Real Estate Design and Development Graduate Certificate
Peking University
Training program offered by the Archaeology and Museology College of Peking University
Chongqing University (CQU)
Bachelor of Engineering in Bioengineering Professional Experiences
Architectural Designer, Studio C Architects, New York City
Participated in SD, DD and CD phases of projects.
07/2020-05/2023
06/2017-06/2018
09/2014-06/2018
04/2024-Present
Assisted the Architectural Principle and Structural Principle in creating construction drawings, collaborated with colleagues to establish structural details.
Aided in designing enclosures and parametric curtain walls, conducted design research, and reviewed zoning regulations and relevant building codes.
Initiated the use of AI technology for rendering, established a workflow using Generative AI for conceptual visuals and detailed renderings.
Extern, Shalom Baranes Associates, Washington DC 01/2023
Participated in different Microsoft Teams meetings with different parties.
Produced update drawings for 2 different projects, strengthened skills of Photoshop, AutoCAD and Revit, helped COO to refresh firm portfolio using Photoshop.
Participant, Residential Reconstruction Project in Sichuan Province
12/2018-02/2019
Documented site conditions, assisted in client negotiations, and operated drones for enhanced documentation.
Contributed to design brainstorming, material selection, and functional optimization discussions.
Created and updated a comprehensive SketchUp model, using Vray for renderings.
Concentrated on a compact dwelling serving as the reception hall within a cluster of traditionally designed Chinese courtyard houses.
Performed module calculation based on given column diameter, completed CAD drawing of buildings.
Explored the link between digital illustrations and practical construction through detailed drawings.
Intern, Chongqing Tongxin Planning and Design Co., Ltd.
Utilized Photoshop to make effect pictures, built architecture models with 3D-max
01/2016-02/2016
Mastered the basic workflow of the architectural design department, from designing engineering drawing to 3D modeling, then to presenting effect pictures.
Professional Committee of Ancient Architecture, issued by Chinese Construction Labor Institution (CCLA) 09/10/2018
Intermediate Ancient Building Builder, issued by Ministry of Human Resources and Social Security 05/2017
HEAVENLY MARKET SOCIAL BLENDER SLEEPING CONCH
THE ART HARBOUR
Community Artist Galleries and Studios
Resort Community Urban Renewal Apartments for Medical Personal Evolo Competition Library in Chicago
Other Works
Self Manifesto:
HEAVENLY MARKET
-REVITALIZING YINYAN STREET
Location: Yinshan Street, Huzhou, Zhejiang Province, China
Group member: Jingyan Sun, Yingxiang Xu, Xinyue Shen, Jingyan Wang, Yueyuan Wang
Project type: A tourism and wellness community with public spaces and cultural integration
2023 Competition, Group Work
Design Diagrams and Description
This project transforms the Yinyan Street in the Moganshan scenic area into a vibrant tourism and wellness community, inspired by Guo Moruo’s concept of a heavenly market. Our design revolves around translating the mountain’s color, stories, and sounds into a visual and auditory experience that reshapes Yinyan Street. We aim to create a seamless blend of nature, culture, and user experience that enhances visitor engagement through intelligently designed public spaces and year-round activities for all ages. The design highlights include the strategic development of two main public spaces and connecting pathways that embody the spirit of Moganshan, integrating local Haipai culture with the area’s rich historical context. This initiative not only revitalizes Yinyan Street but also acts as a catalyst for the development of surrounding areas, creating a sustainable link between the upland and lowland industries through continuous cultural tourism activities and commercial opportunities.
Design Strategy
Verdant trees creating shade
Culturally renowned mountain
Strolling in the rain Freedom paradise Star viewing
Relaxing in the bamboo forest
Fully entertain nature New China backyard
Blue brick corridor Heavenly marketplace
Boiling tea around the hearth
Flowing light and vibrant colors
One Moganshan, half of the Republic of China’s history
Purifying the soul
clouds
Leisurely countryside Leisure and elegance
Immersed in the valley
Summer retreat bay Rhythms of youth
Green chain activating Hub linking Gateway building Central lohas making
Site Plan
Imagery Transcription
Zoning Strategy
in the Mountains
1. Three Major Sections Echoing the Scenic Area
2. Central Nodes for Regional Activation
3. Outdoor Network to Enhance Spatial Vitality
4. Fun Installations for Interactive Leisure
Design Strategies for Architecture
Color of the Mountain Story of the Mountain Sound of the Mountain
Problem:
Similar building functions
Weak connections between buildings
Unauthorized constructions in gaps
Weak connection between front and back streets of Yinshan Street
Lack of outdoor leisure spaces
Solution:
Shared building spaces
Sky corridors on the second floor
Enhanced building connections
Shared public spaces
Better views from corridors
D. Bamboo Forest Exploration
E. Bustling Street Market Scene
Gray spaces transformed into green corridors and gardens A. Energy Refreshing Station B. Mountain and Forest Overlook C. Countryside Retreat
Create natural experiences through corridors, fully utilizing gap spaces. Connect buildings through corridors, while also enhancing the connectivity of Yinshan Street.
Create public spaces through corridors, while also utilizing the space on top of the corridors.
Zone 1 Dream Weaving
Sunset
As the gateway to Yinshan Street, the primary renovation materials include granite, old wood, bamboo steel, concrete, and glass. The original station function is transformed into a sunset shop and temporary use space, while the original waiting area is preserved as a gray space, becoming a link between public spaces and buildings, allowing for flexible use.
As the gateway plaza restaurant of Yinshan Street, this building primarily serves as a modern restaurant for Moganshan. It features a large outdoor seating area and is adjacent to a small pocket garden, positioning it overall as a garden restaurant.
As a historically and culturally significant post office, this building primarily serves as a cultural and creative products store for Moganshan, accompanied by a specialty store for Moganshan products. Together, they form an important part of the leisure and entertainment offerings in the renovation of Yinshan Street. The design in front of the building includes iconic architecture and art installations to attract visitors for art events on Yinshan Street.
Sunset Shop Section
Shop
Food Encounter, Building No. 37
Time-Space Convergence Post Office, Building No. 40
Zone 2 Historical Retrospections
Located in the central area of Yinshan Street, the villa utilizes granite, old wood, bamboo steel, concrete, and glass as primary building materials. By incorporating Haipai architectural arches and diverse building spaces, it will become the most important hotel and gallery on Yinshan Street. The first floor employs Chinese framed scenery and semicircular atrium techniques in its design, primarily serving as a restaurant. The restaurant combines indoor and outdoor seating, adopting traditional garden forms to provide a rich dining experience.
Located on the outer edge of the central area of Yinshan Street, this site features large open spaces and bamboo groves. The main renovation materials include old red bricks, red bricks, steel, concrete, and glass. The first floor primarily serves as an art museum and gallery, while the second and third floors are designed mainly for hotel use. By combining hotel and gallery functions, the building becomes a high-end private club.
Jianchi Mountain Villa, Building No. 368
Yinshan Art Museum, Buildings No. 38/374
Zone 3 Walking in Green Fields
Sleeping in the Green Fields, Building No. 343
Located in the latter part of Yinshan Street, this building primarily uses gray bricks, concrete, and glass. It incorporates abstracted elements of traditional Chinese garden landscapes into its architectural design, highlighting the original Haipai style. The main function is accommodation, with the hotel designed in a double-sloped roof style and natural garden forms, emphasizing Moganshan’s cultural homestay characteristics. It features a forest pool and a tavern, enhancing the leisure attributes of the homestay.
The flock installation, as part of the signage design system, is distributed throughout Yinshan Street. By varying the density and orientation, it guides the flow of movement, giving people an immersive experience.
Lighting Plan Guide
02
SOCIAL BLENDER
Location: Rockefeller University, Manhattan Island, New York City
Instructor: Matthew Jull
Project type: Apartments with amenities and open spaces
21F Arch 7010
The site lies in the lenox hill area of the Manhattan island in New York. The existing site condition is: a power house lies on the site, the site is surrounded by two skycrapers over 300 feet and a busy FDR highway in the south of the site. Based on these situations, I need to find out a way to create a new design that will nicely mediating the vicinities of the site.
After utilizing the idea of "The house is a machine for living" by Le Corbusier. Its derivative view of "the kitchen is the engine of the house” is used as an intervention point, the first phase of the design is trying to understand the essential of the space and figuring out the interaction between people movements and the space medium. By zooming out the idea generated from the first phase, the design of the larger apartments is developed gradually.
To another extent, the theory of Le Corbusier has a certain kind of weakness, which is, it ignored the individual expression of using the spaces, so for my design, I developed several open spaces and leave a whole open floor for the residents and public to use as their wish. The open floor could be transfered as: a neighbourhood gallery, a book store, a small park etc...
Body Interface: Kitchen as an engine
People are motivated and gain their energy by food, so that’s why we call the kitchen as an engine of the house. In this case with an exaggerated language of developping a metal space, the kitchen works and seems like a engine. The activities going on in the kitchen could be considered as intake, compression, power and exhaust. And for the two big gears, one is working as the main switch of the kitchen system, the switching depends on whether people are hungry, while the other one works for the inner system.
Stroboscopic Motion: A Movement Defined Space
Physical Model: The Kitchen Engine
Mind Map: Critical Thinking Process
After testing with 8 different iterations, the best option is to shift the building to the waterfront and a transition tower is left behid the original place, the tower will be working as a social hub to connect 3 main buildings of this site. In this case, the apartment itself is not blocking the view of Weiss Research Building and Rockefeller Research Building. The living residents inside the building will also get a better view of the water front. To achieve the wellness of the residents, a differnt facade strategy is applied onto the building, a blocking material was used on the side facing FDR and a more transparent facade is used facing East River.
Unit Plans: Spacial Module
Facade Strategy: 2 Side of a World
Laminated windows with a thin layer of metallic oxide coating.
In order to block away the pollusion and chaotic of the bustle FDR Drive and create a certain kinds of privacy, a sound proffing and reflective glass material is used here.
Clear glass with pine wood mullions.
A more transparent facade, allow the residents to enjoy the nice view of the East River and create an overlook for the Roosevelt Island.
Model
Spacial Plot Concretization
1. Open space, with public pool in the East River. 2. Back of the building, looking over FDR and 2 pedestrian bridges. 3. Transition tower, bridge connected to apartments. 4. Concept model, a metalic looking machine.
5. Apartments stairs, gallery assemblage in a living space. 6. Private open stairs, a place for residents to
Private pool, a open gym for the residents.
THE ART HARBOUR 03
Location: Mariachi Plaza, California’s 34th Congressional District, Los Angeles
Instructor: Ines Martin Robles, Luis Pancorbo
Project type: Community Artist Galleries and Studios
22S Arch 7020
Los Angeles is rich of its history and art, especially for the Boyle Heights neighbourhood which has a lot of Mexican residents. The art center which is designed for the Boyle Heights artist and residents can be seen an artistic place which can work for generating artistic inspiration for the community and foster interaction between artists and visitors.
Based on the principle that the new building does not affect the flow of people in the site, this design retains a north-south pathway and an east-west pathway in the site. The building recedes to the northeast and southeast corners of the site.
Building with reinforced concrete structure, the building itself is carefully treated on the structure, proportion of buildings and public spaces. Due to the climate of Los Angeles, first, the height of building could create shading on the surrounding public space areas which will be assigned as an outdoor exhibition area. For the environmental system, the mechanical ventilation system and heat pipes are used for this building.create shading on the surrounding public space areas which will be assigned as an outdoor exhibition area. For the environmental system, the mechanical ventilation system and heat pipes are used for this building.
Urban Context
Mariachi Plaza, located in the Boyle Heights neighborhood of Los Angeles, has been a cultural hub for mariachi musicians since the 1930s. Musicians, dressed in their traditional charro suits, gather at the plaza hoping to be hired for various events. The plaza, named after these musicians, also features the historic Boyle Hotel, commonly known as the "Mariachi Hotel," where many of the mariachis reside. The area underwent significant changes with the addition of the Mariachi Plaza Metro Station in 2009, which improved accessibility but also sparked debates about redevelopment and gentrification. Despite these challenges, Mariachi Plaza remains a vibrant center for mariachi culture and community events
Integrating architectural design with the local ecology and cultural life is fundamental. Traditional art forms in the area, such as textile art, murals, and ceramics, are deeply embedded in Mexican-American culture and Ibero-American traditions. These arts not only reflect the region’s rich heritage but also enhance the cultural landscape by connecting contemporary architectural designs with historical artistic expressions.
Design Concept
This design draws inspiration from the mariachi guitar, incorporating its form into both the building and the surrounding landscape. The guitar shape is represented in the building’s architecture, while the landscape design echoes the fluid, organic shape of a teardrop. This approach not only pays homage to the traditional instrument but also seamlessly integrates cultural symbolism with contemporary architectural practices.
Shifting Grid Site Circulation Transparency
The building grid begins at a corner of Mariachi Plaza, set at a specific angle to establish the foundational layout. To maintain the original circulation patterns and facilitate the separation of tourists and staff, the primary entrance is positioned facing the metro station. Additionally, a secondary entrance is located at the intersection of Pennsylvania Avenue and Vicente Fernandez Street. This strategic placement ensures efficient access and flow, integrating the building seamlessly with its surroundings while respecting the site’s existing dynamics.
South Entrance Render
Mariachi VTG Global Guitar
A Guitar Corner Building
Pickguard Treadrop Landscape
1. Textile Art
2. Murals
3. Ceramics
Master Plan
2nd Floor Plan
4th Floor Plan
with dormer
5th - Ceramics Area:Clay Section, Glazing Area, Kilns Area
4th - Textile Area:Looms, Knitting Space,Dyeing, Spinning Wheels, Tools and Material Storage, Sewing Machines
3rd - Mural Area: Main Workshop, Preservation Lab, Paint Storage, Tools Storage, Cleaning and Maintainance, Visitor’s Studio
2nd - Art Library, Lounge and Dinning Area, Multifunctional Meeting Hall, Kitchen Facilities
1st - Lobby, Administration Office, Exhibition Hall
Music Plaza /Outdoor Exhibition
Concrete Column
The primary image captures a vibrant, open-air gathering area within the complex, featuring a circular design with tiered seating that promotes community interaction and performances. Trees and greenery create a natural canopy, blending nature with architecture and fostering an intimate yet open environment perfect for mariachi performances and community events. Another image highlights the integration of murals along pedestrian pathways, showcasing traditional Mexican-American art and enriching the cultural narrative of the space. A sunset terrace area is designed for relaxation and social interaction, emphasizing natural light and scenic views. Additionally, a covered pedestrian walkway links different parts of the complex, featuring large glass panels and overhanging structures to enhance connectivity. An interior garden space provides a tranquil retreat within the building, offering lush greenery and seating areas for a peaceful environment.
In the future, due to the tense international situation and the instability of political factors, the risk of war will increase dramatically. The resulting recuperation, rehabilitation and psychological problems of post-war personnel need to be properly cared for and treated. At the same time, due to the cessation of large-scale quarrying activities in modern times, various abandoned quarries left behind have been forgotten in corners of the world. However, these abandoned sites have great utilization potential, and most of them have beautiful scenery and are located in quiet mountain forests. The huge caves left over from quarrying activities have also created many novel and magnificent landscapes due to natural succession, weathering and other processes. Where the remains of such human activities are perfectly combined with the natural scenery, after our research and thinking, there is a possibility of transforming into a sanitarium. This design aims to rejuvenize the abandoned quarry and seek a design solution that does not destroy the original natural ecological environment and enables the convalescents to obtain the greatest therapeutic and restful effect.
Problem: Rehabilitation of post-war veterans
A major psychological problem for post-war personnel is post-traumatic stress disorder (PTSD), sometimes called shell shock or combat stress, which occurs after experiencing a severely traumatic or life-threatening event. The main symptoms are: 1. Recurring intrusive reminders of the traumatic event, including distressing thoughts, nightmares, and flashbacks of feeling the event is happening again. 2. Extreme avoidance of reminders of the traumatic event, including people, places, thoughts, or situations associated with the bad memory. 3. Negative changes in thoughts and emotions, such as excessive negative beliefs about self or the world and persistent feelings of fear, guilt, or shame. 4. Constant vigilance, nervousness, and emotional reactions such as restlessness, anger, reckless behavior, difficulty sleeping, difficulty concentrating, and hypervigilance (increased alertness).
Site Selection:
Our site named Cavea Arcari is located in the wooded mountains near the Italian city of Vicenza. Beautiful and secluded Italian towns are scattered around. The road in front of the site is connected with hiking trails and highways. The quarry ceased operations in the 1950s, leaving behind a vast space that combines the grandeur of nature with the sophistication of human activity. The engineers at that time used the method of crossing tunnels to extract stones, and huge stone pillars stood at the intersections inside the cave to maintain the stability of the mountain structure. At the same time, these standing stone pillars are arranged in an irregular shape, and the space inside the cave is naturally retracted, coupled with the penetration of external light, there is a sense of changing scenery step by step. The waterscape inside the cave spreads and shuttles between different caves, adding to the fun and exploratory nature of the site. Between 2010-2018, David Chipperfield Architects used stone materials such as local marble to transform the main entrance section into a multi-purpose event and performance.
Building Functional Division
The building is built along the mountain, the front and back of the building are the valley and the quarry respectively, and the building itself forms a closed streamline. Users can walk down to the play area (including a golf course) in the valley through the stairs in front of the building. The building itself acts as a multifunctional complex. The quarry at the back of the building has been kept to the greatest extent, and it can also provide a beautiful rest and meditation area for the building users.
Airplanes are the main way to transport people, and the roof is the second main entrance for people to enter and exit. The main structure of the building is in the shape of a sandwich, and the upper floor is suitable for veterans to recuperate, so it is mainly used as a convalescent area. The lower floor is also used as an interactive area, with living facilities such as hotels, restaurants, banquet halls, etc.
The large flat floor in the middle has rotating sliding windows, which can face different scenic areas according to the user's wishes, and even close the windows to use as a closed banquet hall.
The architectural design theme area is divided into three major areas, and each area has supporting service facilities and living facilities. The three major areas are skyscraper area, recreation area and outdoor terrace space.
1. Since the building is located in a mountainous area, land transportation is inconvenient. Therefore we consider the possibility of using aircraft to carry convalescents. The building has eight aircraft platforms, allowing veterans from all over the world to enter the building by helicopter. Eight aircraft platforms are distributed in the landscape area of the building, the top of the living and the top of the living and recuperation area.
2. Flow spaces are designed with connectivity, comfort and convenience in mind. Firstly its basic function connects the quarry, building services and residential areas. In order to obtain the comfort of use, the design creatively adds an outdoor activity area and a viewing platform, and adds a sports room and a meditation room on the viewing platform. Finally, in order to shorten the time for the flow of people to shuttle in each zone, connecting channels between different floors are set up.
3. There is also a part of the building located underground. The underground part is mainly used as an underground plaza and shopping area, and the deeper underground layer is used as a climate control and energy room. Scientific studies have shown that the underground provides excellent climate regulation and thermal mass. The relatively constant thermal energy and certain humidity stability of the subterranean environment can save energy supplied by fossil fuels. This is in line with the current values of sustainable development.
LIBRARY OF COURTS
Location: Back of the Yards, New City, Chicago, IL
Instructor: Seth McDowell, Erin Putalik
Project type: A library with community amenity spaces and eduation space
21S Arch 6020
The primary concept of this project is to design a library that functions as a dynamic, adaptive space. This is achieved by altering the primary functions of various sections of the library and redefining the roles of its courtyards. The vision is articulated through variations in the transparency and density of the facade, creating a visually engaging and functionally versatile environment. The library’s dynamic design features functional areas that can switch purposes, such as transforming reading zones into collaborative workspaces or exhibition areas with the help of movable partitions and modular furniture. The courtyards are multifunctional, serving as outdoor reading spaces, event venues, or tranquil gardens enhanced by greenery and water features. The facade employs materials like smart glass and decorative timber panels to adjust transparency and density, responding to environmental conditions and enhancing both energy efficiency and aesthetic appeal. This approach ensures a flexible, inviting, and sustainable space that caters to diverse user needs.
Site Analysis
Idea Generation
The buildings inside the neighborhood are mainly 1-2 story high cottages.
The site as accessibility to the vand S.Justine St from its north and west, which means the sun will come directly from the back side of the building.
1. Equally divide.
2. Creating setbacks.
3. Creating courts.
4. Adding one floor.
5. Creating variations for amenity space.
Sunlight & Radiation Analysis for 04/05/2021
6. Final appearence The chage of the transparence and density of the facade follows the functinal division and the environmental conditions. The more casual the building function, the less sunlight and radiation, result in more open building facade. The more formal the building function, the more sunlight and radiation, result in more open the building facade.
Ground Floor Plan
Legend
Plan of Courts
The vibrant, multicolored library facade, featuring large windows and a central courtyard, is designed to create an inviting entrance. By integrating natural light and greenery, it enhances the dynamic and welcoming atmosphere.
Roles and Fuctions of the Courts
1. Natural yard works as a landscape garden.
2. Guiding space for the entrance hall works as a buffer.
3. Completely interior courtyard works as a quiet reading space.
4. Hybrid of interior and exterior space inside the academic space.
5. Outdoor exhibition area at the back space of gallery.
6. A quiet park for picnic and hang out.
7. An outdoor lecture space relates to the lecture hall in the front.
The library courtyard features lush greenery and natural light, creating a serene and inviting outdoor reading area. By integrating plant walls and ample seating, it provides a tranquil space for study and relaxation.
The library courtyard, featuring vibrant, multicolored facades and large trees, is designed to create a serene and engaging outdoor space. By integrating natural elements and seating areas, it enhances the user experience and encourages outdoor activities.
Typical Detail
Perspective Section
The section perspective of the building shows a longitudinal cut revealing a well-organized multi-story structure. The cellar serves as the parking area, while the ground floor includes a main entrance with a circulation desk for directions. The first floor features a children’s play area and workshops for creative activities. A prominent sky corridor connects different sections, enhancing accessibility and providing visual connectivity. The second floor hosts a multifunctional hall for social activities, separated from the library to minimize disturbances. The third floor is dedicated to library and office spaces, with an outdoor terrace for reading and relaxation. Vertical circulation is facilitated by staircases and elevators, while horizontal circulation is optimized through wide corridors and open spaces, ensuring efficient movement throughout the building.
Functional Division
Visitor Flow and Space
Upon entering the building through the main entrance, visitors are greeted by the circulation desk where they can obtain directions, ensuring clarity as the amenity space and library are situated in different directions. On the upper levels, children are directed to a dedicated play area, while others can attend workshops to create and exhibit their artwork in the gallery. The two sections of the building are seamlessly connected by a café that spans above the entrance yard. The second floor houses a multifunctional hall, suitable for dancing, singing, and social gatherings, ensuring minimal disturbance to the library due to their separation. The third floor is reserved for library and office spaces, with access to an outdoor terrace located above the lecture hall, providing a serene environment for reading and relaxation amidst natural surroundings.
Other Works
06 AI-Assisted Concept Generation and Design Visualization
Postmodernism, deconstructivism, fragmented forms, gallery, concrete and steel.
Curvilinear, fashion design, hem of a dress, library, soft lighting.
Contemporary, lattice facade, angular design, exhibition space, glass and metal.
Organic architecture, flowing curves, musical theme, immersive lighting, modern gallery.
Exterior, luxury apartment with copper panels, changing size of aparture.
Close up view, building facade with protruding windows, patina metal panels.
Blue moon butterfly wings, fashion design, long dress, women's clothing, environmental protection.
Emotional juxtaposition, oil painting, a joyful guy in Dutch realism style, a sorrowful lady in emotionalist art style.
Green apple-shaped pendant, necklace, jadeite, gold leaf, enamel technique
Project type: Urban Design, A water corridor for Berlin subculture
Berlin has a long cultural history, and in modern times, the city's vibrant young people have developed a unique subcultural environment. The cultural and artistic fields involved in subculture include but are not limited to: music, art, sports competition, gathering events, open market, etc.
Aiming at the unique cultural environment of Berlin, the proposal of the design is to develop a culture corridor for visitors to experience the subcuture, and to another extend, to document the interweaving of subculture and urban culture and its own unique charm.
In order to maximize the effect of visiting and documenting, this design makes use of the water transportation system that crosses the city horizontally. Through the design of cruise ship routes, multiple representative locations and regions of the city are connected.
09 SPRING MEDITATION
Location: Bolar Springs in Highland County, Virginia
Instructor: Ines Martin Robles, Luis Pancorbo
Project type: A thermal bath complex of small size
20F Arch 6010
The site is located on the west of Charlottesville and the southwest of DC. It lies in a valley, between 3 mountains. The site is kind of like hiding itself in the nature, and the previous houses in the site are merging themselves into the site by using similar wooden structure. The spring is located inside the site after the bridge, surrounded by forest. There should be a inner relationship between the water, forest and the wood structure houses. The contour of the existing houses follow a potential grid, I decided to refine it and extend it to the mountain. After creating such a new building, a new courtyard unexpectedly come out.
Axonmetric View
Exploded View
pool and sauna house
pool and chirdren's area
Check-in office and changing rooms
Treatment rooms and cafe
and public swimming
Frigidarium
Tepidarium pool
Caldarium
Transparent glass roofs
Restaurant
Shop, Office
The building is just like dwelling in the forest. People who get into the site are just like getting into the nature and get released step by step. When people stand inside this courtyard, they can either enjoy the view coming from the background, or have some interactions with people on the upper floor. The recreation area of the whole design, people can have meals, picnic, get treatments or just play with water here. The main part of the design, when people get dressed in the changing room, they will get to either of these three floors to get released and heal in cold, warm or hot water. For these three floors, the building is opening gradually, just like people are getting released step by step and free themselves into the true nature.
Below: Front view of the house, standing inside the garden
Interior view for the triple height hall at the back side of building
The building complex is designed as a serene retreat where people can bathe, dine, and meditate. It harmonizes with the existing terrain by following the natural landscape and is divided into smaller, unobtrusive structures. The design primarily utilizes three materials: wood, glass, and concrete, which together create a balance of warmth, transparency, and structural integrity.
CLT (Cross Laminated Timber) columns and beams Double-glazed glass panel
Precast concrete wall
10 HANGING GARDEN OF PUERTO RICO
Location: Viejo San Juan, Puerto Rico
Instructor: Luis Pancorbo
Project type: Vertical Park, Amenity Spaces
23S Alar 8020
The purpose of this design is to use the old city walls left over from the Spanish colonial era in Viejo San Juan to create convenient facilities to re-endow these historical relics with value in the 21st century.
The construction method of the park adopts the local wooden frame and brick wall structure, aiming to create a light and breathable community shared area.
Functionally speaking, this new hanging garden will be used as a viewing area and a direct vertical path. On the other hand, the new created space will also serves as public space including: marketplace, children's playground, open theater, open cafe and pubs.
