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FINE ART fineart@waddingtons.ca
DIRECTOR INTERNATIONAL ART
Goulven Le Morvan glm@waddingtons.ca 438-528-8489
DIRECTOR
CANADIAN FINE ART
Liz Edwards le@waddingtons.ca 416-847-6193
CONSIGNMENT SPECIALIST INTERNATIONAL ART
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FRONT COVER
Lot 23
Sybil Andrews Wings 1979
FRONT INSIDE COVER
Lot 79
Gregory Richard Curnoe Doc Morton, Front Wheel, 1980
BACK INSIDE COVER
Lot 56
Joan Mitchell Bedford I, 1981 [T. 363]
BACK COVER Lot 39
A er Marc Chagall Roses and Mimosa 1975 [S. 733]
REMBRANDT VAN RIJN - DUTCH
JEWS IN THE SYNAGOGUE & B NH
etching and drypoint in black on laid paper, trimmed margins; from new Hollstein’s sixth state of nine 3 x 5 in — 7.6 x 12.7 cm
PROVENANCE
Private Collection, Winnipeg, MB
LITERATURE
Bartsch 126. New Hollstein 242.
ALFRED SISLEY - FRENCH
PAYSAGE BORDS DU LOING
LA CHARRETTE & etching and aquatint in black on laid paper, with full margins; titled in plate; published by Gaze e des Beaux-Arts, Paris 5.25 x 8.25 in — 13.3 x 21 cm
PROVENANCE
Private Collection, Toronto, ON
CECIL CROSLEY BELL - AMERICAN MERRY-GO-ROUND THE TROLLEY // two etchings in black on wove paper, with full margins; each signed, one dated “’33”, numbered 2/20 and 22 respectively, and inscribed “2nd” for second state 15 x 11 in — 38.1 x 27.9 cm
PROVENANCE
Private Collection, Toronto, ON —
ERNST KIRCHNER - GERMAN NACKTE FRAU AM FENSTER D R drypoint and etching in black on wove paper, full margins; initialled in plate lower le ; numbered 9/50 with estate and printing stamps verso; published by Edition B by R.N. Ke erer Zeichnungen, Stu gart, 1979 sheet 12 x 9.8 in — 30.5 x 24.8 cm
PROVENANCE
Private Collection, Toronto, ON
LITERATURE
Dube R. 147. — /
FRANCIS SEYMOUR HADEN - BRITISH
THOMAS HADEN OF DERBY & S / drypoint and etching on white wove paper, with full margins; signed in pencil lower right; signed and dated in plate lower le , final state
13.75 x 9.33 in — 34.9 x 23.7 cm
PROVENANCE
Private Collection, Toronto, ON
LITERATURE
Schneiderman 53 v/v.
JAMES A MCNEILL WHISTLER -
BRITISH
LA VIEILLE AUX LOQUES FROM TWELVE ETCHINGS FROM NATURE & & K etching in black on laid paper; printed by Delâtre, Paris 8 x 5.75 in — 20.3 x 14.6 cm
PROVENANCE
The Vincent Price Collection, Denver, CO Private Collection, Winnipeg, MB
LITERATURE
Kennedy 21.
GERALD LESLIE BROCKHURST - BRITISH
CHIQUITA CA /- F etching in black on cream laid paper, with full margins; signed, from the edition totalling 81 6.4 x 5.2 in — 16.2 x 13.2 cm
PROVENANCE
Private Collection, Toronto, ON
LITERATURE
Fletcher 44. —
CECIL CHARLES WINDSOR ALDIN - BRITISH A MOST POPULAR GENTLEMAN etching in black on wove paper, with full margins; signed and numbered 45/100 18 x 14 in — 45.7 x 35.6 cm
PROVENANCE
Private Collection, Toronto, ON —
JAMES ENSOR - BELGIAN
LE CHRIST ENTRE LES LARRONS FROM SCÈNES DE LA VIE DU CHRIST
lithograph in colours on wove paper; signed in plate lower le ; from the edition of 285; printed by J. E. Goossens, published by Galerie Georges Giroux, Brussels plate 8.3 x 6 in — 21 x 15.3 cm
PROVENANCE
Private Collection, Toronto, ON / —
JAMES ENSOR - BELGIAN
LA REINE PARYSATIS QUEEN PARYSATIS & T E
etching in black on simili-Japan laid paper, with full margins; signed in plate sheet 10.5 x 8.2 in — 26.6 x 20.9 cm
PROVENANCE
Private Collection, Toronto, ON
LITERATURE
Auguste Tavernier 116. James Elesh 121.
— /
PIERRE-AUGUSTE RENOIR - FRENCH
LE CHAPEAU EPINGLÉ
/E PLANCHE CA & D & S & etching and drypoint in black on laid paper, with wide margins; signed in plate; second state of two, from La Vie Artistique by Gustave Geffroy plate 4.9 x 3.7 in — 12.5 x 9.5 cm; sight
PROVENANCE
Private Collection, Toronto, ON
LITERATURE
Delteil 8.
Stella 8.
MARY CASSATT - / AMERICAN THE MANICURE CA & B etching and drypoint in black on laid paper, with full margins sheet 11.25 x 7.75 in — 28.6 x 19.7 cm
PROVENANCE
Private Collection, Toronto, ON
LITERATURE
Breeskin 199.
FRANCISCO JOSÉ DE GOYA Y LUCIENTES - / SPANISH
LOS DESASTRES DE LA GUERRA & - & drypoint and burnish aquatint etchings in sepia ink on heavy absorbent wove paper, with the watermark J.G.O. and a palme e on several sheets; 76 of the 80 plates (excluding 16, 24, 25, and 75) from the edition of approximately 500; printed by Laurenciano Patenciano, published by the Real Academia in 1863
View website for full catalogue details
PROVENANCE
Gallery One, Toronto, ON
Private Collection, Toronto, ON
LITERATURE
Harris 121-203 (excluding 136, 144, 145, 195). — /
JOSEPH
UHL - GERMAN
ETCHINGS FROM PER AD ASTRA etchings and aquatints on tissue paper, with full margins; 1) Das Heilige Feuer
signed lower right
15.8 x 18.4 in — 40.2 x 46.8 cm
2) Die Spö er
signed lower right
19.6 x 15.7 in — 49.7 x 40 cm
3) Schlingen
signed lower right
19.7 x 16.1 in — 50 x 40.8 cm
4) Hemmungen
signed lower right
19.4 x 16 in — 49.3 x 40.7 cm
5) Untitled
signed lower right
19.5 x 17.9 in — 49.5 x 45.5 cm
6) Untitled
signed lower right
19.7 x 15.7 in — 50 x 40 cm
7) Untitled
signed lower right
19.3 x 15.9 in — 48.9 x 40.5 cm
PROVENANCE
Private Collection, Toronto, ON — /
DAVID BROWN MILNE /PAINTING PLACE / -/ drypoint in two colours on Fabriano wove paper signed to the margin; initialed in upper le in matrix 4.8 x 6.8 in — 12.2 x 17.3 cm
PROVENANCE
Janak Khendry Collection, Toronto — /
ALFRED JOSEPH A J CASSON OSA PRCA - / SERIGRAPHS PORTFOLIO & Complete suite of 8 screenprints in colours on wove paper, with full margins including Canada Geese, Gunnets, Woodcocks, Ruffed Grouse, Blue Winged Teals, Green Winged Teals, Red Headed Puck, and Wood Ducks each signed, titled, and numbered AP-16 and contained in an original clothbound case with certificate of ownership book: 23.75 x 19.75 in — 60.3 x 50.2 cm
PROVENANCE
Private Collection, South Carolina, USA — /
DAVID LLOYD BLACKWOOD
RCA -/ //
BOX KITE OVER GREENSPOND & colour etching and aquatint on paper signed, titled, dated, and numbered 11/75 image 10.75 x 13.75 in — 27.3 x 34.9 cm
PROVENANCE
Private Collection, Toronto, ON / —
DAVID LLOYD BLACKWOOD
RCA -/ //
UNCLE KLUNY’S KITE OVER WESLEYVILLE & etching and aquatint on paper signed, titled, dated, and numbered 23/75 image 15 x 35.5 in — 38.1 x 90.2 cm
PROVENANCE
Private Collection, Toronto, ON —
DAVID LLOYD BLACKWOOD RCA -/ // FOR EDGAR GLOVER
THE SPLITTING TABLE etching and aquatint on wove paper, with full margins signed, titled, dated, and numbered 8/75 sheet 28.5 x 40.25 in — 63 x 90 cm
PROVENANCE
Private Collection, Toronto, ON / —
/
DAVID LLOYD BLACKWOOD RCA -/ //
THE PRINCE ANDREW UNDER CONSTRUCTION / colour etching and aquatint on paper signed, titled, dated, and numbered 1/25 19.7 x 31.5 in — 50 x 80 cm
PROVENANCE
Private Collection, Toronto, ON —
DAVID LLOYD BLACKWOOD
RCA -/ //
SNAPDRAGONS WITH FEATHER & monotype in colours on wove paper signed and dated; titled and dated “1988” to gallery label verso image 36 x 24 in — 91.4 x 61 cm
PROVENANCE
Gallery One, Toronto, ON Private Collection, Ontario
DAVID LLOYD BLACKWOOD
RCA -/ //
CAPTAIN JESSE WINSOR / colour etching and aquatint on paper signed, titled, dated, and numbered 3/25 image 9.75 x 8 in — 24.8 x 20.3 cm
PROVENANCE
Gallery Pascal Graphics, Toronto, ON Private Collection, Toronto, ON
/
SYBIL ANDREWS - / WINGS
linocut in 4 colours on oriental laid paper signed, titled, and numbered 7/60 upper le ; also signed, titled, and numbered 7/60 lower le 14.75 x 12.25 in — 37.5 x 31.1 cm
PROVENANCE
Private Collection, Edmonton, AB / — /
SYBIL ANDREWS - / GYPSIES /
linocut in 4 colours on oriental laid paper signed, titled, and numbered 47/60 upper le ; titled, dated, and numbered 47/60 to exhibition label verso 10.7 x 13.7 in — 27.2 x 34.8 cm
PROVENANCE
Private Collection, Edmonton, AB — /
JOAN MIRÓ - SPANISH L’OISEAU AMOUREUX C / lithograph in colours on wove paper; signed and numbered 80/100; published by Berggruen et Cie, Paris sheet 13.7 x 20.3 in — 34.7 x 51.6 cm
PROVENANCE
Fine Art Editions, Toronto, ON Private Collection, Winnipeg, MB
LITERATURE
Cramer 937. — /
ATTRIBUTED TO JOAN MIRÓ - SPANISH LE CHAT ENCHANTE
lithograph in colours on wove paper; signed and numbered 38/75 15 x 18 in — 38.1 x 45.7 cm
PROVENANCE
Private Collection, Toronto, ON — /
AFTER JOAN MIRÓ - SPANISH LA NAISSANCE DU JOUR M lithograph in colours on Arches paper, with full margins; signed and numbered 212/300 to lower margin; published by Maeght, Paris, with blindstamp 19.6 x 25.4 in — 49.8 x 64.5 cm
PROVENANCE
Merrill Chase Galleries, Chicago, Illinois
Private Collection, Toronto, ON
LITERATURE
Maeght 1710.
/
/
JOAN MIRÓ - SPANISH L’ANTITÊTE D / C
etching in black on Hollande van Gelder paper, full margins; signed, dated, and editioned “épreuve d’artiste 4/5”; aside from the numbered edition of 200; printed by Atelier 17, New York, published by Bordas, Paris 9.8 x 8.7 in — 25 x 22 cm
PROVENANCE
Rago Wright, Lambertville, NJ, 14 Feb 2024, lot 147
Private Collection, Toronto, ON
LITERATURE
Dupin 53. Cramer 20.
AFTER JOAN MIRÓ - SPANISH UNTITLED WOODCUT II FROM MIRÓ GRAVEUR II. 1961-1973 & D woodcut in black on velin paper; from the edition of 1,000; printed by l’atelier de Joan Barbarà, Barcelona, published by Daniel Lelong Éditeur, Paris 12.5 x 9.8 in — 31.75 x 25 cm
PROVENANCE
Private Collection, Ontario / —
AFTER PABLO PICASSO - SPANISH LE CLOWN & lithograph in colours on wove paper; signed and numbered 282/300; lithograph made by Henri Deschamps and printed by Mourlot, Paris, published by Yamet Arts, Inc., New York sight 26 x 18.25 in — 66 x 46.4 cm
PROVENANCE
Private Collection, British Columbia
AFTER PABLO PICASSO - SPANISH
TOROS EN VALLAURIS
offset lithograph on wove paper sheet 20.1 x 15.7 in — 51 x 40 cm
PROVENANCE
Private Collection, Toronto, ON / —
AFTER MARC CHAGALLFRENCH/BELARUSIAN
SIRÈNE AU PIN FROM NICE ET LA CÔTE D’AZUR S / lithograph in colours on Arches paper, with full margins; signed and numbered 135/150; printed by Charles Sorlier, Paris, published by Mourlot, Paris sheet 29.3 x 20.5 in — 74.3 x 52 cm
PROVENANCE
Dension Gallery, Toronto, ON
Private Collection, Toronto, ON
LITERATURE
Sorlier 35.
PABLO PICASSO - SPANISH POISSON FOND BLANC A R & white earthenware ceramic plate with coloured engobe and glaze; stamped, marked, and numbered “Madoura Plein Feu/ Empreinte Originale de Picasso/ I.114/ 131/200” on the back 16.7 x 13.4 in — 42.3 x 34 cm
PROVENANCE
Private Collection, O awa, ON
LITERATURE
Alain Ramié 168.
— /
AFTER PABLO PICASSOSPANISH
MÈRE ET ENFANT MOTHER AND CHILD
Z / etching and aquatint with roule e in colours, on Chine-appliqué to wove paper, with full margins; signed and numbered 53/100 in pencil; a er the 1922 painting
27.8 x 23.6 in — 70.7 x 60 cm
PROVENANCE
Private Collection, O awa, ON
LITERATURE
Christian Zervos 370.
— /
PABLO PICASSO - SPANISH INES AND HER CHILD M B lithograph in black on Arches paper; inscribed “61,” “M 61,” and “6/6 FM” in pencil verso; from Mourlot’s only state, Mourlot calls for five proofs aside from the signed and numbered edition of 50 sheet 26 x 19.5 in — 65.7 x 49.9 cm
PROVENANCE
Christie’s, New York, 28 Apr 2003, lot 52 Odon Wagner Gallery, Toronto, ON S.P. Family Collection, Toronto, ON
LITERATURE
Mourlot 61. Bloch 415.
DIEGO RIVERA - MEXICAN PORTRAIT OF EMMA DUNBAR / lithograph in black on wove paper, with full margins; signed, dated, and numbered 5/10 15.7 x 11.5 in — 40 x 29.3 cm
PROVENANCE
Art Dialogue Gallery, Toronto, ON Private Collection, Toronto, ON
PABLO PICASSO - SPANISH
SABLE MOUVANT B &/BA - /B/B C BOOKS / the complete suite of 10 aquatints on Rives paper, watermark LB, with full margins; signed and numbered 12/15 on the justification page, one of the “Exemplaire de Chapelle” from the edition of 255, there were also 7 hors commerce; printed by Piero Crommelynck and published by Louis Broder, Paris sight 16.9 x 12.7 in — 43 x 32.2 cm
PROVENANCE
Odon Wagner Gallery, Toronto, ON. S.P. Family Collection, Toronto, ON
LITERATURE
Bloch 1183-1192. Baer 1152-1161/B/b. Cramer Books 136.
PABLO PICASSO - SPANISH
DRESSAGE AU CIRQUE AVEC AU PREMIER PLAN ECUYÈRE MAGICIEN FAUCONNIER ET LA COLOMBE DE NOÉ FROM “LA SERIE ” B & BA & etching in black on BFK Rives paper, with full margins; stamped-signed and numbered 45/50, there were also 15 artist’s proofs; published by Galerie Louise Leiris, Paris sheet 19.8 x 25.6 in — 50.2 x 65.1 cm
PROVENANCE
Christie’s, New York, 26 Apr 2011, lot 132 Odon Wagner Gallery, Toronto, ON S.P. Family Collection, Toronto, ON
LITERATURE
Bloch 1891. Baer 1897.
AFTER MARC CHAGALLFRENCH/BELARUSIAN
ROSES AND MIMOSA S // lithograph in colours on Arches paper, with full margins; signed and numbered 45/50 in pencil; published by Transworld Art, New York and Fribourg 26 x 20.5 in — 66 x 52.1 cm
PROVENANCE
Private Collection, Toronto, ON
LITERATURE
Sorlier 733.
MARC CHAGALLFRENCH/BELARUSIAN
LE CIRQUE ONE PLATE M C BOOKS & lithograph in colours on Arches paper, the full sheet; from the unnumbered edition of 250, there was also a signed and numbered edition of 24 and another edition of 20 hors commerce numbered in Roman; printed by Mourlot, Paris and published by Tériade, Paris sheet 16.7 x 12.7 in — 42.5 x 32.2 cm
PROVENANCE
Franklin Bowles Galleries, San Francisco, CA Private Collection, Sea le, WA
LITERATURE
Mourlot 521. Cramer Books 68.
MARC CHAGALLFRENCH/BELARUSIAN
QUAI DE LA TOURNELLE FROM “REGARD SUR PARIS ” M / C BOOKS / lithograph in colours on Arches paper, the full sheet; from the edition of 180, there was also a signed and numbered edition of 25 with margins and an edition of 30 unsigned without the central fold, this proof is with the central fold on the double page as issued; printed by Sorlier, Paris and published by André Sauret, Paris sheet 15.4 x 23.5 in — 39 x 59.7 cm
PROVENANCE
Odon Wagner Gallery, Toronto, ON S.P. Family Collection, Toronto, ON
LITERATURE
Mourlot 351. Cramer Books 53.
/ AFTER PABLO PICASSO - SPANISH
NATURE MORTE AU CRÂNE CA aquatint in colours on Arches wove paper, with full margins; signed and numbered 91/150; printed and published by Lacourière, Paris, blindstamp sheet 22.2 x 30.1 in — 56.5 x 76.5 cm
PROVENANCE
Galerie Raphael, Frankfurt, Germany S.P. Family Collection, Toronto, ON
AFTER SALVADOR DALÍ - SPANISH
STUDY FOR THE BATTLE OF TETUAN etching and aquatint in colours on wove paper; signed and numbered 23/300 sheet 15 x 22.3 in — 38 x 56.7 cm
PROVENANCE
S.P. Family Collection, Toronto, ON —
AFTER SALVADOR DALÍSPANISH
SURREALIST MIRROR
red-painted and carved giltwood mirror; with certificate of authenticity signed by the artist and numbered 233/600; published by Templeton, Rawlings, and Davis, Ltd., registration certificate numbered 233 30 x 34 in — 76.2 x 86.4 cm
PROVENANCE
Private Collection, Halifax, NS
AFTER MARC CHAGALLFRENCH/BELARUSIAN
LA TRIBU D’ISSACHAR FROM DOUZE MAQUETTES DE VITRAUX POUR JERUSALEM S
lithograph in colours on Arches paper, watermark, with full margins; signed, titled, and editioned “epreuve d’artiste 5/25”, aside from the edition numbered on 150, there were also 10 artist’s proofs and an edition of 75 in Roman numerals; published by Mourlot, Paris, stamped verso sheet 29.7 x 20.7 in — 75.5 x 52.5 cm
PROVENANCE
Private Collection, Montreal, QC
LITERATURE
Sorlier 17.
AFTER MARC CHAGALLFRENCH/BELARUSIAN
LA TRIBU DE JOSEPH FROM THE TWELVE MAQUETTES OF STAINED GLASS WINDOWS FOR JERUSALEM S lithograph in colours on Arches wove paper, with full margins; signed, titled, and editioned “epreuve d’artiste 5/25”, aside from the edition numbered on 150, there were also 10 artist’s proofs and an edition of 75 in Roman numerals; published by Mourlot, Paris, stamped verso
26.4 x 19.7 in — 67 x 50 cm
PROVENANCE
Private Collection, Montreal, QC
LITERATURE
Sorlier 22.
SALVADOR DALÍ - SPANISH A MAD TEA PARTY FROM ALICE IN WONDERLAND
M &L / -// F - H heliogravure on BFK Rives paper; signed and numbered 22/100 to margin; published by Maecenas Press-Random House, New York
15.4 x 10.6 in — 39 x 27 cm
PROVENANCE
Merrill Chase Galleries, Chicago, IL Private Collection, Toronto, ON
LITERATURE
Michler & Lopsinger 321-33. Field 69-5H.
— /
SALVADOR DALÍ - SPANISH ULTRA SURREALIST CORPUSCULAR GALUTSKA FROM MEMORIES OF SURREALISM F - C lithograph with etching in colours on Arches paper, with full margins; signed and editioned “E.A.” for “epreuve d’artiste” (artist’s proof), one of 25 proofs aside from the numbered edition of 175, there were also 40 sets in Roman numerals; printed and published by Transworld Art Corporation, New York 20.75 x 16.5 in — 52.7 x 41.9 cm
PROVENANCE
William Benne Gallery, New York, NY Private Collection, Toronto, ON
LITERATURE
Field 71-15 C.
— /
SALVADOR DALÍ - SPANISH PRUDENTIANE FROM LES AMOURS JAUNES F - H M &L
etching in black with gold flakes on Arches paper, with full margins; signed and numbered 106/300 in pencil; published by Éditions
Pierre Belfond, Paris, printed by Bellini and Jacomet, Paris
14.9 x 11.1 in — 37.9 x 28.2 cm
PROVENANCE
Private Collection, Toronto, ON
LITERATURE
Field 74-15 H. Michler/Löpsinger 700.
MILTON AVERY - AMERICAN LITTLE GIRL / L
drypoint and etching in black on wove paper; signed, dated, and numbered 60/60 image 8.7 x 4.8 in — 22.2 x 12.1 cm
PROVENANCE
Associated American Artists, New York, NY Private Collection, Toronto, ON
LITERATURE
Lunn 11.
/
ANDY WARHOL / – AMERICAN BIRMINGHAM RACE RIOT FROM TEN WORKS X TEN PAINTERS F &S II / screenprint in colours on wove paper, the full sheet; from the edition of 500; co-printed by Sirocco Screenprinters and Ives-Sillman, Inc., New Haven, published by Wadsworth Atheneum, Hartford 20 x 24 in — 50.8 x 61 cm
PROVENANCE
Dunkelman Gallery, Toronto, ON Private Collection, Toronto, ON
LITERATURE
Feldman & Schellmann II.3.
/
JAMES ROSENQUIST -/ AMERICAN F- CASTELLI MAILER
offset lithograph in colours on wove paper, the full sheet; from the edition of unknown size; published by Leo Castelli Gallery, New York 28 x 24 in — 71.1 x 61 cm
PROVENANCE
Dunkelman Gallery, Toronto, ON Private Collection, Toronto, ON
ANDY WARHOL / – AMERICAN FLOWERS CASTELLI MAILER
F &S II
o
ffset lithograph in colours, the full sheet; from the edition of approximately 300; printed by Total Color, New York, published by Leo Castelli, New York for the exhibition, Andy Warhol at Leo Castelli Gallery, New York, 21 November - 17 December 1964 21 x 22 in — 53.3 x 55.9 cm
PROVENANCE
Dunkelman Gallery, Toronto, ON Private Collection, Toronto, ON
LITERATURE
Feldman & Schellmann II.6. — /
Lot Withdrawn
ROBERT MOTHERWELLAMERICAN
UNTITLED FROM BESIDE THE SEA B lithograph in black on BFK Rives paper, with full margins; signed and numbered 84/100; printed by Irwing Hollander, New York, published by the Society for the Arts, Religion and Contemporary Culture, New York image 18.7 x 13 in — 47.6 x 33 cm
PROVENANCE
Merrill Chase Galleries, Chicago, IL Associated American Artists, New York, NY Private Collection, Toronto, ON
LITERATURE
Belknap 29. — /
JOAN MITCHELL / - / AMERICAN BEDFORD I & T / /
lithograph in colours on Arches 88 paper, with full margins; signed and numbered 66/70 in pencil to lower right margin; printed and published by Tyler Graphics, Ltd., Mount Kisco 40 x 29.9 in — 101.5 x 76 cm
PROVENANCE
Woltjen/Udell Gallery, Edmonton, AB Private Collection, Toronto, ON
LITERATURE
Tyler 363. / —
JAMES ROSENQUIST -/ AMERICAN STAR LADDER & etching and aquatint in colours on Pescia Italia white wove paper, with full margins; signed, dated, inscribed “2 state”, and numbered 14/78; printed by Flatstone Studio and published by Multiples Inc., New York
PROVENANCE
Private Collection, Toronto, ON
ADOLPH GOTTLIEBAMERICAN TWO BARS
lithograph in colours on Arches paper, with full margins; signed, dated, and numbered 32/100 29 x 21 in — 73.7 x 53.3 cm
PROVENANCE
Private Collection, Toronto, ON
JOSEF ALBERSGERMAN-AMERICAN WLS IV FROM THE WHITE LINE SQUARES, SERIES II PORTFOLIO D G
lithograph in colours on Arches paper, with full margins; signed, titled, dated, and numbered “A ‘66 WLS IV 155/125”; printed and published by Gemini G.E.L., Los Angeles, blindstamp
15.7 x 15.7 in — 40 x 40 cm
PROVENANCE
Private Collection, Toronto
LITERATURE
Danilowitz 171.4.
Gemini 5.
JOSEF ALBERS - GERMAN
EA / D
screenprint in colours on wove paper, with full margins; initialled, titled, dated “73”, and numbered 47/100; published by Ives-Sillman, Inc., New Haven sight 13 x 16.3 in — 33 x 41.5 cm
PROVENANCE
Art Dialogue Gallery, Toronto, ON Private Collection, Toronto, On
LITERATURE
Danilowitz 222.
KENNY SCHARF B AMERICAN SPACE BALLS && screenprint in colours on wove paper, the full sheet; signed, dated “88”, and numbered 128/150 in pencil lower right; printed by Rupert Jasen Smith, New York and published by Martin Lawrence Limited Editions, New York
31.75 x 39.75 in — 80.6 x 101 cm
PROVENANCE
Private Collection, Toronto, ON
SAM FRANCIS / - AMERICAN RED AGAIN SFS- /& L S screenprint in colours on Arches paper, the full sheet; signed and numbered 86/100, there were also 10 artist’s proofs; published by Gemini G.E.L., Los Angeles
24.6 x 30.9 in — 62.6 x 78.4 cm
PROVENANCE
Mira Godard Gallery, Toronto, ON Private Collection, Toronto, ON
LITERATURE
Gemini G.E.L. 18.14. Lembark S9.
KENNETH NOLAND / -/ AMERICAN WINDS & - & -&/ mixografia and monotype with handcoloring on thick handmade paper, with full margins; published by Mixografia, Los Angeles
80 x 32.5 in — 203.2 x 82.6 cm
PROVENANCE
Private Corporate Collection, New York, NY Heritage Auctions, Dallas, 27 Oct 2010, lot 72052
Private Collection, Toronto, ON
JIM DINE B AMERICAN SWAYING IN THE FLORIDA NIGHT &/ D & F / etching, drypoint, aquatint, and electric tools on rolled Arches, with full margins; signed, dated, and numbered 63/65; printed by R. E. Townsend, Inc., Boston, published by Pace Editions, New York sheet 46.9 x 70.1 in — 119 x 178 cm
PROVENANCE
Private Collection, British Columbia
LITERATURE
D’Oench & Fineberg 143.
DAVID ALFARO SIQUEIROS - MEXICAN HOMBRE ATADO
lithograph in black on wove paper; signed and editioned “E/E” for “edicion especial” (artist’s proof)
11.8 x 8.7 in — 30 x 22 cm
PROVENANCE
Galeria Centrale de Arte Moderno Misrachi, Mexico City, Mexico
Private Collection, Ontario
RUFINO TAMAYO - MEXICAN MUJER INDIA P
lithograph in colours on Arches paper, with full margins; signed and numbered 46/100; printed in Paris, possibly with Desjobert, though according to Pereda with an unidentified workshop
30.9 x 21.7 in — 78.5 x 55 cm
PROVENANCE
Private Collection, Toronto, ON
LITERATURE
Pereda 55.
RUFINO TOMAYO - MEXICAN LA MANDOLINA / P woodcut on wove paper; signed in pencil lower right; from an unnumbered edition 9.1 x 7.6 in — 23.2 x 19.2 cm
PROVENANCE
Private Collection, Quebec
LITERATURE
Pereda 12. / —
MARINO MARINI - ITALIAN
CHEVALIER ROUGE ET NOIR G L lithograph in colours on wove paper, with full margins; signed and editioned “épreuve d’artiste”, aside from the edition of 30; printed by Mourlot, Paris and published by Gérald Cramer, Geneva
25.8 x 19.7 in — 65.5 x 50 cm
PROVENANCE
Private Collection, Toronto, ON
LITERATURE
Guastalla L62.
MARINO MARINI - ITALIAN
CAVALIER NOIR ET ROUGE SUR FOND BRUN G
lithograph in colours on wove paper, with full margins; signed and numbered 23/50; printed by Emil Ma hieu, Zurich, published by L’Oeuvre Gravée, Zurich
29.5 x 20.75 in — 74.9 x 52.7 cm
PROVENANCE
Art Dialogue Gallery, Toronto, ON Private Collection, Toronto, ON
LITERATURE
Guastalle 115.
JOSEPH YVON FAFARD RCA /-/ MAUD
bronze
signed, dated “01”, and numbered 1/7 9 x 12.5 x 6 in — 22.9 x 31.8 x 15.2 cm
PROVENANCE
Galerie de Bellefeuille, Montreal, QC Private Collection, Ontario
JOSEPH YVON FAFARD RCA /-/ ALBERT DU CAP-ROUGE bronze signed, dated, and numbered 2/10 10.5 x 12.5 in — 26.7 x 31.8 cm
PROVENANCE
Galerie de Bellefeuille, Montreal, QC Private Collection, Ontario
GENERAL IDEA ACTPLACEBO HELIUM / F
3 custom-shaped printed mylar balloons with title sheet in plastic sleeve signed and numbered 82/250 sleeve 12.75 x 9 in — 32.4 x 22.9 cm; each balloon inflated 9.85 x 25.5 x 9.85 in — 25 x 64.8 x 25 cm
PROVENANCE
Acquired directly from the artist Estate of Enoch Gray, Toronto, ON
LITERATURE
Barbara Fischer, ed. General Idea: Editions 1967-1995, (Mississauga: Blackwood Gallery, University of Toronto at Mississauga, 2003), 236, no. 9209.
GENERAL IDEA ACTMAGIC BULLET F
custom-shaped printed silver mylar balloon signed and numbered 50/100 inflated 9.85 x 25.5 x 9.85 in — 25 x 64.8 x 25 cm
PROVENANCE
Acquired directly from the artist Estate of Enoch Gray, Toronto, ON
LITERATURE
Barbara Fischer, ed. General Idea: Editions 1967-1995, (Mississauga: Blackwood Gallery, University of Toronto at Mississauga, 2003), 234, no. 9207.
GENERAL IDEA ACTSHOE JOURNAL THE GETTING INTO THE SPIRIT COCKTAIL BOOK XXX VOTO GROUP LOT
Shoe Journal, 1971 [F.7118]
offset publication (b/w) stamped and numbered 12/100 6.25 x 4.25 in — 15.9 x 10.8 cm
The Ge ing into the Spirits Cocktail Book from the 1984 Miss General Idea Pavillion, 1980 [F.8008]
o
ffset publication (colour repro.) signed, stamped, and numbered 869/900
5.75 x 4.25 in — 15.9 x 10.8 cm
XXX Voto (for the Spirit of Miss General Idea) 1995 [F.9501]
o
ffset publication (colour repro) signed and dated “June 1 1995”, from the edition of 900
5.75 x 4.25 in — 15.9 x 10.8 cm
PROVENANCE
Estate of Enoch Gray, Toronto, ON
See website for full catalogue details
GENERAL IDEA ACTURSA MAJOR AND TAURUS PAVILLION FRAGMENTS FROM THE STARRY VAULT &/ F &/ le erpress, 23-carat-gold hot-stamping, analine dyes on paper titled lower le ; signed, dated, and numbered 1/100 lower right 23 x 31 in — 58.4 x 76.8 cm
PROVENANCE
Private Collection, Toronto, ON
LITERATURE
Barbara Fischer, ed. General Idea: Editions 1967-1995, (Mississauga: Blackwood Gallery, University of Toronto at Mississauga, 2003).
B LOVE
digital print on paper signed and numbered 10/25 20 x 20 in — 50.8 x 50.8 cm
PROVENANCE
Casey House, Toronto, ON — /
COREY BULPITT TAAKEIT GAAYAA
DANA CLAXTON B
LASSO EASY RIDER
Epson premium lustre archival giclée print mounted to dibond signed, titled, dated, and numbered 22/25 to label verso
24 x 15 in — 61 x 38.1 cm
PROVENANCE
Casey House, Toronto, ON / —
KEN LUM B
I CAN’T BELIEVE I’M IN PARIS
archival inkjet print on Arches watercolour paper signed and numbered 94/100
18 x 24 in — 45.7 x 61 cm
PROVENANCE
Private Collection, British Columbia / —
GREGORY RICHARD CURNOE - / DOC MORTON FRONT WHEEL & screenprint on plexiglass in colours signed, titled, dated “May 24 - July 4 / 80”, and numbered 20/65
27.5 x 27.5 in — 69.9 x 69.9 cm
PROVENANCE
Private Collection, Toronto, ON —
DAVID ALEXANDER ALEX COLVILLE
/ -/ WILLOW
screenprint in colours on wove paper signed, dated “02”, and numbered 68/70 27.5 x 17 in — 69.9 x 43.2 cm
PROVENANCE
Fog Forest Gallery, Sackville, NB
Private Collection, New Brunswick
LITERATURE
Tom Smart, “Alex Colville: Return” (Halifax: Art Gallery of Nova Scotia, 2003), reproduced 109.
JACK HAMILTON BUSH
OSA ARCAFRIDAY MORNING & colour screenprint on wove paper signed, dated, and numbered 94/150, there were also 15 artist’s proofs numbered in Roman 20 x 24.5 in — 50.8 x 62.2 cm
PROVENANCE
Private Collection, Toronto, ON
/ ROBERT FRANK / -/ SWISS/AMERICAN
LURE CAMERA PORTFOLIO MABOU
NOVA SCOTIA -
suite of six photo-lithographs in colours on wove paper, with full margins; each signed and numbered 22/70, there were also 30 artist’s proofs numbered in Roman; printed in 1980 the largest 22 x 39 in — 55.9 x 99.1 cm; various sizes 18 x 27 in — 45.7 x 68.6 cm
PROVENANCE
Stephen Bulger Gallery, Toronto, ON Private Collection, Ontario
IRVING LAYTON ED /-/ AND HAROLD BARLING TOWN
OSA RCA / -
LOVE WHERE THE NIGHTS ARE LONG portfolio with original etching and fourteen illustrations, with full margins hardcover, bound with sleeve, limited 1st edition signed and numbered 7/199; complete with original etching also signed and numbered 71/199; published by McClelland and Stewart Limited, Toronto, 1962 sheet 18 x 11.5 in — 45.7 x 29.2 cm
PROVENANCE
Private Collection, Ontario
HAROLD BARLING TOWN
OSA RCA /FLOWER PERSON lithograph on paper signed, dated “70”, and numbered 4/60 sight 20 x 14 in — 49.5 x 34.3 cm
PROVENANCE
Mazelow Gallery, Toronto, ON Art Dialogue Gallery, Toronto, ON Private Collection, Toronto, ON
HAROLD BARLING TOWN
OSA RCA /ENIGMAS
book with original lithograph, with full margins hardcover, bound with sleeve, signed and numbered 6/175; complete with original lithograph also signed, dated “64”, and numbered 6/175; published by McClelland and Stewart Limited, Toronto, 1964
12.5 x 15.25 in — 31.8 x 38.7 cm
PROVENANCE
Private Collection, Toronto, ON
HAROLD BARLING TOWN
OSA RCA /HAROLD TOWN DRAWINGS
book with original lithograph, with full margins hardcover, bound with sleeve, signed, dated “69”, and numbered 8; complete with original lithograph also signed, dated “69”, and numbered 8-141; published by McClelland and Stewart Limited, Toronto, 1969
11 x 10 in — 27.9 x 25.4 cm
PROVENANCE
Private Collection, Toronto, ON
ANNE MEREDITH BARRY
OSA RCA /-/
DAYBREAK
woodcut in colours on wove paper, with full margins
signed, titled, and numbered 6/50 22 x 29 in — 48.3 x 59.7 cm
PROVENANCE
Private Collection, Toronto, ON —
ANNE MEREDITH BARRY
OSA RCA /-/
DAYBREAK EARLY SNOW MOUNTAIN woodcut in colours on wove paper, with full margins
signed, titled, and numbered 4/30 sheet 17 x 14.75 in — 64.5 x 75.7 cm
PROVENANCE
Private Collection, Toronto, ON —
ANNE MEREDITH BARRY
OSA RCA /-/ DAYBREAK /
woodcut in colours on wove paper
signed, titled, and numbered 6/50
22 x 28.5 in — 55.9 x 73.7 cm
PROVENANCE
Private Collection, Toronto, ON
ANNE MEREDITH BARRY
OSA RCA /-/ NIGHT CITY
woodcut in colours on wove paper, with full margins
signed, titled, and numbered 18/35
29 x 22 in — 73.7 x 55.9 cm
PROVENANCE
Private Collection, Toronto, ON
CHARLES PACHTER B / SIX FRIENDS IN A LANDSCAPE & screenprint on wove paper, with full margins signed, titled, and numbered 46/50 AP; printed by Christopher Ondaatje
22 x 30 in — 55.9 x 76.2 cm
PROVENANCE
Private Collection, Toronto, ON
JEAN ALBERT MCEWEN RCA /UNTITLED ABSTRACT
screenprint in colours on wove paper, with full margins signed and numbered III/V 22 x 18 in — 55.9 x 45.7 cm
PROVENANCE
Private Collection, Toronto, ON
JEAN PAUL RIOPELLE RCA / -/ /
LE SABLIER-APRÉS-MIDI
YSEULT RIOPELLE DEST LI ALB
lithograph in colours on wove paper signed, inscribed “4” and numbered 49/90 sheet 22 x 25.5 in — 55.9 x 64.8 cm
PROVENANCE
Private Collection, Ontario
LITERATURE
Yseult Riopelle, Jean Paul Riopelle: Catalogue raisonné des estampes (Montreal: Hibou Éditeurs, 2005), 254, no. 1979.01DEST.LI.ALB.
KAREL APPEL / -/ DUTCH
MOTHER AND CHILD
lithograph in colours on wove paper, with full margins; signed and numbered 93/100 27.4 x 20.9 in — 69.5 x 53 cm
PROVENANCE
Private Collection, Toronto, ON
TED HARRISON RCA / -/ REFLECTIONS & screenprint in colours on wove paper, with full margins
signed, titled, dated “81”, and numbered 63/150 28 x 22 in — 71.1 x 55.9 cm
PROVENANCE
Private Collection, Toronto, ON —
JEREMY SMITH B SNOWSTORM & screenprint in colours on paper, with full margins signed, titled, dated, and numbered 3/35; titled, dated, and numbered to gallery label verso sight 19.75 x 22 in — 50.2 x 55.9 cm
PROVENANCE
Mira Godard Gallery, Toronto, ON Private Collection, Toronto, ON
JEAN PAUL RIOPELLE RCA / -/ / ÉTÉ INDIEN
YSEULT RIOPELLE EST LI lithograph in colours on wove paper, the full sheet
signed lower right and numbered 14/75 lower le ; titled and numbered to gallery label verso; published by Galerie Maeght, Paris
59.3 x 45.5 in — 150.5 x 115.6 cm
PROVENANCE
The Pollock Gallery Limited, Toronto, ON Private Collection, Toronto, ON
LITERATURE
Yseult Riopelle, Jean Paul Riopelle: Catalogue raisonné des estampes (Montreal: Hibou Éditeurs, 2005), 197, no. 1969.02EST.LI.
JEAN PAUL RIOPELLE RCA / -/ / ALBUM NO /
YSEULT RIOPELLE MEST LI ALB lithograph in colours on wove paper, the full sheet
signed lower right and numbered 72/75 lower left
15.7 x 31.5 in — 40 x 80 cm
PROVENANCE
Private Collection, Toronto, ON
LITERATURE
Yseult Riopelle, Jean Paul Riopelle: Catalogue raisonné des estampes (Montreal: Hibou Éditeurs, 2005), 171, no. 1967.29MEST.LI.ALB. — /
JOHN HARTMAN RCA B
PARRY SOUND
etching, drypoint, and aquatint on wove paper, with full margins
signed, titled, dated, and editioned Printer’s Proof to margin; titled to auction label verso image 13.75 x 12.75 in — 34.9 x 31.8 cm
PROVENANCE
ART/CRAFT Auction, Art Gallery of Guelph, 16 Nov 2024, lot 16 Private Collection, Guelph, ON
—OSKAR KOKOSCHKAAUSTRIAN
ANOTHER PARTING PLATE FROM THE ODYSSEYlithograph in black on wove paper, with full margins; signed and numbered 33/50; published by Ganymed & Malborough London in 1966
17.5 x 15 in — 44.5 x 38.1 cm
PROVENANCE
Art Dialogue Gallery, Toronto, ON Private Collection, Toronto, ON
LEONARD BASKIN //-/ AMERICAN FRENCH LOBSTER
woodcut in black on rice paper; signed, titled, dated, and editioned “artist’s proof” to lower margin, aside from the edition of 15 (later titled French Prawn) sight 27 x 22 in — 68.5 x 56 cm
PROVENANCE
Ferdinand Roten Galleries, Baltimore, MD Private Collection, Toronto, ON
/
BEN SHAHN - AMERICAN
BIRDS OVER THE CITY & lithograph in colours on Arches paper, full margins; signed and numbered 134/135 29.1 x 21.7 in — 74 x 55 cm
PROVENANCE
Kovler Gallery, Chicago, IL Private Collection, Toronto, ON
LITERATURE
Presco 78.
BEN SHAHN - AMERICAN MORNINGS BY THE SEA FROM THE RILKE PORTFOLIO & lithograph in colours on Richard de Bas handmade paper; signed lower right; from the unnumbered edition of 200 printed by Atelier Mourlot, New York 22.5 x 17 in — 57.2 x 43.2 cm
PROVENANCE
Associated American Artists, New York, NY Private Collection, Toronto, ON
EXHIBITED
By the Sea, By the Sea, By the Beautiful Sea, Associated American Artists, New York, NY, July 1975, no. 179.
LEONARD BASKIN //-/ AMERICAN THE SHERIFF etching in black on wove paper; signed and numbered 31/60 image 17.75 x 17.5 in — 45.1 x 44.5 cm
PROVENANCE
Private Collection, Toronto, ON / —
HENRY MOORE - BRITISH
CROWD LOOKING AT A TIED-UP OBJECT PLATE FROM MEDITATIONS ON THE EFFIGY C
etching in black on wove paper, with full margins; signed and numbered 38/50, there were also 10 artist’s proofs numbered in Roman; printed by Frélaut and Lacourière, Paris, published by Marlborough Fine Art Ltd, London in 1968
8.3 x 10.6 in — 21 x 27 cm
PROVENANCE
Art Dialogue Gallery, Toronto, ON Private Collection, Toronto, ON
LITERATURE
Cramer 79.
HENRY MOORE - BRITISH
LA POÉSIE PLATE I FROM LA POESIE /- C /
lithograph in colours on Japon nacré paper, with full margins; signed and numbered 15/40, there was also an additional suite of 5 also on Japon nacré paper numbered in Roman, aside from the edition of 40 on Arches paper; printed by Curwen Prints Ltd., London, published by Art et Poésie, Paris
27 x 17 in — 68.6 x 43.2 cm
PROVENANCE
Private Collection, Toronto, ON
LITERATURE
Cramer 315.
AFTER PABLO PICASSOSPANISH
LE PEINTRE ET SON MODÈLE FROM “REGARD SUR PARIS” M / lithograph in black on wove paper; a proof aside from the edition of 180; published by André Sauret, Paris 17 x 13 in — 43.18 x 33 cm
PROVENANCE
Odon Wagner Gallery, Toronto, ON S.P. Family Collection, Toronto, ON
LITERATURE
Mourlot 354. / —
AFTER PABLO PICASSOSPANISH
LE PEINTRE ET SON MODÈLE FROM “REGARD SUR PARIS” M / / lithograph in black on wove paper; a proof aside from the edition of 180; published by André Sauret, Paris 17 x 13 in — 43.18 x 33 cm
PROVENANCE
Odon Wagner Gallery, Toronto, ON S.P. Family Collection, Toronto, ON
LITERATURE
Mourlot 353. / —
LAWRENCE PAUL YUXWELUPTUN B THE TREE etching on paper
signed, titled, dated, and numbered 38/100; published by New Leaf Editions, Vancouver, with blindstamp
11 x 7.25 in — 27.9 x 18.4 cm
PROVENANCE
Private Collection, Toronto, ON / —
LAWRENCE PAUL YUXWELUPTUN B NIGHT WALKER
etching on paper
signed, titled, dated, and numbered 38/100; published by New Leaf Editions, Vancouver, with blindstamp
10 x 6.75 in — 25.4 x 17.1 cm
PROVENANCE
Private Collection, Toronto, ON / —
LAWRENCE PAUL YUXWELUPTUN B
N W C MAN
etching and aquatint in black on wove paper, with full margins
signed, titled, and numbered 38/100, there were also 10 artist’s proofs; published by New Leaf Editions, Vancouver, with blindstamp
10 x 7.5 in — 25.4 x 19.1 cm
PROVENANCE
Private Collection, Toronto, ON
LAWRENCE PAUL YUXWELUPTUN B
RAIN BIRD MAN
etching and aquatint in black on wove paper, with full margins signed, titled, dated, and numbered 40/50; published by New Leaf Editions, Vancouver, blindstamp
12.75 x 6.76 in — 32.4 x 17.2 cm
PROVENANCE
Private Collection, Toronto, ON / —
PHIL RICHARD B
DEADLY FRUIT
screenprint in colours on Arches 88 paper, with deckled edges signed, titled, and editioned “State Proof 24 Colours”; aside from the edition of 35; printed by Jerry Shiner at The Art Printer, Toronto, with blindstamp 29 x 22 in — 73.7 x 55.9 cm
PROVENANCE
The Art Printer, Toronto, ON
/ —
CLAUDE BREEZE B
OUTER LAND IMAGE SPRING
OUTER LAND IMAGE SUMMER & screenprints in colours on Arches paper, with full margins
each signed, titled, dated, and editioned “Printers Proof 2/2”; printed and published by Jerry Shiner at The Art Printer, Toronto each 24 x 18 in — 61 x 45.7 cm
PROVENANCE
The Art Printer, Toronto, ON
/ —
DAVID BIERK -/ / WRAPPED SAX & screenprint in colours on wove paper, with full margins signed, titled, dated “82”, and editioned “Printer’s Proof 1/2”; printed and published by Jerry Shiner at The Art Printer, Toronto 29.1 x 20.5 in — 74 x 52 cm
PROVENANCE
The Art Printer, Toronto, ON / —
JOHN GRAHAM COUGHTRYUNTITLED ABSTRACT FORMS & screenprints in colours on wove paper signed, dated “79” and “81”, editioned “A.P. 1/4” and “1/30” respectively; each printed by Jerry Shiner at The Art Printer, Toronto, with blindstamps
30 x 22.25 in — 76.2 x 56.5 cm; 29 x 22.25 in — 73.7 x 56.5 cm
PROVENANCE
The Art Printer, Toronto, ON / —
FRIEDEL DZUBASKATHLEEN MARGARET GRAHAM -/ DOROTHY KNOWLES / -/ /
WILLIAM PEREHUDOFF -/
PRINTS FROM HOMAGE TO JACK BUSH & screenprints in colours on wove paper, with full margins
Friedel Dzubas
Fugue
signed, titled, and editioned “Printers Proof 1/2”
29.25 x 22.25 in — 74.3 x 56.5 cm
Kathleen Margaret Graham For Jack, 1983
signed, titled, dated, and editioned “Bon a Tirer”
22.25 x 29 in — 74.3 x 56.5 cm
Dorothy Knowles
Summer Day, 1984
signed, titled, dated, and editioned “Bon a Tirer” 22.25 x 29 in — 74.3 x 56.5 cm
William Perehudoff
Jack’s Dance, 1984 signed, titled, dated, and editioned “Bon a Tirer”
22.25 x 29.5 in — 74.3 x 56.5 cm
PROVENANCE
The Art Printer, Toronto, ON — /
JAMES RIZZI -/ AMERICAN
IT’S THE ALTITUDE & lithograph in colours with 3D collage and rubber foam; signed, dated, and numbered 243/290 24.5 x 35.5 in — 62.2 x 90.2 cm
PROVENANCE
Private Collection, Toronto, ON —
RODNEY GRAHAM B
SCHOOL OF VELOCITY HOURS OF MUSIC DIVIDED INTO FIFTEEN MINUTE INTERVALS SET OF OF / screenprints in colours on wove paper signed, dated “93”, and editioned P/P to verso of sheet 18; published by Patrick Painter Editions, Los Angeles, with Lisson Gallery, London, UK each 12.5 x 17 in — 31.8 x 43.2 cm
PROVENANCE
Acquired directly from the artist Private Collection, Ontario
SONIA DELAUNAY - FRENCH CARNAVAL CA & enamelled plate in Limoges porcelain; titled and numbered 701/900 verso; published by Articurial, Paris diameter 11.4 in — 29 cm
PROVENANCE
Private Collection, Toronto, ON
GORDON APPELBE SMITH RCA - / WINTER SEA & screenprint in colours on paper signed, titled, and editioned “A/P” sight 10 x 12 in — 25.4 x 30.5 cm
PROVENANCE
Private Collection, British Columbia
GORDON APPELBE SMITH RCA - / SEA EDGE
screenprint in colours on paper signed, titled and editioned “A/P” 19.5 x 22.5 in — 49.5 x 57.2 cm
PROVENANCE
Private Collection, British Columbia
/ KIM DORLAND B
THE WITNESS woodcut print on paper initialled, dated “22” and numbered 53; from the unnumbered edition sight 21 x 17 in — 55.9 x 43.2 cm
PROVENANCE
Private Collection, Ontario —
/
JACK LEONARD SHADBOLT
R C A -
DECEMBER BIRDS &/ screenprint in colours on paper signed, dated “83”, and editioned “flawed proof” sight 18.9 x 30.3 in — 48 x 77 cm
PROVENANCE
Private Collection, British Columbia
PETER DOIG B SCOTTISH
UNTITLED CANOE & aquatint in colours on Somerset paper, the full sheet; signed, dated “08”, and numbered 56/500; published for the exhibition Peter Doig at the Musée d’Art Moderne de la Ville de Paris 24.5 x 30 in — 62.2 x 76.2 cm
PROVENANCE
Frederick Mulder Ltd., London, UK Private Collection, Toronto
DAMIEN HIRST B BRITISH
BUTTERFLY RAINBOW LARGE Hlaminated giclée print in colours on aluminum composite panel, the full panel; stamp-signed and numbered 967/1497 to label; published by Heni Editions, London; contained in its original packaging 19 x 39.4 in — 48.2 x 100 cm
PROVENANCE
Heni Editions, London, UK Private Collection, Toronto, ON
LITERATURE
Heni 7-1.
/
AI WEI WEI B CHINESE MIDDLE FINGER / screenprint in colours on 410gsm Somerset Tub Sized paper, with full margins; signed and numbered 573/1285; published by Avant Arte 23.6 x 23.6 in — 60 x 60 cm
PROVENANCE
Private Collection, Toronto, ON / — /
DANIEL ARSHAM B AMERICAN ERODED SAFARI
resin, plaster, and aluminum oxide; from the edition of 500; published by Arsham Studio, contained in its original box with gloves and booklet 11.8 x 5.1 x 4.3 in — 30 x 13 x 11 cm
PROVENANCE
Private Collection, Toronto, ON —
BRIAN HALSEY B / AMERICAN NOVATRON TRION
two screenprints in colour on wove paper; each signed, titled, editioned “A.P. 2/2” (for artist’s proof), and inscribed “1st state” each 18.5 x 18.5 in — 47 x 47 cm
PROVENANCE
Private Collection, Toronto, ON
YVARAL JEAN-PIERRE VASARELY -/ / FRENCH
COMPOSITION CA & screenprint in colours on wove paper, with full margins; signed and numbered 189/200; published by Denise René, stamped sight 29 x 29 in — 73.7 x 73.7 cm
PROVENANCE
Private Collection, British Columbia
VICTOR VASARELYHUNGARIAN/FRENCH
PRISMS CA
screenprint in colours on wove paper; signed and numbered 95/125
26.8 x 13.8 in — 68 x 35 cm
PROVENANCE
Private Collection, Winnipeg, MB
VICTOR VASARELYHUNGARIAN/FRENCH
ANTARES FROM CLARITIES screenprint in colours on wove paper; signed and numbered 97/250
18 x 12 in — 45.7 x 30.5 cm
PROVENANCE
Albert White Gallery, Toronto, ON Art Dialogue Gallery, Toronto, ON Private Collection, Toronto, ON
SERGIO GONZALEZ-TORNERO / -/ / CHILEAN/AMERICAN MOONLIGHT SONATA IN THE PLASTICINE AGE & lithograph in colours on wove paper; signed, titled, dated, and numbered 28/195 to lower margin
23.5 x 17.5 in — 59.7 x 44.5 cm
PROVENANCE
Concourse Gallery, Winnipeg, MB
Private Collection, Winnipeg, MB
JOHN PIPER - / BRITISH BUCKDEN IN A STORM screenprint in colours on Arches paper; signed and numbered 61/100, there were also 10 artist’s proofs; printed by Kelpra Studio, published by Kelpra Editions, London
22.7 x 33.3 in — 57.6 x 84.7 cm
PROVENANCE
Private Collection, Winnipeg, MB
JUN’ICHIRO SEKINO - JAPANESE
THE ARTIST’S SON woodcut in colours on Fukui Torinoko paper; signed in Roman dated, and numbered 89/100, with artist seal in red
22 x 16.9 in — 56 x 43 cm
PROVENANCE
Private Collection, Winnipeg, MB / —
AFTER NORMAN ROCKWELLAMERICAN FREEDOM TO WORSHIP /collotype on paper; signed and editioned “a/p”, for artist’s proof; aside from the edition of 200 published in 1979
28 x 21.75 in — 71.1 x 55.2 cm
PROVENANCE
Private Collection, Toronto, ON —
MARCEL CHIRNOAGĂ -/
ROMANIAN
ADAM & EVE
etching and aquatint in black on wove paper, with full margins; signed, titled, and editioned “EA” for epreuve d’artiste (artist’s proof); aside from the edition of 25 sight 16.9 x 10.4 in — 43 x 26.5 cm
PROVENANCE
Private Collection, Michigan, USA / —
MARCEL CHIRNOAGĂ -/
ROMANIAN
VINUL INIMII WINE OF THE HEART
etching and aquatint in black on wove paper, with full margins; signed, titled, and editioned “EA” for epreuve d’artiste (artist’s proof) sight 9.1 x 8.3 in — 23 x 21 cm
PROVENANCE
Private Collection, Toronto, ON / —
MARCEL CHIRNOAGĂ -/ ROMANIAN EUROPA
etching and burnished aquatint in black on wove paper, with full margins; signed, titled, and numbered 7/30 sight 9.8 x 8.3 in — 25 x 21 cm
PROVENANCE
Private Collection, Toronto, ON / —
LEONEL GÓNGORA /COLOMBIAN
SAMSON AND DELILAH
lithograph in colours on wove paper, the full sheet; signed and dated “70” 27 x 21 in — 68.6 x 53.3 cm
PROVENANCE
Private Collection, Ontario —
REUVEN RUBIN - ISRAELI
ABRAHAM FEEDING THE ANGELS lithograph in colours on wove paper; signed and numbered 53/150 sight 21.7 x 27.6 in — 55 x 70 cm
PROVENANCE
Private Collection, Ontario —
/
RICHARD LINDNERAMERICAN/GERMAN
ST MARK’S PLACE FROM FUN CITY collage and lithograph in colours on Gray Rowlux, the full sheet; signed and numbered 33/75 in pencil to upper right quadrant; printed and published by Shorewood Atelier, Inc., New York 25 x 19.5 in — 63.5 x 49.5 cm
PROVENANCE
Private Collection, Toronto, ON — /
RAPHAEL SOYER - AMERICAN STREET SCENE WITH FIGURES MATERNITY MOTHER AND CHILD three lithographs in colours on wove paper, with full margins; each signed, two numbered 27/275 and X/XXV framed 29 x 25 in — 73.7 x 63.5 cm; various sizes
PROVENANCE
Private Collection, Toronto / —
