9 x 7.75 in — 22.9 x 19.7 cm PROVENANCE:

Inscribed “From Lubel for Lianne” in pencil verso $300 — 500

70 AFTER HUBERT ROBERT (1733–1808), FRENCH CAMPAGNE ROMAINE Oil on canvas laid down on masonite; titled and inscribed “Campagne ’Romaine’ d’Apres Hubert Robert” lower left 22 x 18.4 in — 55.9 x 46.7 cm $500 — 700

71 ATTRIBUTED TO JAN JOSEFSZ VAN GOYEN (1596-1656), DUTCH RIVER LANDSCAPE WITH FISHERMEN LEAVING THEIR NETS BY A RUINED TOWER Oil on panel 13.25 x 15.5 in — 33.7 x 39.4 cm $2,500 — 3,500

72 FOLLOWER OF JOHN CONSTABLE (1776-1837), BRITISH NEAR DEDHAM, SUFFOLK Oil on board laid down to cardboard backing; titled in pencil to the frame, given to John Constable and titled to the frame liner recto. Unsigned. 9.5 x 7.75 in — 24.1 x 19.7 cm PROVENANCE:

With Haynes Art Gallery, Toronto label verso backing; Collection of Dr. and Mrs. J. Robert Nicholson, London, ON $500 — 700

73 FOLLOWER OF FELIX ZIEM (1821-1911), FRENCH VENICE, LOOKING TOWARDS SAN MARCO Oil on panel; signed lower right 18.5 x 26.75 in — 47 x 67.9 cm PROVENANCE:

Collection of Dr. and Mrs. J. Robert Nicholson, London, ON $500 — 700

74 P*** (PAUL?) LING (19TH/20TH CENTURY), EUROPEAN BOULOGNE Oil on canvas; signed “P. Ling” and signed with overlapping initial monogram “PL” lower right, inscribed “Boulogne” in pencil to the frame verso 27 x 36 in — 68.6 x 91.4 cm PROVENANCE:

Toronto Board of Trade, Toronto; Private Collection, Toronto $3,000 — 4,000

75 MANNER OF JOHN CONSTABLE (1776-1837), BRITISH SUFFOLK LANDSCAPE WITH WINDMILL, CATTLE AND FIGURES Oil on panel: signed indistinctly “Wills ...”? lower right, a gallery label verso dated 15 Nov. 1932 that states: “This picture was purchased privately from Henry Hawkings Esq., a collector, from whom, we understand, he bought it from an executor of the estate which was sold some long time ago. The picture is, in our opinion, a very fine example of the master’s broad period, and possibly an original sketch for a much larger picture.” Contained in a handcarved frame. 15 x 26 in — 38.1 x 66 cm PROVENANCE:

Williams & Sutch, The United Arts Gallery, London, typed label dated Tuesday 15th Nov. 1932 verso Purchased by the gallery from Henry Hawkins Esq.; From whom purchased by Mr. Hawkins from an Executor’s estate “sold some time ago”; Collection of Dr. and Mrs. J. Robert Nicholson, London, ON $1,500 — 2,500

76 MANNER OF GAINSBOROUGH DUPONT (1754–1797), BRITISH ROCKY WOODED RIVER LANDSCAPE WITH WATERFALL, MAN AT FISH NET, AND CASTLE ON DISTANT MOUNTAIN Oil on canvas; given to Thomas Gainsborough with typed gallery label verso inscribed: “Waterfall & landscape with man fishing by Thomas Gainsborough, $2,500” 18 x 23 in — 45.7 x 58.4 cm $800 — 1,200

77 19TH CENTURY BRITISH COUNTRY ROAD, WITH TWO FIGURES BEFORE A THATCHED COTTAGE IN FALL Oil on canvas; given to John Constable to the nameplate frame recto. Unsigned. 28 x 36 in — 71.1 x 91.4 cm $400 — 600

78 F*** GOODALL (19TH CENTURY), BRITISH PAIR OF BUSY CONTINENTAL COASTAL VIEWS: CATHEDRAL TOWN WITH TIMBER WAGON; FIGURES WORKING ON BOATS ON A DUTCH SHORELINE Pair of oils on canvas; each signed: “Frank Goodall RA” lower left and lower right respectively, the first title, signed “F (script compounded first initial “F”) Goodall RA” in black paint verso Each 10 x 14 in — 25.4 x 35.6 cm PROVENANCE:

Private Collection, Toronto $1,000 — 1,500

79 CARLO COPPINI (19TH CENTURY), ITALIAN CHICKS IN A SHOE; DUCKLINGS IN A POOL Two oils on board, each a sculpted oval; each signed at Firenze lower right. Both unframed. Each oval 6.75 x 8.5 in — 17.1 x 21.6 cm $200 — 400

80 FOLLOWER OF GUIDO RENI (1575–1642), ITALIAN MADONNA IN ECSTASY Oil on canvas. Late 19th to early 20th century canvas. 14 x 12 in — 35.6 x 30.5 cm PROVENANCE:

Prominent Private Collection of a former museum curator, Fredericton, NB, acquired in Montreal years ago $300 — 500

81 AFTER A 16TH CENTURY GERMAN SCHOOL MASTER CHRIST AS SALVATOR MUNDI (SAVIOR OF THE WORLD, WHO RAISES HIS RIGHT HAND IN BLESSING AND IN HIS LEFT HOLDS A GLOBE REPRESENTING THE EARTH), 1543, PRINTED LATER Colour woodcut; signed with gilt indistinct monogram initials and dated 1543 in the plate lower right Trimmed to the plate 10.7 x 6.9 in — 27.2 x 17.4 cm $100 — 150

82 ATTRIBUTED TO JAN SWART VAN GRONINGEN (B. CIRCA 1500 D. CIRCA 1560), DUTCH THE BIRTH OF THE VIRGIN, CIRCA 1530 Ink and watercolour en grisaille heightened with white on laid paper; bears Albrecht Durer’s monogram and date 1513 (later additions of circa 1530 or later), possibly done for a woodcut, as a model Sheet 10.4 x 8.8 in — 26.3 x 22.3 cm PROVENANCE:

Ex. Coll. Mrs. H.A. Ibbotson, Los Angeles, California in 1945; Private Collection, Vancouver, B.C. $3,000 — 4,000

83 ATTRIBUTED TO MARCANTONIO RAIMONDI (B. CIRCA 1480–1527), ITALIAN MADONNA AND CHILD WITH SAINTS JOHN THE BAPTIST AND ELIZABETH IN THE CLOUDS Sepia ink on vellum; unsigned, inscribed in a recent hand: “Marcantonio Raimondi” in pencil to the wood backboard verso Sheet 9.5 x 7 in — 24.1 x 17.8 cm PROVENANCE:

Collection of Dr. and Mrs. J. Robert Nicholson, London, ON $1,000 — 1,500

84 FOLLOWER OF LEONARDO DA VINCI (1452–1519), ITALIAN HEAD OF A RENAISSANCE BEARDED MAN Red chalk drawing on laid paper, arched at the top Sheet, irregularly shaped 4.5 x 3 in — 11.4 x 7.6 cm PROVENANCE:

Private Collection, Toronto by descent from their grandparents’ home in Istanbul and their parents’ home in Toronto, ON $700 — 900

85 SCHOOL OF RAPHAEL SANZIO DA URBINO (1483–1520), ITALIAN TWO APOSTLES ASCENDING STAIRS; APOSTLE AND CLERICS MEETING Two sepia-toned wash drawings on laid paper with circular watermark with a fivepoint star; each bears signature: “Raffaello d’Urbino” in pen and ink lower left Sheets, respectively 10.4 x 7.9 in — 26.3 x 20 cm; 11 x 8.25 in — 27.9 x 21 cm PROVENANCE:

Private Collection, Toronto by descent from their grandparents’ home in Istanbul and their parents’ home in Toronto, ON $1,500 — 2,500

86 ATTRIBUTED TO FRANCESCO ALBANI (1578-1660) AFTER PAOLO VERONESE (1528-1588), ITALIAN IL RATTO D’EUROPA Red chalk drawing and pencil heightened with white on heavy laid paper, possibly laid down to another sheet, with indistinct crowned shield watermark, bears signature “Paolo Veronese” in pen and ink lower left, signed “Albani” and titled “Il ratto d’Europa (Albani) 16” in pencil verso Sheet 9.8 x 15.4 in — 25 x 39 cm PROVENANCE:

Private Collection, Toronto by descent from their grandparents’ home in Istanbul and their parents’ home in Toronto, ON $1,000 — 1,500

87 AFTER JACQUES CALLOT (1592-1635), FRENCH FOUR PLATES (FROM LES GUEUX/ THE BEGGARS) Four etchings on laid paper with partial watermark with an “X” at bottom of a shield? to one. Published by John Bowles & Son, London, c.1622-1670. Contained in two frames. Each plate 5.1 x 3.3 in — 13 x 8.5 cm $300 — 500

88 NICOLAES PIETERSZOON BERCHEM (1620-1683), DUTCH STUDY OF A FLUTE PLAYER, SPINNER, AND A DOG Graphite on heavy laid paper; signed with a script initial “B” in sepia ink to the mid right under the figure of the man, inscribed “Berchom (sic) Nicola” in pencil verso Sheet 6.5 x 5 in — 16.4 x 12.6 cm $800 — 1,200

89 18TH CENTURY FRENCH SCHOOL MALE NUDE SEATED WITH A POLE Charcoal drawing heightened with white on blue laid paper; an indistinct initial monogram in pencil verso Sheet 13.9 x 10.6 in — 35.4 x 27 cm PROVENANCE:

Prominent Private Collection of a former museum curator, Fredericton, New Brunswick $400 — 600

90 MANNER OF WILLIAM BLAKE (1757–1827), BRITISH MALE NUDE SEATED IN PROFILE FACING TO THE LEFT Charcoal with watercolour en grisaille on J Whatman watermarked paper Sheet 13.5 x 10.6 in — 34.3 x 27 cm PROVENANCE:

Prominent Private Collection of a former museum curator, Fredericton, New Brunswick $400 — 600

91 JOSHUA CRISTALL (1767-1847), BRITISH HYLAS AND THE WATER NYMPHS, CIRCA 1807 Pen and ink and pencil drawing heightened with sepia-toned watercolour wash on wove paper mounted at the edges to a ruled mat surround with cutout to expose the verso of the drawing sheet; the drawing sheet, signed with initials “J. C” in pencil lower left, certified and titled to The Morris Gallery signed and inscribed label verso backing Sheet 5.5 x 8.7 in — 14 x 22 cm PROVENANCE:

Morris Gallery, Toronto label verso; The Estate of Barbara Mercer, Toronto EXHIBITED:

According to The Morris Gallery, signed, certified and inscribed gallery label verso, “Another version of this drawing was No. 239 in the Cristall exhibition at the Victoria and Albert Museum in 1975.” $400 — 600

92 PHILIBERT LOUIS DEBUCOURT (1765-1832), FRENCH CARICATURE OF FASHION, 1801 Watercolour and pen on paper; signed and dated “Debucourt 1801” lower right Sight 6.5 x 9 in — 16.5 x 22.9 cm $500 — 700

93 SCHOOL OF FRANÇOIS BOUCHER (1703–1770), FRENCH HEAD OF A LADY LOOKING LEFT Red chalk drawing on laid paper Sheet 8.7 x 5.9 in — 22 x 15 cm $300 — 500

94 ATTRIBUTED TO RICHARD EARLOM (1743–1822) AFTER CLAUDE LORRAIN (1600–1682), BRITISH/FRENCH CLASSICAL RUINS WITH FIGURES AT A TABLET IN A LANDSCAPE Red chalk drawing Sheet 14 x 11 in — 35.6 x 27.9 cm PROVENANCE:

Private Collection, Toronto by descent from their grandparents’ home in Istanbul and their parents’ home in Toronto, ON $500 — 700

95 ITALIAN SCHOOL - MILANESE (18TH/19TH CENTURY) SEATED MALE NUDE FACING RIGHT HOLDING A TOOL Black chalk drawing heightened with white Sheet 18.25 x 12.75 in — 46.4 x 32.4 cm PROVENANCE:

Franco Panizza, a resident of Milan, Italy, circa 1900; Gifted to his son, Albert Panizza, Milan, Italy; Thence to Canada with him in 1955; By descent to his son the present Private Collection, Bracebridge, ON $500 — 700

96 ITALIAN SCHOOL - MILANESE (18TH/19TH CENTURY) DEMETER: STUDY OF AN ANTIQUE FIGURAL SCULPTURE OF THE WINE HARVEST Graphite drawing heightened with white chalk on paper depicting a stone sculpture by “Galli R?”; indistinctly signed lower left Sheet 21.5 x 14 in — 54.6 x 35.6 cm PROVENANCE:

Grandfather Franco Panizza, a resident of Milan, Italy, circa 1900; Gifted to his son, Albert Panizza, Milan, Italy; Thence to Canada with him in 1955; By descent to his son the present Private Collection, Bracebridge, ON $300 — 500

97 ITALIAN SCHOOL - MILANESE (18TH/19TH CENTURY) SEATED THINKER Red chalk heightened with white on antique paper; indistinctly signed in pen and ink middle right on the ledge Sheet, irregular 18.5 x 12.75 in — 47 x 32.4 cm PROVENANCE:

98 ITALIAN SCHOOL - MILANESE (18TH/19TH CENTURY) THE BRICKLAYER Red chalk drawing Sheet 17.3 x 10.4 in — 44 x 26.5 cm PROVENANCE:

99 ATTRIBUTED TO AN 18TH CENTURY BAROQUE MASTER, FRENCH MAN IN HIS STUDY LOOKING UPWARDS Sepia pen and ink drawing on thin paper, glued down at the corners to a handruled mat covered with blue paper verso Sheet 4.7 x 5.8 in — 12 x 14.7 cm PROVENANCE:

Private Collection, Toronto by descent from their grandparents’ home in Istanbul and their parents’ home in Toronto, ON $200 — 300

100 FRANCESCO BARTOLOZZI (1727-1815), ITALIAN THE PORTRAIT OF ANIBALE CARACCI DRAWN BY HIMSELF; PORTRAIT OF A BEARDED MAN Two engravings; each dated 1760s at London in the plate. Contained in Victorian gilt frames with red velvet liners. Plate 8.1 x 7.3 in — 20.5 x 18.5 cm; 10.7 x 7 in — 27.3 x 17.7 cm PROVENANCE:

Private Collection, Toronto $150 — 250

Artist Index

Albani, Attributed to Francesco (86)

Fanfani, Enrico (13) Flemish, 18th Century (44) Ford, Harriet Mary (7) Fragonard, Circle of Jean-Honoré (8) Francois, *** (62) French, 18th Century School (89)

B Barker of Bath, Follower of Thomas (58) Baroque, Attributed to an 18th Century Master (99) Bartolozzi, Francesco (100) Berchem, Nicolaes Pieterszoon (88) Blake, Manner of William (90) Boucher, Follower of François (2) Boucher, School of François (93) Briscoe, Franklin Dullin (64) British, 19th Century (77) British, 19th Century School (46) C Callot, After Jacques (87) Carraro, Mario (20) Clouet, Manner of François (50) Constable, Follower of John (72, 60) Constable, Manner of John (75) Copley, Attributed to John Singleton (69) Coppini, Carlo (79) Cristall, Joshua (91)

G German, Attributed to a 16th Century Master (81) Goodall, F*** (78) Goya, Follower of Francisco (48) Greuze, Follower of Jean-Baptiste (63) H Hoare, Circle of William (66) Hoppner, Attributed to Sir John (52) Hoppner, Circle of Sir John (61) Hudson River School (68) I Italian, Milanese School (95, 96, 97, 98) Italian, Neapolitan School (23)

Da Vinci, Follower of Leonardo (84) Debucourt, Philibert Louis (92) Decker, Attributed to Cornelis Gerrits (22) De Andreis, Follower of Alex (30) De Largillière, Manner of Nicolas (25) De Paez, Attributed to Joseph (35) De Paredes, Vicente García (19) De Vos, Follower of Paul (17) Dou, After Gerrit (34) Dupont, Manner of Gainsborough (76)

Johnson, Circle of Cornelius (67)

E Earlom, Attributed to Richard (94)

K Kauffmann, Follower of Angelika (36) Knowles, George Sheridan (49) Krafft, After Johann-Peter (51) L Lely, After Sir Peter (27) Ling, P*** (Paul?) (74) Luini, Manner of Bernardino (31)

Manzuoli, Egisto (14) Maratta, After Carlo (16) Mazzolini, Attributed to Giuseppe (6) Mazzolini, Giuseppe (4) Molenaer, Attributed to Bartholomeus (18) Morland, Attributed to George (59) Nasmyth, Attributed to Patrick (57) Neeffs the Elder, Follower of Peeter (41) Netscher, After Caspar (42) Netscher, Follower of Caspar (28)

Van Goyen, Attributed to Jan Josefsz (71) Van Groningen, Attributed to Jan Swart (82) Van Mieris the Elder, After Frans (40) Van Uden, Manner of Lucas (24) Van Ravensteyn, After Jan Anthonisz (43, 45) Van Rijn, After Rembrandt Harmenszoon (9, 38) Vastagh, Attributed to Gygory (26) Velรกzquez, Follower of Diego (12) Verbeeck, Attributed to Francois Xavier Henri (29)

P Palamedesz, Primitive School Follower of Anthonie (55) Peeters the Elder, Circle of Jan (21) R Raimondi, Attributed to Marcantonio (83) Raphael, School of (85) Reni, After Guido (33) Reni, Follower of Guido (15, 80) Reynolds, After Sir Joshua (1, 3) Robert, After Hubert (70) Roos, Circle of Jan Thomas I (32) Rubens, After Peter Paul (5) S Santoro, Giovanni Battista (10) Scottish, 19th Century School (53) T Teniers the Elder, Manner of David (56) Tiepolo, Follower of Giovanni Battista (11) Titian, Follower of (39) Titian, Manner of (37)

W Watteau, Follower of Jean-Antoine (65) Wilkie, Manner of Sir David (54) Z Ziem, Follower of Felix (73)

Buying at Waddington’s All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.

condition of lots

All of the items are to be considered, unless otherwise noted in the description or condition report, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should examine the pieces in person or have our staff answer any questions before bidding. Sizes are approximate. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale. Frames on artwork are not included as part of purchase or condition.

buyers premium

A premium of 20% of the successful bid price of each lot. A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.

payment

Payment for purchases must be by cash, INTERAC direct debit (CDN clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), VISA or Mastercard (up to $25,000). ALL PRICES IN CANADIAN FUNDS

Selling at Waddington’s bidding

The Auctioneer may also execute bids on behalf of the consignor to protect the reserve. The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.

shipping

waddington’s commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $251 to $2,500 20%

The Auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable preauction estimates of shipping costs of lots offered in this sale may be obtained from:

Items selling for $250 or less 25%

PakShip

*There is a minimum handling charge of $20 per item

Safer Shipping Inc. 416-299-3367 / 416-299-9750 perry@safershipping.ca / www.safershipping.ca

A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.

905-470-6874 / 905-470-6875 / 416-293-8225 taurus@pakship.ca / www.pakship.ca

removal of purchases

Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.

cites

Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species). This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries. Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained. Please contact the department for further assistance. Failure to obtain necessary import/ export permits will not void any sale. All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s. For more information please visit: www.cites.org

*There is a minimum handling charge of $20 per item canadian art department commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $2,500 or less 20%

insurance

auction advice

For auction advice on paintings, drawings, prints, jewellery, and various forms of decorative arts and other collectibles, please feel free to contact us via email or telephone. We are pleased to review emails containing photographs and information on your pieces in order to provide auction estimates for you to consider. For collections with a variety of objects, please contact our Appraisals and Consignments department (consignments@waddingtons. ca). For department-specific inquiries, please contact the specialist and/or department directly. All contact information can be found at www.waddingtons.ca. Our offices are located in Toronto and Vancouver, but our specialists occasionally travel to major Canadian cities to meet with prospective consignors. To receive more information on Valuation Days across Canada or to arrange an appointment, please contact our Toronto office (416-504-9100). Please note that property typically arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.

Conditions of Sale 1. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made. An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid accordingly. 2. Each lot sold is subject to a 20% buyers premium as part of the purchase price. 3. Unless exempted by law, the buyer is required to pay Harmonized Sales Tax on the total purchase price including the buyer’s premium. For international buyers, taxes are not applicable when purchases are shipped out of country. Items shipped out of Ontario, the buyer is required to pay taxes as per the tax status of that province, whether it HST or GST (Goods and Services Tax).

6. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale. 7. The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final. 8. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale. 9. The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, after which storage charges may be incurred.

4. The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice.

10. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away.

5. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized.

11. Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14

days following the sale a written opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a written request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer. 12. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), and VISA or Mastercard (up to $25,000). 13. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for: (a) any deficiency in price between the resale amount and the amount to have been paid by the original buyer; (b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer; and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer. 14. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them. 15. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada). 16. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.

Waddingtonâ&#x20AC;&#x2122;s 275 King Street East, Second Floor Toronto, Ontario M5A 1K2

tel: 416-504-9100 toll free: 1-877-504-5700 www.waddingtons.ca