Bach's Christmas Oratorio Concert Program

BACH’S CHRISTMAS ORATORIO CANTATAS I, III, V, VI Experience the greatest musical Christmas story of all time

PLEASE NOTE:

CONTENTS

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CONCERT: Bach’s Christmas Oratorio . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

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ABOUT BACH SOCIETY OF MINNESOTA . . . . . . . . . . . . . . . . . . . . . . . . 12 ABOUT VOCALESSENCE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13 THANK YOU, BACH SOCIETY OF MINNESOTA AND VOCALESSENCE SUPPORTERS . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 BACH SOCIETY OF MINNESOTA BOARD OF DIRECTORS Jay Kurtz President Amy Fistler Vice President

Steve Savitt Treasurer

Susan Doherty Secretary Jonathan Morgan Past President Colin Aldis Holly Fistler David Gilberstadt Karen Kustritz Andrea Leap Richard Resch BACH SOCIETY OF MINNESOTA STAFF Matthias Maute Artistic Director Marcoantonio Real-d’Arbelles Associate Artistic Director Yunyue Liu Executive Director Randi Eriksen Communication Associate

VOCALESSENCE BOARD OF DIRECTORS

VOCALESSENCE ARTISTIC STAFF

David Myers President

Philip Brunelle Artistic Director and Founder

Torrie Allen Vice President

Nancy F. Nelson Treasurer

G. Phillip Shoultz, III Associate Artistic Director

Daniel Fernelius Secretary

VOCALESSENCE ADMINISTRATIVE STAFF

Mary Ann Aufderheide Philip Brunelle Cassidy McCrea Burns Barbara Burwell Margaret Chutich Martha Driessen Cassie Garnett Carolina Gustafson R.J. Heckman Valton Henderson Daniel Kantor Lisa Lewis Paul McDonough Rhoda Mhiripiri-Reed Fred Moore Richard Neuner Kristen Hoeschler O’Brien Jim Odland Joanne Reeck Don Shelby Jeff Smith Kristina Rodel Sorum Tim Takach Rabindra Tambyraja

LIFETIME DIRECTORS

Mary Ann Aufderheide Executive Director

Ann Barkelew Ann Buran Art Kaemmer Nikki Lewis Mike McCarthy Dave Mona Dorene Wernke

Amanda Timmer Director of Marketing and Communications

Mary Jo Gothmann Accompanist

Azure Anderson Executive Assistant Jeff Bina Director of Finance and Operations Rhiannon Fiskradatz Learning and Engagement Manager | Social Media Storyteller Robert Graham Learning and Engagement Manager | Conductor, Vintage Voices Laura Holst Development and Marketing Associate Ethan Johnson Director of Artistic Operations

Elissa Weller Director of Development Page 3

WELCOME I cannot imagine a more thrilling way to begin the month of December and the Christmas season than with Bach’s Christmas Oratorio—so that is what will happen!

For the first time in our 53-year history the VocalEssence Ensemble Singers will join with the Orchestra of the Bach Society of Minnesota to present this monumental work. I am delighted to share the podium with Matthias Maute, Artistic Director of the Bach Society of Minnesota.

A personal note: Every Christmas morning at the Brunelle house, before any gifts are opened, we all listen to the opening chorus of the first cantata, “Christians, Be Joyful”— our three children are now parents themselves, but returning to our home they know how Christmas morning will begin! So, I am delighted that these two music organizations will join together in presenting this glorious music—and doing so in an acoustic that would have made Bach happy—the Basilica of St. Mary.

Thank you for joining us for Bach’s Christmas Oratorio; may this be a thankful and beautiful season for each of you.

—Philip Brunelle, Artistic Director and Founder

2021-2022 SEASON: MUSIC MOVES US WELCOME CHRISTMAS Sat, Dec 11, 2021, 4 PM and 7:30 PM | Plymouth Congregational Church, Minneapolis Sun, Dec 12, 2021, 4 PM | Roseville Lutheran Church, Roseville

REJOICE! with The Aeolians of Oakwood University Sun, Mar 6, 2022, 4 PM Orchestra Hall, Minneapolis

CHOOSING LOVE Sun, Apr 24, 2022, 4 PM Ordway Concert Hall, Saint Paul

SATAN’S FALL with Stewart Copeland Sun, May 8, 2022, 4 PM Central Lutheran Church, Minneapolis

TICKETS / INFORMATION: VOCALESSENCE.ORG | 612-371-5656 Page 4

SPECIAL THANKS FOR THE SUPPORT OF THIS CONCERT Anonymous Anonymous in honor of Klara Schäfer Colin and Pat Aldis Philip Asgian in honor of Young Musicians Donald and Marion Hall William Hauser Dynnelle Hein Anonymous in memory of Arnie Kustritz Liu Inc CPA Steven Mayer and Susan Doherty in honor of Margo Mayer and Betty Sloan John Neuchterlein Peter Parshall in honor of Nicholas Chalmers Barbara and Richard Resch John Setterlund Arturo Steely Anonymous friends

SPECIAL THANKS Bradley Benn Max Frank Maria Jette Kathy Romey

Bach Society of Minnesota and VocalEssence present BACH’S CHRISTMAS ORATORIO BWV 248, Cantatas I, III, V, and VI Friday, December 3, 2021 at 7:30 PM Basilica of Saint Mary 1600 Hennepin Avenue Minneapolis, MN FEATURING: VocalEssence Ensemble Singers Philip Brunelle, Artistic Director Bach Society of Minnesota Matthias Maute, Artistic Director Nicholas Chalmers, Evangelist 2021-2022 VOCALESSENCE SEASON SPONSORS

2021-2022 BACH SOCIETY OF MINNESOTA SPONSORS Katherine B. Andersen Fund of The St. Paul & Minnesota Foundation Boss Foundation Art and Martha Kaemmer Fund of The HRK Foundation City of Saint Paul Cultural STAR Program Minnesota State Arts Board

This activity is made possible by the voters of Minnesota through a Minnesota State Arts Board Operating Support grant, thanks to a legislative appropriation from the arts and cultural heritage fund.

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THE PROGRAM AND TEXTS BACH’S CHRISTMAS ORATORIO CANTATA I

Sponsored by Steven Mayer and Susan Doherty in honor of Margo Mayer and Betty Sloan

1. CHORUS Sponsored by Anonymous Jauchzet, frohlocket, auf, preiset die Tage, rühmet, was heute der Höchste getan!

Lasset das Zagen, verbannet die Klage, stimmet voll Jauchzen und Fröhlichkeit an!

Dienet dem Höchsten mit herrlichen Chören, laßt uns den Namen des Herrschers verehren!

Singing, rejoicing, give praise and shout gladly; honor what God in the highest has done!

Banish all worry, forbid all complaining, join in with praises and joyfully sing!

Serve the Almighty with beautiful singing; praise to God’s Name, who over all things is reigning!

2. RECITATIVE (Evangelist) Sponsored by Peter Parshall in honor of Nicholas Chalmers Es begab sich aber zu der Zeit, daß ein Gebot von dem Kaiser Augusto ausging, daß alle Welt geschätzet würde.

Und jedermann ging, daß er sich schätzen ließe, ein jeglicher in seine Stadt.

Da machte sich auch auf Joseph aus Galiläa, aus der Stadt Nazareth, in das jüdische Land zur Stadt David, die da heißet Bethlehem; darum, daß er von dem Hause und Geschlechte Davids war; auf daß er sich schätzen ließe mit Maria, seinem vertrauten Weibe, die war Schwanger.

Und als sie daselbst waren, kam die Zeit, daß sie gebären sollte.

And it came to pass in those days, that a decree from Caesar Augustus went out, that all the world should pay their taxes.

And everyone went together to be counted, each going into his own city.

And also there came up Joseph from Galilee, out of Nazareth, to the City of David in Judea, which we know as Bethlehem, for Joseph descended from the royal line of David’s house, that he would be taxed in Bethlehem with Mary; and she was great with child, his wedded wife.

While they were there, the time for Mary came, that she should be delivered.

3. ACCOMPANIED RECITATIVE (Patricia Kramer, alto) Nun wird mein liebster Bräutigam, nun wird der Held aus Davids Stamm zum Trost, zum Heil der Erden einmal geboren werden.

Nun wird der Stern aus Jakob scheinen, sein Strahl bricht schon hervor.

Auf, Zion, und verlasse nun das Weinen, dein Wohl steigt hoch empor!

Now will my dearest bridegroom come; now will the child of David’s line bring comfort and peace from heaven, when he is born, our Savior.

Now is the star from Jacob rising, his beam breaks forth on earth.

Come, Zion, put aside your tears and weeping, your help is given birth!

4. ARIA (Alto) Sponsored by Barbara and Richard Resch Bereite dich, Zion, mit zärtlichen Trieben, den Schönsten, den Liebsten bald bei dir zu sehn!

Deine Wangen müssen heut viel schöner prangen, eile, den Bräutigam sehnlichst zu lieben!

Prepare yourself, Zion, with tender emotion, the fairest, the dearest will soon come to you!

Your appearance today must be full of radiance; meet him, the Bridegroom, with loving devotion!

5. CHORALE Wie soll ich dich empfangen und wie begegn’ ich dir?

O aller Welt Verlangen, o meiner Seelen Zier!

O Jesu, Jesu, setze mir selbst die Fakkel bei, damit, was dich ergötze, mir kund und wissen sei!

How shall I then receive you and meet you, Lord of all?

Desire of every nation, adornment of my soul!

O Jesus, Jesus, grant me yourself the light to see, so that which brings you pleasure is understood by me!

6. RECITATIVE (Evangelist) Und sie gebar ihren ersten Sohn und wickelte ihn in Windeln und legte ihn in eine Krippen, denn sie hatten sonst keinen Raum in der Herberge.

And she gave birth to her firstborn son, and in swaddling clothes she wrapped him and laid him cradled in a manger, for there had been no other room in the inn for them.

7. CHORALE (Sopranos and James Deignan, bass) Er ist auf Erden kommen arm, Wer will die Liebe recht erhöhn, die unser Heiland för uns hegt? daß er unser sich erbarm, Ja, wer vermag es einzusehen, wie ihn der Menschen Leid bewegt? und in dem Himmel mache reich, Des Höchsten Sohn kommt in die Welt, weil ihm ihr Heil so wohl gefällt, und seinen lieben Engeln gleich. so will er selbst als Mensch geboren werden.

Kyrieleis!

He came to earth, a child so poor, Who will express this love from heaven, the love our Savior shows this day? of his mercy we are sure, Yes, who can understand or fathom how he is moved by our dismay? and grants the wealth of heaven here, The Son of God comes to the earth to bring salvation with his birth. and brings the realm of angels near.

He chose to be a child like every other.

Lord have mercy!

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8. ARIA (Nathan Peterson-Kindem, bass) Großer Herr, o starker König, liebster Heiland, o wie wenig achtest du der Erden Pracht!

Der die ganze Welt erhält, ihre Pracht und Zier erschaffen, muß in harten Krippen schlafen.

Sovereign Lord, O mighty ruler, Jesus Christ, Thou blessed Savior O how you disdain all earthly vanity!

He who holds the universe, who created all its splendor, will in rugged manger slumber.

9. CHORALE Ach, mein herzliebes Jesulein, mach dir ein rein sanft Bettelein, zu ruhn in meines Herzens Schrein, daß ich nimmer vergesse dein!

Ah, dearest Jesus, rest your head upon a humble cradle bed.

Within my heart I do implore, that I forget you never more!

CANTATA III

Sponsored by Colin and Pat Aldis

24. CHORUS Herrscher des Himmels, erhöre das Lallen, laß dir die matten Gesänge gefallen, Wenn dich dein Zion mit Psalmen erhöht!

Höre der Herzen frohlockendes Preisen, Wenn wir itzo die Ehrfurcht erweisen, weil unsre Wohlfahrt befestiget steht!

Ruler of Heaven, attend to our praises; may you take pleasure in hearing our voices, when all your people with psalms do adore!

Hear that our hearts are rejoicing and praising, when we now daily our homage are paying, since our salvation is firmly assured!

25. RECITATIVE (Evangelist) Und da die Engel von ihnen gen Himmel fuhren, sprachen die Hirten untereinander:

And when the Heavenly Host had returned to heaven, the shepherds said to each other:

26. CHORUS Lasset uns nun gehen gen Bethlehem, und die Geschichte sehen die da geschehen ist, die uns der Herr kundgetan hat.

Let us go now to Bethlehem so we ourselves may witness that which has happened there, for God the Lord has declared it.

27. RECITATIVE (Erik Krohg, bass) Er hat sein Volk getröst’, er hat sein Israel erlöst, die Hülf aus Zion hergesendet und unser Leid geendet.

Seht, Hirten, dies hat er getan; geht, dieses trefft ihr an!

He came to save his own, his Israel; he sent from Zion help to save us and our dismay has ended.

See, shepherds, this is what he did: go, this is what you will find!

28. CHORALE Dies hat er alles uns getan, sein groß Lieb zu zeigen an; des freu sich alle Christenheit und dank ihm des in Ewigkeit. Kyrieleis!

All this he did for us alone, his great love for us was shown.

Rejoice, all Christians, we are free, and thank him for eternity. Lord have mercy!

29. DUET (JoAnna Johnson, soprano & David Gindra, bass) Herr, dein Mitleid, dein Erbarmen, tröstet uns und macht uns frei; Deine holde Gunst und Liebe, deine wundersamen Triebe machen deine Vatertreu wieder neu.

Lord, your mercy, your compassion comforts us and makes us free.

With your gentle love and favor, which are wonderful forever, God, give your grace and love, always new.

30. RECITATIVE (Evangelist) Und sie kamen eilend und funden beide, Mariam und Joseph, dazu das Kind in der Krippe liegen.

Da sie es aber gesehen hatten, breiteten sie das Wort aus, welches zu ihnen von diesem Kind gesaget war.

Und alle für die es kam, wunderten sich der Rede, die ihnen die Hirten gesaget hatten.

Maria aber behielt alle diese Worte und bewegte sie in ihrem Herzen.

31. ARIA (Robin Helgen, alto) Schließe, mein Herze, dies selige Wunder fest in deinem Glauben ein!

Lasse dies Wunder,die göttlichen Werke immer zur Stärke deines schwachen Glaubens sein!

And the shepherds hastened and found the parents, Mary and Joseph, and saw the child resting in the manger.

When they had seen the baby, they proclaimed what had happened, all that was told to them about the little child.

And all those who heard their words marveled about these sayings that the shepherds from neighboring fields had told them.

And Mary kept all these words that the shepherds told her, and pondered them in her heart.

Keep, my heart, this heavenly wonder; deep within your faith it lives!

May these great wonders, the deeds of God’s mercy, ever empower your waning faith and trust!

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32. RECITATIVE (Kristina Rodel, alto) Ja, ja, mein Herz soll es bewahren, was es an dieser holden Zeit zu seiner Seligkeit für sicheren Beweis erfahren.

O yes, my heart shall remember the blessed wonders of this time which are my soul’s great bliss, and the thankfulness it seeks to render.

33. CHORALE lch will dich mit Fleiß bewahren, ich will dir leben hier, dir will ich abfahren, mit dir will ich endlich schweben voller Freud ohne Zeit dort im andern Leben.

Lord, in you I trust forever; live for you, die to you, all my life I offer.

With you then, I will be feasting, full of joy, for all time, life everlasting.

34. RECITATIVE (Evangelist) Und die Hirten kehrten wieder um, preiseten und lobten Gott um alles, das sie gesehen und gehöret hatten, wie denn zu ihnen gesaget war.

And the shepherds left, returning home, bringing praise to God for all of the things that they had heard and witnessed, which had been told to them by the angel.

35. CHORALE Seid froh dieweil, das euer Heil ist hie ein Gott und auch ein Mensch geboren, der, welcher ist der Herr und Christ in Davids Stadt, von vielen auserkoren.

Rejoice and sing! That Christ the King was sent from God, in human form was vested; and he adored is Christ the Lord, of David’s line, the King of all creation.

24. CHORUS Herrscher des Himmels, erhöre das Lallen, laß dir die matten Gesänge gefallen, Wenn dich dein Zion mit Psalmen erhöht!

Höre der Herzen frohlockendes Preisen, Wenn wir itzo die Ehrfurcht erweisen, weil unsre Wohlfahrt befestiget steht!

Ruler of Heaven, attend to our praises; may you take pleasure in hearing our voices, when all your people with psalms do adore!

Hear that our hearts are rejoicing and praising, when we now daily our homage are paying, since our salvation is firmly assured!

– INTERMISSION — CANTATA V

Sponsored by Philip Asgian in honor of Young Musicians

43. CHORUS Sponsored by William Hauser Ehre sei dir, Gott, gesungen, dir sei Lob und Dank bereit’.

Dich erhebet alle Welt, weil dir unser Wohl gefällt, weil anheut unser aller Wunsch gelungen, weil uns dein Segen so herrlich erfreut.

Glory be to God Almighty; glory, praise and thanks we bring.

All the world must worship you, for your care is ever new, and this day every heartfelt wish is granted, as in your blessing we greatly rejoice.

44. RECITATIVE (Evangelist) Da Jesus geboren war zu Bethlehem im jüdischen Lande zur Zeit des Königes Herodis, siehe, da kamen die Weisen vom Morgenlande gen Jerusalem und sprachen:

When Jesus our Lord was born in Bethlehem, in the land of Judea when Herod was the ruler, behold, there came from the land in the East, three Magi to Jerusalem, inquiring:

45. CHORUS AND RECITATIVE (Kristina Rodel, alto) Wo ist der neugeborne König der Jüden?

Sucht ihn in meiner Brust, hier wohnt er, mir und ihm zur Lust!

Wir haben seinen Stern gesehen im Morgenlande, und sind kommen, ihn anzubeten.

Wohl euch, die ihr dies Licht gesehen, es ist zu eurem Heil geschehen!

Mein Heiland, du, du bist das Licht das auch den Heiden scheinen sollen, und sie, sie kennen dich noch nicht, als sie dich schon verehren wollen.

Wie hell, wie klar muß nicht dein Schein, geliebter Jesu, sein!

Where is the newborn King, the King of Judah?

Seek him within my heart; he dwells here, and will not depart!

For we have seen his star before in eastern regions, and have come that we may adore him.

Rejoice, for you this light is shining; you see the rising of salvation!

My Savior, you are the light, which heathen shall enlighten; and though they know you not as yet, but come to honor you already.

How bright, how clear your light does shine, beloved Jesus mine!

46. CHORALE Dein Glanz all Finsternis verzehrt, die trübe Nacht in Licht verkehrt.

Leit uns auf deinen Wegen, daß dein Gesicht und herrlichs Licht wir ewig schauen mögen!

Your light all darkness drives away; The troubled night turns into day.

Lead us to pathways glorious; so that your face, and heavenly grace may always shine upon us!

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47. ARIA (Erik Krohg, bass) Erleucht auch meine finstre Sinnen, erleuchte mein Herze durch der Strahlen klaren Schein!

Dein Wort soll mir die hellste Kerze in allen meinen Werken sein; dies lässet die Seele nichts Böses beginnen.

Enlighten all my darkened reason; enlighten my heart with the brightness of your grace!

Your word shall be the shining light, to guide all my work on earth; this keeps from my spirit all evil endeavor.

48. RECITATIVE Da das der König Herodes hörte, erschrak er und mit ihm das ganze Jerusalem.

When Herod heard of the newborn Christ Child, he was frightened, and the whole of Jerusalem with him.

49. RECITATIVE (Anna Meek, alto) Warum wollt ihr erschrecken? Kann meines Jesu Gegenwart euch solch Furcht erwecken?

O! solltet ihr euch nicht vielmehr darüber freuen, weil er dadurch verspricht, der Menschen Wohlfahrt zu verneuen?

And why are you so fearful? Why can the presence of my Lord awaken fear and trouble?

O, should you not be glad, heartily rejoicing, since he proclaims in birth the restoration of all people?

50. RECITATIVE (Evangelist) Und ließ versammlen alle Hohepriester und Schriftgelehrten unter dem Volk und erforschete von ihnen, wo Christus sollte geboren werden.

Und sie sagten ihm: Zu Bethlehem im jüdischen Lande; denn also stehet geschrieben durch den Propheten: Und du Bethlehem im jüdischen Lande, bist mitnichten die kleinest unter den Fürsten Juda; denn aus dir soll mir kommen der Herzog, der über mein Volk Israel ein Herr sei.

And Herod gathered all the High Priests and all the Scribes among the people to come. And he asked them where this infant, the Christ Child, “Where will this child be born?”

And they said to him: “In Bethlehem, the land of Judea, for this is what has been written by many prophets: “And you, Bethlehem, the land of Judea, are by no means the least among the Judean princes, for from you shall I bring forth a ruler, a governor for Israel, my people.”

51. TRIO (Carey Shunskis, soprano, Sadie Nelson, alto, Bill Pederson, tenor) Ach, wenn wird die Zeit erscheinen?

Schweigt, er ist schon wurklich hler!

Ach, wenn kommt der Trost der Seinen?

Schweigt, er ist schon wurklich hler!

Jesu, ach, so komm zu mir!

Schweigt, er ist schon wurklich hler!

Oh, when is the time arising?

Hush, he is already here!

Oh, when is my comfort coming?

Hush, he is already here!

Jesus, oh, do come to me!

Hush, he is already here!

52. RECITATIVE Mein Liebster herrschet schon.

Ein Herz das seine Herrschaft liebet und sich ihm ganz zu eigen gibet, ist meines Jesu Thron.

My Savior rules alone.

A heart that seeks and loves his presence, and fully lives in his acceptance, is my dear Jesus’ throne.

53. CHORALE Zwar ist solch Herzensstube wohl kein schöner Fürstensaal, sondern eine finstre Grube; doch, sobald dein Gnadenstrahl in denselben nur wird blinken, wird es voller Sonnen dünken.

Can my heart its goodness measure when the light is kept away?

Darkness hides the blessed treasure until the night comes into day.

Then the sun will shine upon us, brightening God’s own gift within us.

CANTATA VI 54. CHORUS Sponsored by Arturo Steely Herr, wenn die stolzen Feinde schnauben, so gib, daß wir im festen Glauben nach deiner Macht und Hülfe sehn!

Wir wollen dir allein vertrauen, so können wir den scharfen Klauen des Feindes unversehrt entgehn.

Lord, when the haughty foes are raging, then grant that we in faithful trusting upon your help and power stand!

We trust in you alone for rescue, the powers of evil cannot harm us, and foes leave our land undefiled.

55. RECITATIVE (Evangelist, Herod: Joe Kastner, bass) Da berief Herodes die Weisen heimlich und erlernet mit Fleiß von ihnen, wenn der Stern erschienen wäre?

Und weiset sie gen Bethlehem und sprach: Ziehet hin und forschet fleißig nach dem Kindlein, und wenn ihr’s findet, sagt mir’s wieder, daß ich auch komme und es anbete.

Then King Herod secretly called the Magi and met them with anxiously questioning, when the star had first been witnessed?

He sent them to Bethlehem and said: “Go your way and search with fervor for the infant; and when you find him, come and tell me, that I may go and worship.”

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56. RECITATIVE (Mari Scott, soprano) Du Falscher, suche nur den Herrn zu fällen, nimm alle falsche List, dem Heiland nachzustellen; der, dessen Kraft kein Mensch ermißt, bleibt doch in sichrer Hand.

Dein Herz, dein falsches Herz ist schon, nebst aller seiner List, des Höchsten Sohn, den du zu stürzen suchst, sehr wohl bekannt.

Imposter, you may seek to crush the Master; take every evil ruse to trap and harm our Savior. He, the most powerful of all, is resting in God’s hand.

Your heart, deceitful as it is, in every sly reproach to God’s own Son, whom it seeks to destroy, is known to him.

57. ARIA Nur ein Wink von seinen Händen stürzt ohnmächtger Menschen Macht.

Hier wird alle Kraft verlacht!

Spricht der Höchste nur ein Wort, seiner Feinde Stolz zu enden, O, so müssen sich sofort Sterblicher Gedanken wenden.

God controls with just one motion all our feeble, treacherous might; and he breaks all strength and pride.

God Most High speaks but a word, and the pride of all is ended. O, we must at once change our thoughts as moral people.

58. RECITATIVE (Evangelist) Als sie nun den König gehöret hatten, zogen sie hin. Und siehe, der Stern, den sie im Morgenlande gesehen hatten, ging für ihnen hin, bis daß er kam und stund oben über, da das Kindlein war.

Da sie den Stern sahen, wurden sie hoch erfreuet und gingen in das Haus und funden das Kindlein mit Maria, seiner Mutter, und fielen nieder und beteten es an und täten ihre Schätze auf und schenkten ihm Gold, Weihrauch und Myrrhen.

When the Magi heard what the king was saying, they departed. Behold now, the star, which they had seen and followed upon their journey, moved ahead of them, until it came and stood brightly shining where the infant lay.

When the Magi saw this, they rejoiced greatly and went into the house; and finding the little child with Mary, his own mother, and falling down at his feet, they worshipped him, and offered treasures: gold, frankincense, and myrrh.

59. CHORALE Sponsored by Anonymous in honor of Klara Schäfer Ich steh an deiner Krippen hier, O Jesulein, mein Leben; ich komme, bring und schenke dir, was du mir hast gegeben.

Nimm hin! es ist mein Geist und Sinn, Herz, Seel und Mut, nimm alles hin, und laß dirs wohlgefallen!

I kneel beside the manger bed, and look to thee, my Savior.

As Host, you offer wine and bread, but what have I to give you?

Alas, no incense, myrrh or gold, can match the worth of heart and soul; so take them all in thy control!

60. RECITATIVE (Evangelist) Und Gott befahl ihnen im Traum, daß sie sich nicht sollten wieder zu Herodes lenken, und zogen durch einen andern Weg wieder in ihr Land.

And God forewarned them in a dream, that they should not go again to visit Herod’s palace; and so, they returned another way into their own land.

61. RECITATIVE So geht! Genug, mein Schatz geht nicht von hier, er bleibet da bei mir, ich will ihn auch nicht von mir lassen.

Sein Arm wird mich aus Lieb mit sanftmutsvollem Trieb und größter Zärtlichkeit umfassen; er soll mein Bräutigam verbleiben, ich will ihm Brust und Herz verschreiben.

Ich weiß gewiß er liebet mich, mein Herz liebt ihn auch inniglich und wird ihn ewig ehren. Was könnte mich nun für ein Feind bei solchem Glück versehren!

Du, Jesu, bist und bleibst mein Freund; und werd ich ängstlich zu dir flehn: Herr, hilf! so laß mich Hülfe sehn!

Farewell! Enough, my treasure will stay here; he will remain with me, and I will stay with him forever.

His loving arm is there to rest me in his care. He stays with me and never leaves me; he shall be my bridegroom forever; in him I find my soul’s endeavor.

I am assured he loves his child; my heart loves him, he is adored; him will I ever honor. What enemy could now destroy such perfect joy and gladness?

O, Jesus, you are friend and joy; and when I cry to you in fear: “Lord, help!” let your help be near!

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62. ARIA Nun mögt ihr stolzen Feinde schrecken; was könnt ihr mir für Furcht erwecken?

Mein Schatz, mein Hort ist hier bei mir.

Ihr mögt euch noch so grimmig stellen, droht nur, mich ganz und gar zu fällen, doch seht! mein Heiland wohnet hier.

Now, come you haughty foes, to frighten, what fear can you instill within me?

My Lord, my shield is here with me.

You may assail in dreadful manner, and threaten even to undo me.

Behold my Savior dwells with me.

63. RECITATIVE (Emi Kaliski, soprano, Judith Melander, alto, Ben Brunnette, tenor, Michael Schmidt, bass) Was will der Höllen schrecken nun, Was will uns Welt und Sünde tun, da wir in Jesu Händen ruhn?

The evil powers of Hell subside, No worldly powers of sin preside, when we in Jesus’ arms abide.

64. CHORALE Sponsored by Dynnelle Hein Nun seid ihr wohl gerochen an eurer Feinde Schar, denn Christus hat zerbrochen was euch zuwider war.

Tod, Teufel, Sünd und Hölle sind ganz und gar geschwächt; bei Gott hat seine Stelle das menschliche Geschlecht.

The shout goes up victorious, that Jesus Christ is born!

The foes have been defeated, He rules as King and Lord.

Over sin and death and evil, the battle has been won; and in our hearts forever we praise Him, God’s own Son.

Celebrating 90 Years of the Bach Society of Minnesota 1932–2022 ARTISTIC DIRECTOR Matthias Maute LEGENDS & LIES with Cantus April 29 – May 3, 2022

AT THE SUMMIT: B MINOR MASS May 14, 2022

BACH AND BRUNCH May 15, 2022

E SAV

ATE ED

TH

MOBILE MINI-CONCERTS May 18 – 22, 2022

Details will be announced in January 2022

Tickets at bachsocietymn.org | 612-440-6219

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BIOGRAPHIES NICHOLAS CHALMERS

Heralded by the Washington Post as “dulcet and exciting,” Nicholas Chalmers, tenor, has sung with The Bach Society of Minnesota, The Rose Ensemble, the Minnesota Bach Ensemble, Glorious Revolution Baroque, and Transept. Recent solo engagements include the Oratorio Society, the Bach Roots Festival, the Schubert Club, the St. Mark’s Cathedral Concert Series, Minnesota Center Chorale, Border CrosSing, and Lyra Baroque. Nicholas received a B.M. in music from St. Olaf College, as well as an M.M. in Choral Conducting at the University of Minnesota.

Nicholas is the Director of Choirs at Chesterton Academy in Hopkins and is Director of Music at Annunciation Church in Minneapolis. He is also Artistic Director of the Mirandola Ensemble, which presents programs of rarely performed early music from the Medieval and Renaissance eras strategically juxtaposed with the compositions of 20th and 21st century composers.

Sought after as an educator and clinician, during the 2018-2019 and 2019-2020 academic years Nicholas piloted a high-school choral residency program in collaboration with Minnesota Public Radio.

ABOUT BACH SOCIETY OF MINNESOTA Founded in 1932, Bach Society of Minnesota was one of the first organizations on this continent to take the legacy of Johann Sebastian Bach as a starting point for world-class performance, and we continue in that spirit today. Under the artistic direction of Matthias Maute, BSM brings fresh perspectives and collaborations to build a diverse community of music lovers who perform, promote, and appreciate the music of J.S. Bach and those he inspired. This season, the Bach Society of Minnesota (BSM) celebrates its 90th year! For more information, visit bachsocietymn.org

MATTIAS MAUTE, Artistic Director

(Sponsored by Anonymous and Anonymous in memory of Arnie Kustritz) Two-time JUNO Award winning conductor, composer, recorder, and flute soloist Matthias Maute has achieved an international reputation. In 2016 he was named artistic director of the Bach Society of Minnesota and in 2019 of the professional choir Ensemble vocal Arts-Québec. Impressed by his artistic approach, The New York Times described the orchestra he conducts in Montreal, Ensemble Caprice, as being “an ensemble that encourages the listener to rehear the world.”

Maute’s recording of Bach’s Brandenburg Concertos juxtaposed with Maute’s own arrangements of Preludes from Shostakovich’s Op. 87 was hailed by The New Yorker’s Alex Ross as standing out “for its fleet, characterful approach” and “its fresh, vibrant colors”.

Matthias Maute has made some twenty recordings on the Analekta, Vanguard Classics, Bella Musica, Dorian, Bridge and ATMA Classique labels. He is co-artistic director of the Montreal Baroque Festival and artistic director of the Méénat Musica Concerts noncerto concert series.

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Matthias Maute created Mini-Concerts Santé during the pandemic in 2020, delivering 9,000 Mini-Concerts Santé to 70,000 people in Montreal, Quebec and Canada while providing 3,000 hires of professional singers and musicians during difficult times which was awarded OPUS Award Musical Event of the year 2020.

ORCHESTRA VIOLIN Marc Levine, concertmaster Conor O’Brien Ginna Watson Marco Reald’Arbelles VIOLA Steve Staruch CELLO Rebecca Humphrey Rebecca Merblum

BASS Michelle Wenderlich (String section sponsored

by Liu Inc CPA) FLUTE Immanuel Davis Paul Jacobson OBOE Kathryn Montoya Curtis Foster

TRUMPET Kathryn Aducci Thomas Pfotenhauer Bob Rieder (Brass section sponsored

by John Setterlund) TIMPANI Peter Kogan HARPSICHORD Paul Boehnke ORGAN Bruce Jacobs

Life of the Party with Bach’s Coffee Cantata and Handel’s Water Music Saturday, February 12 3pm Monday, February 14 7pm

The Art of Transformation with soloists Linh Kauffman, Tami Morse, and Michael Cain

Sunday, April 3 3pm Monday, April 4 7pm

Mischa Santora, Artistic Director Antonello Hall at MacPhail Center for Music $35 Adults $10 Students Tickets and Information: www.mnbach.org

ABOUT VOCALESSENCE For more than five decades, VocalEssence has provided opportunities for singers from the Twin Cities area to create incredible music together and build connections as part of the vibrant arts community in Minnesota.

VocalEssence is known for introducing audiences to music and artists who are not yet known, often welcoming guest artists, composers, and conductors who are emerging, have unknown works, or represent a variety of cultures. Welcoming all members of the greater community, VocalEssence embodies the motto: Together We Sing.

PHILIP BRUNELLE Artistic Director and Founder Philip Brunelle, artistic director and founder of VocalEssence 53 years ago, is an internationally-renowned conductor, choral scholar, and visionary. Philip has conducted symphonies, choral festivals, and operas on six continents. He holds five honorary degrees, served 9 years as Vice President of IFCM (International Federation for Choral Music), and has been recognized for his commitment to choral music by the governments of Norway, Hungary, Sweden, Mexico, and the United Kingdom. In 2019, he was awarded the American Prize in Choral Conducting and, in 2020, was given the Honorary Member Award by the Society for American Music. Philip is also Organist-Choirmaster at Plymouth Congregational Church, Minneapolis. During the pandemic Philip recorded nearly 300 “Musical Moments” which can be accessed at https://www.vocalessence.org/what-we-do/virtual-projects/musical-moments-with-philip-brunelle/ and his thoughts on music are at RenaissanceManpodcast.com. http://vocalessence.org/ philipbrunelle

G. PHILLIP SHOULTZ, III Associate Artistic Director G. Phillip Shoultz, III, associate artistic director, uses the power of the spoken word and song to foster community and inspire action among people of all ages and abilities.

Phillip conducts festival choirs and leads workshops across the United States and beyond. He serves on the faculty of the University of St. Thomas and also guides the ministries of music and worship at Westwood Lutheran Church. The winner of numerous honors, including the ACDA Graduate Conducting Competition and recipient of multiple Teacher of the Year awards, Phillip founded “Table for More” in the summer of 2020 to help organizations address issues related to innovation, equity, and belonging in the arts. https://www.vocalessence.org/who-we-are/ staff/g-phillip-shoultz-iii/

MARY JO GOTHMANN Accompanist Mary Jo Gothmann joined VocalEssence as staff accompanist in 2015. She enjoys a varied career as a chamber musician, soloist, opera coach, and organist. Mary Jo performs frequently with the Minnesota Orchestra and Saint Paul Chamber Orchestra, and is a graduate of Metropolitan Opera Lindemann Young Artist Program, University of Minnesota, New England Conservatory, and St. Olaf College. Mary Jo is the founder and Artistic Director of the Joya Chamber Music Series at Zion Lutheran Church in Anoka.

Performance Anxiety?

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THANK YOU FOR JOINING US! What did you think?

Share your voice—scan the QR code to take our survey.

Page 13

Photo © Bruce Silcox

VOCALESSENCE CHORUS

Photo © Bruce Silcox

VOCALESSENCE ENSEMBLE SINGERS

SOPRANO Jennifer Bevington Chloe Johnson JoAnna Johnson Emi Kaliski Mari Scott Carey Shunskis

TENOR Peter Aldrich David Beccue Ben Brunnette Anders Eckman Rob Graham Bill Pederson

ALTO Robin Helgen Patty Kramer Judith McClain Melander Anna Meek Sadie Nelson Kristina Rodel Sorum†

BASS Jimmy Deignan David Gindra Joe Kastner Erik Krohg Nathan Petersen-Kindem Mike Schmidt †Board liaison

THANK YOU, BACH SOCIETY OF MINNESOTA AND VOCALESSENCE SUPPORTERS Bach Society of Minnesota and VocalEssence have a large group of committed supporters and is honored by the many gifts received in memory, appreciation, and celebration of friends and family that are too many to list in this concert program. Please visit our respective websites to see full lists of supporters and special tributes.

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The VocalEssence Chorus is a group of talented and enthusiastic singers from many different walks of life, united by their love of singing and community. Performing a wide variety of musical styles, premiering new works, and sharing the stage with a diverse array of guest artists, the Chorus is a welcome home for singers who wish to continue making music throughout their adult lives.

VOCALESSENCE SINGERS OF THIS AGE Photo © Adja Gildersleve

The VocalEssence Ensemble Singers have established an international reputation because of their extensive catalog of recordings and broad range of unique repertoire. This chamber choir, whose members hail from a wide variety of professions, is bound together by their skilled artistry to create what The Times of London has described as a “flawless” sound.

The VocalEssence Singers Of This Age (VESOTA) is a community of Twin Cities high schoolers engaged in expanding what it means to be a choir and encouraging a wider circle of participation in the artform. Presenting music ranging from classical to hip-hop, they use creativity and collaboration to build an accepting community, equipped with the skills to lead social change in our society.

VOCALESSENCE VINTAGE VOICES VocalEssence Vintage Voices is an exciting choral program that integrates the arts into the everyday lives of older adults. Guided by a desire to create a welcoming atmosphere and remove barriers for participation, these choirs sing to build community, combat loneliness and isolation, and improve physical and emotional wellbeing.

BACH SOCIETY OF MINNESOTA

VOCALESSENCE

275 4th Street East, Suite 260 St. Paul, MN 55101 612-440-6219 bachsocietymn.org

1900 Nicollet Avenue Minneapolis, Minnesota 55403 612-547-1451 vocalessence.org

The Bach Society of Minnesota is a 501(c)(3) non-profit organization.

VocalEssence is a 501(c)(3) non-profit organization.

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