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MUSE

Rei Kawakubo

Breaking the fashion standards

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ei Kawakubo, a Japanese fashion designer, is credited with creating the bizarre and fantastic Commes des Garçons fashion universe. Since founding the not so ready-to-wear brand over 50 years ago, she’s challenged the traditional notions of what is considered fashion with collections that take on conceptual, and often sculptural, forms. Kawakubo, who had studied literature and art at Keio University in Tokyo, made the decision to pursue a different kind of artistic strive. After earning her degree, she was hired by the Japanese textile business Asahi Kasei for a role in advertising. Without any professional fashion design background, she started out as a freelance stylist in 1967 and launched the Commes Des Garçons brand two years later.

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EDITOR' s LETTER

Dear Readers,

Have you heard of Rei Kawakubo? She is a highly respected and influential fashion designer known for her avant-garde creations and her propensity to subvert social conventions. She is the creator and creative director of the fashion house Comme des Garçons and is renowned for her distinctive approach to fashion design, which blurs the barriers between masculine and feminine, heritage and modernity, and beauty and ugliness.

She has many famous designs and collections that have marked her as an innovator and boundary-pusher in the fashion industry, like the “body meets dress, dress meets body” collection.

Join me on a discovery path to get to know this designer who changed the fashion industry.

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REI KAWAKUBO 4
"I make clothes for a woman who is not swayed about what her husband thinks"

Rei Kawakubo / COMME des Garcons

Art of the In-BEtween

The Costume Institute’s 2017 exhibition examines the work of fashion designer Rei Kawakubo. Known for her avant-garde designs and ability to change conventional notions of beauty, good taste, fashionability and identity, the thematic show features around 140 examples of her work. The gathered pieces date from as early as

1980s to her most recent collections. The objects are organised into 9 aesthetic expressions of interstitiality of her work, respectively Absence/ Presence, Design/Not Design, Fashion/Anti - Fashion, Model/Multiple, Then/Now, High/ Low, Self/Other, Object/ Subject and Clothes/ Not Clothes. She is the second living designer to receive a solo exhibit, after YSL in 1983.

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nown for her voluminous, monochromatic and architectural silhouettes, her design language appears to be more concerned with novelty and sparking interest and dialogue rather than accepting the already defined beauty norms of fashion. She argues that she doesn’t look back at older collec- tions when designing, hence her engagement with his- tory is a constant rejection. In her clothes, one feels “protected”.

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Comme des Garcons or CDG is a fashion label out of Japan that was founded in 1969 by Rei Kawakubo. Comme des Garcons means “like some boys” in French and it was inspired by a song titled “All the Boys and Girls” by Francisco Hardy. This makes sense as a name because CDG is focused on blurring the gender norms in fashion since the beginning of the label.

Kawakubo started designing clothes under the brand name Comme des Garçons in 1969, before officially establishing the company in 1971. To this day, the prolific designer oversees everything the brand produces. From inception, Comme des Garçons proved popular with members of the beau monde, but it wasn’t until the late 1970s that the brand became a household name. Ever since, CdG has remained at the forefront of fashion and popular with people from all backgrounds – hence the multitude of sub-labels.

Comme des Garçons debut runway show took place at Paris Fashion Week in 1981. Amazingly, Kawakubo’s first show wasn’t well received. In fact, critics went so far as to insult the Japanese designer’s first collection, especially for its “overuse of black”.

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It is Filip Pagowski, a polish artist, who designed Comme des Garçons’ logo. This logo was an image for the line PLAY. The logo was designed in the 1980s, after the Rei Kawakubo and Filip contacted and decided to create something iconic.

The PLAY line launched in 2002 described by the label as “a sign, a symbol, a feeling”. Filip Pagowski attended a number of men’s shows and was cast for the summer 1992 show. “The heart image happened at the same time, but independently of the creation of the PLAY line. It’s as if Rei and I were affected by each other’s work,” explained Pagowski. “I remember working on something... not connected to anything. I got this idea of a red heart with a set of eyes. I drew it instanteniously and the first draft was it. I submitted it for another Commes des Garcons project, for which it never made it, but eventually it resurfaced; making bigger waves as a logo for the PLAY line.”

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2010-2023 FW COLLECTIONS 14

The radical starting point, 1977, “Body Meets Dress - Dress Meets Body”. AW21, collection blurs boundries and amplifies proportions. AW13-14, “Not Making Clothes”; clothes were oversized andunorthodox in shape. “Monster”, AW14-15, designed as a reaction to the crazyness of humanity. AW15, use of rose motifs to symbolize an reference violence.

The pieces from the “The Future of Silhouettes”, AW17 collection reimagined dress forms, shilst for “Notes on Camp”, 2018, Rei Kawakubo experimented with camp, kitsch and “multidimensional graffiti”.

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LATE COLLECTIONS

https://www.metmuseum.org/exhibitions/listings/2017/rei-kawakubo

https://www.ngv.vic.gov.au/collecting-comme/rei-kawakubo-reframing-fashion/

https://www.vogue.com/fashion-shows/fall-2017-ready-to-wear/comme-des-garcons

https://hypebeast.com/2017/3/comme-des-garcons-2017-fall-collection

https://www.nytimes.com/2019/05/04/style/met-gala-what-is-camp.html

https://www.dazeddigital.com/fashion/article/39270/1/rei-kawakubo-explores-camp-and-kitsch-at-commewdes-garcons

https://www.vogue.com/fashion-shows/spring-2023-ready-to-wear/comme-des-garcons

https://wwd.com/runway/spring-2023/paris/comme-des-garcons/review/

https://www.ngv.vic.gov.au/collecting-comme/rei-kawakubo-reframing-fashion/

https://www.vogue.com/fashion-shows/fall-2008-ready-to-wear/comme-des-garcons/slideshow/collection#17

https://fd.nl/fd-persoonlijk/1198073/rei-comme-des-garcons-kawakubo-is-als-niemand-anders

https://www.tutorialspoint.com/rei-kawakubo-queen-of-the-in-between-kingdom#:~:text=Kawakubo%27s%20desi gns%20are%20woften%20characterised,its%20relationship%20to%20the%20body.w

https://www.businessoffashion.com/community/people/rei-kawakubo

https://www.vogue.com/article/comme-des-garcons-rei-kawakubo-spring-2021-interviewhttps://hypebae.com/2022/ 3/rei-kawaku

bo-comme-des-garcons-designer-most-iconic-designs

https://www.designboom.com/design/rei-kawakubo-isamu-noguchi-award-comme-des-garcons-05-03-2019/

https://www.tutorialspoint.com/rei-kawakubo-queen-of-the-in-between-kingdom#

https://www.vogue.co.uk/fashion/article/comme-des-garcons-it-girl-brand

https://www.lofficielusa.com/fashion/rei-kawakubo-commes-des-garcons-abstract-fashion-design-runway#:~:text= One%20of%20her%20most%20famed,areas%20that%20created%20distorted%20silhouettes.

https://www.allure.com/story/rei-kawakubo-best-runway-momentshttps://www.vogue.com/fashion-shows/designer/ comme-des-garcons

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