Asian Art D ECE MBE R 5 — 10, 2 02 0
Asian Art DECE MB E R 5 — 10, 2 02 0
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cover Lot 113 A Pair of Blue and White ‘Ladies and Phoenix’ Barbed Rim Dishes, Kangxi Period (1662-1722) (Detail)
inside cover
Lot 63 A Large Chinese Yellow Embroidered Silk ‘Dragon’ Hanging, 19th Century (Detail)
inside back cover Lot 53 A Landscape Painting Album, Dated 1924
back cover Lots 143 A Suit of Samurai Armour (Tosei Gusoku), Edo Period (1615-1868) Lots 144 A Suit of Samurai Armour (Tosei Gusoku) and Box with Go-San Kiri Mon All Matching and En-Suite, Momoyama (1573-1615) to Edo Period (1615-1868) Lots 145 A Suit of Black Lacquer Samurai Armour (Tosei Gusoku), Momoyama (1573-1615) to Edo Period (1615-1868)
This catalogue and its contents © 2020 Waddington McLean & Company Ltd.
This auction is subject to the Conditions of Sale printed in the back of this catalogue.
Photography & design by Waddington’s All rights reserved.
1 TWO WELL-CARVED AGATE SNUFF BOTTLES, QING DYNASTY 清 玛瑙巧雕鼻烟壶两只 Both of rounded, rectangular form and of soft, pale grey tone, the larger bottle well-hollowed with a tiger carved in relief on one side, a deer holding a branch of lingzhi with bats on the other; the smaller bottle with a continuous landscape with scholar, with jadeite stopper and wood stand tallest height 3 in — 7.5 cm PROVENANCE:
Estate of Lois Orkin, Toronto 来源: 多伦多路易斯·奥金女士遗产珍藏 $600 — 800
2 A MOSS AGATE SNUFF BOTTLE, QING DYNASTY 清 藓纹玛瑙鼻烟壶 Of compressed form, carved on each narrow side with a mask-and-ring handle, the transparent stone with natural markings, coral stopper and wood stand; 珊瑚盖帽 height 3 in — 7.7 cm PROVENANCE:
Estate of Lois Orkin, Toronto 来源: 多伦多路易斯·奥金女士遗产珍藏 $300 — 500
3 A DOUBLE-VASE AGATE SNUFF BOTTLE, QING DYNASTY 清 双联瓶式玛瑙鼻烟壶 Of translucent greyish honey tone, cylindrical double-vase form with waisted necks, flat lip, circular foot ring, with wood stand height 2.6 in — 6.7 cm PROVENANCE:
Estate of Lois Orkin, Toronto 来源: 多伦多路易斯·奥金女士遗产珍藏 $300 — 500
4 A CHINESE BANDED AGATE SNUFF BOTTLE, 18TH/19TH CENTURY 十八/十九世纪 中国玛瑙天然玉带纹鼻烟壶 Well-hollowed and of compressed upright form, with a flat lip, supported on an oval foot ring, the stone with white horizontal bands contrasted with faint vertical bands, topped with pink rose quartz stopper, with stand 带座， 鼻烟壶净高6.2厘米 height 2.4 in — 6.2 cm $300 — 500
5 A CARVED WHITE JADE AND RUSSET PEBBLE-FORM SNUFF BOTTLE, 18TH CENTURY 十八世纪 白玉俏色雕梅竹纹鼻烟壶 One side carved with plum blossoms, the other carved with lingzhi under bamboo branches length 2.8 in — 7.2 cm PROVENANCE:
Estate of Lois Orkin, Toronto 来源: 多伦多路易斯·奥金女士遗产珍藏 $600 — 800
6 A FILIGREE AND PRECIOUS STONE EMBELLISHED JADE SNUFF BOTTLE, 19TH CENTURY 十九世纪 银丝嵌宝青白玉鼻烟壶 The openwork yellow-metal filigree with various precious stone insets and a silvermounted stopper height 3.1 in — 8 cm PROVENANCE:
Estate of Lois Orkin, Toronto 来源: 多伦多路易斯·奥金女士遗产珍藏 $600 — 800
7 A GROUP OF THREE CARVED JADE SNUFF BOTTLES 玉雕鼻烟壶一组三件 The first carved with three bats; the second with two chilong dragons amongst plumes of billowing smoke, with jadeite stopper, and the third with a dragon appearing from wisps of clouds, russet skin and with a jadeite stopper; 另两只翡翠盖帽 height 3.1 in — 8 cm PROVENANCE:
Estate of Lois Orkin, Toronto 来源: 多伦多路易斯·奥金女士遗产珍藏 $500 — 800
8 A GROUP OF FIVE WHITE JADE SNUFF BOTTLES, QING DYNASTY 清 白玉鼻烟壶一组五件 Of double-gourd, square, and compressed ovoid forms, with nephrite, amethyst, and jadeite stoppers; 含玉，紫水晶，以及翡翠盖帽 tallest height 2.7 in — 6.9 cm PROVENANCE:
Estate of Lois Orkin, Toronto 来源: 多伦多路易斯·奥金女士遗产珍藏 $1,000 — 1,500
9 TWO JADEITE SNUFF BOTTLES, TOGETHER WITH TWO JADEITE CARVINGS, 19TH/20TH CENTURY 十九/二十世纪 翡翠鼻烟壶 佛手瓶 小杯一 组四件 Consisting of two snuff bottles, one ‘Buddha’s hand’ citron carving, and a miniature cup carved with a flower and grapes; with pink quartz stoppers; 粉晶盖帽 longest length 2.4 in — 6 cm PROVENANCE:
Estate of Lois Orkin, Toronto 来源: 多伦多路易斯·奥金女士遗产珍藏 $500 — 700
10 A GROUP OF THREE AGATE AND CARNELIAN CARVED SNUFF BOTTLES, 19TH/20TH CENTURY 十九/二十世纪 玛瑙巧雕佛手 花瓶鼻烟壶两 只 红玉髓玉形鼻烟壶一组三只 Consisting of an agate ‘Buddha’s hand’ citron snuff bottle, a tapered agate snuff bottle with floral stems, and a carnelian carved fish snuff bottle with jadeite stopper; 红玉髓鼻烟壶带 翡翠盖帽 largest length 3 in — 7.6 cm PROVENANCE:
Estate of Lois Orkin, Toronto 来源: 多伦多路易斯·奥金女士遗产珍藏 $400 — 600
11 A RARE CARVED AMBER ‘DOUBLEMELON’ SNUFF BOTTLE, 19TH/20TH CENTURY 十九/二十世纪 琥珀巧雕双瓜纹鼻烟壶 With wood stand; 带座 height 2.7 in — 6.8 cm PROVENANCE:
Estate of Lois Orkin, Toronto 来源: 多伦多路易斯·奥金女士遗产珍藏 $300 — 500
12 A CARVED CORAL ‘LADY AND PARROT’ SNUFF BOTTLE, 19TH/20TH CENTURY 十九/二十世纪 珊瑚雕仕女鼻烟壶 height 3.1 in — 8 cm PROVENANCE:
Estate of Lois Orkin, Toronto 来源: 多伦多路易斯·奥金女士遗产珍藏 NOTE:
Contains material which may be subject to import/export regulation $400 — 600
13 A GROUP OF THREE IVORY SNUFF BOTTLES, EARLY 20TH CENTURY 二十世纪早期 牙雕鼻烟壶一组三件 The first polychromed and mother-of-pearl inlaid with a lady; the second with a ‘bel-esprit and beautiful woman’ carved on one side and a poem on the other; and the third carved with a scholar on one side and ladies on the other; 包含牙雕加彩嵌母贝仕女鼻烟壶；牙雕’才子 佳人’诗文鼻烟壶；牙雕’松下高仕图’鼻烟壶 共三只 tallest height 2.8 in — 7.2 cm PROVENANCE:
Estate of Lois Orkin, Toronto 来源: 多伦多路易斯·奥金女士遗产珍藏 NOTE:
Contains material which may be subject to import/export regulation $300 — 500
14 A GROUP OF THREE CLOISONNÉ SNUFF BOTTLES, 19TH/20TH CENTURY 十九/二十世纪 铜胎掐丝珐琅鼻烟壶一组 三件 With antiques, two hares, and crane motifs tallest height 3.3 in — 8.5 cm PROVENANCE:
Estate of Lois Orkin, Toronto 来源: 多伦多路易斯·奥金女士遗产珍藏 $400 — 600
15 TWO BLUE AND WHITE PORCELAIN SNUFF BOTTLES, 19TH CENTURY 十九世纪 青花鼻烟壶一组两件 Consisting of a copper red blue and white snuff bottle, Yongzheng mark to base, with wood stand; and a blue and white ‘Shou’ character snuff bottle with jade stopper; 包含 青花釉里红人物故事纹鼻烟壶’大清雍正年 制底款’, 青花’寿’字纹鼻烟壶,玉盖帽 tallest height 2.6 in — 6.5 cm PROVENANCE:
Estate of Lois Orkin, Toronto 来源: 多伦多路易斯·奥金女士遗产珍藏 $400 — 600
16 A GROUP OF THREE FAMILLE ROSE MOULDED SNUFF BOTTLES, 19TH/20TH CENTURY 十九/二十世纪 模制瓷胎鼻烟壶一组三件 The first depicting the Eight Immortals, the second with nine Buddhistic lions, both with Qianlong marks to the base, the final moulded and enameled in the shape of a squirrel clinging to leafy grapevines tallest height 3.5 in — 9 cm PROVENANCE:
Estate of Lois Orkin, Toronto 来源: 多伦多路易斯·奥金女士遗产珍藏 $300 — 500
17 A FINE WHITE JADE ‘BOY AND LINGZHI’ CARVING, QING DYNASTY 清 白玉雕童子持灵芝把件 Carved in the round in openwork to depict a boy holding a sprig of lingzhi over one shoulder and crouched over a small drum length 1.7 in — 4.4 cm PROVENANCE:
Acquired through descent from a Toronto family 来源: 多伦多家族遗产 $3,000 — 5,000
18 A PALE CELADON JADE ‘BOYS’ GROUP, QING DYNASTY 清 青白玉雕双童子摆件 Carved with a boy carrying a smaller boy on his shoulders, with wood stand height 2.7 in — 6.8 cm PROVENANCE:
Acquired through descent from a Toronto family 来源: 多伦多家族遗产 $800 — 1,200
19 A WHITE JADE BELT HOOK, QING DYNASTY 清 白玉雕苍龙教子带钩 length 4.5 in — 11.5 cm PROVENANCE:
Acquired through descent from a Toronto family 来源: 多伦多家族遗产 $800 — 1,200
20 A MOTTLED WHITE JADE BELT HOOK, QING DYNASTY 清 白玉雕苍龙教子带钩 length 3.7 in — 9.5 cm PROVENANCE:
Acquired through descent from a Toronto family 来源: 多伦多家族遗产 $800 — 1,200
21 A WHITE JADE VASE, TOGETHER WITH A PALE CELADON JADE CUP, 19TH/20TH CENTURY 十九/二十世纪 玉瓶玉杯一组两件 Both with wood stands; 均带座; 玉杯高 5.6cm vase height 3.5 in — 9 cm PROVENANCE:
Estate of Lois Orkin, Toronto 来源: 多伦多路易斯·奥金女士遗产珍藏 $200 — 400
22 A WHITE JADE RUYI-SCEPTRE HEAD ‘PEACHES’ PLAQUE 白玉雕’福寿双全’如意头 Carved in relief in the form of a peach, depicting three peaches and a bat in flight, with stand; 带木座 3.5 x 4.2 in — 8.9 x 10.6 cm PROVENANCE:
Estate of Lois Orkin, Toronto 来源: 多伦多路易斯·奥金女士遗产珍藏 $200 — 400
23 A WHITE JADE ‘BATS’ INSET TABLE SCREEN, LATE QING DYNASTY 晚清 硬木嵌龙纹白玉雕云蝠砚屏 The pierced hardwood stand inset with a round white jade plaque carved with five bats, wufu, fluttering amidst scrolling clouds, the reverse side with a mirror; jade plaque 玉牌 5.8cm x 5.1cm overall height 6.8 in — 17.2 cm PROVENANCE:
Estate of Lois Orkin, Toronto 来源: 多伦多路易斯·奥金女士遗产珍藏 $200 — 300
24 A CHINESE ROSE QUARTZ ‘LIONS’ BRUSHWASHER, QING DYNASTY, 18TH/19TH CENTURY 十八/十九世纪 粉晶雕福狮纹笔洗 Of even deep pink tone, well-carved with two Buddhistic lions facing one another and positioned on each side of the compressed globular washer 2.5 x 4.7 x 3.5 in — 6.4 x 12 x 8.8 cm PROVENANCE:
Christie’s Amsterdam, September 22-23, 2009, lot 439 来源：佳士得阿姆斯特丹，2009年9月22-23日 拍卖, 编号439 NOTE:
Old sticker to base, “R. Richer, 226 Faubourg St. Honoré, Paris” 底部老标签’巴黎市郊St.Honoré R.Richer, 226 号” $600 — 800
25 A SPINACH-GREEN JADE ‘PHOENIX AND PLUM BLOSSOM’ TABLE SCREEN 碧玉雕’凤梅图’圆插屏 Carved in shallow relief of a phoenix perched on a large plum blossom tree, sprouting from a rocky foreground with a sprig of lingzhi mushrooms, displayed on a hardwood stand diameter 8.7 in — 22.2 cm PROVENANCE:
Estate of Lois Orkin, Toronto 来源: 多伦多路易斯·奥金女士遗产珍藏 $600 — 800
26 TWO GREEN JADEITE CARVINGS OF BIRDS 翡翠雕枝头小鸟摆件两件 On carved wood stands tallest height 6.7 in — 17 cm PROVENANCE:
Acquired through descent from a Toronto family 来源: 多伦多家族遗产 $200 — 400
27 A PAIR OF GREEN JADE MANDARIN DUCKS 青玉雕鸳鸯摆件一对 On carved wood stands width 5.1 in — 13 cm PROVENANCE:
Acquired through descent from a Toronto family 来源: 多伦多家族遗产 $200 — 400
28 A PAIR OF CHINESE CLOISONNÉ JARDINIERES WITH HARDSTONE TREES, EARLY 20TH CENTURY 二十世纪早期 铜鎏金掐丝珐琅嵌宝盆景一 对 Each of rectangular form decorated with stylized peony scroll, the trees bearing various coloured peony flowers overall height 22 in — 55.9 cm PROVENANCE:
Estate of Lois Orkin, Toronto 来源: 多伦多路易斯·奥金女士遗产珍藏 $400 — 600
29 A WHITE JADE BELT HOOK 白玉雕苍龙教子带钩 length 4.7 in — 12 cm $200 — 400
30 A GROUP OF FOUR SMALL CELADON JADE ‘DRAGON’ BELT HOOKS 青玉雕龙钩一组四件 longest length 3.3 in — 8.3 cm $200 — 400
31 A WHITE JADE DOUBLE-GOURD CARVING 白玉雕’瓜瓞绵绵’把件 length 2.6 in — 6.6 cm $300 — 500
32 A JADE-INSET BOX, TOGETHER WITH A JADE SEAL AND PLAQUE 嵌玉木盒 玉雕子母兽钮章 玉雕螭龙方璧一 组三件 box 1.6 x 4.1 x 3.5 in — 4 x 10.5 x 8.8 cm $200 — 400
33 A PALE CELADON JADE ‘LOTUS’ GROUP CARVING 青白玉雕’莲生贵子’摆件 1.2 x 3.8 x 2 in — 3 x 9.6 x 5 cm $300 — 500
34 A JADE ‘LOTUS’ CUP, TOGETHER WITH A MINIATURE JADE SCHOLAR ROCK 玉雕山子 莲叶角杯一组两件 Both with wood stands tallest height 3.3 in — 8.5 cm $200 — 400
35 A GROUP OF THREE WHITE JADE PLAQUES 白玉诗文牌一组三件 Carved with pomegranate, three rams, and a figure flying on a crane longest length 2.7 in — 6.8 cm $300 — 500
36 A GROUP OF THREE RETICULATED JADE CARVINGS 青白玉雕童子持莲锁片 螭龙衔灵芝纹佩 螭 龙海水纹牌一组三件 largest 2.6 x 3.5 in — 6.5 x 9 cm $300 — 500
37 A GROUP OF TWO JADE TUBES, A BI DISC, AND AN ARCHER’S RING 玉翎管两只 青白玉扳指 白玉荷纹璧一组四 件 kongest length 3 in — 7.5 cm $300 — 500
38 A WHITE JADE FIGURE OF A RAT 白玉鼠摆件 Sitting on a carved wood stand 带座 1.3 x 2.3 x 1.1 in — 3.3 x 5.8 x 2.7 cm $200 — 400
39 A JADE ‘TWIN BADGER’ GROUP, A RABBIT GROUP, AND A PAIR OF ‘MAGPIE’ BOXES AND COVERS 玉雕双獾 双兔摆件 玉雕喜鹊盒一组四件 length 2.8 in — 7.1 cm $200 — 400
40 A JADE ‘HEHE ERXIAN’ GROUP, TOGETHER WITH A JADE ‘BOY AND BUFFALO’ GROUP 玉雕’和合二仙’ ‘童子牧牛’摆件一组两件 longest length 3.4 in — 8.6 cm $300 — 500
41 TWO JADEITE PLAQUES, TOGETHER WITH A MINIATURE SPINACH JADE VASE 翡翠雕荷叶纹牌两只 墨玉雕花瓶一组三件 tallest height 4.2 in — 10.6 cm $200 — 300
42 A PALE CELADON ‘DRAGON’ JADE-INSET GILT-METAL BELT BUCKLE 溜进铜嵌青玉雕龙纹带扣 1.9 x 2.3 in — 4.7 x 5.9 cm $300 — 500
43 TWO JADE ‘DRAGON AND PHOENIX’ AND ‘DEER AND DOUBLE-GOURD’ PLAQUES 玉雕’龙凤呈祥’’福禄双全’佩一组两件 longest length 2.6 in — 6.5 cm $200 — 400
44 A CELADON JADE ‘PEACH’ INKSTONE, TOGETHER WITH A WHITE AND RUSSET JADE SEAL 玉雕俏色螭龙钮章 玉雕寿桃纹小砚台一组 两件 印: 富春大岭长 largest 0.3 x 2.8 x 1.9 in — 0.8 x 7 x 4.8 cm $200 — 400
45 A MOTTLED WHITE AND RUSSET JADE BOULDER 白玉雕’垂钓高仕’山子 Depicting a lone fisherman and boat in a pavilion landscape, on a carved wood stand height 5.4 in — 13.7 cm $200 — 400
46 A JADE ARCHER’S RING, ‘XI’ PENDANT, AND ‘LION’ CHIME-SHAPED PENDANT 白玉扳指 玉觽 洒金玉福狮纹佩一组三件 longest length 2.8 in — 7 cm $200 — 400
47 A CELADON JADE FIGURE OF A HORSE, TOGETHER WITH A WHITE JADE BAMBOO CARVING 青玉雕卧马 白玉雕竹纹佩一组两件 The horse seated on a carved wood stand longest length 2.7 in — 6.9 cm $200 — 300
48 A SOAPSTONE ‘DIAMOND SUTRA’ PRINTING BLOCK 寿山石雕「金刚经」印章 One side carved with a passage from the Diamond Sutra, the other with an image of the Buddha 0.9 x 3.3 x 3.2 in — 2.4 x 8.3 x 8.1 cm $100 — 200
49 A CHINESE IVORY PUZZLE BALL AND STAND, EARLY 20TH CENTURY 二十世纪早期 牙雕鬼工球 The ball with approximately twelve layers, the stand elaborately carved with a figure carrying a miniature landscape and standing on a pierced base with ‘Shou’ characters height 12.6 in — 32 cm NOTE:
Contains material which may be subject to import/export regulation $300 — 400
50 A CHINESE BOXWOOD CARVING OF FEMALE MUSICIAN, 20TH CENTURY 二十世纪 黄杨木雕持笙仕女 The lady holding a Chinese Sheng instrument, standing on a reticulated tree-form base height 7.3 in — 18.5 cm $60 — 120
51 ATTRIBUTED TO WANG WEN (1497-1576), MAGU PRESENTING BIRTHDAY GIFT TO QUEEN MOTHER OF THE WEST 王问 (1497-1576)(传) 麻姑献寿图 设色纸本 立轴 Hanging scroll mounted 印：仲山 王问 image 61 x 17.5 in — 155 x 44.5 cm PROVENANCE:
Acquired from the Estate of Rhona Quelch, Toronto, inherited from her uncle Edward Quelch, by repute. Edward Quelch (1879-1912) was an Englishman who joined the Shanghai Volunteer Corps (SVC) during the Boxer Rebellion, and was awarded the China War Medal 1900 for his service. His family had established the ‘Quelch & Co., Shiphandlers, Auctioneers, and General Storekeepers’ in Swatow (Shantou), China, in the 1880s. He died in Shanghai in 1912. 来源：多伦多罗纳·奎尔奇女士遗产，传继承自其叔父爱德华· 奎尔奇。爱德华·奎尔奇（1879-1912年）是一位英国人，在义和团运 动期间加入上海志愿军，并因其服役而获得1900年中国参战 奖章。 其家人于1880年代在中国的汕头建立了“ Quelch＆Co.， 船具商店，拍卖行及仓储店”。 奎尔奇先生于1912年在上海去世。 $800 — 1,200
LOTS 52 — 54 FROM THE COLLECTION OF DR. LEWIS CALVIN WALMSLEY Dr. Lewis Calvin Walmsley (1897-1998) Lewis C. Walmsley graduated from the University of Toronto (Victoria College) in 1919. In 1921, he went to China to serve as principal in the Canadian School which was established for the education of the children of missionaries. After 1929, Walmsley became associate professor at the West China Union University (Education Department), where he taught pedagogy, social psychology and experimental psychology. Walmsley knew and worked with William Charles White, the first curator of the ROM’s East Asian galleries, who had also been the first Anglican Bishop of Henan Province, China. Upon his return from China, Walmsley helped establish the Department of East Asian Studies at the University of Toronto where he worked as a teaching professor. In collaboration with Chang Yin-Nan, Walmsley published a translation of the Poems by Wang Wei (1958). He also wrote the book “Wang Wei, A Pastoral Poet” in 1968, and a biography on Bishop White in 1974 titled “Bishop in Honan: Mission and Museum in the Life of William C. White”.
刘易斯·沃尔姆斯利博士（1897-1998） 刘易斯·沃尔姆斯利（Lewis C. Walmsley）于1919年毕业于多伦多大学（维多利亚学院）。1921年，沃尔姆斯利博士在中国担任加拿大学校校长 一职，该学校是为传教士的子女提供教育的机构。 1929年后，沃尔姆斯利博士成为华西联合大学（教育系）的副教授，在那里他教授教学法， 社会心理学和实验心理学。沃尔姆斯利博士熟识并与ROM的东亚画廊的首任策展人威廉查尔斯怀特(William Charles White)一起工作， 后者也是中国河南省的第一位英国圣公会主教。从中国返回后，沃尔姆斯利博士参与协助多伦多大学东亚研究系的创立，并担任教授。 沃尔姆斯利博士与Chang Yin-Nan合作，出版了诗人王维的诗歌译本(1958)。随后于1968年编写了《田园诗人王维》一书；并于1974年撰写了 关于怀特主教的传记，名为《河南主教：威廉·怀特传教生涯与博物馆》。
52 ATTRIBUTED TO DAI XI (1801-1860), A LANDSCAPE PAINTING ALBUM 戴熙 (1801 – 1860) (传) 山水花卉册 十开 水墨纸本 Ink on paper 签条: 戴文节公山水花卉册真迹 共十页 尾跋：沈贤修 (清代画家，善画佛像) 钤印：戴熙、醇士 作者简介：戴熙（1801～1860，字醇士，号鹿床、榆庵、莼溪、井东居士、鹿床居士，浙江杭州人。道光十一年进士，十二年翰林。官至兵部侍郎，后 引疾归，主讲崇文书院。诗、书、画均有造诣，与汤贻汾齐名。其山水画名重一时。咸丰十年（1860年）太平军攻克杭州，戴自尽，卒年60岁，谥 文节。 each 5.5 x 3.3 in — 13.9 x 8.3 cm NOTE:
Dai Xi (1801-1860) was a prominent scholar-official and painter born in Hangzhou, and who spent a large portion of his career in the city of Guangzhou as well. He is most known for orthodox style of landscape painting, and is often associated with his contemporary Tang Yifen (1778-1853). Dai Xi resided in Hangzhou during Taiping Rebellion and later committed suicide when the rebels took over. For a similar example, please see Duo Yun Xuan Auction, Shanghai, July 19, 2009, lot 0525 类似山水册页可参看上海朵云轩—古代书画专场，2009年7月19日拍卖，拍品编号0525 Another similar comparable can be found in the Metropolitan Museum of Art, Accession Number 1984.215a–m 类似样例可见纽约大都会博物馆馆藏，藏品编号: 1984.215a–m $4,000 — 6,000
53 A LANDSCAPE PAINTING ALBUM, DATED 1924 山水册页画集 一九二四年作 Label: Painting Album by Mr.Hu 题签: 胡先生册页画集 甲子年 PROVENANCE:
Dr. Lewis Calvin Walmsley (1897-1998) $400 — 600
54 A LANDSCAPE PAINTING ALBUM, LATE QING DYNASTY/EARLY REPUBLICAN PERIOD 晚清/民国时期 仿古山水帖一册 PROVENANCE:
Dr. Lewis Calvin Walmsley (1897-1998) $300 — 500
55 AN ALBUM OF RUBBING CALLIGRAPHY OF DONG QICHANG (1555-1636), QING DYNASTY 清 董其昌 (1555-1636)「兰花咏」拓片 夹板经折 装 一册二十折 翰香馆上石 10.7 x 3.3 in — 27.3 x 8.5 cm $300 — 500
56 A CHINESE PAINTING OF LÜ DONGBIN AND LI TIEGUAI UNDER TREES, QING DYNASTY 清 二仙图 设色纸本 镜框 绘李铁拐 吕洞宾二仙 Ink and color on paper, signed image 47.5 x 13 in — 120.7 x 33 cm $300 — 500
57 LIU YUNHENG (1938-1975), LINGNAN SCHOOL, SINGING BIRDS ON TREES 刘允衡 (1938-1975) ‘鸟鸣嘤嘤图’ 设色纸本 镜框 Signed, with one seal of the artist; ink and color on paper, framed 款：允衡 印：刘 47.2 x 23.3 in — 119.9 x 59.2 cm PROVENANCE:
See Webite for full Catalogue Details NOTE:
刘允衡1938年生于广东省台山县。十三岁考入 岭南艺苑，师从著名岭南画派大师赵少昂。后 移居加拿大，任教于维多利亚大学，并设岭南 艺苑授徒。刘先生举行过23次个人画展。其作 品应联合国机构邀请在纽约市展出，以及应 加拿大哥伦比亚省博物馆邀请举行人个画展 等，反向非凡。正当刘先生风华正茂之年，不幸 罹患癌症，以27岁的盛年骤然早逝，令人扼腕。 刘先生身后，尊其遗愿，刘夫人应中国美术协 会邀请，于1985年携刘先生101幅作品前来北京 中国美术馆进行展出，观众踊跃，气氛热烈。 $600 — 800
58 LIU YUNHENG (1938-1975), LINGNAN SCHOOL, BIRDS AND RED LEAVES, DATED 1971 刘允衡 (1938-1975) ‘红叶栖鸟图’ 作于1971年 设色纸本 镜框 Signed, with one seal of the artist; ink and color on paper, framed 款：辛亥年十二月允衡 印：刘 11.1 x 36.9 in — 28.3 x 93.7 cm PROVENANCE:
See Webite for full Catalogue Details NOTE:
刘允衡1938年生于广东省台山县。十三岁考入 岭南艺苑，师从著名岭南画派大师赵少昂。后 移居加拿大，任教于维多利亚大学，并设岭南 艺苑授徒。刘先生举行过23次个人画展。其作 品应联合国机构邀请在纽约市展出，以及应 加拿大哥伦比亚省博物馆邀请举行人个画展 等，反向非凡。正当刘先生风华正茂之年，不幸 罹患癌症，以27岁的盛年骤然早逝，令人扼腕。 刘先生身后，尊其遗愿，刘夫人应中国美术协 会邀请，于1985年携刘先生101幅作品前来北京 中国美术馆进行展出，观众踊跃，气氛热烈。 $300 — 500
59 LU QINGYUAN (1946- ), GOLDFISH AND LOTUS 卢清远 (1946- ) 荷花游鱼 设色纸本 镜框 Watercolour on paper, framed image 12 x 17 in — 30.5 x 43.2 cm $600 — 800
60 HUANG YI (REPUBLICAN PERIOD), LANDSCAPE, SIGNED AND DATED 1921 黄逸 山水 设色纸本 镜框 作于1921年 Ink and colour on paper, framed 款识：石谷长江万里图 设色缜密而浑脱 其精 奥处有王右丞之妙 兹仿其一角 辛酉长夏 印: 黄逸之印 松坞 image 23.4 x 19 in — 59.4 x 48.3 cm PROVENANCE:
Estate of Johannes Van Wees, Victoria, BC 来源: 约翰内斯・范・维斯遗产珍藏，不列颠哥 伦比亚省，维多利亚市 NOTE:
黄逸，字秋野，民国时期山水画家。 $300 — 500
61 CHINESE EXPORT SCHOOL, A GROUP OF FOUR FIGURAL PAINTINGS, LATE QING DYNASTY 清末 中国外销人物画一组四张 水彩纸本 镜 框 Watercolour on paper, framed image 14.4 x 10.6 in — 36.5 x 27 cm $300 — 500
62 A GOLD-EMBROIDERED SILK ‘ELEPHANT’ ROUNDEL, QING DYNASTY INTRICATELY EMBROIDERED IN COUCHED GILT THREADS TO DEPICT A CAPARISONED ELEPHANT SUPPORTING A VASE ON ITS BACK, FRAMED DIAMETER 21.7 IN — 55 CM $600 — 800
63 A LARGE CHINESE YELLOW EMBROIDERED SILK ‘DRAGON’ HANGING, 19TH CENTURY 十九世纪 中国黄地金丝五龙海水纹刺绣 Boldly embroidered in coloured silk and gold-wrapped threads against a yellow ground, showcasing a frontal five-clawed dragon coiled around a flaming pearl, with four sinuous dragons similarly chasing pearls 55.9 x 143.7 in — 142 x 365 cm $2,000 — 3,000
64 A SILK EMBROIDERED ‘DRAGON’ PANEL, 19TH/20TH CENTURY 十九/二十世纪 中国龙纹绣片 Embroidered with a front-facing dragon bordered by four birds, framed panel 19.3 x 12.8 in — 49 x 32.5 cm $200 — 400
65 A GROUP OF TWELVE CHINESE PAINTED POTTERY STANDING FIGURES, TOGETHER WITH A SMALL STANDING FIGURE AND A DRUM, MING DYNASTY, 15TH CENTURY 明 十五世纪 彩陶俑一组十四件 With five palanquin bearers, each with one arm raised, and other assorted figures, including an animal-headed figure, possibly the pig of the zodiac, a female figure, and various scholarofficials; 包含十二只彩陶佣，一只矮陶俑，一 只陶鼓 tallest height 10.6 in — 27 cm PROVENANCE:
Purchased from Stockspring Antiques, London, UK, in the late 1980s 来源：1980年间购于英国伦敦Stockspring古 董店 $5,000 — 7,000
66 A PAIR OF CHILDREN’S CHAMBER POTS FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清 乾隆 约1750年 ‘南京号’ 海捞瓷清华小罐 一对 diameter 4.9 in — 12.5 cm PROVENANCE:
Christie’s Amsterdam, April 28-May 2, 1986, lot 1154 Estate of Johannes Van Wees, Victoria, BC 来源: 出自佳士得阿姆斯特丹, 1986年4月28 日-5月2日，拍品1154号。 约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚 省，维多利亚市 $200 — 300
67 A SET OF EIGHT ‘BATAVIAN’ FLORAL LARGE BOWLS FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清 乾隆 约1750年 ‘南京号’ 海捞瓷‘巴达维亚’ 花卉纹碗一组八件 diameter 7.5 in — 19 cm PROVENANCE:
Christie’s Amsterdam, April 28-May 2, 1986, lot 2525 Estate of Johannes Van Wees, Victoria, BC 来源: 出自佳士得阿姆斯特丹, 1986年4月28 日-5月2日，拍品2525号。 约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚 省，维多利亚市 $400 — 600
68 A SET OF EIGHT ‘BATAVIAN’ FLORAL SMALL BOWLS FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清 乾隆 约1750年 ‘南京号’ 海捞瓷‘巴达维亚’ 花卉纹小碗一组八件 diameter 6.5 in — 16.5 cm PROVENANCE:
Christie’s Amsterdam, April 28-May 2, 1986, lot 2560 Estate of Johannes Van Wees, Victoria, BC 来源: 出自佳士得阿姆斯特丹, 1986年4月28 日-5月2日，拍品2560号。 约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚 省，维多利亚市 $400 — 600
69 A SET OF SIX ‘BATAVIAN’ LANDSCAPE BOWLS FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清 乾隆 约1750年 ‘南京号’ 海捞瓷‘巴达维亚’ 庭院纹碗一组六件 diameter 5.9 in — 15 cm PROVENANCE:
Christie’s Amsterdam, April 28-May 2, 1986, lot 2617 Estate of Johannes Van Wees, Victoria, BC 来源: 出自佳士得阿姆斯特丹, 1986年4月28 日-5月2日，拍品2617号。 约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚 省，维多利亚市 $300 — 500
70 A SET OF SIX ‘BATAVIAN’ LANDSCAPE BOWLS FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清 乾隆 约1750年 ‘南京号’ 海捞瓷‘巴达维亚’ 庭院纹碗一组六件 diameter 5.9 in — 15 cm PROVENANCE:
Christie’s Amsterdam, April 28-May 2, 1986, lot 2617 Estate of Johannes Van Wees, Victoria, BC 来源: 出自佳士得阿姆斯特丹, 1986年4月28 日-5月2日，拍品2617号。 约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚 省，维多利亚市 $300 — 500
71 A SET OF TWELVE ‘FLYING GEESE’ PATTERN BOWLS AND SAUCER DISHES FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清 乾隆 约1750年 ‘南京号’ 海捞瓷‘飞雁风景’ 纹碗及盏托一套十二件 saucer diameter 6.9 in — 17.5 cm PROVENANCE:
Christie’s Amsterdam, April 28-May 2, 1986, lot 2682 Estate of Johannes Van Wees, Victoria, BC 来源: 出自佳士得阿姆斯特丹, 1986年4月28 日-5月2日，拍品2682号。 约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚 省，维多利亚市 $300 — 500
72 A SET OF SIX ‘SCHOLAR ON BRIDGE’ PATTERN LARGE BOWLS FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清 乾隆 约1750年 ‘南京号’ 海捞瓷‘高仕’纹碗 一组六件 diameter 7.5 in — 19 cm PROVENANCE:
Christie’s Amsterdam, April 28-May 2, 1986, lot 2754 Estate of Johannes Van Wees, Victoria, BC 来源: 出自佳士得阿姆斯特丹, 1986年4月28 日-5月2日，拍品2754号。 约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚 省，维多利亚市 $300 — 500
73 A SET OF EIGHT ‘SCHOLAR ON BRIDGE’ PATTERN SMALL BOWLS FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清 乾隆 约1750年 ‘南京号’ 海捞瓷‘高仕’纹小 碗一组八件 diameter 5.9 in — 15 cm PROVENANCE:
Christie’s Amsterdam, April 28-May 2, 1986, lot 3100 Estate of Johannes Van Wees, Victoria, BC 来源: 出自佳士得阿姆斯特丹, 1986年4月28 日-5月2日，拍品3100号。 约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚 省，维多利亚市 $300 — 500
74 A SET OF EIGHT ‘SCHOLAR ON BRIDGE’ PATTERN SMALL BOWLS FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清 乾隆 约1750年 ‘南京号’ 海捞瓷‘高仕’纹小 碗一组八件 diameter 5.9 in — 15 cm PROVENANCE:
Christie’s Amsterdam, April 28-May 2, 1986, lot 3100 Estate of Johannes Van Wees, Victoria, BC 来源: 出自佳士得阿姆斯特丹, 1986年4月28 日-5月2日，拍品3100号。 约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚 省，维多利亚市 $300 — 500
75 A PAIR OF ‘THREE PAVILLIONS’ PATTERN LOBED DISHES FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清 乾隆 约1750年 ‘南京号’ 海捞瓷‘庭院’纹花 口盘一对 diameter 11.4 in — 29 cm PROVENANCE:
Christie’s Amsterdam, April 28-May 2, 1986, lot 3757F Estate of Johannes Van Wees, Victoria, BC 来源: 出自佳士得阿姆斯特丹, 1986年4月28 日-5月2日，拍品3757F号。 约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚 省，维多利亚市 $300 — 500
76 A LARGE BOWL-SHAPED JUG FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清 乾隆 约1750年 ‘南京号’ 海捞瓷碗式曲柄 带流杯 width 8.3 in — 21 cm PROVENANCE:
Christie’s Amsterdam, April 28-May 2, 1986, lot 4060 Estate of Johannes Van Wees, Victoria, BC 来源: 出自佳士得阿姆斯特丹, 1986年4月28 日-5月2日，拍品4060号。 约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚 省，维多利亚市 $200 — 300
77 A SMALL BOWL-SHAPED JUG FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清 乾隆 约1750年 ‘南京号’ 海捞瓷碗式曲柄 带流小杯 width 6.9 in — 17.5 cm PROVENANCE:
Christie’s Amsterdam, April 28-May 2, 1986, lot 4122 Estate of Johannes Van Wees, Victoria, BC 来源: 出自佳士得阿姆斯特丹, 1986年4月28 日-5月2日，拍品4122号。 约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚 省，维多利亚市 $100 — 200
78 A SET OF SIX ‘LEAPING BOY’ PATTERN SAUCER DISHES FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清 乾隆 约1750年 ‘南京号’ 海捞青花庭院童 子纹盘一组六件 diameter 11.2 in — 28.5 cm PROVENANCE:
Christie’s Amsterdam, April 28-May 2, 1986, lot 4616 Estate of Johannes Van Wees, Victoria, BC 来源: 出自佳士得阿姆斯特丹, 1986年4月28 日-5月2日，拍品4616号。 约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚 省，维多利亚市 $400 — 600
79 A SET OF SIX ‘LEAPING BOY’ PATTERN SAUCER DISHES FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清 乾隆 约1750年 ‘南京号’ 海捞青花庭院童 子纹盘一组六件 diameter 11.2 in — 28.5 cm PROVENANCE:
Christie’s Amsterdam, April 28-May 2, 1986, lot 4616 Estate of Johannes Van Wees, Victoria, BC 来源: 出自佳士得阿姆斯特丹, 1986年4月28 日-5月2日，拍品4616号。 约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚 省，维多利亚市 $400 — 600
80 A SET OF SIX ‘LEAPING BOY’ PATTERN SAUCER DISHES FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清 乾隆 约1750年 ‘南京号’ 海捞青花庭院童 子纹盘一组六件 diameter 11.2 in — 28.5 cm PROVENANCE:
Christie’s Amsterdam, April 28-May 2, 1986, lot 4616A Estate of Johannes Van Wees, Victoria, BC 来源: 出自佳士得阿姆斯特丹, 1986年4月28 日-5月2日，拍品4616A号。 约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚 省，维多利亚市 $400 — 600
81 A SET OF TWENTY ‘BATAVIAN BAMBOO AND PEONY’ PATTERN TEABOWLS AND SAUCERS FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清 乾隆 约1750 年 ‘南京号’ 海捞瓷‘巴达维亚’ 青花竹石花卉纹茶杯盏托一组二十件 saucer diameter 4.5 in — 11.5 cm PROVENANCE:
Christie’s Amsterdam, April 28-May 2, 1986, lot 5237 Estate of Johannes Van Wees, Victoria, BC 来源: 出自佳士得阿姆斯特丹, 1986年4月28 日-5月2日，拍品5237号。 约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚 省，维多利亚市 $200 — 400
82 A SET OF TWENTY ‘BATAVIAN BAMBOO AND PEONY’ PATTERN TEABOWLS AND SAUCERS FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清 乾隆 约1750 年 ‘南京号’ 海捞瓷‘巴达维亚’ 青花竹石花卉纹茶杯盏托一组二十件 saucer diameter 4.5 in — 11.5 cm PROVENANCE:
Christie’s Amsterdam, April 28-May 2, 1986, lot 5237 Estate of Johannes Van Wees, Victoria, BC 来源: 出自佳士得阿姆斯特丹, 1986年4月28 日-5月2日，拍品5237号。 约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚 省，维多利亚市 $200 — 400
83 A SET OF EIGHTEEN ‘BATAVIAN WILLOW’ PATTERN TEABOWLS AND SAUCERS FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清 乾隆 约1750 年 ‘南京号’ 海捞瓷‘巴达维亚’ 青花垂柳纹茶杯盏托一组十八件 saucer diameter 5.1 in — 13 cm PROVENANCE:
Christie’s Amsterdam, April 28-May 2, 1986, lot 5273 Estate of Johannes Van Wees, Victoria, BC 来源: 出自佳士得阿姆斯特丹, 1986年4月28 日-5月2日，拍品5273号。 约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚 省，维多利亚市 $200 — 400
84 A SET OF FOURTEEN ‘BLUE PINE’ PATTERN TEABOWLS AND SAUCERS FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清 乾隆 约1750 年 ‘南京号’ 海捞瓷‘巴达维亚’ 青花松树纹茶杯盏托一组十四件 saucer diameter 3.9 in — 10 cm PROVENANCE:
Christie’s Amsterdam, April 28-May 2, 1986, lot 5564 Estate of Johannes Van Wees, Victoria, BC 来源: 出自佳士得阿姆斯特丹, 1986年4月28 日-5月2日，拍品5564号。 约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚 省，维多利亚市 $100 — 200
85 A SET OF TWENTY-FOUR ‘BATAVIAN PAVILION’ PATTERN TEABOWLS AND SAUCERS FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清 乾隆 约1750 年 ‘南京号’ 海捞瓷‘巴达维亚’ 青花庭院纹茶杯盏托一组二十四件 saucer diameter 5.3 in — 13.5 cm PROVENANCE:
Christie’s Amsterdam, April 28-May 2, 1986, lot 5627 Estate of Johannes Van Wees, Victoria, BC 来源: 出自佳士得阿姆斯特丹, 1986年4月28 日-5月2日，拍品5627号。 约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚 省，维多利亚市 $300 — 500
86 A SET OF TWENTY-FOUR ‘BATAVIAN PAVILION’ PATTERN TEABOWLS AND SAUCERS FROM THE NANKING CARGO, QIANLONG PERIOD, CIRCA 1750 清 乾隆 约1750 年 ‘南京号’ 海捞瓷‘巴达维亚’ 青花庭院纹茶杯盏托一组二十四件 saucer diameter 5.3 in — 13.5 cm PROVENANCE:
Christie’s Amsterdam, April 28-May 2, 1986, lot 5627 Estate of Johannes Van Wees, Victoria, BC 来源: 出自佳士得阿姆斯特丹, 1986年4月28 日-5月2日，拍品5627号。 约翰内斯・范・维斯遗产珍藏，不列颠哥伦比亚 省，维多利亚市 $300 — 500
87 A GROUP OF THIRTEEN ‘HOI AN HOARD’ VIETNAMESE BLUE AND WHITE JARLETS, 15TH CENTURY 十五世纪 越南’安南号’青花小罐一组十三件 largest height 4.3 in — 11 cm PROVENANCE:
Estate of Johannes Van Wees, Victoria, BC 来源: 约翰内斯・范・维斯遗产珍藏，不列颠哥 伦比亚省，维多利亚市 $100 — 200
88 A GROUP OF TEN ‘HOI AN HOARD’ VIETNAMESE BLUE AND WHITE CIRCULAR BOXES AND COVERS, 15TH CENTURY 十五世纪 越南’安南号’青花圆盖盒一组十件 largest diameter 2.8 in — 7 cm PROVENANCE:
Estate of Johannes Van Wees, Victoria, BC 来源: 约翰内斯・范・维斯遗产珍藏，不列颠哥 伦比亚省，维多利亚市 $100 — 200
89 A GROUP OF EIGHT ‘HOI AN HOARD’ VIETNAMESE BLUE AND WHITE BOWLS AND CUPS, 15TH CENTURY 十五世纪 越南’安南号’青花碗杯一组八件 largest diameter 5.9 in — 15 cm PROVENANCE:
Estate of Johannes Van Wees, Victoria, BC 来源: 约翰内斯・范・维斯遗产珍藏，不列颠哥 伦比亚省，维多利亚市 $100 — 200
90 A SET OF FIVE ‘HOI AN HOARD’ VIETNAMESE BLUE AND WHITE CIRCULAR DISHES, 15TH CENTURY 十五世纪 越南’安南号’青花盘一组五件 diameter 9.4 in — 24 cm PROVENANCE:
Estate of Johannes Van Wees, Victoria, BC 来源: 约翰内斯・范・维斯遗产珍藏，不列颠哥 伦比亚省，维多利亚市 $200 — 300
91 A VIETNAMESE ‘HOI AN HOARD’ BLUE AND WHITE CHARGER, 15TH CENTURY 十五世纪 越南’安南号’青花盘 diameter 13.2 in — 33.5 cm PROVENANCE:
Estate of Johannes Van Wees, Victoria, BC 来源: 约翰内斯・范・维斯遗产珍藏，不列颠哥 伦比亚省，维多利亚市 $200 — 300
92 A LARGE POLYCHROME CERAMIC ‘BIRD AND CLOUDS’ CHARGER, VIETNAM, 15TH/16TH CENTURY 十五/十六世纪 越南凤穿云纹彩瓷盘 diameter 17.4 in — 44.3 cm $400 — 600
93 A GROUP OF FIVE SWATOW BLUE AND WHITE WARES, 17TH/18TH CENTURY 十七/十八世纪 漳州窑外销青花瓷一组五件 largest diameter 13 in — 33 cm PROVENANCE:
Estate of W. Thomas Delworth and Pamela Osler Delworth, Ottawa 来源: 渥太华托马斯达尔沃思与帕梅拉达尔 沃思伉俪珍藏 $300 — 500
94 A GROUP OF SEVENTEEN ANNAMESE, SAWAKHALOK, AND SOUTHEAST ASIAN CERAMICS, 15TH CENTURY AND LATER 十五世纪或更晚 安南青花 泰式 东南亚瓷器 一组十七件 tallest height 3.5 in — 8.8 cm PROVENANCE:
Estate of W. Thomas Delworth and Pamela Osler Delworth, Ottawa 来源: 渥太华托马斯达尔沃思与帕梅拉达尔 沃思伉俪珍藏 $200 — 300
95 A GROUP OF THREE JAPANESE ARITA WARES, 19TH CENTURY LARGEST DIAMETER 9.8 IN — 25 CM PROVENANCE:
ESTATE OF W. THOMAS DELWORTH AND PAMELA OSLER DELWORTH, OTTAWA 来源: 渥太华托马斯达尔沃思与帕梅拉达尔 沃思伉俪珍藏 $100 — 200
96 TWO FAMILLE ROSE PLATES WITH FLOWERS, 18TH CENTURY 十八世纪 粉彩花卉纹碗两只 diameter 8.9 in — 22.5 cm PROVENANCE:
Estate of Johannes Van Wees, Victoria, BC 来源: 约翰内斯・范・维斯遗产珍藏，不列颠哥 伦比亚省，维多利亚市 $200 — 300
97 A PAIR OF FAMILLE ROSE LOBED PLATES WITH PEACOCKS, 18TH CENTURY 十八世纪 粉彩凤凰牡丹纹花口碗一对 diameter 8.9 in — 22.5 cm PROVENANCE:
Estate of Johannes Van Wees, Victoria, BC 来源: 约翰内斯・范・维斯遗产珍藏，不列颠哥 伦比亚省，维多利亚市 $200 — 300
98 A PAIR OF FAMILLE ROSE BARBED-RIM PLATES, 18TH CENTURY 十八世纪 粉彩牡丹纹花口碗一对 diameter 9.3 in — 23.5 cm PROVENANCE:
Estate of Johannes Van Wees, Victoria, BC 来源: 约翰内斯・范・维斯遗产珍藏，不列颠哥 伦比亚省，维多利亚市 $200 — 300
99 A CHINESE EXPORT PORCELAIN BOWL, 18TH CENTURY 十八世纪 外销人物故事纹碗 diameter 5.5 in — 14 cm PROVENANCE:
Estate of Lois Orkin, Toronto 来源: 多伦多路易斯·奥金女士遗产珍藏 $80 — 150
100 A CHINESE EXPORT PUNCH BOWL, 18TH CENTURY 十八世纪 中国外销开窗庭院风景纹碗 Decorated with cartouches of pavillioned landscapes diameter 11.2 in — 28.5 cm PROVENANCE:
Estate of Johannes Van Wees, Victoria, BC 来源: 约翰内斯・范・维斯遗产珍藏，不列颠哥 伦比亚省，维多利亚市 $400 — 600
101 A CHINESE EXPORT FAMILLE ROSE AND CAFE-AU-LAIT FLORAL BOWL, 18TH CENTURY 十八世纪 外销粉彩酱釉花卉纹碗 diameter 7.2 in — 18.2 cm $400 — 600
102 A CANTON FAMILLE ROSE BEAKER VASE, 19TH CENTURY 十九世纪 广彩开窗人物花鸟纹花觚 height 11 in — 28 cm $200 — 300
103 A SET OF FOUR CHINESE IMARI PLATES, KANGXI PERIOD, 17TH/18TH CENTURY 十八世纪 康熙伊万里花卉纹盘一组四件 diameter 9.8 in — 25 cm PROVENANCE:
Estate of Johannes Van Wees, Victoria, BC 来源: 约翰内斯・范・维斯遗产珍藏，不列颠哥 伦比亚省，维多利亚市 $200 — 400
104 A SET OF SIX CHINESE IMARI PLATES, KANGXI PERIOD, 17TH/18TH CENTURY 十八世纪 康熙伊万里瓷器一组六件 diameter 9.1 in — 23 cm PROVENANCE:
Estate of Johannes Van Wees, Victoria, BC 来源: 约翰内斯・范・维斯遗产珍藏，不列颠哥 伦比亚省，维多利亚市 $200 — 400
105 A GROUP OF SIX CHINESE IMARI BOWLS, 18TH CENTURY 十八世纪 中国伊万里碗一组六件 largest diameter 7.9 in — 20 cm PROVENANCE:
Estate of Johannes Van Wees, Victoria, BC 来源: 约翰内斯・范・维斯遗产珍藏，不列颠哥 伦比亚省，维多利亚市 $300 — 500
106 A SET OF TWELVE CHINESE IMARI CAFE-AU-LAIT TEACUPS AND SAUCERS, 18TH CENTURY 十八世纪 中国外销酱釉伊万里小杯及盏托 一组十二件 saucer diameter 4.6 in — 11.8 cm PROVENANCE:
Estate of Johannes Van Wees, Victoria, BC 来源: 约翰内斯・范・维斯遗产珍藏，不列颠哥 伦比亚省，维多利亚市 $200 — 400
107 A BLUE AND WHITE KENDI, 17TH CENTURY OR LATER 十七世纪或更晚 青花军持 height 9.3 in — 23.5 cm PROVENANCE:
Estate of Johannes Van Wees, Victoria, BC 来源: 约翰内斯・范・维斯遗产珍藏，不列颠哥 伦比亚省，维多利亚市 $400 — 600
108 TWO CHINESE EXPORT BLUE AND WHITE TEAPOTS, TOGETHER WITH A LIDDED CREAMER AND SUGAR BOWL, 18TH/19TH CENTURY 十八/十九世纪 外销青花瓷器一组四件 tallest height 6.1 in — 15.5 cm PROVENANCE:
Estate of Johannes Van Wees, Victoria, BC 来源: 约翰内斯・范・维斯遗产珍藏，不列颠哥 伦比亚省，维多利亚市 $200 — 400
109 A SET OF FOUR BLUE AND WHITE FIGURAL SAUCER DISHES, KANGXI PERIOD, 17TH/18TH CENTURY 康熙 十八世纪 青花人物纹碟一组四件 diameter 4.3 in — 11 cm PROVENANCE:
Estate of Johannes Van Wees, Victoria, BC 来源: 约翰内斯・范・维斯遗产珍藏，不列颠哥 伦比亚省，维多利亚市 $300 — 500
110 A SET OF FOUR CHINESE BLUE AND WHITE ‘FLORAL’ DISHES, KANGXI PERIOD, 17TH/18TH CENTURY 康熙 十八世纪 青花花卉纹盘一组四件 diameter 8.9 in — 22.5 cm PROVENANCE:
Estate of Johannes Van Wees, Victoria, BC 来源: 约翰内斯・范・维斯遗产珍藏，不列颠哥 伦比亚省，维多利亚市 $400 — 600
111 TWO PAIRS OF BLUE AND WHITE CUPS AND SAUCERS, KANGXI PERIOD, 17TH/18TH CENTURY 康熙 十八世纪 青花花卉纹杯及盏托两套共 四件 largest saucer diameter 5.2 in — 13.2 cm PROVENANCE:
Estate of Johannes Van Wees, Victoria, BC 来源: 约翰内斯・范・维斯遗产珍藏，不列颠哥 伦比亚省，维多利亚市 $200 — 400
113 A PAIR OF BLUE AND WHITE ‘LADIES AND PHOENIX’ BARBED RIM DISHES, KANGXI PERIOD (1662-1722) 清 康熙 外销青花仕女双凤纹盘 The central roundel painted with a courtyard scene of a lady playing the flute, her maid standing behind, and two phoenixes soaring above; within a border of lobed lappets enclosing flowers, and a further band of Buddhist emblems beneath the foliate, Chenghua mark within a double circle to the underside; ‘大明成化年制’双圈底款 diameter 8.4 in — 21.4 cm PROVENANCE:
Major James E. Hahn Collection 涞源: 詹姆斯·伊曼纽尔·汉少校遗产珍藏 $800 — 1,200
115 A CHINESE BLUE AND WHITE FIVEPIECE MINIATURE GARNITURE, TOGETHER WITH TWO IMARI BOTTLE VASES, 18TH/19TH CENTURY 十八/十九世纪 青花花卉纹五供 tallest height 5.9 in — 15 cm PROVENANCE:
Estate of Johannes Van Wees, Victoria, BC 来源: 约翰内斯・范・维斯遗产珍藏，不列颠哥 伦比亚省，维多利亚市 $200 — 300
116 A PAIR OF BLANC-DE-CHINE PARROTS, 19TH CENTURY OR LATER 十九世纪或更晚 德化白瓷鹦鹉一对 height 12.6 in — 32 cm PROVENANCE:
Estate of Lois Orkin, Toronto 来源: 多伦多路易斯·奥金女士遗产珍藏 $200 — 400
117 A LARGE BLUE AND WHITE ‘FLORAL’ CHARGER, 18TH CENTURY 十八世纪 青花花卉纹大盘 diameter 15.5 in — 39.4 cm PROVENANCE:
Estate of Johannes Van Wees, Victoria, BC 来源: 约翰内斯・范・维斯遗产珍藏，不列颠哥 伦比亚省，维多利亚市 $800 — 1,200
118 A PAIR OF LARGE BLUE AND WHITE ‘PEONY’ CHARGERS, 18TH CENTURY 十八世纪 青花牡丹纹大盘一对 diameter 15.4 in — 39 cm PROVENANCE:
Estate of Johannes Van Wees, Victoria, BC 来源: 约翰内斯・范・维斯遗产珍藏，不列颠哥 伦比亚省，维多利亚市 $1,000 — 1,500
119 A PAIR OF BLUE AND WHITE ‘FIGURAL’ PLATES, POSSIBLY KANGXI PERIOD 或康熙 青花人物纹盘一对 diameter 11.4 in — 29 cm PROVENANCE:
Estate of Johannes Van Wees, Victoria, BC 来源: 约翰内斯・范・维斯遗产珍藏，不列颠哥 伦比亚省，维多利亚市 $300 — 500
120 A PAIR OF BLUE AND WHITE ‘WATER BUFFALO’ PLATES, 18TH CENTURY 十八世纪 青花水牛图盘一对 diameter 11.4 in — 29 cm PROVENANCE:
Estate of Johannes Van Wees, Victoria, BC 来源: 约翰内斯・范・维斯遗产珍藏，不列颠哥 伦比亚省，维多利亚市 $300 — 500
121 A PAIR OF BLUE AND WHITE ‘LANDSCAPE’ PLATES, 18TH CENTURY 十八世纪 青花山水纹盘一对 diameter 7.3 in — 18.5 cm PROVENANCE:
Estate of Johannes Van Wees, Victoria, BC 来源: 约翰内斯・范・维斯遗产珍藏，不列颠哥 伦比亚省，维多利亚市 $200 — 300
122 A SET OF FOUR BLUE AND WHITE ‘FLYING GEESE’ LOBED PLATES, 18TH CENTURY 十八世纪 青花’飞雁’纹花口盘一组四只 diameter 9.4 in — 24 cm PROVENANCE:
Estate of Johannes Van Wees, Victoria, BC 来源: 约翰内斯・范・维斯遗产珍藏，不列颠哥 伦比亚省，维多利亚市 $300 — 500
123 A MASSIVE BLUE AND WHITE ‘LANDSCAPE’ CHARGER, 18TH CENTURY 十八世纪 青花山水纹大盘 diameter 22 in — 56 cm PROVENANCE:
Estate of Johannes Van Wees, Victoria, BC 来源: 约翰内斯・范・维斯遗产珍藏，不列颠哥 伦比亚省，维多利亚市 $1,000 — 1,500
124 A LARGE BLUE AND WHITE ‘WILLOW AND LOTUS’ CHARGER, 18TH CENTURY 十八世纪 青花’荷影清趣’大盘 diameter 17.3 in — 44 cm PROVENANCE:
Estate of Johannes Van Wees, Victoria, BC 来源: 约翰内斯・范・维斯遗产珍藏，不列颠哥 伦比亚省，维多利亚市 $1,000 — 1,500
125 A PAIR OF BLUE AND WHITE ‘BAMBOO AND PEONY’ LOBED PLATTERS, QIANLONG PERIOD, 18TH CENTURY 乾隆 十八世纪 青花竹石庭院纹花口盘一对 length 13.1 in — 33.2 cm PROVENANCE:
Estate of Johannes Van Wees, Victoria, BC 来源: 约翰内斯・范・维斯遗产珍藏，不列颠哥 伦比亚省，维多利亚市 $400 — 600
126 TWO LARGE BLUE AND WHITE RECTANGULAR PLATTERS, QIANLONG PERIOD, 18TH CENTURY 乾隆 十八世纪 青花花鸟纹方盘一对 length 16.7 in — 42.5 cm PROVENANCE:
Estate of Johannes Van Wees, Victoria, BC 来源: 约翰内斯・范・维斯遗产珍藏，不列颠哥 伦比亚省，维多利亚市 $600 — 800
127 A PAIR OF BLUE AND WHITE ‘PHOENIX’ ROULEAU VASES, QING DYNASTY 清 青花’凤凰牡丹’纹棒槌瓶一对 height 18.7 in — 47.5 cm PROVENANCE:
Estate of Johannes Van Wees, Victoria, BC 来源: 约翰内斯・范・维斯遗产珍藏，不列颠哥 伦比亚省，维多利亚市 $1,000 — 1,500
128 A WHITE-GLAZED ‘GARLIC-HEAD’ BOTTLE VASE, 19TH/20TH CENTURY 十九/二十世纪 白釉蒜头瓶 height 10.7 in — 27.2 cm PROVENANCE:
Estate of Lois Orkin, Toronto 来源: 多伦多路易斯·奥金女士遗产珍藏 $200 — 400
129 A CLAIRE-DE-LUNE GLAZED VASE, CHENGHUA MARK 天蓝釉琵琶尊 ‘大明成化年制’底款 height 3.5 in — 8.9 cm PROVENANCE:
Estate of Lois Orkin, Toronto 来源: 多伦多路易斯·奥金女士遗产珍藏 $300 — 500
130 A PEACHBLOOM-GLAZED ‘CHRYSANTHEMUM’ VASE, KANGXI MARK 豇豆紅釉菊瓣瓶 康熙款 With stand 带座 height 6 in — 15.3 cm PROVENANCE:
Estate of Lois Orkin, Toronto 来源: 多伦多路易斯·奥金女士遗产珍藏 $400 — 600
131 A PEACHBLOOM-GLAZED VASE, 19TH/20TH CENTURY 十九/二十世纪 豇豆红釉观音尊 height 9.2 in — 23.3 cm PROVENANCE:
Estate of Lois Orkin, Toronto 来源: 多伦多路易斯·奥金女士遗产珍藏 $200 — 400
132 AN UNDERGLAZE COPPER-RED BLUE AND WHITE ‘DOUBLE-FISH’ MEIPING VASE, 19TH CENTURY 十九世纪 青花釉里红鱼纹梅瓶 height 7.3 in — 18.5 cm $400 — 600
133 TWO TURQUOISE-GLAZED WALL VASES, 19TH/20TH CENTURY 十九/二十世纪 松石绿釉壁瓶一对 tallest height 7.7 in — 19.5 cm PROVENANCE:
Estate of Lois Orkin, Toronto 来源: 多伦多路易斯·奥金女士遗产珍藏 $200 — 400
135 A PAIR OF CHINESE FAMILLE ROSE BLUE-GROUND FISH BOWLS ON STANDS, 20TH CENTURY 二十世纪 蓝地粉彩鱼藻纹大缸一对 Each decorated with cartouches depicting Fu Lu Shou, and a boy riding a Qilin, against a blue ground decorated with gold lotus scrolls, with stands 带座 diameter 20.5 in — 52.1 cm $300 — 500
136 A FAMILLE NOIR FISH BOWL, JIAQING MARK, 20TH CENTURY 二十世纪 黑地粉彩牡丹纹大缸 嘉庆款 Painted with peonies of various colours against a black ground and goldfish to the interior, with glass top and wood stand overall height 24.8 in — 63 cm $400 — 600
137 A LARGE CHINESE RED LACQUER ‘THREE FRIENDS OF WINTER’ FLOOR VASE, QING DYNASTY, 19TH CENTURY 十九世纪 剔红’岁寒三友’纹大瓶 Painted with pine, bamboo, and plum trees accompanied by birds and a phoenix height 51.2 in — 130 cm $600 — 800
138 A CHINESE RED LACQUER CIRCULAR BOX AND COVER, 19TH CENTURY 十九世纪 剔红圆盖盒 diameter 11.2 in — 28.5 cm $100 — 200
139 A CHINESE PINK MARBLE-INLAID HARDWOOD STAND, 19TH CENTURY 十九世纪 硬木嵌大理石桌 31.7 x 21.7 x 21.7 in — 80.5 x 55 x 55 cm $300 — 500
140 A CHINESE COROMANDEL FOURPANEL FLOOR SCREEN 中国乌木人物故事纹屏风 One side carved and painted with a courtyard scene with birds and flowers panels below, the other a river landscape with birds to the top and antiques below each panel 70 x 16 in — 177.8 x 40.6 cm $300 — 500
141 A CHINESE MOTHER-OF-PEARL INLAID ZITHER (ZHENG), 19TH/20TH CENTURY 十九/二十世纪 中国嵌母贝’双龙戏珠’纹小筝 length 42 in — 106.7 cm $100 — 200
142 A GOLD AND SILVER EMBROIDERED WHITE SILK WEDDING KIMONO, LATE MEIJI-SHOWA PERIOD, 20TH CENTURY Embroidered with red clouds containing peonies and cherry blossoms against a white silk ground, gold roundels of butterflies scattered throughout, together with a clear acrylic display case 71 x 51 in — 180.3 x 129.5 cm PROVENANCE:
Purchased in 1983 from Robert Ledingham Inc., Vancouver, B.C. $100 — 300
143 A SUIT OF SAMURAI ARMOUR (TOSEI GUSOKU), EDO PERIOD (1615-1868) Kabuto (helmet): Zunari (head-shaped), Hineno shikoro (close-fitting plated neck guard), brown lacquer, mid Edo period, circa 1750 Menpo (facial armour): Hanpo style, thick lacquered iron, mid Edo period, circa 1750 Maedate (frontal decoration): ring (Maru) design in brass Dou (breastplate/cuirass): Sendai style, matching the helmet in weight and construction with heavy iron Sode (shoulder armour): medium lacquer iron plates, mid Edo period Kusazuri (fauld/skirt): plates, mid Edo period, circa 1750 Kote (sleeves): Shino style, lacquered Haidate (thigh armour): silk and hemp base, small lacquered iron plates, late Edo period Gusoku bitsu (armour box): late Edo lacquer and wood armour box, Ken Katabami Mon (sword and plum flower and kanji crest) of the Sakai clan overall with box height 54.3 in — 138 cm $3,000 — 3,500
144 A SUIT OF SAMURAI ARMOUR (TOSEI GUSOKU) AND BOX WITH GO-SAN KIRI MON ALL MATCHING AND EN-SUITE, MOMOYAMA (1573-1615) TO EDO PERIOD (1615-1868) Kabuto (helmet): very high quality, Hineno shikoro (close-fitting plated neck guard), brown lacquer, Momoyama period Maedate (frontal decoration): sun design, gilded brass, Edo period Menpo (facial armour): Hanpo style, thick lacquered iron, mid Edo period, circa 1750 Dou (breastplate/cuirass): heavy iron, lacquered black and brown with large gold Go-San Kiri Mon emblazoned on front breastplate, textured gold areas Kusazuri (fauld/skirt): lacquered leather to reduce weight of armour Sode (shoulder armour): medium lacquer iron plates, mid Edo period Kote (sleeves): very good quality lacquered iron plates and chainmail Haidate (thigh armour): matching all other parts in high quality and manufacture Suneate (shin guards): Shino style lacquered iron, material and leather backing Gusoku bitsu (armour box): matching Go-San Kiri Mon (Paulownia crest) of the Matsudaira clan overall with box height 55.5 in — 141 cm PROVENANCE:
Kabuto helmet from the Ex. John Wee Tom Collection $4,000 — 4,500
145 A SUIT OF BLACK LACQUER SAMURAI ARMOUR (TOSEI GUSOKU), MOMOYAMA (1573-1615) TO EDO PERIOD (1615-1868) Kabuto (helmet): Zunari (head-shaped), Hineno shikoro (close-fitting plated neck guard), appears to be Momoyama period, good but simple manufacture, likely re-lacquered in Edo period Maedate (frontal decoration): pliers for sword-making, lacquered wood (reproduction) Menpo (facial armour): Hanpo style, thick lacquered iron, mid Edo period, circa 1750 Dou (breastplate/cuirass): heavy horizontal iron plates, lacquered to a smooth finish, probably same as the helmet Kusazuri (fauld/skirt): lacquered leather Sode (shoulder armour): medium lacquer iron plates, mid Edo period Kote: simple Shino type, lacquered iron, well-made, simple hemp backing Haidate (thigh armour): lacquered iron plates, simple hemp backing Suneate (shin guards): lacquered iron matching Haidate, Shino style, no backing, late Edo period Gusoku bitsu (armour box): Take Mon (bamboo crest) adopted by the Uesugi clan overall with box height 60.2 in — 153 cm $2,000 — 2,500
146 A JAPANESE WAKIZASHI WITH ‘FUDO MYO-O’ KOZUKA, SIGNED, 19TH CENTURY The small by-knife handle cast with Fudo Myo-o standing under a waterfall; wakizashi tang signed overall length 24.3 in — 61.7 cm $600 — 800
147 A SHAKUDO NANAKO ‘SHISHI’ TSUBA, 19TH CENTURY Inlaid on fine nanako (fish roe) ground with three shishis on one side and two on the other length 2.3 in — 5.8 cm $400 — 600
148 TWO IRON TSUBA, 19TH/20TH CENTURY One with a dragon piercing through both sides, the other decorated with scrolling vines and flower heads largest length 3.3 in — 8.3 cm $300 — 500
149 A GROUP OF SIX SHAKUDO NANAKO FUCHI AND ONE MATCHING KASHIRA, 19TH CENTURY largest length 1.6 in — 4 cm $400 — 600
150 A GROUP OF EIGHT SHAKUDO NANAKO FUCHI, 19TH CENTURY length 1.5 in — 3.9 cm $400 — 600
151 A GROUP OF ELEVEN FUCHI AND KASHIRA, FOUR SIGNED, 19TH CENTURY largest length 1.5 in — 3.9 cm $400 — 600
152 AN IVORY OKIMONO OF A LADY AND CHILD IN A RICKSHAW, MEIJI PERIOD On a wood platform length 8.3 in — 21.2 cm NOTE:
Contains material which may be subject to import/export regulation $600 — 800
153 TWO IVORY OKIMONO OF A MERCHANT AND AN UMBRELLA CRAFTSMAN, MEIJI PERIOD The merchant and cart affixed to wood platform largest height 4.7 in — 12 cm NOTE:
Contains material which may be subject to import/export regulation $300 — 500
154 TWO IVORY OKIMONO OF SHISHIS AND A STANDING MAN, MEIJI PERIOD tallest height 5.7 in — 14.6 cm NOTE:
Contains material which may be subject to import/export regulation $200 — 300
155 AN IVORY OKIMONO OF MOMOTARO, TOGETHER WITH THREE NETSUKE, MEIJI PERIOD The okimono carved with the legendary hero Momotaro in combat with an oni, followed by his dog, monkey, and pheasant friends; together with two ivory netsuke and an ivorine double hotei mask largest height 5.6 in — 14.2 cm NOTE:
Contains material which may be subject to import/export regulation $100 — 200
156 Migata Toshihide (1863-1925), Watanabe Nobukazu (1874-1944), Two Sino-Japanese War Triptychs, Meiji Period Colour woodblock prints, both framed largest overall 20 x 34.5 in — 50.8 x 87.6 cm $600 — 800
157 OHARA KOSON (SHŌSON) (18771945), HERONS IN REEDS UNDER THE CRESCENT MOON 小原古邨 (祥邨) (1877-1945), 月と白鷺，木版画 Oban tate-e, signed and sealed Shoson, right margin with publisher cartouche of Watanabe Shozaburo (‘Hanken shoyu fukyo fukusei Watanabe Shozaburo’, circa 1931-1941) (渡辺庄 三郎, 1931-1941), framed 带框 The print depicting two white herons standing in a grey-blue pool, their feathers outlined in grey. Yellow and black claws, the beaks of similar palette with a transition of green at the eyes. A silhouette of wind-blown reeds in two tones of grey above, the sky graded from light blue to grey-blue, all below a white crescent moon. image size 36cm x 23.7cm paper 15.2 x 10.1 in — 38.7 x 25.6 cm NOTE:
A very similar comparable can be found in the Royal Ontario Museum, Accession Number 981.50 类似样例可见皇家安大略博物馆远东馆藏， 藏品编号: 981.50 $200 — 400
158 TOSHI YOSHIDA (1911-1995), PINE, BAMBOO, AND PLUM OF THE FRIENDLY GARDEN Three framed colour woodblock prints, signed in pencil to margin Each frame 30.7 x 15.7 in — 78 x 40 cm $400 — 600
Buying at Waddington’s All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.
condition of lots
All of the items are to be considered, unless otherwise noted in the description or condition report, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should examine the pieces in person or have our staff answer any questions before bidding. Sizes are approximate. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale. Frames on artwork are not included as part of purchase or condition.
buyers premium
A premium of 20% of the successful bid price of each lot. A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.
payment
Payment for purchases must be by cash, INTERAC direct debit (CDN clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), VISA or Mastercard (up to $25,000). ALL PRICES IN CANADIAN FUNDS
Selling at Waddington’s bidding
The Auctioneer may also execute bids on behalf of the consignor to protect the reserve. The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.
shipping
waddington’s commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $251 to $2,500 20%
The Auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable preauction estimates of shipping costs of lots offered in this sale may be obtained from:
Items selling for $250 or less 25%
PakShip
*There is a minimum handling charge of $20 per item
Safer Shipping Inc. 416-299-3367 / 416-299-9750 perry@safershipping.ca / www.safershipping.ca
A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.
905-470-6874 / 905-470-6875 / 416-293-8225 taurus@pakship.ca / www.pakship.ca
removal of purchases
Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.
cites
Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species). This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries. Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained. Please contact the department for further assistance. Failure to obtain necessary import/ export permits will not void any sale. All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s. For more information please visit: www.cites.org
*There is a minimum handling charge of $20 per item canadian art department commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $2,500 or less 20%
insurance
auction advice
For auction advice on paintings, drawings, prints, jewellery, and various forms of decorative arts and other collectibles, please feel free to contact us via email or telephone. We are pleased to review emails containing photographs and information on your pieces in order to provide auction estimates for you to consider. For collections with a variety of objects, please contact our Appraisals and Consignments department (consignments@waddingtons. ca). For department-specific inquiries, please contact the specialist and/or department directly. All contact information can be found at www.waddingtons.ca. Our offices are located in Toronto and Vancouver, but our specialists occasionally travel to major Canadian cities to meet with prospective consignors. To receive more information on Valuation Days across Canada or to arrange an appointment, please contact our Toronto office (416-504-9100). Please note that property typically arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.
Conditions of Sale 1. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made. An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid accordingly. 2. Each lot sold is subject to a 20% buyers premium as part of the purchase price. 3. Unless exempted by law, the buyer is required to pay Harmonized Sales Tax on the total purchase price including the buyer’s premium. For international buyers, taxes are not applicable when purchases are shipped out of country. Items shipped out of Ontario, the buyer is required to pay taxes as per the tax status of that province, whether it HST or GST (Goods and Services Tax).
6. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale. 7. The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final. 8. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale. 9. The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, after which storage charges may be incurred.
4. The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice.
10. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away.
5. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized.
11. Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14
days following the sale a written opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a written request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer. 12. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), and VISA or Mastercard (up to $25,000). 13. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for: (a) any deficiency in price between the resale amount and the amount to have been paid by the original buyer; (b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer; and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer. 14. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them. 15. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada). 16. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.
Waddington’s 275 King Street East, Second Floor Toronto, Ontario M5A 1K2
tel: 416-504-9100 toll free: 1-877-504-5700 www.waddingtons.ca