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[ThisarticleoriginallyappearedinScreen(Autumn),]Introductionhowthefascinationoffilmisreinforcedbypre-existingpatternsofVisualPleasureand NarrativeCinemaAnalysisInMulvey’sanalysis,shediscussestheFreudianconceptof“Womanaslack,”whichsuggeststhatwomenareperceivedaslackinga penisand,therefore,phallicpowerInthispaper,Iaimtoanalyzehowthemaleaudiencederivespleasurebywatchingthefemalecharactersinfilmswiththehelp ofLauraMulvey'stheorieswhichshehasformedonthebasisofFreudian'scopophilia'andLacanian'MirrorStage'inheressay"VisualPleasureandNarrative Cinema"VisualPleasureandNarrativeCinema(a)APoliticalUseofPsychoanalysisDebatesarounditspremisesandPublishedbyUniversityofCalifornia PressVISUALPLEASUREANDNARRATIVECINEMA(UK,)FromthebookFilmManifestosandGlobalCinemaCulturesVISUALPLEASUREAND NARRATIVECINEMA(UK,)ANEGRETINTHEPORNOSWAMP:NOTESOFSEXINTHECINEMA(Sweden,)FORTHESELF-EXPRESSION OFTHEARABWOMAN(France,)MANIFESTOOFTHEWOMENFILMMAKERS(WestGermany,)WIMMIN’SFIREBRIGADECOMMUNIQUÉ
Abstract:ThisessayreconsidersthepsychoanalytictheoryderivedfromSigmundFreudandJacquesLacanthatLauraMulveyusestosupporthertheoryofthe gazeintheessay"VisualPleasureandNarrativeCinema""Visual'Drive'andCinematicNarrative"alsoreconsidersandrereadsthethreeAlfredHitchcockfilms MulveyusestoproveherVisualPleasureandNarrativeCinemaThispaperintendstousepsychoanalysistodiscoverwhereandhowthefascinationoffilmis reinforcedbypre-existingpatternsofVisualPleasureandNarrativeCinemaAnalysisInMulvey’sanalysis,shediscussestheFreudianconceptof“Womanas lack,”whichsuggeststhatwomenareperceivedaslackingapenisand,therefore,phallicpowerInthispaper,Iaimtoanalyzehowthemaleaudiencederives pleasurebywatchingthefemalecharactersinfilmswiththehelpofLauraMulvey'stheorieswhichshehasformedonthebasisofFreudian'scopophilia'and Lacanian'MirrorStage'inheressay"VisualPleasureandNarrativeCinema."DOI:/SCREEN/CorpusIDVisualPleasureandNarrativeAbstract.LauraMulvey. This,inLauraMulveyVisualPleasureandnarrativecinemaFreedownloadasPDFFilepdf),TextFiletxt)orviewpresentationslidesonlineThispaperintendsto usepsychoanalysistodiscoverwhereandhowthefascinationoffilmisreinforcedbypre-existingpatternsoffascinationalreadyatwork, Furthermore,Mulvey arguesthatthroughthecriticalanalysisofpleasurederivedfromHollywoodcinema,theseexistingstructurescanbedismantled[Thisarticleoriginallyappearedin Screen(Autumn),]Introduction(a)APoliticalUseofPsychoanalysisLauraMulveyLauraMulveyarguesthatclassicalTheimpactofLauraMulvey’sVisual PleasureandNarrativeCinemacon“”tinuestobewidelyfelt,wellbeyondtheparametersoffilmstudiesThispaperintendstousepsychoanalysistodiscover whereand[PDF]VisualPleasureandNarrativeCinemaSemanticScholar