Throwing Stones at the Moon: Narratives from Colombians Displaced by Violence Discussion Questions 1. Sergio Díaz and his family suffer personal abuse from actors on both sides of Colombia’s civil conflict, with Sergio losing his leg to a FARC landmine and government Marines frequently harassing the Díaz family on their property. What does Sergio’s narrative reveal about the position of Colombia’s rural poor in the conflict between the government and guerrilla forces that claim to represent rural interests? 2. Two years after paramilitaries inflict a massacre upon El Salado, Bolívar, Emilia González returns to her home and makes it her mission to unify residents in fixing up the longabandoned village. In her words, “We shouldn’t have to have some government agency or NGO come clean the village—we ourselves have to clean our town, especially the cemetery. The cemetery is an embarrassment.” Why do you think Emilia has this perspective? Do you agree or disagree with her convictions about how the village should be restored? 3. Referring to the government aid she and her husband receive after fleeing La Alemania, Julia Torres states, “I wasn’t born to ask for hand-outs, to go begging for things, or to have people pity me. That’s something that’s very hard for me. It’s not my style.” What does this statement tell us about the intangible effects of displacement on a person’s psyche and emotional well-being? What are psychic and emotional consequences of displacement that other narrators mention? 4. Amado Villafaña has never registered as displaced person; due to spiritual beliefs, he remains a member of the indigenous Arhuaco people. “Spiritually,” Amado explains, “things need to be repaired and replaced. So we don’t see [displacement] as just someone else’s fault. We too are responsible.” What is your response to Amado’s interpretation of his experience as a displaced person? How does his view complicate your own thinking about displacement? 5. Lina Gamarra is traumatized by Social Action’s disparaging her deceased husband’s memory when the agency refuses to pay reparation for his murder. Lina declares, “the memory of my husband has to be pure, like he was. I won’t rest until his memory is restored.” What role do you think memory plays in Colombia’s decades-old civil conflict? How is memory shaped, manipulated, and devalued by powerful actors and the structural injustices that manifest during conflict? 6. As a child, Carmen Rodríguez was traumatized by witnessing how the Colombian army handled the bodies of two guerrilla leaders they killed, the Vásquez Castaño brothers. What evidence do Carmen’s reflections offer as to why conflict between Colombian military and rebel groups has been so irreconcilable? 7. Zullybeth poses concerns for the futures of her daughter and speaks about how they have been affected by forced displacement, noting how they have become more aggressive with one another and that their performance and behavior in school have declined. What specifically about their displacement influenced these behavioral shifts? Where else do we see such intense, negative behavioral changes manifest within other narratives?